Cyborgs: slides are sought from artists, 2- or 3- Information Wanted D, who are working with representations of Datebook cyborg bodies. Loosely defined, a cyborg is a human-machine amalgamation. The work is being considered for a curatorial project. Include SASE for return of slides. Cyborgs, 38 Grove St., Artworks. For a forthcoming book, information #4, Boston, MA 02114. September 30 about the followingworks of art is sought: Deadline for submitting material to November/ ( Henry Bebie, Family Group at Breakfast, ca. 1856- Feminism: information is sought on the impact December CAA News 65, sold at June 1944 Parke Bernet auction; A. D. of feminism on art and culture. Why is feminism O. Browere, Wash Day, 1833, sold as "American unappealing to today's young woman? Are October 7 school" by Kennedy Galleries after 1985; being sexy in a feminine way and being political Deadline for submissions for November William M. Paxton, The Breakfast, 1910; cast iron mutually exclusive? Do you feel you have been Careers, to be published November 1 candelabra with Lily Martin Spencer's Young victimized because of sexual inequities? Does feminism offer wide enough range of points of Wife: First Stew in bas relief; pictured in Antiques, November 28 Feb. 1975. Elizabeth O'Leary, 2700 Reynolda Rd., identification? All genders are invited to Deadline for submitting material to January / 5 #1303, Winston-Salem, NC 27106; 910/748-0689 respond. Cassandra Langer, 32-22 89th St., #605, February CAA News or 910/725-5325. Jackson Heights, NY 11369. January 26-28, 1995 Dorothy E. Brett (English/American 1883-1977): Charles D. Hubbard, American Impressionist Annual conference, San Antonio information is sought on the whereabouts of her painter, 1876--1951, who worked primarily in articles being published in the Art paintings in private collections for a catalogue, Connecticut and Maine. Documentary material Bulletin and Pamassus, the predecessor in particular her Pueblo Ceremonials and her and works of art are sought for a planned Mildred to Art Journal. The Art Bulletin published portraits of writers and musicians, such as the museum exhibition. Marius B. Peladeau, RR 1, both scholarly artides, inducting many Stokowski Symphony of 1934. Luba Rhodes, c/o Box 599A, Readfield, ME 04355. by Cook's refugee-scholars, and Greenwood, PO Box 221, Bolinas, CA 94924. Constantine dissertations, such as Meyer Schapiro's, which was published in two long Contemporary lesbian visual artists: call for slides and information of work by contemporary articles in 1931, Constantine attributes self-identified lesbian artists in the U.s. To be her interest in medieval art to Charles used as research for contracted book and Rufus Morey-"an enormous influence" ongoing lectures on lesbian subjectivity in visual in her life----who involved her in art (object-making) by lesbian artist, writer, and preparing the abstracts of current teacher. Diverse work and responses are periodicals that appeared in both welcome. Include SASE for return of slides. Harmony Hammond, Art Dept., University of n this newsletter we introduce a Pamassus and the Art Bulletin. For Arizona, Tucson, AZ 85721. new occasional column, in which McMahon she compiled listings of I we will feature a member of the current exhibitions, thereby not only CAA Fifty-Year Clu_members for seeing the exhibitions but also meeting cty years or more. For the first column the dealers. de are featuring Mildred Constantine, Constantine preferred Parnassus to an Honorary Life Member since 1938 the Art Bulletin: "Pamassus was, I felt, a s and a CAA employee for nine years much more important publication, before that, starting in 1929. Recently because the Art Bulletin had very good Mildred Constantine Martica Sawin, Art Joumal Reviews PHOTO: NED HARRIS serious articles and dissertations and all September/October 1994 Editor, conducted an interview with of that, but Parnassus covered the art College Art Association Constantine, in which they discussed ton Square College and also president of world. , .. I think this publication gives 275 Seventh Avenue the events of those nine years when, as CAA, offered part of a house he owned you, without any doubt, the best cross­ New York, New York 10001 Constantine points out, CAA was a on West 58th Street, across from the section that you can possibly find at that very important component in the fer­ Plaza Hotel. The first floor was used for time." She adds that there is "nothing, ment of the 1930s, involved in scholar­ exhibitions, the second floor for CAA absolutely nothing" comparable today Board of Directors ship, exhibitions, and political activism. offices, and the third for a research in terms of the breadth of coverage. Judith K. Brodsky, President A victim of the Depression, institute, a joint effort begun and run by Thanks to a scholarship arranged Leslie King-Hammond, Vice-President Constantine, had to forego college in Walter Cook that played a significant by Audrey and Philip McMahon, John R. Clarke, Secretan) order to help support her family. She role in helping to bring over, support, Constantine began attending night John W. Hyland, Jr., Treasurer learned stenography and, at the age of and publish German and Spanish sessions at N.Y.U. and then classes at Barbara Hoffman, Esq., Counsel sixteen, "pinned up my hair, borrowed refugee-scholars. the Fine Arts Graduate Center. But the Susan Ball, Executive Director my sister's high heels, and went to an Although Constantine had to defer informal education also continued, with Diane Burko Jock Reynolds interview at the CAA" in its office at her formal education, her informal a component in curatorial training Bradford R. Collins Rita Robillard Washington Square College (N.Y.U.). education began in earnest at CAA added when Audrey McMahon Jonathan Fineberg Moira Roth Hired by director Audrey McMahon, under the auspices of McMahon, developed a traveling exhibitions Sarah Greenough Emily J. Sana she "slowly began to accumulate a little members of the board of directors, and program and appointed Constantine to Susan L. Huntington Larry Silver knowledge about what was going on in other scholars active in CAA publica­ run it. By this time, CAA had moved to MichiItami Lowery Stokes Sims this world, which was utterly and tions. She quickly absorbed the knowl­ 137 E. 57th Street, into the same Irving Lavin Jaune Quick-To-See completely strange." edge offered to her by scholars corning building as Hans Hofmann1s schooll and Margo Machida Smith CAA was soon able to expand through the doors to Cook's research Cook moved his research institute to Nancy Macko Judith E. Stein B. what became N.Y.U.'s Institute of Fine Patricia Mainardi Nancy J. Troy when James MUlli1, dean of Washing- institute and others who came to discuss Clarence Morgan Carlos Villa CONTINUED ON PAGE 6 Keith Maxey Deborah Willis

• Virginia M. da Eik Kahng is a criticism and architecture, with special :Eight alternate fellowship recipients (fJontents 1994 Costa is Ph. D. candi­ emphasis on postwar America. His were named: Maite Arango (M.F.A.), working date in art secondary area of study is Native University of Iowa; Lisa Ann Auanger toward a PhD. Volume 19, Number 5 history at the American art. Patin was visiting lecturer (Ph.D.), University of Missouri, Colum­ at the Univer­ University of September/October 1994 Fellowship at Western Washington University, in bia; Ken Gonzales Day (M.F.A.), sity of Califor­ California, Bellingham, where he taught several University of California, Irvine; Jeffrey nia, Santa Berkeley. aspects of theory and criticism. He has D. Grove (Ph.D.), Case Western Reserve Recipients Barbara, in the Eschewing the presented a paper to the national University; Heidi Kellner (M.F.A.), 1 Mildred Constantine Department of perhaps conference of the Society for Photo­ University of illinois; Soo Jin Kim Named the History of "obvious" graphic Education in Seattle and has (M.F.A.), California Institute of the Arts; Art and pursual of her most recently published a paper in the De-nin D. Lee (M.A.), Williams College; 2 1994 Fellowship Recipients Named Architecture. interest in Journal of Architectural Education. and Constance M. Shortlidge (PhD.), She has Asian art, she University of New Mexico. worked extensively in coin iconography, has chosen to specialize in 18th-century Leda G. Ramos Members of the selection committee including a one-year internship at French painting and aesthetics. Her is an M.F.A. From the Executive Director were Janet Berlo, University of Missouri; 4 Numismatic Fine Arts, Inc., in Los dissertation, "Diderot and the Sublimity candidate in Eduardo Casares, director, Center for Angeles and has participated in an of the Critic," seeks to describe a sculpture at the Latin American Arts; Floyd Coleman, archaeological excavation of a Roman fundamental but relatively unnoticed Mason Gross he recipients of CAA's Profes­ Howard University; Christopher Couch, Annual Conference Update circus in Carthage and a Roman aspect of early modernism-the devel­ School ofthe 5 sional Development Fellow­ Smith College; Emilio Cruz, Pratt necropolis in Sontheim an der Brenz. opment in the second half of the 18th Arts at Rutgers, ships for 1994 have been Institute, School of Art and Design; T This work led to her current dissertation century of a specialized type of writing State Univer­ Vidya Dehejia, Columbia University; selected. They are Tania Beasley, CAANews topic, "Class, Gender, and Politics in devoted to the visual arts. 7 Virginia M. da Costa, Trevor Holtham, sity of New Betti Sue Hertz, director, Longwood Funerary Portraiture: The Depiction of Jersey. She Eik Kahng, Bobby Martin, Thomas Patin, Bobby Martin Arts Project, Bronx Council on the Arts; Women in Roman Asia Minor, A.D. 117- Leda Ramos, and Trang Minh Vu. The is working received 'a B,A. from the University of Robert Lee, executive director, Asian­ 192." During the summer of 1993 she Solo Exhibitions by Artist Members aim of the fellowship program is to toward an California, Santa Barbara, and a diploma American Art Centre; Joanna Osburn­ 9 discovered in situ examples of relief assist emerging artists and art historians M.F.A. in print­ from the Pennsylvania Academy of the Bigfeather, curator, American Indian carvings decorating rock-cut tombs in in bridging the transition between making at the Fine Arts, where she specialized in Community House; and Alan Wallach, Turkey, the results of which will be graduate school and the professional University of painting. While working as College of William and Mary. 10 People in the News presented this year at a conference in world, to encourage artists and scholars Arkansas. He multicultural coordinator at the Los The recipients of the first fellow­ Washington, D.C., at the Archaeological from culturally diverse communities to received a B.A. Angeles Municipal Art Gallery, she ships have now been placed for their Institute of America. pursue graduate degrees and profes­ from Northeast­ developed several educational programs second year. Laylah Ali is artist-in­ Grants, Awards, & Honors 11 sional careers in art and art history, and ern State Uni­ and was awarded the Smithsonian residence at Williams College in Trevor to promote those whose work may have versity, Tahle­ Institution Award for Minority Museum Williamstown, Mass.; Phyllis Jackson is Holtham is an been marginalized by their cultural quah, Okla., Professionals. Ramos presented a paper visiting instructor at Pomona College in Conferences & Symposia M.F.A. candi­ 12 diversity. where he com­ on the program for the National Art Claremont, Calif., and will curate an date in sculp­ bined a double major of fine arts and Education Association. She is planning a African/American art exhibition at Tania Beasley ture at the Yale Indian studies. He had a solo exhibition multimedia thesis exhibition that will Montgomery Gallery; Delilah Montoya is an M.A. School of Art. Opportunities in the spring of 1994 at the Southern include sculpture, video, drawing, and is director of the Student Gallery and 13 candidate in art He received a Plains Indian Museum, Anadarko, Okla., painting. teaching two classes at California State B.F.A. with history at and his work can be seen in several University, Los Angeles; and Tina Howard honors from the Trang Minh Vu museums, galleries, and corporate and Takemoto is working in the Hartnett Classified Ads University. Her Cooper Union is working 15 private collections. He is currently Gallery at the University of Rochester. thesis, which School of Art, where he studied a wide toward an involved in writing a grant proposal for Applications for 1995 fellowships, Information Wanted focuses on M.F.A. at the range of visual mediums with a focus on the establishment of a print workshop for students who expect to complete artist Faith sculpture. In 1989 he studied at the Hoch University of 16 Datebook that would give other Native American their graduate degree in the academic Ringgold and Schule Der Kunst in West Berlin and California, artists the opporhmity to make prints in year 1995-96, will be available mid­ her series witnessed the fall of the Berlin Wall. He Irvine. She a creative and collaborative atmosphere. August in art history and visual arts CAA News, a publication of the French Collec­ has served as artist-in-residence at the received a graduate departments across the U.s. or College Art Association, is published tion I and II, spans her affinity for the Bronx Council on the Arts, which B.F.A. from the Thomas Patin is from the CAA office. six times a year. Material for Harlem Renaissance era, African culminated in an installation piece University of a PhD. candi­ inclUsion should be addressed to: American women artists, and the where he combined elements of tradi­ California, date in art expatriation of black intellectuals in tional African religion and contempo­ Berkeley. She is active in the Vietnamese Editor history at the Europe, particularly France. Beasley rary city street images to illuminate the Arts and Letters Association, and CAANews University of 275 Seventh Avenue earned her B.A. in art history from presence of the ancient god in the presented her video projects and spoke Washington. New York,New York 10001 Washington University in St. Louis and modern city. He plans to apply to the at a conference at U.c. Irvine about His dissertation, Telephone: 212/691-1051 is pursuing a career as a curator. Studio Museum of Harlem's artist-in­ issues facing artists of color. Her current Fax: 212/627-2381 "Discipline and residency program upon completion of work with video documentary deals Varnish: Criti­ his M.F.A. with the passage of time, and her Editor Renee A. Ramirez cism, Institu­ planned M.F.A. exhibition will show Managing Editor Virginia Wageman tions, and the Editor-in-Chief Susan Ball Body," is a poststructuralist analysis of collective video and computer/digital video projects. She hopes to teach visual the production of subjectivity by art Printed on recycled paper. art in Vietnam. © 1994 College Art ASSOciation, Inc.

