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Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Bobby in Movieland Father Francis J
Xavier University Exhibit Father Francis J. Finn, S.J. Books Archives and Library Special Collections 1921 Bobby in Movieland Father Francis J. Finn S.J. Xavier University - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/finn Recommended Citation Finn, Father Francis J. S.J., "Bobby in Movieland" (1921). Father Francis J. Finn, S.J. Books. Book 6. http://www.exhibit.xavier.edu/finn/6 This Book is brought to you for free and open access by the Archives and Library Special Collections at Exhibit. It has been accepted for inclusion in Father Francis J. Finn, S.J. Books by an authorized administrator of Exhibit. For more information, please contact [email protected]. • • • In perfect good faith Bobby stepped forward, passed the dir ector, saying as he went, "Excuse me, sir,'' and ignoring Comp ton and the "lady" and "gentleman," strode over to the bellhop. -Page 69. BOBBY IN MO VI ELAND BY FRANCIS J. FINN, S.J. Author of "Percy Wynn," "Tom Playfair," " Harry Dee," etc. BENZIGER BROTHERS NEw Yonx:, Cmcnrn.ATI, Cmc.AGO BENZIGER BROTHERS CoPYlUGBT, 1921, BY B:n.NZIGEB BnoTHERS Printed i11 the United States of America. CONTENTS CHAPTER 'PAGB I IN WHICH THE FmsT CHAPTER Is WITHIN A LITTLE OF BEING THE LAST 9 II TENDING TO SHOW THAT MISFOR- TUNES NEVER COME SINGLY • 18 III IT NEVER RAINS BUT IT PouRs • 31 IV MRs. VERNON ALL BUT ABANDONS Ho PE 44 v A NEW WAY OF BREAKING INTO THE M~~ ~ VI Bonny ENDEA vo:r:s TO SH ow THE As TONISHED CoMPTON How TO BE- HAVE 72 VII THE END OF A DAY OF SURPRISES 81 VIII BonnY :MEETS AN ENEMY ON THE BOULEVARD AND A FRIEND IN THE LANTRY STUDIO 92 IX SHOWING THAT IMITATION Is NOT AL WAYS THE SINCEREST FLATTERY, AND RETURNING TO THE MISAD- VENTURES OF BonBY's MoTHER. -
Geek Policing: Fake Geek Girls and Contested Attention
International Journal of Communication 9(2015), 2862–2880 1932–8036/20150005 Geek Policing: Fake Geek Girls and Contested Attention JOSEPH REAGLE1 Northeastern University, USA I frame the 2012–2013 discourse about “fake geek girls” using Bourdieu’s theory of fields and capital, complemented by the literature on geeks, authenticity, and boundary policing. This discourse permits me to identify the reciprocal relationship between the policing of identity (e.g., Am I a geek?) and the policing of social boundaries (e.g., Is liking an X-Men movie sufficiently geeky?). Additionally, geekdom is gendered, and the policing of fake geek girls can be understood as a conflict over what is attended to (knowledge or attractiveness), by whom (geekdom or mainstream), and the meaning of received attention (as empowering or objectifying). Finally, despite the emergence of a more progressive and welcoming notion of geeks-who-share, the conversation tended to manifest the values of dominant (androcentric) members. That is, in a discourse started by a woman to encourage other women to be geeky, some of the loudest voices were those judging women’s bodies and brains according to traditionally androcentric and heteronormative values. Consequently, in this boundary and identity policing, women faced significant double binds, and the discourse exemplified a critical boomerang in which a critique by a woman circled back to become a scrutiny of women by men. Keywords: authenticity, boundaries, capital, geek, gender, policing, subculture In March 2012, Tara Tiger Brown (2012), a self-described “tech entrepreneur, educator and opinion writer,” wrote an article entitled “Dear Fake Geek Girls: Please Go Away.” The article prompted much discussion, generating 250 comments below the article itself as well as thousands of comments elsewhere. -
What Does Gender Mean in Regendered Characters
What Does Gender Mean in Regendered Characters Author Baker, Lucy Published 2017-12-31 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/2211 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/380299 Griffith Research Online https://research-repository.griffith.edu.au WHAT DOES GENDER MEAN IN REGENDERED CHARACTERS Ms Lucy Irene Baker, BA (Hons), MAppSci(Lib&InfoMgmt) School of Humanities, Languages, and Social Science Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 31 December 2017 21 Abstract This thesis examines the ways regendering, or ‘genderswapping’, is performed as an adaptational creative choice for fans and creators. Regendered works, such as the TV series Elementary, illustrate the complexity of representation, and the ongoing imbalanced landscape of media. I develop a more cohesive understanding of the fannish counterpublic and its complex approaches to creativity and gender by grounding the research and data collection in fan studies, gender studies, and literary theory. This thesis uses interviews, surveys, and observations of fannish communities, and close readings of regendered texts and media, to develop two theories of regendered effects. One: the position of regendered work within fannish counterpublics is one centred on the conflicts and tensions between lived experiences and the media landscape, performed through the creative forms that characterise their communities. Fannish experiences of gender and sexuality influence their reception of those works, and how they practice regendering as a creative process. Two: these works then reinforce that counterpublic by correcting the gender imbalance of the initial work, and re-othering the expectations of that work. -
