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FOR IMMEDIATE RELEASE “Politics of Snow II” Paintings by Diane Burko Bernstein Gallery, Princeton University Exhibition dates: April 4 – May 19, 2011 Politics of Snow II will be held in conjunction with a panel discussion featuring Michael Oppenheimer, the Albert G. Milbank Professor of Geosciences and International Affairs Department of Geosciences and the Woodrow Wilson School of Public and International Affairs. The panel discussion will take place on April 21, 2011 at 4:30 p.m. in Bowl 016, Robertson Hall, Woodrow Wilson School of Public and International Affairs, Princeton University, Princeton, NJ. A public reception will follow the panel discussion at 6 p.m. in the Bernstein Gallery adjacent to Bowl 016. Contact: Kate Somers Ph: 609.497.2441 Politics of Snow II is a series of sweeping views of majestic glaciers and mountains by Philadelphia artist, Diane Burko, who has spent most of her long and productive career creating landscapes in the tradition of the Hudson River School. But in this series, the paintings are not landscapes meant to transport viewers into a contemplative reverie on the sublime qualities of nature. If they are meant to do so, it is only temporary, because Burko’s mission is to wake us out of that reverie and force us to bear witness to man’s imprint on our natural world as it manifests itself in global warming. Using archival photographs of glaciers as starting points, Burko pairs these images in diptychs and triptychs, and other multiple configurations, with contemporary views of the same landscape 10, 50 or 100 years later. In this way, Burko’s paint on canvas becomes a time-based medium, like film. And like a film-maker, the artist crops the images and adjusts the palette to further enhance and convey the dramatic and accelerating effects of climate change. While Burko is an avid researcher who uses geological data to inform her work, Politics of Snow II is imbued with her own emotions. These paintings convey her visceral reaction to our vanishing landscapes of melting ice and diminished glaciers. Viewers will walk away awed and haunted by this series. Diane Burko has received numerous awards including two NEA Visual Arts Fellowships (1985, 1991); two Individual Artists Grants from the Pennsylvania Council on the Arts (1981, 1989); a Lila Acheson Wallace Foundation Residence Fellowship (1989); a Rockefeller Foundation Residence Fellowship (1993); and the Bessie Berman $50,000 Grant, awarded by the Leeway Foundation in Philadelphia (2000). She has been active in the Feminist Art movement since the 1970’s and was recently awarded the WCA/CAA Lifetime Achievement Award in February. Burko’s widely exhibited works are in numerous private and public collections including The Philadelphia Museum of Art, Pennsylvania Academy of the Fine Arts De Cordova Museum; The James A. Michener Art Museum; The Reading Public Museum; and the Art Institute of Chicago. Since 1976, Burko has been represented by the Locks Gallery in Philadelphia. She lives and works in Philadelphia and Bucks County, Pennsylvania. www.dianeburko.com Picture credit: #1/#2 MAIN RONGBUK GLACIER, after Mallory, 1921 and after David Breashears, 2007, Courtesy Locks Gallery, Philadelphia, PA .

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Annual Report 2012

BOARD OF TRUSTEES 4 LETTER FROM THE CHAIR 6 A YEAR AT THE MUSEUM 8 Collecting 10 Exhibiting 20 Teaching and Learning 30 Connecting and Collaborating 38 Building 44 Conserving 50 Supporting 54 Staffing and Volunteering 62 CALENDAR OF EXHIBITIONS AND EVENTS 68 FINANCIAL StATEMENTS 72 COMMIttEES OF THE BOARD OF TRUSTEES 78 SUPPORT GROUPS 80 VOLUNTEERS 83 MUSEUM StAFF 86 A REPORT LIKE THIS IS, IN ESSENCE, A SNAPSHOT. Like a snapshot it captures a moment in time, one that tells a compelling story that is rich in detail and resonates with meaning about the subject it represents. With this analogy in mind, we hope that as you read this account of our operations during fiscal year 2012 you will not only appreciate all that has been accomplished at the Philadelphia Museum of Art, but also see how this work has served to fulfill the mission of this institution through the continued development and care of our collection, the presentation of a broad range of exhibitions and programs, and the strengthening of our relationship to the com- munity through education and outreach. In this regard, continuity is vitally important. In other words, what the Museum was founded to do in 1876 is as essential today as it was then. Fostering the understanding and appreciation of the work of great artists and nurturing the spirit of creativity in all of us are enduring values without which we, individually and collectively, would be greatly diminished. If continuity—the responsibility for sustaining the things that we value most—is impor- tant, then so, too, is a commitment to change.
FP 9.3 Fall1989.Pdf

