Fall / Winter 2014 Moore College of Art & Design 96% of 2013 Moore BFA graduates are employed or in graduate school, 90% in their field of study*

* 2013 figures are representative of 102 of the 112 graduates who responded to our survey. Moore Magazine

from the cover

96% collage was comprised of select works from the BFA 2014 graduating class.

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1 Christy Dinsmore, Graphic Design 5 Valerie Lang, Illustration 2 Chelsea Maggi, Art Education 6 Brittany Cooke, Photography & Digital Arts 3 Kacie Doran, Illustration 7 Samantha Jauch, Photography & Digital Arts 4 Charmaine Yeung, Graphic Design Artwork Photographs: 2014 Thom Carroll Photography

1 Moore College of Art & Design

FROM THE PRESIDENT

This issue of our magazine focuses on Moore College of Art & Design’s all-important mission to “Inspire Careers” and the impact it has on students, alumni and their employers. As you read further, you will discover that we are very serious about connecting the fine education the College provides for its students with services that help in preparing them for life beyond Moore. We are proud to share that 96% of our 2013 BFA graduates are either employed or in graduate school, 90% of them in their field of study. This is remarkable, truly remarkable.

Moore remains steadfast as an institution of higher learning that draws the connection between what students learn in the studio and classroom and how they work and live as citizens of the world. This means balancing intellectual, artistic and practical pursuits. It requires our excellent faculty to be active in their fields and to connect students with their network of professionals by bringing them into the classroom. We have embedded career-building support throughout the student experience, through leadership development, through the coaching and online employment resources President Cecelia Fitzgibbon with Robert of the Locks Career Center and through the relationships we maintain with our alumni as Goodman, Chair of Fine Arts and 2014 Lindback Distinguished Teaching Award internship hosts and employers and those developing their careers. recipient at the 2014 Senior Show. Photo: 2014 Thom Carroll Photography I’m sure you will find the outcomes and impact of Moore’s career-focused education and its unique paid internship program both uplifting and energizing as you continue reading.

With warmest regards,

Cecelia Fitzgibbon President

2 Moore Magazine

In This Issue

CONTENTS

4 8 12 LOCKS CAREER LIFE AT LIVING THE CENTER LENOX DREAM

16 20 30 ENTREPRENEURIAL DISCUSSING CAREERS: IN THE CAREERS GRADUATE STUDIES GALLERIES ALUMNI

2 From The President | 27 Faculty Notes | 32 Development News | 36 Alumni Notes 38 Remembering Alumni | 39 Donor Report

3 THE LOCKS CAREER CENTER AT MOORE

IS A SMALL OFFICE

WITH A BIG MANDATE

4 Locks Career Center at Moore

ourteen years ago, the Locks Career Center for Women designers and internship hosts are in attendance to view and in the Arts was founded by Sueyun Locks, Director purchase student work and meet and interview students. Fof Philadelphia’s Locks Gallery, mainly to support students in their search for employment after graduation. “Moore works extremely hard to prepare our students for the workforce on day one through graduation,” Chapp “The Locks Career Center enables us to get behind our said. “A critical tool supporting this mission is the required women as they go out into their careers,” Locks said in a internship experience for all majors, where they learn the 2000 interview in Moore magazine. best practices in art and design.”

But the Center’s role at the College has expanded markedly Moore is the only art and design school to provide $1,000 over the last five years, particularly with Moore’s heightened paid internships for each student in every major. Students emphasis on a career-focused education, even leading to are required to complete a 240–hour internship in their a change in the College’s tagline, to “Inspiring Careers,” field of study, typically scheduled during the summer in 2011. between the junior and senior year. About 40 percent of Moore students have been hired immediately from their “The pressures on higher education career centers are more internship or have received a commitment for the future, intense since the Great Recession,” said Belena Chapp, Director Chapp said. The Career Center over time has built up of the Locks Career Center. “The national conversation a large network of employers and motivated alumni in has shifted regarding the purpose of college – the financial art and design fields who are intensely committed to the investment also requires students to seriously consider how welfare of future classes. their education will help them get and keep jobs.” “Employers who host our interns are continuously impressed Today, Moore’s Career Center – staffed by Chapp and with our students’ creative problem–solving skills and Assistant Director Veronica Scarpellino – is an invaluable technical abilities, as well as their initiative, commitment College resource providing crucial career preparation and and work ethic,” Chapp said. “This sense of professionalism support services to BFA, Graduate Studies and Continuing is instilled early in our students and the Class of 2013’s Education students and alumni. success in landing career opportunities is the result.”

The Career Center provides free resume advice and Jake Krolic, Creative Director for the Advertising Specialty career coaching, assistance in internship preparation Institute (ASI) in Trevose, PA, currently employs three Moore and competitive fellowships, help with networking alumnae as freelance designers. The company presents an skills and job searches, access to valuable career information award each year at the Senior Show. “Our company has and resources, programmatic leadership opportunities, really become a gateway for students coming out of Moore. and more. When I’m hiring, I always look at Moore first. You have a very mature student base that is ready to work. You train “We coach people and give them access to resources that your students to become really great problem solvers.” enable them to place themselves in the marketplace,” Chapp said. “That’s what 21st century career development ••• is. Do we cut through the red tape? Yes.” The Locks Career Center is careful to distinguish itself The Career Center also coordinates and sponsors the between being a placement center and providing career annual Senior Show VIP Reception, a “capstone” event services. While Chapp and Scarpellino play the role of and launching pad for students, ensuring that several “connectors” – it’s ultimately up to the student to be hundred employers, collectors, art enthusiasts and advocates, aggressive and do the work.

5 Left: Belena Chapp, director of the Locks Career Center, works with Interior Design student Shakira Hunt ’15.

Opposite right: Veronica Scarpellino, assistant director of the Locks Career Center, works with Karli Cox ’14, Illustration. Photo: 2014 Thom Carroll Photography Thom Carroll 2014 Photo:

s “Students get the most out of our services when they Shelley Tubbs, mother of Alexa Tubbs ’11, a Curatorial Belena Chapp frequently utilize our resources,” Scarpellino said. “When Studies graduate who works at Peter Marino Architect in Director, Locks Career they know they are ultimately the ones who need to do the New York City, said the required internship experience Center, since 2005 legwork and the process is part of the learning experience, helped prepare her daughter for the real world. The support they leave school very prepared for the job search they will from the Career Center was crucial as well. Previous roles: need to pursue on their own.” Acting Executive Director and Director “Belena is really a fabulous person and an advocate, very of Development, Today, the Locks Career Center is fully integrated into many encouraging and such a good example,” she said. “And she Delaware Center for different areas at Moore. Students are encouraged to visit still stays in touch with Alexa. I was so impressed with her. Contemporary Arts; the Center as early as their first year to start planning their As a student, you really have to put yourself out there and Director of Museums, careers, and many do. Juniors are required to work closely get experience. People aren’t going to hire you right off the University of Delaware. with the Center as part of their curriculum. They must bat just by having a BFA. It’s so competitive, especially in complete a semester long “professional development” class New York. Janet (Kaplan) and Belena encouraged Alexa, Education: before securing their summer internship, which is facilitated but the work that Alexa did on her own helped her get her BS in Art Marketing by Center staff, along with collaboration from faculty. career. I could not have picked a better job for her than and Craft Production from Appalachian where she is now.” State University; “We cover resume building, mock interviews, portfolio MA in Creative Arts preparation, networking and professionalism,” Chapp ••• from Purdue University said. “We help students understand they are entering into in Indiana. a contract (with the employer).” Advances in technology over the years have made it easier for Moore students and alumni to have access to a whole Twenty percent of students in the junior class apply for new network of job opportunities, from an electronic job additional support for more elaborate internships through bank – COOL (Career Opportunities On-Line), to active competitive Penny Fox Internship Fellowships, also ad- Career Center Twitter and LinkedIn pages and Béhance, an ministered by the Career Center. online platform for students to create centralized portfolios that link directly with social media networking sites and Abby Schwartz, adjunct professor of Interior Design, personal websites. owns Abby Schwartz Associates, Integrated Architecture & Interiors, and teaches the professional development class “Social media allows our office to reach students in a at Moore. Schwartz said she tailors the class to the “real different capacity through different vehicles,” Scarpellino world” and works in tandem with the Career Center. “On said. “Having COOL means regardless of time or day or the very first day of class, I tell them they are so lucky,” location, students or alumni can access information that she said. “When I went to architecture school you had to we have at their leisure. And it’s updated multiple times figure all this out on your own.” a week.”

6 Locks Career Center at Moore

Veronica Hicks, a 2013 graduate of the MA in Art Education “I get to know about other fields and jobs besides just Veronica program, said she likes the fact that she can still utilize the those in Fine Arts,” she said. “I learned there’s not just one Scarpellino Career Center after college. career path. I talk weekly with Belena or Veronica about Assistant Director, my career and lifestyle goals.” Locks Career Center, “When I was looking for a new job I used the online since 2010 service (COOL),” she said. “Moore gets stuff first. There There’s not a one-size-fits-all method when working with Previous roles: are positions on there that you don’t see on other job students, Scarpellino said, so her job is to get a sense of Small business owner posting sites.” what motivates each student, what their personal goals are in Philadelphia coaching and to identify their strengths. fine artists in their Management of all these sites allows the Career Center to careers, curator maintain access to thousands of additional employment “I also make it a point of learning about their non-art at-large, marketing contacts, particularly when a new major is added to the interests because that often informs an interesting direction consultant, regionally curriculum, such as Interactive & Motion Arts. they can take, that they can meet multiple interests and and nationally have a more satisfying, well–rounded career,” she said. exhibiting artist. “There’s a big push across all industries for creativity and “If the student has an Associate’s degree in biology, that’s Education: innovation (technology),” Scarpellino said. “A lot of 21st important to know. A lot of times students learn to expand Bachelor’s degree in century skills are being requested and that includes cre- their view of what opportunities might be available to them.” Art from Monmouth ative problem solving, adaptability, technology savvy, but University; pursuing also strong communications skills. It doesn’t matter what Both Scarpellino and Chapp are uniquely positioned to an MA in Art & Social industry you’re in.” give guidance on entrepreneurship and starting your own Engagement from business, a growing trend. Moore offers a business minor Moore College of Art Laura Lomascolo, a senior Fine Arts major and work-study and the Career Center has been instrumental in managing & Design. student in the Career Center, said the Center is a great the Business Scholars in the Arts program, now part of the t compliment to the more art-focused curriculum at Moore. Visionary Woman Honors Program, for students interested in the entrepreneurial track.

“Ultimately, if the student is out there working, confident, feeling responsible for their successes and failures, then we’ve done our job.” —Veronica Scarpellino

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Urban Essentialsline at Lenox Corporation, DKNY Dinnerware Concept Designer Artwork by Amanda McKee ’12, A SUCCESSFUL PARTNERSHIP M for each pattern in every Lenox productfor eachpattern in every line. composition anddigitalexecution ofartwork the conceptualdevelopment, imagemaking, design interns.Designers are responsible for asprofessional designersand students toserve with Lenox, whichhashired many Moore Moore hasenjoyed alongtime relationship in finetableware andgiftware. the world’s oldestandmostrespected names andbeauty.artistry Today, Lenox isamong for settingthehigheststandards inquality, Scott Lenox, thecompanyisworldrenowned Gorham brands. Founded in 1889 by Walter its products under the Lenox, Dansk and tabletop, giftware andcollectiblesmarkets Lenox Corporation isamarket leaderinquality ’09, ’07, successful careers there: Nicole D’Amico Amanda McKee PA tospeakwithfive alumnaewhohave visited theLenox CorporationinBristol, oore &Design recently CollegeofArt ’03 and Christina (Pena) Pittre ’12, Jessica Zultewicz TanyaGood ’96. ’96. Designer: Amanda McKee, Dinnerware Concept What doyou likemostaboutyour job? We hopetherelationship continues. great thatcomeshere. successwitheveryone Moore isagreat college. We’ve hadnothingbut on full-timebecausewe’re interested inthem. of thetimewe hire paidinternsandtheystay and have obviously beentrainedwell. Most Moore studentshave great technicalskills goodcolorsenseandcomposition. and very creativity. They have aneye forpatterndesign goodtasteandahighlevelThey haveof very pleased withbeen very all the Moore students. he lookswhenfillinganopening: Lenox Brands, saidMoore isthefirstplace Tim Carder, vicepresident ofdesignfor name companythatpeopleknow. gallery.in anart It’s niceworking forabrand in the stores. It’s almost like having your work going intosomeone’s homeandthatIcan seeit I like knowing that what I make is We’ve We’ve A Successful Partnership

(Left to right) Tonya Good ’96, Christina (Pena) Pittre ’07, Jessica Zultewicz ’09, Amanda McKee ’12 and Nicole D’Amico ’03

How did you learn about your job? Roslyn Pilla ’92 (the founder and president) What do you look for in a potential is a Moore alumna. It’s all kind of connected. employee and how did the Moore Nicole D’Amico, Senior Graphic Designer/ students match your expectations? Packaging: After Moore, I interned at Campbell How did Moore prepare you to be Soup Company. They came to Moore’s Senior successful in your career? Fawn Ostriak, Senior Director of Concept Show, saw my work and contacted me afterwards. Development at Lenox: I look for students I stayed there for 10 months and then found Amanda McKee: The Graphic Design depart- who exhibit professionalism and have great out about the open position at Lenox. ment prepared me for long hours, how much portfolios. The main things that I look for in work needs to get done on time and all of the a candidate are: an eye for color and layout, a Amanda McKee: I interned here and they pressure. Moore prepared me for the real world neat, professional looking portfolio and some said a full-time job was a possibility, and it when it came to graphic design. real-life experience. Moore students have been happened. I graduated in May, started in July a good match for my expectations. as an intern and was full-time soon after. Christina Pittre: The critiques helped me a lot. It helped me get better, be able to explain my How well do you think Moore prepares Explain how the Moore alumni connection work and build confidence. I can get critiqued its students for careers? has helped you with your career? here and handle it, the good and the bad. I got a lot of call backs from the Senior Show. I find Moore students to be well prepared for Jessica Zultewicz: I found out about the position It was a great experience. careers in professional settings. We move at through the Career Center and Gigi McGee a fast pace at Lenox and Moore grads have (Graphic Design Professor). I reached out to Why did you initially decide to come been able to hit the ground running. They Nicole D’Amico, who was already here. I felt to Moore? are well versed in technology and are able to more comfortable after talking with Nicole. adapt quickly to our methods and systems. Christina Pittre: I was attracted to Moore I’m very impressed with the Moore grads who Nicole D’Amico: When they [the company] because I went to their fantastic student show. have worked with me. know that there are a few of us here, there is The graphic design area was amazing. I’ve been more of a confidence to hire more of us [Moore to other schools’ shows but they were nothing What can you say about their work ethic alumni]. We all help each other out here and like Moore’s. and professionalism? stick together. Tanya Good, Senior Concept Designer for Their work ethic and professionalism is admirable. Christina Pittre, Concept Designer for China Giftware: I went to the Young Artist’s I have confidence when I give an assignment, Crystal Drinkware and Giftable Items: Workshop so I always kept Moore in the back that it will be completed well and in a timely Troy (Bell), Director of 2D Development, of my mind. It was one of the better art schools fashion. We have several grads who started as said our portfolios were fantastic and high near me in New Jersey. I liked the idea of interns and have worked their way up to be quality. Belena Chapp at the Locks Career the “no intimidation factor” with it being a Senior Designers. It is a testament to their Center still helps me. She got me freelance work women’s school. There was more camaraderie talent and hard work. with Eightegrity in addition to working here. among students.

