newsletter Volume 14, Number 1 Spring 1989 1989 ANNUAL MEETING AWARDS AND CONVOCATION

CAA CONVOCATION HELD AT The Distinguished Artist Award for Lifetime presentation at the CAA Convocation. Any THE PALACE OF FINE ARTS Achievement went to Louise Bourgeois foreign scholars who reside outside of THEATER "as a sign of our appreciation of this North America are eligible for the grant for important artist's distinguished career and the 1990 meeting in New Yark. Please write ongoing crcative achievements." to the CAA offices in New York to request Awards for excellence in scholarship, an application fann. teaching, criticism and studio work were In addition, the College Art Association is presented at the Convocation ceremonies of very pleased to announce that the The Convocation was followed by a the 77th CAA Annual Meeting held on Librairie Leonee Laget, a prominent reception at The Exploratorium at which Friday evening. February 17. in the Palace international bookseller located in Paris, box dinners were available. An unusual of Fine Arts Theatre. Harry S. Parker, which specializes in fine arts and design, performance entitled Pneumatic Men was III, Director of the Fine Arts Museums of has generously presented the College Art given by Chico MacMurtrie and his San Francisco, delivered the opening Association with a grant of $750 to support mechanical/hydraulic performers. Also, greeting. Phyllis Pray Bober, the travel of a foreign art historian residing there was the lively Leung's White Crane President of the College Art Association, outside of North America to attend the Kung Fu Association in dragon costumes presided. meeting in San Francisco. The first celebrating the Chinese New Year. The recipient of the grant was Patricia Exploratorium itself with its hands-on Simons of The Power Institute of Fine arts/educational/scientific gadgets proved Awards were presented to twelve interesting and fun. Everyone who attended individuals: Arts, The University of Sydney, Australia. Veronique Delvaux, manager of appeared to be having a good time. Librairie Leonce Laget, made the The Distinguished Teaching of Art History Award was given to two people: Fred Licht of Boston Univcrsity and Whitney \uddard of Williams College "because , ,j .1h so eminently deserve the award that it would be unjust to indicate a preference." The Distinguished Teaching of Art Award went to Vivian Browne of Rutgers University. The Charles Rufus Morey Book Award went to Patricia Mainardi of Brooklyn College and The Graduate Center, C.U.N.Y. for Art & Politics of the Second Empire: The Universal Expositions of 1855 & 1867, Yale University Press. The Frank Jewett Mather Award went to Douglas Crimp, editor of Oerober magazine. The Alfred H. Barr, JI. Award went to Jonathan Wordsworth, Michael C. Jaye, Robert Woof, with the assistance of Peter Funnell for the book William Wordsworth and the Age of English Romantics, Rutgers University Press co-published with The Wordsworth Trust, funded in large part by the National Endowment for the Humanities. The Arthur Kingsley Porter Prize went to Edward Kaufman of Columbia University for his article "E.B. Lamb: A Case Study in Victorian Architectural Patronage" which appeared in the June 1988 issue of The Art Bulletin. The Artist Award for A Distinguished Body ~.f Work went to Elizabeth Murray, for ,o~'l'lle exhibition Elizabeth Murray: Paintings and Drawings which originated from the Dallas Museum of Art and was organized by Louise Bourgeois Sue Graze and Kathy Halbreich. Photo: © Robert Mapplethorpe

CAA Newsletter II~ 1989 ANNUAL MEETING AWARDS AND CONVOCATION Fred Licht, in your years as a teacher in The Distinguished Teaching of Art wonderful role model for us alI..." high standards. It gives me great pride to Italy and in the United States you hav~ Award presented by Nancy Macko: present the 1989 Distinguished Teacher of constantly faced the challe~g~ 0 "'b\ This year's CAA award for Distinguished A longtime colleague at Rutgers remarks: Studio Art Award to Professor Vivian E. . tr dueing a generation of UnsOphlStlcatl t~Teacher of Studio Art honors a woman "One of her great talents is her ability to Browne. In dO apparently unsusceptible younb " whose influence has been felt by hundreds work with any student in the context of his an, h t d you have Arncncans to tear S, an of aspiring young art students. As a teacher or her capability and training. She is Committee: Nancy Macko, Chair; George changed their lives. You h~ve perfonned of painting and drawing for almost twenty enthusiastic and encouraging and at the Bayliss; Beatrice Rivas Sanchez " f enlightenment m the streets, same time provides firm grounding in the pro d19ICS 0 . years, Vivian Browne has had a profound churches and museums of ItalIan t~wns, impact in the art department on the Newark aesthetics and tedmiques of the areas she Vivian Browne responds: To the Board of where you have introduced your ~upils to Campus of Rutgers University. Her teaches. Her approach combines the best Directors of the College Art Association, the experience of looking knowmg1y at intellect, her personal ethics and her traditions of visual and technical the Awards Committee chair and members, f in great work sOdart the original and often In serious commitment to her students have developments in studio learning. Students and the colleagues and associates who in the place for which they were rna e. d lent her a very special grace as a teacher. are encouraged to nurture their participated in the selection process I would the classroom at home, you have recreate individuality, but not at the expense of like to express my deep appreciation for this experience, and have inspired many Professor Vivian Browne exemplifies understanding their medium and not without being chosen Distinguished Teacher of Art who set out with quite different goals to the role of the artist/university art attention to the history of art past and for 1989. It is a great honor and privilege ' e in careers as professors and present. Her convictions are expressed in cont mu . I ut professor. As a visible and active member to be the first woman of color to receive s And you have consIstent y p curat or . .' your of the university community, she has taken her own accomplishments as well as her this award. I would also like to publicly . de your own priorities to gIve on many obligations on the Rutgers' quiet strength as a person and a teacher." thank my mother who is really responsible :~dents personal attention, encouragement campus as well as on university committees for my becoming a teacher in the first and counse.I Your book on Goya, a model in the service of the development of a place. She insisted, despite my grave of critical history, is among th~ most diverse and representative student body. As reluctance to do so, that I accept my very enlightening and engaging introductions to an artist who has integrated her own art and first teaching job away from New York. an artist in recent times. It teaches teachers life experience over the course of a long and Therefore, and of course, I began teaching as well as students. thoughtful career, Vivian Browne has had a at Booker T. Washington High School in Committee: James A c k erm an , Chair; significant impact on students who come Columbia, South Carolina at the age of 20. Charles Cuttler; Beatrice Farwell. from minority and ethnic backgrounds, and It was a startling experience. I have been who are often the first generation of their teaching ever since. That initial insistence MacMurtrie at the Exporatorium Reception famiJies to attend college. Her actions past has led to this evening~~this prestigious "Pneumatic Men" and present on behalf of civil rights and event. I should like to accept this most Photo: Tom Erikson social causes stand as an example to young distinctive award with pride and warm artists that they do not have to exist outside appreciation for myself and, if I may, for of the real world of politics and personal those wonderful dedicated people who were Whitney Stoddard responds: ~~ you.Ji~ ....,r;munitnieht;· ..···One of her colleagues notes: my teachers, for my colleagues in the CAA AWARDS :.. ~;,.Acket-man and your comffilttee~.foF1'"thls 1,~he has been active for many years in classroom and for my associates and friends wonderful award. I accept WIth gr~at 'O'rganizing the Women Artists Series [at Citations for the awards are pr~sentet.l who continue to make extraordinary Teaching is not a profession Rutgers], and has effectively been an below. In some cases we are able to rnclude p I easure. . I contributions in the art field. I thank you. carried out in isolation. It mvolves ? ace, activist for issues involving African the responses. ' al goals and programs, dedIcated Alfred H. Barr, Jr. Award, 1987 eel uca tIon ·th 'd American artists and women artists. She is colleagues and bright students WI I e.as. most deserving of recognition for her presented by George Goldner: Distinguished Teaching of Art Teaching is an unending collaboratIve outstanding record as an instructor, as an History Award presented by James My son Brooks and I have shared process. .th artist, as a dedicated professional." William Wordsworth and the Age of Ackerman: 19 summers excavating in France WI my The committee recommended two awards for 'f J who helped me in research English Romanticism is one of the most WI e ean, th Vivian hasn't distinguished herself only as successful publications that has ever distinguished t~ach~ng .for 1988, not projects for almost 52 years. To. al~ ese an educator. She has contributed her time accompanied an exhibition. The authors -­ because one recipIent IS retrred and one not. people I express my deep appreclatlon for and services to organizations and Jonathan Wordsworth, Michael C. but because both so eminently d~ser."e the educational institutions in many ways: such Vivian E. Browne their help. Photo: Mary Ellen Andrews Jaye, Robert Woof, and Peter award that it would be unjust to mdlcate a as guest curator at Franklin and Marshall preference. Funnell -- have created a catalogue that College; juror for the NEA and CAPS NY preserves the spirit, thrust, and intellectual State Grants; moderator and panel member Whitney Stoddard, in over half a experience of the exhibition. Since Fred Licht for numerous seminars and conferences; The recipient of many awards, including the catalogues always survive the exhibitions century of teaching at Williams College. guest artist at Franklin and Marshall ed students at all levels to the MacDowell Colony Fellowship and the themselves, their importance is paramount. you awa ken h. College, Pratt Institute and Santa Cruz Huntington Hartford Painting Fellowship, enticements of works of art, of teae mg as For the many people who are always unable Fred Licht responds from Italy: I ~an only Porter College; and visiting artist at the Ms. Browne has also distinguished herself a calling, of meticulous research ~d of to see exhibitions, catalogues must be believe that this award has been given me University of California, Santa Cruz through the exhibition of her nature~based archaeological excavation. Your successful surrogates, and Messrs. pr~ary because I had the great good luck to have an campus. paintings and prints. Her exhibition record focus has consistently been on the ?bJect, Wordsworth, Jay, Woof, and Funnell have II l arge number of enormously includes many one woman shows in New and an astonishingly high proportIon of unusua y . Ih d succeeded admirably. Although readers gifted students who went on, Just as o~e Yet her influence as a black educator on the York City and Los Angeles, exhibitions at must forego the direct experience of the the directors and curators of major ~use~ they would, to careers far more outstandmg college level has been national in scope. A numerous university art galleries and have been your pupils. In i1lununatmg, actual works of art and documents in the than my own. To them lowe thanks. But I former graduate student from the University participation in major museums like the deceptively casual lectures you appear to be exhibition, the exceedingly well-designed owe as much gratitude tow~ds all those of California, Santa Cruz recalls: "Vivian Museum of Modem Art. and printed catalogue brings life to the conversing individually with each mem~r students whose interest m art was really managed to 'go beyond' the usual of your audience, and your enga¥ement WIth assemblage of imagery, literature, 'h I and momentary but who teacher~student process, to provide support Her dedication to the teaching of art has students carries on into supportive perso~al pertp era f documentation, and ideas. Moreover, as a nevertheless allowed me the pl~asure or and critical encouragement in a respectful been unwavering~~in the classroom, during attention and tireless assistance with project that straddles the disciplines of watching them as they opened ~err eye~ f: ~ ," ~t passionately caring mode. She gave her term as chair of the Rutgers Art history, literature, criticism, art history, assigned tasks. Your mod~sty. and your human generosity, nobIlL.. a great wor Id of . u .. ,.i~rself to understanding and encouraging Department, in her relations with and the history of ideas, the exhibition and enthusiasm for commumcatmg. yo~r and hope made manifest in art. I hesIt~te t~ students with a rare combination of humor, colleagues and with students for whom she insights transform the devotion you mspue the catalogue have provided the inspiration b e Ileve' l'n the J·ustice of the commIttee." dS warmth and insight. Her own life of has been a mentor and a role model. Her for others of a similar kind, as well as the into companionship. Today, at 7~, you ' But" chi non accetta no menta an teaching and maintaining the integrity and standards are high, and she believes in continue for the sheer love of teaching, to c hOlCC. • th' lei d standard to which they must aspire. Whitney Stoddard I do very much want to ment eIT n nesS. productiveness of her own work provided a challenging students to develop their own Finally, it must be said that in the age of conduct 'sections in Williams' introductory Photo: Wm. Tague course. CAA Newsletter Spring 1989 3 2 1989 ANNUAL MEETING AWARDS AND CONVOCATION ... 1989 ANNUAL MEETING AWARDS AND CONVOCATION ... Committee: Kathryn Linduff, Chair; David Cast; Jack Flam The Distinguished Artist Appearing in front of an audience usually But I very much hope that, when you are in Award for Lifetime Achievement grants the right to ask questions of the New York, individuals among you will speaker. This situation terrifies me. It come and visit me. I enjoy meeting people The Arthur Kingsley Porter Prize, presented by Sharon Gold: makes me feel like St. Sebastian about to be on a one-to-one basis. I am a friendly, 1988 presented by Elizabeth Johns: punctured with arrows. I tell stories to keep accessible person, and I look forward to This is the second time the Col1ege Art In "E.B. Lamb: A Case Study in Victorian questions at bay. Being put on the spot your visits. The honor you are bestowing Architectural Patronage," Edward Association is presenting the gives me a shot of adrenaline which I sense on me means a great deal to me. I am Kaufman imaginatively and definitively Distinguished Artist Award for Lifetime as a physical challenge, and whatever form extremely grateful. But in a way I don't demolishes the supposed--but previously Achievement; it is with great pleasure that my behavior takes, it makes me ashamed. deserve your kindness, your showering me untested--linkage between old money and we, as a group of her peers, are able to In Charcot's time, in La Petri ere, doctors with your gifts. What did I do to deserve it? good taste. Kaufman demonstrates that acknowledge and celebrate Louise theorized that under extreme stress, a I was just trying to have a good time by nearly all of the patrons for Lamb's Bourgeois' life and work. person's body automatically arches into a telling my own story without fear and with eccentric but endearing projects were not rigid, bow-like figure. I try to avoid this. a touch of humor. Thank you very much. nouveau riche, as had been supposed, but For over fifty years Louise Bourgeois' There is a last advantage to my absence, I members of the hereditary landed classes. outstanding visual intelligence and instinct sympathize with the account of a man who The Artist Award for A He then sets out to reconstruct the motives has produced an extraordinary, highly was horrified at the idea of having to speak DistingUished Body of Work, of these patrons in hiring Lamb, and in so psychological and personally symbolic in public. Once, when he absolutely had to, Exhibition, Presentation or doing, revises the very tenns of the study of oeuvre. She has been recognized by the he was in the building and was on his way Performance, 1988 major museums, galleries, critics, to the auditorium, when he passed an office architectural patronage. As it turns out, the presented by Diane Burko: affairs of these patrons were far from collectors, universities and foundations, with its door open. He went in. He saw a private. In the course of Kaufman's scrutiny and has been an enonnous influence on computer terminal. Unable to control As artist members of the CAA we applaud of their genealogies, landholdings, generations of artists. himself, he unplugged the computer, picked this recognition from the CAA that artists income, and social positions, it becomes it up, and tried to leave the building. And he are, indeed, the building blocks of this clear that patronage by this group had little Louise Bourgeois' artistic achievements are was caught, which is too bad. You see, Association. Identifying one artist to many. Two are particularly noteworthy. because I didn't come to San Francisco, at receive the Award for Distinguished Body of Jonathan Wordsworth, far left; Michael C. Jaye, second from the right; Robert to do with taste, and everything to do with Woof, far right social obligations. The pattern of their She has shown how an artist's deepest leas t the computers in this building are Work has been a difficult task ... and also a commissions corresponded to what commitment to her work, often independent safe. Unfortunately I cannot be here today. gratifying one. Kaufman cal1s a "geography of patronage," of mainstream concerns, must be followed in which the architectural offices of London in order to weather the stonns and succeed the six~pound, six-hundred page catalogue, relevant bits of evidence to create a picture played no part and where distances were in the face of adversity. The other William Wordsworth and the Age of of a shift in attitude as well as in policy. reckoned not in miles, but by the space achievement, which can be said of even English Romanticism, only two-hundred­ This is at once a precise ane!- engaging between branches of the family tree. By fewer of us, is that after such a lengthy and and sixty-one pages in length, is a model of study, written with wit as well as with showing the specific types of buildinr" prodigious career of creating significant clarity, brevity, and synthesis that belies erudition; with a deep feeling for the art as these patrons commissioned and why, hel 0...: odies of work, Louise Bourgeois' sculpture the complexity of the subject and the well as for the social and human issues able to demonstrate just what kind ot ~~ontinues to transcend itself in output and achievement of the authors. involved. Moreover, this hook shows Us architectural career (and as a sort of residual rigor. In fact, her work in the 1980s is all that art historical studies can make issue, what kind of style) an architect astonishingly potent and a reflection of her fu conclusion, the Barr Award Committee profound discoveries about socio-political working for this social group could build. artistic concerns at this contemporary notes that the exhibition and catalogue change and offer unique insights into social Kaufman's elegantly crafted argument, hoth moment She is therefore the rarest of were produced by a tcam of American and and political history while at the Same time flexible and nuanced, provides a new type artists who continually has something to British scholars, a frequent and .keeping a sharp focus on the art itself. of model for future studies of architectural say and always finds a way to say it commendable situation in this period. patronage. brilliantly. Furthermore, it applauds the support of the Informative, comprehensive, and precise, This award is given as a sign of our National Endowment for the Humanities and this book is also a pleasure to read. To appreciation of this important artist's other public and private organizations Patricia Mainardi our congratulations and Committee: John Russell, Chair; Elizabeth distinguished career and ongoing creative (Rutgers, the State University of New our thanks. Johns; Thomas Reese achievements. Jersey in Newark and The Wordsworth Committee: Sharon Gold, Chair; Deborah Trust, England) who made the exhibition Butterfield; Sam Gilliam; Douglas Huebler; possible. Joan Serrunel

