'" "",.; "";.., " ;:l "'H ,.c (\J ~ ~;.., H ;:l "'r:: ~ ,..,.. OJ ,.ce ~ 5 0' N OJ
e;:l -~ must be raised from private sources. We the NEH grant (for art historians) or the have been actively soliciting support for NEA grant (for artists). For multi-year r:: Support .~ funds from foundations and from support, pledge forms are available by "iii'" corporations to run the program now, calling the CAA development office. .~u CAA's but we are counting on you, our At the upcoming annual confer ence, there will be several opportunities '" members, to help us meet this challenge ~'" to build an endowment to ensure to make contributions to the Fellowship ~ Fellowship Program. Watch for board members and .. support for future generations of art ~ historians and artists. session chairs, who will be actively
2 eAA NEWS JANUARY/FEBRUARY 1995 CM NEWS JANUARY /FEBHUARY 1995 3 The following positions are open: ally or jointly, have enhanced under grams at the college and graduate levels; application forms. They are available CAA Charles Rufus Morey Award standing of art through the application and develops an awareness of art from the CAA office. Legal Update presented for an especially distin of knowledge and experience in conser education at the K-12 level. (Four guished book in the history of art, vation, art history, and art. (No vacan vacancies) News published in the penultimate calendar cies) Museum Committee: The commit Advocacy in the Classroom year. (One vacancy) tee monitors the activities of public and College Art Association is one of Alfred H. Barr, Jr., Award for private institutions in the art sector, thirteen learned societies, along with museum scholarship, presented to the CAA Committees particularly in relation to acquisition, ACLS and AAUP, sponsoring a major author(s) of an especially distinguished The membership is urged to participate deaccession, and exhibition policies and multidisciplinary conference on the role catalogue in the history of art, published in CAA by serving on the association's procedures, in order to exercise influ of advocacy in the classroom. Papers during the penultimate year under the diverse and increasingly active commit ence and share efforts in issues of and presentations will be delivered on auspices of a museum, library, or tees. Committee members serve for fixed mutual interest, particularly in matters such topics as definitional and ethical You Can't Join CAA Awards collection. (Two vacancies) terms of three years (1995-97); at least of presentation, preservation, conserva issues, the history of advocacy in the Committees Arthur Kingsley Porter Prize one new member rotates onto a commit tion, access for scholars, and education college classroom, reflections on the Take It The Board of Directors invites members presented for a distinguished article tee each year. Each committee is of the public. (Four vacancies) events and debates of the 1980s and of the association to submit nominations published in the Art Bulletin during the composed of at least three members, and Professional Practices Committee: early 1990s, and the role of professional and self-nominations for forthcoming penultimate calendar year by a scholar the chair of each committee is ordinarily The committee will respond to specific standards. With You openings on CAA awards committees. who has received the doctorate not a member of the CAA Board of Direc concerns of the membership in relation There will be special sessions on At all times, CAA encourages the more than ten years before acceptance tors. to areas such as job placement and whether advocacy in the classroom has highest standards of scholarship, of the article for publication. (Two Committee candidates must possess~ recruitment, tenure and promotion a role in achieving the goals of higher practice, connoisseurship t and teaching vacancies) expertise appropriate to the conunittee's procedures, scholarly standards and education and the political and social in the arts. To this end, the association Frank Jewett Mather Award work and must be CAA members in ethics, studio health and safety and, assumptions underlying positions on publicly recognizes achievements by presented for published art criticism good standing. Members of all commit artists' practices. (Two vacancies) advocacy in the classroom with special individual artists, art historians, that has appeared in whole or in part tees volunteer their services to the Committee on Women in the Arts: attention to (1) issues arising from curators, and critics by conferring during the preceding year beginning association without compensation The committee is charged with promot scholarship that is not easily separable ecent high profile disputes, annual awards. These awards are made September 1 and ending August 31. Nominations for committee member ing the scholarly study and recognition from advocacy; (2) issues arising from such as those involving the to living individuals whose achieve Attention is paid to the range of ships should include a brief statement of the contributions of women to the institutional missions; (3) issues arising R estates of Robert ments transcend the immediate region criticism that appears throughout the outlining the individual's qualifications visual arts; developing linkages with from pedagogical situations; and (4) Mapplethorpe and Andy Warhol, have in which they work and serve the country. (One vacancy) and experience and a resume. Self organizations concerned with compat issues arising from student backgrounds underscored the importance of careful profession and the community. Distinguished Teaching of Art nominations are encouraged. Write to: ible interests; and monitoring the and interests. At least one session will estate planning for both the artist and The awards are presented each year Award presented to an artist of distinc Committee Nominations, CAA, 275 current status of women in the visual deal with issues of advocacy in art the collector. Both these cases also show at the CAA annual conference upon the tion who has developed a philosophy or Seventh Ave., New York, NY 10001. arts professions. (Five vacancies) history and the visual arts classrooms. that estate planning is not just about recommendations of each award technique of instruction based on his or Deadline: April 15, 1995 -. The conference will be held June 2-4, avoiding inheritance taxes-such committee. Members of awards commit her experience as an artist and has Committee on Cultural Diversity: 1995, at the Pittsburgh Hilton. $100 concerns may often be outweighed by tees are distinguished professionals, encouraged his or her students to One-third of this nation is composed of Millard Meiss Grants registration fee. For information, 212/ other considerations, such as post many of whom have been honored by develop their own individual abilities. individuals whose cultural, ethnic, CAA is pleased to announce six recent 614-6301. mortem development of tlle artist's CAA in the past. Individual committees (One vacancy) racial, and sexual preference are Millard Meiss publication subsidies: career, including distribution and sale of have at least three members, one of Distinguished Teaching of Art different from the majority. The commit Robert L. Brown, The Dvaravati Wheels of the artist's work, valuation of the whom rotates off each year. Chairs are History Award presented to an indi tee is cllarged with the recognition and the Law and the Indianization of South East Thanks artwork, and intellectual property appointed annually by the CAA vidual who has been actively engaged support of the contributions, talent~, Asia, E. J. Brill; Richard M. Cooler, The The board and staff of CAA would like issues, such as alterations and/or president and may be reappointed. The in teaching for most of his or her career possibilities and needs of this constitu Karen Bronze Drums of Burma, E. J. Brill; to thank the following contributors of reproduction of the work. composition of each committee repre and has been, among other thlngs, an ency and with the increased inclusion of Y. A. Hackenbroch, Early Italian Hat $50 and above for their support during To a lesser extent, many artists and sents the broad range and diverse inspiration to a broad range of students this group within the association and Badges: Emblems of Faith and Distinction, the months of October and November: collectors are concerned that if they fail interests of the membership. As a in the pursuit of humanistic studies. withln the field. (Two vacancies) Studio Per Edizioni Scelte; Carol Jonathan J. G. Alexander, Frederick and to plan for the disposition of their art, collective body, the committee is (Two vacancies) Committee on Electronic Informa Lawton, Attic Document Reliefs of the Catherine Asher, Ann C. Bermingham, the cash poor but "art rich" estate may expected to provide a national perspec Artist Award for a Distinguished tion: The committee attempts to keep Classical and Hellenic Periods, Oxford Kristin B. Collins, Hester Diamond, Ann be unable to pay estate taxes. The tive for the award. Body of Work, Exhibition, Presenta abreast of new ideas and developments University Press; Sheila McTighe, S. Harris, Robert L. Herbert, Cathie property of a person who dies without a Committee candidates must possess tion, or Performance, a peer award in the area of automated information in Nicholas Poussin' s Landscape Allegories, Lemon, Elien G. Miles, Ruth R. will is distributed according to the expertise appropriate to the committee's given for work mounted in the order to ensure that the special needs of Cambridge University Press; and Yasser Philbrick, Anne Rorimer, Moira Roth, intestacy laws of the state of residence, work and must be-CAA members in penultimate year. (Two vacancies) our constituencies for access to visual Tabbaa, Constructions of Power and Piety Stephen K. Scher, Nancy J. Troy, and and such distribution in addition to good standing. Members of all commit Distinguished Artists Award for and specialized resources linking texts in Ayyubid Aleppo, 1178-1260, Penn State Chris B. With. possible adverse tax consequences may tees volunteer their services without Lifetime Achievement presented to an and images are fully represented at the University Press. not be in accord with the artist's intent. compensation and serve for fixed terms artist of note who has demonstrated conceptual-both design and delivery Millard Meiss Publication Fund For example, in New York, if a person of three years (1995-97). Nominations particular commitment to his or her levels. (Two vacancies) grants are given twice annually for Erratum dies intestate, survived by a spouse and should include a brief statement work throughout a long career and has Education Committee: The commit two children, the spouse inherits one book-length scholarly manuscripts that The membership dues for the Catalogue outlining the individual's qualifications had an impact on the field nationally tee provides an ongoing review of career third of the estate and the children have been accepted by a publisher but Raisonne Scholars Association are and experience and a resume. Self and internationally. (Two vacancies) options and development opportunities inherit the balance. Thus an artist who cannot be published without a subsidy. $10.00, not $0, as was indicated in the nominations are encouraged, including CAA/National Institute for available to arts graduates, with special dies intestate most likely will not have The author must be a CAA member in November/December CAA News. those from past award recipients. Write Conservation Award for Distinction in attention directed toward fellowships, i ! good standing. The Millard Meiss the full benefit of the unlimited marital to: Awards Corrunittee Nominations, Scholarship and Conservation pre grants, and internships; maintains an Publication Fund Committee has deduction available upon the death of CAA, 275 Seventh Ave., New York, NY sented for an outstanding contribution awareness of art and art history pro- recently redesigned the guidelines and the first spouse to die when the slITViv- 10001. Deadline: March 1, 1995. by one or more persons who, individu-