Sjbc Librarian Top Picks
St John Bosco College Recommended Reading List 2017-2018 SJBC LIBRARIAN TOP PICKS Anthony Horowitz – Stormbreaker 14 year-old Alex Rider finds his life turned upside down on discovering that his late uncle wasn't a mild-mannered banker, but instead a field agent for MI6. Alex is then dragged into the world of espionage and intrigue himself. Book #1 in n action-packed book which won the New York Times Bestselling young adult novel written by British author Anthony Horowitz. Interest level age 12+ Dodie Smith – I Capture The Castle Life growing up in a crumbling castle, with her father who suffers from crippling writer's block, her glamorous but ineffectual step-mother and her vain but beloved sister Rose. When two visiting Americans arrive, all of their lives are turned upside down, and Cassandra experiences her first love. Written by the author of ‘101 Dalmations.’ Interest level age 14+ Alex Wheatle – Liccle Bit What's worse than hiding a secret? Liccle Bit's about to find out... Venetia King is the hottest girl at school. Too bad Lemar is the second shortest guy in his year. Written by local, award winning children’s author Alex Wheatle, a regular visitor to the school. Interest level age 14+ F. Cottrell-Boyce - Framed Dylan Hughes's dad leaves home and, overnight, Dylan must become the man of the household and boss of the failing family business. Dylan has never been interested in art before, but a valuable masterpiece might be just what they need. Interest level age 9 -13 John Boyne - The Boy in the Striped Pyjamas Bruno knows nothing of the Final Solution and the Holocaust, until he meets Shmuel, a boy who lives a strange parallel existence on the other side of the adjoining wire fence and wears a uniform of striped pyjamas. -
The Netherlands Country Reader Table of Contents
THE NETHERLANDS COUNTRY READER TABLE OF CONTENTS Mary Seymour Olmsted 1946-1949 Commercial Officer, Amsterdam Slator Clay Blackiston, Jr. 194 -1949 Political Officer, Amsterdam Herman Kleine 1949 Marshall Plan Mission to the Netherlands, The Hague (illiam C. Trimble 1951-1954 Political Counselor, The Hague Morton A. Bach 1952-1955 ,conomic Officer, The Hague C. -ray Bream 1954-1956 ,conomic Officer, Amsterdam .avid .ean 1954-1956 Consular Officer, 0otterdam Nancy Ostrander 1954-1956 Code Clerk, The Hague (illiam B. .unham 1956-1961 Political Section Chief, The Hague 0obert 2. Nichols 195 Information Officer, 4SIS, Amsterdam Peter J. Skoufis 1958-1961 Administrative Officer, The Hague Kathryn Clark-Bourne 1959-1961 Consular Officer, 0otterdam 2ambert Heyniger 1961-1962 Political Officer, The Hague Samuel .e Palma 1961-1964 Political Section, The Hague 6rancis M. Kinnelly 1962-1963 Commercial Officer, The Hague 1963-1964 Consular Officer, 0otterdam 6isher Ho8e 1962-1965 .eputy Chief of Mission, The Hague Manuel Abrams 1962-1966 ,conomic Counselor, The Hague Margaret 2. Plunkett 1962-196 2abor Attach:, The Hague (illiam N. Turpin 1963-1964 ,conomic Officer, The Hague .onald 0. Norland 1964-1969 Political Officer, The Hague ,mmerson M. Bro8n 1966-19 1 ,conomic Counselor, The Hague Thomas J. .unnigan 1969-19 2 Political Counselor, The Hague J. (illiam Middendorf, II 1969-19 3 Ambassador, Netherlands ,lden B. ,rickson 19 1-19 4 Consul -eneral, 0otterdam ,ugene M. Braderman 19 1-19 4 Political Officer, Amsterdam 0ay ,. Jones 19 1-19 2 Secretary, The Hague (ayne 2eininger 19 4-19 6 Consular / Administrative Officer, 0otterdam Martin Van Heuven 1932-194 Childhood, 4trecht 19 5-19 8 Political Counselor, The Hague ,lizabeth Ann Bro8n 19 5-19 9 .eputy Chief of Mission, The Hague Victor 2. -
Best New Teen Books of 2017 with Blurbs
