Diane Burko Resume (For Complete Archival Information
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SARAH Mceneaney
SARAH McENEANEY Born in Munich, Germany, 1955 Lives and works in Philadelphia, PA Education 1979 Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973–75 University of the Arts, Philadelphia, PA Selected Solo and Two-Person Exhibitions 2018 #Wehavenopresident, Leroy Johnson and Sarah McEneaney, Marginal Utility, Philadelphia, PA 2017 Home Work, Sarah McEneaney/Ann Toebbe, Zevitas Marcus, Los Angeles, CA Tibor de Nagy Gallery, New York, NY 2016 When You Wish, Locks Gallery, Philadelphia, PA Out West Back East, Adams/Ollman, Portland, OR 2014 Tibor de Nagy Gallery, New York, NY 2013 Trestletown, Locks Gallery, Philadelphia, PA 2012 Tibor de Nagy Gallery, New York, NY 2009 Locker Plant, Chinati Foundation, Marfa, TX Tibor de Nagy Gallery, New York, NY 2008 Locks Gallery, Philadelphia, PA Mills College Art Museum, Oakland CA Tibor de Nagy Gallery, New York, NY 2004 Gallery Schlesinger, New York, NY Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Reynolds Gallery, Richmond, VA 2002 Gallery Schlesinger, New York, NY 2001 More Gallery Inc., Philadelphia, PA 2000 List Gallery, Swarthmore College, Swarthmore, PA 1997 More Gallery Inc., Philadelphia, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1987 More Gallery Inc., Philadelphia, PA 1984 Noel Butcher Gallery, Philadelphia, PA 1982 Third Street Gallery, Philadelphia, PA Rosemont College, Rosemont, PA 1979 Third Street Gallery, Philadelphia, PA Selected Group Exhibitions 2019 LandEscape: New Visions of the Landscape from the -
2016 ANNUAL REPORT Letter from Our President & CEO
2016 ANNUAL REPORT Letter from our President & CEO Art gives us insight into a snapshot in time. It is often a profound and palpable More than ever, the museum uses the arts and culture as a catalyst to drive expression of the artist’s emotion and mindset. It allows us to view the world in a interaction, experimentation and social change throughout our city and region. moment and in a continuum – what led to the creation of each piece, what it meant Its programs, exhibits, and partnerships enlighten, engage, energize and empower at the time and what it means now. people—transforming the community one person and one idea at a time. So, too, can we look at the Allentown Art Museum of the Lehigh Valley. We are a What’s now; what’s new; what’s next? Here’s what we’re doing and how we’re doing reflection of where we’ve been, where we are now and where we strive to go as we it. We hope you’ll continue to be an instrumental part of it and we thank you for all boldly redefine the role of arts and culture in our region. that you have done to make this possible. David Mickenberg As you’ll see in this annual report, we are reimagining the Museum and all it offers The Priscilla Payne Hurd President and CEO to be both a beacon for and reflection of the 21st century. Our past year was filled with self-assessment, exploration, and experimentation: what should our Museum be in our community’s future? Just as importantly, what could it be? This unparalleled opportunity compelled us to develop a new strategic and operational vision, building on a distinguished past and crafting an extraordinary future. -
Pat Steir Was Born in 1940 in Newark, New Jersey. She Studied Art and Philosophy at Boston University and Received Her BFA from the Pratt Institute in 1962