2 CAA NEWS SEPTEMBER/OCTOBER 1994 CAA NEWS SEPTEMBER/OCTOBER 1994 3

• as guests of Professor and Mrs. Paul J. ted." Likewise, only half the members Teuber (1944); D. Tselos (1928); G. Stephen tionists will be paid $8/hour and will From !lie Executive Director Sachs. In the minutes of the annual indicated that they were employed full­ Vickers (1943); Allen S. Weller (1927); Alice S. Annual receive complimentary conference business meeting, today's reader is timei over one-third are employed part­ Wethey (1931); Charles T. Wilder (1943). registration. They are required to work a teased by the entry: "The President time, 373 are retired, and the remainder The Forty-Year Club: joined between 1945 minimum of 3 session time slots made an informal report on the work of are divided equally between "unem­ and 1954: James S. Ackerman (1945); Clinton Conference (Wednesday-Saturday), and must the year, 1926, and called attention to ployed" and "self-employed." The Adams (1954); Robert Alexander (1945); Rudolf attend a training session early Wednes­ Amheim (1948); Paul B. Arnold (1945); Dorathea some of the prospective activities of annual conference has grown signifi­ day afternoon, January 25. Projectionists K. Beard (1953); Beard Richard E. (1953); Bernett 1927." The report that follows is brief, cantly, with an average attendance of Update must be able to operate a 35-mm slide with only one reference to the past, 5,000 and over 100 sessions including lise (1949); Josephine M. Bever (1950); Jean Bony (1952); Dericksen M. Brinkerhoff (1947); Ellen projector; familiarity with video namely the "steady increase in size and those of the 18 affiliated societies. Calimann (1947); David C. Carter (1947); Iris H. projectors is helpful. If interested, distribution of the Art Bulletin," and The main focus of the association, Cheney (1949); David R. Coffin (1947); contact CAA A V Coordinator Elaine artier this year we received a four to the prospective activities of 1927: however, has remained remarkably Christiane C. Collins (1948); Ellen P. Conant Pike, Special Collections, Vassar College very generous contribution to recommendation of the preparation of consistent, guided over eighty-three Conant (1947); G. W. Cottrell Jr. (1955); Dario A. Changes in Previously Libraries, Box 20, Vassar College, Covi (1949); Zimeri A. Cox (1952); Ethel Cutler the CAA archives from Luraine syllabi as an aid in undergraduate years by the Purposes of the College Art Announced 1995 Sessions Poughkeepsie, NY 12601; 914/437-5799; E (1945); William S. Dale (1948); Sol Alfred Tansey, a copy of the program from the instruction, confirmation of CAA's Association as mandated in the by-laws. Davidson (1949); Alice Davis (1945); Edward R. The session liThe Nation as a Cultural E-"MAIL: IN%"[email protected]." first CAA conference she attended, the official opposition to restrictions on As the board of directors reflects on the De Zurko (1954); Jane Dillenberger (1950); Erica Text" (Diane Wechsler, chair) has been thirty-fifth annual meeting, which took importation of books published abroad, eve of a three-day evaluation, assess­ E. Dinkler-von Schubert (1951); Erica C. Dodd split into two sections: "'Nation' Signi­ Search for 1997 Program place January 29-February 1, 1947. authorization of the appointment of a ment, and long-range planning retreat (1954); Lamar Dodd (1950); Mary K. Donaldson fied" will be chaired by Laura Malosetti, Chairs Continues Professor Tansey, who joined CAA in Committee on the Theory of Art, and scheduled for September 1994, the (1951); Esther G. Dotson (1947); Francis H. while "'Nation' Staged" will be chaired Nominations and self-nominations are 1946, asked two questions that have led authorization of a committee to repre­ events of the past are frequently on Dowley (1949); Elsbeth B. Dusenbert (1947); by Gustavo Buntinx. Both Malosetti and Patricia Egan (1946); Marvin Eisenberg (1949); sought for CAA annual conference to the subject for this column: Who is the sent CAA with the International people's minds. What is quite amazing Buntinx are members of the faculty of Lorenz Eitner (1947); Albert E. Elsen (1953); program chairs-art history and studio oldest member attending the confer­ Institute of Intellectual Cooperation. about the business of the association in the Centro Argentino de Investigadores Robert Engass (1949); Beatrice Farwell (1947); art-to organize and coordinate the ence? And who has been a member for There are 119 CAA members in the 1926 and in 1994 is the similarity of the de Arte, at the Universidad de Buenos Alan M. Fern (1950); Dorothea J. Fischer (1947); program for the 1997 conference to be the most years? The first is difficult to Forty-Year Club (forty-four, or 37 purposes and core activities. At the same Thomas M. Folds (1948); Wen C. Fong (1951); Aires. held in New York. The program chairs answer, since many are loathe to reveal percent, women and seventy-five, or 63 time, over the last decade the character Ilene H. Forsyth (1947); Clarke H. Garnsey The title of the session chaired by will formulate, develop, and produce their true age. One among those proud percent, men)-who joined between of the organization has changed (1948); Irene Gordon (1953); Rosalie B. Green Jeff McMahon has been changed from (1945); Norman B. Gulamerian (1949); John the 1997 annual conference program in of their longevity, however-Mildred 1945 and 1954. By 1954 the association dramatically as CAA has attempted to "Performance Art Colloquium: Live Gutman (1946); Yvonne Hackenbroch (1946); consultation with the Annual Confer­ Constantine, the subject of our cover had grown to nearly 2,500 members; the become more responsive to the needs of Performance as Social Comment," to Margot F. Hamp (1952); Anne C. Hanson (1954); ence Program Committee and the CAA article------is a candidate for the answer to budget was $68,000 and only in 1954 did the various and growing constituencies "Interdisciplinary Action: The Place of F. Hamilton Hazelhurst (1954); Louis J. Hector Board of Directors, select and oversee the first question. Rather than try to the board of directors authorize an that comprise the membership, more (1954); Rodman R. Henry (1953); Mary L. Heuser Performance Art in Education." session chairs, and work with the CAA guess people's ages, I welcome volun­ increase in the annual dues from $10 to involved in issues of advocacy and (1946); John D. Hoag (1951); Henry R. Hope teers. At the convocation in San Antonio $12. In the minutes of the annual public policy, more democratic in (1945); Clifford Johnson (1952); William H. Jardy conference coordinator to produce (1950); J. Richard Judson (1951); Frank T. 1995 Sessions Canceled conference publications and ensure in January 1995, we will announce the II business meeting, the president called governance, and more socially and The following sessions have been oldest attendee at the New York attention to the unusually fine [confer­ culturally diverse. Kacmarcik (1951); Andrene Kauffman (1954); J. smooth running of sessions during the Bdward Kidder Jr. (1947); Ernst Kitzinger (1945); canceled: "The Art and Architecture of conference in 1994 and the oldest in ence] registration of over 700 members." The first long-range plan was conference. This position offers the Ineodore E. Klitzke (1952); Gerhart B. Ladner the Texas Missions: Antecedents and opportunity to draw together a variety attendance at the conference in San Among the directors elected at that presented to the membership on these (1949); Myron Laskin, Jr. (1953); Phyllis Williams Relationships" (Jacinto Quirarte, chair) of methodologies and topics to provide Antonio. meeting were two members of the Fifty­ pages (CAA News, May /June 1990), with Lehmann (1945); Joy C. Levy (1946); Virginia E. and "The Displaced Artist: Bridging a stimulating venue for discussion. In my search for the answer to the Year Club-Richard Krautheimer and an introduction by president Ruth Lewis (1949); Chu-Tsing Li (1953); Ann-Sofi Gaps, A voiding Stereotypes" (Modesta second question regarding the member Lindsten (1949); Patricia C. Loud (1954); Requirements include: CAA member­ Joseph Sloane--and one of the Forty­ Weisberg, in which she solicited Trevifio, chair). of longest standing, I discovered that Year Club--Charles Parkhurst-as well comments. With some revisions it was Franklin M. Ludden (1953); Margaret ship; practicing artist/ art historian with McCormick (1953); Thomas McCormick (1954); there are twenty-six people who have as two officers, the president Lamar later approved by the board of directors. academic or museum affiliationi wide Mary Meixner (1947): Stanley Meltzoff (1954); New 1995 Session been continuous members of CAA for Dodd and treasurer John Straus. Key At its upcoming retreat, the board will knowledge of field and practitioners, as Alfred K. Moir (1954); Prudence R. Myer (1948); The following session will last 1 1/2 over fifty years (the Fifty-Year Club), actions at the business meeting again look at the goals set in the plan of 1990, well as sensitivity to needs and interests Stanley C. Nott (1945); Sadayoshi Omoto (1950); hours and will be scheduled between seven women (27 percent) and nineteen concerned advocacy, support of assess the association's success in Charles Parkhurst (1950); Julia Phelps (1946); of CAA's diverse, 13,000-strong mem­ men (73 percent). The record holder is scholarship, and artists: members were meeting those goals, and set new ones Ruth R. Philbrick (1947); John H. Plummer program sessions: bershipi strong communication skills­ "Being Out in the Classroom" Meyer Schapiro, who joined sixty-eight asked to write letters to senators in for the next five years. Please write if (1948); Jessie J. Poesch (1954); Jules D. Prown written and verbali attention to detaili (1954); Olga Raggio (1951); George W. Rickey (sponsored by the Gay and Lesbian years ago, in 1926.When Meyer Schapiro support of the Fulbright Programi a you have concerns or comments you and dedication. Chairs must live and (1949); Robert H. Rosenblum (1949); Jane Caucus). Chair: James Smalls, Rutgers joined in 1926, the College Art Associa­ resolution was passed supporting the wish considered by the board. Our work in the northeastern U.s. Duties Rosenthal (1954) Jacob Rothenberg (1948); Irving University. Send one-page proposal for may be divided between co-chairs, but tion had approximately 100 members, activities of the American Council of primary goal is to maintain CAA's Sandler (1954); Lucy Sandler (1954); Mrs. B. N. la-minute presentation concerning at least one chair for art history and one annual dues of $10, and an annual Learned Societies; and a committee was eighty-three-year-old commitment to Schilling (1949); Carl Schmalz, Jr. (1951); Peter H. issues and strategies teaching gay / budget of $9,000. It held its sixteenth authorized to work with the USIA on continuity and change. Selz (1948); Seymour Slive (1953); G. E. Kidder for studio art must be from the area and lesbian content as well as the experience annual conference at Harvard that year, traveling exhibitions. The Fifty-Year Club: joined 1944 or before: Smith (1954); Harold E. Spencer (1954); Marilyn be employed at a college, university, art of being gay /lesbian in the academy to: in conjunction with the meetings of the Today there are 13,960 individual Phyllis Pray Bober (1941); Blanche R. Brown Stokstad (1950); John W. Straus (1953); Mary E. school, or museum. Institution approval Stringer (1954); Luraine Tansey (1946); Richard Jonathan Weinberg, 560 W. 43 St., #12F, American Philological Association, the members of CAA, an increase of 93 (1941); Milton W. Brown (1941); Stanton L. Catlin and support in the form of release time, (1940); Mildred Constantine (1938); John P. G. Tansey (1946); William E. Teel (1954); A. D. New York, NY 10036 or Flavia Rando, Archaeological Institute, the Linguistic percent in the past ten years. The telephone, photocopying, and postage Coolidge (1940); Charles D. Cuttler (1942); Trendall (1952); A. Richard Turner (1954); Mario 103 St. Marks PI., New York, NY 10009. are customary. The term of activity is Society of America, and the Modern membership is roughly half art histori­ Valente (1946); Lester C. Walker, Jr. (1948); Jack Marian B. Davis (1940); S. L. Faison, Jr. (1931); January 1995-February 1997. Appoint­ Language Association. There were a ans and half artists, with the majority Creighton Gilbert (1940); George Heard Wasserman (1953); Nathan T. Whitman (1950); total of twelve sessions at this four-day holding either Ph.D. or M.F.A. degrees Hamilton (1940); Julius S. Held (1936); Dora Jane Hellmut Wohl (1951); Richard Zeisler (1953). Ushers and ment to be made in fall 1994. Deadline: October 7, 1994. meeting, two of them joint with the and employed in academic institutions. Janson (1940); Richard Krautheimer (1936); -Susan Ball Projectionists Sought other organizations, and numerous The second largest category under Howard S. Merritt (1944); Francis W. Robinson Applications are being accepted for (1928); Meyer Schapiro (1926); Joseph C. Sloane social functions, including a "smoker" at ushers and projectionists for the 1995 "affiliation" is not "museum" as it was (1939); Craig H. Smyth (1940); Edith A. Standen the Harvard Union and tea at Shady Hill until relatively recently, but "unaffilia- (1943); George H. Tatum (1943); Marianne L. annual conference. Ushers and projec-