4 CAA NEWS JANUARY (FEBIWARY 1995 CAA NEWS JANUARY (FEBRUARY 1995 5 ing spouse inherits the entire estate. This and objects held in inventory by a a discount of 75 percent to items not set forth in Article II herein. The President Proxies deduction means that an artist's spouse dealer. For example, a work of art given easily marketable. In Warhol, judge Eve Notice of shall determine the order of consideration of can inherit artwork free of estate taxes as a gift to a collector or another artist, Preminger, Surrogate's Court of resolutions. Resolutions from the floor will For those who will be unable to attend and sell it at a later date free of income by the artist, retains its character as Manhattan, in a decision rendered April be considered as time and appropriateness this meeting, proxies were included tax, to the extent that the sales price ordinary income property, regardless of 14,1994, increased Christie's valuation Members' allow." with the notice of the annual business does not exceed fair market value of the its appreciation in value. In the case of of Warhol's estate by $300 million by meeting. If another proxy is designated, artwork on the date of the artist's death. both, the deduction is the artist's basis, applying a category by category he or she must be present at the meeting In addition, the artist may lose the full i.e., the cost of the materials. The same is valuation. Preminger wrote: "All of the Annual Agenda to cast the vote in person; otherwise value of the federal unified gift credit, true of a gift by the artist to a charitable experts for the foundation presented a your vote is not valid. which permits an artist to leave $600,000 auction. There is currently an effort negative view as to the marketability of in value to people other than a stuviving underway to change this aspect of the Warhol's art. This view is not supported Business Election of Board of Directors spouse and still pay no federal estate tax law as it applies to artists to encour by the empirical evidence." Preminger taxes. (State estate tax limits may be age lifetime giving by artists to muse found Christie's blockage discount rate Meeting A slate of candidates nominated to serve lower.) ums. too high. (Preminger also found that as directors until 1999 by the Nominat Perhaps most important for the Both Warhol and Mapplethorpe Christie's had a conflict of interest.) For ing Committee was presented to the artist, no careful planning with respect created foundations; Mapplethorpe's Warhol's photographs she applied a 20 membership for election by a binding to disposition of artwork and/ or the was created while he was alive, and percent blockage discount. For tlle ballot. Six candidates receiving the Call for post-mortem planning of the artist's Warhol's on his death by testamentary paintings, sculpttues, and collabora greatest number of votes have been career is possible. The person who directive. Foundations may meet a tions, Preminger increased the valuation elected. The results of the election will inherits under the laws of intestacy may variety of personal and financial given such works by Christie's by 60 be announced at the annual business Nominations not be knowledgeable about the artist's objectives of artists under certain percent, after which she applied a otice is hereby given that a meeting (see "CAA Elects New Board work or able to handle it correctly. For circumstances. The cost and ease of blockage discount of 20 percent. For the meeting of the members of the Members, 1995-99," page 9). the artist and/ or collector who is creating such foundations has been prints, she applied a 30 percent discount NCollege Art Association, Inc., In accordance with the Bylaws, to the Board I interested in the care and dispOSition of simplified, despite the contrary impres and accepted the appraised value. will be held Friday, january 27,1995, at Article VII, Section 3, the Board of her or his artwork, the importance of sion created by the legal disputes and Perhaps the most critical decision in 8:00 A.M. in the Salon J Marriot Directors elected the fonowing members lifetime planning and giving, as well as attendant publicity involved in Rothko, estate planning is to select with care the Rivercenter Hote1. College Art Associa to the nominating committee: Linda 1995-99 testamentary transfer cannot be overem Warhol, and Mapplethorpe cases. individuals who will manage an artist's tion President judith K. Brodsky will Ferber, Brooklyn Museum, chair; Robert phasized. If the artist's assets make the trust or foundation (trustees) or will preside. P. Bergman, Cleveland Museum of Art; A primary estate planning tool is a creation of a private foundation imprac administer an artist's estate (executor or Elizabeth Boone, Dumbarton Oaks / will that is a custom-made document ticat an artist should consider whether executrix). These individuals will be Required Notice Tulane University; Nancy Friese, Rhode designed to dispose of a person's assets, to bequeath works of art to a charitable charged with all critical decisions that Island School of Design; John Moore, t is now time to nominate individu institution. The donation of such affect the artist's work, and thus als for the 1996-2000 term on the at their death, in a way that accom In accordance with the By-laws, Article Skidmore College; Nancy Macko, artworks after the artist's death reduces ultimately the artistic merit and legacy CAA Board of Directors. The 1995 plishes their personal goals. However, N, Section 1: Scripps College, board representative. I the size of the artist's estate by the fun of the artist. The choice of the wrong Nominating Committee will nominate an artist's or collector's planning often liThe Annual Business Meeting of the The members so elected will nominate fair market value of the artist's work. If trustees, as in the Mark Rothko estate or the slate of candidates for the Board of does and should begin prior to testa members of the Association for (a) the the slate of candidates for the Board of the artist wishes to bequeath copyright more recently the Joseph Cornell estate, Directors to serve until 2000. New board mentary disposition. Lifetime planning announcement of the results of the election Directors who will be elected to serve in the artwork to her or his heirs, certain can lead to costly legal battles. More members will be working on a variety of techniques may include gifts as well as of the Board of Directors, Nominating until 2000 (see page 7). rules must be followed to assure the full over, for an artist whose career is not exciting new projects and initiatives. charitable bequests and the creation of Committee and Officers, and (b) the private foundations and trusts. charitable deduction. established at death, the choice of the Major efforts must be undertaken to transaction of such other business as may Election of Officers Valuing artwork in an artist's or wrong executor or trustee can bring an identify and analyze the needs of the Both the artist and the collector may properly come before the Meeting shall be collector's estate is a central issue of artist's career to an end. With careful professions and to respond accordingly. reduce the size of his or her estate by the held in conjunction with the Annual The Board of Directors elected the estate planning. The estate of David planning after the artist's death, the Through their membership on the lifetime donation or gift of artwork to Conference at a place, and on a date and following officers to serve from 1995-96: Smith established the principle of the artist may achieve the recognition that various governing committees of the family, friends, and charitable organiza time, fixed by the Board of Directors and, judith K. Brodsky, Rutgers University, application of a blockage discount to eluded her or him in lifetime. association, all board members share in tions. Under the present federal tax law, unless expressly waived, shall be set forth in president; Leslie King-Hammond, works of art. In Smith, the court allowed -Barbara Hoffman, Esq., CAA Counsel shaping CAA's many programs and if a collector donates a paint~ng to an art a Notice of the Annual Meeting which shall Maryland Institute, College of Art, vice a blockage discount involving the works services. museum, a part or all of the fair market be sent to all members entitled to Notice at president; John Clarke, University of of David Smith, recognizing the "impact It is up to the membership to value of the item will be deductible. least sixty (60) days prior to the date Texas, Austin, secretary; D. The Board of of simultaneous availability of an submit suggestions for nominations to Under the recent tax reform act, the designated for the Meeting. The Annual Directors elected Victor Margolin, extremely large number of items of the the board. Please send nominations to "window" for gifts of appreciated Business Meeting, by a majority vote, may University of Illinois, Chicago, to fill the same general category." Cases involving the attention of the Nominating Com property to an art museum has been adopt resolutions and deal with proposals of remainder of the 1993-97 term vacated the estate of Georgia O'Keeffe and more mittee at the CAA office. The deadline is extended and the donor does not have any kind concerning the affairs of the by Sarah Greenough, National Gallery recently Warhol and Mapplethorpe have FebruanJ 25, 1995. Nominations may also to apply the alternative minimum tax. Association. In order to insure consider of Art. The current tax law does not provide a further developed the concept. be made by petition, requiring the ation, such resolutions must (1) be received In Q'Keeffe, the tax court rejected nomination to be accompanied by at similar benefit or incentive for the artist. in the office of the Executive Director no Financial Report-John Hyland, The reason is that contributions of both the IRS's three-tiered approach least 100 signatures of CAA members in later than 80 days prior to the Annual ordinary income property rather than based on value of the artworks and the Jr., Treasurer support of the nomination. That Business Meeting; (2) be in proper parlia long-term capital gain property are approach of O'Keeffe's executors, which deadline is July 1, 1995. For this process mentary form; (3) be signed by at least 25 claimed a 75 percent blockage discount. Statement of finances. to be fair, effective, and broadly limited to the donor's basis. Ordinary members of the Association in good standing The tax court segmented work by representative of CAA's membership, income property includes all creative or proposed by Board of Directors' resolu works made by the donor, al1 creative quality not value and applied a discount substantial nominations are needed. So, tion; (4) be no more than three hundred New Business works received as gifts from the maker, of 25 percent to easily salable work and this is your call to action-send in your words in length; and (5) deal with matters nominations. relating to the purpose of the Association as