Best New Teen Books of 2017 NLA/NSLA Conference October 2017 Presented by Sally Snyder, Nebraska Library Commission & Jill Annis, Elkhorn Grandview Middle School Fiction for Younger Teens Alexander, William A PROPERLY UNHAUNTED PLACE Illus. by Kelly Murphy 182p. Simon & Schuster 2017 $16.99 ISBN 978-1-4814-6915-9 Rosa Días and her mother have just moved to Ingot, the only unhaunted town in the world. Rosa, who also has talents, cannot understand why her mother, a librarian specializing in ghost appeasement, would decide to move here. Rosa soon meets Jasper Chevalier, who has lived in Ingot all his life, he takes her along to the summer-long Renaissance Festival at the fairgrounds. During the tour a beast, a haunting, comes down from the mountain and Rosa must deal with it. This isn’t supposed to happen and everyone forgot, or remembered it differently, as soon as the beast ran back into the hills. Rosa knows there is major trouble here and she and her mother are needed, if she can only convince her mother to stop trying to ignore/forget the past and focus on the situation. Anderson, John David POSTED 365p. Walden Pond Press (HarperCollins) 2017 $16.99 ISBN 978-0-06-233820-4 Eighth grade has been changed forever when cell phones are banned from Branton Middle School. Frost (13) and his best friends DeeDee, Wolf, and Bench come up with a plan to communicate with each other during this down time by using sticky notes. Soon every middle school student is following this craze. Words can be used to inspire, but they can also hurt and these sticky notes are no different. -
Fall 2021 Kids OMNIBUS (PDF)
FALL 2021 CATALOGUES: YOUNG ADULT & CHILDREN’S BOOKS TABLE OF CONTENTS 1 – Alma 2 – Bloomsbury Children’s 3 – Encantos 4 – Entangled Teen 5 – Farrar, Straus and Giroux 6 – Feiwel and Friends 7 – First Second 8 – Flatiron Teen 9 – Henry Holt & Co. 10 – Imprint 11 – Kingfisher 12 – Young Listeners 13 – Media Lab Kids 14 – Odd Dot 15 – Papercutz 16 – Priddy 17 – Roaring Brook 18 – Sounds True Kids 19 – Square Fish 20 – SMP Castle Point Kids 21 – SMP Wednesday Books 22 – TOR Children’s and Young Adult 23 – Macmillan Kids Prev. Postponed Macm Kids Omnibus - Fall 2021 Page 1 of 260 The Sign of Four by Arthur Conan Doyle Deeply bored by the lack of mental stimulus and the dull routine of existence, Sherlock Holmes is about to resort to his daily dose of cocaine in order to get a thrill, when an elegantly dressed young woman called Mary Morstan enters his room and presents her case to him and Watson. Her father has mysteriously disappeared ten year ago, and after answering, four years later, a newspaper advert enquiring for her, she has begun to receive each year, on the same date, a precious pearl in the post from an unknown benefactor. Now, with the last pearl, she has also received a message, telling her she is a wronged woman" and asking for a meeting that very night outside the Lyceum Theatre. Will the great detective accompany her and help her unravel the mystery? First published in 1880, The Sign of Four - the second Sherlock Holmes novel after A Study in Scarlet, published three years earlier - will sweep the readers away into a story of murders, betrayals, double-crossings and stolen treasures, and is an enduring testament to the storytelling genius of Arthur Alma Books Conan Doyle. -
Abyssal Genasi by Robert J
ISSUE 380 | OCtObEr 2009 A Dungeons & Dragons® Roleplaying Game Supplement ® Contents Features 5 Player’s Handbook 3 debut: The seeker 45 CHaraCter ConCePts: Primal CHaraCters By Robert J. Schwalb By John Zamarra Commentary by Robert J. Schwalb and Stephen Radney-Macfarland Check out builds for levels 1–30 for a powerful shaman healer and a glaive- The next class from Player’s Handbook 3 is here, exclusively on D&D Insider! wielding warden, incorporating material from the Primal Power supplement. Learn about the seeker, an archer who controls the battlefield through the mystical powers granted by her connection to the divine. 56 CHannel divinity: The raven Queen’s CHamPions 18 abyssal Genasi By Robert J. Schwalb By Peter Schaefer Those who serve the Lady of Fate are privy to mysteries others view with While most genasi are touched by one of five elements, some have a darker envy. Unlock some of the secrets of the Raven Queen for your character! heritage. Learn about those genasi whose bloodline has been tainted by the Abyss. 67 bazaar oF tHe bizarre: draGonsHard items By Eric Cagle 24 barbarian essentials New magic items using the magic of dragonshards are here. By Rob Heinsoo Learn about the essential character building and play options for your 75 PlayinG vistani barbarian character, and get some new powers and mechanical options as By Chris Sims well. Planar wanderers? Thieving gypsies? Kidnappers? The vistani have been given many labels, but few understand this clannish group. Learn their 36 Wizard essentials secrets, and discover what drives the vistani on their endless quest in the By Eytan Bernstein first of a three-part series. -
GENDER SIGNIFIERS in VIDEO GAMES” Jen on May 15, 2013 at 7:51 Am Said