The University of Wisconsin System ___5 I -====3 -6 A CURRENT LISTING OF CONTENTS VOLUME 9, NUMBER 3 FALL 1989 Published by Susan Searing, Women's Studies Librarian i:i? University of Wisconsin System 112A Memorial Library -iilii: 728 State Street Madison, Wisconsin 53706 :iii'i'i (608) 262-5754 MINIST ODICALS A CURRENT LISTING OF CONTENTS Volume 9, Number 3 Fall 1989 r Qa Periodical literatureis the cutting edge of women's scholarship, feminist theory, and much of women's culture. .rnrst . Periodicals: A Current Listina of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicalswill serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a joumal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1.
Nordic Changes: Works by Diane Burko on View at the American Swedish Historical Museum September 29Th, 2019 Thru Janu

--FOR IMMEDIATE RELEASE -- Nordic Changes: Works by Diane Burko On view at the American Swedish Historical Museum th th September 29 , 2019 thru January 5 , 2020 Philadelphia, PA: ASHM is delighted to present Nordic Changes, an exhibition of paintings and photographs by the internationally-renowned artist, Diane Burko and guest opening event on Sunday, September 29th curated by Dr. Kirsten Jensen. The will feature gallery talks by Ms. Burko and Dr. Jensen, as well as a panel discussion with the artist, along with local experts including Christine Knapp, Director of Sustainability for the City of Philadelphia, Erik Johanson Director of Innovation for Septa, and Billy Fleming, former Wilks Family Director McHarg Center and former White House Domestic Policy Councilor for Urban Policy Development, to discuss the impacts of climate change in the Philadelphia area. Special guest Ambassador Bergdís Ellertsdóttir of Iceland will also be in attendance. The Philadelphia- and Bucks County-based artist is a world traveler, and this exhibition highlights a body of work she produced following expeditions made over the past two decades to the Nordic Arctic in Greenland, Iceland, and Svalbard. Since her first visit to Iceland in 2002, Burko has focused her attention on environmental issues, blending science with beauty to create art that is a vessel for eco-activism. Burko’s pieces in the exhibition are visual investigations, revealing the dramatic ways in which the Arctic is being transformed due to the effects of climate change. Nordic Changes offers visitors a capsule survey of Burko’s many expeditions to the Arctic, beginning with her Icelandic landscapes.
ARTISTS MAKE US WHO WE ARE the ANNUAL REPORT of the PENNSYLVANIA ACADEMY of the FINE ARTS Fiscal Year 2012-13 1 PRESIDENT’S LETTER

ARTISTS MAKE US WHO WE ARE THE ANNUAL REPORT OF THE PENNSYLVANIA ACADEMY OF THE FINE ARTS FISCAL YEAR 2012-13 1 PRESIDENT’S LETTER PAFA’s new tagline boldly declares, “We Make Artists.” This is an intentionally provocative statement. One might readily retort, “Aren’t artists born to their calling?” Or, “Don’t artists become artists through a combination of hard work and innate talent?” Well, of course they do. At the same time, PAFA is distinctive among the many art schools across the United States in that we focus on training fine artists, rather than designers. Most art schools today focus on this latter, more apparently utilitarian career training. PAFA still believes passionately in the value of art for art’s sake, art for beauty, art for political expression, art for the betterment of humanity, art as a defin- ing voice in American and world civilization. The students we attract from around the globe benefit from this passion, focus, and expertise, and our Annual Student Exhibition celebrates and affirms their determination to be artists. PAFA is a Museum as well as a School of Fine Arts. So, you may ask, how does the Museum participate in “making artists?” Through its thoughtful selection of artists for exhibition and acquisition, PAFA’s Museum helps to interpret, evaluate, and elevate artists for more attention and acclaim. Reputation is an important part of an artist’s place in the ecosystem of the art world, and PAFA helps to reinforce and build the careers of artists, emerging and established, through its activities. PAFA’s Museum and School also cultivate the creativity of young artists.
January-February 1995 CAA News