6 CAA NEWS JANUARY/FEBRUARY 1995 CAA NEWS JANUARY /FEBRUARYl995 7 federal support to cultural and educa humanities and arts; invite the new Vishaka Desai, Joe Lewis, From the Executive Director tional institutions be a terrible loss in member to an exhibition or lecture; offer CAA Elects Asia Society: Public Art itself, but it might also lead to a reduc to work with a staff person assigned to liAs an art Program, City tion in state, local, and even private cultural issues. Those of you with historian with a of Los Angeles, support. If the cultural agencies are cut returning members should send a note New Board specialization in and CalArts: or eliminated it is highly nnlikely that expressing your willingness to continue the arts of Asia "Are we private funding could make up the to work with them as Congress enters a "and with an preparing our difference-just as there was not new era. Also, encourage prominent Members, increasing students for the sufficient private philanthropy to citizens with whom you have contact, commihnent to world of the replace the substantial cuts in social such as college presidents, trustees of go beyond traditional binary divisions next millen programs in the early 1980s. colleges, libraries, museums, collectors, 1995-99 between East/West, Asia/America, nium? Are our Advocacy Gingrich has promised that he will and others who can speak persuasively traditionaI! modern, object/ contextual, I institutions target the provisions of the "Contract to their legislators about the value and am particularly interested in fostering doing what they with America" for passage by April 14, importance of the NEH, NEA, and !MS. programs with new academic ap can to reach educational objectives Alert 1995, but many of the most damaging Address letters to: The Han. proaches that break down hierarchical, outlined by progressive thinkers during actions may come before January 15. ::cc---c-c---=-~' [Member-elect], geographic, and cultural boundaries and the past 20 years-diversifying student Therefore, it is urgent to act at once. United States Senate, Washington, DC that encourage a more dynamic and enrollment, faculty, and staff appoint perhaps a more hybrid view of art ments, developing inclusive curricu CAA is actively participating with 20510; or, The Han. oard of Directors voting ballots history and art. As an Asian American lums, and building bridges between other leading national arts and humani =::-::c:-----c=--" [Member-elect], were mailed to CAA's over director of an art museum, and acutely disciplines? Unfortunately, many of our am writing to update you on the ties service organizations to explore US. House of Representatives, Wash 13,000 members in October 104th Congress with regard to the national and grassroots strategy to ington, DC 20515. B aware of the dearth of people of color in institutions have been very slow in 1994. Six new board members were educate Congress about the value of the Unless your college, university, or leadership positions, I am particularly responding to the aforementioned Iarts and humanities. The political elected for 1995-99. The following are shift brought about by the recent nation's arts, educationat and cultural museum has taken a formal position on concerned about bringing new and more suggestions. I am particularly interested those who have been elected and congressional election presents the most activities, and about the important roles this issue, you should write your letters diverse voices in the leadership posi in answering these questions: Is the excerpts from their candidacy state serious challenge to the survival of the played by the cultural agencies. We will on personal stationery. You may and tions in art institutions. I believe that as infrastructure philosophically and ments: NEA, NEH, and IMS in the thirty-year seek to maximize our impact by sharing should identify yourself as a scholar, our professional organization, CAA can physically ready to accept the responsi history of the agencies, notwithstanding information and resources. CAA is a teacher, artist, curator, etc., who is take an active role in becoming an agent bility of our changing societies? Can it the fact that Congressional support has member of the American Council of . employed at a particular irtstitution. Whitney Davis, of change and to make our field more create and maintain places where our been bipartisan from the beginning. To a Learned Societies (ACLS), the National Please send me copies of any replies you art historian, reflective of and more responsive to the ideas can be explored, exchanged, and large extent, the challenge is due more Humanities Alliance (NHA), the receive. Northwestern worlds that we inhabit." questioned without myopic retribution? to commitments to massive reductions American Arts Alliance (AAA), the -Susan Ball University: liMy Last, and most important, are our in the federal budget than to hostility American Council on the Arts (ACA), experience as institutions willing to reinvent them toward the cultural agencies. Neverthe the National Cultural Alliance (NCA), co-chair of the Shifr. selves when necessary, and if not, what less, campaign promises, the "Contract National Association of Artists Organi Gay and Goldman, can we do about it?" with America," which was signed by a zations (NAAO), and the Museum Lesbian Caucus University of majority of Republicans before the Advocacy Team of the American ofCAAfrom California, Los Beatrice Rehl, election, and post-election statements by Association of Museums (AAM). I sit on 1992 to 1994 has Angeles: "Ifs Cambridge Newt Gingrich, the Speaker-elect of the the boards of directors of the National shaped my my pleasure as a University House of Representatives, do not bode Humanities Alliance and the National interest in long-standing Press: liAs a well, either for the future of the federal Cultural Alliance. In addition, CAA has refining member of the Board member, cultural agencies or for the concept of activated its Advocacy Committee, relationships with CAA's many affili CAA to watch I would also direct federal support for many cultural, chaired by board member Diane Burko. ated societies, large (the GLC has over the organization like to work to educational, and scientific activities. For We will be corresponding with the 300 members) and small. Although the grow in com counter the instance, on the first Sunday after the membership and publishing updates in annual meeting will continue to be plexity, inclu alarming trend election, Speaker-to-be Newt Gingrich CAA News. But time is short. We need to essential, we need to invest creatively in siveness, and of budget cuts called for the "privatization" of the make a case immediately for the cultural the activities of affiliates as a way to ease flexibility. I feel we should keep our that have particularly affected art National Endowment for the Arts agencies as important national resources some of the strains that have emerged mental doors open to changing situa history and fine arts departments, as (NEA), and the Corporation for Public and for continuing direct federal there. For example, we could promote tions in the world of cultural politics well as museums. I would thus like to Broadcasting (CPB). Suggested cuts in support for culture. Therefore, those of regional or themed meetings apart from and the shifting focus of artistic explore the possibility of the CAA the "Contract with America" include a you with new members of Congress the annual meeting, distribute affiliated production and discourse. We should joining forces with other national arts reduction of $531 million over five years should write to them immediately to societies' newsletters to all members, maintain and advance what we have organizations in order to strengthen our in funding for NEA, the National introduce yourself and, if affiliated, your and develop workshops or poster achieved during the last several years in collective voice in lobbying for ftmding Endowment for the Humanities (NEH), institution. Mention the issues that are exhibits outside the program of the growth and diversity of our member at the federal and state levels to ensure public broadcasting, the Smithsonian important to our community, including annual meeting for members to find out ship and programming and innovations the continuation of arts curricula and Institution, and the National Gallery of education, telecommunications, and tax about the work and interests of the in our publications. These are signals programs, from grade school to univer Art. The contract's balanced budget policy, as well as the cultural agencies. different CAA constituencies." that ossified canons are no longer sity levels. I am also concerned about amendment would probably force cuts Be sure to emphasize the grants from paramount; that healthy challenge and copyright, particularly the high rights of 30 to 40 percent in discretionary the NEA and NEH that you and your debate prevail in our professional and reproductions fees, and first agencies such as NEA, NEH, and the institution have received and the benefit organization as in the classroom and amendment issues." Institute for Museum Services OMS). of federal support to the community. studio." Furthermore, not only would the Write an opinion piece for your local reduction or elimination of direct newspaper to raise the visibility of the
8 CAA NEWS JANUARY/FEBRUARY 1995 CAA NEWS JANUARY/FEBRUARY1995 9
I MIDWEST/ Les Barta. Ithaca College Photography Gallery, 1994. "Reconfigured Images," paintings and Ithaca, N.Y., January 16-February 10, 1995. drawings. Norie Sato, Chris Berti. David Strawn Art Gallery, "Photographic Conslnlctions." independent Solo Jacksonville, Ill., January 7-29, 1995. Sculpture. Peggy Cyphers. Littlejolm/Sternau Gallery, artist: "I would Robert Berlind. Tibor de Nagy Gallery, New New York, November I-December 3, 1994. William Conger. Roy Boyd Gallery, Chicago, York, October 20-November 26, 1994. Paintings. "Paradisiacal Lexicon: Flora and Fauna." like to work Exhibitions October 14--November 15, 1994. "New with the Board Paintings." Serena Bocchino. Rabbet Gallery, New Leila Daw. Emerson Gallery, Hamilton College, Brunswick, N.J., November 13-December 16, Clinton, N.Y., November 4-December 18, 1994. ofCAA to Robert J. Cummins. Hugh N. Ronald Memorial "New Surveying of Old Terrain." activate the by Artist Gallery, Jay County Arts Council, Portland, Ind., artist members September 29-November 8, 1994. '1nhabited of CAA and to increase the numbers of Landscapes: Lost Memories of Home," paintings and drawings. Zondervan Library Gallery, independent artists among the member Members Taylor University, Upland, Ind., November 8- ship. This entails providing more December 15, 1994. "Chambers of Being," reasons for artists to be involved with Only artisfs who are eAA members are included paintings. University Gallery, Tiffin University, the organization and looking at the in this listing. When submitting information, Tiffin, Ohio, February 24--April27, 1995. structure of the Conference to increase include name of artist, gallery or museum name, "Forgotten Paths," paintings. the reasons for independent artists to city, dates of exhibition, medium. Please indicate Stephen Fischer. Woodlot Gallery, Sheboygan, attend and participate in the dialogue." eAA membership. Wis. Outdoor sculpture. CAA welcomes these new board Photographs are welcome but will be used only if Gerard Huber. Louis O. Palmer Gallery, members and looks forward to working space allows. Photographs cannot be returned. Muskingum College, New Concord, Ohio, with them. We would like to say good October IS-November 11,1994. "Metaphysical bye to the following CAA board Windshields," paintings. members whose terms expire at the Kirk Pedersen. Haydon Gallery, Lincoln, Neb., Robert J. Cummins, Centers January 6--28, 1995. Paintings. and Axes, 1993, drawing on members' annual business meeting at canvas, 66" x 48" the San Antonio conference: Patricia Rebecca Silberman. An Art Place, Chicago, Mainardi, Keith Moxey, Emily J. Sano, December 2, 1994. University of Wisconsin and Jaune Quick-Ta-See Smith. CAA Marchfield, November 7-December 16, 1994. Mixed media on paper with assemblage. thanks these individuals for volunteer ABROAD/ David Flynn. Galerie Oliver Schweden, Munich, Christopher Yates. Kettering Government ing with dedication their time and Germany, October 12-November 24, 1994. Center Gallery, Kettering, Ohio, November 7- Amos: Changing the Subject. Paintings and energies over the past four years. Paintings. December 9, 1994. Mixed-media constructions. Prints 1992-94." Ardeth P. Anderson. University of Pennsylvania MID-ATLANTIC/ NORTHEAST/ Museum of Archaeology and Anthropology, Elise Marie Burns. Gallery 10, Washington, Emma Amos. Montclair Art Museum, Montclair, Philadelphia, April 15-August 31,1995. D.C., March 28--April28, 1995. Installation. N.J., December 18, 1994--March 5, 1995. "Emma "Dluminating the Past: Art and Artists of the Ban Manon Cleary. Addison/Ripley Fine Art, Chiang Project," archaeological illustrations. Washington, D.C., November 4--December 3, Anna Held Audette. Munson Gallery, New 1994. Drawings. Haven, Conn., November 4--29, 1994. "Recent Paintings."
