Understanding the Parts of the Mass
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New User Guide JUNE 12, ST. JOHN of SAN
JUNE 12, ST. JOHN OF SAN FACUNDO, CONFESSOR Errors? [email protected] St. John was born at St. Facundus in Spain, and belonged to the Augustinian Order. He was distinguished for his devotion during holy Mass; he loved peace-making and brought an end to a civil war among the factions in Salamanca. He died June 11, 1479. Commemoration of Sts. Basilides, Cyrinus, Nabor, and Nazarius: These men were Christian soldiers in the army of Maxentius. They were beheaded by order of Aurelius, prefect of Rome. New User Guide AT THE FOOT OF THE ALTAR AT THE FOOT OF THE ALTAR (Kneel) (Kneel) P: †In nómine Patris, et Fílii, et Spíritus P: †In the Name of the Father, and of Sancti. Amen. the Son, and of the Holy Spirit. Amen. P: Introíbo ad altáre Dei. P: I will go unto the altar of God. S: Ad Deum qui lætíficat juventútem S: To God, Who gives joy to my youth. meam. (Psalm 42) (Psalm 42) P: Júdica me, Deus, et discérne P: Judge me, O God, and distinguish causam meam de gente non sancta: my cause from the unholy nation, ab hómine iníquo et dolóso érue me. deliver me from the unjust and deceitful man. S: Quia tu es, Deus, fortitúdo mea: S: For Thou, O God, art my strength, quare me repulísti, et quare tristis why hast Thou cast me off? And why incédo, dum afflígit me inimícus? do I go about in sadness, while the enemy afflicts me? P: Emítte lucem tuam, et veritátem P: Send forth Thy light and Thy truth: tuam: ipsa me deduxérunt, et they have conducted me and brought adduxérunt in montem sanctum tuum, me unto Thy holy mount, and into Thy et in tabernácula tua. -
(1) Western Culture Has Roots in Ancient and ___
5 16. (50) If a 14th-century composer wrote a mass. what would be the names of the movement? TQ: Why? Chapter 3 Kyrie, Gloria, Credo, Sanctus, Agnus Dei. The text remains Roman Liturgy and Chant the same for each day throughout the year. 1. (47) Define church calendar. 17. (51) What is the collective title of the eight church Cycle of events, saints for the entire year services different than the Mass? Offices [Hours or Canonical Hours or Divine Offices] 2. TQ: What is the beginning of the church year? Advent (four Sundays before Christmas) 18. Name them in order and their approximate time. (See [Lent begins on Ash Wednesday, 46 days before Easter] Figure 3.3) Matins, before sunrise; Lauds, sunrise; Prime, 6 am; Terce, 9 3. Most important in the Roman church is the ______. am; Sext, noon; Nones, 3 pm; Vespers, sunset; Mass Compline, after Vespers 4. TQ: What does Roman church mean? 19. TQ: What do you suppose the function of an antiphon is? Catholic Church To frame the psalm 5. How often is it performed? 20. What is the proper term for a biblical reading? What is a Daily responsory? Lesson; musical response to a Biblical reading 6. (48) Music in Context. When would a Gloria be omitted? Advent, Lent, [Requiem] 21. What is a canticle? Poetic passage from Bible other than the Psalms 7. Latin is the language of the Church. The Kyrie is _____. Greek 22. How long does it take to cycle through the 150 Psalms in the Offices? 8. When would a Tract be performed? Less than a week Lent 23. -
Praying with Body, Mind, and Voice
Praying with Body, Mind, and Voice n the celebration of Mass we raise our hearts and SITTING minds to God. We are creatures of body as well as Sitting is the posture of listening and meditation, so the Ispirit, so our prayer is not confined to our minds congregation sits for the pre-Gospel readings and the and hearts. It is expressed by our bodies as well. homily and may also sit for the period of meditation fol- When our bodies are engaged in our prayer, we pray lowing Communion. All should strive to assume a seated with our whole person. Using our entire being in posture during the Mass that is attentive rather than prayer helps us to pray with greater attentiveness. merely at rest. During Mass we assume different postures— standing, kneeling, sitting—and