Committee: George Goldner, Chair; Linda Louise Bourgeois responds: It is with great Ayres; Charles Moffett pleasure that I accept this award for lifetime artistic achievement. It is a distinguished honor that I cherish deeply. I am very sorry The Charles Rufus Morey Award, to be unable to accept the award in person, 1988 presented by Jack Flam: my absence has nothing to do with you. It The Charles Rufus Morey Book Award is reflects on me. I travel very badly. Many of given each year to the author of the book you of course, love to travel. I deemed most outstanding in our field. This unfortunately do not. Travel can bring out. year the award goes to Pat ric i a strange behavior in certain people,. Mainardi for her book, Art and Politics of including me. Under the pressure of the Second Empire: The Universal traveling, some people start dressing Expositions of 1855 and 1867, published strangely. Others become loquacious, or by Yale University Press. The shift from ," they can't stand still, or they become large public to small private works by ~n promiscuous, or they start prancing around artists in the mid-nineteenth century France tiJi'{'; the room, or give into expressing is seen in relation to political and uncontrollable critiCism and snide remarks. institutional factors. With great care, Patricia Mainardi Edward Kaufman Some even inflict outright violence on Professor Mainardi has searched out Photo: Tom Erikson Photo: Tom Erikson innocent bystanders. And there is Elizabeth Murray something else. I dread questions. 4 Photo: © Barry Kombluh CAA Newsletter Spring 1989 5 1989 ANNUAL MEETING A WARDS AND CONVOCATION 1989 WINNERS SELECTED IN READER'S DIGEST ARTISTS AT

Our difficulty came from choosing only one GIVERNY PROGRAM from a broadly inclusive list of peers. We were not interested in citing obvious few shows) or "mid-career" (an artist with a celebrities. Rather, we looked for a certain number of exhibitions, awards and authenticity and commitment, for someone fellowships), While only a few were who, during their career, had also spent "established. " some time in the classroom sharing their ideas. We believe that Elizabeth Murray is that kind of artist. She is awarded this Finalists for the award and residency were: citation specifically for the two year Nancy Real, Nancy Friese, Claudia touring exhibition, which featured the last Hart, Linda Lowry. Barbara Morris ten years of her development. Elizabeth and Andrew Spear. Murray: Paintings and Drawings originated from the Dallas Museum of Art and was organized by Sue Graze and Kathy The winners were selected by a jury chosen Halbreich. Kay Larsen wrote in 1986 that by the Instimt de France and the CAA. It Elizabeth Murray, " ... increasingly looks consisted of Cynthia Carlson, artist and like one of the finest American painters ... professor at Queens College; Leo Castelli, to emerge out of the seventies. Her noted art dealer; and Faith Ringgold, artist reluctance to push her career -- a stubborn and professor at the University of refusal to do anything but paint -- has kept California. San Diego. A preliminary jury her reputation something of a secret outside had narrowed the field to nine finalists. It the art world." Today, with almost comprised Carlson, Sam Gilliam, artist and everything an "appropriated commodity" it from left to right: Daryl Lyew. Diane Burko, Frances Chaves, Sally professor at Carnegie Mellon University, is indeed refreshing to acknowledge an Apfelbaum, Xln Han. Daryl is the eAA administrator of the Reader's Digest Artists at and Irving Sandler, art historian and artist who dares to rely on her own life for Givemy Program and Frances is the curator for the Reader's Digest Collection. professor at SUNY, Purchase. Faith her art. Her teenage fantasy to be a Ringgold is a CAA Board member and cartoonist, her art school training in Cynthia Carlson, Sam Gilliam and Irving Chicago and California, her experience as a Douglas Crimp Sandler are fonner CAA Board members. sculptor, and her deep ties to art history and Photo: © 1986 Robert Giard Three artists have been selected to live and fonnalism, are all intertwined in her work. visits the actual locations portrayed in her work for six months in Givemy, France, She has found a way to simultaneously deal paintings -- Etretat in Normandy (made under a three~year program funded by famous by Monet himself), the Grand with issues of abstraction and fonnaIis~, Reader's Digest and administered by the Canyon, the California coast, the along Wii:ir"fi!ruraiive"cohterit that :'spiu1i~-ilii 1'- ,,,' The 'i.f,r~.~.~ J:,'rJ!~~t,M~~~!!,r:.,,,, ",i, ,-, ";-;,,,;,,, ~I;lken a leading role. College Art Associatjon. personal, domestic, religious and sexual. Award, 1988 presented by Robert Storr: Committee: Robert Storr, Chair; Yve-Alain waterways of Pennsylvania -- often 'working from aerial pliotog'raPhs~ Her one The physical constructions of her three The Mather Award for Art Criticism has Bois; Arlene Raven ,., .. ';I~Spients of the three artists residencies woman shows include Marian Locks Gallery dimensional paintings are as complex as many ~urposes. In singling out a critic the Doug las Crimp responds: I'm extremely "are: Sally Apfelbaum of New York City, in Philadelphia, Hollins College in the layered messages of her imagery. And ~o~~Ittee, not .only recognizes an pleased that this award acknowledges the Diane Burko of Philadelphia, PA, and Roanoke, V A, and the Pennsylvania the evolution of these forms was a natural IndlV~dual s achI~vement, and calls work that I've done on AIDS, not only Xin Han of Worthington, OR. Each of Academy of the Fine Arts, Morris Gallery in one that reflects her efforts to always move attentt~n to the ldeas he or she has because this work has brought to fruition the artists will receive a $12,000 cash Philadelphia. forward in trying to, as she has said, ". . . ch~plO~e.d,. but .r0cu~es on the conte~t in ten years of critical work urging a award, the opportunity to live in separate devise a new way of painting." And so we ~hi~h ~ntlCIsm I~ ~ltten and the varIOUS reestablishment of the relationship of art to furnished apartments and use of a Xin Han, 33, a self-employed artist born award this citation for what Elizabeth IIlStItutl?nS to w~ch It addr~sses itself. In our lived social lives, but also because my professionally equipped studio at Giverny in China, interprets life in urban America in Murray has done. and how she has done it, short, . Inher~nt I~ besto~mg .any such work on AIDS has been, more than for a six-month period. The 1989 his paintings. His works show a special and we look forward to more in the future. award IS consIderatIon of arts SOCIal as well anything I've ever done a collective recipients will begin their residency at the fascination for the New York subway Committee: Diane Burko, Chair; Houston a~ .aesthetic dimensions. This year in enterprise. And for this re~son I want to home of Impressionist artist Claude Monet system. He has had various exhibitions, including the Columbus (OH) Museum of Conwill; James McGarrell; Gladys Nilsson; glvmg the Mather Award to Douglas share this award with my fellow activists in April 1 and will remain there through Art, Fairbank Center in Harvard University, Betty Woodman C~imp We honor the sustained work of a ACT UP, the AIDS Coalition to Unleash September 30. Their stay at Giverny wn~e~ Who, as much as ~y, has tackled the Power, and with everyone else who worked coincides with the peak blooming season the Los Angeles Municipal Art Gallery, and poh~Ical problems which condition the with me on the special issue of October of the gardens. Art Waves Gallery in New York City. makmg of art and. fr~e perc~ptio,?s of it. devoted to AIDS. I'm also very happy to be Among his honors are the Columbus Total agreement WIth his pre~s~s IS not at accepting this award in San Francisco, Sally Apfelbaum, 34, is a Museum of Art Award for Painting and a ~ssue, but rather ~n apprecIatIOn of the something I might be able to explain by photographer, sculptor, and professor of National Endowment for the Arts Visual tmportan.ce of our dIfferences. as well as our way of an anecdote. Today I got my hair cut photography at the School of Visual Arts in Artist Award in Painting. shared .vIews and of the CruCIal role dissent at a barber shop in the Castro. There were New York City. For the past four years, she Applicants for the residency were drawn pl~y.s m the further~ce of serious art six of us there waiting for haircuts, three of has been photographing public sites in primarily from among CAA's 10,000 wntmg. We are unammous, however, in whom were visibly very sick with AIDS. I New York and presenting the work in members. This year CAA received 621 o~ re~pect for .and. endorsement of Douglas was very touched by this, because I realized installations that show a row of 8x10 applications from artists residing in most C~mp s contnbU~I?n to the st~uggle to that I was in probably one of the only prints on one wall in a gallery with a row of geographic areas throughout the country, brmg the AIDS crISIS to the attentIon of the barber shops in the entire United States 40x60-inch photomurals of the same although some 24% were from New York art world and the resources of art and artists where people who are visibly symptomatic images on the opposite wall. The prints and 21% from California alone. 70% of the to . the assistance. of those who have been would feel comfortable and safe doing function as documents of records of a place applicants were painters, 7% were mixed strIcken. !n partlcular, w~ want to .cite his something as simple as getting a haircut-­ while the photomurals become a media artists, 6% worked in sculpture or role as edItor of the specIal AIDS Issue of the direct result of the creation of a photographic recreation of it. She has had ceramics, 6% worked on paper, 5% were Octobe,: Finally. we wish ~o t~e tt:is cohesiv.e and self-affirming gay exhibitions at P.S. 122 in New York, photographers, and the remaining arts oppor~umty to express .our sohdanty WIth commumty. And finally I want to say how :'JJ~rljlridgewater Gallery in New York and the disciplines made up collectively less than those In the art commuruty and beyond who happy I am to be accepting this award at the .. 4.hn':ity Museum of Sezze, Italy. 5% of the applicants. Women applicants confront AIDS personally and we urge CAA meeting in which a gay and lesbian PatrJcia Simons, Laget awardee outnumbered men by 57% to 42%. An Photo: Tom Erikson members of the CAA to actively support the caucus is being formed. It's none too soon. Diane Burko, 43, professor of art at examination of career status found that efforts in which Douglas Crimp has already Thank you. III Community College of Philadelphia, has most applicants were evenly divided among 6 been a landscape painter for 20 years. She "emerging" (a recent college graduate with CAA Newsletter Spring 1989 7 NEW COLUMN: LEGAL UPDATE by Barbara Hoffman, Esq.