4 CAANEWS SEPTEMBER/OCTOBER 1994 CAA NEWS SEPTEMBER/OCTOBER 1994 5 Art Journal Editorial Board, CAA, 275 tions and self-nominations should be outside, his name is David Smith, he has to the project [FAP/WPA] and what Seventh Ave., New York, NY 10001. sent to: Ali Bulletin Editorial Board, Mildred Constantine CAA, 275 Seventh Ave., New York, NY some of his sculpture with him in a shoe was going on there .... Considering CAA Deadline: November 15, 1994. CONTINUED FROM PAGE 1 box ... it is like nothing 1've ever seen in what I had been like when I came at the 10001. Deadline: November 15, 1994. my life before." age of sixteen, and the only experience I had had was the Brooklyn Museum ... I Arts, although there was still close Constantine also discusses CAA's News Art Bulletin Seeks contact between the institute and CAA, knew that there were places and things I CAAAwarded role in advocacy, social awareness, and Nominations for especially its publications. In its new political activism on behalf of freedom wanted to do which went beyond what Book Review Editor Getty Grant location CAA had "a really very lively of artistic expression. "Our conscious­ the CAA, at that time, was interested in. The Getty Grant Program has awarded organization going/' with space to ness about what was going on brought ... The trip to Mexico in 1936 was very and Monograph Series Editor College Art Association a grant in the exhibit as well as to pack and ship. us to the point ... that we created an seminal. The revolution in me took The Art Bulletin seeks nominations and Art Journal Seeks amount of $74,828 over two years to Although McMahon's personal exhibition of the photographers working place down there. I was on picket lines self-nominations for the position of book support CAA's Professional Develop­ interest was in living artists, the with Farm Security Administration and with all the artists. The social-political Two Board Members review editor. The editor is solely ment Fellowship Program. This money exhibition program "spanned all kinds created a marvelous exhibition that role that the CAA started with the and Reviews Editor responsible for the selection of books to will be allocated toward the employ­ of cultures and all the centuries" went around the country. Here was this Gibson CoIIlIl1lttee went right straight The editorial board of the Art Journal be reviewed, the choice of people to ment phase of the program and will co­ ranging from "Little Dutch Masters," for organization originally strictly academi­ through, and I guess it was the war that seeks nominations and self-nominations review them, and the detennination of ver the costs of awarding two fellow­ Constantine "an introduction to the cians and scholars, but out in the changed the character of things. I was in from the membership for two positions. the appropriate length and character of ships, one to a recent graduate of an whole movement of Dutch painting as hinterlands they were aware of what Washington ...." And so the next Each position has a three-year term, July the review. He or she commissions M.F.A. program in art and one to a re­ separate from the Renaissance in Italy," was going on [because of the traveling chapter in Constantine's long, active, 1995-98, renewable once. Candidates reviews and works with reviewers when cent graduate of a Ph.D. program in att to the first Mexican exhibition in 1936, exhibitions and publications] .... I productive life began. should be deeply engaged with contem­ necessary in the preparation of the history, in the academic year 1995-96. to an exhibition of architecture, curated remember James Vernon Herring, head For a compl~te transcript of Sawin's porary art and have a dis~nguished . review for publication. The editor will The Professional Development by Henry Russell Hitchcock, "a young of the art department at Howard interview with Constantine, send an SASE record of profeSSional achIevement. It IS serve 3-6 months as editor designate Fellowship Program is a two-part architectural historian at Wesleyan." University and he was one our most to the CAA office to the attention of the aim of the board that its member­ and a three-year term, nonnal1y not program with both a monetary grant The event with the most lasting ardent supporters, members, and Melissa Kahn. ship reflect the range of fields and renewable, as book review editor. and a residency/employment compo­ historical significance came about in the participated in anything and everything CAA welcomes the donation of any methods current in the discipline, as Nominations and self-nominations nent. Each recipient will be funded for 1930s-"the tremendous program that we did ... and we developed a very archival materials to CAA in the form of well as the geographical, philosophical, are also sought for the position of editor at least two years, with the option for a was developed into the Federal Arts interesting relationship and had an letters, exhibition information, CAA institutional, gender, and ethnic range of CAA Monographs on the Fine Arts. third. In the first year, CAA will make Project was actually begun by the CAA exhibition of Negro art that we sent out conference programs before 1960, or of the CAA membership. For one The editor reads all submitted manu­ direct grants to recipients for the final in New York when Audrey McMahon [in 1934, thirty-five works by black taped recollections. Please send your position, preference will be given to an scripts, refers them to appropriate year of the professional degree program and Frances Pollak [who as a volunteer artists co-sponsored with the Harmon suggestions for the next member of the artist. For the other, preference will be readers for scholarly review, provides (M.F.A. or Ph.D.). In the second and at CAA developed the Index of American Foundation]. ... And then there was the Fifty-Year Club to be interviewed. given to an individual who is a critic/ guidance to authors concerning the form third years, fellows will be placed in a Design] began to discuss the plight of marvelous influx of Mexican artists who curator/artist. and content of submissions, and makes professional position at colleges, American artists, who had no work, no had corne up and who had become part The editorial board also seeks final decisions regarding the acceptabil­ universities, museums, or art centers income, were not able in any way to of the life of our art world at the time nominations and self-nominations for ity of manuscripts for publication. that have established a partnership in practice their particular art. While all and they also became artists of the the position of reviews editor. Prefer­ Subject to the supervision of the Art the program. Placement positions will kinds of other projects were being project ... and were very important to ence will be given to a modernist who Bulletin editorial board, the editor has have a preferred term of two years. developed just for the laborer, nothing us in understanding how to develop the has some interest in non-Western art overall responsibility for the content, Like all CAA awards, criteria for was being done for the artist. And so mural project of the WPA because they and a serious engagement with contem­ character, appearance, and functioning the Professional Development Fellow­ together with Mrs. Gibson, a very knew technically what we did not porary art. The reviews editor is of publications issued as part of the ships is based primarily on need. The. wealthy woman, and the cooperation of know, what our artists did not know." responsible for selecting books to be Monograph Series. The editor serves one deadline for the next round of awards IS Mayor LaGuardia, the first committee Because of CAA's involvement in the reviewed, soliciting reviewers, and year as editor designate (1995-96), January 31, 1995. Program brochures/ for the relief of artists was formed right mural project, when work was stopped editing submitted reviews. There is a followed by a three-year term as editor, application forms are available from . at the CAA. The first part was to get the on the Diego Rivera murals at small honorarium. The reviews editor is which is renewable once. M.A., M.F.A., and Ph.D. departments m artists in, to get them to register, to Rockefeller Center, but before they were a member of the Art Journal editorial There is a small honorarium for the United States, or from the CAA know what they were doing ... to know destroyed, "the CAA and the artists and board. The three-year term (1995-98) is both the book review editor and the office. who they were and what we had to do the Federal Arts Project created the first renewable once. editor of the Monograph Series. Both to help them.... And we began protest march in front of Rockefeller The Art Journal editorial board serve on the Ali Bulletin editorial board interviewing artists, who would come Center so that from early on it was not meets in New York three times a year and are expected to attend meetings of Staff Additions with their work." just art, it waS our political and social and at CAA's annual conference. It is the board, which generally are in New Among the artists with whom lives." expected that board members will York in October and at the CAA annual Angela Constantine worked in the project's It was a magical moment as attend meetings. Board members must conference. CAA pays for travel to the Montague has early years were Arshile Gorky and Constantine describes it. "Our programs pay their own travel expenses for the fall meeting in New York; it is expected joined the CAA David Smith, whose first visit she recalls began to reflect not just what our annual conference, although a small that editorial board members will pay staff as devel­ vividly: "rll never forget the day that academicians were doing but what the fund is available to help offset expenses their own way to the annual conference, opment and David Smith came in carrying a shoe refugee academicians brought with for members who would be unable to although a small fund is available to special projects box, a paper shoe box, and in it he had them and what the living artists were attend without financial support; CAA help offset expenses for members who associate. Prior his sculpture and naturally there I was doing and that was the magical moment provides travel funds for the meetings would be unable to attend without to joining CAA, at the desk and I would talk to all the in the life of the organization." in New York. Board members must be financial support. she was artists that came in.... David asked me Audrey McMahon eventually left members of CAA. Candidates for each position must employed by would I like to see what he brought and CAA to work full-time for the WPA/ Nominations and self-nomina­ submit a c.v. and a letter explaining Crossroads I looked at it in shock, astonishment. We FAP, instead of overseeing both. tions-including a statement of interest their interest in and qualifications for Theatre Company in New Brunswick, chatted a little bit and I walked in to Constantine left in 1938 when "the from the candidate, a c.v., and any appointment. At least one letter of N.J., first as development associate for Audrey and I said there's one artist whole emphasis and spirit had moved supporting material-should be sent to: recommendation is required. Nomina-

CAA NEWS SEPTEMBER/OCTOBER 1994 7 6 CAA NEWS SEPTEMBER/OCTOBER 1994 !