we are also invited PROCESSIONS to make a variety of gestures. These postures and gestures are not merely ceremonial. They have pro- Every procession in the Liturgy is a sign of the pilgrim found meaning and, when done with understand- Church, the body of those who believe in Christ, on ing, can enhance our participation in the Mass. their way to the Heavenly Jerusalem. The Mass begins with the procession of the priest and ministers to the altar. The Book of the Gospels is carried in procession to the ambo. The gifts of bread and wine are brought STANDING forward to the altar. Members of the assembly come for- Standing is a sign of respect and honor, so we stand as ward in procession—eagerly, attentively, and devoutly— the celebrant who represents Christ enters and leaves to receive Holy Communion. -
Stand Priest: in the Name of the Father, and of the Son, and of the Holy
1 Stand Form B SIGN OF THE CROSS Priest: Have mercy on us, O Lord. Priest: In the name of the Father, and of the Son, and People: For we have sinned against you. ✠of the Holy Spirit. Priest: Show us, O Lord, your mercy. People: Amen. People: And grant us your salvation. GREETING Form C Priest: The grace of our Lord Jesus Christ, and the Priest: You were sent to heal the contrite of heart: love of God, and the communion of the Holy Lord, have mercy. Or: Kyrie, eleison. Spirit be with you all. People: Lord, have mercy. Or: Kyrie, eleison. People: And with your spirit. Priest: You came to call sinners: Christ, have mercy. Or: Christe, eleison. Or: People: Christ, have mercy. Or: Christe, eleison. Priest: Grace to you and peace from God our Father Priest: You are seated at the right hand of the Father and the Lord Jesus Christ. to intercede for us: People: And with your spirit. Lord, have mercy. Or: Kyrie, eleison. People: Lord, have mercy. Or: Kyrie, eleison. Or: Priest: The Lord be with you. People: And with your spirit. All forms of the Penitential Act are concluded by the Priest: PENITENTIAL ACT May almighty God have mercy on us, forgive us our Priest: Brethren, let us acknowledge our sins, and so sins, and bring us to everlasting life. prepare ourselves to celebrate the sacred mys- People: Amen. teries. Form A The Kyrie eleison invocations follow, unless they have just occurred All pause for silent reflection then say: in a formula of the Penitential Act (Form C). -
R.E. Prayer Requirement Guidelines
R.E. Prayer Requirement Guidelines This year in the Religious Education Program we are re-instituting Prayer Requirements for each grade level. Please review the prayers required to be memorized, recited from text, \understood, or experienced for the grade that you are teaching (see p. 1) Each week, please take some class time to work on these prayers so that the R.E. students are able not only to recite the prayers but also to understand what they are saying and/or reading. The Student Sheet (p. 2) will need to be copied for each of your students, the student’s name placed on the sheet, and grid completed for each of the prayers they are expected to know, or understand, or recite from text, or experience. You may wish to assign the Assistant Catechist or High School Assistant to work, individually, with the students in order to assess their progress. We will be communicating these prayer requirements to the parents of your students, and later in the year, each student will take their sheet home for their parents to review their progress. We appreciate your assistance in teaching our youth to know their prayers and to pray often to Jesus… to adore God, to thank God, to ask God’s pardon, to ask God’s help in all things, to pray for all people. Remind your students that God always hears our prayers, but He does not always give us what we ask for because we do not always know what is best for others or ourselves. “Prayer is the desire and attempt to communicate with God.” Remember, no prayer is left unanswered! Prayer Requirements Table of Contents Page # Prayer Requirement List……………………………………. -
