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Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Procedures for Reverencing the Tabernacle and the Altar Before, During and After Mass
Procedures for Reverencing the Tabernacle and the Altar Before, During and After Mass Key Terms: Eucharist: The true presence of Christ in the form of his Body and Blood. During Mass, bread and wine are consecrated to become the Body and Blood of Christ. Whatever remains there are of the Body of Christ may be reserved and kept. Tabernacle: The box-like container in which the Eucharistic Bread may be reserved. Sacristy: The room in the church where the priest and other ministers prepare themselves for worship. Altar: The table upon which the bread and wine are blessed and made holy to become the Eucharist. Sanctuary: Often referred to as the Altar area, the Sanctuary is the proper name of the area which includes the Altar, the Ambo (from where the Scriptures are read and the homily may be given), and the Presider’s Chair. Nave: The area of the church where the majority of worshippers are located. This is where the Pews are. Genuflection: The act of bending one knee to the ground whilst making the sign of the Cross. Soon (maybe even next weekend – August 25-26) , the tabernacle will be re-located to behind the altar. How should I respond to the presence of the reserved Eucharist when it will now be permanently kept in the church sanctuary? Whenever you are in the church, you are in a holy place, walking upon holy ground. Everyone ought to be respectful of Holy Rosary Church as a house of worship and prayer. Respect those who are in silent prayer. -
Church and Liturgical Objects and Terms
Church and Liturgical Objects and Terms Liturgical Objects Used in Church The chalice: The The paten: The vessel which golden “plate” that holds the wine holds the bread that that becomes the becomes the Sacred Precious Blood of Body of Christ. Christ. The ciborium: A The pyx: golden vessel A small, closing with a lid that is golden vessel that is used for the used to bring the distribution and Blessed Sacrament to reservation of those who cannot Hosts. come to the church. The purificator is The cruets hold the a small wine and the water rectangular cloth that are used at used for wiping Mass. the chalice. The lavabo towel, The lavabo and which the priest pitcher: used for dries his hands after washing the washing them during priest's hands. the Mass. The corporal is a square cloth placed The altar cloth: A on the altar beneath rectangular white the chalice and cloth that covers paten. It is folded so the altar for the as to catch any celebration of particles of the Host Mass. that may accidentally fall The altar A new Paschal candles: Mass candle is prepared must be and blessed every celebrated with year at the Easter natural candles Vigil. This light stands (more than 51% near the altar during bees wax), which the Easter Season signify the and near the presence of baptismal font Christ, our light. during the rest of the year. It may also stand near the casket during the funeral rites. The sanctuary lamp: Bells, rung during A candle, often red, the calling down that burns near the of the Holy Spirit tabernacle when the to consecrate the Blessed Sacrament is bread and wine present there. -
Zion Township
STATE OF ILLINOIS ) ) ss COUNTY OF LAKE ) Public notice is hereby given that I, Holly Kim, County Treasurer and Ex Officio County Collector of Lake County, in the State aforesaid will apply to the Circuit Court of said County on February 5, 2021, for judgment (the “Application for Judgment”) fixing the correct amount of any tax and for Judgment against the lands and lots mentioned and described in the following list of delinquent lands and lots for the general taxes for the years 1910 through 2019 both inclusive, together with interest, penalties and costs due severally thereon and for taxes, drainage and special assessments due for the years 1914 through 2019 both inclusive together with interest, penalties and costs due severally thereon, and for an order to sell said lands and lots for satisfaction of all amounts due. Public notice is also hereby given that on February 15, 2021, all the lands and lots for the sale of which an order shall be made, will be exposed to public sale at the Lake County Administration Building, 18 N County Street, Waukegan, IL, in said County, for the amount of taxes, special taxes, drainage, special assessments, interest, penalties and costs due severally thereon, except such as shall have been paid at said time of sale. Said sale shall commence at 9:00 A.M. on Monday, February 15, 2021, and to continue from day to day until the same shall be completed and if for any cause such Judgment shall not be rendered then such sale shall start no more than 5 business days after such judgment shall be rendered. -