Ardeth P. Anderson, Emma Amos, X Flag, 1993, acrylic on linen Ban Chiang Buriall#23, canvas, laser transfer photograph, and Confederate flag borders, 58" x 40" Chris Berti, Abitazione, 1994, limestone, 1993, ink on vellum, 10" x 8" 16" x 10" x21"
eM NEWS JANUARY/FEBRUA!~Y 1995 11 10 CAA NEWS JANUARY/FEBRUARY 1995
.I February 19-March 18, 1995. Prints and drawings. University of Dallas, February 27- March 5, 1995. Prints. Mary Wallman. Blue Mountain Gallery, New York, December 2-28, 1994. Oil pastel drawings. Gina Wedel. Prince Street Gallery, New York, October 21-November 9,1994. Allan Wexler. Ronald Feldman Fine Arts, New York, November 19-December 23, 1994. "Buckets, Sinks, Gutters."
SOUTH/ Rita Dibert. Cone Gallery, University of North Carolina Charlotte, November 9-December 9, 1994. "Tatami to Concrete II," paintings, Bertha Steinhardt Gutman, photographs, and electronic media. Susanna and the Elders, 1993, oil on linen, 35" x 36" Mary Dryburgh. Brazos Gallery, Richland College, Dallas, Tx., November 2-December 1, 1994. Drawings. Diane Edison. University of Georgia at Athens, May 27-June 10, 1994. "Recent Work." Bernice Leibowitz. Pleiades Gallery, New York, Mark Thomas Iwinski. Arts Center, Ports November 29-December 18, 1994. "Traveling mouth Museum, Portsmouth, Va., October 7- On." November 20,1994. "Alchemy and Explora Kim E. Tester, to Want tions," site-specific installation of paintings and Ellen K. Levy. New Jersey State Museum, Wander, 1993, lithograph/screenprint drawings. Trenton, November 19, 1994-January 16, 1995. PHOTO: JOAN TALBOT 'The Collapse of Posbnodemism." Trans Douglas Kenney. Santa Fe Connection, San Hudson Gallery, Jersey City, November 22- Antonio, Tx., January 27-February 17, 1995. Sculpture, ceramics. December 31, 1994. E. Alice Oh. University City Arts League, Mary Tobias Putman. Edward Williams Maria Wolf Lupo. New Jersey Center for the Philadelphia, January 2-February 18, 1995. Gallery, Fairleigh Dickinson University, Marilyn Lanfear. Southwest Craft Center, San Visual Arts, Summit, May-June 1994. "Missing Paintings and prints. November 7-December 9, 1994. Paintings. Antonio, Tx., January 12-February 12, 1995. Persons Series." Edward Williams Gallery, "Some Death Stories (One That Really Walter O'Neill. Center Art Gallery, Adelphi Leo Rubinfien. Robert Mann Gallery, New Happened and Some Worth Considering," Fairleigh Dickinson University, Hackensack, University, Garden City, N.Y., October 9-21, York, October 27-December 10,1994. "10 N.J., December 12, 1994-January 27, 1995. sculphrre installations. 1994. Fresco and panel paintings. Takeoffs 5 Landings." "Hibrida/Figura." Florence Puttennan. Manatee Community Sheila Pitt. Limner Gallery, New York, Kim E. Tester. Milford, Conn., October 23-30, College, Bradenton, Fla., November 19- Berry Matthews. Franklin and Marshall College, November 3{}-December 17, 1994. "Women on 1994. "Stone Spirit Orchard," prints and Lancaster, Pa., September 26-0ctober 30, 1994. December 15, 1994. "Explorations in Several the Altar: A Bedding Series." drawings. Wisdom House, Litchfield, Conn., "Installations: Ceramic Environments." Media." Grand Central Galleries, Tampa, Fla., Maria Matthews. 494 Gallery, New York, Odober 6-29,1994. "Recent Work."
Rebecca Doughty. Gallery 57, Cambridge, Sue Johnson. Artists Space, Satellite Exhibition January 2-31, 1995. "Markers," paintings. at Dance Theater-Workshop, New York, Ellen Frank. Renee Fotouhi Fine Art, East December 21, 1994-January 27,1995. "Evolution Hampton, N.Y., November 26, 1994-January 15, ary Paths (1991-92)," paintings and prints. 1995. "Illuminations." Stephen Lane. 55 Mercer Gallery, New York, Jo Ann Giordano. Community College of Rhode Odober IS-November 5, 1994. NB Gallery, Island, Warwick, February 20-March 11, 1995. Moscow, Russia, April-May 1995. Paintings. "Contemporary Ceremonial Textiles." Ralph Murrell Larmann. Olin Fine Arts Center, Bertha Steinhardt Gutman. Bryant Library Washington and Jefferson College, Washington, Gallery, Roslyn, N.Y., December 6-29,1994. Pa., September30-0ctober 22, 1994. "Are We "Table-top Narratives." Done Yet," paintings, drawings, and prints. Fine Arts Department Gallery, Loyola University Sarah Haviland. Kent Place Gallery, Summit, Marilyn Lanfear, Mothers's Chair, Chicago, Chicago, February 26-March 27, 1995. Maria Wolf Lupo, Hawlfman, N.J., November 14-December 16, 1994. beads, feathers, canvas, Mary Wallman, Hazy Day, 1994,011 pastel, 1994, handmade paper, "Microwave Meats." Sculpture. 72" x 46" 14" x 20" wood, brass, coin, 79" x 40" x 32"
12 CAA NEWS JANUARY/FEBRUARY 1995 eAA NEWS JANUARY/FEBRUARY 1995 13 central role in the building of a departmental five years after joining the museum, Hayward February 25-April 1, 1995. Paintings. curriculum; that she contributed to the organized the first comprehensive exhibition of People in department's slide collection innumerable its medieval and Renaissance stained-glass Daniel Serra~Badue. Marsh Art Gallery, holdings. In the mid-1980s she was instrumental University of Richmond, Richmond, Va., images made on her extensive travels; and that in uncovering one of the earliest stained-glass November 3-December 16, 1994. "Dreamt she gave a new seminar in virtually every year the News of her teaching, ranging in subject from Italian windows in America, at the Church of St. Ann Reality," paintings and lithographs. drawings and the work of Michelangelo to the and the Holy Trinity in Brooklyn Heights, where art and architecture of the Vatican and the role it had been obscured for decades behind a pipe WEST/ of classical myth in Renaissance art and organ. The medieval-style 1840s window was Hung Liu. University of California, Irvine, literature. She gave of her time and energies to restored under her direction and given on October 4-29, 1994. Paintings and installation. graduates and undergraduates in a fashion that extended loan to the Metropolitan, where it now was marked always by warm generosity and hangs. Carolyn Manosevitz. Downtown Studio unfailing accessibility. Gallery, Pikes Peak Community College, All who heard Iris lecture remember her Colorado Springs, Colo., October 29-November vivid enthusiasm, her extreme clarity of Richard Krautheimer, author of influential 8,1994. Colorado Springs Senior Center, organization and presentation, and her works on early Christian, medieval, and November 9-22, 1994. Dougherty Cultural Arts willingness to go further in discussion. She Renaissance art and architecture, died Novem Center, December 6, 1994-January 3, 1995. emiched and illuminated the lives of all who ber 1, 1994. Born in Furth, Bavaria, Krautheimer "Picking Up the Pieces: The Second Generation In Memoriam came in touch with her professionally, and her entered the University of Munich at the age of and Beyond," paintings and drawings. presence among us is sorely missed. 15. He received a doctorate in art history from Laura Ruby. Honolulu Academy of Arts, April -Mark Roskill the University of Halle in Wittenberg in 1923, 2D-June 11, 1995. "Nancy Drew Series," prints and was a lecturer at the University of Marburg and mixed-media installation. until 1933 when the Nazis came into power. He Sam Francis, an abstract artist known for his use of color, died November 4, 1994, at the age of 71. Francis is considered a founding member of Abstract Expressionism's second generation, which emerged in New York in the early 1950s and included painters like Joan Mitchell, Morris Louis, and Helen Frankenthaler. His mural-like paintings were influenced by Mark Rothko's monochrome surfaces, which he restated as fields of closely stacked translucent spheres. Born in San Mateo, Calif., Frands studied botany, medicine, and psychology at the University of California at Berkeley. After the mid-1960s he lived primarily in the Los Angeles area, where he was a founding trustee of the Museum of Contemporary Art. His work is in museums around the world and has been the subject of several retrospectives.
Jane Hayward, curator of medieval art at the Metropolitan Museum of Art and an authority Iris Cheney, 1929-1994 on stained glass, died October 30,1994. In 1972, Laura Ruby, The Clue of the Leaning Chimney- Nancy Drew Series, serigraph, 22" x 30" Iris Cheney, a specialist in Italian art of the 16th century and professor of art history at the Richard Krautheimer, 1897-1994 University of Massachusetts, Amherst, died of lung cancer on September 29,1994. A graduate immigrated to the U.S. in 1935, where he taught of Wellesley College and the Institute of Fine at the University of Louisville, Vassar College, Arts, New York University, she received the and at New York University's Institute of Fine Douglas Kenney. Artist and Totem Pole#3. CAA Arthur Kingsley Porter Prize for her article Arts. In addition to hundreds of scholarly 1992, ceramic/steel, 114" 32" x32" "Francesco Salviati's North Italian Journey" (Art PHOTO: KAREN ROBIN. 1994 articles and reviews, Krautheimer wrote many Bulletin, December 1963). Cheney came to the books, those in English including Studies in Early University in 1967 after work as a research Christian, Medieval, and Renaissance Art (1969) assistant at the Frick Collection and teaching at and Glliberti's Bronze Doors (1971), as well as Barnard College, Yale University, and Smith three works on urban history: Rome: Portrait of a College. Her enduring commitment to the City (1980), for which he won the CAA Charles educational goals and cultural concerns of our Rufus Morey Award, Three Christian Capitals discipline, her breadth of knowledge and (1983), and The Rome of Alex(mder VII (1985). His understanding ranging far beyond her Early CllJ'istial1 and Byzantine Architecture (1965) specialization, and the inspiration and guidance won the Alice David Hitchcock Award of the she provided for vast numbers of students Society of Architectural Historians. He received forged a deep respect for her as teacher and the CAA Distinguished Teaching of Art History scholar, and for the many roles that she played Award in 1987. among us. It was characteristic of Iris that, throughout Jane Hayward, 1918-1994 her 27-year career at the university, she played a
CAA NEWS JANUARY/FEBRUARY 1995 15 14 CAA NEWS JANUARY/FEBRUARY 1995 • r
The department of art and art history of the University of Texas at Austin has appointed three assistant professors: Penelope Davies George S. Keyes has been named Elizabeth and speciali7.es in the art and architecture of ancient Allan Shelden curator of European paintings at Diane Edison, professor of painting and Greece and Rome; Janice Leoshko in Southeast the Detroit Institute of Arts. Grants, printmaking, University of Georgia, Athens, Asian art; and Michael Charlesworth in received a Southern Arts Federation NEA European 18th- and 19th-century art. Marilyn S. Kushner has been appointed curator Fellowship for painting, drawing, and works on and department head, prints and drawings, at Awards, & paper, as well as a 1994 junior faCulty research the Brooklyn Museum. grant from the University of Georgia at Athens. Museums and Galleries Honors Ryk Ekedal will be artist-in-residence in painting at the Bemis Center for Contemporary Arts in Omaha, Neb., January-March 1995.