9 Inspiring Careers

STUDENT & ALUMNA WORKING IN HARMONY BY ROY A. WILBUR A. BY ROY

On a sunny summer day in August, Daroff Design’s bright, airy offices is designing the three-story café in the new Norman Foster/Gensler invited us in where we were greeted by Moore Interior Design student Tower for Comcast. Shakira Hunt ’15, who was in the midst of her paid summer internship under the mentorship of alumna Karen Daroff ’70. My colleague Daroff Design was Shakira’s first choice for her internship. What Dave Rizzio, the College’s multimedia producer, and I were escorted sparked her interest in the company was the fact that it is one of the past walls filled with detailed design sketches, amazing photographs most well-known design firms in Philadelphia, but what really inspired of completed projects and panels full of colorful swatches. We settled her was the fact that Karen has the ability to lead such an extraordinary in the conference room for a conversation with Karen and Shakira, team of professionals and create exquisite interiors. “That’s something one that was being videotaped for a video that is now available for that was really interesting to me because I would love to own my own viewing on Moore’s website. business in the future, as well,” she said.

Daroff Design is celebrating its 41st year in business. I asked Karen Dave and I were curious about Shakira’s responsibilities. This is when how it all started following her graduation from Moore. “I worked for Karen’s mentoring style came into play. After her comforting words of a major architectural firm for four years, starting in an internship and encouragement, the Interior Design major went on to say, “I guess I’ve a co-op. I then turned that into a permanent job. Actually, my first job had more responsibility than I anticipated. We’re actually in the course was very much like what Shakira has done for us this summer,” she of reorganizing, just to have a better fit for the designers to easily access said with her green Starbucks drink near at hand. “After that, I found materials. I’ve been doing a lot of research for designers and principals that I really did have a skill in connecting with clients. I enjoyed sales for materials and helping with presentation boards and client meetings. as much as I did interior design and so I founded my own company. I I’ve also acted as a Resource Coordinator as a transition with our cur- started at my kitchen table and was able to get some really wonderful rent coordinator now. We do schedules and e-mail representatives for clients. I had Girard Bank, which then turned into Mellon Bank, and products, and host ‘Lunch and Learns’ every week as well.” Prudential Insurance Company and several other clients, and I then needed additional employees. So, finally, there were maybe four of us Karen has hired Moore students as interns in the past and told us that working around my kitchen table when I realized that it was time that Shakira impressed her and her team from the moment she walked we actually get an office. That was a very, very big step.” in the door. “Her personality was winning. Her portfolio was very professional and we knew immediately that we wanted her to join us. Now, Karen’s company has a staff “hovering around 35,” she says, and She’s done an extraordinary job.” Shakira is continuing to work with is a global interior design and architectural firm. It is licensed in 34 Daroff Design in a co-op capacity. states throughout the U.S. with satellite offices in Shanghai, Baltimore and New York City. The company works with Marriott, Mohican Visit the Stories section at moore.edu where you can see the full interview Casino, MGM Casino, NBC Universal as well as many others, and with Karen and Shakira.

10 Katherine Statsenko FINDING GESTALT

FELLOWSHIPS AT WORK

Katherine Statsenko ’15 had a busy summer. When the Fine Arts major wasn’t interning at Mara Hoffman in New York City, she was traveling to Utah’s Bryce Canyon and Zion National Parks to research nature for her senior thesis.

Statsenko was the lucky recipient of the 2014 Penny Fox Internship Fellowship and the Harriet Sartain Travel Fellowship, both competitive fellowships that she completed at the same time.

“I thought it would be hard to do both but I planned ahead,” Statsenko said. “I was able to fit everything in. It was intense because I didn’t have a day off all summer, but it was worth it.”

Katherine Statsenko at Bryce Canyon National Park, Utah Statsenko was a design/production intern at Mara Hoffman, a fashion/ textiles brand that focuses on print design, bright colors and patterns. A Textile Design and Business minor, Statsenko felt it was a great fit for “[In BSA] we focus on what we want to do when we graduate and how to her skill set. She worked closely with the design, PR and production apply business skills,” she said. “Eventually I’d like to be an entrepreneur team, worked on patterns digitally in Photoshop and Illustrator, picked and have my own textiles business. My fine arts and textiles background up and dropped off samples to factories, assisted the stylist on photo prepared me for the creative vision. The business minor and BSA prepared shoots and more. me for the business side of it.”

“I minored in Textile Design to learn as much as I can and apply it to “I learned how to market myself and my work, just go out and not be the real world,” she said. “I wanted to combine art with fashion – it’s afraid to ask for what you want,” she said. “This internship gave me a perfect for me. Majoring in Fine Arts was good. I learned how to apply real glimpse of what I want to do when I graduate and confirmed I’m color, texture and pattern design in a unique way towards fashion. I’m in the right field.” more interested in surface print design than construction. I just apply it on fashion.” Originally from the Ukraine, Statsenko, 25, learned about Moore in high school. She took five years off after graduating from high school In July, she traveled to Bryce Canyon and Zion National Parks in Utah to work and save money. She took classes at a community college and for several days as part of her travel fellowship. There, she researched at an arts center to build her portfolio. colors, textures and physical weight. “It was a blessing because it gave me time to research and find out what “I was looking for the feeling of ‘gestalt’ – the whole is greater than the I really wanted to do,” she said. She focused on sculpture during her sum of its parts,” she said. “That happened for me at both places. I didn’t first two years at Moore and then on painting during her senior year. understand sculpture before I experienced Richard Serra’s work and I “Fine Arts allowed me to explore different mediums, be more creative.” had the experience of losing oneself, but at the same time being aware of one’s presence. This feeling of monumental mountains reminded Statsenko said she values the community at Moore and the freedom me of Serra’s work. I wanted to experience a different environment.” to research what she’s interested in, but with the practical guidance of teachers such as Heather Ujjie (Fine Arts faculty), from whom she Thanks to the Locks Career Center and the Business Scholars in the Arts learned about the Mara Hoffman internship. (BSA) program, Statsenko said she felt confident enough to take risks and apply for both fellowships. Besides the paid internship, additional “I didn’t want to feel like a number at college,” she said. “I wanted fellowship funding allowed her to live in and explore New York City personal connections with the teachers and the people I went to school and travel to Utah. with, and that’s what I got.”

11 LIVING THE DREAM

Catching up with alumnae who are establishing careers in their field.

Alexa Tubbs ’11

12 Living The Dream

lexa Tubbs ’11 had a goal when she At Peter Marino Architect, Tubbs’ responsi- came to Moore. A Curatorial Studies bilities include processing auction invoices, Amajor, she wanted to intern at Christie’s updating inventory systems, coordinating auction house in New York City. shipping, tagging items from auction catalogs for clients, fielding questions from designers The first time she applied, she didn’t get accepted. and acting as a liaison with auction houses, But after working with the Locks Career Center such as Christie’s and Sotheby’s. on numerous drafts of her résume and gaining more experience, she was able to make it happen. “I always envisioned working in a gallery setting LIVING and working with artists and promoting the “Belena Chapp (director of the Locks Career gallery vision,” she said. “Here, it is Peter’s vision. Center) was my best friend,” Tubbs said. “She It has a curatorial aspect to it, like a museum was my biggest cheerleader. And after Moore, she has. In addition, Peter is a contemporary art THE also helped me prepare my graduate application. collector. We try to sell art to clients because Peter It’s true when they say ‘you can use the Career believes art is a crucial part of interior design. Center for life.’ It’s the best choice I’ve made A lot of what I learned in Moore’s Curatorial DREAM career wise.” Studies program applies to what I do today.” And it paid off. Today, Tubbs is the Art/ After graduating from Moore, Tubbs worked Antiques Buyer & Assistant Registrar at Peter in the appraisals department at Freeman’s auc- Marino Architect, an internationally acclaimed tion house in Philadelphia before deciding to architecture, planning and design firm based attend Sotheby’s Institute of Art’s art business in New York City. program. After graduating from the program, she interned at the Paul Kasmin Gallery and the She is one of several Moore alumni with suc- Klotz Gallery in New York City. A co-worker cessful careers currently working in New York referred her to Peter Marino and she eventually City. They all attribute their success at least in made the move. part to the education and career preparation they received at Moore. “You have to get involved in the art scene to get yourself out there and make connections,” “The artistic practice, creative Tubbs said. “New York is tough. Jobs don’t freedom and discipline at just land in your lap. Half of it is what you learned at Moore and half of it is wanting to Moore helped me to connect make a career happen for yourself. You have better to what I see every day,” to be aggressive in the arts.” Tubbs said. “I understand the medium I’m working with Tubbs said Moore was the only college she ap- plied to because of its small Curatorial Studies and curatorial preparation.” program, the only one of its kind in the nation.

13 “Having an all women’s college environment was pretty empowering at the time,” she said. “There were all these independent, brilliant women. I’d do it all over again.”

Vivian Pomerantz, Art/Antiques Buyer & Registrar at Peter Marino Architect, said she hired Tubbs because she was impressed with her background and the education she received at Moore.

“I think Alexa brings not only a wide-based knowledge of the art world, but she’s also very aware of what’s going on in the art world,” Megan Blackadar ’08 she said. “Moore instilled that in her, which was then a springboard for Christie’s and Sotheby’s. She came to us with all of the experience that we thought we’d have to find The 9/11 Tribute Center, which opened in “We’ve had some of the most professional PR in someone who had been out there five to 2006, is a project of the September 11th Families’ and branding companies in NY work with us seven years. Moore gave her the foundation Association, which brings together those who and it’s a challenge to be able to balance the for a thirst for knowledge and understanding. want to learn about 9/11 with those who remembrance (of 9/11) but also a very positive She outshone all the other candidates.” experienced it. message for the future,” she said. “To be able to graphically portray that is really a challenge ••• About six months after arriving at the Center, and Megan has gotten good at being able to Blackadar was tasked with a large project – maintain that balance and a very professional Megan Blackadar ’08 had a full-time job before rebranding the organization. “I was part of look for us. It’s not an easy thing to do. I she graduated from Moore. The Illustration the branding of the new look and logo to definitely look favorably on Moore. She’s a major worked at The Neat Company while make everything consistent,” she said. “They wonderful employee.” attending Moore part-time for several years. listened to me and the branding has been an But after graduation she realized the technology improvement.” ••• company was not the right fit. And after 11 years in Philadelphia, she set her sights on Blackadar, who just recently delivered twins, Following graduation, Brittany Ritchie ’06 New York City. said she ultimately left Moore feeling prepared moved to Minnesota for a paid internship for the work world. She worked with the Locks in the Intimates department at Target Co. “I decided I wanted to work Career Center on her resume and cover letter – She interviewed for a full-time job but it somewhere that either helped a even the outfit she would wear to her interview. ultimately didn’t work out. cause or exercised 100 percent “I thought they were extremely helpful,” she She moved back to New Jersey and in a twist of of what I love to do in the said. “They didn’t make me feel I was one in fate, learned that her friend and Moore alumna arts, and here, it’s both.” a million they were helping. It felt like it was Danielle Tocco ’06 had been hired full-time by a paid service. Everyone should use them.” Victoria’s Secret Co. in New York City and they Today, as Marketing Coordinator for the 9/11 were looking for someone to take her place as a Tribute Center, she’s responsible for the organiza- Jennifer Adams, CEO of the 9/11 Tribute Center, freelancer. Ritchie jumped at the opportunity. tion’s identity and branding – from advertising said Blackadar presented a diversity of talents in to designing brochures, pamphlets, newsletters, her interview, including excellent communica- Today, the Fashion Design graduate is Designer posters, banners, event signage and more. tion skills and a great skill set in graphic design. for Brand Creative Team at Victoria’s Secret in

14 Living The Dream

Brittany Ritchie ’06

New York City. She is one of several Moore While at Moore, Ritchie, a Textile Design minor, alumni who have been hired at the company. completed a textiles internship at Diane Von Fürstenberg. While her major was Fashion As part of her job, she works on runway trend Design, she was more interested in creating reports, where she scans the Fashion Week mood boards and doing trend research for runway shows and pulls images of lingerie. The seasonal concepts. lingerie designers then use the report as a tool when they design their collections. “Creating mood boards for school helped me with my career now,” she said. “Unless you “I love the people I work with, my want to work for a smaller company, in most team is amazing and fun,” she corporations you’re not making your own garments and patterns.” said. “I get to travel to Paris and London twice a year to ••• attend trend shows, visit fabric houses and attend seminars.”

15 15 ENTREPRENEURIAL CAREERS

In 2010, Faunce and her family moved to Massachusetts for her husband’s job. At the time, Faunce was still making the capes in her living room. More stores were picking up her line and business was growing at a rapid pace. She discovered Fall River Apparel, a cutting and sewing facility, and partnered with them to produce the capes.

“I’ve taken on more of the manager role of the business, working on marketing and gaining more wholesale accounts and they are taking over the creation of the capes,” she said. “What Moore taught me was to have the confidence and the vision to create whatever I thought of.”

Allison Faunce ’06, an Art Education major, With her already-established sewing and design Learn more about Little Hero Capes at creates hero capes for kids. skills, Faunce took a stab at making some littleherocapes.com capes by hand in her Philadelphia home. At ••• Rae Vittorelli ’06, a Fine Arts major, produces the advice of Moore’s Locks Career Center, chocolate bars printed with edible Polaroid-style she opened an Etsy shop to see if the capes After graduating from Moore in 2006, Rae photographs. would sell. Everything she listed sold within a Vittorelli had no idea that her future would week. She decided to open her own business. be in chocolate. And Sara Lenton ’11, an Illustration major, created an illustrated food blog and does custom A few months before graduating from Moore, But her whimsical creativity led her to explore hand etchings on gravestones. Little Hero Capes was born. The company’s the world of sugar arts and launch her own mission is “to empower imagination and create business in northern California. All three Moore alumnae took an entrepreneurial real world heroes” through Superhero capes for approach to their career path, choosing to forgo kids. The merchandise includes Little Hero In 2011, Cocoagraph - Chocolate Photograph a traditional job in favor of something unique t-shirts, traditional hero masks and “power Co. was born. and creative, while still benefiting from the cuffs” for the wrist. skill set they acquired at Moore. Today, each of Cocoagraphs are artisan chocolate bars printed them are enjoying successful careers in the arts. In October, 2008, Faunce launched her official with edible Polaroid-style photographs. The website and incorporated working with a chocolates are completely custom, printed Allison Faunce’s career path changed during charity. At Little Hero Capes, 10 percent of with any photograph, graphic, logo – even her senior year at Moore. She had planned each order goes to the Discovery Arts Program, Instagram image – of your choosing. It’s easy to become a teacher. But an encounter with which brings music, art, dance and drama to to create gifts or souvenirs for any occasion, her three-year-old son sparked her entrepre- children with cancer, serious blood disorders from weddings to holidays to corporate events. neurial spirit. and life threatening illness while they are in You just need to complete an order form to the hospital receiving treatment. upload your high-quality images into edible art. “One afternoon my son was running around with one of my dishtowels,” she said. “I realized “Art education is close to my heart,” Faunce “I love what I’m doing,” Vittorelli said. “I’m he was being a superhero. I realized I needed to said. “Bringing art to children in a hospital having so much fun. All the skills that I learned make him a cape and get my dish towel back.” seemed like a good way to support them. The at Moore I’m using in this business.” capes I design make children feel strong and brave. Every child needs a cape.”

16 Entrepreneurial Careers

Opposite page left: Allison Faunce This page left: Rae Vittorelli Right: Sara Lenton

said. She’s looking to expand her business and open her first retail space in the near future.

She credits Moore with providing her with a diverse art education that really helped her launch her business.

“At Moore, you really got to explore different mediums,” she said. “The fact that I have so many different skills is because of Moore.”

For more information, visit cocoagraph.com •••

Sara Lenton prefers “cake over steak.”