corporations and foundations and then of Colorado, Boulder; University of Carolyn K. Carr, Eugene A Carroll, Yvonne P. d'Harnoncourt Rishel, David M. Robb, Jr., E. Yasue Sakaoka. Atrium of Public Service, Ohio as assistant to the managing director. Kentucky; University of Minnesota, Carter, Madeline H. Caviness, Whitney Bruce Robertson, Peter D. Roos, Robert A. Rorex, State University, Lima Campus, April3-May 8, Charles M. Rosenberg, Sheila M. Ross, Angelica Solo 1994. Sculpture. Montague also has experience in fund Duluth; University of Pennsylvania; Chadwick, Peter Chapin, Judith A Chester, David C. Christman, Edward Colker, Kristin B. Z. Rudenstine, Emily J. Sano, Carl N. Schmalz, raising for the Actors' Fund of America, University of South Florida; University Debra Swack. University of illinois at Chicago, Collins, Judith Colton, Michele C. Cone, M. Jr., Alfred R. Schmidt, John M. Schnorrenberg, September 26-0ctober 21,1994. "Voices I" Performing Arts Resources, Inc., and the of Tulsa; and William Patterson College. Cothren, Janet Cox-Rearick, Karen c.c. Dalton, Frederick C. Schroeder, Jane Schuyler, Linda Exhibitions series, paintings. Discovery Center of the Southern Tier in For listings to be up-to-date, it is Robert Dance, Bernice F. Davidson, Sol Alfred Seidel, Rivka T. Sevy, Daniel Shapiro, Ellen Binghamton, N. Y. This is her first effort essential that we receive completed Davidson, John T. Daxland, Kosme M. De Sharp, Pamela K. Sheingorn, Tom Shennan, Christopher Yates. JFK Memorial Art Gallery, at fund raising for a visual arts organiza­ questionnaires. If your school is listed Baranano, Barbara K. Debs, Philippe de Alan Shes tack, Yoshiaki Shimizu, Larry A. by Artist University of Dayton, Dayton, Ohio, August 24- September 24, 1994. "Transitions." Rosewood tion, and she relishes the challenge. above, we urge you to have your Montebello, Peter 1. Donhauser, Robert G. Silver, Marianna S. Simpson, Lowery S. Sims, Roy Slade, Jacqueline A Smalley, Thomas Arts Center, Kettering Govenunent Center Montague received a Bachelor of Music department chair or graduate program Donnelley, Charlotte Douglas, John P. Driscoll, Suzanne Duca, Martha 1. Dunkelman, Elsbeth B. Sokolowski, Katherine Solender, Susan G. Members Gallery, Kettering, Ohio, November 7-December degree with a minor in theater manage­ director immediately cal1 Lynda Emery Dusenbery, Marvin Eisenberg, Robert Enggass, Solomon, Ann Sperry, Allen Staley, Theodore E. 9, 1994. "Cyclical Time," mixed-media ment from the Ithaca College School of (207/853-6134). Suzannah J. Fabing, Everett Fahy, Peter M. Stebbins, Jr., Roger B. Stein, Joan K. Stemmler, construction. Music, and a Master of Business Fairbanks, Beah1ce Farwell, Brad Faus, Damie and Diane B. Stillman, Julien M. Stock, Only artists who are CAA members are included Bhakti Ziek. Goldstein Gallery, University of Administration in arts administration Theodore Feder, Linda S. Ferber, Alan M. Fern, Alan N. Stone, George Szabo, Charles Talbot, in this listing. WIlen submitting information, Minnesota, St. Paul, June 26-September 30,1994. from the State University of New York Thanks to Individual Ruth E. Fine and Larry Day, Jerry V. Finrow, Richard G. and Luraine Tansey, Mark E. include name of artist, gallery or museum name, "Merging Paths: The Recent Work of Bhakti Nered Fioratti, Evan R. Firestone, Audrey 1. Thistlethwaite, Jane M. Timken, Wallace J. at Binghamton. city, dates oj exhibition, medium. Please indicate Ziek." Patron Members Flack, Jack D. Flam, Ilene H. Forsyth, Joseph C. Tomasini, Paul H. Tucker, A Richard Turner, eAA membership. Melissa Kahn has joined the staff as Patron membership is a voluntary category for Horst Uhr, Kathryn A. Van Dyke, J. Kirk T. Forte, Jacqueline A. Frank, Phyllis J. Freeman, Photographs are welcome but will be used only if NORTHEAST/ assistant to the executive director. She individuals who wish to contribute to CAA in Ofelia Garcia, Anthony Geber, Mary W. Varnedoe, Magda Vasillov, Anthony Vidler, space allows. Photographs cannot be returned. Beryl Barr~Sharrar. Palmer Museum of Art, will work with the CAA Board of addition to scaled dues. Individual patron Gibbons, Sam Gilliam, Mildred L. Glimcher, Kathy L.G. Vincent, Evelyn C. Voelker, Leonard Pennsylvania State University, June 21-August Directors, serve as a general facilitator in membership for 1994 is $500. For their generous Rona Goffen, Joel Goldblatt, Edward Goodstein, E. Walcott, Jr., Larry M. Walker, Bret Waller, 21,1994. "Lyrical Landscapes," paintings. carrying Qut specific requests of CAA contributions, our thanks go to: Ronald R. George Gorse and Naomi Sawelson-Gorse, Oleg Allen Wardwell, Jack Wassennan, Judith Atkins, Hester Diamond, Claire E. Perry. Hugo Xavier Bastidas. Nohra Haime Gallery, members, and help in organizing the Grabar, Carol B. Green, Terence Grieder, Wechsler, H. Barbara Weinberg, Rochelle Dagmar Grimm, Catherine S. Gropper, Norman Weinstein, Gabriel P. Weisberg, Fred H. Werner, New York, June I-July 8,1994. "Absurdities." annual conference. In addition, she will B. Gulamerian, Elizabeth F. Harris, Reiner Richard V. West, Ron and Renate Wiedenhoeft, Paula A. Braswell. Limner Gallery, New York, serve as program officer for the Millard Thanks to Individual Hausherr, Christine M. Havelock, Egbert Anne-Marie Wiemer-Sumner, David G. Wilkins, ABROAD/ September 7-24, 1994. "Guardians," installation. Meiss Award. Kahn recently received an Sponsoring Members Haverkamp-Begemann, Andree M. Hayum, Jane Reba White Williams, John Wilmerding, Paul Rinaldi. Egyptian Center for International Cora Cohen. Jason McCoy Gallery, New York, M.A. in literature from American Sponsoring membership is a voluntary category Hayward, Louis J. Hector, Willy Heeks, Jean I. Gertrude Wilmers, Jean c. Wilson, Enid S. Cultural Cooperation, Cairo, October 1994. October 26-December 3, 1994. Paintings. for individuals who "Wish to contribute to CAA Heilbrunn, Kathryn M. Heleniak, Reinhold Winslow, Irene Winter, William D. Wixom, University. Prior to this, she worked as a Paintings. British Council Art Gallery, Cairo, legislative corespondent, intern coordi­ in addition to scaled dues. Individual sponsor­ Heller, Mathew and Patricia Herban III, Robert Joyce Zemans, Henri and Catherine W. Zerner, Jamie Fuller. New Jersey State Musernn, 1. Herbert, Joel and Judith Herschman, Richard Jerrold Ziff, Judith K. Zilczer. December 1994. Paintings, photographs, videos. nator, and congressional arts caucus ing membership for 1994 is $2S0. For their Trenton, September 17-November 6, 1994. A. Hertz, Barbara H. Hess, Charles Hess, James Anna Strickland. Breda Fotografica, Breda, "Essential Spatial Cues, Interior/Exterior," liaison for representative Dick Durbin of generous contributions, our thanks go to: Basil Alkazzi, Pamela Askew, Barry S. Bailey, Michael K. Hill, Sharon L. Hirsh, Margaret H. Hobler, Netherlands, Summer 1994. Photographs. sculpture and drawing. Springfield, Ill. She plans to continue her Renata O. Holod, Dan F. Howard, Karen A. Baxandall, Judith K. Brodsky, Kevin E. Consey, Biron Valier. Impressions Gallery, Perth, Roberta Griffith. Warren Gallery, Yager arts advocacy work as a component of Huber, Susan and John Huntington, Nancy R. Elizabeth McG. Enders, Ella M. Foshay, Anne Western Australia, June 8-17, 1994. "Along the Museum, Hartwick College, Oneonta, N.Y., May Huntsinger, Irma B. Jaffe, Diane C. James, her duties at CAA. Hollander, Katharine C. Lee, Karen N. McGuinn, Roadside," prints and paintings. 19-August 6, 1994. "From Nikko to Hartwick." Dewey F. Mosby, Jules David Prown, Arlene Carroll Janis, Dora Jane Janson, Madlyn Kahr, Raven, David Rosand, Sheri C. Sandler, Stephen Natalie B. Kampen, Joseph L. Karmel, Ruth Nicholas Hill. Greene Art Gallery, Guilford, K. Scher, John Walsh, Jr., Mark Weil. Kaufmann, Nancy B. Keeler, Diana Shaio MID-ATLANTIC/ Conn., May-June 1994. Paintings. Robed A. Delehanty. Pop Stop, Washington, Directory Update Keevan, Margaret M. Kelly, Dale Kinney, Linda Klein. Bunker Hill Community College D.C., July IS-August IS, 1994. "Hot Tub Series," CAA's Directory of M.A. and PhD. Marjorie S. and Douglas Kinsey, Alice Kramer, Gallery, Boston, September 1-25, 1994. "Primal Programs in Art and Art History is in the Thanks to Individual Travis Barton Kranz, Richard Krautheimer, works in clay. Regions II," paintings and drawings. process of being updated, for publica­ Sustaining Members Gayle R. Kurtz, Barbara G. Lane, Richard S. Sue Johnson. Nancy Drysdale Gallery, Lanier, Gerrit L. Lansing, Heaja Kim Lee, Ralph Murrell Larmann. Washington and tion in January 1995. Questionnaires Sustaining membership is a voluntary category Washington, D.c., June 23-August 12, 1994. Patricia J. Lefor, Cathie Lemon, Madeline Jefferson College, Washington, Pa., September for indiyjduals who wish to contribute to CAA "The Nahtre of Still Life," paintings. requesting updated information were Lennon, Randy D. Lerner, Samella S. Lewis, 3D-October 22, 1994. "Are We Done Yet?" in addition to scaled dues. Individual sustaining Ellen Wiener. Nancy Drysdale Gallery, sent earlier this year to the schools listed Rose-Carol Washton Long, Carla Lord, John Marion Miller. First Street Gallery, New York, membership for 1994 is $125. For their generous Washington, D.C., June 23-July 30, 1994. Elaine in the 1992 edition of the directory. To Lottes, Anne Lowenthal, Isabel and Bates September 27-October IS, 1994. "Skies, contributions, our thanks go to: George S. date, the following schools have not Lowry, Beatus T. Lucey, Hans A Luthy, Patricia Benson Gallery, Bridgehampton, N.Y., August Seasons," paintings. Tyler Gallery, Marlboro Abrams, Morton C. Abromson and Joan 1. 19-5eptember 14, 1994. Mainardi, Michael Mallory, Janet Marqusee, College, Marlboro, Vt., November 8-December responded to the questionnaire or to Nissman, Jeffrey H. Abt, Maryan W. Ainsworth, James Marrow,Joan M. Marter, JeanM. 