PAT STEIR Pat Steir was born in 1940 in Newark, New Jersey. She studied art and philosophy at Boston University and received her BFA from the Pratt Institute in 1962. She is a founding board member of Printed Matter Inc., New York, and the feminist journal, Heresies. She was also a board member of Semiotext(e). Her work has been the subject of major institutional exhibitions and projects including: the Museum of Art, Rhode Island School of Design, Providence, Rhode Island; Los Angeles County Museum of Art, California; Neuberger Museum of Art, Purchase, New York; Butler Institute of American Art, Youngstown, Ohio; Dallas Museum of Art, Texas; The Baltimore Museum of Art, Maryland; Des Moines Art Center, Iowa; Brooklyn Museum, New York; The Whitney Museum of American Art, New York; MoMA PS1, New York; The Irish Museum of Modern Art, Dublin, Ireland; Centre National d’Art Contemporain de Grenoble, France; Musée d’art Contemporain, Lyon, France; Cabinet des Estampes, Musée d’Art et Histoire, Geneva, Switzerland; Centre d’Art Contemporain, Palais Wilson, Geneva, Switzerland; Kunstmuseum Bern, Switzerland; The Tate Gallery, London; Rijksmuseum, Amsterdam; Gemeentemuseum Den Haag, The Hague, among many others. Steir’s work is held in the permanent collections of the Denver Art Museum, Colorado; Foundation Cartier, Paris; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Louvre, Paris; the Metropolitan Museum of Art, New York; The Museum of Modern Art, New York; National Gallery of Art, Washington, D.C.; The San Francisco Museum of Fine Arts, California; The Solomon R. Guggenheim Museum, New York; Tate Gallery, London; Walker Art Gallery, Minneapolis, MN; and the Whitney Museum of American Art, New York, among other institutions worldwide. -
Reciprocal Museum List
RECIPROCAL MUSEUM LIST DIA members at the Affiliate level and above receive reciprocal member benefits at more than 1,000 museums and cultural institutions in the U.S. and throughout North America, including free admission and member discounts. This list includes organizations affiliated with NARM (North American Reciprocal Museum) and ROAM (Reciprocal Organization of American Museums). Please note, some museums may restrict benefits. Please contact the institution for more information prior to your visit to avoid any confusion. UPDATED: 10/28/2020 DIA Reciprocal Museums updated 10/28/2020 State City Museum AK Anchorage Anchorage Museum at Rasmuson Center AK Haines Sheldon Museum and Cultural Center AK Homer Pratt Museum AK Kodiak Kodiak Historical Society & Baranov Museum AK Palmer Palmer Museum of History and Art AK Valdez Valdez Museum & Historical Archive AL Auburn Jule Collins Smith Museum of Fine Art AL Birmingham Abroms-Engel Institute for the Visual Arts (AEIVA), UAB AL Birmingham Birmingham Civil Rights Institute AL Birmingham Birmingham Museum of Art AL Birmingham Vulcan Park and Museum AL Decatur Carnegie Visual Arts Center AL Huntsville The Huntsville Museum of Art AL Mobile Alabama Contemporary Art Center AL Mobile Mobile Museum of Art AL Montgomery Montgomery Museum of Fine Arts AL Northport Kentuck Museum AL Talladega Jemison Carnegie Heritage Hall Museum and Arts Center AR Bentonville Crystal Bridges Museum of American Art AR El Dorado South Arkansas Arts Center AR Fort Smith Fort Smith Regional Art Museum AR Little Rock -
Annual Report 2012
BOARD OF TRUSTEES 4 LETTER FROM THE CHAIR 6 A YEAR AT THE MUSEUM 8 Collecting 10 Exhibiting 20 Teaching and Learning 30 Connecting and Collaborating 38 Building 44 Conserving 50 Supporting 54 Staffing and Volunteering 62 CALENDAR OF EXHIBITIONS AND EVENTS 68 FINANCIAL StATEMENTS 72 COMMIttEES OF THE BOARD OF TRUSTEES 78 SUPPORT GROUPS 80 VOLUNTEERS 83 MUSEUM StAFF 86 A REPORT LIKE THIS IS, IN ESSENCE, A SNAPSHOT. Like a snapshot it captures a moment in time, one that tells a compelling story that is rich in detail and resonates with meaning about the subject it represents. With this analogy in mind, we hope that as you read this account of our operations during fiscal year 2012 you will not only appreciate all that has been accomplished at the Philadelphia Museum of Art, but also see how this work has served to fulfill the mission of this institution through the continued development and care of our collection, the presentation of a broad range of exhibitions and programs, and the strengthening of our relationship to the com- munity through education and outreach. In this regard, continuity is vitally important. In other words, what the Museum was founded to do in 1876 is as essential today as it was then. Fostering the understanding and appreciation of the work of great artists and nurturing the spirit of creativity in all of us are enduring values without which we, individually and collectively, would be greatly diminished. If continuity—the responsibility for sustaining the things that we value most—is impor- tant, then so, too, is a commitment to change. -