After studying photography and printmaking That’s the name of the illustrated food blog at the School of Visual Arts in New York City, the Moore alumna has created reflecting her Vittorelli transferred to Moore to complete her (mostly) sweet tooth and foodie philosophy. at Gingrich Memorials, a monument business degree in 3D Fine Arts, with an emphasis in in Middletown, PA. There, she does custom sculpture and metalsmithing. Lenton, a 2011 graduate, creates original illustra- hand etchings on gravestones. It’s a 180 degree tions of food or beverages and her photographer turn from her previous job designing ads for “That first year after graduation I injured fiancé photographs the work for her blog. the Lebanon (PA) Daily News. myself and had a hard time doing sculptural work,” she said. “I started an office job and Lenton sells prints of her illustrations on her “It’s really neat and a perfect blend of the skills began making sculptural cakes on the side. I Etsy page with links to the blog item describing I have with illustration and graphic design,” learned a lot about sugar. It was a new material the work. she said. “I’m doing artwork on gravestones to work with. It’s a lot like working with clay that people appreciate so much and it will and other tools in school. I eventually found Each illustration takes about five to seven hours literally be around forever because it’s etched chocolate, and then I found a way to combine to complete on weekends and evenings. Between in granite.” art and food to make edible art.” writing, editing, making the recipe and doing the photo shoot, her more elaborate posts can It took time for Lenton to familiarize herself In 2010, Vittorelli came up with the concept for take between 12 to 15 hours to finish. with the tools she had to use for her job, includ- her business. She invested some of her own money ing the “diamond tipped Dremel tool” and a and secured loans from family to get started. “My last two years of college I started getting laser machine. She rented kitchen space from a local bakery really interested in food, mainly when I had to and partnered with a Philadelphia marketing start cooking for myself,” she said. “I started “They were surprised I caught on so quickly firm to get the word out. reading a lot of food blogs and cookbooks and but I think a lot of it had to do with the way fell in love with them. As a visual person, I’m we learned how to draw in the Illustration Cocoagraph has been featured in InStyle not interested in reading a food blog unless it’s department at Moore,” she said. “You’re just magazine, The Huffington Post, on VH1’s pretty and has good photography. I thought that looking at shapes and values. It’s just drawing Morning Buzz, and ABC’s “The View.” She creating my own blog would be a good way to with a different medium. It’s not a big deal. even provided chocolate bars for a recent Oprah create personal (illustration) work again while You just don’t want to mess up.” Winfrey movie. talking about another passion of mine – food.” Visit Sara’s Etsy shop to purchase a print at The company grossed over $50,000 in its first When she’s not hard at work at her blog or etsy.com/shop/saramlenton year and the orders keep coming in, Vittorelli illustrations, Lenton works as a graphic artist •••

17 Graduate Studies at Moore

PROOF OF SUCCESS FOR GRADUATE STUDIES AT MOORE

In August 2014, Moore’s Graduate Studies Program held its fifth commencement, bringing the number of completed Master’s degrees to sixty-one. When it comes to the pursuit of an advanced education, both quantitative and qualitative measures are in evidence. As a recent article in US News & World Report observed, “graduate school enhances personal growth, greater employment opportunities and greater career advancement. Financial reward is also coupled with greater levels of satisfaction in a sense of professional accomplishment and enhanced peer recognition and credibility.”

In terms of career success, the employment numbers of Moore’s graduate alumni are strong and reflect both the institution’s and the individual’s commitment to their professional development.

Artwork by Kristina Goverts, MFA in Fine Arts

18 Proof Of Success

of the 2013 Class94% is employed, 88% in their field of study

MA in Art Education with an MFA in Studio Art: Emphasis in Special Populations: MFA in Interior Design: 90% are 100% are 100% are employed employed employed with 8 of 10 graduates, or 80%, holding with 5 of 6 graduates, in their field of study positions in their field of study or 83%, holding positions More important, one year after graduation, the in their field of study majority of MFA alumni appear to be maintaining active private studio practices as well.

Statistical research of employment rates over the last three years of Masters’ classes (2010-2013) also demonstrates an overall picture of career success:

MA in Art Education with an MFA in Interior Design: MFA in Studio Art: Emphasis in Special Populations: 86% are employed 95% are employed 95% are employed with 6 of 7 graduates, or with 16 of 19, or with 17 of 20 graduates, or 85%, 86%, holding positions in 84%, holding positions holding positions in their field of study their field of study in their field of study

Moore’s graduate alumni continue to have permanent access to Locks Career Center resources for CV/resume advice, employment listings, exhibitions, grants and artist residency opportunities and networking associations. In addition, the personal coaching offered by the trained staff is designed to assist each person to create and maintain a productive working life.

19 LIFE OF AN ARTIST Discussing Careers with

GRADUATE STUDIES ALUMNI

20 Discussing Careers with Graduate Studies Alumni

ARTIST. CURATOR. TEACHER. ENTREPRENEUR.

These are all words to describe Ben Panter. And he credits Moore’s MFA in Studio Art program with helping to make these dreams a reality. BEN PANTER

Panter graduated from the Studio Art program in 2012. He is currently an adjunct professor teaching darkroom photography at Burlington County College in New Jersey.

Previously, he taught at Camden County College while also working at the Camden County Cultural and Heritage Commission as curator of their gallery space. He spent this past year as an artist-in-residence for the Rutgers-Camden Center for the Arts.

“For six weeks I spent a couple of days a week in one He was mentored by Fred Herr, an artist who teaches at of the Camden elementary or junior high schools doing Camden County College. Through that connection, he photography arts projects with the students,” he said. “It ended up getting a teaching job there. was a really great experience and I hope to do it again.” “He (Fred) was able to help me with my work and profes- For his day job, Panter works at his church in Mount sionally,” he said. Laurel, NJ, doing graphics, web and video projects. He has an undergraduate degree in Art from Rutgers-Camden, Panter said he also learned how to teach by observing his but was just a few classes short of a design degree and has own teachers and taking notes. continued to develop his skill set. “Since teaching is something I’m pursuing at the higher He recently exhibited his art work at the Mount Laurel Library. education level, to me that was really invaluable,” he said. “I was able to figure out other people’s methods. I think for the “They gave me an open wall and said to put up any work that 20-some people we had as teachers and mentors throughout I had,” he said. “A lot of the work I’d done while at Moore. the program, each of them had their own way of interacting I’ve done things as far as printing, video and alternative with us as artists. You have to be able to do that to approach processes, but a lot of my work is photography based.” your students differently in the classroom.”

Panter said he was attracted to the small, intimate nature A six-week summer residency in The Burren, Ireland was an of Moore’s graduate program. As one of five students in his invaluable experience for Panter. Because of it, he decided to

Left: Ben Panter, Self-Erasure, class, he had the opportunity to be individually mentored, do another residency this past summer at Artscape Gibraltar digital inkjet print, 2014 both by professors and other professional artists during Point in Toronto, Ontario. He shared a studio and made art his thesis year. with another student from his graduating class. Above right: Ben Panter and a group of Camden students in front of their “Every professor I felt like I could call if I had a question,” As part of his recent residency, Panter ran a successful “My Dreams, My Future” he said. “They all offered to assist us in any way possible Kickstarter campaign to fund the cyanotype project he project, organized through the Rutgers-Camden after graduation. It gave us that circle we could tap into went there to complete — to create a new series of large Center for the Arts whenever we needed it.” format cyanotype photographic images.

benpanter.com •••

21 22 your teaching.” Education. ButArt we’re too!Anditreally artists informs which notallMaster’s degrees require, inart especiallynot the degree here isthattheyrequire you tohave astudio, my degree atMoore,” bestthingabout shesaid.“The “I wasstillabletodometalsmithingwhileIpursuing izing inmetalsmithing. University ofPennsylvania withaminorincrafts,special 2013. She Education from earnedher BSinArt Kutztown Hicks graduatedwithherMaster’s degree from Moore in “Coming toMoore’s Master’s program, itfeltlikeafamily.” teacher…I feltreallybeing theonlyart alone,”shesaid. then finallylandingmyfirstfull-timepositioninCamden “Coming from teachersand ahighschoolofseven art as well astypicalstudents. studentswithdisabilities passionate abouteducatingart Populations Moore’s needs population.” and thoughtI’d beagoodfitsinceourschoolhasspecial up withstudents.She mentionedtheMaster’s program teachershowingEducation) noticedthatIwastheonlyart she said.“Natalie Payne (Co-Director ofContinuing would teachthemhow tousethetrainwiththeirparents,” kidsdidnotknow how“The togetPhiladelphia andI students toSaturday Youth ClassesatMoore. High Schoolandshedecidedtoaccompanysomeofher and physical disabilities at Camden County Technical tostudentswithcognitive At thetime,shewasteachingart BY ACCIDENT. GRADUATE PROGRAM INART EDUCATION VERONICA HICKSLEARNEDABOUTMOORE’S comic book with one of the high school students she taught. comic bookwith oneofthehighschoolstudentsshe taught. Lynd Ward Award forComics.She’s also co-authoringa When she’s notatPenn, Hicksmemberforthe isajury Ghana thisspring. coursewithanembeddedtripto African AmericanArts to non-art majors. She will be teaching a West African and She there, classes isalsoaninstructor teachingonlineart Education and Women’s Studies atPenn State University. Today, Hicks isenrolled inadualPhD program inArt MA in Art Education MA inArt is a one-of-a-kind graduate program for students isaone-of-a-kindgraduateprogram forstudents

with anEmphasis inSpecial Discussing Careers withGraduateStudies Alumni -

“As ayoung teacherIwassounprepared fortheamountof education atKutztown University. at Moore becauseshehadonlytaken oneclassinspecial Hicks said she ultimately decided to pursue her degree culture senseofdifference.” the ‘other’ aswell. Ifeltcomicswent well withthevisual ‘other’ qualityaboutthem. Women withspecialneedsare Comics are considered outsidemedia–theyhave this where I’m going to head for my dissertation at some point. people withspecialneeds,”shesaid.“That’s probably “I’m really intodisabilitycomics,comicsthatfocuson recommends theGraduate Studies program. Today, Hicks saidshe remains aMoore advocate andhighly not aboutdisability, it’s aboutability.” teaches you how toopenyour eyes toalldisabilities.It’s my students…thebeauty of this program is that itreally during the week,” she said.“Ihadbetterresults from all “You couldimmediatelyputwhatyou learnedtowork a hugedraw. The factthatshecouldtakeclassesonweekends wasalso this couldreally informmyteaching.” she said. “I wasn’t doing my students any good. I felt like IEP’s (individualized educationprogram) thatIfeltlost,”

VERONICA HICKS Opposite page: “It prepared me beyond my wildest dreams, not just for O’Hara was working for an engineering firm while completing Veronica Hicks, photo by Madison Mock my job but to pursue my dual PhD,” she said. “I was well her Master’s degree on nights and weekends through Moore’s prepared for the amount of reading and writing that was low-residency program. But she knew in her heart that the Above: Veronica Hicks and expected for my terminal degree. Moore really pushes that job wasn’t the right fit. Leslie Sotomayor, Studio Afterbirth; canvas, wood, and they also push research. Because Moore’s program is acrylic, copper, brass, nickel so unique, it really stands out. Everywhere I interviewed “I’d always been interested in design and the creative side silver; exhibited at HUB- for my PhD I got accepted.” of it, but while I was getting my degree at UD, I figured Robenson Gallery at Penn State University, 2014 I’d give it a chance and work for a firm. It didn’t have the veronicahicks.wordpress.com creativity that I was looking for, so I started looking around ••• for something else.”

KATIE O’HARA DREAMED OF BEING A BUSINESS She discovered Moore’s program, met with (then Interior OWNER OR ENTREPRENEUR SINCE SHE WAS A Design chair) Mark Karlen and decided to enroll. She LITTLE GIRL. had a close group of six classmates that went through the program together and graduated in 2012. A year ago, that dream came true, with the help of Moore’s MFA in Interior Design program. Today, at the age of 29, “I knew within the first workshop class that Moore was she is the owner of Katie O’Hara Design in Wilmington, Del. right for me,” she said. “It combined the technical numbers and problem solving with creativity and that was the best With a Bachelor’s degree in civil engineering from the of both worlds for me. The program was really strong and University of Delaware and a Master’s in Interior Design I really resonated with Mark.” from Moore, O’Hara works on commercial design and a select number of residential projects each year.

23 24 so muchmore opportunity.” the entire process ofaproject. That justallows metohave a conversation withvendors andcontractorsthroughout program gave ustheknowledge“The tobeablehave on herown. with givinghertheconfidenceandcredibility togoout She credits therobust educationshereceived atMoore my connections.” me on.Now Ihave luckywith anofficethere. Igot very space andwere inneedofadesignersotheybrought in Wilmington, DE.She saidtheywere redoing their the managingdirector forCoinLoft,aco-working space thing todo. Iinitiallyworked from homebutthenImet “It hasbeenamazing,”shesaid.“It wastotallytheright her own firm. clients shehadbeenworking withanddecidedtoopen closed herbusinesslastsummerbutO’Hara keptthe intern andthenfull-timeaftershegraduated. The designer in Delaware. The designerendeduphiringO’Hara as an While atMoore, O’Hara connectedwithaninteriordesigner koharadesign.com 24 ••• Discussing Careers withGraduateStudies Alumni

KATIE O’HARA at Start itUpDelaware.at Start Below: The CoinLoft MainLoungeof Photo by SaraScholl, sarascholl.com Director ofKatieO’HaraDesign. Above: KatieO’Hara, Creative Photo by Jay Greene Photography.

Continuing Education Profile

IAN LEIBOVICI

CURRENTLY WORKS: PaperWeight Design Studios, Philadelphia

After two years of working as a freelance marketing consultant, Ian Leibovici wanted to start his own creative digital agency.

In 2012, Leibovici and several partners opened PaperWeight Design Studios in Philadelphia, a provider of web, brand- ing, design and media solutions. With his previous work experience in business, marketing and customer service, Leibovici realized he was lacking the fundamentals in web design to build more successful websites.

“PaperWeight has its own design development team,” Leibovici said. “Being the owner, I really needed to increase my skill set. It also helps with clients when they ask if I have an education in web design, I can say ‘yes.’”

Leibovici, who earned a BS in Industrial Design from the University of the Arts, turned to Moore to continue his education. He enrolled in the Web Design certificate program, taking classes like Flash Interactive Design and Computer Illustrator. He finished his coursework in Winter, 2013.

“It was a great experience,” he said. “It was great meeting “We try to promote the creative culture of Philadelphia in a other people with the same goal, to go out and achieve different way than any of the art blogs by ‘clipping’ about a new career or build on their existing career. I worked recent happenings, upcoming happenings and interesting with some great professors. It’s a good introduction to the content,” Leibovici said. web design world and it definitely helps people get their feet planted in the right direction to build a portfolio Not one to rest on his laurels, Leibovici also launched that they can get real world work from. People who take contentboxter.com, a strategy business and marketing this program could easily go out the door and get work.” development company that uses technology platforms to help clients develop content enabled strategies to parallel With the skills he learned at Moore, Leibovici launched their marketing plans. PaperClips215 – a digital art and design platform aimed at expanding awareness of creative content in the Greater “The skills I learned at Moore will Philadelphia area. PaperClips focuses on covering events reflect in contentboxer.com as we seek in real time, using primarily Twitter and Instagram to connect with its users. to build best practices when it comes to visually delivering content on the web and for the clients we work with.”

For more information on Continuing Education and Youth Programs visit moore.edu/youth-and-adult-programs.

25 Creating Careers and Networking Opportunities creative connections

MOORE’S PROFESSIONAL ONLINE PORTFOLIO SITE CREATES CAREER AND NETWORKING OPPORTUNITIES

Moore College of Art & Design’s Portfolio Gallery, an online tool Behance syncs with Adobe Pro Site, allowing her to build a standalone that showcases the work of students, alumni and faculty through website without ever writing code. “It’s a very helpful resource for the leading portfolio portal Behance, allows artists to post projects people who haven’t gotten a website up yet, and it’s a good place to and have a centralized portfolio that links directly with social media start an online presence, which is really important.” networking sites and personal websites. Companies can explore the work and access talent on a global scale. Skye Bolluyt ’15, an Illustration major, created a Behance portfolio this spring as part of her internship preparation course. “I like the site Moore, the first and only visual arts college for women in the U.S., because I had an internship in Philadelphia and afterwards I could began using Behance in March, 2014 as part of the College’s career- follow them on Behance and they could follow me back and we could focused mission. BFA and graduate students, alumni and faculty keep in touch. Behance has job listings as well. You can search in have created an online presence and gained exposure through the your major or career path and I’m hoping to contact illustrators that social network. I really admire.”