instrument. While the legislative history With this issue, the Newsletter begins a case and have evidentiary weight); 3) Rights Act of 1988 (S. 1619. H.R. 3221) THE REPEAL OF UNIFORM of being an artist. Craftspeople will column on art and the law. The column omission of copyright notice after March introduced by Senator Kennedy are such of the 1976 Act suggests that Congress CAPIT ALIZA TION continue to be subject to capitalization of will highlight significant case law and 1, 1989 no longer results in possible loss examples. An informed source has advised V. intended the concept of employment to As reported in the Winter 1988/89 their business expenses unless they can legislative developments which impact of copyright protection; 4) the transfer of CAA that the Kennedy bill will be 4' exte~d only to salaried employees, the Newsletter, after a successful lobbying overcome the above presumption. (For the the constituencies served by eAA. copyright does not have to be recorded reintroduced after the congressional recess term IS not defined. effort was waged by artists, the Technical ongoing discussion about the particular plight with the Copyright Office; and 5) foreign by Senator Kennedy in the Senate and and Miscellaneous Revenue Act (TAMRA) of the craftsperson, see The Craft Report, Vol. copyright owners do not have to register Congressman Markey in the House. of 1988 was signed by President Reagan 14, No. 148 (June 1988), "Vexatious Taxation" prior to bringing an infringement suit. The lack of an express definition has led to by Leonard D. DuBoff). THE BERNE CONVENTION on November 11, 1988. TAMRA repeals The 1988 Act has no retroactive effect. The Kennedy bill, as most recently disagreement in the courts of appeals. Internal Revenue Section 263-A requiring AND INTERNATIONAL amended during committee consideration, Section 101. subsection (2) of the 1976 SECTION 263·A OR "SAFE capitalization for "free lance authors, COPYRIGHT defines a "work of visual art" as a Act provides that if a commissioned work One issue raised by Berne and, in the past, photographers, and artists" effective for HARBOR" ELECTED FOR 1987 the major stumbling block to U.S. "painting, drawing, print or sculpture falls within one of nine categories, the RETURNS On October 31, 1988, President Reagan work could be considered a work for hire if the 1987 tax year: i.e., as if it had never adherence, was the impact in the U.S. of existing in a single copy or a limited applied to artists. Artists filed their 1987 tax returns one of signed into law enabling legislation to the moral rights provision- Article 6 bis edition of fewer than 200 copies." A work there is a written agreement to that effect. three ways: 1) electing capitalization of allow the United States to adhere to the of the Berne Convention. Article 6 bis of visual art specifically does not include A commissioned SCUlpture or original their art inventory and assigning specific Berne Convention for the Protection of Excerpts from an article which follows are requires the recognition that "the author any photograph, poster, map, technical painting are not included among the nine costs to all items produced and only Literary and Artistic Works. The Senate written by Jody Blazek, a CPA with the shall have the right to claim authorship of drawing, motion picture or other audio categories. Reid involves the definition of deducting costs attributable to items ratified the treaty on October 20, 1988 firm Blazek & Rogers in Houston, TX visual work or work of applied art The employee within subsection (1). Reid did actually sold; 2) using "safe harbor" which entered into force with respect to the work and to object to any distortion, (they specialize in taxation and financial bill as introduced would provide full not enter into any copyright agreement provided by the IRS in May. 1988; or 3) the United States on March 1, 1989. The mutilation or other modification of, or planning for artists) which appeared in the copyright protection for works of visual with the not-for-profit organization which ignoring or unaware of rules claiming all Berne Convention is not self-executing, other derogatory action in relation to, the Winter 1989 issue of the Women's Caucus art without notice of copyright - a result commissioned him to do a sculpture. In expenses paid as in 1986 and prior years. but requires enabling legislation. "The said work, which would be prejudicial to for the Arts' WCA national update helps to now achieved by Berne. It would Berne Convention Implementation Act of tus (or her) honor or reputation." Reid, the District of Columbia Court of further define the impact of the repea1. additionally permit the artist to claim Artists filing under method 3) need do 1988" (the 1988 Act) amends the Appeals, applied an agency approach to There has been debate as to whether these authorship of any work of visual art nothing. They deducted all of the expenses Copyright Act and takes effect the same "moral rights" already exist under U.S. resolve the issue. Under this approach, if WHAT THE REPEAL APPLIES TO publicly displayed, or to disclaim any such paid during 1987 and continue to do so day. laws or whether new laws must be created consideration of the factors leads to the "Qualified creative expenses" (QCE) can be work on account of material mutilation or unless they made films, videos or ensuring these rights to artists before U.S. conclusion that the creator of a deducted in the year paid rather than alteration that harms the artists' handicrafts. For over 100 years, the Berne Convention law can become compatible with Berne. commissioned work is not an employer, matching them with income they generate reputation. It would also extend existing has provided the framework for After consideration, Congress concluded the work cannot be a work for hire unless (need not be capitalized). QCE's are those copyright sanctions to make them Method 2) "safe harbor" electees have two international copyright relations. Today, that protection adequate to conform to it meets the criteria and falls within the expenses paid by a self-employed (not applicable to destruction, material choices: amend 1987 income tax return 81 nations are signatories of Berne. Each Berne is provided for under existing U.S. categories of subdivision (2). Under the employed) writer, photographer, or artist. mutilation or alteration of a publicly claiming the one-half of the 1987 artistic Berne member nation is required to extend laws. These existing U.S. laws include approach of the federal court irl New York, Any expe~ses related to printing, displayed work if caused by an intentional expenses capitalized and not deducted on to works from all other member states, the various provisions of the Copyright Act an employee for work for hire purposes is photographIC plates, motion picture act or gross negligence. An earlier resal'14 the original 1987 return and ask for a same copyright rules it applies to its own and the Lanham (trademark) Act, various 'afetermined by the right to supervise and films, video tapes, or similar items are royalty has been dropped in favor of >" refund OR leave 1987 as it is and claim the citizens. Berne also establishes minimum J .... Jltcontrol the creator's work. In Reid, the specifically SUbject to capitalization and state statutes and common law principles provision directing the National capitalized (nondeducted or deferred) 1987 copyright standards that each member sculptor's lawyers have argued in their not immediately deductible. such as defamation, misrepresentation and Endowment for the Arts and the Register of expenses all on the 1988 return. must meet. unfair competition. The legislative brief to the Supreme Court that the salaried Copyrights to study the feasibility of the employee test recently adopted by the Congress was careful to defme the creative history and the specific language of the "incentives to enable authors of works of Differences between U.S. law and Berne federal court in California in the Dumas disciplies now able to deduct costs Method 1) artists have no clear direction at 1988 Act specifically foreclose any visual art to participate in the communal his time. The minutes of the have kept the U.S. from joining Berne. suggestion that artists' moral rights are case is the correct test. A number of immediately, as follows: exploitation of the work after the first congressional discussion of artist repeal Instead the U.S. has relied for increased as a result of Berne. The 1988 organizations including the New York "Writer" means any individual if the sale." make no mention of artists who elected to international copyright protection on the Act expressly states that the Convention Volunteer Lawyers for the Arts have personal efforts of such individual create specifically follow 263-A and capitalize less comprehensive and less effective provisions, the United States adherence submitted briefs in support of Reid, the (or may reasonably be expected to create) a individual object costs. The committee Universal Copyright Convention of thereto, and satisfaction of the United sculptor. literary manuscript, musical composition reports are silent on revocation of the UNESCO. States obligations thereunder "do not WORK FOR HIRE (including any accompanying words) or expand or reduce any right of an author of a dance score. 263-A inventory method. Artists who elected to specifically assign costs to Until recently, a major obstacle to joining work, whether claimed under Federal, State On March 29. 1989. the United States Legislation was introduced by Senator . "Photographer" means any individual in objects under 263-A have fonnally adopted Berne lay in the peculiarities of American or the common law: 1) to claim authorship Supreme Court will hear oral arguments Thad Cochran (R. MS) S. 1223 to amend if the personal efforts of such individual copyright law, specifically: 1) the of the work; or 2) to object to any the case of Community for Creative create (or may be reasonably expected to a change of accounting method. Until the copyright law regarding work for hire technical advice is issued, these artists manufacturing clause; 2) technical distortion of other modification of, or NonViolence v. James Earl Reid. creat~) a photograph or photographic intended to protect the work product of (continues on page 18, co1. 2) formalities of registration and notice; and other derogatory action in relation to, the writers, artists, photographers, composers negatIve or transparency. 3) the Berne requirements concerning work that would prejudice the author's At issue is application of the "work made and other creators of works of art. The "Artist" means any individual if the moral rights. The 1976 amendments to honor or reputation." An 11th hour effort for hire" doctrine of the copyright law. legislation which died in the Senate personal effect of such individual create (or the U.S. Copyright Act eliminated several to save Richard Serra's Tilted Arc based on Under that doctrine, the rights of judiciary Committee provided a narrow be .re~onably expected to create) a picture, difficulties and the 1988 Act purports to adherence to Berne was abandoned when authorship and of copyright ownership are definition of employee (Le., salaries), pamt;ng, sculpture, statue, etching, qualify the U.S. for Berne Convention Serra's lawyers confronted the moral rights initially held not by the creator, but rather provided that the nine categories of drawmg, cartoon, graphic design or protection by eliminating additional neutrality of the legislation. The site the employer or the party that commissed works could only be considered original print edition." Further the code fonnalities. The 1988 Act states that the specific sculpture has now been dismantled commissions the work. This doctrine is works for hire if a written agreement was provides that in determining whether any Convention is not self-executing and that and stored. an exception to the basic copyright entered into prior to the commission and expense is paid in the trade or business of the obligations of the U.S. are met only principle that the "author," and initial being an artist, the following criteria must It can be questioned whether the existence provided that joint copyright had to be through domestic law. copyright owner of an original creation, is negotiated contractually in advance. be taken into account: of 8 state moral rights statutes (Calif, the creator of the work. - the originality and uniqueness of the Significant changes resulting from the ,Louisiana, Maine, Mass, New Mexico, item created; 1988 Act are that: 1) it amends the New York. Penn and Rhode Island) and In enacting a defmition of "work made for - the predominance of its aesthetic definition of pictorial, graphic and random state court decisions actually hire" in the 1976 Copyright Act. To date. the unfair and burdensome value over utilitarian value. sculptural works to include architectural comply with the Berne mandate. In any Congress provided in Section 101, operation of work for hire agreements and plans; 2) the required notice provisions event, it is likely that in the future there Subsection (1) that any work prepared by some courts expansive interpretation of ~he Congress commented that jewelry, Barbara Hoffman, Esq. is a CAA Board member i.e. © date are no longer mandatory after will we be substantial efforts to expand an "employee" in the scope of his or her "employee" have severely diminished the sIlverware, pottery, furniture, and similar and Honorary Counsel. She is a practicing arts lawyer and law professor. Her recent March 1, 1989 (Notice, however, may artists' moral rights in the United States. "employment" would be considered a work benefits to creators under the copyright household items generally are not to be still affect damages in an infrin~ement The film colorization issue and the Visual law. publications include a book on the Richard Serra made for hire even without a written considered created in the trade or business controversy entitled, The Tilted Arc on Tria/. Spring 1989 CAA Newsletter 9 NEWS SOLO SHOWS BY ARTIST MEMBERS

Michael Chelminski. Blue Mountain James Schneck. Susan Isaacs Gallery, Publications Policy: This is a listing of Wilmington, DE, March 3--31. Recent THE DISINTEGRATION OF OUR LIBRARIES AND THE of co-sponsors can speed congressio~al exhibitions by artists who are members. of the Gallery, N.Y.C., March 3--22. Paintings. CASE FOR ALKALINE PAPER action on the bill. Thus, CAA urges all Its I," CAA. Those sending information sh~u1d mclude Robert Cronin. Gimpel & Paintings. members to write urgent letters to name of artist, gallery or museum, .Cd~, dates of Weitzenhoffer Gallery, N.Y.C., February 7- your Senators urging them to sign-up as exhibition and medium. Please mdlcate CAA -March 4. Paintings & Sculpture. The Association of Research Libraries, the and publisher support, and government co-sponsors on Pell's S.J. Res. 57. In your membership if sending gallery invitation or Barbara Gallucci. P.S.I (Project Studio South: Barbara Elam. San Angelo response, is available for $7 through the Commission on Preservation and Access, letter emphasize that: press release. One), Long Island City, NY, January 15-­ Museum of Fine Arts, San Angelo, TX, Association of Research Libraries, 1527 and the National Humanities Alliance have 1) The resolution calls attention January 12--Febraury 12. Works on Paper. New Hampshire Avenue, NW, Washington, March 12. Sculpture. alerted CAA to their joint effort to stop a to a critical problem for scholars, libraries Based on a suggestion made by Emma Amos Janet Goldner. Soho 20 Gallery, Anne Haugh. The Savannah College of national crisis in the making, namely the DC 10036 (202/232-2466). The package during the Board Sponsored Session: What do and society - that is, the loss of significant NYC February 21--March II. Art & Design, Savannah, GA, December 4-- threatened disintegration of an estimated 80 highlights recent encouraging develop­ Artists Want from the CM, Anyw~y? we are portions of library collection:' ~ue to the Rici.~~d Haas. Brooke Alexander 11, 1988. Thesis Exhibit. million books in North American research ments that suggest a solution to the use of acidic paper for pubhshmg books now organizing this column by regIOn where the exhibition is occurring or has occurred. Thanks Gallery, N.Y.C., January 5--Februar~ 4. libraries. Surveys conflrm that "slow fues," problem is closer at hand than may be and journals. Nationally, close to. 80 to Emma for her fine idea. Architectural Projects: Maquettes, Drawmgs triggered by the acids in paper, are generally perceived. For example: million volumes have become so bnttle spreading through most research librru;ies. 1) a commitment by the members & Prints 1982--1989. Europe: Ellen Y. Brieskorn. Ga.llery that the pages break: or crumble with use. Nicholas Hili. Green Art Gallery, transforming book and journal collectIons of the Association of American University of the BOA, Berlin, Federal Repubhc of 2) Printing books on permanent Guilford, CT, January 28--February 28. into piles of paper fragments. The Presses to use permanent paper for most paper is the most effective solution to ~e West: Karen Atkinson. XS Gallery, Germany, May 1--June 30. Setruabstract oil catastrophic implication for scholarship titles published; Western Nevada Community College, Paintings. paintings, "Nuda Obscura." . . problem, as publications printed on ac~d­ Margia Kramer. M.LT. List Visual Ar~s and for society is the loss of significant 2) a successful beginning by a free or alkaline paper last for centunes Carson City, NV, January 26--February 27. Bogdan Grom. YugoslaVIa: NOVI-Sad, portions of distinctive research collections New York Public Library based Committee Center, Cambridge, M:"', Marc~ 4--:",pr~ October 6--16, 1988; Subotica, October 18- rather than decades. Era After Era. 23. Installation, "Lookmg at Mihtarism. representing important elements of our of Authors and Publishers to persuade two Leslie Barta. The Rotunda Gallery, -27, 1988; Sowbor, October 28--November 3) Possibly the greatest barriers Artspace San Francisco, May 9--June 12. intellectual heritage. The most cost­ major publishers -- Random House and University of Arizona, Tucson, Febraury 8-­ 10, 1988. Paper Assemblages & Tapestne. to use of permanent paper for publishing Installati~n, "I a WOlMAN; The FBI File on effective solution to this problem is to Simon & Schuster -- to switch to alkaline are lack of awareness of the problem of March 5. Photocollages. "The Power of discontinue use of acidic paper for book paper for first printings of hardcover trade Andy Warhol." acidic paper and/or mispercepti<:,ns about Decision." George T. Lavere. Lawrence Gallery. production and to use alkaline, durable books; and the availability and price of alkahne paper. Fritz Scbolder. Marilyn Butler Fine Art, paper instead. The magnitude of the 3) confirmation at a TAPPI N.Y.C., May 22--June 3. Congressional consideration of. the Scottsdale, AZ, March 5--31. Recent Work: Richard Lewis. The Puchong Gallery, problem requires an accelerated (Technical Association of the Pulp and resolution will highlight the fact that m the paintings, mono types, drawings, bronzes. collaborative effort among leaders in the Paper Industry) symposium on paper N.Y.C., January 12--February 8. ~olor last two years, the production of alkaline photographs, "Unknown Landscapes. library community, academic institutions, permanency of steadily increasing supply paper in the U.S. has increased steadily and publishing industry, paper industry, as well of alkaline paper at competitive prices. lain Machell. Koussevitzky Gallery, priced competitively. . . Midwest: Raymond C. Bryan. Rifle as concerned scholars, authors, and others f Berkshire Community College, Pittsfield, 4) The resolutIOn mcreases Sport Gallery, Minneapolis, MN, March to make the case for alkaline paper. HOW YOU CAN HELP ESTABLISH MA, March 2--31. Sculpture, drawings & awareness of the problem of acidic paper by 25--April 22. The Dao and Zen of Metal Art A NATIONAL POLICY ON recommending (not requiring) the use of paintings, "More Questions." In response to this issue, the Association PERMANENT PAPER and Computer Music. . . Agnes Murray. Frederic Remington Art alkaline for publications and archival" ;~Gretchen Garner. Western Michigan of Research Libraries has issued Briefing Senator Claiborne Pell of Rhode Island is Museum, Ogdensburg, NY, February 26-­ records of permanent value. It is a com~on\ I" ~1"'University, Kalamazoo, February 1989. Package Number 3. Preserving Knowledge: presently sponsoring a bill, S.J. Res. 57 April 8. Lithographs: etch~g~, drawmgs, sense, no cost strategy to address a senous "Flowers." Grand Rapids Art Mus~um, The Case for Alkaline Paper. The Briefing (Senate Joint Resolution 57) to "establish a problem. • watercolors "The Italian SUIte. Grand Rapids, MI, February" 17 -Apnl 2. Paula Rendino. Cambridge Multicultural Package which includes articles, excerpts national policy on permanent paper" which Landscape photographs, Landscapes and reports under the headings overview and needs co-sponsors (other Senators who will Art Center, Cambridge, MA, February 16-­ background, paper industry update, author sign in support of the bill). A large number 1981--88." . March 19. Installation, "Other Worlds: An Information and some of text for the above article Lee HaD. Elliot Smith Gallery, St: ~U1:, ;-______, was obtained from Preserving Knowledge' The Environment of lliuminating Painting & MO December 2--31, 1988. Pamtmg , Case for Alkaline Paner from the Association oj Sculpture, Changing Light and Sound." SUGGESTIONS FOR "Ve~ Small Landscapes." Research Libraries, the Commission on Claire Rosenfeld. Prince Street Gallery, PLACEMENT BUREAU AND WlUlam Hawk. Elliot Smith Gallery, St. N.Y.C., January 20--February 8. Waves, Preservation and Access, and the National Louis, MO, February 10--March 12. ANNUAL MEETING PROGRAM Humanities Alliance. Trees, Songs of Night. GUIDE SOUGHT Paintings. Allen Schill. Nicholas Roerich Museum, Donna Meeks. Dorothea Thiel Gallery, N.Y.C., April 2--26. Works in various South Holland, IL, February 13--March 3. CAA staff wants to know how we can make media, "Mandalas & Related Works, 1972-- Paintings & Drawings. 1988." the Placement Bureau at the Annual Meeting Eugene NarreU. Lannon Gallery, work better to serve all parties fairly and Mike Solomon. The Queens Museum, Chicago, March 22--April 22. Paintings & Flushing, NY, December 3, 1988--January more efficiently. This includes both the pastels, "Gamesters." Candidates' Center, the Interviewers' Center Yasue Sakaoka. Capital University 15, 1989. (including assignment and use of M.A. Thomsen. Thomsen Galler~, Schumacher Gallery, March 6--April 4, Tappan, NY, March 4--April I. OIl Interviewers' Tables), and the Candidates' 1988. Current Works. . Message Center. And while you are at it, Paintings. Jeanne E. Salis. A.R.C., ChIcago, Linda Troelier. Wall Gallery, John Jay what did you think about the new format for January 4--February 4. Works on Paper. our Annual Meeting program guide? It is College of Criminal Justice, N.Y.C., March larger now with new graphics. Any 6--April 7. Photographs, 'TB-Aids Diary." thoughts you have on how it can be Dan Welden. Benton Gallery, improved for easier use during the meeting, Northeast: Everett Mayo Adelman. Southampton, NY, October 22--November are appreciated. What information could we Helio Galleries N.Y.C., January 11--29. 17, 1988. Paintings. include that we do not include currently? Recent High Pa;tern Image Shift Paintings. Barbara Zucker. The Sculpture Center, Were you confused by any CAA Annual Fred Badalamenti. First Street Gallery, N.Y.C., April 1--29. Sculpture, "A Meeting policy, fee, service or program N.Y.C., April 18--May 6. Paintings & Collection of Opinions." that could be described more clearly in the Drawings. m,no""IT'? Send your comments and ideas for Rande Barke. E.M. Donahue Gallery, to: Jeffrey Larris, Deputy N.Y.C., February 1--25. New Paintings.. Midatlantic: Dean Carter. Virginia Tech 'dl)lreC\Or. CAA, 275 Seventh Avenue, New Charles Cajor1. New York StudIO Northern Virginia Graduate Center, Falls School of Drawing, Painting & Sculpture, NY 10001. Church, V A, October 24--November 10, Dean Carter N.Y.C., October 6--November 12, 1988. 1988. Sculpture. with his sculpture "Ebony Bather" Paintings. CAA Newsletter 11 10 Spring 1989 •