2,1994. Paintings. subsequent requests for information: JonathanJ. G. Alexander, KahrenJ. Arbitman, Massengale, Marla K. Mayerson, John W. MIDWEST/ Bob Jones University; Brooklyn College; Marjorie E. Arnett, Ralph M. Arnold, Frederick Annette Morriss. Hopkins Center, Dartmouth McCoubrey, Diane F. McGregor, Sarah Blake Chris Bedi. Robert Kidd Gallery, Birmingham, and Catherine Asher, Nancy A. Austin, College, Hanover, N.H., July 12-August 22, California State University, Chico; McHam, Bannon MCHenry, James W. McManus, Mich., September 16-0ctober IS, 1994. Jacquelynn Baas, Ellen T. Baird, Marilyn Baker, 1994. California State University, Los Angeles; Constance C. McPhee, James F. Melchert, Jerry Catherine P. Ball, Georgette F. Ballance, William Sculphtre. D. Meyer, Erika B. Michael, Elly Miller, Henry Joseph G. Perrella. Museums at Hartwick, California State University, Northridge; L. Barcham and Catherine R. Puglisi, Susan J. Debra Ficher. Butler Institute of American Art, A. and Judith R. Millon, Barbara J. Mitnick, Hartwick College, Oneonta, N.Y., October 2- California State University, Sacramento; Barnes, Richard Barnhart, A. BelloH, Shirley K. Youngstown, Ohio, August 7-28, 1994. Print and Cathy Montenegro, James and Anne November 13, 1994. "Works of Art." City College of New York; Fashion Bennett, Robert W. Berger, Robert P. Bergman, print/book installations. Morganstern, Susan G. Moulton, Weston J. Naef, institute of Technology; Goddard Jo-Anne Bernstein, Nancy Bialler, Marlene O. Ritsuko Taho. Bunting Institute of Radcliffe John Hallmark Neff, Mary Gardner Neill, Roy R. Aviva Kramer. Artemisia, Chicago, July 1-30, Bilsky, J. S. G. Boggs, Doreen Bolger, Elizabeth College, Cambridge, Mass., August 3-24, 1994. College; Kent State University; Neuberger, Linda Nochlin, Andrea S. Norris, 1994. "The Veil of the Soul," paintings. H. Boone, Ruth Bowman, Kathleen Weil-Garris "Transformation," outdoor installation. Montclair State College; Murray State Edward J. Nygren, John S. O'Brian, Louis Brandt, Richard Brettell, Richard Brilliant, Ellen Lanyon. University of Iowa Museum of University; New College of California; Ocepek, Steven N. Orso, Clifton C. OIds, Myra Louise S. Bross, Beverly Louise Bro"Wll, Clifford Art, Iowa City, May 21-July 30, 1994. "Transfor­ D. Orth, Osmund Overby, Eve B. Page, Melvin Biron Valier, Perth Ice, 1994, SOUTH/ Northern Arizona University; Northern M. Bro"Wll, Jack Perry Brown, Jonathan M. mations II {Endangered)," paintings, prints, and Pekarsky, Ruth R. Philbrick, Cynthia Polsky, serigraph, 7" x 6" Michael Aurbach. Paul Mesaros Gallery, West Illinois University; Northwestern State Brown, Milton W. and Blanche R. Brown, drawings. Margaret R. Polson, Richard D. Poulin, Edward VirginiC;l University, Morgantown, September University; Ohio University; Parsons Caroline A. Bruzelius, Ladislas Bugner, James Diane Levesque. Chicago Cultural Center, 12-October 13, 1994. "The Confessional," D. Powers, Olga Raggio, Archie and Maria Cahill, Walter and Annabelle Simon Calm, School of Design; State University of Rand, Peter S. Reed, Theodore Reff, Charles S. Chicago, July 16-September II, 1994. Paintings. sculpture. Nanna-Jean Calderwood, Richard Camber, New York, Oswego; Texas A&I Univer­ Rhyne, Danielle Rice, Joseph and Anne Katherine Steichen Rosing. AR.C. Gallery, Gary Freeman. Arts Center, Shelby, N.C., June William A. Camfield, Malcolm Campbell, sity; Texas Tech University; University Chicago, May 31-June 25, 1994. "Over the Edge 6-30,1994. "Regional Realism," watercolor and in Double Time," paintings and drawings. acrylic paintings.

8 CAA NEWS SEPTEMBER/OCTOBER 1994 CAA NEWS SEPTEMBER/OCTOBER 1994 • 9

• , -

Janice Simon has been tenured and promoted to Lyall Harris. Fine Arts Center, Lynchburg, Va., University of Oregon in Eugene. She worked as Jane Daggett Dillenberger, professor emerita, associate professor of American art at the October 16-November 6, 1994. Collage and an artist in Cheshire, Oregon. Graduate Theological Union, Berkeley, has been People in University of Georgia. Grants, painting. awarded a grant from the Henry Luce Founda­ John Spencer, authority on Italian Renaissance tion to write a monograph on the religious art of Juanita Marie Hull. Marine Extension art, former director of the Duke University Denise Smith is professor of art history at the Andy Warhol. Aquarium Gallery, University of Georgia, the News Museum of Art, and former officer of the Savannah College of Art and Design. Awards, & Savannah, May 21-June 30, 1994. "Analogies," College Art Association, died on July 15, 1994. Jane E. Farver, director of exhibitions, Queens watercolors. Spencer earned his BoA. from Grinnell College Hans J. van Miegroet has been promoted to Museum of Art, New York, has been awarded Arturo Lindsay. Chassie Post Gallery, Atlanta, and a second BoA. from the Universie Laval in associate professor with tenure in the history of Honors an Asian Culture Council Fellowship for travel Ga., July 27-August 21, 1994. "Congo Spirits," Quebec. He received an M.A. and PhD. in art art department at Duke University. He is also to Japan and Korea. drawings, paintings, installation. history from Yale University. He first went to director of Duke's Foreign Academic Program in Duke in 1978 to serve as professor of art history the Netherlands and Flanders. Cinthea Fiss, University of Arizona, Tucson, has Beauvais Lyons. Eagle Gallery, Murray State' Publication policy: Only grants, awards, or honors and as chair of the department of art and art been awarded a 1994 Western States Arts University, Murray, Ky., August 22--October 9, In Memoriam received by individual CAA members are listed. The history. He became director of the art museum Victoria Weston has joined the faculty of the Federation/NEA regional fellowship in the New 1994. Hewlett Gallery, Carnegie Mellon grant/award/lwnor amount is not included. Please in 1982 and served through 1986. During his University of Massachusetts-Boston as assistant Genres category. University, Pittsburgh, Pa., November 1-22, note the following format: cite name, institutional tenure at the museum he increased the number professor of Asian art. 1994. "Reconstruction of an Aazudian Temple." Ken Ashton Gray, contemporary English affiliation, and title of the grant, award, or honor, and Janet Goldner has been awarded a Fulbright sculptor and CAA member, died July 13, 1994, at of exhibitions while also reemphasizing the (optional) use or purpose of grant. Please indicate The Department of Art History at the University grant to conduct research in Mali. the age of 51. First educated as a civil engineer, museum's holdings of African masks, sculp­ that you are a CAA member. of Delaware has announced that Stephen Gray earned his B.A. with First Class Honours tures, and jewelry and its renowned medieval Po1cari, Paula Spilner, and Aline Brandauer Anthony Gorny has received a grant from the from Brighton Polytechnic in Sussex, England, and pre-Columbian collections. will be visiting faculty in 1994-95. Pew Fellowships in the Arts program. and an M.A. from the Royal College of Art in London. After moving to the U.S. in 1980, he Joan Backes has been awarded a 1994-95 The Department of Art and Art History, Wayne Robert Harrison will be artist-in-residence at the taught at Memphis State University, the Academe Fulbright Award to Chile. State University, announces the following Roswell Arts Center, Roswell, N.Mex., where he Memphis Academy of Arts, and the University faculty promotions, appointments, and will work on a new body of work. of Alaska Anchorage. Gray exhibited interna­ Hugo Xavier Bastidas won in the billboard administrative changes: Mel Rosas has been tionally throughout his career and was perhaps Sarah Brett-Smith is associate professor with project category at the Arts Festival of Atlanta. promoted to professor; Pamela DeLaura is Sue Johnson, assistant professor of painting, best known for his exhibitions of what he tenure in African art at Rutgers, State University His painting Value Exchange will be exhibited on associate professor with tenure; Brian Madigan drawing, and printmaking, St. Mary's College of termed "electrosculpture" and for his most of New Jersey. a 12' x 48' billboard. is associate professor with tenure; Jane Blocker Maryland, has been awarded a 1994 Mid recent work dealing with signs of the zodiac. As has been appointed the W. Hawkins Ferry Chair AtlanticlNEA Regional Fellowship in painting. an evangelist of electronic sculphlre, he built a Sean Patrick Gallagher is assistant professor of Michael Baxandall has been selected to in twentieth-century art history and criticism reputation as one the best electronic engineers in art, Central Connecticut State University. participate in the Getty Scholar Program at the with the rank of visiting assistant professor; and Marie Lathers, assistant professor of French, the art world. During his thirteen years at the Getty Center for the History of Art and the Russell Hamilton has been appointed visiting Iowa State University, has been awarded a 1994 University of Alaska Anchorage, Gray received Pamela M. Jones has been promoted to associate Humanities. He will research the subject of assistant professor in sculphlre. Jeffrey Abt's NEH summer stipend to work on a manuscript, a Chancellor'S Excellence Award for teaching, professor of Renaissance and Baroque art at the visual attention. term as chair has concluded, and he will be on Bodies of Art: The Artist's Model in Nineteenth­ and prior to his retirement in May 1994 was University of Massachusetts-Boston. leave before rehlrning to teaching next year. Cenfunj French Literature. promoted to professor emeritus. His last major Kell Alexander Black, assistant professor of art and foundations coordinator at Austin Peay exhibition was held at the Anchorage Museum Jon Krasner has been appointed assistant Paul Pak-hing Lee has been awarded an NEH State University, Clarksville, Term., has been of History and Art in November 1993. professor of computer graphics at Youngstown research grant to study in China. He will awarded a 1994 Southern Art Federation/NEA State University, Youngstown, Ohio. Museums and Galleries conduct a research project on Shanghai's Regional Visual Arts Fellowship in painting, colonial architecture. Sharon M. Louden has accepted an assistant drawing, and works on paper. Beauvais Lyon$,.,Aazudian relief professor position at the College of Saint Rose in Gerald Bolas has been named director of the Amy Marver has been named a Smithsonian fresco depicting medicine, Prilla Smith Brackett has been awarded a Albany, NY University of North Carolina at Chapel Hill's fellow for study in residence at the National 30" x 24" X 1" residency for October 1994 at the Millay Colony Ackland Art Museum. Museum of American History, in consultation for the Arts, Austerlitz, NY Tod Marder has been promoted to Professor I in with the National Museum of American Art and Renaissance and Baroque architecture at Margaret Conrads has been appointed curator the Hirshhorn Museum in Washington, D.C., Virginia Bradley, St. Cloud State University, has WEST/ Rutgers, State University of New Jersey. of American art at the Nelson-Atkins Museum and the Cooper-Hewitt Museum of Design in been awarded a 1994 Minnesota State Arts Lisa Adams. William Turner Gallery, Venice, of Art. New York for the 1994-95 academic year. Board Individual Artist Fellowship. Calif., September 16-Novemher 2, 1994. Kathleen Maxwell has been appointed assistant professor in the department of art, Santa Clara Ward Mintz is Deputy Director for Program and Allison McGoldrick has been awarded a Grace Paintings. David Brody, head of graduate studies, Studio University. Collections at the Newark Museum. LeGendre Fellowship by the Business and Kyung Sun Cho. Frederick Spratt Gallery, San Art Centers International, Florence, has won an Professional Women's Clubs of New York State Jose, Calif., May 21-June 18, 1994. Paintings. Elizabeth Foundation for the Arts Grant. Karen McCoy is chair of the sculpture Gail Stavitsky has been appointed curator of in support of her graduate studies in art history. Susan Fleming. Reed Whipple Cultural Center department at the Kansas City Art Institute. collections and exhibitions at Montclair Art She was also elected to Who's Who among Gallery, Las Vegas, Nev., July 6-August 10, Museum. Diane Bush, photography instructor, Villa Maria College, Buffalo, N.Y., has been awarded Students in American Universities and Colleges. 