Dominican Rite Practicum
LSFT 2405 Dominican Rite Practicum Prepared by the Instructor 2020 Dominican School of Philosophy and Theology Fall 2020 LSFT 2405 First Meeting: Saturday, 9/5, SAP Library, 7:30 pm Dominican Rite Practicum Instructor: Fr. Augustine Thompson O.P. Office Hours: TBA at St. Albert’s Priory Course Description This course is a 1.5 unit graded liturgical practicum open to Dominican friar students, normally after residency year, best in the year of deaconal or priestly ordination. The goal is to acquire the ability to celebrate Low Mass and Missa Cantata according to the traditional Dominican Rite in Latin. The outcome will be a correct and fluid "dry Mass" celebration of the Dominican Rite Low Mass and of the Missa Cantata. These two exercises will in equal parts provide the two graded "exams" of the course. The format will be a practicum in which students perform the rite under the direction of the instructor. Admission to the Class Dominican friars who would like to be admitted to the class need to arrange an interview with the instructor. At the interview they will be asked to recite from memory the texts found on the next page. This memorization is not-negotiable and will serve to prove that the student is ready to undertake the heavy memorization element of the class. As this class is only open to Western Dominican Province student brothers it will be held at St. Albert’s with social distancing. Required Books and Materials William R. Bonniwell, ed., Dominican Ceremonial for Mass and Benediction (1946; rpt. Oakland: Dominican Liturgy Publications, 2012), $22.75, order at: http://www.lulu.com/shop/william-r-bonniwell-op/dominican-ceremonial-for-mass-and-b enediction/hardcover/product-21602438.html Dominican Altar Boys' Manual According to the Rite of the Order of Preachrs (1945; rpt. -
MA Thesis Ceremonials FINAL
ABSTRACT CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE by Rachel Lynn Brandenburg Rituals have been used throughout history as a way to process change and emotion. In the modern day, people are beginning to turn away from organized religion and to take on more personalized rituals and spirituality. As such, identifying as a witch is a growing phenomenon that serves to empower many personally, politically, and spiritually. This creative thesis takes an autobiographical approach to explore how ritual and the identity of the witch can be used as tools of empowerment, tracing the artist’s own journey from Catholicism to a more fluid spiritual life. On February 22nd, 2019, Ceremonials: A Ritual Play opened as part of Miami University’s Independent Artist Series. The play was devised with a student ensemble over a period of five months and stands as the culmination of a series of performance projects that sought to combine ritual and theatre. This portfolio spans the breadth of that practice-based research and includes examples from performance experiments and the devising process, as well as reflections on how ritual and devised theatre can help to empower the individual and the artist. CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Rachel Lynn Brandenburg Miami University Oxford, Ohio 2019 Advisor: Saffron Henke Reader: Julia Guichard Reader: Christiana Molldrem Harkulich ©2019 Rachel Lynn Brandenburg This Thesis titled CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE by Rachel Lynn Brandenburg has been approved for publication by The College of Creative Arts and Department of Theatre ____________________________________________________ Saffron Henke, MFA ______________________________________________________ Julia Guichard, MFA _______________________________________________________ Christiana Molldrem Harkulich, PhD Table of Contents 1. -
All Soul's Day Sung Requiem Saturday, November 2 at 5:15 P.M