PEOPLE AND PROGRAMS

Elaine de Kooning, artist, teacher and Northeast: Three new faculty members have joined the art and art history department of writer, died in February of this year at the ) i ORGANIZA TIONS IN MEMORIAM age of 68. She attended Hunter College ru;d Providence College, Providence, Rhode Leonardo da Vinci Art School In Island, as of September 1988. James Manhattan. Throughout her life, de Janecek, instructor in printmaking; Southeast: Eillene Leistner has been in Edward A. Maser, a professor of art Kooning held teaching posts at many Karen Foster, assistant professor of named director of corporate development the department of art at the University of colleges and universities, including Yale, ancient art, formerly of Wesleyan and head of the New York office by the Chicago since 1961, died in October 1988 Carnegie-Mellon, the University .of University; and Deborah Johnson, National Foundation for Advancement in in Chicago at the age of 64. He received a Pennsylvania, the University of GeorgIa, assistant professor of modem art, formerly the Arts. James J. Kamm has been Ph.D. from the University of Chicago in Bard College, the Cooper Union and the curator of prints, drawings, and named associate director of the Wolfsonian 1958. During his lifetime, he was awarded Parsons School of Fine Art in New York. In photographs at the Museum of Art, Rhode Foundation. several Fulbright Fellowships and a 1962, she was commissioned to do a Island School of Design. Jane Ford Guggenheim Fellowship. In 1975 the portrait of President John F. for Aebersold has been named dean of studies West: Lisa Lyons has been named as him Ke~e~y Republic of Austria bestowed on the at Bennington College. She is the first director of art programs for the Lannan Cross of Honor for Letters and Art for his the Truman Library. Her work IS In the collections of the Museum of Modem Art, woman and the first studio artist to have Foundation. Most recently she was the work on Austrian Baroque Art. Besides 26 the Guggenheim Museum in New York and been appointed to this position. director of acquisitions at the Museum Fund. articles, he was the author of: G ian in a number of other institutions Domenico Ferretti (a monograph). and throughout the country. She is survived by Midatlantic: Carol Veth Sky has been Southwest: Lynette Korenlc of the Disengni inediti di Johann Michael named dean of academic affairs at the University of California, Santa Barbara, Colin B. Bailey Naomi Vine Rottmayr calalogo a cura di E. A. Maser, her husband. Willem de Kooning, whom Maryland Conege of Art and Design. At the Anita Gilden of the Museum of Art in Kimbell Art Museum High Museum of Art Monumenta Bergamensia. she married in 1943. University of Maryland, College Park Baltimore, Edward Teague of the Robert MappJethorpe, artist and Campus: James Douglas Farguhar has University of Florida and Eileen Fry of Kathryn Howarth Ryan has been Southeast: Naomi Vine has been Patricia Toomey, slide and photographer. died in March in New York been named chair of the art department; Indiana University have been elected to the named as the curator of education for the appointed to the position of associate photography curator at the department of City at the age of 42. Mapplethorpe was Homer L. Thomas is a visiting Executive Board of the Art Libraries Society Madison Art Center. director for programs and curatorial affairs art and art history at Rice University. died known for his celebrity portraits (including professor of art history and archeology; of North America (ARUS NA) for the High Museum of Art in Atlanta. Joy in September of 1988 at the age of 44. She the photo of Louise Bourgeois on our Arthur Miller, professor of Pre­ Northeast: Germano Celant, Patty has been appointed as the new was nationally known as a consultant and cover), stark black and whites of nudes and Columbian art, taught last spring at the Northeast: Irma B. Jaffe has been internationally acclaimed art critic and curator of education and adult programs, and teacher in the classification and flowers, and homoerotic imagery. His Ecole pratique des hautes etudes; W. R. appointed as executive director of cultural curator, and past recipient of the CAA Carrie Przybilla has been named preservation of slide collections. In her 20 career peaked last summer with a large and Rearick returned from Venice, afte_! affairs for the Istituto della Encic10pedia Mather Award, has joined the staff of the assistant curator of 20th-Century art at the years as curator she significantly expanded emensely popular retrospective held at the preparing a Veronese exhibition for the Italiana Fondata da Giovanni Treccani in Solomon R. Guggenheim Museum as High Museum of Art in Atlanta. Rice University's side collection. She Whitney Museum of American Art. Cini Foundation, to -open a second New York. Joy L. Gordon has assumed curator of contemporary art. At the earned a B.S. in art from the University of Veronese exhibition at the National Gallery l' the post of executive director of Guild Hall, International Museum of Photography at Texas. In 1967, Ms. Toomey came to of Art· and David Brown, C. Douglas,: dl( 11\" ~ast Hampton, New York. Julie George Eastman House, Robert Mayer South: Susan J. Barnes, fonnerlY chief Houston as slide and photograph curator at , I,on' Lewis and Milo Beach have taught or 'Silliman, previously a fellow with the has resigned as the director and James curator at the North Carolina Museum of the University of St. Thomas when it was Art, has been named senior curator of ACADEME will teach courses in the department. National Endowment for the Arts Research Enyeart, formerly director of the. Cen~er chaired by Dominique de Menil, and took Division, has joined the staff of CAA has for Creative Photography at the Uruverslty Western art at the Dallas Museum of Art. J. over the Rice collection when the St. Southwest: J. Robert Wills, dean of an associate administrator. of Arizona in Tucson, has been hired to Richard Gruber has resigned as director Thomas department moved to Rice. Midwest: At the University of Iowa The University of Texas as Austin College replace him. New members of the Board of of the Memphis Brooks Museum of Art to Memorials may be given to: Brown Art School of Art and Art History: Richard of Fine Arts since 1981, will resign that Canada: Joyce Zemans has been Governors of the Hill-Stead Museum are accept a similar position with The Wichita Library, Rice University, P.O. Box 1892 de Puma, professor, has been elected to position June 30 to. bec~me . provost of appointed director and Robert Spickler Alice DeLana, teacher, Anne Coffin Art Museum in Wichita, Kansas. Houston, TX, 77251. 713/527-4815. membership in the Instituto di Studi Pacific Lutheran Umverslty m Tacoma, Etruschi ed Italici, Florence; Ann has been appointed associate director of the Hanson, art historian and past CAA Washington. Canada Council. Jan Bialostockl, member of the Polish Roberts, assistant professor, has president, and Lucius M. Whitaker, Midatlantic: Milo Cleveland Beach Academy of Sciences, professor of the returned to the school after serving for two businessman. Peter Nisbet, presently has been named director of the Arthur M. 'West: At the University of California, Europe: Ruth Kamen has been appointed history of art at the University of Warsaw, years as the assistant director of the Center associate curator of the Busch-Reisinger Sadder Gallery and the Freer Gallery of Ar~ Lynn Matteson has been appointed dean director of the British Architectural Library Museum of Harvard University, has been two museums of the Smithsonian and chief conservator of the department of for Renaissance Studies at the Newberry of the school of fine arts, David Brunn and Sir Banister Flectcher Librarian. appointed first Daimler-Benz curator of the Institution devoted to the study and European Art at the National Museum of Library; Daniel Smartt has been added to has joined the studio art department as Busch-Reisinger Museum of Central and exhibition of the arts of Asia. Eliza Warsaw, died in December 1988. the faculty; and Joy Sperling, assistant assistant professor in photography, Northern European Art. Jennifer Spohn Rathbone, formerly curator of 20th­ professor, has been awarded a postdoctoral Glenn Harcourt has been hired as an MUSEUMS/GALLERIES has been appointed to the position of chief Century art, has been named curator of The Howard Kottler, a major influence in fel10wship at the National Museum of assistant professor in the field of Northern conservator at the Worcester Art Museum. Phillips Conection in Washington, D.C. contemporary ceramics, died in January of American Art. In November, Walter S. Renaissance and Baroque art history, John Midwest: At the Indianapolis Museum of Hongnam Kjm, formerly an assistant Franklin Kelly has been hired as the this year in Seattle at the age of 57. Kott~er Gibson, Mellon Professor of Humanities Polllni has been brought on as an Art: Martin F. Krause, formerly professor of art history at the University of curator of collections of The Corcoran was a professor and chair of the ceramICS at Case Western Reserve University, was associate professor in Classical art and associate curator of prints and drawings, Maryland, has been appointed curator at Gallery of Art, Washington, D.C. Mark department at the University of the Murphy Lecturer in Art,at the University archaeology, and adjunct professors, has been promoted to curator; Theodore The Asia Society Gallery. S t eve n Rosenthal, the Muriel and Philip Berman Washington. He was noted for his of Kansas and during the spring semester he Gillian Wilson, Edward Maeder, exceptional technical skills and early use of will be the Clark Visiting Professor of Art Celenko has been appointed curator of S chiou g h has been appointed to the curator of 20th-Century art at the Leslie Bowman, Shelley Bennett ethnographic art; Anna M. Thompson position of public relations officer of the political imagery. History at Wil1iams College. J e a n and Marlon True have been also hired. Philadelphia of Art, has resigned to. p~r~ue has been appointed pedormance arts Whitney Museum of American Art. At the independent writing and exhibItIon Sutherland Boggs will be the Mather Nancy Macko has been appointed John Michael McCarron, former Visiting Professor in Art History at Case coordinator in the education division; and Metropolitan Museum of Art: Laurence projects. assistant professor of' art in. printmak~ng, Barry Shifman has been appointed B. Kanter has been elected curator of the artistic director of Artspace in San Western Reserve University, while drawing, and computer graphics at Scnpps Francisco, died in January of this year at the Jenifer Neils, chair of the art associate curator in charge of decorative Robert Lehman Collection; William M. College. West: At the J. Paul Getty Museum in age of 34. McCarron was with L.A. Louver department, will serve as the Whitehead arts. Patrick M. de Winter has Griswold has been appointed assistant Malibu: Myron Laskin has resigned as for three year then became the director of Visiting Professor of Classical Studies at resigned from the Cleveland Museum of Art curator in the department of drawings; curator of paintings to pursue scholarly the Arts Commission Gallery in San the American School of Classical Studies in to pursue a fellowship at the Camargo Donald J. Larocca has been appointed i[ Foundation in Cassis, France. The research and publication, in part for the Francisco, leaving in 1983 to establish an Athens. Diane Olivier, assistant assistant curator in the department of anns CORRECTIONS Getty Museum; George Goldner has exhibition program at Artspace. professor of fine arts, has returned to the Missouri Historical Society, which and armor; Jeffrey K. Smith has been assumed the role of acting curator of Memorials may be sent to: John McCarron University of Cincinnati to chair the Mid operates the History Museum in the hired as the new head of evaluative research; New Writing in Arts Criticism Grants, c/o America College Art Association's annual Ronald D. Rarick's name was Jefferson Memorial Building in St. Louis' and Marilyn Hirsh has been appointed paintings; and Brian Considine has Artspace, 1286 Folsom Street, San conference after a six month residency at incorrectly spelled in the Winter 1988/89 Forest Park, has named Robert R. to serve in the division of education as been appointed as conservator of decorative assistant museum educator. (continues on page 18, col. 1) Francisco, CA 94103. P.S.l in New York. Newsletter. Archibald to be its executive director. CAA Newsletter Spring 1989 13 12 1