There have been plenty of creative networking sites but few have Dominick Saponaro, an adjunct professor in the Illustration depart- incorporated social, content curation and career building features like ment, said he has been using Behance a lot more in recent months. Behance. It attracts 15 times the traffic of other portfolio sites and He especially likes that the site is fully integrated with Creative Cloud currently has around 1.8 million public projects posted. These projects so posting projects directly from applications streamlines the process are linked directly back to the user, who can redirect visitors to their of sharing art and receiving feedback. “I have a pretty big presence websites, helping to maximize exposure and traffic. on Facebook and Twitter for my professional work,” he said. “Every few months I try to find another service that extends that reach a bit Students and alumni who use Behance have reported increased exposure, more and Behance does that. It’s nice to have my work pop up in front networking and career opportunities: of potential clients. They appreciate and like my work so I know the work is getting in front of their eyeballs, which is why I’m doing it.” Megan Rhodes ’14, a Graphic Design alumna, has been using Behance for two years. After viewing her portfolio on the site, a small start-up Moore students, alumni and faculty can create company offered her freelance work. Rhodes said she likes the fact that their own profile at portfolios.moore.edu

26 Faculty Notes

FACULTY NOTES

Stefan Abrams adjunct faculty of Photography Dorothy Funderwhite, adjunct faculty of Graphic & Digital Art, participated in a group show, Design, taught a hands-on workshop in July, 2014 Begin Where You Are, in the Icebox Project for VAST at the Philadelphia Museum of Art. The Space at Crane Arts in Philadelphia along with workshop was designed to help K-12 teachers con- Christopher Davison (Foundation). The exhibi- nect graphic design to creative thinking. tion, on view from August 14 – September 13, 2014 was curated by Anna Neighbor (PDA) and Robert Goodman, chair of Fine Arts, Timothy Belknap (Fine Arts). Photography & Digital Arts and Interactive & Motion Arts, was in a group exhibition, Philly Art Holly Bittner, assistant professor of Liberal Arts Experience, at the Bridgette Mayer Gallery from and Director of Writing, gave a performance in September 5 – October 10, 2014. October, 2014 at the 28th Annual Conference of the Society for Literature, Science, and the Asuka Goto, instructor of Fine Arts/Foundation, Arts, from her poetry manuscript, ENDOME in was part of a group show, Tectonics, at the Westbeth Dallas, TX. Gallery in NY from August 1 – 18, 2014.

Lowell Boston, adjunct faculty of Interactive Alexis Granwell, adjunct faculty of Foundation, Alexis Granwell, Zip line tow rope, Acrylic and latex paint, & Motion Arts, exhibited at BoConcept curated an exhibition, zip line tow rope: Gary at Tiger Strikes Asteroid Philadelphia in Mambo Queens in June, 2014. Petersen, at Tiger Strikes Asteroid in August, 2014 On view were animations and a sneak preview of in Philadelphia. The show was reviewed by The a new animated “short work in progress,” Cigar Philadelphia Inquirer, City Paper and Knight Arts. Queens of Havana: Devil’s D’Opera. He also won This summer, Granwell taught workshops at the the Antoinette Westphal College of Media & Printmakers Open Forum in Oxford PA. This Lynne Horoschak ’66, graduate program Design 2014 Mini Grant from Drexel University. fall, she had exhibitions at (e)merge Art Fair in manager, MA in Art Education with an Emphasis Washington, DC; Drawing Now at the Artspace in Special Populations, gave a presentation in Kathryn Dethier, chair of Graphic Design, Liberti in Philadelphia; and Complementary Colors June, 2014 titled “Best Practices for Professional Illustration and Interior Design, worked on at the Pentimenti Gallery in Philadelphia. Development” at the Mural Arts Professional a facade design for the Community Design Development Think Tank in Philadelphia. Collaborative rStore program on 4th Street, Kate Gugliotta, adjunct faculty of the MA Historic Fabric Row. Dethier also renewed her in Art Education with an Emphasis in Special Paul Hubbard’s sculpture, “Screen,” was LEED Green Associate Credential and was a Populations, was a guest lecturer this summer and installed this summer in the grounds at Abington guest critic for the Spring Gardens Design Grant fall at Teachers College, Columbia University for Sculpture Park as part of a rotating sculpture Review in July, 2014. their Museum Issues course. exhibition. Hubbard is professor of Fine Arts and professor of the MFA in Studio Art program. Jeff Dion, adjunct faculty of Foundation, exhibited in the 116th Annual Faculty Exhibition James Johnson, associate professor of this summer at the Fleisher Art Memorial in Photography & Digital Arts, was on Sabbatical Philadelphia. Dion completed an oil paint- for the fall, 2014 semester. During this time, he ing commission for Mrs. Lynn Penn. He also developed a mastery of new tools and techniques lectured at the Philadelphia Sketch Club and now being used at NextFab in Philadelphia. taught an iPad drawing workshop at Penn Valley Johnson will further expand the scope of his Elementary School for a fifth grade class. practice as an artist by applying these tools in innovative new ways. Elaine M. Erne, adjunct faculty of Fine Arts/ Foundation, exhibited in three group exhibitions Virginia Maksymowicz, adjunct faculty for the this summer. Erne was in Making Our Mark: MFA in Studio Art, participated in A Women’s Philadelphia Printmakers at the Avenue Gallery, Caucus for Art Philadelphia Chapter Exhibition, in Philadelphia. She was also in the 116th Annual Connections, at the Holy Family University Art Faculty Exhibition at Fleisher Art Memorial in Gallery in Philadelphia from September 2 – 29, Philadelphia from July 7 – August 15, 2014, as 2014, with an artist talk and reception on well as Let This Be a Sign, a Print Exchange at the 7 September 9. Dunham Gallery in Brooklyn, NY. Erne is also a co- founder of Star Wheel Printers and began teaching Gigi McGee, professor of Graphic Design, taught in a new drawing program for medical students at a workshop on design thinking for K-12 educators, Thomas Jefferson University this fall. “Looking Closely, Thinking Critically,” at the Philadelphia Museum of Art in July, 2014. She also designed a publication, “Municipal Curbside Compostables Collection: What Works and Why” for the Department of Urban Studies and Planning at the Massachusetts Institute of Technology. Elaine M. Erne, Honey Bunny Gets Pinned, Graphite pencil on paper, 2013

27 Alice Oh, biota (life), PC no. 62.08, oil and acrylic on linen canvas, 2009. Cindy Stockton-Moore, Other Absences, site specific Widener University Art Gallery, 2014 installation at Eastern State Penitentiary, through 2015

Morgan Meis, adjunct faculty of Fine Arts and Anne Schaefer, adjunct faculty of Fine Arts, exhib- this fall in conjunction with “A Lived Practice Photography & Digital Arts, participated in the ited in In the Thick of It at the WSU Shift Space in Symposium,” November 6 – 8, 2014 at The Art 2014 Brooklyn Book Festival in New York on Wichita, KS from July through August 2014. The Institute of Chicago. September 21, 2014. solo show was the culmination of the work created during a two-week Harvester Arts Residency. Heather Ujiie, assistant professor/visiting artist Alice Oh, associate professor of Fine Arts, had for Foundation and adjunct faculty of Fine Arts, a solo exhibition, Biology, at Boyden Gallery, St. Cindy Stockton-Moore, adjunct faculty of Fashion Design and Interior Design, had a solo Mary College, St. Mary City, MD, from August Foundation, had her wall drawing featured in Flesh show, Erotic Alchemy, at the Philadelphia Art 11 – September 30, 2014, with a reception and and Bone, a group exhibition in July, 2014 at the Alliance in Philadelphia from September 11 – guest artist lecture on September 22. Oh was part of Hillyer Art Space in Washington, DC. In October, November 30, 2014, with an opening reception a group exhibition, Affinities: Women Artists-Women Stockton-Moore exhibited a new animation project on September 11. In conjunction with Design Inspirations, at Widener University in the Widener for the group show Writing Lessons at Butter Philadelphia, Ujiie planned a student exhibition Gallery, Chester, PA, from September 13 – October Projects, Detroit, MI and was part of a group exhi- from her Projects in Digital Print course as part 13, 2014, with a reception on September 13. bition, Listening In, at the Abington Arts Center, of her exhibition at the Art Alliance. Abington, PA. She was also awarded the Swimpony Amy Orr, adjunct faculty of Fine Arts, exhibited Cross Pollination Grant. Jonathan Wallis, chair and associate professor of in Semper Tedium: The Slow Art of Quiltmaking Art History, Liberal Arts, Curatorial Studies and at The Morris Museum in Morristown, NJ in Lisa Sylvester, adjunct faculty of Foundation, Art Education, gave two lectures this summer. In August, 2014. was part of two group exhibitions this summer: July, 2014, he lectured at the Philadelphia Museum AS/Orchard at the Orchard Gallery in New York, of Art in the VAST program on “Observation/ Lynn Palewicz, chair of Foundation, was part NY from July 29 – August 16, 2014 and Elements Interpretation/Liberation/Participation: The of a group exhibition, Juvenescence, in the Silber of Style at the Geoffrey Young Gallery in Great Changing Role of the Viewer in Art” and in June, Gallery at Goucher College in Baltimore, MD, Barrington, MA from August 9 – 30, 2014. 2014 at Moore’s Teachers Summer Institute on October 28 – December 7, 2014, with an open- “Contemporary Trends in Art: Participatory Art.” ing reception November 1. Daniel Tucker, assistant professor and He published Tiny Surrealism: Salvador Dali Graduate Program Manager in Social & Studio and the Aesthetics of the Small in the Journal for Maureen Pelta, professor of Art History, Liberal Practices, gave a presentation, “Never The Same: Surrealism and the Americas in Fall, 2014. Arts and Curatorial Studies, is on Sabbatical for Conversations about Art Transforming Politics the 2014-15 academic year and will be working and Community in Chicago and Beyond,” in Nami Yamamoto, adjunct faculty of Fine on two complementary projects in Italy, both September, 2014 at the Central Time Centric Arts, was commissioned by the New York City of which relate to 16th century Parma that Symposium Art & Social Practice in Fargo, Department of Transportation in Brooklyn, NY, proved influential in the development of art and ND. On October 11, 2014 he spoke at the to create a banner for a fence that was installed aesthetics throughout Europe during the three 15th Healthy Foods Local Farms Conference for 11 months starting in October, 2014. centuries that followed. Her book review of “The on “Real Homeland Security: Food, Health & Ashgate Research Companion to Giorgio Vasari,” Community” in Louisville, KY. Tucker’s edited edited by David Cast, Ashgate Press 2014, will book, “Immersive Life Practices,” published by be published in the 2014 Fall-Winter issue of the University of Chicago Press, was released Seventeenth-Century News.

28 Faculty Notes

MOORE IS PLEASED TO ANNOUNCE THE APPOINTMENT OF FOUR NEW FACULTY MEMBERS

Daniel Tucker has been named Assistant Stephen Wood has been named a full- Professor and new Graduate Program time faculty member in Interactive & Manager in Social & Studio Practices. Motion Arts, starting this fall. Wood Tucker, of Chicago, IL, joined the received a BFA in Illustration from Moore faculty on September 1 and will Minneapolis College of Art & Design lead the current MFA in Studio Art and an MFA in Illustration from Program as well as two new graduate Savannah College of Art & Design. programs, an MA in Art & Social After receiving his MFA, Wood has been Engagement and MFA in Community teaching at Sanford-Brown College. Practice, launching in summer 2015. He has professionally worked at 5th Planet Games as well as working for the past six years as a freelance Tucker works as an artist, writer, teacher and organizer, developing artist in the hobby and casual games industry. His work has been in documentaries, publications and events inspired by his interest in board games, card games, Facebook games and mobile games. social movements and the people and places from which they emerge. Amanda Newman-Godfrey joined Tucker earned his MFA from the University of Illinois at Chicago and Moore in August as an Art Education his BFA in Exhibition Studies and Video from the School of the Art faculty member. She has a BA in Fine Arts Institute of Chicago. He has taught at the School of the Art Institute of from Bryn Mawr College and a Masters Chicago, the Vermont College of Fine Arts and the University of Illinois of Arts in Art and Art Education with at Chicago and through the Newberry Library in Chicago. K-12 Arts Certification from Teachers College, Columbia University (TC Francine Martini has been named a CU), where she currently is a Doctoral full-time faculty member in BFA and Candidate in Art and Art Education. Graduate Interior Design. Martini received a BA in Interior Design from Newman-Godfrey has full-time and adjunct teaching experience The College of New Jersey (formerly at TC CU and experience with Clinical Supervision in K-12 Arts, Trenton State College) and an MPS and she was an art teacher for 11 years at the Children’s Center of in Design Management from Pratt Monmouth County where she worked with 300 students annually, Institute. She has worked in the ages 3 through 21 years. Newman-Godfrey presents at national and field since 1984 at Interior Facilities state art education conferences and is a member of the National Associates, Carter Design Associates, Art Education Association, Art Educators of New Jersey, New York JJP Associates and she is the founding director of Martini Design City Art Teachers Association and Council on Exceptional Children. Interiors. Martini has taught primarily as an adjunct faculty since Newman-Godfrey is a photographer and has had solo and group 1990 at several institutions, including The College of New Jersey, exhibitions in New Jersey and New York. Pratt, NYSID, and FIT, where she has also taught full-time. She will begin teaching in the spring.

29 IN THE GALLERIES IN STRANGE CURRENCIES

he Galleries at Moore has received a lesser-known history of this important decade. Above: Silvia Gruner $240,000 grant from The Pew Center Strange Currencies will emphasize not only what Yo soy esa simetría (I Am That Symmetry), 1991 Tfor Arts & Heritage to support Strange artists at the time were making, but what they video (14 min.) Currencies, an exhibition that critically re-examines were making happen, and will explore the rise Courtesy of the artist the emergence and development of artistic of independent art spaces during the 1990s – © Silvia Gruner practices in Mexico City in the 1990s. During spaces that emerged as alternatives to official, this time a series of economic and political events, state-supported art institutions unwilling to including the signing of the North American support art that was more expansive, ephemeral Free Trade Agreement (NAFTA), the Zapatista and socially based. uprising in Chiapas, and a catastrophic economic crisis, caused enormous social upheaval and “We are deeply grateful to The Pew Center recession, setting the stage for collective and for Arts & Heritage for its support of Strange ‘do-it-yourself’ art practices that profoundly Currencies,” stated Kaytie Johnson, Rochelle F. altered the dynamics of the local art scene. Levy Director and Chief Curator, The Galleries at Moore. “The primary goal of the exhibition Strange Currencies, scheduled for September is to acknowledge and (re)present alternative 2015 – December 2015, will present a nuanced accounts and perspectives that have not been and richly contextualized account of this period explored in other exhibitions and recapture the and avoid the tendency to sensationalize and ‘undergroundedness’ and funkiness that defined mythologize it. Rather than focusing on genre that decade’s artistic milieu.” and medium, the exhibition will illuminate the conditions in which the works were produced, The artists being considered for the exhibition and the pieces will be carefully chosen for their were all active in Mexico City in the 1990s ability to provide a deeper understanding of the and include: Eduardo Abaroa, Francis Alÿs,

30 In The Galleries

Marco Arce, Gustavo Artigas, Iñaki Bonillas, Miguel Calderón, Abraham Cruzvillegas, Minerva Cuevas, Claudia Fernández, Thomas Glassford, Silvia Gruner, Daniel Guzmán, Jonathan Hernández, Gabriel Kuri, Teresa Margolles, Yoshua Okón, Damián Ortega, Gabriel Orozco, Fernando Ortega, Luis Felipe Ortega, Vicente Razo, Pedro Reyes, Daniela Rossell, Santiago Sierra, Melanie Smith, Sofía Táboas, Pablo Vargas Lugo and Lorena Wolffer.