Week 5: Genuflection and Silent Prayer When We Enter the Chapel
Week 5: Genuflection and Silent Prayer When we enter the chapel, we perform three rituals: we bless ourselves with holy water, genuflect, and say a silent prayer. When we genuflect towards the tabernacle, we acknowledge that the sacred body of Christ resides in this house. The Church teaches that we bend the right knee for this genuflection (although both knees when the Blessed Sacrament is exposed during the consecration). It’s not meant to be a cursory gesture of belonging, like a secret handshake in a club, or something Catholics just do. This is meant to represent our true attitude of reverence before God, a posture of dependence upon Him. This is an excellent time to practice being humble in the presence of our creator. In our chapel, the tabernacle exists in the Blessed Sacrament Chapel, which is the direction in which we genuflect. It’s also respectful to bow before the altar when crossing in front of it in acknowledgement of the sacrificial meal that takes place there. Our third ritual before mass is to say a silent prayer to God. Why would we say a silent prayer when we’re about to spend an hour praying to Him? This time with God can be special for each one of us – before we enter the liturgy of the mass collectively. You might choose to thank God for the incredible opportunity to be a Catholic and encounter him in this space. You might choose to ask for His help in calming your mind and spirit in preparation for this holy encounter. -
Signs of Reverence to Christ and to the Eucharist – Page 2
Connecting Catechesis and Life adoration, is on one knee” [Holy SIGNS OF REVERENCE Communion and Worship of the Eucharist outside Mass, no. 84]. TO CHRIST AND TO THE EUCHARIST 3. Each person also genuflects when passing before the Blessed Sacrament. by Eliot Kapitan The exception is when ministers are walking in procession [Ceremonial of With the gradual reception of the Bishops, no. 71] and in the midst of new Roman Missal, great attention has Liturgy. been given to posture and gesture during the Communion Rite of Mass. 4. A genuflection is made to the holy cross from the veneration during the liturgy The Bishops of the United States of Good Friday of the Lord’s Passion have determined the following norms: until the beginning of the Easter Vigil Communion is received standing; each [Ceremonial of Bishops, no. 69; Roman communicant bows his or her head to the Missal; and On Preparing and Sacrament before the ritual dialogue and Celebrating the Paschal Feasts, nos. 71 reception under both kinds, both Body and and 74]. Blood [see General Instruction of the Roman Missal, no. 160]. 5. A deep bow of the body is made to the altar. This is done by all the ministers All of this raises the questions: in procession except those carrying When do we bow? When do we genuflect? articles used in celebration [Ceremonial What do bowing and genuflecting mean? of Bishops, no. 70; General Instruction of the Roman Missal 2002, no. 122]. The HOW THE CHURCH PRAYS faithful may also do this before taking a place in the church. -
Vestiges of Midsummer Ritual in Motets for John the Baptist
Early Music History (2011) Volume 30. Cambridge University Press doi:10.1017/S0261127911000027 M A A Email: [email protected] FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST The thirteenth-century motet repertory has been understood on a wide spectrum, with recent scholarship amplifying the relationship between the liturgical tenors and the commentary in the upper voices. This study examines a family of motets based on the tenors IOHANNE and MULIERUM from the feast of the Nativity of John the Baptist (24 June). Several texts within this motet family make references to well-known traditions associated with the pagan festival of Midsummer, the celebration of the summer solstice. Allusions to popular solstitial practices including the lighting