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Ritual Cleaning-Up of the City: from the Lupercalia to the Argei*
RITUAL CLEANING-UP OF THE CITY: FROM THE LUPERCALIA TO THE ARGEI* This paper is not an analysis of the fine aspects of ritual, myth and ety- mology. I do not intend to guess the exact meaning of Luperci and Argei, or why the former sacrificed a dog and the latter were bound hand and foot. What I want to examine is the role of the festivals of the Lupercalia and the Argei in the functioning of the Roman community. The best-informed among ancient writers were convinced that these were purification cere- monies. I assume that the ancients knew what they were talking about and propose, first, to establish the nature of the ritual cleanliness of the city, and second, see by what techniques the two festivals achieved that goal. What, in the perception of the Romans themselves, normally made their city unclean? What were the ordinary, repetitive sources of pollution in pre-Imperial Rome, before the concept of the cura Urbis was refined? The answer to this is provided by taboos and restrictions on certain sub- stances, and also certain activities, in the City. First, there is a rule from the Twelve Tables with Cicero’s curiously anachronistic comment: «hominem mortuum», inquit lex in duodecim, «in urbe ne sepelito neve urito», credo vel propter ignis periculum (De leg. II 58). Secondly, we have the edict of the praetor L. Sentius C.f., known from three inscrip- tions dating from the beginning of the first century BC1: L. Sentius C. f. pr(aetor) de sen(atus) sent(entia) loca terminanda coer(avit). -
STUART BENNETT Rare Books & Manuscripts
STUART BENNETT Rare Books & Manuscripts P.O. Box 22855 Charleston, South Carolina 29413 tel. 415.305.8945 e-mail [email protected] BRITISH AND IRISH POETRY 1800-1888 1. ADAMS, THOMAS. The Poetical Works of Thomas Adams, Warkworth: consisting of the Battle of Trafalgar, and Some Miscellaneous Pieces. Alnwick: Printed by and for W. Davison, 1811. 208pp., sm. 8vo. Fifteen woodcut vignettes often attributed to Thomas Bewick, with the half- title. Slightly later green pebbled morocco gilt, g.e.; attractively rebacked with a gilt spine. $225.00 First and only edition, dedicated to Earl Percy (later the Duke of Northumberland), with whom the author was close. In addition to the “Battle of Trafalgar” in two cantos, there are miscellaneous poems “On the Percy Family,” “On Seeing a Dead Body,” “The Spaniard's Complaint,” and “The Astrologer’s Soliloquy.” Johnson, Provincial Poetry 1789-1839, 5; Hugo, Bewick Collector, no. 266, but not included in Tattersfield’s more recent, and comprehensive, Bewick bibliography. 2. [ANONYMOUS] - Amatory Poems, with Translations and Imitations from Ancient Amatory Authors. London: Printed for J. Bell, No. 148, Oxford-Street, 1805. xv, 64pp., sm. 8vo. With the half-title. Half red morocco over marbled boards, spine gilt, by Philip Dusel. $300.00 First edition, composed and translated when the author - “a native of another hemisphere. under the genial influence of a more southern sun” - was aged sixteen to nineteen. The editor apologizes for what might be seen as a “too luxuriant fancy,” as can be seen in such titles as “The Dream,” “Sweet Maid, You Oft, When Breast to Breast,” “To Miss ----. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
Post Scriptum: a Number of Observations, with Hindsight
Post Scriptum: A Number of Observations, with Hindsight Astronomia Etrusco-Romana was first published in Italian in 2003, following Astronomy and Calendar in Ancient Rome—The Eclipse Festivals in 2001, and Le Feste di Venere—Fertilità femminile e configurazioni astrali nel calendario di Roma antica in 1996. In nigh on a decade of ‘‘crazy, desperate’’ study, as Giacomo Leopardi would have it, I have reconstructed a solid framework of the Roman calendar’s astronomical underpinnings, especially the Numan calendar. Stars, Myths and Rituals in Etruscan Rome makes only minimal adjustments to this framework, as well as adding some interesting elements to the fray. Over this time—and at long last—there has been a radical change in our understanding of man’s relationship with the heavens during the time of Rome’s early kings. The eighth century BCE calendars that have survived the centuries are no longer viewed as the basic calendars of an agricultural and pastoral society, lacking in any consideration for heavenly phenomena or the movements of heavenly bodies; calendar feast days are no longer considered simple anniversaries of natural events, such as storing away grain or lambing time. On the contrary, the Romulean calendar demonstrates an awareness of a number of significant celestial phenomena, while the Numan calendar and cycle are a highly advanced—indeed, close to perfect—mechanism for monitoring observable movements in the solar system. The end result of this research is a demonstration not just that Romans in Augustus’ day were mistaken in their belief—asserted time and time again by Ovid, our best witness1—that Romans were uninterested in and had no understanding of astronomy. -