7 character design, culture, debate, feminism, stereotypes [http://howtonotsuckatgamedesign.com/?p=7852] , October 21, 2012 [http://howtonotsuckatgamedesign.com/?p=7852] by Anjin Anhut. Tweet 268 Like 1.3k 73 Sharre 20 StumbleUpon This article is filed under game criticism and game semiotics. Depictions of gender in video games generally don’t work. Actually in most of geek culture they suck – yeah, I’m looking at you comic book industry. Why? Because they create hostility between two parties who really don’t need to be at each other’s throats. Feminist critics and gender issue aware members of the gaming community decry the blatant sexism in video games, while growing in numbers and in relevance. On the other side, not so gender issue aware game devs, gamers and journalists feel threatened, blame it all on those who speak up, get defensive, retaliate or engage in preemptive attacks. Female gamers and LGBTIQ gamers are here to stay, which is wonderful, enriching, progressive… and admittedly – for male caucasian heterosexual 29-year-olds like me – also challenging. We need to drastically reform the way we depict gender in our oh so mature and oh so progressive medium, people. Here is my long excessive attempt at analyzing how character design around gender works, how it currently fails and how to fix it. Let’s discuss! Signifiers In Character Design Let’s look at characters and what their design tells us about them and about the intellectual property they belong to. Every design element of a character – every sign, which tells us something about the protagonists or NPCs and the games they appear in is furthermore referred to as a signifier. -
Zines and Minicomics Collection
http://oac.cdlib.org/findaid/ark:/13030/c85t3pmt No online items Guide to the Zines and Minicomics Collection Finding Aid Authors: Anna Culbertson and Adam Burkhart. © Copyright 2014 Special Collections & University Archives. All rights reserved. 2014-05-01 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Guide to the Zines and MS-0278 1 Minicomics Collection Guide to the Zines and Minicomics Collection 1985 Special Collections & University Archives Overview of the Collection Collection Title: Zines and Minicomics Collection Dates: 1985- Bulk Dates: 1995- Identification: MS-0278 Physical Description: 42.25 linear ft Language of Materials: EnglishSpanish;Castilian Repository: Special Collections & University Archives 5500 Campanile Dr. MC 8050 San Diego, CA, 92182-8050 URL: http://library.sdsu.edu/scua Email: [email protected] Phone: 619-594-6791 Access Terms This Collection is indexed under the following controlled access subject terms. Topical Term: American poetry--20th century Anarchism Comic books, strips, etc. Feminism Gender Music Politics Popular culture Riot grrrl movement Riot grrrl movement--Periodicals Self-care, Health Transgender people Women Young women Accruals: 2002-present Conditions Governing Use: The copyright interests in these materials have not been transferred to San Diego State University. Copyright resides with the creators of materials contained in the collection or their heirs. The nature of historical archival and manuscript collections is such that copyright status may be difficult or even impossible to determine. Requests for permission to publish must be submitted to the Head of Special Collections, San Diego State University, Library and Information Access. -
Comics As PHILOSOPHY This Page Intentionally Left Blank Comics As PHILOSOPHY
Comics as PHILOSOPHY This page intentionally left blank Comics as PHILOSOPHY Edited by JEFF MCLAUGHLIN University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2005 by University Press of Mississippi All rights reserved Manufactured in the United States of America First edition 2005 ϱ Library of Congress Cataloging-in-Publication Data Comics as philosophy / edited by Jeff McLaughlin.— 1st ed. p. cm. Includes bibliographical references (p. ) and index. ISBN 1-57806-794-4 (cloth : alk. paper) 1. Comic books, strips, etc.—Moral and ethical aspects. 2. Comic books, strips, etc.—History and criticism. I. McLaughlin, Jeff. PN6712.C58 2005 741.5Ј09—dc22 2005004453 British Library Cataloging-in-Publication Data available To my late brother Gord, for letting me read his Fantastic Four. To my dad, for giving me my allowance to spend on comic books. And To my wife Deanna, Just because I love her. This page intentionally left blank Contents Acknowledgments ix Introduction xi What If? DC’s Crisis and Leibnizian Possible Worlds 3 —JEFF MCLAUGHLIN Describing and Discarding “Comics” as an 14 Impotent Act of Philosophical Rigor —ROBERT C. HARVEY “No Harm in Horror” 27 Ethical Dimensions of the Postwar Comic Book Controversy —AMY KISTE NYBERG Truth Be Told 46 Authorship and the Creation of the Black Captain America —STANFORD W. CARPENTER Plato, Spider-Man and the Meaning of Life 63 —JEREMY BARRIS Modernity, Race, and the American Superhero