of bonfires and the public criticism of authority, in addition to the cultural awareness of the sun’s power on this day, conspicuously surface in these motets, particularly when viewed through the lens of the tenor. The study suggests the further obfuscation of sacred and secular poles in the motet through attentiveness to images of popular, pre-Christian rituals that survive in these polyphonic works. In the northern French village of Jumièges from the late Middle Ages to the middle of the nineteenth century, a peculiar fraternal ritual took place. Each year on the evening of the twenty-third of June, the Brotherhood of the Green Wolf chose its new chief. Arrayed in a brimless green hat in the shape of a cone, the elected master led the men to a priest and choir; Portions of this study were read at the Medieval and Renaissance Conference at the Institut für Musikwissenschaft, University of Vienna, 8–11 August 2007 and at the University of Chicago’s Medieval Workshop on 19 May 2006. -
Billboard #1 Records
THE BILLBOARD #1 ALBUMS COUNTRY ALBUM SALES DEBUTPEAK ARTIST TITLE LABEL SEL# (1) 5/11/19 1 1. SCOTT, Dylan Nothing To Do Town (EP) Curb HEATSEEKER ALBUMS DEBUTPEAK ARTIST TITLE LABEL SEL# (1) 7/8/95 1 1. PERFECT STRANGER You Have The Right To Remain Silent Curb 77799 (1) 11/3/01 1 2. HOLY, Steve Blue Moon Curb 77972 (1) 5/21/11 1 3. AUGUST, Chris No Far Away Fervent/Curb-Word 888065 MUSIC VIDEO SALES DEBUTPEAK ARTIST TITLE LABEL SEL# (28) 5/8/93 1 1. STEVENS, Ray Comedy Video Classics Curb 77703 (6) 5/7/94 1 2. STEVENS, Ray Live Curb 77706 TOP CATALOG COUNTRY ALBUMS DEBUTPEAK ARTIST TITLE LABEL SEL# (1) 6/15/91 1 1. WILLIAMS, Hank Jr. Greatest Hits Elektra/Curb 60193 (2) 8/21/93 1 2. JUDDS, The Greatest Hits RCA/Curb 8318 (26) 6/19/99 1 3. MCGRAW, Tim Everywhere Curb 77886 (18) 4/1/00 1 4. MESSINA, Jo Dee I'm Alright Curb 77904 (1) 8/17/02 1 5. SOUNDTRACK Coyote Ugly Curb 78703 (54) 12/7/02 1 6. MCGRAW, Tim Greatest Hits Curb 77978 (2) 1/19/08 1 7. MCGRAW, Tim Greatest Hits, Vol. 2: Reflected Curb 78891 (4) 6/16/11 1 8. MCGRAW, Tim Number One Hits Curb 79205 TOP CHRISTIAN ALBUMS DEBUTPEAK ARTIST TITLE LABEL SEL# (35) 9/27/97 1 1. RIMES, LeAnn You Light Up My Life: The Inspirational Album Curb 77885 (35) 10/7/01 1 2. P.O.D. Satellite Atlant/Curb-Word 83496 (5) 6/8/02 1 3. -
"The Crescent" Student Newspaper, October 16, 1934
Digital Commons @ George Fox University "The Crescent" Student Newspaper Archives and Museum 10-16-1934 "The Crescent" Student Newspaper, October 16, 1934 George Fox University Archives Follow this and additional works at: https://digitalcommons.georgefox.edu/the_crescent Recommended Citation George Fox University Archives, ""The Crescent" Student Newspaper, October 16, 1934" (1934). "The Crescent" Student Newspaper. 899. https://digitalcommons.georgefox.edu/the_crescent/899 This Book is brought to you for free and open access by the Archives and Museum at Digital Commons @ George Fox University. It has been accepted for inclusion in "The Crescent" Student Newspaper by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. VOLUME XLVI NEWBERG, OREGON, OCTOBER 16, 1934 NUMBER 2 PROF. HULL CONTRIBUTES OREGON REPRESENTATIVE "Frosh Show Red TO CHAPEL PROGRAM WITH TO F. F. A. CONVENTION IS Quaker Lads Ring LECTURE ON INDIAN MUSIC PAUL ASTLEFORD OF P. C. As Added Feature Up First Victory in Professor Hull took his turn early this To Paul Astleford, a member of the of Freshman Day year in doing his part in contributing to Freshman class, has been conferred the Contest with Reed the chapel programs by presenting a honor of being the official delegate from lecture on Indian Music, interspersed Oregon to the National Convention of Old Traditions Are Broken But Pacific Gridsters Emerge From with characteristic songs and piano se- Future Farmers of America, held at Are Replaced by Peppy lections. Kansas City, where he will be a can- Second Game with He said, "Music was very important didate for the American Farmers De- 19-7 Win Program to the Indian, since his tribal history gree. -
The Port Weekly Christmas
