CX 23 Boy from Oz 54-63
FEATURE THETHE BOYBOY FROMFROM OZOZ The arena spectacular is alive and kicking. Julius Grafton reports… 54 CX 15 NOVEMBER 2006 www.juliusmedia.com By JULIUS GRAFTON he modern era of the arena spectacular started in 1992 when Jesus Christ Superstar ran for a Tstaggering 93 shows, mainly off the back of John Farnham’s career ascendency. It helped that the Christian community flocked as well. Then came Grease, with 75 shows the first time, and 18 last year, also with John Farnham headlining. The Boy from Oz has just finished 42 arena sized shows across Australia, which is probably as good a result as you can get in this entertainment awash era. Certainly the word we heard was that the producers; Ben Gannon and Robert Fox; were more than happy with the run. Tickets started at $90 and ranged up to $250, so the tour gross was likely over A$50 million before merchandise. Much of the time, tickets were very scarce, and the show we attended had just two empty seats that we could see, out of 12,000 – a complete sell out. Media were complaining there were no comps, and the very formidable and amusing Executive Producer Lesley Shaw confirmed this. Ms Shaw runs a tight ship, which is exactly what a Producer should do. These arena spectaculars are part theatre, part concert tour. This one sits half and half, with a story line, dialogue and of course Those Songs from Peter Allen, one of Australia’s most successful songwriters. The show reminds just how successful he was, his material was recorded far and wide.
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