THE THIRTIETH SUNDAY IN ORDINARY TIME | OCTOBER 27, 2019 All Soul’s Day Sung Requiem Saturday, November 2 at 5:15 p.m. Maurice Duruflé Requiem CATHEDRAL OF SAINT PAUL NATIONAL SHRINE OF THE APOSTLE PAUL 239 Selby Avenue, Saint Paul, Minnesota 55102 651.228.1766 | www.cathedralsaintpaul.org Rev. John L. Ubel, Rector Priests In Residence: Rev. Mark Pavlak & Rev. Joseph Bambenek Deacons Phil Stewart, Ron Schmitz & Nao Kao Yang ARCHDIOCESE OF SAINT PAUL AND MINNEAPOLIS Most Rev. Bernard A. Hebda, Archbishop Most Rev. Andrew H. Cozzens, Auxiliary Bishop LITURGY GUIDE FOR THE THIRTIETH SUNDAY IN ORDINARY TIME PHOTOGRAPHY — The Cathedral welcomes all visitors to Mass today. We encourage those who wish to take photos of this sacred space to do so freely before and after Mass. Once the opening announcement is made, please refrain from taking photos and videos until Mass has concluded. Thank you. OPENING HYMN WESTMINSTER ABBEY 617 Christ Is Made the Sure Foundation INTROIT (8:00 & 10:00 a.m.) Lætetur cor Gregorian Missal, Mode II Lætétur cor quæréntium Dóminum: quǽrite Dóminum, et confirmámini: quǽrite fáciem eius semper. Ps. Confitémini Dómino, et invocáte nomen eius: annuntiáte inter gentes ópera eius. Let the hearts of those who seek the Lord rejoice; seek the Lord and be strengthened; seek his face for evermore. ℣. Give thanks to the Lord and call upon his name; declare his deeds among the gentiles. Ps. 105:3, 4, & 1 GREETING Roman Missal Celebrant: In the name of the Father, and of the Son, and of the Holy Spirit. ℟. Amen. Celebrant: The grace of our Lord Jesus Christ, and the love of God, and the communion of the Holy Spirit be with you all. -
Reverenómo Er Mar Angeica
Mass of Christian Burial A n d Rite of Committal ReverenÓMoer MarAngeica of the Annunciation, P. C. P. A . Abbess Emerita, Our Lady of the Angels Monastery FRidAy, APRiL 1, 2016 Moer MarAngeica April 20, 1923 – March 27, 2016 Professed January 2, 1947 Mass of Christian Burial a n d Rite of Committal Shrine of the Most Blessed Sacrament Hanceville, Alabama Table of Contents I. Requiem Mass 3 The Guidelines for Reception of Holy Communion can be found on the inside back cover of this booklet. II. Solemn Procession and Rite of Committal 15 Introductory Rites Processional Requiem aeternam CHOIR Giovanni Martini (1706-1784); arr. Rev. Scott A. Haynes, S.J.C. Gabriel Fauré (1845-1924) from Requiem ANT: Requiem aeternam dona ei ANT: Rest eternal grant unto her, Domine, et lux perpetua luceat ei. O Lord, and may light perpetual shine upon her. PS 130: De profundis clamavit ad te PS 130: Out of the depths I have cried to Domine… thee, O Lord... (CanticaNOVA, pub.) Kyrie Kyrie eleison. R. Kyrie eleison. Christe eleison. R. Christe eleison. Kyrie eleison. R. Kyrie eleison. Collect P. We humbly beseech your mercy, O Lord, for your servant Mother Mary Angelica, that, having worked tirelessly for the spread of the Gospel, she may merit to enter into the rewards of the Kingdom. Through our Lord Jesus Christ, your Son, who lives and reigns with you in the unity of the Holy Spirit, one God, for ever and ever. R. Amen. 3 The Liturgy of the Word First Reading Book of Wisdom 3:1-9 He accepted them as a holocaust. -
Procedures for Reverencing the Tabernacle and the Altar Before, During and After Mass
Procedures for Reverencing the Tabernacle and the Altar Before, During and After Mass Key Terms: Eucharist: The true presence of Christ in the form of his Body and Blood. During Mass, bread and wine are consecrated to become the Body and Blood of Christ. Whatever remains there are of the Body of Christ may be reserved and kept. Tabernacle: The box-like container in which the Eucharistic Bread may be reserved. Sacristy: The room in the church where the priest and other ministers prepare themselves for worship. Altar: The table upon which the bread and wine are blessed and made holy to become the Eucharist. Sanctuary: Often referred to as the Altar area, the Sanctuary is the proper name of the area which includes the Altar, the Ambo (from where the Scriptures are read and the homily may be given), and the Presider’s Chair. Nave: The area of the church where the majority of worshippers are located. This is where the Pews are. Genuflection: The act of bending one knee to the ground whilst making the sign of the Cross. Soon (maybe even next weekend – August 25-26) , the tabernacle will be re-located to behind the altar. How should I respond to the presence of the reserved Eucharist when it will now be permanently kept in the church sanctuary? Whenever you are in the church, you are in a holy place, walking upon holy ground. Everyone ought to be respectful of Holy Rosary Church as a house of worship and prayer. Respect those who are in silent prayer. -