'" "",.; "";.., " ;:l "'H ,.c (\J ~ ~;.., H ;:l "'r:: ~ ,..,.. OJ ,.ce ~ 5 0' N OJ e;:l -~ must be raised from private sources. We the NEH grant (for art historians) or the have been actively soliciting support for NEA grant (for artists). For multi-year r:: Support .~ funds from foundations and from support, pledge forms are available by "iii'" corporations to run the program now, calling the CAA development office. .~u CAA's but we are counting on you, our At the upcoming annual confer ence, there will be several opportunities '" members, to help us meet this challenge ~'" to build an endowment to ensure to make contributions to the Fellowship ~ Fellowship Program. Watch for board members and .. support for future generations of art ~ historians and artists. session chairs, who will be actively <li bll Endowment Your gift will help support CANs soliciting contributions. Contributions (\J efforts to create a new generation of will be accepted in the registration area - artists and art historians, Please support and in the publications booth. Contribu U'" <li . theCAA Capital Campaign by sending tions of $50 or more will be noted in .,<: your chec~ today, and by indicating CAA News, and all contributions will be ....- whether it should go toward matching acknowledged in the July / August issue. '"<li -<li -'" 5 CAA Endowment z;: January/February 1995 $1,200,000 e need your support now. College Art Association The Capital Campaign of 275 Seventh Avenue the College Art Association New York, New York 10001 W was created to establish a permanent $1,000,000 endowment for the support, continua tion, and expansion of the Professional Board of Directors Development Fellowship Program, $800,000 Judith K.
September-October 1994 CAA News

Cyborgs: slides are sought from artists, 2- or 3- Information Wanted D, who are working with representations of Datebook cyborg bodies. Loosely defined, a cyborg is a human-machine amalgamation. The work is being considered for a curatorial project. Include SASE for return of slides. Cyborgs, 38 Grove St., Artworks. For a forthcoming book, information #4, Boston, MA 02114. September 30 about the followingworks of art is sought: Deadline for submitting material to November/ ( Henry Bebie, Family Group at Breakfast, ca. 1856- Feminism: information is sought on the impact December CAA News 65, sold at June 1944 Parke Bernet auction; A. D. of feminism on art and culture. Why is feminism O. Browere, Wash Day, 1833, sold as "American unappealing to today's young woman? Are October 7 school" by Kennedy Galleries after 1985; being sexy in a feminine way and being political Deadline for submissions for November William M. Paxton, The Breakfast, 1910; cast iron mutually exclusive? Do you feel you have been Careers, to be published November 1 candelabra with Lily Martin Spencer's Young victimized because of sexual inequities? Does feminism offer wide enough range of points of Wife: First Stew in bas relief; pictured in Antiques, November 28 Feb. 1975. Elizabeth O'Leary, 2700 Reynolda Rd., identification? All genders are invited to Deadline for submitting material to January / 5 #1303, Winston-Salem, NC 27106; 910/748-0689 respond. Cassandra Langer, 32-22 89th St., #605, February CAA News or 910/725-5325. Jackson Heights, NY 11369. January 26-28, 1995 Dorothy E. Brett (English/American 1883-1977): Charles D.
Download Issue (PDF)

wdmaqart WOMEN SHOOT WOMEN: Films About Women Artists The recent public television series "The Originals: Women in Art" has brought attention to this burgeoning film genre by Carrie Rickey pag e 4 NOTES FROM HOUSTON New York State's artist-delegate to the International Women's Year Convention in Houston, Texas in a personal report on her experiences in politics by Susan S ch w a lb pag e 9 SYLVIA SLEIGH: Portraits of Women in Art Sleigh's recent portrait series acknowledges historical roots as well as the contemporary activism of her subjects by Barbara Cavaliere ......................................................................pag e 12 TENTH STREET REVISITED: Another look at New York’s cooperative galleries of the 1950s WOMEN ARTISTS ON FILM Interviews with women artist/co-op members produce surprising answers to questions about that era by Nancy Ungar page 15 SPECIAL REPORT: W omen’s Caucus for Art/College Art Association 1978 Annual Meetings Com plete coverage of all WCA sessions and activities, plus an exclusive interview with Lee Anne Miller, new WCA president.................................................................................pag e 19 PRIMITIVISM AND WOMEN’S ART Are primitivism and mythology answers to the need for non-male definitions of the feminine? by Lawrence Alloway ......................................................................p a g e 31 SYLVIA SLEIGH GALLERY REVIEWS pa g e 34 REPORTS An Evening with Ten Connecticut Women Artists; WAIT Becomes WCA/Florida Chapter page 42 Cover: Alice Neel, subject of one of the new films about women artists, in her studio. Photo: Gyorgy Beke. WOMANART MAGAZINE Is published quarterly by Womanart Enterprises, 161 Prospect Park West, Brooklyn, New York 11215, (212) 499-3357.
November-December 1995 CAA News