1994. "Fragile Constructs," paintings. Kenneth O'Connell, School of Architecture and a Kodak Educators Scholarship to participate in Allied Arts, University of Oregon, has been Yuji Hiratsuka. Pulliam Deffenbaugh Nugent classes held at the Santa Fe Workshop. Star Meyer, University of Southern California; Gallery, Portland, Ore., July 7-30,1994. Prints. appointed art gallery chair for the 1995 ACMI Organizations has been awarded a 1994-95 Fulbright Award SIGGRAPH computer graphics conference, to be for research in Rome for her dissertation "The MaryAnn Johns. Gallery of Photography, Wayne Michael Charney, associate professor of held in Los Angeles. Papal Portraits in the Sistine Chapel: The Role of Eastern Washington University, Cheney, April architectural history, has been awarded the Tee A. Corinne has been elected to a three-year Conoco Award by Kansas State University in Vestments in Renaissance Papal Portraiture." 4-29,1994. Women's Center, Seattle University, Pamela Patton has been appointed to the joint term on the national board of the Women's recognition of excellence in teaching at the She has also been awarded the University of Seattle, November 1-30, 1994. Photography. Ken Ashton Gray, 1943-1994 post of curator of Spanish art and assistant Caucus for Art, an organization of working undergraduate level. Southern California Dissertation Fellowship. Shelley Jordon. Augen Gallery, Portland, Ore., PHOTO: FRAN DURNER. ANCHORAGE DAILY NEWS professor of art history by the division of art artists, critics, curators, art historians, teachers, January 1995. "Roman Light," paintings. history and the Meadows Museum of Spanish administrators, and students. Liz Chilsen and Paul Chilsen were awarded a Roberta J. M. Olson, professor of art history, Art, Meadows School of the Arts, Southern Kay Russell. Banaker Gallery, San Francisco, 1994 Telly Award for their documentary "This Wheaton College, has been awarded a 1994-95 Methodist University. August 4-September 3, 1994. Paintings. Patricia Ray, artist, died in April 1994. Ray Clarence Morgan has been appointed to the Instant: Exploring Photography's Educational Senior Research Grant from the Getty Grant received her BoA. from Smith College and her board of directors of the Center for Arts Power," which follows photographer Dawoud Program to complete a book on representations ldelle Weber. Gerald Peters Gallery, Santa Fe, Leslie Ross, chair, art history department, M.F.A. from the University of Iowa. She taught Criticism, in S1. Paul, Minn. Bey through an eight-week artist-in-residence of comets and meteors in English art between ca. N.Mex., August 12-September 9, 1994. Recent Dominican College of San Rafael, Calif., has at Hope College in Holland, Michigan, the program at the Museum of Contemporary 1740 and 1890. works. been promoted to full professor. University of Iowa, and as a visiting artist at the Photography, Columbia College, Chicago.

10 CAA NEWS SEPTEMBER/OCTOBER 1994 CAA NEWS SEPTEMBER/OCTOBER 19~f4 11 the Victorian Age as an arena for artistic, To Attend Antwerp: Artworks and Audiences is a Sally Promey, assistant professor, Department J. Walker: and Karen L. Wight. Grant for East literary, philosophical, political, economic, symposium to be held November 11, 1994, at of Art History and Architecture, University of European Studies-Joanna V. Inglot. Grants for Conferences religious, scientific, and social change. Send 1-2- Smith College in Northampton, Mass. Lectures Maryland at College Park, has received the 1993 Travel to International Meetings Abroad-John page proposal for 20-minute presentation with a Culture in Contemporary Society: Policy vs. will include "An Antwerp Triptych: Three c.v. to: Regina Hewitt, Dept. of English, CPR Charles C. Eldredge Award of the National R. Clarke; Michelle I. Marcus; Julia K. Murray: Practice will be held September 22, 1994, at the Examples of the Artistic and Economic Impact of 107, University of S. Florida, 4202 E. Fowler Museum of American Art for her book Spiritual and Diane B. Wolfthal. & Symposia Asia Society Galleries, 725 Park Ave., New York, the Early Antwerp Market," "Adulterous Ave., Tampa, FL33620-5550. Deadline: November Women: Political Community and Market Spectacles: Vision and Image in Mid-Nil1eteenth­ 5:30-6:30 P.M. reception/6:30-8:00 P.M. panel Centunj Shakerism. The Center for Advanced Study in the Visual , 1,1994. discussion. This panel discussion will focus on Economy," and "Antwerp, Religious Art, and Arts has announced its 1994-95 visiting international cultural policy in today's world. Miracles." For information: Craig Felton, 413/ Laura Ruby was awarded a sculpture commis­ members and the following CAA members are Democracy and Culture is a conference at Joan Shigekawa, director, Arts Program for the 585-3102. Reynolda House Museum of American Art, sion from the city and county of Honolulu. She among them: Paul Mellon Senior Fellow-Ann Nathan Cummings Foundation, will mode-rate. Winston-Salem, N.C., to be held April 21-22, has completed the site-specific artwork titled Site Kuttner. Samuel H. Kress Senior Fellow­ Panelists will represent five distinct cultural Painted Wood: History and Conservation is a of Passage-Chinatown. Patricia Waddy. Ailsa Mellon Bruce Senior 1995. Papers are welcome that explore the perspectives including Europe, Eastern Europe, symposium to beheld November 11-14, 1994, in quality and character of cuIturallife in a mass Williamsburg, Va. Presentations will address the Fellow-Vasser Tabbaa. Ailsa Mellon Bruce Calls for Papers Africa, Asia, and Latin America. Through a Peter Seiz, professor emeritus, University of Visiting Senior Fellows-Joseph Connors and society that is also a democratic polity. Proposals question and answer format and an exchange of history of painted wood from aesthetic, cultural, California, Berkeley, has been awarded a Naomi Miller. should focus on one of the following areas: ideas, panelists will explore such questions as and technological perspectives and -will discuss residency for the fall of 1994 at the Bellagio museums, universities, public values and how and why cultural policies evolve in problems and ethical issues related to the The Italian Art Society is sponsoring three Study Center in Italy to work on an essay on Recipients of J. Paul Getty Postdoctoral discourse, public and domestic space, literature, different countries, how politics effect policy, conservation, interpretation, and exhibition of sessions at the International Congress on Richard Lindner for the forthcoming exhibition Fellowships in the History of Art and the the visual arts, or the performing arts. Send 1- and whether policy and practice are consistent. painted wooden artifacts. For information: F. Medieval Studies in Kalamazoo, Mich., May at the Hirshhorn Museum. Humanities have been arulOunced, and the page abstract to: G. Fitzgibbon, Reynolda House Other issues under discussion will include the Carey Howlett, Colonial Williamsburg, 804/220- 1995: "Millennium Approaches: Apocalyptic Museum of American Art, PO Box 11765, following CAA members have been thus repatriation of cultural property, censorship, 7081. Themes in Italian Art" (chair Julia Miller, Art Clarence Burton Sheffield, Jr., Bryn Mawr, has honored: Marie Jeannine Aquilino, Patricia A. Winston-Salem, NC 27116. Deadline: November government funding mechanisms, etc. been awarded a grant from the American­ Bochi, Edward Dimendberg, Ju-yu Scarlett Dept., California State University, Long Beach, 18,1994. 1250 Bellflower Blvd., Long Beach, CA 90840); Scandinavian Foundation for dissertation Jang, Susan Elizabeth Klaiber, Ewa Lajer­ Imaging "Indians," a symposium on the "The Medium Is the Message" (chair Shelly research in Norway devoted to peasant imagery Burcharth, D. Fairchild Ruggles, Jenny Helene Art as/for Life. The University of California at representation of Native Americans in art, Zuraw, School of Art, University of Georgia, Los Angeles Graduate Student Symposium in Norwegian painting. Shaffer, Abigail Solomon-Godeau, Peter literature, and music, will be held September 24, Athens, GA 30602-4102); and "Italian Art: Charles Stunnan, and Barbara Zeitler. Committee is calling for abstracts of papers by 1994, at Reynolda House Museum of American Traditions and Innovations in Iconography" Greg Shelnutt was awarded a Mississippi Arts graduate students that examine interrelation­ Art in Winston-Salem, N.C. For information: The Huntington Library has announced its (chair Gary Radke, 306 Bowne Hall, Syracuse ships between art and lived experience. For Commission grant. 910/725-5325. 1994-95 fellows and the following CAA University, Syracuse, NY 13244-1200). Send information: Graduate Student Symposium abstract and c.v. to session chair. Deadline: Opportunities Sandra Sider has received a 1994 BRIO (Bronx members are among them: Patricia Crown, Jane Committee, Dept. of Art History, Univ. of Architecture and the Emblem is a symposium September 15, 1994. California at Los Angeles, 405 Hilgard Ave., Los Recognizes Its Own) for artistic merit from the Dini, Josephine M. Dunn, and Alice T. to be held at the Canadian Centre for Architec­ Bronx Council on the Arts, which will include Friedman. Angeles, CA 90024-1417j 310/206-6905. Deadline: ture, Montreal, October 20-22, 1994. Its goal is to Art Historians of Southern California will meet community service activity. December 5, 1994. review what is known about the architectural The Metropolitan Museum of Art has awarded November 12, 1994, in Los Angeles. Art uses of emblematic and iconographic decoration Judith Stein has received a grant from the Pew historians are invited to submit abstracts for 20- fellowships for art history research to the Arts and Domesticity, Renaissance to Modem of buildings and to contextualize and interpret Fellowships in the Arts program. following CAA members: Chester Dale minute papers. Include c.v. with home and work is a graduate student symposium sponsored by architectural emblems within their social, Calls for Entries Fellowships-Elizabeth Boone, Stephanie addresses and phone numbers. For information: the Princeton University Deparhnent of Art and political, and religious contexts as expressions of Stephen Thomas Sylvester, artist-in-residence, Dickey, Susan Larkin, Carolyn Logan, Margot Eric Frank, Art History and Visual Arts, Archaeology to be held March 4,1995. Papers the builder or designer. $50 registration fee. For Happy Valley Foundation, has received the 1994 McIlwain, Sarah McPhee. J. Clawson Mills Occidental College, Los Angeles, CA 90041-3392. ~ are sought on the decorative arts, sculpture, information: Allan Penning, Coordinator of 7th Annual National Art Competition: open to Otis Art Institute Teaching Award. Scholarship-Maureen Kupstas. Andrew W. Deadline: October 7, 1994. architecture, urban planning and landscape Conferences, 514/939-7000. U.s. artists, all media completed within past two Mellon Fellowships-Andrew Butterfield, design, painting, prints, and drawings as they years. $1,000 in awards. A catalogue will be Sue Taylor has been selected as a 1994-95 William Diebold, Evonne Levy, Eunice Children and the Family in the Middle Ages, pertain to domestic life. Send 500-word abstract The Art of Thomas Anshutz is a symposium to produced. Fee $15 for up to 3 slides. Send SASE American Fellow by the American Association Maguire, Joanne Pillsbury, Katherine Schwab, February 24-25, 1995, will be held