Bobby in Movieland Father Francis J
Xavier University Exhibit Father Francis J. Finn, S.J. Books Archives and Library Special Collections 1921 Bobby in Movieland Father Francis J. Finn S.J. Xavier University - Cincinnati Follow this and additional works at: http://www.exhibit.xavier.edu/finn Recommended Citation Finn, Father Francis J. S.J., "Bobby in Movieland" (1921). Father Francis J. Finn, S.J. Books. Book 6. http://www.exhibit.xavier.edu/finn/6 This Book is brought to you for free and open access by the Archives and Library Special Collections at Exhibit. It has been accepted for inclusion in Father Francis J. Finn, S.J. Books by an authorized administrator of Exhibit. For more information, please contact [email protected]. • • • In perfect good faith Bobby stepped forward, passed the dir ector, saying as he went, "Excuse me, sir,'' and ignoring Comp ton and the "lady" and "gentleman," strode over to the bellhop. -Page 69. BOBBY IN MO VI ELAND BY FRANCIS J. FINN, S.J. Author of "Percy Wynn," "Tom Playfair," " Harry Dee," etc. BENZIGER BROTHERS NEw Yonx:, Cmcnrn.ATI, Cmc.AGO BENZIGER BROTHERS CoPYlUGBT, 1921, BY B:n.NZIGEB BnoTHERS Printed i11 the United States of America. CONTENTS CHAPTER 'PAGB I IN WHICH THE FmsT CHAPTER Is WITHIN A LITTLE OF BEING THE LAST 9 II TENDING TO SHOW THAT MISFOR- TUNES NEVER COME SINGLY • 18 III IT NEVER RAINS BUT IT PouRs • 31 IV MRs. VERNON ALL BUT ABANDONS Ho PE 44 v A NEW WAY OF BREAKING INTO THE M~~ ~ VI Bonny ENDEA vo:r:s TO SH ow THE As TONISHED CoMPTON How TO BE- HAVE 72 VII THE END OF A DAY OF SURPRISES 81 VIII BonnY :MEETS AN ENEMY ON THE BOULEVARD AND A FRIEND IN THE LANTRY STUDIO 92 IX SHOWING THAT IMITATION Is NOT AL WAYS THE SINCEREST FLATTERY, AND RETURNING TO THE MISAD- VENTURES OF BonBY's MoTHER. -
Divine Worship Newsletter
ARCHDIOCESE OF PORTLAND IN OREGON Divine Worship Newsletter The Presentation - Pugin’s Windows, Bolton Priory ISSUE 5 - FEBRUARY 2018 Introduction Welcome to the fifth Monthly Newsletter of the Office of Divine Worship of the Archdiocese of Portland in Oregon. We hope to provide news with regard to liturgical topics and events of interest to those in the Archdiocese who have a pastoral role that involves the Sacred Liturgy. The hope is that the priests of the Archdiocese will take a glance at this newsletter and share it with those in their parishes that are interested in the Sacred Liturgy. This Newsletter will be eventually available as an iBook through iTunes but for now it will be available in pdf format on the Archdiocesan website. It will also be included in the weekly priests’ mailing. If you would like to be emailed a copy of this newsletter as soon as it is published please send your email address to Anne Marie Van Dyke at [email protected] just put DWNL in the subject field and we will add you to the mailing list. In this issue we continue a new regular feature which will be an article from the Office of Liturgical Celebrations of His Holiness. Under the guidance of Msgr. Guido Marini, the Holy Father’s Master of Ceremonies, this office has commissioned certain studies of interest to Liturgists and Clergy. Each month we will publish an article or an extract which will be of interest to our readers. If you have a topic that you would like to see explained or addressed in this newsletter please feel free to email this office and we will try to answer your questions and treat topics that interest you and perhaps others who are concerned with Sacred Liturgy in the Archdiocese.