Major support for Strange Currencies has been provided by The Pew Center for Arts & Heritage.

Gustavo Artigas Installation view from the exhibition La feria del rebelde, La Panadería, 1994 Courtesy of the artist © Gustavo Artigas

THE SKY’S GONE OUT

n his 1919 essay ‘The Uncanny,’ Sigmund broad and unexpected range of media, including Freud identified the uncanny –unheimlich contemporary visual art, film, music, video Iin German – as an aesthetic property that games, music videos, fashion design, sound can make the familiar appear frightening or recordings, historic photographs and literature, strange. Although Freud developed this idea all of which evoke a strange and unnerving in the context of his theory of repression, the otherness, subtly subvert the familiar, and term has been appropriated to describe the unsettle our experience as viewers. aesthetic effects of twenty-first century life in general, and the visual arts, literature, theory, Organized by Kaytie Johnson, Rochelle F. Levy popular culture and design in particular. The Director and Chief Curator, The Galleries at uncanny is ghostly, concerned with the strange, Moore, The Sky’s Gone Out will be on view weird and mysterious, with a flickering sense of January 24 through March 14, 2015. It something supernatural. It is an apprehension of will include works by visual artists Gabriela something that should have remained secret and Frikdriksdottir, Hanna Liden, Chloe Piene hidden but has come to light, the recognition and Nader Sadek, a music video from directors of something that is simultaneously beautiful Kevin Godley and Lol Créme, historic photo- and frightening. The uncanny unsettles time graphs of séances taken by Canadian doctor and space, order and sense. Thomas Glendenning Hamilton, photographs by Karina Jønson, the book House of Leaves Taking Freud’s idea as a starting point, The from writer Mark Z. Danielewski, garments

Sky’s Gone Out uses the uncanny as a means for by fashion designer Barbara | Gongini, a short Gabríela Fridriksdóttir questioning reality and exploring displacement, film by Marianna Mørkøre, and the video Inside the Core, 2005 horror and anxiety in contemporary art and game Silent Hill 2. video still Courtesy of the artist and design. The exhibition will include works in a Hamish Morrison Galerie, Berlin

31 Development News

VISIONARY WOMAN AWARDS

On September 23, 2014, Moore presented Visionary MOORE GRATEFULLY THANKS OUR 2014 SPONSORS

Woman Awards to three exceptional women who FOUNDING SPONSOR Blick Art Materials Adele K. Schaeffer and have made a powerful impact on the worlds of art The Albert M. Greenfield Citi Private Bank Harold G. Schaeffer and design and are leaders in their fields: curatorial Foundation CSI International Select Medical Corporation consultant and educator Helen W. Drutt English, Kathy and Jack Donnelly Frances and Bayard Storey painter Janet Fish and fashion designer Nicole Miller. VISIONARY Drinker, Biddle, and Reath LLP VantaCore Partners LP Penny and Bob Fox Mary and Joseph Fenkel Penelope P. Wilson Cecelia Fitzgibbon and FRIENDS Throughout the day-long celebration, awardees engaged Scott Cameron Julie Jensen Bryan and students, faculty and the broader community over INNOVATORS Fox Rothschild LLP Robert Bryan lunch, question and answer sessions, The Elizabeth Comcast-Spectacor Mindy Glassman ’72 and Chickie’s & Pete’s Cafe Greenfield Zeidman Lecture and the evening gala. | Comcast | NBC10 Will Glassman Cozen O’Conner | Telemundo62 Joseph and Jane Goldblum CRW Graphics Attended by over 330 guests, the event raised $373,278 Frances R. Graham’66 and Janie Feldman Gross ’74 Curley, Hessinger & with proceeds benefitting Moore’s Visionary Woman William Graham and Peter Gross Johnsrud LLP Scholarships and Honors Program. New in 2014, the Hirtle, Callaghan & Co Rev. Richard R. Fernandez Visionary Woman Honors Program will support Moore’s LEADERS Meg and Craig S. Johnson Gerry and Richard Fox most highly ambitious, reflective, independent-minded Marta and Robert Adelson Keystone Outdoor Hangley Aronchick Segal & Janice and Arthur R. Block Advertising Company, Inc. Pudlin, PC students who are interested in entrepreneurship, Eckert Seamans Cherin & Laredo Mechanical INTECH Construction leadership, service and/or pursuing academic honors. Mellott, LLC Rochelle F. Levy ’79 and Jane and Leonard Korman Each student will have an opportunity to create her Ernst & Young Robert P. Levy Samuel P. Mandell Foundation own path as part of the program and will engage in PMC Property Group Maguire Foundation Pepper Hamilton LLP personal and professional development both inside Keith and Jim Straw McGinn Security Schnader Harrison Segal & Jane Walentas ’66 and Nordstrom Lewis LLP and outside of the classroom. David Walentas Marsha and Jeffrey Perelman Victory Foundation Jay and Ana Persaud Terri Young and Ted Slack Above: New Class of 2014-15 Visionary Woman Scholars PACESETTERS PKG Foundation AIG/Lexington Insurance PTS Foundation As of October 27,2014 Andrea M. Baldeck, MD. and Bonnie and Richard Rossello William M. Hollis, Jr.

32 Development News

NEW BOARD MEMBERS

Carol Clark Lawrence has been elected to Terri Young, PhD has been elected to the the Board of Managers. Lawrence, a leader Board of Managers. Young is the Worldwide with proven expertise in the public and Vice President of Multichannel Marketing private sectors, was Senior Vice President at Bristol-Myers Squibb (BMS), where she and Eastern Market Territory Executive for leads a team that designs and implements PNC Community Development Banking, integrated global multichannel commu- managing teams in Southeastern and Central nications to customers about the BMS Pennsylvania, New Jersey, Delaware, Maryland, portfolio of medicines. Young joined BMS Washington, DC and Virginia. In addition, in 2010 as U.S. commercial lead for its $5B+ she represented PNC on numerous boards mega-brand, Abilify. Prior to BMS, she held including Allegheny West Foundation, Urban Affairs Coalition, Regional a number of commercial leadership positions at GlaxoSmithKline. Housing Legal Services, Local Initiatives Support Corporation (LISC), Young is known for developing leaders and leading change. She was and the Opera Company of Philadelphia. Previously, Lawrence was recently named Executive Sponsor of the Women in Science organiza- Philadelphia’s Deputy City Representative and Director of the Office tion, supporting career development within the large female scientist of Arts and Culture, serving as the liaison between city government population across BMS. In 2013, she was named one of four “BMS and Philadelphia’s 290 non-profit cultural organizations. Lawrence was Female Trailblazers” for driving innovation and change and was most the Interim President and CEO of the African American Museum in recently recognized as one of the 2014 Healthcare Businesswomen’s Philadelphia and has been a successful business owner, consultant, and Association’s Rising Stars. Young earned a PhD in Marketing and a retail executive buyer. This year, she completed her third, four year term, B.S. in Pharmacy from the University of South Carolina. on the Board of Trustees at Ursinus College, her alma mater. She is a member and the immediate Past President of The Links Incorporated, Larisa Manzo ’14 has been elected as the Philadelphia Chapter. alumna representative to the Board of Managers. Manzo graduated from Moore Holly Bittner has been elected as the faculty in 2014 with a BFA in both Art History & representative to the Board of Managers. A Graphic Design. A student leader, she served faculty member since 2002, Bittner is an as a resident assistant and resident director, a Assistant Professor of English and Creative peer tutor and was lead designer of the 2014 Writing and Director of Writing at Moore. yearbook. She completed a graphic design She founded The Writer’s Studio at Moore in internship at the Philadelphia Museum of 2011. She is also a member of the Academic Art and has freelanced for St. Bartholomew’s Standards Committee. She earned an MA Women’s Group and Heirloom Florist. She has also served on leadership in English with a concentration in Creative committees and attended numerous workshops and conferences. Writing and a BA in English, both from Temple University. A writer, she has given performances and talks adapted from her creative poetry manuscript entitled ENDOME, which discloses boundaries and bonds between patient and physician, body and mind and art and science.

ANNOUNCING THE

DEBORAH DEERY ART ’01’12 MEMORIAL AWARD for EXCELLENCE in ART EDUCATION

Over the past year, many generous donations were received from family and friends to memorialize alumna and Assistant Professor Deborah Deery. We are grateful to all those who chose to honor her many contributions to the Moore community. The Deborah Deery ’01 ’12 Memorial Award for Excellence in Art Education will be given annually to an outstanding student in art education. The first prize was awarded to graduating senior Anastasia “Stacey” Angelillo ’14 at the 2014 Senior Show Awards Ceremony.

33 FASHION SHOW

On Saturday, May 17, 2014, Moore debuted innovative collections and designs by senior, junior and sophomore students of the College’s acclaimed Fashion Design department to more than 800 industry professionals, media and friends. Dom Streater ’10, winner of “Project Runway,” Season 12, returned to campus to serve as an eveningwear critic for the Fashion Show. This spectacular show included collections in childrenswear, menswear, swimsuits and the grand finale: eveningwear with the theme “Dress to Express,” inspired by Expressionist artists.

We would like to gratefully acknowledge our sponsors for the event: Stylish Supporters: Macy’s, Lilly Pulitzer, QVC, and Adrienne Vittadini ’66. Trendsetter Friends: Grace and Frank Agostino, Marisa Jannaman ’00, Penny and Bob Fox, and Roy A. Wilbur.

Moore is thrilled to announce that the Spring Fashion Show on May 16, 2015 will move across the Ben Franklin Parkway to the Barnes Foundation, one of the world’s finest holdings of impressionist, post- impressionist and early modern paintings. In addition, Century 21, which opened a 100,000-square-foot store in the Gallery at Eighth and Market Streets in October, will be a lead sponsor for the fashion show.

Andrea Segal ’14, winner, Macy’s Best in Show Award. Photo: Karl Seifert, karlsportfolio.com

34 Development News

THE 2014 SENIOR SHOW

The 2014 Senior Show was held on April 23, and presented the best work of Moore College of Art & Design’s 2014 graduating class. The exhibition represented four years of rigorous academic training and dedicated studio effort by our graduates. We would like to gratefully acknowledge our sponsors for the Senior Show:

Reception Sponsors: Blick Art Materials, SAGE Dining Services, Philadelphia Brewing Company

Prize Sponsors: Advertising Specialty Institute, Anonymous (1), Anonymous (2), Brandywine Conservancy & Museum of Art, Carol Reitter Elia ’88, Dona Lantz, Angela Murdoch ’10, Philadelphia Sculptors, Philadelphia Sculpture Gym, Philadelphia Water Color Society, Roslyn Pilla ’92, Plastic Club, Inc., Susan Sommer ’72,

Photo: 2014 Thom Carroll Photography Thom Carroll 2014 Photo: Joan N. Stern, Esq. and the Women’s Caucus for the Arts.

2014 Seniors Kate Blankenship (left) and Maeve Griffin with President Cecelia Fitzgibbon

GRANT FROM DOLFINGER-MCMAHON FOUNDATION To Support the Art and Special Education Symposium

The Dolfinger-McMahon Foundation has awarded a grant to support Art; Peter Geisser, former instructor at the Rhode Island School for the a special anniversary celebration of Moore’s Art and Special Education Deaf and a member of the Access Advisory Board of the Museum of Symposium, ART: The Portal to Reaching Students with Special Needs. Fine Arts in Boston; Beverley Johns, an expert in behavioral strategies for This professional, annual symposium provides access to and promotes students with learning differences and author of 11 books; and Juliann awareness of innovative approaches, inspirational ideas and best practices Dorff, a contributing author to the book Understanding Students with for creating opportunities for children with special needs through art Autism through Art and recipient of the Outstanding Teaching Award education. The day-long conference on November 15, 2014 provided from Kent State University. The panel was moderated by Penny and professional development opportunities and gave educators strategies Bob Fox Distinguished Professor Lynne Horoschak, Pennsylvania’s that could apply in their classrooms. Podcasts recorded during the Teacher of the Year and Art Education Graduate Program Manager. symposium will be shared on Moore’s new podcast series. Following the panel, a select group of alumni from the MA in Art Education program shared a synopsis of the analysis and application Moore’s Graduate Program in Art Education with an Emphasis in Special of their theses data and its impact on their teaching methodology. Populations hosted an exciting roster of speakers. The panel of esteemed Afternoon roundtable discussions led by renowned area educators educators included: Beverly Levett Gerber, editor and author of the provided participants the opportunity to explore topics related to best-selling Reaching and Teaching Students with Special Needs through teaching students with special needs.