W. Rod Faulds has been appointed chief Publication policy: Only grants, awards, or hOllOrs Elise Goodman was awarded a 1994 NEH exhibition designer at the Brooklyn Musuem received by individual CAA members are listed. The Summer Stipend supporting her book-length grant/award/honor amount is not included. Please study The Portraits of Mme de Pompadour: Mark M. Johnson has been named director of note the fallowing format: cite name, institufional Celebrations of the Ferrune Savante. the Montgomery Museum of Fine Arts, affiliation, altd title of the grant, aWa/'d, or honor, and Fabrizio Mancinelli Montgomery, Ala. (optional) use or purpose of grant. Please indicate Kenneth Haltman has been awarded an NEH that you are a CAA member. Postdoctoral Research Fellowship at the Henry Francis du Pont Winterthur Library, Museum, and Botanical Gardens to pursue work on a cultural history of early 19th-century ethno graphic portraiture in the U.S. Fabrizio Mancinelli, Vatican Curator in charge Kathleen Desmond Easter, Central Missouri of the restoration of Michelangelo's Sistine State University, Warrensburg, Mo., formerly Leo F. Hobaica, Jr., received a grant from ceiling and Last Judgmenf, died last spring. In his dean of graduate studies and research, and LD.E.A., Sacramento, Calif., and has completed memory, scholars in Italy and the U.S. have professor of art, has been appointed assistant Lucy Barber received a Pollock-Krasner FOlmdation grant in September 1994. a site-specific installation titled Art House: opened a scholarship fund for his tvvo sons. If provost for academic affairs and professor of art. Sensored XXx. He has also won a national you wish to contribute make your check payable competition to do a permanent public art piece Thomasine Bradford, State University of New to Mancinelli Scholarship Fund, account no. 592- Kenneth Raltman will be visiting assistant for the city of Oakland, Calif. 04A98, and send to: Merrill-Lynch, 200 Concord professor in art history at Emory University in York, Stony Brook, has been awarded the Plaza, Ste. 100, San Antonio, TX 78216. spring 1995. Goldberger Fellowship, to be used her final year Marianna Shreve Simpson in the Masters of Art Criticism program. Karen Home has been awarded a 1994-95 E.D. Foundation grant to expand her series of Barbara Jaffe has been appointed to the paintings of New York parks. Ava Ciliberti Eckhardt has received a Commu Sir John Pope-Hennessy, a former mUSeum photography dep~rtment at Sarah Lawrence Marianna Shreve Simpson has been named nity Action Grant from the American ASsocia director, an authority on the Italian Renaissance, College as a hal£-tlll1e guest faculty member for I r assistant director for curatorial affairs at the tion of University Women Educational Kirsten Kucer, State University of New York, and the head of European painting at the the 1994-95 academic year. Walters Art Gallery, Baltimore, Md., effective Foundation to produce a videotape about Stony Brook, has been awarded the Goldberger Metropolitan Museum of Art from 1977 to 1986, March 1995. women living with AIDS and HIV. She also Fellowship, to be used her final year in the died October 31, 1994, at the age of 80. He was Deb Stoner has been appointed to teach M.F.A. program. received the New York State Business and the only person to have served as director of jewelry/metalwork with the Univ~rsity of Richard V. West has been appointed director of Professional Women's Grace Legendre both the Victoria and Albert Museum 0967-73), Georgia Studies Abroad Program m Cortona, the Charles and Emma Frye Art Museum, fellowship and the Warren and Maria Olmsted John H. Jacobsmeyer is the recipient of the 1994 and the British Museum (1974--76). Pope Italy. Seattle, Wash. He had been director of the Women's Week awards. Basil H. Alkazzi award. He "vill set up a studio Hennessy never had any formal training in art Newport Art Museum since 1992. in the Boston area. history. After graduating from Balliol CoBe.ge, George S. Keys Oxford, in 1935, he spent two years on a pnvate Gregory M. Wittkopp has been promoted to art-history study tour of Europe, where he director of Cranbrook Art Museum traveled, looked, thought, and wrote. Through out his long career in museum work he researched and wrote many books, providing a Organizations panoramic survey of painting and sculpture in Italy from the early Renaissance to the Baroque. Among the individual artists whom he surveyed at length and in depth were Domenichino . Eleanor Fink has been appointed director of the (1948), Pra Angelico (952), Luca della Robbla Getty Art History Information Program. (1980), and Donatello (1993). Michael Flack has been named director of the Drawing Society in New York.
Academe
Matthew Biro has taken a tenure-track assistant professor position at the University of Michigan. He works half-time in the History of Art department, teaching critical theory, methodol ogy, and 20th-century art, and half-time in the Residential College, Michigan's interdisciplinary liberal arts program, in the field of 20th-century arts and ideas. Penelope Davies, Janice Leoshko, and Michael Charlesworth John H. Jacobsmeyer
16 CAA NEWS JANUARY/FEBRUARY 1995
CAA NEWS JANUARY/FEBRUARY 1995 17 Stephen Lane received a 1994 Ponock~Krasner ton, DC 20007; 202/342-3272. Deadline: March 15, the museum's 16th- and 17th-century paintings, background information, and succinct and Foundation grant. 1995 (March 2, 1995 if senf from abroad). the program will examine many of the complex eloquent introductory material and annotations. Conferences factors that concern working within an artistic Opportunities $1,000 prize. Send a letter of nomination and Julie Langsam received a 1994 Pollock-Krasner 1995 16th~Century Studies Conference, October tradition, including workshop practices, four copies of each eligible volume to: Morton FOlmdation grant. 26-28,1995, San Francisco, seeks 20-minute patronage and its impact on the artist's creation N. Cohen Award, Modern Language Associa & Symposia presentations. For information: Yael Even, Art ofinnovative or conservative work, the artist's tion, 10 Astor Place, New York, NY 10003-6981. Vivian B. Mann, chair of Judaica, Jewish and Art History, UM-St. Louis, ST. Louis, MO individual character and imagination, and the For information: Richard Brod, 212/614-6406. Museum, and director, Manelan Institute for 63121-4499. Send abstracts to: Lynette Bosch, Art weight of stylistic trends. For information: Deadline: May 1, 1995. Jewish Art, has been awarded a 1994 NEH History, Brandeis University, Waltham, MA Palmer Museum of Art, Pennsylvania State Fellowship for College Teachers and Indepen 02254-9110. Deadline: April 1, 1995. University, University Park, PA 16802; 814/865- dent Scholars. She will research and write a 7672; fax 814/863-8608. book titled Jews and Art mId Jewish Art: Sources Center and Periphery: Questioning the and Documents. She has also been appointed a Primacy of France in the study of Medieval Art Palestine and Transjordan before Islam is the Calls for Entries fellow of the Institute for Advanced Study, is the theme of the Robert Branner Forum for theme of the annual Byzantine Symposium at Hebrew University, Jerusalem, spring semester Medieval Art of the Department of Art History Dumbarton Oaks, April 28-30, 1995. The Awards 1996. and Archaeology at Columbia University, symposium will feature historians and ArHn~Architecture commission available for an November 18, 1995. Since the last century archaeolOgists from many countries and will interior location at the offices of the Department Calls for Papers of Veterans Affairs in New York, sponsored by Janet Conlon Manyan will be in residence at the scholars have tended to privilege the role of study the late antique society of this region from The Basil H. Alkazzi Award provides $5,000 for the General Services Administration (GSA). Millay Colony for the Arts in Austerlitz, N.Y. for France in the artistic development of medieval the historical, social, and economic points of the best artist and/or art student's seriously the month of December. Europe, often marginalizing the achievements of view. For information: Dumbarton Oaks proposed application. TIle award may be used to Commission amount is $32,000, which covers all costs associated with the project, including Comedy and Laughter (in Music, Film, other regions. Art historians are invited to Byzantine Center, 1703 32nd St., NW, Washing travel and study, to set up a studio and further a fabrication, installation, and travel. Artwork Lyle Salmi, adjunct assistant professor of art, Painting, Drawing, Dance, Theater) is a present papers that explore this theme as it ton, DC 20007; 202/342-3245. career, or to continue an art-based education. may be 2- or 3-dimensional and consist of Millikin University, Decatur, Ill., is the recipient symposium sponsored by the International relates to architecture, sculpture, painting, or Open only to painters who must be U.S. citizens painting, sculpture, photography, and/or of a 1994-95 Arts Midwest/NEA Regional Society of Phenomenology and the Fine Arts, other media. Send 250-word abstract for 25- Places of Commemoration, Search for Identity, aged 18--34. One work of the winner will be architectural arts. Candidate may be individual Visual Arts fellowship in painting. April 8, 1995. Send 1-2-page abstract to: Marlies minute paper presentation to: Brarmer Forum and Landscape Design is the topic of the next acquired. Applicants must send 6 slides, as well artist or team of collaborators. For infonnation: Kronegger, Michigan State University, Romance for Medieval Art, Department of Art History Dumbarton Oaks Center for Studies in as 4 color or black-and-white prints of their Meredith Fisher, Art-in-Architecture Program, Rebecca Silberman will be visiting artist at the and Classical Languages, 313 Old Horticulture and Archaeology at Columbia University, 826 Landscape Architecture symposium, May 19-20, work (10 different images), a full resume General Services Administration, 18th and F University of Wisconsin-Marchfield, November Bldg., East Lansing, l\III 48242-1112. Deadline: Schermerhorn Hall, Columbia University, New 1995. It will discuss the role of landscape induding date of birth, a head and shoulder 7-December 16, 1994. February I, 1995. York, NY 10027. Deadline: May I, 1995. architecture in the design of commemorative photograph, and a handwritten statement as to Streets, NW, Rm. 1300, Washington, DC 20405; 202/501-0365. Deadline: January IS, 1995. places that help shape and construct people's why