'" '""",.... "<l) ,.Qe <l) y OJ 0 ~... OJ ,.Q eg: c Z '".... <II 5 ,.Qe i 0 '" S" Scott to :; -~ Perform at .§ 'lil .~ Conference <oJ C <'" .'i:- '"OIl rtist Joyce Jane Scott, whose '" wnrks address such areas of -C A political commentary as -U South African apartheid, rape, and ..<:'" racial stereotypes through the various - media of bead work, sculpture, and the ""'...C fabric arts, as well as installation and '" s performance, will address CAA -OJ members at the convocation ceremony -'" of CAA's eighty-fourth alIDual confer NovemberlDecember 1995 ence in Boston, Friday, February 23, ~ College Art Association 1996. The convocation, to begin at 5:30 275 Seventh Avenue P,M., in Ballroom H, on the third level of New York, New York 10001 the Hynes Convention Center, is the annual gathering of CAA members for public recognition of those who have Board of Directors made outstanding contributions in art Judith K. Brodsky, Presidl'llt and art history over the past year. Leslie King-Hanunond, Vice-President I) Scott's address will be in the form of a Joyce Jane Scott John R. Clarke, Secretary performance. PHOTO: JOHN OEAN John W. Hyland,Jr., Treasurer Scott was born in Baltimore, Md. Barbara Hoffman, Esq., COlli/Sri She received her B.F.A. from the ceramic materials, cellophane, images pieces, grew out of the fusion of these Susan Ball, Execl/five Director Maryland Institute, College of Art, and from magazines, photographs, alld other influences. Scott's performances, with titles Diane Burko Victor Margolin her M.F.A. in crafts from Instituto items. Scott often worked on quilts with Bradford R.
Diane Burko: an Artist Confronts Climate Change

DIANE BURKO S O L O E X H I B I T I O N S 2021 – UPCOMING: DIANE BURKO: AN ARTIST CONFRONTS CLIMATE CHANGE, the American University Museum, Washington D.C., September – October 2021 2019 – UPCOMING: ENDANGERED, Cindy Lisica Gallery, Houston, TX, May 3 – June 6, 2019 2018 Repairing the Earth (Tikkun Olam): Diane Burko, Artist and Environmental Activist, Rodeph Shalom, Philadelphia, PA, December 6, 2018 — April 30, 2019 Endangered: from Glaciers to Reefs, National Academy of Sciences, Washington, D.C, August 15, 2018 — January 30, 2019 Diane Burko: Vast and Vanishing, Rowan University Art Gallery, Glassboro, NJ, March 8 – April 21, 2018 2017 Glacial Shifts, Changing Perspectives, Paintings and Photographs by Diane Burko, Walton Art Center, Fayetteville, AR 2016 Traces of Change, Cindy Lisica Gallery, Houston, TX Glacial Dimensions: Art and the Global Ice Melt, Diane Burko and Paula Winokur, Burger Gallery, Kean University, Union, NJ 2014 Diane Burko Photographs: Investigating the Environment, LewAllen Galleries, Santa Fe, NM 2013 Diane Burko: Glacial Perspectives, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ 2012 Diane Burko: Water Matters, LewAllen Gallery, Santa Fe, NM 2011 Diane Burko: Photo Show, Locks Gallery, Philadelphia, PA Politics of Snow II, Woodrow Wilson School, Bernstein Gallery, Princeton University, Princeton 2010 Politics of Snow, Locks Gallery, Philadelphia, PA 2007 Alumni Invitational II: Diane Burko, Linda Karshon, Joshua Marks, Bing Wright, Tang Museum, Skidmore College Saratoga Springs, NY Diane Burko:
Spring 1989 CAA Newsletter 9 NEWS SOLO SHOWS by ARTIST MEMBERS

newsletter Volume 14, Number 1 Spring 1989 1989 ANNUAL MEETING AWARDS AND CONVOCATION CAA CONVOCATION HELD AT The Distinguished Artist Award for Lifetime presentation at the CAA Convocation. Any THE PALACE OF FINE ARTS Achievement went to Louise Bourgeois foreign scholars who reside outside of THEATER "as a sign of our appreciation of this North America are eligible for the grant for important artist's distinguished career and the 1990 meeting in New Yark. Please write ongoing crcative achievements." to the CAA offices in New York to request Awards for excellence in scholarship, an application fann. teaching, criticism and studio work were In addition, the College Art Association is presented at the Convocation ceremonies of very pleased to announce that the The Convocation was followed by a the 77th CAA Annual Meeting held on Librairie Leonee Laget, a prominent reception at The Exploratorium at which Friday evening. February 17. in the Palace international bookseller located in Paris, box dinners were available. An unusual of Fine Arts Theatre. Harry S. Parker, which specializes in fine arts and design, performance entitled Pneumatic Men was III, Director of the Fine Arts Museums of has generously presented the College Art given by Chico MacMurtrie and his San Francisco, delivered the opening Association with a grant of $750 to support mechanical/hydraulic performers. Also, greeting. Phyllis Pray Bober, the travel of a foreign art historian residing there was the lively Leung's White Crane President of the College Art Association, outside of North America to attend the Kung Fu Association in dragon costumes presided. meeting in San Francisco.
The Art Collection Of