35 Alumni Notes

ALUMNI NOTES by Sandy Sandy Spiritartist that was on view April Kathy Butterly ’86 was the subject of an article on 1 through April 30, 2014 at the Palmyra Cove Hyperallergic.com, a website dedicated to sharing 1910s Nature Center in Palmyra, NJ. art world news. The article talks about ceramics as a fine art, a topic that Kathy’s work exemplifies. Theresa Meyerowitz Bernstein, Class of Debra Sachs ’75 is a key artist in the exhibition, The article goes on to talk about the individuality 1911, was featured posthumously in her first Going Solo and Tandem: Selected Works by Marilyn of her pieces, and compliments her unique and retrospective, Theresa Bernstein: A Century in Keating and Debra Sachs, which is on view from bold use of materials. The article was published to Art, on view at the Woodmere Art Museum in September 3 through November 9, 2014 at the their website on March 16th, 2014. Philadelphia through October 26, 2014. Stockton College Art Gallery located in Galloway, NJ. The show focuses on how each artist uses Lori Anselm ’87 from TerraCycle conducted 1950s observations and navigations of their daily a workshop with students in preparation for environment to create art both individually MOOREcycle 2014, a free public event that Marilyn Marta Biles ’57 exhibited her piece and as a team. occurred on April 24, 2014 at Moore College Magic Colors at ilume gallerie in Dallas, Texas. of Art & Design. The show opened on April 12th, 2014. Nancy Staub Laughlin ’76 was featured in an exhibition with Peggy Fox ’61 at the Noyes Stacy Kolmetzky Claywell ’89 was recently 1960s Museum of Art in Absecon, NJ. The show took interviewed for a Business in Savannah Profile on Joan Becker ’69 taught a workshop The Visual place from February 6 - May 15, 2014. her successful business, Claywell Design, located Feast of a Painting at the Wayne Art in Savannah, GA. Tucker Schmidt Yeaworth Stouch ’76 published Center on October 18 and 19, 2014. the book, Water-based Textures: Techniques & 1990s Jett Ulaner Sarachek ’69 had a solo show of her Inspirations for Artists, Teachers, and Craftsmen. Christine Griffin’90 currently writes fiction as recent photography titled Explorations at The Stouch says, “The text introduces the creative “Lilly Christine.” In 2013, she published the first Banana Factory in Bethlehem, PA from January process, explores the tools used, and then takes book in her McGreers Series, Crashing into Tess. 18 through March 16, 2014. readers through each texturing method. The techniques, demonstrated in over 290 color Griffin’s sixth book in the McGreers Series, Whole 1970s photos, include crackle, polystyrene relief, thick Lotta Bull, is scheduled to come out October 2014. impasto, scratching, combing, mixes, embedded Lisa Basil ’91 had her encaustic painting honoring Carol Porter ’71 had a solo exhibition titled elements, sponging, tissue and paper textures, Shirley Scott of Philadelphia included in the book Paintings from My Travels on Five Continents on metallic paints, sprays, splashes, drizzles, smearing, Extraordinary Gifts: Remarkable Women of the view from April 4 through May 2, 2014 at the stamping, impressions, and stenciling.” Dupont Pilgrims Gallery (The Church of the Delaware Valley. The painting was on view in an Pilgrims) in Washington, DC. Sandy Burns May ’77 was featured in the article exhibition in September 2014. Mature Doesn’t Mean Matronly on the cover of Susan Hutton DeAngelus ’92 recently worked on Linda Noble Topf ’71 was recently awarded the the Virginian Pilot newspaper, in the Daily Break, the exhibit and graphic design for the Birthplace Editor’s Choice designation for her second book, Fashion section. Wheel Chair Wisdom: Awaken Your Spirit through of Country Music Museum as Exhibit Graphic Adversity in July 2014. The book will carry the Carleen Zimbalatti ’78 will be exhibiting her work Designer at studioMUSarx LLC in Philadelphia, Editor’s Choice icon next to the book title in the in two exhibitions: Marseille Exchange Exhibition PA. The Birthplace of Country Music Museum is iUniverse online bookstore. Topf related, “I feel so at The Brooklyn in New York, NY and Galerie & a Smithsonian Affiliate. The museum was planned blessed and humbled in the knowledge that I am Ateliers at EspaceArt in Marseille, France. as the adaptive reuse of a 1920s two-story building being used as a vehicle for this work to be shared located in downtown Bristol, Virginia to celebrate with the world.” 1980s the city as the place where country music was first recorded in 1927 during an event known as the Mona Wein Brody ’72 had a solo show, Mona Karen Fuchs ’81 taught a workshop at the Bristol Sessions. Opened on August 2, the 23,600 Brody: The Idea of Things, at The Painting Center Design-Ed Conference that took place in square foot museum includes a live performance in New York, NY. The exhibition was on view Philadelphia from June 27-28, 2014. Fuchs theater, orientation theater, sacred music chapel from May 20 through June 14, 2014. developed curriculum called ‘Drawing from recreation, working radio station, and visitor Nature,’ which focuses on organic forms, pat- interactive music mixing consoles. Elizabeth Montes Dilliplane ’72 recently opened terns and structures found in the natural world. 118 Gallery on Clinton located at 58 Clinton Dee Hauser Collins ’93 exhibited at the Banana Street, Delaware City, DE. She recently featured Megan Lawlor ’82 had a work of art titled Lizzie Factory in Bethlehem, PA in April/May, 2014. a local artist by the name of Larry Anderson and in a Tutu that was recently awarded First Place She also exhibited with the Printmakers Society is currently looking for more interesting work to and the PSC Medal at the 2014 PSC Philadanco of Lehigh Valley in September at The Nazareth display in the future. Benefit Art Exhibition on view June 13 through Center for The Arts in Nazareth, PA. June 28, 2014 at The Philadelphia Sketch Club Donna Usher ’72 had six of her new in Philadelphia, PA. The jurors included Cecelia Alla Podolsky ’95 had an exhibition titled Contemplation Series paintings on view at West Fitzgibbon, President, Moore College of Art & Introspection: Art Exhibit by Alla Podolsky and James Chester’s First Friday Gallery Walk in the offices Design, Lisa Hamilton, CEO, Michener Museum Pryor from May 8 - June 1, 2014 at The Artists’ of Morgan Stanley Wealth Management in West and Nelson Shanks, Studio Incamminati. Gallery in Lambertville, NJ. Chester, PA on May 2, 2014. In addition, she pre- sented an artist talk titled The Language of Abstract Eleanor Schimmel ’84 exhibited her work from Andrea Goodstein Savidge ’95 earned her MA Art on the evening of May 2, 2014. June 17 through July 12, 2014 in a show called in Art Education from the University of the Arts Shifting Ecologies at The Painting Center in New located in Philadelphia, PA in 2013. Sandy Mitnik Sheller ’73, had a solo exhibition York, New York. This exhibition featured a diverse titled Usher in Spring and Gladden Your Heart group of artists who are exploring ecological issues With Flowers, Feathers and Fur: A Painting Exhibit and changes to the environment.

36 Alumni Notes

Kelly Hinze Wessels ’96 has recently taken a posi- Melissa D’Agostino ’02 ran a series of seasonal Mining Narratives: A Conversation with Dana tion with Yale NUS College, in Singapore. Wessels pop-up shops in April. The April shop featured Osburn by Allison Hewitt Ward. is a Design Project Manager for the college that is the D’Agostino Spring Collection and the shop on currently under construction. May 23 was a D’Agostino Fashion Showcase for Lily Fierman ’11 is described as the “razor-sharp, the Cosmopolitan Club in Philadelphia, PA. precocious and playfully self-deprecating” new Emmie Goldenbaum ’98 shared a sneak peek director at Mike Weiss Gallery. Mike Weiss of her new fabric collection Geo Pop Canvas by Katherine Mueller ’03 received her MFA in Gallery, located in New York City, was founded Emmie K for Robert Kaufman Co., Inc. Emmie Graphic & Interactive Design from Tyler School in 2003. The gallery is dedicated to exhibiting the is a 1998 Textile Design graduate who runs her of Art in Philadelphia, PA. Mueller was selected as work of ambitious contemporary artists at all levels own graphic design firm. This is her first fabric a winner in the Type Director’s Club 60th Annual of their careers and development. collection for a major fabric manufacturer. The and received a Merit Award in the Art Director’s fabric collection will be on her company website Club Global 93rd Annual. She recently partici- Wendelyn Wood Anderson MFA ’12 has been (silverhollow.net) and will be shown on the Robert pated in exhibitions at AIGA Philly SPACE and published in the Summer 2014 edition of Fiber Art Kaufman site once the collection is shipping. Temple Contemporary. Mueller continues to teach Now magazine. The theme of her work is “from in the Advertising program at Temple University in farm to table”, and can be found in the Amber Lia Kloppel ’99 had work exhibited in Philadelphia, PA. “On View” section of the magazine. the group exhibition, Beyond the Threshold, at the Mark Miller Gallery in New York, NY from Jennifer Vatza ’04 was accepted into Moore’s MFA Deborah Artaza ’12 was featured in the September 7 - October 5, 2014. in Studio Art program, focusing her studies on award-winning documentary by director Davis digital photography. Guggenheim about Americans who live outside Rachel Sherman ’99 was awarded the “distin- traditional banking. (In her case, she started and guished artist” award at the 2014 Reston Fine Janell Wysock ’04 had her business, Janell Wysock grew a business on a prepaid credit card.) The film Art & Craft Show in Virginia last May for her Textiles, featured at the event Bangles, Brows and was released June 4, 2014 and within a week had business, malagueta. In addition, malagueta was Blowouts on April 3, 2014. Studio 320 Jewelry, over 7 million views. accepted into the 2014 Bellevue Art Museum Stella & dot, and Danielle Marie Tobin Designz Art and Craft Show in Bellevue, WA in July and also accompanied her business. Benjamin Panter MFA ’12 participated in an the 2014 PMA Show of Contemporary Craft in artist residency through Artscape Gibraltar Point Philadelphia to be held in November. Maranda Williams ’05 has recently accepted a in Toronto, Canada. During the artist residency position as Head of Denim at Lucky Brand in he planned to start a new body of work using 2000s California. She was previously employed at both cyanotype photography. Levi Strauss & Company and Target. Gladys Rodriguez Hunt ’00 accepted a position Jasmine Alleger MFA ’13 had a pop-up show as Art Director for Delaware Today magazine, Kimberly Adams Kennedy will graduate from Thursday, July 31, 2014 at Galer Estate Winery which makes her responsible for the layout, St. Mary’s University in December 2014 with an in Kennett Square, PA featuring her most recent design and overall look of the magazine. Hunt’s MBA in Values Driven Leadership. collage/painting combination works. In addition, responsibilities include setting the creative vision Alleger will be exhibiting work from October 13 for the visual design of the magazine, designing the Kathryn Myers ’07 was accepted into the Insect through November 7, 2014 in the exhibition, spreads and laying out the pagination, coordinat- Invitational at B Square Gallery in Philadelphia, The Symbiotic Relationship at The Gallery at ing all illustration and photography, and planning PA. Myers’ work has been on view from September MCCC Main Campus in Blue Bell, PA. and preparing the annual Delaware Bride Guide, 13th to October 25th. and the Ultimate Guide to Delaware. Osmond Hatke MFA ’13 and her husband Vanessa Ewing ’08 was promoted from Knitwear founded Hat and Key Studio in New Jersey. Their Michelle Ortiz ’00 performed with her arts col- Designer to Design Director in April 2014 at first big project was developing the drawing game lective, Las Gallas, at the International Festival of Plymouth Yarn Company in Bristol, PA. Düdle! Hatke and her husband are currently mar- Poetry in Havana, Cuba in the Museo de Bellas keting and fundraising for a professional printing Justine Yeagle ’09 was promoted to Project Manager Artes. After the performance the collective was of the game that they will be able to sell online and at Tricarico. Through this new position she has featured in the Arts and Entertainment section in local game stores. More information about the been able to work with a variety of major retailers of The Philadelphia Inquirer. In addition, Las project can be found on the official Düdle website. including, but not limited to, Robert Graham, Fendi, Gallas were invited to write an article for the Al Jos. A. Bank, Steve Madden, and Lacoste. Dia newspaper for the second week of July on Jennifer Katelansky ’13 moved to Madison, WI that very trip. The group also performed Ghetto 2010s for graduate school. She is pursuing her Masters in Bolero July 11, 2014. Moreover, Ortiz was a Fine Arts majoring in Painting at The University featured artist in the exhibition, Chicanismo y Lisa Benson Haskell ’10 was interviewed for the of Wisconsin-Madison. She was awarded the Latinismo, on view from August 22 through QandArts Column in the Philadelphia City Paper Advance Opportunity Fellowship for the full September 27, 2014 at the Creative Alliance in on April 1, 2014. duration of her degree. The School of Education Baltimore, MD. Graduate Research Scholars program (Ed-GRS) Kelly Kozma ’10 participated as a vendor at the is a community of graduate students from diverse Joanne Bosack ’01 was selected for the juried Art Star Craft Bazaar. She sold prints, small works, socio-economic and cultural backgrounds awarded exhibition, The Absolutely Abstract Show, 2014, at necklaces and T-shirts featuring her art. In addi- the Advanced Opportunity Fellowship (AOF) in The Philadelphia Sketch Club in Philadelphia, tion, Kozma had a solo show that opened May 23, the School of Education. PA. The exhibition ran from August 22 through 2014 at Paradigm Gallery + Studio at their brand September 13, 2014 and included two of Bosack’s new location (746 S. 4th Street, Philadelphia, PA). Jessica Lentz ’13 exhibited and sold her work at oil paintings titled Revealing the Conflict and the inLiquid Art for Cash Poor event held in June Holding Onto What Used To Be. Dana Osburn ’10 was interviewed for a par- in Philadelphia, PA. ticipant spotlight on the SVA Art Practice Blog regarding her video projects. The interview is titled

37 Alumni Notes

Caitlin Peck MFA ’13 gave an artist talk about Leah Koontz ’14 collaborated on a video review narrative and a series of videos she made after of the Jim Winters show that was on view at the visiting Ireland. The talk was part of Art/ Philadelphia Museum of Jewish Art. The video, Strengthen Assembly and took place in June. In addition, titled Episode 1, What the Art Be, received praise on Peck exhibited work in the juried exhibition, theartblog.org. Moore’s Future. ‘Murica! at PhilaMOCA in Philadelphia, PA Leave a Legacy. from July 2 through July 20, 2014 and the Carlee Myers ’14 was recently selected to be a FOB holder at Second State Press, a professional Lehigh Valley Mini Maker Faire at Steel Stacks Please consider joining Moore’s Legacy in Bethlehem, PA in April. printmaking studio in Philadelphia’s Crane Arts Building. The position includes working twelve Society by providing for Moore in Natasa Stojanovic MFA ’13 was commissioned by hours a week in exchange for 24/7 studio access. your estate plans. Your bequest will Mr. Edward Richards to create one of her newest installations titled Informational Phantasmagoria. Alexandra Stepnoski ’14 was featured is the August help continue Moore’s tradition of 14, 2014 Bucks County Herald. The article discusses excellence in inspiring students for Chloe Van Stralendorff ’13 accepted a Gallery how she overcame challenges to succeed. It also careers in art and design. Manager position at Marcas Contemporary Art in mentions the award she received in May 2014— Santa Ana, CA in June/July 2014. The Happy Fernandez Women’s Leadership Prize. Contact the Development Office at 215.965.4037.

REMEMBERING ALUMNI

Ronah Barnett Gabell ’43 of New Hope, died peacefully at home surrounded Constance Higgins ’69 died on February 3, 2014. She worked for many years as a by her family on May 3 after a long battle with cancer. Born in Philadelphia, commercial artist and illustrator in both Philadelphia and Miami/Fort Lauderdale. PA, she graduated from Olney High School and attended Moore College of Art & Design studying with Paulette VanRoekens, Arthur Meltzer and Henry Ann Leech Ellms ’71 passed away on May 20, 2014. She was a Textile Snell. Ronah was an accomplished artist. She held various jobs over the years, Design major. including fashion artist for Gimble’s. She always got involved in clubs and organizations wherever she went - Newcomers, bridge groups, art classes, Lynn Fenimore ’74 passed away in May. She was a Printmaking and Art docent in various historic homes and museums and organizing bus trips. She Education major. She also served on the Alumni Council in 2012 and 2013. is survived by three children, Alison Kingsley, Rick Gabell (Linda), and Leslie Crilley (Joe) and by many grandchildren, and great grandchildren.

THE POWER of MOORE’S ANNUAL FUND

Thank you to all who donated to the 2013-2014 Annual Fund. Due to your generosity, the annual fund goal was surpassed by 11%! Your gift directly helped fund fall 2014 scholarships for young women bursting with creativity and fresh ideas! Dedicated to awarding much-needed scholarships, Moore’s Annual Fund provides critical support for the College so that Moore can attract outstanding, talented students. By giving to Moore’s Annual Fund, you are part of the team of alumni, parents and friends standing behind our students and empowering them to succeed. Contributions to Moore’s Annual Fund are essential to preserving and protecting Moore’s financial health. By making yearly gifts to Moore’s Annual Fund, Moore alumni, parents and friends strengthen the College, helping Moore achieve its goal of becoming the BEST art and design college in the country. Annual Fund gifts also help Moore take advantage of new opportunities, respond to challenges and invest strategically in the future. Your Annual Fund gift helps to power a Moore education. Please use the envelope enclosed in this issue of Moore Magazine to make a gift to Moore’s Annual Fund and help us reach our 2015 goal of $250,000. Every gift counts! Your gift will make a difference in the lives of deserving young women.

For questions regarding the Annual Fund, please call the Development Office at 215.965.4051.

38 Donor Report

DONOR REPORT JULY 1, 2013 – JUNE 30, 2014

The SARAH PETER SOCIETY: We invite you to join this group of leaders that carries on the legacy of Moore’s Society of Leadership Giving founder Sarah Peter’s vision of “empowering women to achieve financial Standing behind today’s bright, talented and deserving students is a stalwart independence by providing a high-quality, career-focused education.” group of supporters that helps to ensure their success – The SARAH PETER Thank you to Moore’s 2013-2014 SARAH PETER SOCIETY members SOCIETY. Society members’ enthusiasm and dedication to the future for your generosity and commitment! For more information about joining artists, designers, entrepreneurs, teachers, and cultural leaders of tomorrow the SARAH PETER SOCIETY, please contact the Development Office at serve as the backbone of Moore’s philanthropic programs. 215.965.4051.