they are applying and how they propose Michael Warrick, associate professor of art, Visions and Revisions: Interdisciplinary Society for Utopian Studies annual meeting, memory and identity. For information: Studies using the funds. Nine international reply University of Arkansas at Little Rock, received Approaches to Art History is the theme of the October 19-22, 1995, in Toronto, seeks paper in Landscape Architecture, Dumbarton Oaks, coupons must be enclosed to cover return The Creative Will, a national juried biennial, seeks entries from artists who have multiple the Visual Arts Grant from the Southeastern 1995 Whitney Symposium on American Art and proposals. Send I-page abstract for individual 1703 32nd St., NW, Washington, DC 20007. postage. Send entry to: Basil H. Alkazzi Award College Art Conference for his exhibition Culture, April 29, 1995. Twenty-minute papers papers and proposals for panels or sessions to: (USA), BCM Box 6314, London WCIN 3XX, sclerosis. By showing their artwork as a group, finalists will raise awareness about MS and the proposal to complete and put on tour a are invited from graduate students at all levels. Merritt Abrash, Box 237 RDl, Stephentown, NY Cultural Cross~Currents: Spain and Latin England. Entries may arrive betweell May 1 and sculptural series titled The Astronomer's Dream: Papers may use traditional art historical or 12168; 518/733-5586. Deadline: May 15, 1995. America, ca. 1550~ 1750 is the theme of the 12th August 15 each year. need for public support for research and Objects/ I nstalla NailS. alternative methodological approaches. Send cross-diSCiplinary Aston Magna Academy, to be services. Original works in all media are eligible. abstract, 1,000 words max., with resume, to: held June 18--July 8, 1995 in New Brunswick, The Modern Language Association Prize for a For information: Andrea Furey, Project Carol Williams, doctoral fellow in history, Constance Wolf, Whitney Museum of American N.]. Faculty lectures, demonstrations and master Distinguished Scholarly Edition is awarded to Rembrandt, National Multiple Sclerosis Society, Rutgers, State University of New Jersey, and Art, 945 Madison Ave., New York, NY 10021. To Attend classes will be supplemented by discussion the editor of a volume published in 1993 or 1994. 733 Third Ave., New York, NY 10017-3288; 212/ 476-0442. Deadline: January 20, 1995. LyIUle Bell, associate professor in the depart Deadline: February 10, 1995. groups, readings of drama, poetry, and music. To qualify, an edition should be based on an ment of art and art history, University of Twenty-two NEH fellowships will be available examination of all available relevant textual Sculpture and Photography is the theme of a for full-time humanities faculty at American In - queer- ies is the theme of the first edition of Saskatchewan, are joint recipients of a Social The Spoils of War-World War II and Its sources; the source texts and the edited text's conference to be held at University College colleges. Umited scholarship assistance will be Take Issue, a publication of 494 Gallery, New Science and Humanities Research Council of Aftermath: The Loss, Reappearance, and deviations from them should be fully descnbed; London, June 16-17, 1995. Speakers will discuss available for those not qualifying for NEH York. Artwork and writing submissions are Canada grant for research in feminist debates on Recovery of Cultural Property, sponsored by the edition should employ editorial principles the impact photography has had on the study of requested. Send labeled proof prints or copy the visual arts. the Bard Graduate Center for Studies in the stipends. For information: Joseph Darby, 120 W. appropriate to the materials edited, and those sculpture, as well as the role played by images slides, along with artist statement, vita, and $15 Decorative Arts, January 19-21, 1995, will 44th St., #1001, New York, NY 10036-4020; 212/ principles should be clearly articulated in the of sculpture in the history of photography. Send 819-9123; E-MAfL [email protected]. submission fee. For infonnation: Shari Diamond, Janice W. Yellin, associate professor of art provide a forum for discussions relating to volume; the text should be accompanied by I-page proposal to: Geraldine Johnson, Dept. of 718/852-6244; fax 718/875-9344; or Joatme history, Babson College, Wellesley, Mass., has cultural property displaced during and after appropriate textual and other historical History of Art, University College London, Seador, telephone and fax 718/279-9526. been awarded a 1994-96 Senior Research Grant World War n. $130 for 3 days (half price for contextual information; the editor should exhibit London WCIE 6BT, UK; fax 44 71 916 5939. Deadline: February 1, 1995. from the J. Paul Getty Foundation to collaborate student and senior admission), $90 for 2 days, the highest standards of accuracy in the Deadline: February 20, 1995. on the publication The Royal Pyramid Chapels of $50 for 1 day. For infonnation: Bard Graduate presentation of its text and apparatus; and the State of the Art: The Hand-Made Print and Ancient Kush. Center, 18 W. 86th St, New York, NY 10024; apparatus should be presented as accessibly and The Colonial Revival in New England is the Photo~Mechanical Reproduction seeks entries 212/721-4245. elegantly as possible. $1,000 prize. Send four Fulbright Scholarship awards have been theme of a symposium sponsored by Historic copies of the edition and a letter identifying the for an exhibition that will explore work being Deerfield, Inc., and the Grace Slack McNeil done by printmakers using various methods of announced and the following CAA members The American Photograph as Social and work to: MLA Prize for a Distinguished Program in the History of American Art at photo-mechanical reproduction-conventional, have been honored in the fields of art and art Cultural Document is the bierurial symposium Scholarly Edition, Modem Language Associa Wellesley College, November 17-18, 1995. 250- experimental. electronically imaged-any print history. Their destinations are induded. Joan in American art sponsored by the department of tion, 10 Astor Place, New York, NY 10003-6981. word proposals should be sent with c.v. to: process that is photographically based. Send SASE Backes, Chile; Dornith Doherty, Mexico; art history at the University of Delaware, March For infonnation: Richard Brod, 212/614-6406. Kenneth Hafertepe and James F. O'Gonnan, for prospectus: The Hand-Made Print and Patricia J. Fay, St. Lucia; April G. Funcke, 31,1995. Scholars of photography, history, and Deadline: May L 1995. Office of Academic Programs, Historic Photo-Mechanical Reproduction, CEPA Gallery, Russia; Janet Goldner, Mali; Susan L. Hunting American studies will explore the critical role Deerfield, Inc., Deerfield, MA 01342. Deadline: 700 Main St., 4th floor, Buffalo, NY 14202. ton, Nepal and Bangladesh; Debra Koppman, photography has played in shaping American The Morton N. Cohen Award for a Distinw February 28, 1995. Deadline: Februal1j IS, 1995. Peru; Steven A. Mansbach,. Germany; Debora culture from the medium's 19th-century origins guished Edition of Leiters is given by the A. Rindge, Britain. to the present. For information: Department of Committee on Honors and Awards of the The 21st Annual Byzantine Studies Confer Work in Enamel: $1,000 purchase award to art Art History, University of Delaware, Newark, Modern Language Association. The committee is ence, November 9-12, 1995, New York student currently enrolled in degree/diploma DE 19716-2516; 302/831-8415; fax 302/831-8243. soliciting entries of collections of letters University, is a forum for the presentation and published in 1993 or 1994. A multivolume program who works in enamel (glass On metal). discussion of papers on every aspect of Winning enamel will be exhibited at the Continuity, Innovation, and Connoisseurship: ( edition is eligible if at least one volume has been Byzantine history and culture and is open to all Enamelist Society Convention, Hampton, Va., Old Master Paintings at the Palmer Museum published during that period. The winning Send abstracts to: Mary-Lyon Dolezal, August 1995, and subsequently housed at the will be held March 31-Apri12, 1995, at the collection will be one that provides readers with Dumbarton Oaks, 1703 32nd St., NW, Washing- Enamelist Society Museum, Cold Spring, Ky. For Palmer Museum of Art. Centered around six of a clear, accurate, and readable text, necessary application send SASE to: Maureen Cole, 3182
18 CAA NEWS JANUARY/FEBRUARY 1995 CM NEWS JANUARY/FEBRUARY 1995 19 • Tallmadge Rd., Kent, Ohio 44240; 216/325-2154. terminal degree in their field, must be citizens or and restoration. Applicant must be currently 55101-1312. Deadline: March 1 for following Tile Rutgers Art Review, a publication of the Deadline: February 15, 1995. permanent residents of the U.S., and must be enrolled in graduate school full-time and be a academic year. Institutes to be held in the U.S. and abroad in the scheduled to read a paper or to have some other U.S. citizen. For application: Pittsburgh graduate students of Rutgers University art summer of 1995. The folJowing are a list of those Seductive Matter: Sensual Form is a competi major, official role in the meeting. For applica Foundation, 1 PPG Pl., 30th fl., Pittsburgh, PA history department, seeks submissions from The Center for Advanced Study in the Visual that may be of interest to CAA members. tion for an exhibition of sculpture involving tion information: Office of Fellowships and 15222-5401; 412/391-5122. Deadline: Ja/man) 31, graduate students and recent PhD.s. Published Deadline: March 1, 1995. Arts offers senior fellowships, visiting senior strategies of bodily seduction through sensual Grants, ACLS, 228 E. 45 St., New York, NY 1995. articles will be scholarly contributions and fellowships, and predoctoral fellowships. forms, sponsored by the Washington Sculptor's 10017-3398; fax 212/949-8058. Deadline for request should conform to Chicago Mnlwal of Style. Send Candidates for the senior and visiting senior Gothic in Ile-de-France. (Paris). Stephen Group. Artists must be residents of mid-Atlantic for applicatioll: January 27,1995. Deadline for The Asian Cultural Council awards grants to two copies to: Maurice Rose/Maggie Patrick, fellowships should have held the Ph.D. for five Murray, c/o Summer Session Office, 419 states (N.Y., N.J., Pa., Va., Md., W.Va., D.c.). receipf of completed app/icntioll: Febnwnj I, 1995. American scholars, arts specialists, and graduate Rutgers Art Review, Voorhees Hall, College years