SJMA Members at the $75 Level and Above Can Enjoy Benefits at the Following Museums: Western Museum Group (WMG)
Reciprocal Membership Privileges: Museum members at the Dual/Family ($75) level and above receive reciprocal privileges at museums affiliated with the Western Museum Group (WMG). Those at the Advocate ($150) level and above also receive reciprocal privileges at museums in both the Museum Alliance Reciprocal Program (MARP), Reciprocal Organization of Associated Museums (ROAM) and also the North American Reciprocal Membership (NARM) programs. Please check with institution for their reciprocity policy. SJMA Members at the $75 level and above can enjoy benefits at the following museums: Western Museum Group (WMG) California Museum of Craft and Folk Art, SF Santa Barbara Museum of Art Other Western States Carnegie Art Museum, Oxnard Museum of Photographic Arts, San Diego Seymour Marine Discovery Center Bellevue Art Museum, WA Fresno Art Museum National Steinbeck Center The Museum of Art & History, Santa Cruz Missoula Art Museum, Montana Fresno Metropolitan Museum Orange County Museum of Art UCR California Museum of Photography Phoenix Art Museum, AZ Long Beach Museum of Art Pacific Asia Museum, Pasadena University Art Museum, Santa Barbara Tucson Museum of Art and Historic Block, AZ Museum of Contemporary Art, San Diego & LaJolla San Jose Museum of Quilts and Textiles The Contemporary Museum, Honolulu SJMA Members at the $150 level and above can also enjoy benefits at the following museums: Museum Alliance Reciprocal Program (MARP) North American Reciprocal Membership (NARM) Reciprocal Organization of Associated Museums (ROAM) Alaska San Diego -
For Immediate Release
FOR IMMEDIATE RELEASE “Politics of Snow II” Paintings by Diane Burko Bernstein Gallery, Princeton University Exhibition dates: April 4 – May 19, 2011 Politics of Snow II will be held in conjunction with a panel discussion featuring Michael Oppenheimer, the Albert G. Milbank Professor of Geosciences and International Affairs Department of Geosciences and the Woodrow Wilson School of Public and International Affairs. The panel discussion will take place on April 21, 2011 at 4:30 p.m. in Bowl 016, Robertson Hall, Woodrow Wilson School of Public and International Affairs, Princeton University, Princeton, NJ. A public reception will follow the panel discussion at 6 p.m. in the Bernstein Gallery adjacent to Bowl 016. Contact: Kate Somers Ph: 609.497.2441 Politics of Snow II is a series of sweeping views of majestic glaciers and mountains by Philadelphia artist, Diane Burko, who has spent most of her long and productive career creating landscapes in the tradition of the Hudson River School. But in this series, the paintings are not landscapes meant to transport viewers into a contemplative reverie on the sublime qualities of nature. If they are meant to do so, it is only temporary, because Burko’s mission is to wake us out of that reverie and force us to bear witness to man’s imprint on our natural world as it manifests itself in global warming. Using archival photographs of glaciers as starting points, Burko pairs these images in diptychs and triptychs, and other multiple configurations, with contemporary views of the same landscape 10, 50 or 100 years later. -
FP 9.3 Fall1989.Pdf