at Northern with full name, institutional affiliation, address, be held October 22, 1994, at the Heckscher to: Fine Arts Division, BH 118, Northeast of University Women Educational Foundation. Andrew Shelton, Helen Zakin. Theodore Illinois University, DeKalb, as the 12th annual and telephone to: Graduate Symposium Museum, in conjunction with an exhibition of Missouri State University, Kirksville, MO 63501; The predoctoral fellowship will support her Rousseau Fellowships-Rolf Bagemihl, Eric meeting of the Illinois Medieval Association. Committee, Department of Art and Archaeol­ his work For information: John Coraor, 816/7854417. Deadline: September 30, 1994. dissertation at the University of Chicago on the Lee, Steven Mansbach, Anne Umland. Hagop Scholars from all regions are invited to submit ogy, McCormick Hall, Princeton University, Heckscher Museum, 2 Prime Ave., Huntington, German-born surrealist Hans Bellmer. Kevorkian Curatorial Fellowship-Ellen abstracts dealing with aspects of medieval Princeton, NT 08544; fax 609/258-0103. Deadline; Long Island, NY 11743-7702; 516/351-3250. Gallery 84 with Martin Sumers Graphics Kenney. Jane and Morgan Whitney Fellow­ childhood or family life. Send 1-page abstract to: December 15, 1994. Gallery National Juried PaintinglPrint Woodman Taylor, University of Chicago, has ships-Stephen Campbell, Petra Chu, Sheila Nicole Clifton, English Dept., Northern Illinois George Inness: Presence of the Unseen is a Competition is open to all artists working in 2 been selected as a junior fellow in the Institute Dillon, Matthew Kennedy, Nicole University, DeKalb, IL 60115; TBONXc1@CORN. The South-Central Renaissance Conference symposium to be held October 27, 1994, at the dimensions. Group painting show with solo for the Advanced Study of Religion at the Rousmaniere, Cathryn Steeves. Norbert CSO.NIU.EDU. Deadline: November 1, 1994. will be held April 6-8, 1995, in Edmond, Okla., Montclair Art Museum, Montclair, N.J., in award. Send #10 SASE for prospectus to: Gallery University of Chicago's Divinity School for the Schinunel Fellowship for Mediterranean Art at the University of Central Oklahoma. Papers conjunction with a centennial exhibition of the 84, Dept. C, 50 W. 57 St., New York, NY 10019. 1994-95 academic year. and Archaeology-Megan Cifarelli. Classical Rewriting the Pacific: Cultures, Frontiers, and are invited on any aspect of Renaissance studies. artist's work. For information: 201/746-5555. Deadline: October 1, 1994. Fellowship-Nancy Thompson. Andrew W. the Migration of Metaphors is a conference to For information: Elizabeth Skerpan, English Carol Wax received the 1994 Louise Nevelson Mellon Fellowship in Conservation-Isabelle be held at University of California at Davis, Dept., Southwest Texas State UniverSity, San Public Art: Realities, Theories, and Issues The Made Image is a photography exhibition Award in Art for printmaking from the October 19-22, 1995, whose purpose is to Marcos, TX 78666; 512/353-3918; E-.MA1L: Tokumaru. (PART!) is a conference on public art featuring that will emphasize nontraditional photographic American Academy of Arts and Letters. She also promote a transnational dialogue between [email protected]. events focusing on new ideas and directions in concepts and/or teclmiques. Send SASE for won top prize in the 1994 national small print New England Foundation for the Arts has scholars in various fields who are engaged in the field to be held October 27-30,1994, in Los prospectus to: Amy Cropper, Armstrong competition Sixty Square Inches, sponsored by announced its regional fellowships for visual reconceptualizing questions of cultural identity Objects, Histories, and Interpretations is the Angeles. For information: Julia Doran or Caryl Gallery, Cornell College, 600 First S1. W., Mt. Purdue University. artists and the following CAA members have and cultural migration. One-page proposal and theme of the 1995 London conference of the Levy, 213/258-4924; fax 213/258-9407. Vernon, IA 52314. Deadline: October 15, 1994. been chosen. Painting: McCrady Axon, Michael brief c.v. should be sent to: Kay Flavell, Program Association of Art Historians, to be held April 7- The American Council of Learned Societies has Hachey, and Melinda James. Works on paper: in Critical Theory, University of California, 9, 1995. The term "object" within current art The Frame is the theme of a graduate sympo­ Hand-Pulled Prints is a national juried print announced grant and fellowship awards for Stephen E. Fisher and Karen Gilg. Davis, CA 95616; fax 916/752-8630. Deadline: historical practice can convey a variety of sium sponsored by the Yale University competition sponsored by Stonemetal Press. 1994-95 and the following CAA members have November 1, 1994. meanings. By induding this term within the title Department of the History of Art to be held Cash prizes will be awarded. Send SASE for been thus honored: Fellows-David H. Brown; North American Historians of Islamic Art the organizers hope to encourage discussion of a November 5, 1994. Speakers will discuss prospectus to: Stonemetal Press, 1420 S. Alamo, Nicola M. Courtright; Amelia G. Jones: and (NAHIA) has announced the appoinhnent of Southeastern 19th-Century Studies Association range of approaches and issues. For information: theoretical and historical issues raised by the #104, San Antonio, TX 78210; 210/227-0312. Anthony D. King. Fellowship for Chinese two NAHIA fellows for the academic year 1994- has announced its 14th annual conference, to be Elizabet1;t McKellar, Head of Higher Education, category of the frame. For information: Frame Deadline: October 22,1994. Studies-Quiang Ning. Henry Luce Founda­ 95: Rebecca Foote, Fine Arts Dept., Harvard held at Loyola College, Baltimore, Md., March Victoria and Albert Museum, South Kensington, Symposium, Dept. of the History of Art, 56 High tion/ ACLS Fellowships for American Art­ University, and Kishwar Rizvi, Aga Khan 30-April1, 1995. The topic is "Conflict and London SW7 2RL. St., New Haven, CT 06520j 203/432-2629; fax The Anatomy of Solitude: Volume III (Space Mark M. Brown: Michael R. Clapper; Kellie E. Program for Islamic Architecture, Department Resolution." The conference will examine the 203/432-7462. and PlacelHome) is an artist's book correspon- Jones; Laura U. Marks; Richard E. Meyer; of Architecture, MIT. period from the French Revolution to the end of Alison Pearlman; Helen M. Shannon; Andrew

CAA NEWS SEITEMBER/OCTOBER 1994 13 12 eAA NEWS SEPTEMBER/OCTOBER 1994 ships, Getty Center for the History of Art and in Washington, D.C., for the duration of the dence project. Entries become the actual pages in statement to: Curator, Indianapolis Art League, along with sase to: Ettl Grant, National tion to: Intern Coordinator, New Museum of the Humanities, 401 Wilshire Blvd., Ste. 700, fellowship period and to participate in the Contemporary Art, 583 Broadway, New York, installation bookwork, everything included. 820 E. 67 St., Indianapolis, IN 46220; 317/255- Sculpture Society, Americas Tower, 1177 Santa Monica, CA 90401-1455. Deadline: December activities of the center. Predoctoral fellowships NY 10012. Deadline: September 16, 1994. Postcard or envelope format, 4" x 91/2," any 2464. Deadline: December 30, 1994. Avenue of the Americas, New York, NY 10036, 1,1994. may vary in length from one to three calendi;1r media; visual and/ or verbal responses to Deadline: October 31,1994. years and are intended to support doctoral questions in prospectus. Exhibition at China Visions of Venus is the theme of a group The McKnight Doctoral Fellowship Program dissertation research. Candidates must have Phoenix Gallery Store, Albuquerque, N.Mex. $4 exhibition for which entries are sought that Foundation for the Advancement of Miscellaneous provides an arumal stipend of $11,000 and up to completed residence requirements and course fee. Send SASE to: Janet Maher, PO Box 4926, surround the myth of Venus or artists' Mesoamerican Studies announces a grant $5,000 per year in tuition and fees for African­ work for the Ph.D. as well as general or Albuquerque, NM 87196. Deadline: October 29, interpretations of ideal beauty. Send slides, competition for financial grants available for American citizens to pursue a Ph.D. degree at preliminary examinations before the date of 1994. resume, and SASE to: EIO Gallery, c/o Diane studies concerning ancient Mesoamerica. The Guide to Art Historical Sources in the one of eleven participating institutions in application. Applications must be made through Shoemaker, 3620 Archwood Ave., Cleveland, Awards range from $1,000 to $10,000. For Medici Granducal Archives (1532-1743) is a Florida. Applicants must hold or be receiving a the chair of the graduate deparhnent, who acts The Los Angeles Printmaking Society is OH44109. information: Sandra Noble BardSley, FAMSI, 268 new project, initiated in 1993 in the Archivio di bachelor's degree from a regionally accredited as sponsor. For information: Fellowship sponsoring a print competition open to S. Suncoast Blvd., Crystal River, FL 34429; fax Stato Fiorentino. TIle project will produce a college or university. Special consideration will Program, CASVA, National Gallery of Art, printmakers in the u.s. and Canada. All print 904/795-1970. Deadline: October 31,1994. series of printed guidebooks, with extensive be given to applicants interested in art history, Washington, DC 20565; 202/842-6482; fax 202/ media are acceptable except traditional indices, to the archives of the Medici Grand Grants and Fellowships art education, arts management, and the history 408-8531. photography. $3,000 in awards. Fee of $20 for The Ansel Adams Research Fellowship is Dukedom, facilitating research in the history of of literature. For information: 201 E. Kennedy LAPS members, $25 for nonmembers for 6 slides available to scholars, museum professionals, art and related fields. The chief goal is to make Blvd., Ste. 1525, Tampa, FL 33602; 813/272-2772. The International Research and Exchanges that may include 2 details. Send SASE for candidates for advanced degrees, and indepen­ the Medici Archives more easily accessible to a ACLS Fellowships for postdoctoral research in Deadline: January 15, 1995. Board (IREX) has several programs that provide prospectus to: LAPS Thirteenth National, c/o dent researchers to carryon research in the wider range of users, induding non-Italianists, the humanities awards $20,000 for 6-12 funding for American scholars in the humanities Anita Klebanoff, 836 S. Ogden Dr., Los Angeles, archives, photograph collection, and/or library since the Tuscan diplomatic correspondence is a consecutive months devoted to full-time ACLS Travel Grants are available to assist and social sciences. These include individual CA 90036; 213/938-7894. Deadline: October 31, of the Center for Creative Photography, major under-utilized source for the history of research, to be initiated between July 1, 1995, scholars in all fields of the humanities and to advanced research opportunities, research 1994. University of Arizona. A $5,000 fellowship is culture throughout Europe. For information: and February 1, 1996. For application informa­ participate in international meetings held residencies, special projects in library and available for residencies of approx. 