GRANTS/A WARDS/HONORS

Publication policy: Only grants and awards Eloise Johnson has been awarded a received by individual and institutional OIschki. The 20th-Century Mitchell Prize James Carpenter. Eleanor Clough, Artpark. Lewiston. New York has been grant from the National Endowment for the members, or awarded by ins/iluJjonal members, was awarded to Angelica Zander Lawrence Crombez, Barbara awarded a two year grant from the Li~a of the College Ar' Association wil/ he published. Humanities which will allow her to Rudenstine for her catalogue Modern }DeGenevieve, Maria Gonzalez. Wallace-Reader's Digest Fun~ rn We do not pub/ish the award/grant amount. Please complete her doctoral dissertation on Afro­ t Painting, Drawing and Sculpture Collected support of the park's visual art projects note the following format: American artists of the Harlem 'Robert Howard. Richard KOOyman; Individual members: cite name, Renaissance. by Emily and Joseph Pulitzer, Jr., Kathryn Lehar, Ken Little, Roge program. institutional affiliation, grant or award lille. published by the Harvard University Art Machin, Mike Mandel, William Museums. Institutional members: cite name of Julie Johnson, received a 1988-89 Maxwell, Eileen Neff, Richard inslituJionlorganization; the full title of the grant Fulbright Fellowship and will spend the Notkln James Olson, Michael or award; and (optional) use or purpose of grant. year in Vienna conducting research on the Pestel,'Susan Rankaitis. Gail Secessionists. Simpson, Jonatha'n Sires, Nancy Slagle, Karen Stahlecker, In all cases, please note thaI you are a eAA 1988-89 FULBRIGHT SCHOLARS NEA ANNOUNCES member. Margla Kramer has received a New York The Council for International Exchange of Christopher Staley, Je~slca ORGANIZATIONAL GRANTS FOR Foundation for the Arts Artist's Fellowship Scholars has published its Directory of Stockholder, Rachelle Thlewes, VISUAL ARTS FORUMS AND for 1988-89. American Fulbright Scholars, 1988-89. Richard Usrey, Connie Utterback. DESIGN COLLABORATIONS INDIVIDUALS CAA members, listed as 1988-89 Fulbright Jack Wax. Scholars, are: A vis Louise Allman, Nancy Macko, Scripps College, The Design Arts and Visual Arts Programs Claremont. CA was awarded two grants independent scholar, Brooklyn, NY. for Edgar Allen Been, writer and art critic research on images from mUseums of ORGANIZATIONS of the National Endowment of. the ~rts funded by the Sloan Foundation. announced the award of grants m a ,Pilot for Maine Times, has won first place in the Turkish and Islamic arts; Phyllis M. series aimed at encouraging profes~lOnal Manufacturers Hanover Art/World Awards Bra m son, University of Illinois. Alexander Coburn Soper III of the The Solomon R. Guggenheim collaboration between design profeSSIonals Program for Distinguished Newspaper Art Chicago and CAA Board Member. for Criticism. Institute of Fine Arts, New York University Museum has been awarded a grant from the and visual artists. The four grants went to: lecturing on art at the Victorian College of was awarded the Charles Lang Freer Medal GTE Corporation to implement Phase IT of the Bi-State Development Age~cy, Arts, Melbourne, Australia; Melvin E. of the Smithsonian Institution's Freer the museum's collection sharing program. St. Louis. MO. for the design of a lIght John Bender, Stanford University. has Edwards, Rutgers University, for research Gallery of Art. rail system; the Consanti Fou~d~tion, been awarded the Louis Gottschalk Prize and·.c;onsulting on metalwork art at the The Royal Institute of British Scottsdale. AZ, for the colorful pamting of funded by the American Society for Zimbabwe National Gallery. Harare, The Jewish Museum of New York and the art Architects has been awarded a grant .by three kilometers of desert road; the Ci ty Eighteenth-Century Studies for Imagining Zimbabwe; Donn Walden Hedman, publishing house IRSA Verlag, Vienna the British Library towards the preservation of Dallas, Parks and. Recreation the Penitentiary: Fiction and the Indiana University of Pennsylvania, for (Austria) have announced the joint of the RIBA archive. Foods for aw~d were Department, for the renovatIOn of a half­ Architecture of Mind in Eighteenth-Century research on folkcrafts of the Pare and pUblication of a special issue in honor of provided by the Wolfson FoundatIOn and century-old historic site; and Texas A & England, published in 1987 by the Usambara Mountains of Northeastern University of Chicago Press. Michael Rachel Wischnitzer, one of the first Family Trust. M University, College Station, TX, for women to train as an architect and a founder Tanzania; Ora Lerman, Suffolk County the redesign of a major Houston freeway M c K eon, S tandford University Conllmmity College, for research on Indian of the study of the history of Jewish art. The Art Institute of Southern interchange. Humanities Center, came in a very close masks - transformation through linear She is presently living in New York and f"allfornia has received a cultural grant second for his book The Origins of the decoration at the Crafts Museum, NeV;( English Novel 1600-1740, published by recently turned 104. jl:om the Festival of Arts in Laguna Be~ch The Visual Arts Program of the National Delhi, India; Marla Martha Makela,' -~, and a grant from the VanCamp Foundation Endowment for the Arts has announced the Johns Hopkins University Press. School of the Art Institute of Chicago. for to support opera tlOns• and endow awards' made under the Artists Forums research on the founding and early years of The Rockefeller Archive Center announced scholarships. category. CAA institution~l members or THE DECORATIVE ARTS SOCIETY the Munich Secession - art and politics affiliated societies who received a grant are 1988 grant-in-aid program awards were during the regency of Prince Luitpold of ANNOUNCES A WARDS The Museum of Fine Arts, Ho~s~on the following: University of Akron, made to: Aaron Betsky, Southern Bavaria at the University of Munich, West Craig Gllborn of the Adirondack has been awarded a grant from the W~lham OH' University of Arizona. Tucson; California Institute of Architecture, for Germany; Shelley Enid Rice, New Museum of Blue Mountain Lake, New York Randolph Hearst Foundation to establIsh an Ari Academy of Cincinnati, OR; research on the architecture of James York University, for research on social. has been awarded the Montgomery Award endowment for educational outreach Atlanta College of Art, GA; Gamble Rogers; and Susan L. Klaus, political, aesthetic. and cultural dimensions George Washington University, for for an outstanding first scholar publication programs. California College of Arts and in the field of American decorative arts by of the early years of French photography at Crafts, Oakland, CA; University of research on the planning of Forest Hills the Paris Musee Camavalet, Paris, France; Gardens. The Decorative Arts Society for his The J. Paul Getty Trust has announ~ed three California, San Diego; University Leonard J. Slatkes, CUNY, Queens publication Adirondack Furniture and the t under its new Archlt~c~ural of Colorado, Boulder; Cor nell College, for research for a monograph of Rustic Tradition; and the late Benno M. gran s . G t y ReCIpIents University, Ithaca, NY;. Eas~ The American Society for Hispanic Art Hendrick Ter Brugghen (1588-1629). ConservatIOn rant ca egor . . Historical Studies (ASHAHS) has presented For man has received the Society's are' the Hacienda de los Luceros In Carolina University. GreenVIlle. NC, its 1989 Distinguished Publication Award Montgomery Prize for the most AI~alde, New Mexico; Frank. Lloyd University of illinoIs, Chicago, IL; to Herschel B. Chipp for his book distinguished study of American decorative Wright's Freeman House m Los Kansas City Art Institute, MO; Picasso's Guernica: History, arts pUblished in the last year for his NEA ANNOUNCES GRANTS FOR Angeles, and the Spencer Pierce Little Louisiana State University, Baton Transformations, Meanings published in publication American Seating Furniture, PHOTOGRAPHY, CRAFTS AND House in Newbury, Massachusetts. Rouge· Mills College, Oakland, CA; 1988 by the University of California Press. 1630-1730: An Interpretive Catalogue. SCULPTURE Mont~na State University, Bozeman; The Visual Arts Program of the National Challenge II Grants from the National New Mexico State University. Las Patrick M. de Winter has been awarded Endowment for the Art has announced the Endowment for the Arts have been awarded Cruces; University of New Mexico, to the Henry Art Gallery of the Albuquerque; City UniversIty of New a National Endowment for the Humanities MITCHELL PRIZES A WARDED TO names of recipients of grants in University of Washington, Seattle, York, New York; State University of grant to work on a book dealing with the BOOKS ON ART SUBJECTS photography, sculpture and crafts French Renaissance. WA and to The Tyler School of New York, Stony Brook; Thomas DeCosta Kaufmann, categories. Five artists received the highest grant award of $25,000, 81 artists Temple University, Elkins Park, PA. Opportunities for the Arts, Princeton University. was awarded the 1988 Columbus; Rutgers, The State Jonathan Fineberg, University of Mitchell Prize for his book The School of received the $15,000 amount, and 166 Illinois, has been named a 1988 University received $5,000. Recommendations were Preservation Microfilming: A Guide for University, New Brunsw.lck, NJ; Prague: Painting at the Court of Rudolf II, School of the Art InstItute of Scholar which provides a three year stipend published by the University of Chicago based on the quality of the artists' submitted Librarians and Archivists edited by Nancy to SUpport scholarly activities. work and past record of artistic G win n and jointly produced by the Chicago; Southern I,lIInois Press. Stanley MeItzoff was awarded University, Carbondale; Virginia the Eric Mitchell Prize, for a fIrst book by a achievement. CAA members among the list Northeast Document Conservation Richard Hamwi, Cumberland College, of award recipients were the following: Center (NEDCC) and the Association Commonwealth University. promising scholar, for his book Botticelli, Richmond; Wadsworth Athenaeum, received the Jurors' Award for Excellence in Signorelli and Savonarola: Theologica Mauro Altamura. Steve Barry, of Research Libraries (ARL), has Hartford. CT; Washington Sta~e the Drawing Division of Kentucky Graphics Poetica and Painting from Boccaccio and Joseph Bartscherer, Steve Beyer. received the Waldo Gifford Leland ~nze '88. University, Pullman; and the women.: Po/iziano, published in Florence by Leo S. Patt Blue, Gina BobrOWSki, Dr e x awarded by the Society of Amencan Brooks, Pam Brown, Lance Carlson. Archivists (SAA). Caucus for Art, Berkeley, CA. 14 CAA Newsletter Spring 1989 15 OPPORTUNITIES

The Women's Studio Workshop is The Price, ITC Center, 2 Hammarskjold The Council for International looking for artists to work as studio Plaza, New York, NY 10017. 212/371- Exchange of Scholars has announced The Institute for Research in available at the Vermont Studio Research Collections, 1280 Main St West, assistants in its summer classes in 0699. Deadline: 12 May 1989. the opening of competition for 1990-91 , Humanities of the University of School from mid-May to mid-October. Hamilton, Ontario, L8S 4L6, Canada, printmaking, artists' books, book arts, Fulbright grants in research and 1 Wisconsin-Madison invites applications These grants offer the opportunity to study 416/525-9140; Newberry Library, fabric printing, silkscreen and university lecturing abroad. Application for several postdoctoral fellowships, with some of this country's top artists and Committee on Awards, 60 West Walton Winterthur Museum and Gardens papermaking during its Summer Arts materials will be available in April. For tenable at the Institute during the academic faculty. For more information write or call: Street, Chicago, IL 60610, 312/943-9090; invites applications for graduate or Institute in July and August. Contact: more information and applications, call or year 1990-91. Applicants must have a Vermont Studio School, Box 613, Yale Center for British Art, Office of postdoctoral fellowships for 1-6 months of WSW, P.O. Box 489, Rosendale, NY write: Council for International Exchange doctor's degree at the time of application. Johnson, VT 05656. 802/635-2727. the Dir, Box 2120 Yale Station, New resident study at Winterthur in American 12472. 914/658-9133. Deadline: 15 of Scholars, 3400 International Drive, The Institute supports research in history, Deadline: Open application Haven. 06520. 203/432-2822. decorative arts, American art, American cr April 1989. Suite M-500, Washington, D.C. 20008- philosophy, language and literature. The period, monthly review. architectural history, and American material 3097. 202/686-7866. Deadlines: 15 stipend is currently $22,000, but may be culture. For information about requirements The National Art Review, an annual June 1989 for Australasia, India, and adjusted for inflation. Contact: the Institute The Vermont Studio Colony has also and applications, call or write: Advanced exhibit surveying the emerging, the Latin America, except lecturing awards to for Research in the Humanities, Old announced the availability of grants for 4 Studies Division, Winterthur Museum and established, the traditional and the Mexico, Venezuela, and the Caribbean; 15 Observatory, University of Wisconsin­ or 8 week residencies for painters and SUMMER SCHOOLS unconventional in contemporary art, has Gardens, Winterthur, DE 19735, 302/888- September 1989 for Africa, Asia, Madison, Madison, Wisconsin 53706. sculptors. Call or write the Colony at the 4649. Deadline: 15 May 1989. placed a call for artists. Artists in all media Europe, the Middle East, and lecturing 608/262-3855. Deadline: 15 October above address. Deadline: Open. are eligible, open to U.S. residents, wall­ awards to Mexico, Venezuela, and the 1989. Pratt Institute has announced its 1989 to-wall insurance and shipping expenses to Caribbean, and travel-only awards to The Nantucket Island School for Arts Midwest has announced the summer school term, 7 June through 20 be provided for 4 to 6 artists selected for France, Italy, and West Germany; 1 The Basil H. Alkazzi Award is an Design and the Arts announced the initiation of the Midwest Acquisitions July, in drawing, art history and painting this group show to be held in September November 1989 for institutional annual travel award of $2,000 to be given expansion in fall 1988 of its Artists Program, a pilot effort to assist nonprofit open to undergraduates and graduates, to be 1989. Send 6-12 slides (designate one slide proposals for Scholar-in-Residence to the best art student andlor artist to spend Interdisciplinary Residency midwestern museums, galleries, and art held in Venice, Italy. For information and to be retained for pennanent file), resume, a period of time in London. This award is Program. NISDA's expanded residency is centers in purchasing works of twenty Program, for International Education application materials write: Pratt In and SASE to: Director, Sawhill Gallery, Art open only to United States citizens, aged designed to provide artists in painting, award-winning midwestern artists. This Administrators Program in West Germany, Venice, The Art History Department, Department, James Madison University, 18--30. There are no application forms. sculpture, photography, multi-media, new­ program will make subsidies of up to $500 United Kingdom, and Japan, and for the School of Art and Design, Pratt Institute, Harrisonburg, V A 22807. Deadline: 1 Applicants must send 6 transparencies, 4 media, fiberarts, and writers a setting to each available to eligible nonprofit Seminar in German Civilization; 1 200 Willoughby Avenue, Brooklyn, NY May 1989. color or b&w prints of your work, a full work undisturbed at their own pace using exhibition spaces in Arts Midwest's nine January 1990 for NATO Research 11205; or call: Diana Gisolfi-Pechukas at resume, place and date of birth, a head & NISDA's facilities and fellow residents as states: IL, IN, lA, MI, MN, ND, OH, SD; Fellowships and Spain Research 718/636-3598. AQUA (A Quest for Urgent WI. Contact: Jeanne R. Lasko or Wayne K. Fellowships. shoulder photograph, a handwritten resources. Residencies are 1 to 3, 6 or 8 1/2 Action ... Clean Water Now) is Self at 612/341-0755. DeadlIne: statement as to why you want/need this months in length. For application accepting entries for its first annual poster Applications will be accepted until 1 June Artitudes, New York 1989, an award, and how best you expect to use the information write or calI: Glen Weimer, competition. The winning artist will be 1989. international multi-media art competition time in London. International Reply Program Coordinator, NISDA, Box 1848, invited to have their proposal printed in a seeks entries. Winners will exhibit at Art Coupons should be enclosed to cover the Nantucket, MA 02554. 617/228-9248. Cambridge University announced its limited edition, hand-screened print, in 54 Gallery in New York's SoHo district. cost of return postage of entry. The award Deadline: Applications are summer school schedule as follows: 1) Ball State University Art Gallery collaboration with the Lower East Side $7,000 in cash prizes and awards (in tota1~ will be juried by Basil AIkazzi and an art accepted until such time as all International Summer School, term I, 10 has announced its 35th Annual Printshop. For more information send a Write for an application to: Artitudet_ 1~ritic yet to be named. Entries must be sent spaces are filled. July - 4 August, and term II, 6-9 August; 2) self-addressed stamped envelope to: AQUA. Drawing and Small Sculpture Show Department RA, P.O. Box 380, Hartsdale, - .. >ilow to: The Basil H. Alkazzi Award, BCM Summer School in Art History, 9-29 July; competition. The show will be held 5 255 West 84th Street, Suite 2C, New York, NY 10530; or call: 914/633-5333. Box 6314, London, WCIN 3XX, England. The J. Paul Getty Trust invites and 3) Summer School in English November - 3 December with 10-15 selected NY 10024; or call: Leslie Gabriel at Deadline: 23 June 1989. Deadline: 31 October 1989. inquiries on its recently established Literature, 30 July - 19 August. For further 212/740-8135, or Ruth Ely at 212/580- artists showing 5-10 works each. A Architectural Conservation Grants information and application forms write: 9049. Deadline: 1 May 1989. catalogue will be published. Juried by slides Camelot Publishing Company is for nonprofit organizations that own International Division, University of only, $10 fee for 10 works. For required sponsoring a Computer Art Contest nationally listed properties in countries Cambridge Board of Extra-mural Studies, The Ezra Jack Keats Memorial prospectus, call or write: 35th D/SSS, Ball for stUdents (secondary school and throughout the world. John Sanday, Madingley Hall, Madingley, Cambridge Fellowship from the Ezra Jack Keats State University Art Gallery, Muncie, IN college/adult) or artists engaged in program officer, and the grant program staff CB3 8AQ, England, or call: 44-954- Foundation will provide $1,500 to a 47306. 317/285-5242. Deadline: 2 producing computer art. Winning entries are available to assist applicants in 210636 (International). Deadline: talented writer and/or illustrator of June 1989. will be published in a new annual developing their projects. For more Applications must be received by 1 June children's books who wishes to use the publication Computer Images 1990 and information call or write: Getty Grant 1989. Kerland Collection for the furtherance of The Indo-U.S. Subcommission on prizes of computer science/computer Program, Architectural Conservation his or her artistic development. For Education and Culture is offering graphic library books ranging from $200 Grants, 401 Wilshire Boulevard, Suite application materials or further infonnation twelve long-term (6-10 months) and nine to $50 will be awarded. Categories for 1000, Santa Monica, CA 90401. 213/277- contact: Ezra Keats Memorial Fellowship short-term (2-3 months) awards for 1990- entries are: 1) Secondary Schools (grades 9188. New York University's Summer Committee, The Kerland Collection, 109 91 research in India. These grants will be 6-12) color art; 2) same, but for black and Abroad '89 Humanities In China Walter Library, 117 Pleasant St, SE, available in all academic disciplines, white art; 3) College Level/Adult (over 18 The American Society for session will run from 24 June to 16 August. University of Minnesota, Minneapolis, except clinical medicine. Applicants must years of age) color art; 4) same, but for Eighteenth.Century Studies has For application form and further MN 55455. 612/624-4576. Deadline: be U.S. citizens at the postdoctoral or black and white art. Contact: Camelot announced six fellowship programs information, write or call: Office of Special 1 May 1989. equivalent professional level. The Publishing Company, Computer Art funded jointly by the Society and six Programs, New York University, School of fellowship program seeks to open newl Contest, P.O. Box 1357, Ormond Beach, leading research institutions. For Education, Health, Nursing, and Arts The International Typeface channels of communication between FL 32075. Deadline: 31 December information and deadlines contact any of Professions, 32 Washington Place, Rm. 1989. Corporation has placed a call for entries academic and professional groups in the these libraries directly: Am e ric a n 42, New York, NY 10003-9903. 212/998- in its fifth Herb Laballn U.S. and India and to encourage a wider Antiquarian Society, John B. Hench, 5090. International Student Design Exhibition Opportunity in range of research activity. Fellowship Assoc Dir of Research and Publication, 185 Edinburgh, Scotland. American artists Competition, this year titled Illiteracy - terms include $1,500 per month, an Salisbury Street, Worcester, MA 01609- in The Price. Undergraduate, graduate or allowance for books and study/travel and interested having their work exhibited in 1634, 617/755-5221; Clark Library, special students of bona fide art or graphic some additional benefits. For application Edinburgh, Scotland should write a letter of Fellowships, William Andrews, 2520 Studio Art Centers International design schools or departments, any place in forms and further information, contact: interest and include slides and/or Cimarron Street, Los Angeles, CA 90018, has announced its summer term and the world, may enter. First prize is $5,000, Council for International Exchange of photographs of their work to: Peter Adams, 213/731-8529; Folger Library and academic year in Florence, Italy. second prize is $2,500 and 8 third prizes are Scholars, Attn: Indo-American Fellowship Li' I Cramond Park, Edinburgh EH4 6PX, Institute, Lean Cowen Orlin, Exec Dir, The summer term runs for six weeks from $500 each. Selected winners will be Program, 3400 International Drive, Suite Scotland, Great Britain. De a d I I n e : Folger Inst of Renaissance and 18th­ early July to mid-August. For further exhibited in an art show at the ITC Center M-500, Washington, D.C. 20008-3097. Open. Century Studies, 201 East Capitol St, SE, information write: U.S. Student Programs in New York. For entry form and 212/686-4013. Deadline: 15 June Washington, DC 20003, 202/544-4600; Division, Institute of International competition rules write or call: Illiteracy - 1989. Work exchange grants, teachers' grants, McMaster University Library, Education, 809 United Nations Plaza, New and 12 week work/staff residencies are Charlotte Stewart, Dir, Archives and York, NY 10017. 16 CAA Newsletter Spring 1989 17 • THANKS TO SUSTAINING INDIVIDUAL MEMBERS OPPORTUNITIES