ANNUAL FUND – Kathryn and John J. Donnelly Alice Neel Circle Pat Connor Kempf ’71 and SARAH PETER SOCIETY Monica and Tunde Eboda ($1,000 - $2,499) Ken Kempf Frances Robertson Graham ’66 Board Ann Marie Stiliha ’72 Joseph Moore Circle and William Graham Meg and Craig Johnson Joanne Adams ’74 ($10,000 and above) Mindy Yavorsky Glassman ’72 Sharon Parks ’86 and Donald Parks Cathy Jo Smith Watson ’76 Board and Will Glassman Janie Feldman Gross ’74 and Bridget Anderson Barber ’79 Andrea M. Baldeck, M.D. and Richard Hevner Peter Gross Phyllis Goldstein Smith ’80 William M. Hollis, Jr. Rochelle F. Levy ’79 and Eleanor Schimmel ’84 Janice and Art Block Robert P. Levy Alumni Patricia Elek Mollo ’86 Penny and Bob Fox Margaret Marsh and Julia Gebhardtsbauer Patterson ’65 Patricia Davis-Lahn ’88 Elizabeth Kapnek Grenald and Howard Gillette Susan Prann ’69 Catherine Minervini ’88 Ray Grenald Elizabeth and Colin A. Oerton Karen Kredo Daroff ’70 Julia Kilduff ’08 and The Adele and Harold Schaeffer Joan N. Stern Esq. Gretchen Marshall Wheaton ’70 Kilduff Family Foundation Penelope P. Wilson Keith and Jim Straw Kathleen Lister ’78 Jane Zimmerman Walentas ’66 Friends Friends and David Walentas Foundations Mary-Linda and Peter Armacost Amy Fox and Daniel Wheeler in Ernst & Young Foundation Catherine and Robert Boran honor of Penny Fox Alumni Pincus Family Foundation Lynne and Harold Honickman Debra Fox in honor of Penny Fox Christina Gorman ’92 Rebecca and Michael Kanzer Jill Kerwick ’78 Friends Nancy and Charles Roach Corporation Linda Lee Alter Julie and Henry Schellenger Comcast | Comcast-Spectacor | Foundation Suzanne Bartolucci NBC10 | Telemundo62 Broughton Foundation Jeanne and Herbert Siegel Corporations Leon P. Levy Foundation Frances and Bayard Storey Johnson & Johnson Foundation Tulsa Community Foundation Philadelphia Eagles PKG Foundation Walentas Foundation LTD. President’s Circle ($500 - $999) Annual Fund Club Associate Bequests Corporations Alumni ($100 - $499) Edward King Jr. and Verna Curley, Hessinger & Johnsrud LLP Moore College Alumni Board Brunner King ’45 PNC Bank Association Anthony DeSabato Estate of Genevieve M. Loos Wells Fargo Educational Matching Elaine Stone Wagner ’54 Gifts Program Geraldine Slifer Tom ’64 Alumni Emily Sartain Circle Lynne Jordan Horoschak ’66 Marguerite Kroekel ’43 ($5,000 - $9,999) Harriet Sartain Circle Donna Evans Cashdollar ’67 Dee Klotz Dickol ’48 Board ($2,500 - $4,999) Helene Patterson ’68 Despina Kirifides Beldecos ’52 Marta and Robert Adelson Alumni Maggy Gay Robinson ’68 Nancy Levin Bergman ’52 Joan and Michael Curley Irmgard Hagedorn Geithner ’56 Deborah Larkin ’70 Marie Balilonis Davey ’52

39 Donor Report

Kathryn Kuhn Dymecki ’53 Kazuho Akihiro Koike ’72 Friends Sandra Brill Chanoch ’57 Phyllis Spillman Morgan ’53 Susan Sommer ’72 Nancy McCoy Bauer Ellen Behrens Hippensteel ’57 Patricia Papenbrock Rodenbaugh ’55 Ellen Warner Niksa ’73 Susan and Cummins Catherwood Margaret Dinsmore McEowen ’57 Shirley Phillips Stehman ’55 Nancy Bishop Farquhar ’74 Leslie and Joseph Cohen in Deborah Dunphy Craft ’58 Arlene Bilker Finston ’56 Leslie Waldman Fleishman ’74 memory of Happy Fernandez Abbie Johnson ’58 Sheila Roseman Letven ’56 Joanne Adda Lawrence ’74 David and Nancy Collins in Sharon Jackson Clark ’59 Elizabeth Curtis Rodahaver ’57 Frances Metzman ’74 memory of Betty Weidaw ’42 Adele Stoebenau Ehmann ’59 Dolores Mull Baxter ’58 Deborah Albus Wagner ’74 Alysson Cwyk Sally Staudt Bear ’60 Emily Peltier Kravitz ’59 Mary Judge ’75 Catherine and William Daley Gloria Brancaleoni ’60 Pamela Yeager Thompson ’59 Jane Gifford King ’75 Roxann and George DeBerry Sandra Piermatteo Davis ’60 Barbara Fighera Harrison ’60 Maggi Lawler Kirk ’75 Helen W. Drutt English Georgia Ross Spatz ’60 Darla Moore ’61 Suzanne Kreps ’75 Beata and Richard Fernandez JoAnn Simons Werthner ’60 Janice Dellaripa Giles ’62 Vicki Mollenkopf Madara ’75 Cecelia Fitzgibbon and Nancy Neiman Diefenbach ’61 Jacqueline Altman ’63 Rya Mehler Rosenzweig ’75 Scott Cameron Nancy Ward Blob ’62 Teresa Galligan DeFazio ’63 Christa Van Valkenburg Debora and Richard Foehrenbach Marilyn Whiting McNerney ’62 Freda Hurlbrink Dexter ’63 Hirneisen ’76 Linda and Benjamin Frankel Joanne Dhody ’63 Susan Castle Horgan ’63 Marne Ryan ’76 Avi and Noris Friedman Irene Blauser McCann ’63 Margaret Giuffre Sullivan ’63 Gloris Zilkha Dunnous ’77 Abby and Eric Hocky in honor Faith Emmerich Birkhead ’64 Sandra Truman ’63 Anne Bender Occi ’77 of Lynne Horoschak ’66 Ann Davidson ’64 Janet Bilisnansky-Boyle ’64 Marianne Gierman Dalton ’78 Dale and Joel Kepner Gail Bracegirdle ’65 Loretta Lee Liszewski Edge ’64 Pauline Monson ’78 Vicki and Don Kramer Elaine Golak ’65 Elaine Harrison ’64 Donna Rafter Zimmerman ’78 Nancy Lanham Veronica Minehart Lentz ’65 Joanne Hirsh ’64 in honor of Laura Oliver ’79 George Leon Elise Styer Rafa ’65 Lauren Zaslow, Marshall Suzanne Blodgett Perry ’79 Monica Loncola Susan McBriarty Swinand ’65 Bernstein and Mel Seligsohn Jill Hassall Rees ’79 Barbara and Daniel McCarthy Susan Pauley Blair ’66 Penny McMenamin March ’64 Bonnie House Weisbrod ’79 Linda Mufich-Knopp Arlene Alexander Frimark ’66 Shirley Hinger Corbett ’66 Jane Barile Kinsey ’80 Dr. Maureen Pelta Sally McGonigle Guaraldo ’66 Beth Reinhardt Emmott ’66 Lauren Cruchley Kormylo ’80 Linda Porch Rosemary Hockin Livingston ’66 Mary Louise Ford-Dallam ’66 Pat Steiner Achilles ’81 Dr. Elizabeth A. Sackler Dorothy Heine Rudolph ’66 Sandi-Jo Gorson Gordon ’66 Marjorie Russell ’81 Anne Seidman In memory Rose Stoebenau Deegan ’67 Karen Hoadley Kirts ’66 Alexandra Gill Weisensale ’81 of Happy Fernandez Gale Zimmerman - Krol ’68 Rebecca Shaull ’66 Gerry Frankel ’82 Judith Tannenbaum Linda Sandall Smith ’68 Kathleen Sheeran Aubert ’67 Kathleen Shaver Amrom ’83 LaShonda Thomas Jennifer Heyd Wharton ’68 Edie Goldberg Cleland ’67 Julia Kaspar Blair ’84 Fred Unger Rebecca Schulman Cohen ’69 Joyce Kosloff Cooper ’67 Wendy Katz Liss ’84 Carol F. and Edward F. Walsh Elise Giordano De Michael ’69 Paula Kutler Kotary ’67 Julie Fabi-Kulwicki ’85 Roy A. Wilbur Roslyn Kirch Hansen ’69 Sarajane Truby Warren ’67 Linda Tomezsko Morris ’87 Marina Fazio Hollenshead ’69 Carol Zerbe ’67 Loretta Tryon ’87 Corporation Judy Voigt Buchwald ’70 Sara Hannum Meadows ’68 Kym Hepworth ’88 Bristol-Myers Squibb Sandra Chestnut Cozzolino ’70 Julie LaFair Miller ’68 Eileen Hoff ’89 Campbell’s Barbara Leighton Faulkner ’70 Jennifer Payson O’Kane ’68 Rosemary Rae ’89 PECO Virginia Ranson Nicholson ’70 Kathryn Mendel Sorkin ’68 Lisa Parmer Ditty ’91 Lynda Zahor ’70 Lillie Trevino Taylor ’68 Alison Basye ’92 Annual Fund Club Member Judymarie Gallela ’71 Joan Becker ’69 Barbara Clinton Herbert ’92 ($99 and under) Judy Feight Krasnicke ’71 Joyce Peck Bishop ’69 Kirsten Winering ’92 Alumni Carol Porter ’71 Margaret Burke ’69 Debra Giordono Gottschalk ’93 Doris R. Silk ’48 Doris Rice ’71 Lynne Pressman Ellick ’69 Suzanne Bowman Kopko ’93 Nancy Belle Brooks Van Buren ’48 Mona Wein Brody ’72 Christine Schwoerer Helinek ’69 Diane Deery Richards ’93 Nancy Raudenbush Bowman ’51 Leslie Reese Dixon ’72 Suzanne Seeman Hetzel ’69 Tracy Malkowski ’95 Ruth Anne Jacobs Crawford ’51 Marsha Schwartz Dratch ’72 Hollis Straley Hatton ’70 Cathey White ’96 Jean Kline Hamburg ’51 Nancy Snyder Holliday ’73 Linda Thomas MacLeman ’70 Joan Yoskin Needham ’97 Dorothy Holcombe-Damiano ’51 Edith Newhall ’73 Denis Coll McCullough ’70 Laura Silvasi Soule ’97 Gwyneth Jones Roeger ’51 Shirley Shay ’73 Marie Lynch Murray ’70 Catherine Larson ’01 Velma Whitlock ’51 Barbara Irwin Adair ’74 Barbara Pinola Nelson ’70 HanNa Jung ’04 Elizabeth Ayars Nesbitt ’52 Margaret Walker Cossentino ’74 Dr. Marcia Taylor ’70 Janell Wysock ’04 Marlyn Ohlemeyer Bennett ’53 Shirley Johnson ’74 Rachel Marshall Fourer ’71 Kimberly Pedroni Schiela ’05 Jean Githens Hernandez ’53 Andi Pepper-Jacobs ’74 Doris Bozzano Ingber ’71 Linda Robinson ’06 Barbara Schantz Dungan ’54 Mardi Ghrohowski Schleinkofer ’74 Barbara Julius ’71 Kathryn Myers ’07 Margo Hutz Allman ’55 Deborah Fox Labor ’75 Linda Lindski Marler ’71 Elise Blair ’09 Jane Howard Fulton ’56 Amy Liebman Lewis ’75 Leslie Frank Wolf ’71 Lauren Lafey Strange ’09 Eleanor Jefferson Hoekstra ’56 Elaine Drescher Lockard ’75 Beth Coomber Bowman ’72 Aimee Gilmore ’13 Joyce Swartz Rettstadt ’56 Carol Shaff Mangano ’75

40 Donor Report

M. Susan Light Durgin ’76 Lisa Benson Haskell ’10 In Memory of Patricia Stewart Kirsten Winering ’92 Catherine Fox Giaimo ’76 Regina Milicia ’11 Amy and Keith Berlin Cathey White ’96 Marilyn Prokupek Lavins ’76 Joan Mroz ’12 Sun Min Lee Joan Mazzella Lordan ’76 Kathleen Myers Friends Marguerite Rodgers ’76 Friends Mylvia Ricca Leslie Kase Gloria Barcklow McKown ’77 Beverly and Arthur Anderson Renee Robinson Shelly and Bruce Merhige Eileen Rudisill Miller ’77 Liesel Baker Barbara and Roger Rozsas Linda Porch Michele O’Keefe-Kerner ’77 Geoffrey Beatty Karen and Eric Wilkins Sandy Sorlein Mary Anne Ramirez ’78 Sylvia R. Beck and Jay L. Federman Dori Cylinder Spector ’78 Jody and Charles Bender In Memory of Edith Kaplan ’41 Sheryl Clofine Aronow ’79 Donna and Michael Brackett Carol A. Williams ’59 Memorial Fund Margaret Justice Doyle ’79 Maryann and Robert Bouchard Anne Astromsky Jerome Kaplan Esq. Cynthia Donahue Labrecque ’80 Lucy and Kenneth Butko Irene and John Boral Ellen Levy ’80 Marie and Anthony Campuzano B. T. Edgar and Son LLC RESTRICTED GIFTS Donna Morris Ferruzzi ’81 Donna B. Coaxum, Esq. and Louise Carter Valeria Jones Marcus ’81 Harry Coaxum Frank Daniels Haney Memorial Fund Leah Kaspar Knoll ’82 Michele Cohen Sarah and Ralph Lambert Elizabeth Wuillermin ’82 Judith Czerwonka David Lange W.W. Smith Charitable Trust Donna Evans Zimmer ’82 Eileen and Bruce Dominguez Ellyn Laramie Jean Brubaker Broden ’83 Mona and Harold Don Harriet and Robert Lobascio Ann Marie Stiliha Scholarship Rachel Bretton Pavilack ’83 Elaine and Lee Dushoff in honor Rebecca Miller Ann Marie Stiliha ’72 Andersen Thorp ’84 of Joan Stern’s Birthday Michelle and C. Naoji Moriuchi Joanne Berchtold Campbell ’85 Richard Frumess Karen and Orazio Cifolelli Art Education Symposium Carolyn Lastick Clingman ’85 Sharon Garvin Belle and James Rexon Dolfinger-McMahon Foundation Margaret Holmes Morace ’85 Valerie V. Gay Carol and Raymond Sadow Donna Patterson Parker ’85 Megan Giampietro Joan Schnitzler Deborah Deery Art ’01’12 Kathleen Devine ’86 Victoria and Duncan Grant Betsy Schnorr Memorial Award for Robin Williams Turnage ’86 Helen and Bill Groft Joan and Thomas Williams Excellence in Art Education Mary Pipolo ’87 Susanna and Warren Hauser Alumni Ann DiPietro-Rispo ’88 Joyce and Earl Heckendorn GIFTS TO THE Lynne Jordan Horoschak ’66 Melody Brown-Carney ’90 Ellen Heffernan ENDOWMENT Deborah Larkin ’70 Andrea Frink ’90 Barbara and Kevin Irvine Margaret Lavoie Davis ’81 June Blumberg ’91 Susan and Paul Jaffe Catherine Finn Storey ’81 Dee Hauser Collins ’93 Constance Hennessy Cone ’91 Barbara and Edmund Lalli Memorial Scholarship Jennifer Musumeci ’00 Elizabeth Martin Wagner ’91 Charisse Lillie Margaret M. Clark and Kristen Leida ’04 Kellianne McCarthy ’92 Margaret Lusardi Stephen P. Finn Shanna O’Leary Weiss ’11 Katrina Mojzesz ’92 Peggy and Rob Roy MacGregor Paul Finn Lori Jaggers Hays ’93 Dr. & Mrs. David & Pam Maged Robert and Michelle Mills Friends Susan Rogozinski ’93 Diana Martorano and Carol and William Auer Andrea Goodstein Savidge ’95 Joseph A. Schiazza Debby Larkin ’70 Ellen Barish Katherine Weinstock Armstrong ’97 Elizabeth Mathis Endowed Scholarship Janet Bufano Mee Ae Oh-Ranck ’97 Christine and Joseph McCoy Alumni Carol Catani Janette Ratner Ritter ’98 Olmiraida Medina Shirley Hornstein Luber ’47 Scott D’Antonio Angela Victor McGuffin ’99 Sue and David Miller in honor Arlene Bilker Finston ’56 Mary Divincenzo Emily Eifert Brown ’00 of Elizabeth Carter from Beth Reinhardt Emmott ’66 Linda and Charles Emmertz Michelle Wilson ’00 Moore’s library Jane Young Likens ’66 Nancy Falkow Joanne Bosack ’01 Natalie Payne Pamela Smith Deitrich ’70 Deanna Feeney Melissa D’Agostino ’02 Annette and Christopher Plummer Deborah Larkin ’70 Wayne Fields Lauren DiColli Hooke ’02 Mr. and Mrs. Michael Rifkin Marie Lynch Murray ’70 Amanda and William Gallagher Charmaine Ensinger ’03 Anne and Robert Roche Marsha Nedelman ’70 Rosemary and Joseph Gallagher Rebecca Jordan ’03 Andrea Silva Dr. Marcia Taylor ’70 Donna and Robert Glynn Robyn Raines ’03 Thomas Skinner Barbara Groh-Wahlström ’70 Kristine and Brian Greenbaum Alexis Schaffer ’03 Betty and Frank Steiner Gretchen Marshall Wheaton ’70 Peter MacGregor Laura Rifkin Rongione ’04 Judith Woodworth Mindy Yavorsky Glassman ’72 Deborah and James McCracken Jennifer Vatza ’04 Jan and Mario Zacharjasz Joanne Adams ’74 Joyce Millman Danielle Allatta Merzatta ’05 Barbara Irwin Adair ’74 Frances and Nicholas Mongoni Kasie Blagojevich-Ursin ’06 Corporations Gloris Zilkha Dunnous ’77 Barbara Ornstein Elizabeth Smith Lillis ’07 Macy’s Doris Chorney ’79 John Pompetti Marilyn Rodriguez-Behrle ’07 Verizon Kathleen Shaver Amrom ’83 Linda Porch Kristina Horyn Faria ’08 Eleanor Schimmel ’84 Margaret Quigley Cynthia Drue Smith ’08 Heather Bryson ’92 Diane Rinaldi