A Roman Cult in the Italian Countryside? the Compitalia and the Shrines of the Lares Compitales
0821-07_Babesch_83_08 23-09-2008 16:06 Pagina 111 BABESCH 83 (2008), 111-132. doi: 10.2143/BAB.83.0.2033102. A Roman cult in the Italian countryside? The Compitalia and the shrines of the Lares Compitales T.D. Stek Abstract The Roman religious festival of the Compitalia (‘cross-roads festival’) was celebrated in both city and coun- tryside. It is generally assumed that it originated as a rural cult which was later incorporated in the city, where it became the principal festival of the vici or urban quarters. In this paper it will be argued that the spread of the Compitalia might have been in the opposite direction; in this view the Compitalia, a Roman urban festi- val with administrative aspects, was spread outside Rome alongside Roman influence. It is not known where the Compitalia were celebrated in the countryside. It will be suggested that ancient ‘Italic’ sanctuaries have been re-used for celebrating the Roman rite of the Compitalia, apparently by now functioning within a Roman administrative and religious system.* the separation between city cult and family or farm cult should not be exaggerated (Beard/North/Price 1998, 50) INTRODUCTION. THE COMPITALIA: A PARADOXICAL both to what we would define the ‘private’ and PICTURE to the ‘public’ domain. Another paradoxical aspect regards the location At the end of a letter to Atticus (2.3), Cicero of the Compitalia. The festival is often associated writes, probably from his country house, after with the urban plebs, and therefore placed in an having referred to the political situation in Rome urban setting. -
Reading Death in Ancient Rome
Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus. -
Chapter 3 (Worley 2008)
Taken to the grave. An archaeozoological approach assessing the role of animals as crematory offerings in first millennium AD Britain. Item Type Thesis Authors Worley, Fay L. Rights <a rel="license" href="http://creativecommons.org/licenses/ by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0" src="http://i.creativecommons.org/l/by- nc-nd/3.0/88x31.png" /></a><br />The University of Bradford theses are licenced under a <a rel="license" href="http:// creativecommons.org/licenses/by-nc-nd/3.0/">Creative Commons Licence</a>. Download date 24/09/2021 08:28:54 Link to Item http://hdl.handle.net/10454/4282 Chapter Three Chapter Three The place of animals in first millennium AD Britain - evidence from archaeozoological and historical sources The relationship between people and the animals in their environment is complex (see Sax 1994, Serjeantson 2000). The influence of these relationships often permeates many aspects of society including subsistence, myth, tradition, social organisation, cosmology, ontology and eschatology, and will influence their use as pyre goods. This chapter will investigate some of these relationships, moving from the secular to the sacred. For clarity, the format of this chapter uses the dichotomy of secular/ritual to categorise animal utilisation, although this is recognised as an artificial division that does not acknowledge the permeation of one into the other (see Brück 1999, Grant 1991 and Green 1992). 3.1 Sources of evidence for animal utilisation The most direct evidence we have for past animal utilisation is the remains of the animals themselves, artefacts and structural evidence associated with their husbandry. -
The Argei: Sex, War, and Crucifixion in Rome