PROGRAMS 112 nations with a special section on 200 To order this book, send $19.95 (plus Sustaining membership is a voluntary Francois Forster-Hahn, Santa Monica, CA; DC; Rodger A. Mack. Syracuse, NY; Roger study-abroad programs. For infonnation on $2.50 book rate or $4.00 first class ( ;ategory for individuals who wish to Ilene H. Forsyth, Ann Arbor, MI; Joseph Mandie. Toledo, OH; James H. Marrow, ordering this, or other publications from postage and handling) to: Arts Extension .:ontribute to the CAA in excess of their C. Forte, Bronxville, NY; Ella M. Foshay, Berkeley, CA; John R. Martin, Princeton, NJ; Tufts University has announced the TIE write to: TIE Books, 809 United Nations Service, Division of Continuing Education, income-based dues. Individual sustaining New York, NY; Richard A. George and Jean M. Massengale, Noroton, CT; George formation of a program in museum Judith Paetow George. Oxford. OH; Felton Plaza, New York, NY 10017; or call: University of Massachusetts, Amherst, MA members contribute a minimum of $100 L. Mauner, State College, PA; Evan M. L. Gibbons, Hopewell, NJ; Mary Gibbons, studies and administration 01003; or call 413/545-2360. annually. In 1988 we had 234 sustaining Maurer, Ann Arbor, MI; Forrest McGill. 212/984-5412. New York, NY; Priscilla Gibbs. Los Angeles. beginning in the summer of 1989. A~dress members. To date we presently have 280 for Columbia, MO; Karen N. McGuinn, San CA; Sarah Gill, Santa Rosa, CA; Sam Francisco, CA; Elizabeth P. McLachlan, inquiries to: Pamela AHara, Art HIstory the year 1989, and anticipate more before Department, Tufts University. Medford, MA Now available from Art Resources Gilliam, Washington, DC; Bruce Glaser, New Brunswick, NJ; Constance C. McPhee. membership closes on 23 June. For their Fairfield, CT; Mildred L. Glimcher, New 02155. 617/381-3567. International, published in cooperation The Istltuto della Enciclopedia New York, NY; Richard Lee Mellott, Italiana will publish an Italian· generous contribution, our thanks go to: York, NY; Rona Golfen, New Brunswick, NJ; Larkspur, CA; Jerry D. Meyer, DeKalb, IL; with the National Endowment for the Arts, George A bra m s, Newton, MA; J.L. American Newsletter which will carry Edward Goodstein. Atherton, CA; Hymle Elly Miller, London, England; Lee Anne The University of Maryland, Money to Work: Grants for Visual Abromson and N.C. Nissman, Brookline, Gordon. Rochester, 1viN; Joy L. Gordon, news of interest to university faculty and Miller, New York, NY; James and Anne Department of Art History and the Graduate Artists, a comprehensive, up-to-date, MA; Lucy A. Adams, New York, NY; Emma East Hampton, NY; Oleg Grabar, Cambridgc, Morganstern, Columbus. OH; Dewey F. museum personnel about Italian and Italian­ School at the University of Maryland have guide to fellowships and grants for visual W. Alexander, Ann Arbor, MI; Paul MA; Mary Ann Graeve-Frantz, Princeton, Mosby, Hamilton, NY; Weston J. Naef, begun a program of Maryland Museum artists working in the U.S. General American cultural and intellectual events in Anbinder, New York, NY; Wayne Andersen, NJ; Nancy S. Graves, New York, NY; Santa Moncia. CA; Roy R. Neuberger, New Fellows. For more information, contact: information, application procedures and both countries. Written in English for Boston, MA; Sharon Anderson, Seattle, WA; Eleanor S. Greenhill, Austin, TX; Terence York. NY; Beverly O'Neill, Valencia. CA; The Univ of Maryland, College Park selection processes for 80 grants are given American readers, it will be translated into Ralph M. Arnold, Chicago, IL; Pamela Grieder, Austin, TX; Sidney T. Gubermanb, Clifton C. Olds, Brunswick, ME; E.C. Askew, Millbrook, NY; Ronald R. Atkins, Atlanta, GA; Norman B. Gulamerian, Campus, Dept of Art History, College Park, in concise detail with easy-to-use indices to Italian and distributed in Italy. There is no Parry, Tucson. AZ; David Pease, Guilford, CT; Greenwich, Cf; Matthew Baigell, Highland Watchung, NJ; Lee Hall, New York, NY; Anne Melvin Pekarsky, Stony Brook, NY; Ruth Maryland 20742. 301/454-3431. pinpoint the most appropriate sources. An charge for publishing announcements and the newsletter will be mailed free to all who Park, NJ; William Baile:r, New Haven, CT; C. Hanson, New Haven, CT; Evelyn B. R. Philbrick. Washington. DC; Edmund introduction written by Michael Faubion, Jeremy D. Bangs, Plymouth, MA; Kosme request it. Send news and subscription Harrison, New York. NY; Helen M. Pillsbury, Fort Worth. TX; Debra Pincus, The Coupeville Arts and Crafts acting director of the NEA's Visual Arts M. Baranano, Bilbao, Spain; William L. Harrison, Del Mar, CA; Marjorie L. Harth, requests to: Professor Inna B. Jaffe, Istituto Princeton, NJ; John Pinto, Princeton, NJ; Center has announced Photo Focus II, Program, gives a unique insight and precise Bareham, Highland Park, NJ; Richard Claremont, CA; Reiner Haussherr, Berlin, Jessie J. Poesch, New Orleans, LA; Cynthia della Enciclopedia Italiana, 250 Park a workshop series for photographers on analysis of the application and selection Barnhart, New Haven, CT; Michael D. Gennany; Christine M. Havelock, Polsky, New York, NY; Margaret R. scenic Whidbey Island, Washington to be processes for awarding NEA grants. Order Avenue, New York, NY 10017. Baxandall, Berkeley, CA; Lisa A. Baylis, Poughkeepsie, NY; Egbert Haverkamp. Polson, Boone, NC; John Pope-Hennessy. held during the month of May 1989. For a your copy for $8.00 (which includes Los Angeles, CA; Robert L. Benson, Los Begemann, New York, NY; Louis J. Hector, Florence, Italy; Martin J. Powers, Ann Arbor, Angeles, CA; Robert W. Berger, Brookline, free brochure contact: Coupeville Arts and postage) from: Art Resources International, Coconut Grove, FL; Kathryn M. Heleniak, MI; Jules D. Prown, Orange, CT; Donald MA: Robert P. Bergman, Baltimore, MD; New York, NY; Jules Heller, Scottsdale, AZ; Crafts Center, P.O. Box 711N, Coupeville. 5813 Nevada Avenue, NW, Washington, The Museum Computer Network Rabiner and Claudia Brown, Tempe, AZ; Jo-Anne Bernstein, Piedmont, CA; Sarah David C. Henry. New York. NY; Jean Frank J. Rack. Lakewood, OH; Olga WA 98239. 206/678-3396. DC 20015, 202/363-6806. (MCN), based in Syracuse University's School of Computer Blake McHam, Brooklyn, NY; Suzanne Henry, Philadelphia, PA; Rodman R. Henry, Raggio. New York, NY; Theodore Reff, New Bloom and Edward Hill, Houston, TX; Wellesley, MA; Mr. and Mrs. M. Herban, and Information Science, has York. NY; Roland Reiss, Claremont, CA; PUBLICA TIONS Elizabeth H. Boone, Washington, DC; m, Columbus, OH; Robert L. Herbert, New undertaken the task of developing museum Virginia Rembert, Northport. AL; Charles Going Public: A Field Guide to Richard BreUell, Dallas, TX; Richard Haven, CT; Joel and Judith Herschman, New S. Rhyne, Portland, OR; Danielle Rice. cataloguing standards to facilitate the Teaching Abroad, a new edition of the Developments in Public Places is Brilliant, New York, NY; Judith Brodsky, York, NY; Barbara H. Hess. Naples, FL; Philadelphia, PA; Joseph Rishel and Anne computerization pf records. Affiliated with n-;'lceton, NJ; Clifford M. Brown, Ottaw~, E (1 f . Ab t Internati·onal n.ow availa.,ble, ,from, .the." Ar,,t,s. EJ(t~nsion Charles. H~ss, O~kland, J':J\;" Er,e,deri<;k D. D'Harnoncourt Rishel. Philadlephia, PA; I I ,n ormatton. ou. ..,., . ' .. 'the American As'sociation of Museums lada; Jonathan M. Brown, Princeton, NJ; Exchange) information-packed gUIde to Service. -In' i"987; the Visual Arts Prbgranf Hill, New York, NY; Margaret H. Hobler. David M. Robb, Jr. and Frances O. Robb. the rapidly expanding artistic and of the National Endowment for the Arts (AAM), MCN is the only organization in ., ... /Jton W. Brown and Blanche R. Brown, New York, NY; Edith M. Hoffman. Huntsville. AL; William W. Robinson, New York, NY; Stephen B. Browne, New Middlefield, CT; Harlan H. Holladay. Canton, management options for public ~rt. It (NEA) brought together 30 nationally the world that combines museum Cambridge, MA; Marcel Roethlisberger, York, NY: Ladislas Bugner, Paris, France: NY; Renata O. Holod, Philadelphia. PA; includes brief case profiles, a lIst of recognized artists. public art information management with computer Versoix, Switzerland; Robert A. Rorex. Iowa technology. For further information George R. Bunker, Houston, TX; Susan H. John Holverson, Portland, ME; Frank R. City, IA; David Rosand, New York._NY; resources, sample documents, and a administrators, design professionals, Bush, Cambridge, MA; Robert C. Cafritz, regarding this project contact: Deirdre Horlbeck, Madison, WI; David C. Sheila M. Ross, Arcata, CA; How a r d national listing of 200 public art programs. lawyers, urban planners, and others Washington, DC; James Cahill, Berkeley, Huntington, Ann Arbor. MI; Susan and John :0 Stam, Executive Director of MCN, School Saalman, Pittsburgh, PA; Samuel M. Sachs teaching abroad for U.S. teachers and examine public art concerns. The result IS CA; Walter Cahn, New Haven, Cf; Norma· Huntington, Worthington, OH; Nancy R. of Computer and Infonnation Science, II, Detroit, MI; Robert G. and Francoise F. faculty is now available. Its 130 pages list this publication which reflects the Jean Calderwood, Bchnont, MA; Malcolm Huntsinger, Ventura. CA; Isabelle Hyman, Scheiner. New York, NY; Stephen K. Scher, Syracuse University, 820 Comstock some 360 entries on formal exchange perspectives and recommendations of these and Joan Campbell, Philadelphia, PA; New York, NY; Joel Isaacson, Ann Arbor. MI; Clifton, NJ; Carl N. Schmalz, Jr., Amherst, programs and sources of employment in professionals and provides insights about Avenue, Syracuse, NY 13244-5040. .. Yvonne P. Carter, Washington, IX; Virginia Jackson, Houston. TX; Irma B. MA; John M Schnorrenberg. Binningham, Madeline H. Caviness, Charlestown, MA; Jaffe, New York, NY; Carroll Janis, New AL; Fritz Scholder, Scottsdale, AZ; Charles Peter Chapin, Santa Fe, NM; Iris H. York, NY; Dora Jane Janson, New York, NY; E. and Diane Scillia, University Heights, OH; Cheney, Sunderland, MA; Judith Chester, Robert A. Jessup, Somerville, MA; Charles Scribner, III, New York, NY; Linda PEOPLE&PROGRAMS(cont) LEGAL UPDATE (cont.) Appeals Court in San Fr~cisc? th~t UCLA Novelty, OH; Constantine Christofldes, Elizabeth Johns, Pittsburgh, PA; Margaret Seidel, New York, NY; Richard Shaffer, is immune from copYrIght infnngement Seattle, W A; Carol Clark, Williamstown, MA; Johnson, Marshfield Hills, MA; Roy E. Arlington. TX; Pamela K. Sheingorn, New arts and sculpture. Kim J. Litsey has should wait to amend their tax returns or in the case BV Engineering v. University William B. Conlon, New York, NY; Kevin Johnston, Saratoga Springs, NY; Aldona York, NY; Kathleen J. Shelton, Chicago, IL; been named as the director of development consult a tax specialist. of California - Los Angeles (BV claimed E. Consey, Newport Beach, CA; Mary R. Jonaitis, Stony Brook, NY; Estelle Jussim, Alan Shestack, W. Newton, MA; Hslo-yen Covert, Cambridge, MA; Joseph L. Cox, at the University Art Museum, University that UCLA made numerous copies of its Graney. MA; Mitchell D. Kahan, Akron. OH; Shih, Hong Kong; Ralph E. Shikes, New WHO'S STILL REQUIRED TO III, Oxford, OH; Janet Cox-Rearick, New Madlyn Kahr, New York, NY; julius D. of California, Berkeley. Stacey Moss copyrighted computer programs). This York, NY; Yoshiaki Shimizu, Hopewell, NJ; CAPITALIZE? York, NY; Karen C. C. Dalton, Houston. TX; Kaplan, Los Angeles, CA; Joseph L. Marianna S. Simpson, Washington, DC; has been hired as the curator of the Wiegand court decision and similar decisions in Unfortunately film, video, book Robert Dance, New York, NY; Alan P. Darr. Karmel, New York, NY; Sandra C. Kasper, Roy Slade, Bloomfield Hills. MI; Seymour Gallery of the College of Notre Dame, publishing, and craft b~sinesse~ must still other court districts have alarmed artists Detroit, MI; Bernice F. Davidson, New New York, NY; Ruth Kaufmann, New York, Slive, Cambridge, MA; P. Sloane, Brooklyn, Belmont, CA. Catherine M. Babcock capitalize. Thus, specific aSSIgnment. of and writers nationally because of the York, NY; Sol Alfred Davidson, Princeton, NY; Diana Shaio Keevan, Weston, CT; NY; Richard Spear and Athena Tacha. has been hired as communications expenses must be made for each. project frightening implications of their NJ; Diane N. de Grazia. Washington, DC; Margaret M. Kelly, New York, NY; Garry Oberlin, OH; Allen Staley, New York, NY; coordinator at the Huntington Library, Art Sylvia A. de Rothschild. Houston. TX; and the resulting costs would be wIltten off decisions, namely that states and local N. Kennedy, Halifax. NS, Canada; Dale Theodore E. Stebbins, Jr., Brookline, MA; Collections and Botanical Gardens, San Barbara K. Debs, Greenwich, CT; Kenneth Kinney, Bryn Mawr, PA; Mark A. Kline, using the "income forecast" of other governments can violate copyright. CAA Wendy A. Stein, New York, NY; Gerald G. Dingwall, Cleveland Heights. OH; Elsbeth Denver, CO; Richard Krautheimer, Rome, Stiebel and Penelope Hunter-Stiebel, New Marino, CA. inventory method. This method should has been informed that there is substantial congressional activity directed at OH; Elsbeth B. Dusenbery, Montclair, NJ; Italy; Nancy S. Lambert. New Haven, CT; York. NY; Julien M. Stock, London, England; have been followed for the 1987 tax year. Samuel Y. Edgerton, Jr., Williamstown, Barbara G. Lane. New York, NY; Irving and Colin B. Bailey has been improving this situation. A complete Max W. and Ruth W. Sullivan, Fort Worth, Southwest: Until February 25, 1989, "safe harbor" MA; Marvin Eisenberg, Ann Arbor, !vIT; Marilyn Lavin, Princeton. NJ; Thomas W. appointed curator of European painting and update of this topic is scheduled for the TX; Shuji Takashina, Tokyo, Japan; Charles method could have been elected (not for Elizabeth McG. Enders, New York, NY; Lea vllt, Ithaca, NY~ Katharine C. Lee, Talbot, San Antonio, TX; Richard G. and sculpture at the Kimbell Art Museum, Fort summer CAA Newsletter. craftspeople). Filmmakers and Robert Enggass. Baltimore, MD; Richard Chicago, IL; Patricia J. Lefor. Northport, Luraine Tansey, San Jose, CA; David F. Worth. TX. craftspeople should consult with a tax A. ,Etlin. Silver Spring. MD; Everett Fahy, NY; Elizabeth Mary Legge, Toronto, Tatham, Syracuse, NY; Silvia Tennenbaum, \ York, NY; Beatrice Farwell. Santa specialist to get details. The issues discussed in "Legal Update" no Canada; Leonard Lehrer, Tempe. AZ; East Hampton, NY;Jane M.Timken,Ncw York, Europe: Mter a year on leave as a fellow of doubt will be the subject of continuing tialbara, CA; Theodore Feder, New York, NY; William J. Leugould Lewis, New York, NY; Alan Fern. Chevy Chase, MD; Ruth E. Fine Virginia E. LewiS, Pittsburgh, PA; Fred and the Alexander von Humboldt Foundation, UPDATE: STATE SOVEREIGN discussion and controversy. The CAA and Larry Day, Washington, DC~ Nered Meg Licht. Brookline, MA; Rose C. Long, (continues on page 22, col. 3) IMMUNITY AND COPYRIGHT solicits its members' views on these issues Christiane Andersson has returned to FioraUi, New York, NY; Audrey L. Flack, New York, NY; Bates and Isabel Lowry, her curatorship at the Stadelsches INFRINGEMENT and urges them to contact legislators New York. NY; Ernest L. Folk, III, Newark, DE; Edward R. Lubin. New York, NY; Kunstinstitut, Frankfurt. Jochen Sander On March 20, the United States Supreme directly for additional information on the Charlottesville, VA; Kurt Forster and Elisabeth B. MacDougall. Washington, was recently hired to assist her. III Court let stand a ruling of the Federal legislation discussed. III CAA Newsletler Spring 1989 19 18 • CONFERENCES AND SYMPOSIA