or more or lmve a record of professional Lewisohn Hall, Columbia UniverSity, New York, Send SASE for prospectus to: WSG, 5402 Kings shtdents for travel and research in Asia. Grants Avenue Campus, Rutgers, the State University accomplislunent. Scholars are expected to reside NY 10027; E-MAIT.: sM42@COLUMtHAEDU. Park Dr., Springfield, VA 22151. Deadline: March AAM Curators' Committee Travel Stipend are available in such areas as archaeOlogy, of New Jersey, New Brunswick, NJ 08903. in Washington, D.C., for the duration of the 6,1995. Award: partial support available for one curator architecture, analysis of religion and the arts, fellowship period and to participate in the War and Memory: Postwar Representations of to attend AAM annual meeting in Philadelphia, and research on Japanese art and culhtre. For activities of the center. Grants are based on World War II and the Occupation in France. Jewish Community Centers Association of May 21-25, 1995. Applicant must be at information: Asian Cultural Council, 1290 individual need. Predoctoral fellOWShips may Susan Suleiman, Dept. of Romance Languages, Greater Los Angeles is sponsoring the Barbara begirming of professional cmatorial career, work Avenue of the Americas, New York, NY 10104; vary in length from one to three calendar years Publications Harvard University, Cambridge, MA 02138. Bay Graphic Arts Memorial Award and in a museum as a full-time curator with 212/373-4300; fax 212/315-0996. Deadline: and are intended to support doctoral disserta Exhibition. The theme is "Social Justice: You collections and exhibitions responsibilities, and February 1, 1995. tion research. Candidates must have completed Death, Commemoration, and Society in Shall Teach These Words to Your Children." be a first-time participant at the annual meeting. residence requirements and course work for the The Artist's Complete Health and Safety Ancient Rome (American Academy in Rome). Submit a letter detailing responsibilities, Department of Art and Art History at the Artists of <111 faiths are invited to submit recent Ph.D. as welI as general or preliminary Guide, by Monona RossoI, is a guide to staying John Bodel and Richard Sailer, Dept. of Classics, works of art. For prospectus: JCCA, 213/857- professional activities, professional goals, find a University of Delaware has financial aid awards examinations before the date of application. healthy for artists, crafts people, teachers, and Rutgers University, New Brunswick, NT 08903- 0036, ext. 2242. Deadline: March 20, 1995. statement of purpose in attending the meeting. available in support of study toward the M.F.A. Students must know two foreign languages students. It details the often hazardous world of 0270; B-MAIL: [email protected]. Include resume, letter of support from in painting, photography, printmaking, related to the topic of the dissertation. Applica pigments, dyes, inks, and solvents that can instihttion, and letter of support from a sculpture, and ceramics. The fOllowing are Phoenix Gallery National Juried Competition: tions must be made through the chair of the endanger the user's health. This revised and The Culture of London,.. 1850-1925 (Instihtte of Solo/group show awards. Send SASE for curatorial sponsor. Send 3 copies of application categories for which awards are available: graduate department, who acts as Sponsor. For llpdated edition reflects new developments, Historical Research, London). Michael prospectus to: Phoenix Gallery, 568 Broadway, to: Leisa Rundquist, South Bend Regional minority fellows, graduate fellows, graduate information: Fellowship Program, CASVA, materials, and safety standards. Levenson, Dept. of English, University of New York, NY 10012. Deadline: March 24, 1995. Museum of Art, 120 South St. Joseph St., South assistants, and tuition scholars. Send one page of National Gallery of Art, Washington, DC 20565; Virginia, Charlottesville, V A 22903; Ii-MArL: Bend, IN 46601. Deadline: January 29, 1995. slides, resume, SASE, and letter of intent to: Larry 202/842-6482; fax 202/408-8531. Fundamentals of Local Arts Management is [email protected]. Artemisia Gallery, Chicago, a nonprofit Holmes, Dept. of Art, University of Delaware, published by the Arts Extension Service, cooperative, armounces exhibition opportunities. CAA Professional Development Fellowships Newark, DE 19716. Deadline: Febman) 15, 1995. The International Research and Exchanges Division of ContinUing Education,. University of Surveying Paris: Urban Space and Urban for Artists and Art Historians are available to Members jury slides monthly for solo and group Board (lREX) has several programs that provide Massachusetts. It is a technical assistance Culture in the Early Modem City (Paris). Karen shows. Rental fees vary. Send 10 slides, vita, and terminal degree students earning an M.A. or The U.S. Capitol Historical Society Fellowship funding for American scholars in the humanities notebook, a compilation of the best articles Newman, Dept. of Comparative Literature, SASE to: Artemisia Gallery, Search Committee, Ph.D. in art history, or an M.F.A. in studio art in is available to support research and publication and social sciences. These include individual written on community arts organization Brown University, Providence, RI 02912; E-MAIL: 700 N. Carpenter St., Chicago, IL 60622. the spring of 1996. Fellowships provide funding on the history of the art and architecture of the advimced research opportunities, research development. Hundreds of articles are [email protected]. for two years. In the first year, shtdents are U.s. Capitol and related buildings. Open to residencies, special projects in library and conveniently categorized in eight chapters. Coleman Gallery is accepting applications from awarded direct grants toward meeting expenses graduate students and scholars who may apply information science and short-term travel grants. $25.00, plus $3.50 shipping in New England, Re-Imagining Societies: The Middle East and contemporary artists working in all media for in preparing their dissertation, thesis, or for periods ranging from one month to one year. {I For a copy of the IREX Grant Opportunities for us $3.75 outside of New England. AES, Division of Central Asia Dale F. Eickelman, Asian Studies the 1994-96 exhibition calendar. Send slides, exhIbition. In the second year, after completing Stipend of $I,500/month. For information: Scholars: International Research and Exchanges Continuing Education, 604 Goodell Bldg., Program, 6191 Bartlett, Dartmouth College, their degrees, fellows are placed in professional Barbara Wolanin, Architect of the Capitol, resume, proposal, and SASE to: Coleman Gallery, _.,- Board, 1616 H St., NW, Washington, DC 20006; UniverSity of Massachusetts, Amherst, MA Hanover, NH 03755-3530; E-MAIL: C.EICKELMAN 519 Central Ave., Albuquerque, N1V187102. positions in partnership institutions that may Washington, DC 20515; 202/228-1222. Deadline: 202/628-8188; fax 202/628-8189. 01003; 413/545-2360; fax 413/545-3351. @DARTMOUTH.EDU. include museums, universities, or art centers. February 15, 1995. Halpert Biennial, sponsored by Appalachian For information: Fellowship Program, College The International Review of African American The Politics of Culture and Identity: Pacific State University and Catherine J. Smith Gallery, Art Association, 275 Seventh Ave., New York, The Claudia de Hueck Fellowship, of $15,000, Art is the only publication devoted primarily to Island Perspectives. Geoffrey White and seeks entries. All entries must be 2-dimensional NY 10001; 212/691-1051 Deadline: January 31, is awarded alillually by the National Gallery of Internship African American art. For 18 years the Review Lamont Lindstrom, Program for Cultural and available for installation during summer 1995. Canada's Canadian Centre for the Visual Arts. It has covered painting, sculptme, printmaking, Studies, East-West Center, Honolulu, HI 96848; 1995. Send SASE for prospectus: Terry Suhre, is open to teachers, artists, scientists, art photography, material culhtre, and art theory. It E-MAIL: [email protected]. Catherine J. Smith Gallery, Appalachian State Small Museum Administrators' Committee is historians, curators, conservators, and other is now published at Hampton University, University, Boone, NC 28608. offering a $200 scholarship for attendance at the scholars who have at least an M.A. or equiva National Museum of American Art, WaShing Hampton, Va. For information: Hampton From the Work of Art to the Workings of the 1995 American Association of Museums annual lent, and who have proven experience, through ton, D.C., invites graduate students to apply for University Museum, 804/727-5308. Media: Communication and Signification in Ninth Rosen Outdoor Sculpture Competition meeting, May 21-25,1995, in Philadelphia. publications, exhibitions, or other means, in its internship program. Interns will work Walter Benj amin and Other Theorists. Sc1.muel and Exhibition, sponsored by Appalachian State Applicants must be current SMAC members and exploring the creative interactions between art directly with Smithsonian museum specialists Weber, Program in Critical Theory, 2225 Rolfe University, seeks entries. Send SASE for employed in a museum with a budget under and science. For information: Gyde V. Shepherd, for one or two semesters. The advanced level Hail, University of California, Los Angeles, Los prospectus: Terry Suhre, Catherine J. Smith $250,000. Only one npplimnt per museum Canadian Centre for the Visual Arts, National intern program is structured to meet the needs Residency Angeles, CA 90024-1530; E-MAIT.: WIiBER@ eligible. Submit a letter, 2 pp. max., detailing Gallery of Canada, 380 Sussex Dr., PO Box 427, of students seeking graduate degrees in art Gallery, Appalachian State University, Boone, ------HUMNET.UCLA.EDU. NC 28608. responsibilities, activities (previous workshops, Station A, Ottawa, Ontario, KIN 9N4; 613/990- history, American studies, or studio art. For conferences, professional services), and career 1933; fax 613/990-6190. Deadline: Febr~ary 28, information: Judith Houston,. 