41 Donor Report

Gloria Sharpe-Iannone and Government Barbara and Robert Dilsheimer Cecelia Fitzgibbon and Robert L. Sharpe Institute of Museum and Barbara F. Freed and Scott Cameron Frank Signorello Library Services Alan Mittleman Fox Rothschild LLP Sharon Siliquini Pennsylvania Council on the Arts Mindy Yavorsky Glassman ’72 and The Graham Company Herbert B. Smith Jr. Philadelphia Cultural Fund William Glassman Janie Feldman Gross ’74 and Paul Spear Ruth Herd Peter Gross Foundations Richard Hevner Keystone Outdoor Advertising Deborah Warner Elsie Lee Garthwaite Memorial Ditta Baron Hoeber ’70 Company, Inc. Memorial Scholarship Foundation Angela and Wayne Hurtubise Lagos Sael Bartolucci ’07 John S. and James L. Knight Felicia and Bernie Lemonick Laredo Mechanical LLC Foundation Patricia and Karl Rugart Rochelle F. Levy ’79 and Dolya Goutman The Pew Center for Arts Dr. David M. Sachs Robert P. Levy Memorial Scholarship & Heritage Keith and Jim Straw The Maguire Foundation Elizabeth and Philip Goutman The Thomas Skelton Harrison Frances Tobin Nordstrom Foundation PECO Elizabeth J. Swartz Individuals ($50 - $99) PKG Foundation Scholarship (from Director’s Circle Maryann and Samuel Dennis Bonnie and Richard Rosello Estate of May Shrager) ($2,500 - $4,999) Karla Heartsfield and Adele K. and Harold G. Schaeffer The Philadelphia Foundation Penny and Bob Fox David Howard Select Medical Corporation Penelope P. Wilson Marjorie and Howard Silverman Frances and Bayard Storey Happy Fernandez Christian R. and Mary F. Lindback Lois and Cy Swartz Keith and Jim Straw Memorial Scholarship Foundation Jan and Mario Zacharjasz VantaCore Partners LP Arlene Bilker Finston ’56 Catherine Larson ’01 Benefactors ($1,000 - $2,499) VISIONARY WOMAN Friends Andrea M. Baldeck, M.D. and AWARDS 2013 The Julian A. and Lois G. Brodsky Harriet Glashofer Jolles William M. Hollis, Jr. Foundation Memorial Prize in Fine Arts Kathryn and John J. Donnelly Founding Sponsor Cozen O’Connor Marilyn and James Farley Diana and Richard Feldman The Albert M. Greenfield CRC/Crump Lauren and Stephen Strelsin Mary and Joseph Fenkel Foundation Gerry and Richard Fox Annette and Jack Friedland Hirtle, Callaghan & Co. Interactive & Motion Elizabeth Kapnek Grenald and Visionary INTECH Construction Arts Major Ray GrenaldGerry Pincus Penelope P. Wilson Lexington Insurance The Connelly Foundation Libby S. Kosloff McGinn Security The McLean Contributionship Marcia and Ronald Rubin Innovator McKee Risk Management, Inc. Adele and Harold Schaeffer Comcast | NBC10 | Comcast Pepper Hamilton LLP Kimmel Center Moore Galleries Irene and Fred Shabel Spectacor PMA Companies Anonymous Jeanne and Herbert Siegel Frances Robertson Graham ’66 SAGE Dining Services Marilyn Steinbright and William Graham Schnader Harrison Segal Lindback Teacher’s Award Joan N. Stern Esq. & Lewis LLP Christian R. and Mary F. Lindback Jane Zimmerman Walentas ’66 and Leaders Foundation David Walentas Blank Rome LLP Tickets/Donations Janice and Arthur R. Block Barbara Adams Louise Stahl Memorial Patrons ($500 - $999) Penny and Bob Fox Aqua America, Inc. Scholarship Janice and Arthur Block Marguerite and Gerry Lenfest Bowen Painting Maureen Cahill Frances Robertson Graham ’66 Karen and Herbert Lotman Brian Communications Arlene Bilker Finston ’56 and William Graham Foundation Holly and David Brigham Ann Houston Dahlgren ’81 Philadelphia Management Julie Jensen Bryan and Lee and Gary Losse Supporters ($250 - $499) Jane Walentas ’66 and Robert Bryan Merck Deborah Larkin ’70 David Walentas Heather Bryson ’92 The Merck Foundation Dr. Maureen Pelta Cygnus Filters Kelly and David Stahl Claire Reichlin and Dr. D. Pacesetters Mary K. Dougherty Walter Cohen Marta and Robert Adelson Dougherty Electric FRIENDS OF THE Frances and Bayard Storey Andrea M. Baldeck, M.D. and Gloris Dunnous ’77 GALLERIES 2013-14 William M. Hollis, Jr. Carol Elia ’88 Contributors ($100 - $249) Bittenbender Construction, LP Pamela Fenwick-Butwin ’66 Endowment Carolyn and Tim Adams Blick Art Materials Reverend Richard R. Fernandez The Rochelle F. Levy Directorship Nina and William Albert Brind Foundation Beata and Richard W. Fernandez Goldey Paley Foundation and Mary-Linda and Peter Armacost Chickie’s & Pete’s Peggy Fitzpatrick Robert P. Levy Joann and Carl Bailey Citi Private Bank Amy Fox and Daniel Wheeler Willo Carey and Peter A. Benoliel CRC/Crump Jane and Joseph Goldblum Cecilie and Eugene Block CSI International, Inc. Mindy Glassman ’72 and Diane Burko and Richard Ryan Kathryn and John J. Donnelly Will Glassman Drinker Biddle and Reath LLP Richard Hevner 42 Anthony DeSabato Donor Report

Wilhelmina Cole Holladay MOORE:TIME ALUMNI Amanda Mott HanNa Jung ’04 REUNION 2014 Elizabeth and Colin A. Oerton Holly Kinser SPONSORSHIPS Joan N. Stern Esq. Deborah Larkin ’70 Dr. Marcia Taylor ’70 Lenox, Inc. Janie Feldman Gross ’74 Margaret Marsh and Rochelle Levy ’79 Howard Gillette HanNa Jung ’04 Joan Mroz ’12 Palmer Waterproofing, Inc. SENIOR SHOW 2013 LEGACY SOCIETY Sharon Parks ’ 86 and Donald Parks PNC Bank Reception Sponsors We are honored to recognize the generous alumni Pro-Tech Floor Blick Art Materials and friends who have joined the Legacy Society David Rasner SAGE Dining Services, Inc. by including Moore in their estate plans. Marjorie Shiekman Philadelphia Brewing Company Susan Sommer ’72 Susan Fisher Sterling Sponsors Alumni Hollis Straley Hatton ’70 Marcia Taylor ’70 Advertising Specialty Institute Miriam Zuger Troop ’38 Deborah Larkin ’70 Regina Thomas Anonymous (2) Elaine Stone Wagner ’54 Ann Marie Stiliha ’72 Jennifer Tursi ’08 Brandywine Conservancy & Patricia Papenbrock Mary Judge ’75 Harriet and Larry Weiss Museum of Art Rodenbaugh ’55 Ann Houston Dahlgren ’81 Cathey White ’96 Carol Reitter Elia ’88 Jane Oeschger Craig ’56 Margi Ide ’92 Willis of Pennsylvania, Inc. Dona Lantz Jacqueline Altman ’63 Wm. A.J. Shaeffer’s Sons Inc. Angela Murdoch ’10 Teresa Galligan DeFazio ’63 Friends Gina Zegel ’74 Philadelphia Sculptors Freda Hurlbrink Dexter ’63 Victoria and Duncan Grant Philadelphia Sculpture Gym Geraldine Slifer Tom ’64 Nancy Lanham GIFTS-IN-KIND Philadelphia Water Color Society Adrienne Vittadini ’66 Dr. Symme Leiter Roslyn Pilla ’92 Donna Evans Cashdollar ’67 Phyllis Mufson Alumni Plastic Club Donna Pinto McGranaghan ’67 Joan N. Stern Esq. Arlene Bilker Finston ’56 Susan Sommer ’72 Marjorie Fair ’70 Joan Becker ’69 Joan N. Stern, Esq. Margaret Holmes Morace ’85 Women’s Caucus for the Arts Romy Burkus ’87 YOU CAN JOIN THE LEGACY Toby Markulin ’89 FASHION SHOW 2013 SOCIETY IN TWO WAYS: Heather Bryson ’92 Suzanne Bowman Kopko ’93 Sponsors 1. Provide for Moore in your will in consultation Sandra Webberking ’97 Grace and Frank Agostino with your legal advisor. Katie Van Vliet ’07 Anonymous OR Kathryn Myers ’07 Penny and Bob Fox 2. Designate Moore as the beneficiary of a Lisa Benson Haskell ’10 Macy’s life insurance policy. Lilly Pulitzer Friends QVC Network Inc. Large or small, your bequest to Moore Gretchen Diehl Adrienne Vittadini ’66 will create a lasting legacy. Sone Ehabe Roy A. Wilbur Maria and Edward McNichol Penelope P. Wilson For more information, please contact the Director of Development, at 215.965.4037. Corporations Tickets/Donations Blick Art Materials Andrea M. Baldeck, M.D. and Devon Seafood Grill William M. Hollis, Jr. Moore College of Art & Design values all gifts and makes Embassy Suites Ebony Barrier Estee Lauder, Inc. Janice and Arthur Block every effort to maintain accurate records, but occasionally our Lush Cosmetics Mary DiPierro data are not accurate or complete. Please accept our sincere Paper Source Cecelia Fitzgibbon and apology if we have made an error. Philadelphia Distilling Scott Cameron Rouge Frances Robertson Graham ’66 We encourage you to contact the Development Office at and William Graham 215.965.4037 or [email protected] to inform us of HONORS CONVOCATION Elizabeth Kapnek Grenald any errors or omissions so that we may correct our records. Kelli Harman Deborah Larkin ’70 Renee Hill-Islam Symme Leiter Marisa Jannaman ’00 Nancy Stock-Allen and Eric Allen Rochelle Levy ’79

43 Moore College of Art & Design

SAVE THE DATE MOORE:TIME REUNION 2015 New time of year! June 5 – 7, 2015 —— ALUMNI EXHIBITION May 30 through August 8 Reception: Saturday, June 6

Look for your invitation to the reunion and the alumni exhibition prospectus after the New Year.

We hope to welcome you back to campus! Left to Right: Cathey White ’96, President of the Moore Alumni Association; Lisa Haskell ’10, 2014 Alumni Reunion Chair; Kathryn Myers ’07, Associate Director of Development for Alumni Affairs and Annual Fund

Be bold – be creative: Support the artists of Moore this holiday season!

HOURS M–S 10 am–6 pm also open Sundays, (June – Sept.) 12–5 pm

44 Moore College of Art & Design

BOARD OF TRUSTEES & MANAGERS Office of Marketing & Communications Moore College of Art & Design 20th Street and The Parkway Marta Adelson Elizabeth Grenald Joan N. Stern, Esq. Philadelphia, PA 19103 Board of Managers Secretary Vice Chair moore.edu Andrea Baldeck, MD Janie Gross ’74 Keith Straw tel. 215.965.4065 fax. 215.564.0634 Board of Managers Board of Managers Board of Managers MOORE MAGAZINE Arthur Block Meg Johnson Lauren Tucker ’13 Fall / Winter 2014 Chair, Board of Managers Board of Managers Board of Managers Editorial Team: Holly Bittner Carol Lawrence Jane Walentas ’66 Michele Cohen Officio Faculty Board of Managers Board of Trustees Assistant Director of Communications, Editor Roy A. Wilbur Michael Curley Rochelle Levy ’79 Cathey White ’96 Director of Marketing and Communications Board of Managers Chair Emerita Board of Managers Kathryn Myers ’07 Anthony DeSabato Larisa Manzo ’14 Penny Wilson Associate Director of Development for Alumni Affairs and Annual Fund Board of Managers Board of Managers Chair Emerita Development Office John Donnelly Margaret Marsh, PhD Terri Young, PhD [email protected] Board of Trustees Board of Managers Board of Managers Photography: Penny Fox Colin Oerton Thom Carroll Photography Karl Seifert, karlsportfolio.com Chair Emerita Board of Managers Jennifer Vatza ’04 Michele Cohen Mindy Glassman ’72 Sharon Parks ’86 Board of Managers Board of Managers Art Direction & Design: DKSHIELDS, Inc. Moore College of Art & Design fully supports the Frances Graham ’66 Adele Schaeffer concept of academic freedom, including the freedom of artistic expression. Work exhibited throughout Chair, Board of Trustees Board of Trustees the College may have content that some viewers might find objectionable. Moore advises the public to view work at their own discretion.

MARK YOUR CALENDARS

Dates to Remember

Youth Programs Spring Semester: ...... February 7 – April 18, 2015

Continuing Education Winter Quarter: ...... January 30 – March 30, 2015

Student Show/Fellowship Exhibition: ...... March 25 – April 11, 2015

Continuing Education Spring Quarter: ...... April 13 – June 19, 2015

Senior Show VIP Reception: ...... April 22, 2015

Senior Show: ...... April 22 – May 16, 2015

Spring Fashion Show: ...... May 16, 2015

Commencement: ...... May 17, 2015

COMING IN 2015

Two new graduate programs, an MA in Art & Social Engagement and an MFA in Community Practice!

For more events, visit the calendar at moore.edu

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