600 South College Ave., Tulsa, OK 74104- Decorating Our Nation: Art and students are from all academic disciplines Vernacular Expression and Design. CALL FOR PAPERS CAA AFFILIATED }189. Deadline: 15 September Architecture in the Public Eye and will make oral presentations, display Proposals and inquiries: Finta?- C~llen, SOCIETIES and SPECIAL )1989. A symposium sponsored by the Dept. of Art posters, and, for the first time, stage Dept. of the History of Art, Uruverslty of INTEREST GROUPS History at the University of Delaware on performances (drama, music, art). For Dublin, Trinity College, Dublin 2, Ireland. CAA Annual Meeting in New York Women's Caucus for Art April 21. It will offer a wide range of information: NCUR/EUREKA, Trinity Abstracts deadline: 1 December, Festschrift Issue of RACAR February 15·-17, 1989 The 1990 National Conference of the WCA approaches to 19th- and 20th-Century University, Wm. Knox Holt Continuing RACAR, Canada's art historical journal, 1989. CALL FOR PAPERS will take place in New York City, American mural painting, public and Education & Conference Center, 106 will have a special issue in 1990 devoted to February 12--15, 1990. General architectural sculpture, and decorative art. Oakmont, San Antonio, TX 78212. honoring George Knox, the distin~uished American Society for theme: Shifting Power. Proposal abstracts Richard Guy Wilson, University of specialist on 18th-Century VenetIan art, Association of Art Historians Hispanic Art Historical Studies from those interested in organizing panels Virginia, will be keynote speaker and 12th Annual Whitney who recently retired from the University of The AAH in conjunction with the Centre for ASHAHS will sponsor a session entitled or making presentations are invited. moderator. Speakers include: H.B arbara Symposium on American Art British Columbia. Those wishing to Extra-Mural Studies, Birkbeck College, Works of Spanish and Portuguese Art in Proposals should consider the diversity of Weinberg, Queens College and Graduate To be held at the Whitney Museum of participate by submitting a short article are University of London, will hold a two,-day North American Collections. Both WCA membership which includes artists, Center, C.U.N.Y.; Vivien Green Fryd, American Art on May 1. The day long invited to send a one-page abstract to: conference in September 1990. The members and nonmembers of ASHAHS are scholars, historians, museum Vanderbilt University; Michele H. Bogart, symposium provides a fonnat for graduate Clifford Brown, Co-Editor, 510 professionals, critics, curators, collectors Body in Representation ~opes to reexa:nine invited to propose papers that address S.U.N.Y. at Stony Brook; George GUIIley, students and scholars beginning their Orkncy/Priv", Ottawa, Ontario K2C 3M7, theoretical issues relatmg to portraIture, stylistic or iconographic questions and individuals in other art related National Museum of American Art; Francis careers in the study of American art to Canada. Articles will be accepted in the body and its repres~ntation in ~ul~ral pertaining to works of Spanish and disciplines.WCA invites all women to V. O'Connor, New York City; Elizabeth present original research in any area of English, French or Italian. A notice of history. for papers ru;e Portuguese art of all periods in all media interpret this multi-faceted theme and share Broun, National Museum of American Art; 20th-Century American painting, sculpture, acceptance will be mailed by August 1. Proposal~ mv~te?, dealing with any society or penod wlthm (including painting, sculpture, drawing, ideas, and encourages submissions by Joan Marter, Rutgers University. For more drawing, film or video. For further Abstracts deadline: 1 May 1989. the following general areas: portraits; manuscript illumination, tapestry, women of diverse alternative backgrounds: infonnation: Symposium on American Art, infonnation: Public Infonnation, Whitney institutions, academies and life classes; architectural ornament) in public and ethnic, social, sexual. Some broad issues Clayton Hall, University of Delaware, Museum of American Art, at 212/570-3652. theories of expression; clothing, apparel private North American collections. Papers targeted for discussion: Paths to Newark, DE 19716. 302/451-2214. Empowennent; Women in Public Discourse; Eighth Annual Symposium on and accoutrements; medicine and art. will be limited to a maximum length of 15 Annual Symposium in Contemporary Art Proposals including a brief synopsis should minutes each. Send one-page abstract Museums: Cultural Resources or Cultural Walt Whitman and the Visual Arts Landscape Architecture Rutgers University and the Fashion be sent to one of the organizers: Kathleen (prepared in the same format as CAA Repositories?; Collaboration; Artist The 3rd annual all day symposium on Walt This three day event will be held at Institute of Technology request papers on Adler, Centre for Extra-Mural Studies, abstracts) to: Steven N. Orso, 7345 Tree Curators; What's the Big Deal? (ambitious Whitman presented by the English and Art Dumbarton Oaks, May 19--21. Speakers art after 1945 for a symposium on University of London, 26 Russel Square, Lane, Madison, WI 53717. Deadline: 30 projects); Women and Technology; Cultural Departments of Rutgers University, from allover the world will be featured in a contemporary art scheduled for November London WCl, G.B.; Ludmilla Jordanova, September 1989. Heritage: The Power Within; Challenging Camden, NJ will be held in the Walt state of the art enquiry: What has garden 10, 1989. Keynote speaker is Robert Dept. of History, University of Essex, the Status Quo. Send a one-page proposal Whitman Center, Camden, on April 28. history achieved? Where should it go from Rosenblum. Jurors for the event are: Ann Wivenhoe Park, Colchester C04 3SQ, Design Forum abstract and current curriculum vitae with Speakers include Ruth Bohan. University of here? For information write: Studies in Gibson, Yale University; Joan Marter, G B . Marcia Pointon, School of English & In conjunction with CAA's annual meeting, your name, address, phone and Missouri; Laura Meixner, Cornell Landscape Architecture, Dumbarton Oaks Rutgers University; Richard Martin, F.l.T.; kn~~ican Studies, University of Sussex, a special day long symposium will be held institutional affiliation (if any) to: The University; Albert Boirne, U .C.L.A.; 1703 32nd Street, NW, Washington, DC Gerald Silk, Temple University. Send Falmer, Brighton BNl 9QN, G.B. on February 14, 1990 at the FashiOIF "lrogram Committee, 1990 WCA National William I. Homer, University of Delaware; 20007. proposals of 500 words to: Joan Marter, Institute of Technology. Two sessions o~ /":onference, c/o Sharon Vatsky, 950 Lauren Weingarden, Florida State Dept. of Art History, Voorhees Hall, papers will be held: one devoted to Design Garrison Ave.,Teaneck, NJ 07666. University; Matthew Baigell, Rutgers 8th Triennial of African Art Rutgers University, New Brunswick, NJ History and one will consider Design Deadline: 15 May 1989. University; Wanda Corn, Stanford The Arts Council of the African Studies 08903. Submission deadline: 15 Theory and Ideas. DF solicits abstracts of University. For more information: Walt Association (ACASA) announces the 8th Essays in South Asian Gay and Lesbian Caucus June 1989. papers in design history for 20-minute Whitman and the Visual Arts, English Triennal to be held at the Smithsonian Art History & Aesthetics presentations. Abstracts must be no more The newly fonned Gay and Lesbian Caucus Dept., Armitage Hall, Rutgers University, Institution, June 15--17, hosted by the Papers are solicited from present and past than 500 words, presented on a single sheet requests a call for papers that address gay Camden, NJ 08102. National Museum of African Art. There will students and colleagues of Professor of paper with no identification of author or and lesbian issues through history, be an exciting range of panels, plenary 25th International Congress Prithwish Neogy (Univ. of'Hawaii, Manoa) institution; an accompanying sheet must criticism and artistic practices. Please Austria in the Age of the sessions, and workshops on current on Medieval Studies for a festschrift in his honor entitled, identify the author and institution. The submit a one-page abstract to: Margaret French ReVOlution, 1790-.1815 research as well as several exhibitions in A VISTA, the Association Villard de Sahrdaya: One of Similar Heart. The call is jurors will consider the abstracts without Stratton, 426 Cbruch St., Iowa City, IA The 11th spring symposium of the Center adjacent galleries and video screenings, Honnecourt for the Interdisciplinary Study also addressed to those who, while not attribution. Abstracts may be proposed for 52245. Deadline: 1 September for Austrian Studies will take place at the receptions, and an awards banquet. The of Medieval Technology, Science, and Art, having the opportunity to study or work either session and submitted to: Richard 1989. University of Minnesota, April 17--29. preliminary program will be published in invites papers on the topic Transportation with Prithwish Neogy, have been inspired Martin, Shirley Goodman Resource Center Program information: CAS, University of the May ACASA Newsletter which will be as Depicted in Medieval Art and Literature by the multi-faceted approach to art history E305, F.LT., 7th Avenue at 27th Street, Minnesota, 712 Social Sciences Building, sent to all ACASA members. For for presentation at its sessions during the which he advocated. Noteworthy among New York, NY 10001-5992. Deadline: TO ATTEND 267 19th Ave. S., Minneapolis, MN information on ACASA contact: Lisa International Congress on Medieval Studies these facets is a special attention to the 30 June 1989. 55455. Registration information: Claire Aronson, Dept. of Art, Skidmore College, to be held in Kalamazoo, Michigan, May conceptual sophistication of South Asian Objects Inform, Object in Forms: Walter-M arche tti, Profess i onal Saratoga Springs, NY 12866. For 3-·6, 1990. Talks are limited to 20 art and its interpretation through Design History, 1890-1990 The Ethnography of Oceanic Art Development and Conference Services, information on conference contact: Office minutes. Send one-page abstracts, philosophical categories. Eliot Deutsch, Design Forum also requests a can for papers An international symposium presented by University of Minnesota, 338 Nolte of Conference Services, Smithsonian Dept. of Philosophy at the University of indicating audio-visual needs, to: Barbara on this topic. Abstracts should be sent to: the Baltimore Museum of Art and the Art Center, 215 Pillsbury Drive, S.E., Institutio~ S. Dillon Ripley Center, Suite M. Kreutz, 238 North Ithan Ave., Hawaii, Manoa, has agreed to write the Richard Martin, Shirley Goodman Resource History and Anthropology Program at The Minneapolis MN 55455-0139. 612/625- 3123, Washington, DC 20560. Villanova, PA 19085. 2151527-2564. foreword for the projected commemorative Center E305, F.I.T., 7th Avenue at 27th Johns Hopkins University on April 14-- 6616. Abstracts deadline: 15 September volume, which will be submitted to the Street, New York, NY 10001-5992. 15, at the Baltimore Museum of Art, Galleries and Museums in University of Hawaii Press for possible 1989. Deadline: 30 June 1989. funded by the Caplan Family Trust of 3rd Annual National Conference on Academe: LOOking for Dollars publication. Please send a paper title or Baltimore. Eleven anthropologists, Undergraduate Research The Association of College and University abstract as a declaration of intent to submit Foundations in Art, museologists and art historians will discuss The EUREKA (Excellence in Undergraduate Museums and Galleries (ACUMG) will hold a paper. Manuscript form: typewritten, Theory and Education the importance of art in Melanesian and Research, Experience, Knowledge and its arulUal mini-conference at the AAM double-spaced, 40 pages maximum Association of Art Historians FATE requests a call for papers on the theme Polynesian societies in systems of Achievement) Conference will be hosted by 1989 Annual Meeting in New Orleans, (inclusive of endnotes and bibliography). Annual Conference 1990 Myth, Ritual and Reality in Foundations. exchange, communication and knowledge, Trinity University, San Antonio, TX, June 18--22. The all-day conference is Send to either of the co-editors: Paul Berry, Trinity College, Dublin, March 23--25, Education. Papers may address the folkloPi and the need to open museum collections to April 27·-29. It is the focal point of a designed as a forum to bring together Art History, School of Art, University of 1990. The theme is Regionalism: of foundations teaching and curricula; ~ further research and exhibition. For further profound, national movement in higher museum and gallery professionals from Challenging the Canon. Papers are invited Washington, Seattle, WA 98195 or Frank historical developments and the information: Katharine Fernstrom, education today and offers the brightest academic institutions to explore the on aspects of the theme ranging [rom Celtic J. Hoffman, Dept. of Philosophy & redefinition of foundations goals and Baltimore Museum of Art, Art Museum students a national audience for questions and issues of funding for museums Insular Art and the Reformation in the Religion, University of Montevallo, objectives. Submit a one-page proposal Drive, Baltimore, MD 21218. 301/396- presentation and recognition of their and galleries in higher education. For Regions: image and discord to Popular Montevallo, AL 35115-6474. Paper abstract to: Stephen Sumner, President, 7056. research and scholarShip. These undergrad information contact: David Huntley, Imagery and Critical Regionalism and deadline: 1 June 1990. FATE, Faculty of Art, University of Tulsa, '<, Spring 1989 21 20 CAA Newsletter CONFERENCES AND SYMPOSIA ... AUDIO ARCHIVES ORDER FORM (tear out and mail to address below)