The Art Collection of Dear Colleagues, Over the past several years the Wharton School, with input from our faculty, students and staff have expanded the school's art collection. Many of the pieces, in support of Philadelphia and its arts culture, were purchased from local galleries and depict local scenes. As the collection evolved, several works by University of Pennsylvania Alumni were included and its scope broadened to include mixed media works as well as international artists. This catalogue is intended to serve as a summary of the works collected to date. We hope you ﬁnd inspiration and enjoyment in the collection. Regards, Maria O'Callaghan-Cassidy TABLE OF CONTENTS (Click on the artist’s name) JAMES B. ABBOTT ERIK CHMIL TOM APPELQUIST MATTHEW CUSICK YOSHITO ARICHI JAMES DUPREE MARTHA ARMSTRONG H.G.ESCH MICHAEL R. BARTMANN STEFAN FAHRNLANDER LEONARD BASKIN ALINE FELDMAN NATVAR BHAVSAR STEVEN FORD STANLEY BIELEN BERNARD GASTNER JULIUS BLOCH MIKE GENO MOE BROOKER HOWARD GREENBERG MARKUS BRUGGISSER ANTONIA GUZMAN PAUL BRUHWILLER JENNIFER HAGER THOMAS BRUMMETT KATSUNORI HAMANISHI DAVID BURDENY RALPH HARGARTEN DIANE BURKO YOKO HARU LISA CALL SIDNEY HURWITZ JOHN CARLANO WERNER JERKER GEORGE CHEMECHE WEI JIA CHUO XIN-WEN DEBORAH KAHN TABLE OF CONTENTS (Click on the artist’s name) CHARLES KALICK RON RUMFORD MICHAEL KESSLER OTMAR SATTEL HENGKI KOENTJORO CHARLES SEARLES SHIGEKI KURODA SHAO QI-HUA LI-LIAN DAVID SHAPIRO LIN DUN-XI JOHN SHUETZ MAX MASON ELKE & JOACHIM SIMON ANDREW MILLNER JULIAN STORY GREGORY W. MILNE TAO LING-DING MARIANNE MITCHELL N TROXLER CHRIS NISSEN NICK VIDNOVIC MICHAEL PENN PHILLIP WOFFORD LIZ PRICE ZUBAR KEITH RAGONE ION ZUPCU TREY RATCLIFF ROBERT ROACH DALE O.
Individual Exhibitions

DIANE BURKO S O L O E X H I B I T I O N S 2021 – UPCOMING: DIANE BURKO: CONFRONTING CLIMATE CHANGE, the American University Museum, Washington D.C. 2019 Nordic Changes, American Swedish Historical Museum, Philadelphia, PA ENDANGERED, Cindy Lisica Gallery, Houston, TX 2018 Repairing the Earth (Tikkun Olam): Diane Burko, Artist and Environmental Activist, Rodeph Shalom, Philadelphia, PA Endangered: from Glaciers to Reefs, National Academy of Sciences, Washington, D.C Diane Burko: Vast and Vanishing, Rowan University Art Gallery, Glassboro, NJ 2017 Glacial Shifts, Changing Perspectives, Paintings and Photographs by Diane Burko, Walton Art Center, Fayetteville, AR 2016 Traces of Change, Cindy Lisica Gallery, Houston, TX Glacial Dimensions: Art and the Global Ice Melt, Diane Burko and Paula Winokur, Burger Gallery, Kean University, Union, NJ 2014 Diane Burko Photographs: Investigating the Environment, LewAllen Galleries, Santa Fe, NM 2013 Diane Burko: Glacial Perspectives, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ 2012 Diane Burko: Water Matters, LewAllen Gallery, Santa Fe, NM 2011 Diane Burko: Photo Show, Locks Gallery, Philadelphia, PA Politics of Snow II, Woodrow Wilson School, Bernstein Gallery, Princeton University, Princeton 2010 Politics of Snow, Locks Gallery, Philadelphia, PA 2007 Alumni Invitational II: Diane Burko, Linda Karshon, Joshua Marks, Bing Wright, Tang Museum, Skidmore College Saratoga Springs, NY Diane Burko: Closer to Home, Philadelphia International Airport, Philadelphia, PA 2006 Flow, Tufts University