THE ARGEI: SEX, WAR, AND CRUCIFIXION IN ROME AND THE ANCIENT NEAR EAST Kristan Foust Ewin, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2012 APPROVED: Christopher J. Fuhrmann, Major Professor Ken Johnson, Committee Member Walt Roberts, Committee Member Richard B. McCaslin, Chair of the Department of History James D. Meernik, Acting Dean of the Toulouse Graduate School Ewin, Kristan Foust. The Argei: Sex, War, and Crucifixion in Rome and the Ancient Near East. Master of Arts (History), May 2012, 119 pp., 2 tables, 18 illustrations, bibliography, 150 titles. The purpose of the Roman Argei ceremony, during which the Vestal Virgins harvested made and paraded rush puppets only to throw them into the Tiber, is widely debated. Modern historians supply three main reasons for the purpose of the Argei: an agrarian act, a scapegoat, and finally as an offering averting deceased spirits or Lares. I suggest that the ceremony also related to war and the spectacle of displaying war casualties. I compare the ancient Near East and Rome and connect the element of war and husbandry and claim that the Argei paralleled the sacred marriage. In addition to an agricultural and purification rite, these rituals may have served as sympathetic magic for pre- and inter-war periods. As of yet, no author has proposed the Argei as a ceremony related to war. By looking at the Argei holistically I open the door for a new direction of inquiry on the Argei ceremony, fertility cults in the Near East and in Rome, and on the execution of war criminals. -
SLC/LAT/HST 394 Roman Religion
Arizona State University Criteria Checklist for HUMANITIES, FINE ARTS AND DESIGN [HU] Rationale and Objectives The humanities disciplines are concerned with questions of human existence and meaning, the nature of thinking and knowing, with moral and aesthetic experience. The humanities develop values of all kinds by making the human mind more supple, critical, and expansive. They are concerned with the study of the textual and artistic traditions of diverse cultures, including traditions in literature, philosophy, religion, ethics, history, and aesthetics. In sum, these disciplines explore the range of human thought and its application to the past and present human environment. They deepen awareness of the diversity of the human heritage and its traditions and histories and they may also promote the application of this knowledge to contemporary societies. The study of the arts and design, like the humanities, deepens the student’s awareness of the diversity of human societies and cultures. The fine arts have as their primary purpose the creation and study of objects, installations, performances and other means of expressing or conveying aesthetic concepts and ideas. Design study concerns itself with material objects, images and spaces, their historical development, and their significance in society and culture. Disciplines in the fine arts and design employ modes of thought and communication that are often nonverbal, which means that courses in these areas tend to focus on objects, images, and structures and/or on the practical techniques and historical development of artistic and design traditions. The past and present accomplishments of artists and designers help form the student’s ability to perceive aesthetic qualities of art work and design. -
Horizontally Shifted and Vertically Superimposed Ancient Cities: Comparing Urban Histories of Chang’An and Rome1
Athens Journal of History - Volume 2, Issue 2 – Pages 111-128 Horizontally Shifted and Vertically Superimposed Ancient Cities: Comparing Urban Histories of Chang’an and Rome1 By Meng-chi Hsueh This article compares the forming and transforming process of two grand ancient capitals, Chang’an and Rome. Chang’an had been chosen as the capital of ancient China for many occasions. Repeated relocation had left Chan’an with a series of former sites widely distributed. By contrast, the urban cores of Rome had never moved faraway but remained within a confined area. It is observed that the historic city of Rome tend to be superimposed vertically instead of being horizontally scattered like Chang’an. This paired intriguing phenomenon makes the researcher wonder why and how these differences were made in the two millennium-old cities’ urbanization process. This study delves into the cause and mechanism of their unique development manners by comparing site selection procedures and the temporal-spatial configuration of each city respectively. Three aspects of proposition have been identified as critical to the cause of such dissimilarities, namely ideological thinking, practical consideration, and construction materials. Introduction This article aims at comparing the formation and transforming process of two grand ancient capitals, Chang’an in China and Rome in Italy. Both of them have been used for more than two and a half millenniums, continuously, without complete abandonment but having their urbanized territory shrunk due to the decline of the respective empires. Both the two worldly famous and influential capitals have been the heart of great unified empires, which granted them symbolical importance in each civilization. -
Ann Hassan's Annotations to Geoffrey Hill's Speech!