ACUMG Treasurer, The University Museum, advance scholarly research in the CAA WELCOMES TWO Southern Illinois University, Edwardsville, humanities, to take place in 1989. Among NEW AFFILIATED IL 62026. them are: Representations of the French Revolution, July 13--16, Dartmouth SOCIETIES VIIth World Congress of College, contact: James A.W. Heffernan, In 1988 the CAA granted two organizations ComparatIve Education Dept. of English, Dartmouth College, affiliated status: the North American To be held at the Universite de Montreal, Hanover, NH 03755 (603/646-3993). Historians of Islamic Art (NAHIA) Canada, June 26--30. Hundreds of Cypriot Ceramics: Reading the Prehistoric and the Association of Research scholars from around the world will be Record, October 19--22, University Institutes In Art History (ARIAH). speaking on the theme Development, Museum, University of Pennsylvania, For information about NAHIA write to Communication and Language applied to contact: Robert H. Dyson, James D. Muhly, Walter Denny, P.O. Box 239, Amherst, MA various contexts: economic, political, University Museum, Univ. of 01004; for information about ARIAH write These cauettes provtde • great opportunity to catch up on the laleat developments by the experts In social, cultural, etc. The Congress will Pennsylvania, 33rd & Spruce Streets, to Anne-Marie Logan, Yale Center for Ihe flekL They protide an exca8ent recap of conference topk:s and 818 a great training tool and Informational source for those who could not aHend. feature addresses by eminent scholars, as Philadelphia, PA 19103-6324. 215/898- British Art, Reference Library, 1080 well as presentations by young researchers 4050. Chapel Street, Box 2120 Yale Station, New ART HISTORY SESSIONS STUDIO SESSIONS ART HISTORY WORKSHOPS directing attention to new approaches and Haven, CT 06520. 1H90216-030,031 1H90216-200,201 IH90216-380,381 Amerlcangme: The Old World Discovers The Idea of the Moral Imperative In Andy Warhol Contextualized findings. Numerous concurrent group The CAA welcomes as affiliated societies the New Contemporary Art S1essions will enable participants to 1H90216-080.081 groups of artists or scholars whose goals 1H90216-010,0l1 1H90216-190,191 The Contributions of Art Historians' concentrate on their specific interests. For The Map is Not the Territory are generally consonant with those of the Recent Discoveries Exhibitions: Who Decides and Whyi' Personal Background to Their Scholarship information contact: Jacques Lamontagne, The Mid America College Art Association's CAA, with a view to facilitating enhanced 1H90216-020,021 IH90216-04O,041 1H90216-110.111 Chair, Organizing Committee, VIIth World annual conference, hosted this year by the intercommunication and mutual The Middle Ages and Renaissance In The Content of Abstraction The Problematics of American Landscape: Northern Europe: The Physical Context ExhIbition and Interpretation Congress of Comparative Education, University of Cincinnati, College of enrichment. It is assumed that a substantial 'H90216-050,051 Roles: Construction, Reconstruction, IH90216-120,121 Faculte des sciences de l'education, Design, Architecture, Art and Planning, number of the members of such groups will 1H90216-160.161 Universite de Montreal, C.P .6128, Europe and Africa, Africa and Europe Deconstruction The Fiber Arts in Context: Cross-Cultural will take place November 1--4. The already be members of the CAA. To be IH90216-100,101 Perspectives succursale A, Montreal, Quebec, Canada, 1H90216-170.171 conference coordinators propose a dialogue recognized by the CAA as an affiliated Art and Pol1t1cs In the People's RepubUc Elemental Concerns #H90216-130,131 H3C 3J7. 514/343-6449/6650. about the boundaries of customary society, a group must be national in scope of China 'H90216-250,251 Wives, Mistresses, VirgIns and Courtesans in European Art and Ufe, 1400-1700 divisions: cross disciplinary, cross and must present evidence that it is 'H90216-180.181 The Political Artist History, Connoisseurship and the Cross 'H90216-140, 141 Tradition and Modernization cultural, cross historical. Keynote speakers primarily, or in large part, committed to the 1H90216-320,321 Standards in Attributlonl Rubens and Section: Conservators Discuss the California Sculpture in Africa Today for the conference include: Maya Angelou, serious practice and advancement of the Complexity of Successful Conservation Rembrandt '"90216-260,261 The 3rd international congress organized Helen Mayer Harrison, Newton Harrison, visual arts, or to the study of some broad, fH90216-280,281 1H90216-230,231 BOARD-SPONSORED SESSION: Art History Biography and Art HIstory by the African Research Program (ARP) will Steven Holl, Thomas McEvilley, and major area of the history of art and that it The Connoisseurship of French Painting In the Boondocks. The Art HIstorian! possesses a formal organizational structure, and Drawing I. Current Issues i?,ducator: Shifting Audiences; Resource IH90216-330,331 be held at the University of Agrarian Robert Rosenblum. For information Critical Issues In Sixteenth and Seventeenth Sciences in the town 'of Godollo, Hungary, contact:-' Chair, i.e., elected officers, an 'identifiab~l 1H90216-290,291 Realities; PedaRoRical Alternatives t)ia~e"61h:i~~:' C~~~~~~e The Representation of Nature In Ancient Art Century Art Theory membership, and such signs of ongorrl~ 1H90216-270,271 just outside Budapest, August 27-­ Univ of Cincinnati, College of Design, lH90l16-300,301 BOARD-SPONSORED SESSION: What do ,"90216-350,351 September 4. Information: Tradition and Architecture, Art and Planning, School of activity as a newsletter, periodical, Open Session: Twentieth Century Anlsts Want from the CAA, Anywayi' Structural Engineering as an Art Fonn Modernization in Africa Today, African Art, Cincinnati, OH 45221. 513/556- exhibition record, or other documentation. 1H90216-310,311 'H90216-360,361 Research Program, Lorand Eotvos Further information and guidelines are Art History inJapan ART HISTORY SYMPOSIA Uses of Dress in Art 2962. 1H90216-060,061 University, H--1536 P.O. Box 387, available from the CAA office, 275 Seventh ,"90216-370,371 JOINT ART HISTORY/ How Far Does Conservation Preserve the Martyrlurn Then and Now Budapes~ Hungary. Avenue, New York, NY 10001. Spiritual Value of Our Cultural Heritage STUDIO SESSIONS 1H90216-070,071 All casseHes are 2~tape sessions - $16.00 Medievalism: 4th General 1H90216-090.091 The Legacy of National Socialism and Gender in Academe: Facing the Lossf.lmages of Death, Disease, Modern German ArchItectural History Conference Special Package Price ... $470.00 The Future of Our Past and Deprivation Sponsored by Studies in Medievalism and '"90216-210.211 Save OVER 20% - a savings of $131 1st annual conference hosted by the 'H90216-24O,241 Reading Art Museums to be held October 5--7, at the United SUSTAINING MEMBERS (cont.) The Word and Image in Twentieth Century Complete set of tapes in storage albums University of South Florida at the Sabal Art 1H90216-220.221 States Military Academy. It will address all Western Art and the Antique: Continuity, Park Holiday Inn, November 2--4. The NY; A. Richard Turner, Cape May, NJ; Evan aspects of Medievalism from the end of the Imitation. Assimilation conference will provide a lively forum on H. Turner, Oeveland Heights, OH; Diane W. Middle Ages to the present and beyond. gender in academe. Nationally recognized Upright, New York, NY; Carolyn Valone, Information: William A. Mcintosh, Dept. COI.LEGE ART ASS()CIATION OF AMERICA scholars, including Sue V. Rosser and Gerda San Antonio, TX; Jan Van Der Marek, of English, U.S. Military Academy, West Detroit, MI; Magda Vasillov, Bronx, NY; Learner, from the disciplines of the AUDIO ARCHIVES MAIL ORDER FORM Point, NY 10996. Larry M. Walker, Atlanta, GA; A. Bret sciences and applied professions, Waller, Santa Monica, CA; John Walsh, Jr., ALL TAPES ARE COVERED BY A LIFETIME GUARANTEE o CHECK 0 VISA 0 MaslerCard 0 American Express humanities, and social sciences will 15th Annual Byzantine Santa Monica, CA; Allen Wardwell, New • FREE CASSeTIE STORAGE ALBUM WITH 6 TAPE PURCHASE. keynote the conference to facilitate the York, NY; Robert R. Wark, San Marino, CA; Studies Conference Ship 10 Name ••••• exchange of theory and research. For J.W. Warrington, Cincinnati, OH; Jack r.. order by phone wllh your credit card; please call-Toll-Free: 800-747- ::a~:~Nu:m~be~r-':j1;1~1111----···Ex.P;:"'D e'------= To be held at the University of (PLEASE PRINT) information contact: Lee Leavengood, Wasserman, Philadelphia, PA; Judith 8069 (no minimum order). Massachusetts, Amherst, October 26-- clo University of South Florida, LLL 012, Wechsler, Brookline, MA; Kathleen Weil~ 29. The conference is an annual forum for To mall order, please cJrcJe the session numl;»ers you wish to purchase, Address Tampa, FL 33620. 813/974-2403. III Garris Brandt, New York, NY; Mark and the presentation and discussion of papers Phoebe Well, St. Louis, MO; Gabriel P. complete Ihls form, mall to: AUDIO ARCHIVES INTERNATIONAL,INC. CIIy/SIa'e/Zlp on every aspect of Byzantine history and Weisberg, Minneapolis, MN; Ruth 3043 Foothill Blvd., Suite #2, La Crescenta, CA 91214 __ Total selections al $16.00 •••••••• . . . . • • ...... $ ___ culture and is . open to all, regardless of Weisberg, Santa Monica, CA; Richard V. DefecHve tapes will be replaced free of charge __ Spec'.' pack_ price $470.00 ••••••...•••••.. $ ___ nationality or academic status. As usual, West, Santa Batbara, CA; Ron and Renate __ Addilional 6 tape albums at $5.00 •••••...•••••• $ ___ Wiedenhoeft, Littleton, CO; Anne-Marie several sessions will be devoted to SUMMEk· Al)DR.ESS> CHANGES • ALL TAPE PRICES INCLUDE APPLICABLE SALES TAX __ AddlllonaI12tapealbumsat$7.00 ..•••..•...•• $ ___ Byzantine Art. For information contact: W.lemer-Sumner, New York, NY; Reba • Foretgn orders - $2.00 per tape for special mailing & handling up 10 a George Dennis, History Dept., Catholic ~i~as:~::4W:no(~~_~h4)::-g~_:::;~fo_~t_¥~9iQ4i~:ss White Williams, New York, NY; John $30.00 maximum Tola' ...... $ ___ Wilmerding, Princeton, NJ; Enid S. University, Washington, DC 20064. d1:a'ri~¢s-_~_:: _-; llY:~:::~~_;;~;lirrw_--'_jh~,;::::~h~~~~,~;~~ ~_ni~~_l!_~: ;,?~:-,_th~~-::c~_~p~:tl?r{j~~~-:--~ilf;lt~)i¢ Winslow, Rye, NY; William D. Wixom, r:e~~n_~'~-;-tg:::w~~~_;-y:rj~:-:_preY~_Q_~,~~~:,-t¢$~~~d_; Eastchester, NY; Carol L. Young, London, w. accept VISA, MMttrCard, AmerIcan Express, and personal or NEH Research Conferences England; Joyce Zemans, North York, Ont., compMy checks wtlh payment to: AUDIO ARCHIVES. The National Endowment for the '1'~avo~hayo·it· forwardedqr'held Canada; Henri and Catherine W. Zerner, Humanities announces the support of tOI},p\l, ...... • ...... •..•.•.. Segre-Maine et Loire, France; Jerrold Ziff, several research conferences designed to Champaign, IL. III 22 CAA Newsletter CLASSIFIEDS

The CAA newsletter accepts classifieds of a - EXHIBmON DIRECTORY 11TH EDmON. ART WORKSHOP INTERNATIONAL, professional or semi-professional fUlture (sale of The working resource of selected juried art, Assisi, Italy. June 16--July 14, 1989. Live libraries, summer rental or exchange of homes, photographic and festival competitions. and work in an English-speaking convent etc.) The charge is $.75 per word for members or September 1989--90. Available July 1989. surrounded by the Umbrian landscape, with $1.25 per word for nonmembers with a $15.00 $10.00 plus $2.00 shipping. Pre-paid. The painters/teachers instructors. Separate minimum. Exhibit Planners, Box 55, Delmar, NY seminar for advanced and professional 12054. artists, no instruction. Housing, most meals, studio space, critiques and lectures. Fairly complete COLLECTION OF THE ART EXHIBIT YOUR ART IN NY. SoHo gallery Art Workshop, 463 West Street, #1028H, BULLETIN since 1946 available. New York, NY 10014.212/691-1159. Alexander C. Soper, Professor Emeritus of space for lease by week to dealers, agents, arts groups and artists. 1500sf. Ground Fine Arts, Institute of Fine Arts, NYU, is APARTMENT, N.Y.C., Greenwich Village. floor. Prime location. Beautiful space. willing to donate such a collection for the Pre-war, elevator building. 2BR, 2 baths, cost of packing and shipping. If interested 212/255-0379. furnished. Available July, August. Walk to contact: Alexander C. Soper, 1441 Orchard SoHo, all public transportation. $1800 a Way, Rosemont, PA 19010. Charles Brand 30"x50" LITHOGRAPHIC month. Call 802/658-2225. PRESS never used. Stamford, CT. $6,500. 203/325-2464 (evenings). STONE HOUSE (TRULLO) for rent. MONTESPERTOLI ART WORKSHOPS, Southern Italy. June, late August, September or October. Simply furnished. Montespertoli, Florence, Italy. Memorable LONDON, Primrose Hill. Fully furnished 20 minutes to Adriatic. Between Bari and creative experience with professional and equipped centrally heated onc-bedroom Brindisi. $1000 a month. Sleeps 4--6. Call instructors on medieval castle grounds. flat in Victorian house for rent for three in 802/658-2225. Unequaled setting and landscape the heart months or more. Suitable for one or two of Tuscany. Montespertoli Art Workshops, adults. 130pounds/week plus gas, 284 Van Nostrand Ave., Englewood, NJ CHINA: RESIDENTIAL STUDIO electricity, telephone. P. Dempster, 41 PROGRAM. China's National Academy of 07631. Princess Road, London NWI 8JS. Phone Fine Art & Design, P .R.C. 3rd annual. 722-8406. Studies offered are brush painting, ALUMINUM METAL SECTION FRAMES, calligraphy, printmaking and ceramics, art half-price: 16" 20" 22" 26." Baruch LONDON, South Hampstead (Chalk Farm). history scroll mounting, seal carving, College Gallery: 212/505-2192. Fully furnished and equipped centrally paper, tai chi. Chinese professors. Study, heated one-bedroom flat in apartment block travel, research. 3-4 weeks, Spring 1990. for rent for all or part of academic year Optional extension. Limited to 18. FULL COLOR EXHIBITION postcards, 1989-90. Suitable for one or two adults. Information, application: 1. Sugarman, posters, catalogue sheets. Samples: Images 15Opounds/week including electricity. L.F. Program Director, China Visual Artists "f for Artists, 2543 Cleinview, Cincinnati, Sandler, 100 Bleecker St., New York, NY Study Program, P.O.B. 2458, Providence.b~ OH 45206. 10012. 212/533-7447. RI 02906. III .

DATEBOOK. 8 May deadline for submitting job announcements in the 25 MayPosition Listings ... 15 May deadline for submitting items to the Summer CAA Newsletter ... 23 June deadline for submitting job announcements in the new 3 July Position Listings ... 1 October deadline for the Millard Meiss applications ... 14 - 17 February 1990 dates for CAA Annual Meeting in New York ... 20 - 23 February 1991 dates for CAA Annual Meeting in Washington, D.C .... 12 - 15 February 1992 for CAA Annual Meeting in Chicago.

G44. newsletter © 1989 College Art Association 275 Seventh Avenue, New York, NY 10001 Editor: Susan L. Ball, CAA Executive Director Assistant Editors: JoAnne Capozzelli Julie Silliman

ART HISTORY • CALL FOR PARTICIPATION • INCLUDED J