T Remember Christmas College Night The Port Weekly Play Coming Vol. Xir. No. 11, Port Washington Senior High School, Friday, December 6, 1935 Price: Five Cents BOYS' BASKETBALL Port Musicians College Night Dec. 13—Hickswillle art; Kidkisvillie 'Cradle Song' Dec. 20— Alumni at Port Play At Ithaca Vext Tuesday Jan. 10—Great Neck at Great Wm Be Given Neck Eleven Local Players Play Jan. 17—Mikieota. ait Porit College Representatives Jam. 24—Manhassl.it ait Mamlhas- In All-State Band Special Performance To set Eleven memlbers of tOne local high T o Talk With Seniors Jam. 28— Glen Cove at Port Be Held December 19 school iband played in thie All- Jan. 31—Adelphi at Port Staite band, which was a feature The annual informal "College Fob. 7—^Mineola at Mineoflla The Dramatics Department win of .the annuiaa State Band-Masters' Night" will ;be held in the High Feb. 11—Manhaisset ait Port collaborate with the Pantomine and Clinic, held at Ithaca, New York, Feb. 14—Glen ^Ctove at Glen the Girls' Glee Club to present a School cafeteria on Decemiber 10, at November 21, 22, 23. Game sixty Oove Christmas program Thursday night, 8 o'clock. All Seniors who are inter- high schools throughout tlhie sbaibe Feb. 21—Alunuiii Club ait Part December 19. The program is di- ested in co-educational ajid men's ware represented in the band, but vided into three parts. Gregoria and Feb. 28—Great Neck ait Port tiie Port Washington delegaiticn was colleges are invited to attend, as Max. 6—Play-offs Maria Sierra's "Cradle Song" will tihey will find tihe meeting of great the largest from any one school. -
Extensions of Remarks 23579 Extensions of Remarks
August 27, 1980 EXTENSIONS OF REMARKS 23579 EXTENSIONS OF REMARKS CHRYSLER AND AUTO Planners had little idea one design would like a laser beam through Detroit's darkest TECHNOLOGY be so crucial when they first set pen to hour. This is another of those genuinely paper four years ago. The Omni/Horizon small cars packed with an astonishingly line was almost ready for introduction at roomy interior. SAE measurements <used by HON. DOUG WALGREN that time. Americans had just resumed the EPA to categorize cars> spot the K-car OF PENNSYLVANIA their big-car buying habits after Energy just slightly smaller than an X-car in front, IN THE HOUSE OF REPRESENTATIVES Crisis I, encouraged by plentiful-albeit but a bit larger in both back-seat and truck more expensive-fuel supplies. The K would roominess. Outside, the K rides on a five Wednesday, August 27, 1980 replace the Aspen/Volare, and, for the first inch-shorter wheelbase than the X-car, is six e Mr. WALGREN. Mr. Speaker, time ever, Chrysler planners knew exactly inches shorter overall, and is just a touch American auto technology is in a cru what they wanted. The "blueprint" letter wider. Inside, Chrysler supplies seatbelts for cial state of transition. For a number that set development in motion was seven five or six people <depending on whether of inescapable reasons we must change pages long, whereas single-sheet descrip the front seats are buckets or a bench), and tions had typically launched new Chrysler the EPA has anointed this a "midsize" car the size and design of new automobiles products in the past. -
Writing in Grey Joseph Schwartze UCCS Honors Program
Writing in Grey Joseph Schwartze UCCS Honors Program A Darker World The stories in this section look at the darker parts of our world. Fantasy is unnecessary to see depictions of true evil; it exists in day to day life. The mind does not have to warp itself in perverted defense mechanisms to see darkness in our average lives. These stories examine the consequences of the bad events in our world, from the lasting effects on a single person to the terrible choices some people are forced to make. We do not always know the darkness that surrounds us; only an unremarkable symbol might be the reminder. Other times, the darkness around us can be from our own choices, our own accomplishments, and we must live with that stink forever. These stories explore the grey in our world and how the black and white can mix into unfortunate realities. Choices in the Dark Clarissa took the shot, and she savored the burning sensation in her throat. She needed it, the pain. She needed the numbness that followed even more. Her eyes closed, and when she opened them, some 20-something college boy sat next to her. He was dressed like a preppy frat boy, with his khakis and a light blue polo shirt. She knew the drill. A pretty smile painted her features, and she leaned against the counter while she waited for him to say something. A quick adjustment and her dark red, revealing dress showed off more of her thighs and cleavage. “Can I buy you a drink?” he asked confidently.