4 weeks. For Edward L. Goldberg, Medici Archive Project, tion: Office of Fellowships and Grants, ACLS, outside the U.S. and its dependencies. The information science and short-term travel grants. Ninth Parkside National Small Print Exhibi­ information: Research Fellowship, Center for Bargo Pinti 33, 50121 Florence, Italy; phone/fax 228 E. 45 St., New York, NY 10017-3398; fax 212/ grants are $500 and are meant to offset air travel For a copy of the IREX Grant Opportunities for US tion invites entries. All print media including Creative Photography, University of Arizona, 011-39-55-2478537. 949-8058. Deadline for request of application: from and return to the U.S. and other essential Scholars: International Research and Exchanges monoprints are acceptable. Max. 18" height or Tucson, AZ 85721. Deadline: November 1, 1994. September 27,1994. Deadline for receipt of expenses of attendance, such as registration fee, Board, 1616 H St., NW, Washington, DC 20006; width. For prospectus: Doug DeVinny, Parkside application: September 30,1994. food, and lodging. Applicants must hold the 202/628-8188; fax 202/628-8189. National Small Print Exhibition, Art Dept., ARITINEH Fellowships are available for research in Turkey, 1995-96. Fellowships may be Ph.D. or terminal degree in their field, must be University of Wisconsin-Parkside, Kenosha, WI New York Foundation for the Arts fellowships held for terms ranging from four months to a citizens or pennanent residents of the U.S., and The Schomburg Center Scholar-in-Residence 53141; 414/595-2581. Deadline: November 4,1994. are available to individual artists Hving in New full year and stipends may range from $10,000 to must be scheduled to read a paper or to have Program encompasses projects in African, Afro­ York State. Categories include crafts, emergent some other major, official role in the meeting. American, and Afro-Caribbean history and Hope: interdisciplinary exhibition will present $30,000. For infonnation: American Research forms/performance art, film, printmaking/ For application infonnation: Office of Fellow­ culture. Fellowships funded by the program images of hope, the eternal antidote for the Institute in Turkey, University Museum, 33rd Classified Ads drawing/artists' books, and sculpture. For ships and Grants, ACLS, 228 E. 45 St., New York, allow recipients to spend six months or a year in human condition. Artists may submit slides for and Spruce Streets, Philadelphia, PA 19104-6324; information: NYFA Artists' Fellowships, 212/ NY 10017-3398; fax 212/949-8058. Deadline for residence with access to resources at the up to 4 pieces. $15 entry fee. For prospectus: Dan 215/898-3474. Deadline: November 15, 1994. 366-6900, ext. 217. Deadline: October 12, 1994. request for application: January 27, 1995. Deadline Schomburg Center and the New York Public Gihooley, Peconic Gallery, Suffolk Community Books on the Fine Arts. We wish to purchase for receipt of completed applicatioll: February 1, Library. The program is open to scholars in the College, 2 Speonk-Riverhead Rd., Riverhead, NY The Henry Luce Foundation!ACLS Disserta­ scholarly o.p. titles on Western European art and The School of Historical Studies at the 1995. humanities studying black history and culture 11901; 516/548-2578. Deadline: November 15, tion Fellowship Program in American Art architecture, review copies, library duplicates. Institute for Advanced Study, Princeton, offers and to professionals in fields related to the 1994. provides $15,000 for graduate students in any Andrew D. Wash ton Books, 411 E. 83rd St., New visiting memberships for one or two terms to Lisette ModellJoseph G. Blum Fellowship in center's collections and program activities. For stage of Ph.D. dissertation research or writing; York, NY 10028; 212/481-0479; fax 212/861-0588. scholars of any nationality. The school is Photography supports residency at the National information: Scholars-in-Residence Program, MFA in the '90s, a panel discussion to be applicants must have completed all require- ( concerned primarily with the history of Western Gallery of Canada for a period of 3-9 months, Schomburg Center for Research in Black chaired by Leslie Luebbers, director of the Art ments for the Ph.D. except the dissertation ' Brush up on your life drawing! Short poses. and Near Eastern civilization, with particular with the gallery collections, library, and archives Culture, 515 Malcolm X Blvd., New York, NY Museum of the University of Memphis, will before beginning tenure. Fellowships are for Large space. Stacy Studio, 17 E. 16 St., New emphasis on Greek and Roman civilization, the as primary resources. Candidates should possess 10037-1801; 212/491-2203. include brief presentations by artists who have one-year nonrenewable terms, beginning in the York, NY 10003; 212/675-2896. history of Europe, Islamic culture, and the an M.A. or equivalent. For information: Gyde V. received their M.F.A. since 1990. Selected summer of 1995 for the 1995-96 academic year. history of art. The Ph.D. or equivalent and Shepherd, Canadian Centre for the Visual Arts, participants must be able to attend the 1995 For application information: Office of Fellow­ For rent: attractive furnished bedroom. NYC, substantial publications are required of all National Gallery of Canada, 380 Sussex Dr., Rm. Southern Graphics Council Conference in ships and Grants, ACLS, 228 E. 45 St., New York, Call for Manuscripts upper East Side near museums. Suitable visiting candidates. For infonnation: Administrative 6175, PO Box 427, Station A, Ottawa, Ontario, Knoxville, Tenn., March 16-18, 1995. Prospective NY 10017-3398; fax 212/949-8058. Deadline: woman scholar. Doonnan building. Good Officer, School of Historical Studies, Institute for KIN 9N4, Canada; 613/990-1933; fax 613/990- panelists should send 20 slides labeled with title, November 15, 1994. transportation. Security and references required. Advanced Study, Princeton, NJ 08540. Deadline: 6190. Deadline: Februanj 28, 1995. dimensions, medium, and date, I-page artist Art Journal is seeking manuscripts for an issue $200/week; min. 3 weeks. Call DG Associates, October 15, 1994. statement, resume, and sase to: MFA in the '90s, The Stanford Humanities Center will offer up devoted to rethinking studio art foundation 212/996-4629. The Camargo Foundation offers fellowships to Leslie Luebbers, Art Museum of the University to 6 external fellowships for 1995-96 in the courses. Submissions could include theoretical University of Pennsylvania Mellon scholars and creative artists who wish to pursue of Memphis, Communications and Fine Arts categories of senior fellowship for well­ and/or practical papers, shorter comments, For rent: attractive SoHo loft, available Postdoctoral Fellowships in the Humanities are studies in the humanities and social sciences Bldg., 3750 Norriswood St., Memphis, 1N 38152. established scholars and junior fellowship for innovative assignments, and of course, syllabi. Monday-Thursday during the academic year. available for younger scholars who, by related to French and francophone cultures. The Deadline: December 1, 1994. scholars who at the time of application are at Submit I-page proposal to: Joseph Ansell, Dept. 212/226-4134. September 30, 1995, will have received the Ph.D. foundation maintains a center in Cassis, France, least three years beyond receipt of the Ph.D. and of Visual Arts, Otterbein College, Westerville, but not yet held it for more than 8 years nor where it offers, at no cost, eleven furnished The American Watercolor Society seeks entries no more than ten. For information: Stanford OH 43081. Deadline: November 15, 1994. For rent: fully furnished Rome apartment. been granted tenure. Award carries $30,000 aparhnents, a reference library, an artist's studio, for its international exhibition, April 3-30, 1995, Humanities Center, Mariposa House, Stanford Living/dining, 2 bedrooms, central location near stipend as well as a travel/research allowance. a composer's studio, and a photographers in New York. Open to all artists, worldwide, University, Stanford, CA 94305-8630; 415/723-' stores, buses, subway. Security deposit, For information: Margaret Viggiano, 16 College darkroom. No stipend is available. Term of working in all aquamedia on paper. No pastels, 3052; fax 415/723-1895. Deadline: November 15, references required. 508/877-2139. Hall, University of Pennsylvania, Philadelphia, residence is usually one semester. For infonna­ Internship no collage. Cash awards and medals. No 1994. ------PA 19104-6378. Deadline: October 15, 1994. tion: Ricardo Bloch, Camargo Foundation, W. purchase prizes. $20 fee per entry. Send SASE for Full-Color Exhibition Announcements. Gallery 1050 First National Bank Bldg., 332 .Minnesota prospectus to: Richard Brzozowski, American Getty Center Fellowships provide support for full-color postcards, catalogues, and posters. 12 The Alex J. Ett! Grant is an unrestricted prize of St., St. Paul. MN 55101-1312. Deadline: March 1 New Museum, New York, seeks applications for Watercolor Society, 13 Fox Rd., Plainville, CT predoctoral and postdoctoral scholars whose pt. coated stock, 200 line separations. Write for $4,000-$5,000 sponsored by the National for following academic year. its multicultural internships, which offer area of research complements the programs and samples: Images for Artists, 2543 Cleinview, 06062. Deadline: December 5,1994. Sculpture Society that is given to a figurative or training and hands-on experience to individuals resources of the Getty Center. Predoctoral Cincirmati, Ohio 45206. realist sculptor who has demonstrated a Center for Advanced Study in the Visual Arts of African American, Asian American, Latino/a, Indianapolis Art League seeks proposals for fellowships are awarded to those who expect to commitment to sculpting and has shown offers senior fellowships, visiting senior and Native American descent. Internships are 1996-97 exhibition season. All media considered complete their dissertations within the Paris: charming apartment in heart of Paris, outstanding ability in his or her life's work. fellowships, and predoctoral fellowships. offered in the curatorial and education for one-, two-, and three-person shows. fellowship year. Postdoctoral fellowships are Marais. Fully furnished. Commodious living Submit at least ten 8" x 10" photographs of at Candidates for the senior and visiting senior departments and in the registrar's office. Preference given to midwestern artists. available to recipients of a doctorate in the room with south light, adjacent kitchen, least eight different works and a brief biographi­ fellowships should have held the Ph.D. for five Positions begin October 1994. Send resume, Honorarium and travel stipend available. Send humanities or the social sciences within the past dishwasher, washer/dryer. Bedroom and full cal sketch. Label each photo with name, title of years or more or have a record of professional letter describing interest in the museum field, a slides, resume, letter/proposal, and artist three years. For information: Center Fellow- bath with light from court. 404/373-3053. work, size, medium, and date of execution. Send accomplishment. Scholars are expected to reside writing sample, and two letters of recommenda-

CAA NEWS SEPTEMBER/OCTOBER 1994 14 CAA NEWS SEPTEMBER/OCTOBER 1994 15