202/357-2714. The History of a Modern Metropolis: New Vermont Studio Center offers year-round goals. Indicate how attendance at the annual 1995. Deadline: March I, 1995. York, 1870-1940. Thomas Kessner, Ph.D. program and residency experiences to emerging meeting would benefit you and your museum. Program in History, City University of New and mid-career visual artists and writers. Two Include resume, brochure from museum, proof The Camargo Foundation offers fellowships to York Graduate Center, 33 W. 42 St., New York, and four-week program sessions are offered Grants and Fellowships of museum's budget size, and letter of support scholars and creative artists who wish to pursue NY 10036; Ii-MAIL: KES@CUNY\fMS1.GC.CUNY.EDU. ---- from instihttion (board member, executive studies in the humanities and social sciences Calls for Manuscripts featuring prominent resident and visiting staff artists, while 2-12-week reSidency sessions director). Send 3 copies of application to: Lisa related to Frenchand francophone cultures. The Imagining the Past: Texts, Artifacts, and provide independent studio retreats. For Tremper Barnes, Philip and Muriel Berman foundation maintains a center in Cassis, France, Ancient Israelite Religion. William Dever, ACLS Travel Grants are available to assist information: Vermont Shtdio Center, PO Box Museum of Art at Ursinus College, PO Box 1000, where it offers, at no cost, eleven furnished scholars in all fields of the humanities and Essay on 20th-Century Enameling: $1,000 Department of Near Eastern Studies, University Collegeville, PA 19426-1000. Deadline: MarchI, apartments, a reference library, an artist's 613N, Johnson, VT 05656; 802/635-2727; fax 802/ humanities-related social sciences to participate award available for historical and/or creative 635-2730. of Arizona, Tucson, AZ 85721; E-MAIL: NEAREAST shtdio, a composer's shtdio, and a in international meetings held outside the U.S. 1995. essay written by an art or art history student @CCIT.ARIZONA.EDU. and its dependencies. The grants are $500 and photographer's darkroom. No stipend is currently enrolled in a degree or diploma The Walter Read Hovey Memorial Fund, available. Term of residence is usually one are meant to offset air travel from and rehlrn to program. Essay will be published in October Study Russian art and architecture at the established at the Pittsburgh Foundation, semester. Applicants from all countries are the U.s. and other essential expenses of 1995 issue of Glass 011 Metal magazine. For Workshops and Schools Institute of Art History in Moscow, summer provides $3,000 to help further the career of welcome. For information: H..icardo Bloch, ( attendance, such as registration fee, food, and application send SASE to: Maureen Cole, 3182 1995. Includes 17-day program of lectures, visits graduate students in art history or in such lodging. Applicants must hold the Ph.D. or Camargo Foundation, W. 1050 First National Tallmadge Rd., Kent, Ohio 44240; 216/325-2154. to museums, estates, and monasteries, and field related fields as museum work, conservation, Bank Bldg., 332 Mirmesota St., St. Paul. MN Deadline: February IS, 1995. National Endowment for the Humanities trips to Vladimir, Sergiev Posad, and armounces its Summer Seminars and Summer Abramtsevo. For information: James M. Curtis,
20 CAA NEWS JANUARY/FEBRUARY 1995 CAA NEWS JANUARY/FEBRUARY 1995 21 Dept. of Gennan Studies and Asian Studies, University of Missouri-Columbia, Columbia, Miscellany Information Wanted '------For rent: attractive furnished bedroom. view in Tribeca. No live. Available May MO 65211; E-MAIL: [email protected]; Classified Ads or William Brumfield, Dept. of German and NYC, upper East Side near museums. I-july 31, 1995. $500. Both for $1,000/ Russian, Tulane University, New Orleans, LA Suitable visiting woman scholar. month. 718/486-5472. 70118; E-lI'IAIL: BRUMFlliL@wWLHOST. TCS.TULANE.EDU. Doorman building. Good transporta Deadline: Marcl115, 1995. tion. Security and references required. Visual Artists Rights Act Update: three New Rockwell Kent: American realist painter, $200/week; min. 3 weeks. Call DG Institutions of Enlightenment: The Invention York artists successfully invoked the federal author, illustrator, and political activist, 1882- Associates, 212/226-4134. of the Public Sphere is a summer institute for Ars Grammatica: Italian language Visual Artists Rights Act of 1990 (VARA), which 1971, who worked primarily in New York, the college and university professors at Stanford school, Florence, Italy, offers year-round prevents any "intentional distortion" hannful to Berkshires, Maine, Newfoundland, Alaska, and University, July l1-August 18, 1995. In courses in Italian language of all levels, Fresco Painting and Stucco-Marmo the artists' reputation or "destruction of a work Greenland. Documentary material and exploring the nature and foundations of the Scagliola Workshops-Ceri, Italy: 40 of recognized stature," to prevent the disman infonnation about works in oil are sought for a including private lessons, history of public sphere created in the 18th century, the catalogue raisonne of the paintings, currently in architecture and art, literature and kilometers north of Rome, July 6-26, institute seeks to offer participants new ways to tling of a sculptural installation in Queens, NY progress. Richard V. West, Charles and Emma 1995. Live/work in an unusual 16th approach the Enlightenment as a historical cultural history (in English), and fashion Videos available from Getty Center for Frye Art Museum, PO Box 3005, Seattle, WA century palazzo. All aspects of fresco phenomenon, to understand its continuing design. All courses in Italian unless Education in the Arts. "Art Education is More 98114; fax 206/223-1707. relevance to contemporary humanistic concerns, otherwise noted. Accommodations painting and scagliola are covered. Field than Art Education" is a 10-minute video that and to open up the pedagogical implications of available in the heart of Florence in trips included. Write/call for further focuses on several topics relevant to educational Paul Suttman (1933-1993): for a catalogue and details. Accadernia Caerite, Inc. (for recent research. For infonnation: Margaret biography of the sculptor, information is sought apartments or with Italian families. The Tompkins, Seminar on Enlightenment and reform, including the vital relationship of art merly Fresco Associates), 133 Greene St education to interdisciplinary learning, cultural on the whereabouts of works, reminiscences, school is organized to suit the particular Datebook Revolution, c/o Dept. of French and Italian, New York, NY 10012; 212/473-5657 or ., diversity, student assessment, critical thinking, memorabilia, and biographical information. needs of the students and extra Stanford University, Stanford, CA 94305-2010; and workforce readiness, among others. $10.00 Virginia Bush Suttman and Florence Gilbard, PO 914/762-2970; fax 212/777-7551 or 914/ 415/723-1356; fax 415/723-0482. curricular activities are regularly "Art Education in Action: An All Box 37, South Kent, CT 06785; 203/927-3684; fax planned. Write to: Ars Gramrnatica, via 271-3380. 203/927-5301. Sex and Gender in the Middle Ages is a Participants Day Video Teleconference" II Corso, 12, Florence 50122, Italy; January 25-28, 1995 docmnents the Getty Center's first national summer institute sponsored by the Medieval (3955)283-102; fax (3955)217-985. Full-Color Exhibition Announcements. Annual conference, San Antonio, Texas video teleconference, held in April 1994 as a Institute, University of Notre Dame. For Gallery full-color postcards, catalogues, tribute to the individuals across the country who information: Edward D. English, Medieval have advanced the quality of art education in Art Translations: English-German or and posters. 12 pt. coated stock, 200-line january 31 Institute, 715 Hesburgh Library, University of separations. Write for samples: Images Deadline for receipt of completed Notre Dame, Notre Dame, IN 46556-5629; 219/ the nation's schools and pioneered the use of a German-English at affordable rates. comprehensive approach to art education in for Artists, 2543 Cleinview, Cincinnati, 631-8304; fax 219/631-8644; E-MAIL: 803/281-9510. applications for CAA's Professional classrooms, museums, and other learning Ohio 45206. [email protected]. Development Fellowship Program for environments. Known as discipline-based art Art Workshop International, Assisi, Artists and Art Historians education (DBAE), this comprehensive approach Italy: june 21-july 19, 1995. Live and Italian Renaissance Art Tour-May 18- combines art production, art history, art 31, 1995. Travel throughout Italy with criticism, and aesthetics. $15.00 work in a 12th-century hill town February 17 Getty Trust Publications, PO Box 2112, surrounded by the Umbrian landscape. art professors, historians, students, and Deadline for submissions to March/ Santa Monica, CA 90407-2112; 800/223-3431; fax Courses in painting, drawing, other professionals to view the master April CAA News 310/453-7966. artmaking, all media, landscape works of the Renaissance. Optional painting on site, creative writing, and university credit, excellent prices. For Deadline for submissions to March screenwriting. Special program for itinerary and ftuther information: Careers professional/advanced painters and Helaine M. McLain, Northern Arizona writers. Housing, most meals, studio University, Box 6020, Flagstaff, AZ February 25 space, critiques, and lectures. Art 86011; 602/523-4560. Deadline for nominations to the CAA Workshop, 463 West St., 1028H, New Board of Directors York, NY 10014; 212/691-1159. Italy-Old Rome and Tuscany: Rome, delight£ul1-bedroom penthouse, roof MarchI Blue Mountain Gallery, 121 Wooster garden, fully furnished, convenient Deadline for nominations to CAA Street, New York, NY 10012, is looking public transportation. $1,700/month. Awards Committees for new members. If interested call Matt Also, shtnning 3-floor-house in Feinman, 212/283-3299. Tuscany-completely renovated and April 15 furnished $1,900/month. Perfect for Deadline for nominations to CAA Books on the Fine Arts. We wish to artists, writers, sabbaticals. 914/265- Committees purchase scholarly o.p. titles on Western 9452. ---- ... _- European art and architecture, review copies, library duplicates. Andrew D. San Diego cottage available for swap Washton Books, 411 E. 83rd St., New with NYC apartment for summer 1995. York, NY 10028; 212/481-0479; fax 212/ 1-2 person, near downtown and 861-0588. beaches, two patios. 619/543-0066.
Critical Conditions: Arts Criticism in Two sublets available: 700-square-foot Minnesota in the Nineties by Roy Close, Brooklyn loft. Live, possible live/work. with essays on criticism theory and Great artist's area, one stop Manhattan. practice. $10.00. Center for Art Criticism, Available May I-july 31, 1995. $700/ 2402 University Ave. W., St. Paul, MN month. Also, Manhattan studio 700 55114. square feet plus kitchen. Huds;n River
22 CAA NEWS JANUARY/FEBRUARY 1995 CM NEWS )ANUARY/FEBRUAl\Y 1995 23