Annotations to Geoffrey Hill's Speech! Speech! ANN HASSAN Annotations to Geoffrey Hill’s Speech! Speech! Annotations to Geoffrey Hill’s Speech! Speech! Ann Hassan Glossator Special Editions ANNOTATIONS TO GEOFFREY HILL’S SPEECH! SPEECH! © Ann Hassan, 2012. This work is licensed under the Creative Commons Attribution-NonCommerical-NoDerivs 3.0 Unported License. To view a copy of this license, visit: http://creativecommons.org/licenses/by-nc-nd/3.0, or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This work is ‘Open Access,’ which means that you are free to copy, distribute, display, and perform the work as long as you clearly attribute the work to the authors, that you do not use this work for commercial gain in any form whatsoever, and that you in no way alter, transform, or build upon the work outside of its normal use in academic scholarship without express permission of the author and the publisher of this volume. For any reuse or distribution, you must make clear to others the license terms of this work. First published in 2012 by Glossator Special Editions, an imprint of punctum books (Brooklyn, NY) for Glossator: Practice and Theory of the Commentary (glossator.org). Glossator publishes original commentaries, editions and translations of commentaries, and essays and articles relating to the theory and history of commentary, glossing, and marginalia. The journal aims to encourage the practice of commentary as a creative form of intellectual work and to provide a forum for dialogue and reflection on the past, present, and future of this ancient genre of writing. -
Maryland Historical Magazine, 1924, Volume 19, Issue No. 2
LIST OF SUBSCRIPTIONS TO MARYLAND HISTORICAL ENDOWMENT AND MAINTENANCE FUND Endoxement Maintenance W. Hall Harris $1,000.00 Drayton M. Hite 1,000.00 DeCourcy W. Thorn 1,000.00 Mrs. DeCourcy W. Thorn 1,000.00 A. E. Duncan $ 25.00 Miles White, Jr 300.00 John H. Morgan 100.00 Daniel Annan , 20.00 Samuel M. Wilson 100.00 20.00 John W. Marshall 25.00 Mrs. Charlotte G. Paul 100.00 Mrs. W. Hall Harris 600.00 Adelaide S. Wilson 500.00 J. Appleton Wilson 500.00 E. C. Hoflfman 100.00 Walter I. DawHns 25.00 William Ingle 100.00 Charles C. Homer, Jr 150.00 Henry P. Hynson 100.00 Edwdn Warfield, Jr 75.00 Simon Dalsheimer 300.00 William B. Levy 5.00 John Parker 15.00 10.00 Miss Nellie Williams 50.00 50.00 Charles Exley Calvert 1,000.00 150.00 William J. Donnelly 25.00 Philip F. Trippe 2.50 Blanchard Randall 43.42 Mrs. Emma U. Warfield 76.00 Van Lear Black 1,500.00 Ferd. Bernheimer 25.00 6.00 W. G. Baker 500.00 McHenry Howard 333.34 Charles MoHenry Howard 333.33 Elizabeth Gray Howard 333.33 Mrs. John H. Sherburne 10.00 Mrs. E. Edmunds Foster 26.00 Bernard C. Steiner 100.00 Mrs. Thomas B. Gresham 200.00 C. C. Shriver 20.00 Louis H. Dielman 100.00 Mrs. George F. Libby 100.00 ARCHIVES OF MARYLAND JPiablished by au.tliority of the State VOLUME XLII (Assembly Series Volume 20) PBOCKEDINGS AND ACTS OP THE ASSEMBLY (1740-1744) This volume of the Archives is now ready for distribution.