The University of Wisconsin System ___5 I -====3 -6 A CURRENT LISTING OF CONTENTS VOLUME 9, NUMBER 3 FALL 1989 Published by Susan Searing, Women's Studies Librarian i:i? University of Wisconsin System 112A Memorial Library -iilii: 728 State Street Madison, Wisconsin 53706 :iii'i'i (608) 262-5754 MINIST ODICALS A CURRENT LISTING OF CONTENTS Volume 9, Number 3 Fall 1989 r Qa Periodical literatureis the cutting edge of women's scholarship, feminist theory, and much of women's culture. .rnrst . Periodicals: A Current Listina of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicalswill serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a joumal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1. -
North Americanreciprocal Museum(NARM)
Table of Contents BERMUDA .................. 1 CANADA ..................... 1 EL SALVADOR ........... 1 UNITED STATES ........ 1 ALABAMA ................... 1 ALASKA ...................... 1 ARIZONA .................... 1 ARKANSAS ................ 1 CALIFORNIA .............. 1 COLORADO ............... 3 CONNECTICUT .......... 3 DELAWARE ................ 4 D.C. ............................ 4 FLORIDA .................... 4 GEORGIA ................... 5 HAWAII ....................... 5 IDAHO ........................ 5 North American Reciprocal ILLINOIS ..................... 6 INDIANA ..................... 6 Museum (NARM) Association IOWA .......................... 6 KANSAS ..................... 6 KENTUCKY ................ 6 LOUISIANA ................. 6 MAINE ........................ 7 Winter 2015-2016 MARYLAND ................ 7 MASSACHUSETTS .... 7 MICHIGAN .................. 8 MINNESOTA............... 8 MISSISSIPPI............... 8 MISSOURI .................. 8 MONTANA .................. 8 NEBRASKA ................ 8 NEVADA ..................... 9 NEW HAMPSHIRE ..... 9 NEW JERSEY ............. 9 NEW MEXICO ............ 9 NEW YORK ................ 9 NORTH CAROLINA .. 10 NORTH DAKOTA ..... 11 OHIO ........................ 11 OKLAHOMA ............. 11 OREGON .................. 11 PENNSYLVANIA ...... 11 RHODE ISLAND ....... 12 SOUTH CAROLINA .. 12 SOUTH DAKOTA ...... 12 TENNESSEE ............ 12 TEXAS ...................... 12 UTAH ........................ 13 VERMONT ................ 13 VIRGINIA .................. 13 WASHINGTON ........ -
Complete Resume
JEROME HERSHEY Solo Exhibitions 2016 “New Strokes + Words,” PA Arts Experience Gallery, York, PA 2012 “New Word and Text Based Paintings,” Artisans Gallery, Lancaster, PA 2011 “Worth Repeating,” Artisans Gallery, Lancaster, PA 2010 “Good Words, New Works on Paper,” Lancaster Arts Hotel Gallery, Lancaster, PA 2007 “then&NOW,” Rose Lehrman Arts Center Gallery, HACC, Harrisburg, PA “Homage, Selected Paintings 2003-2007,” Doshi Gallery, Susquehanna Art Museum, Harrisburg, PA 2003 “Selected Rose Variations and Permutations,” Lancaster Museum of Art, Lancaster, PA “New Rose Variations and Permutations,” Suzanne H. Arnold Gallery, Lebanon Valley College, Annville, PA 1999 “Fields, Elements and Constants,” Demuth Museum, Lancaster, PA 1996 “New Paintings,” Demuth Museum, Lancaster, PA 1995 “Recent Paintings,” Demuth Museum, Lancaster, PA 1994 “Gardens, Cycles, Dances and Dwellings,” Community Gallery of Lancaster, Lancaster, PA “Dances and Dwellings,” Tremellen Gallery, Lancaster, PA 1993 “Selected Work 1986-1992,” Tangerine Fine Arts, Harrisburg, PA “Cycles and Dances,” Tremellen Gallery, Lancaster, PA 1989 “Hand-painted Picture Frames,” Philadelphia Art Alliance, Philadelphia, PA “Recent Work,” Gallery Lounge, Penn State Harrisburg, Middletown, PA 1988 “The Vessel: Paintings, Collage, Sculpture,” Community Gallery of Lancaster, Lancaster, PA “Recent Work,” Brighton Gallery, Rehoboth Beach, DE 1984 “Paintings,” Gallery 28, New England School of Art and Design, Boston, MA 1983 “Curious Times in Stripe City,” Marion Art, Lancaster, PA 1982 “Paintings,” -
Nordic Changes: Works by Diane Burko on View at the American Swedish Historical Museum September 29Th, 2019 Thru Janu
--FOR IMMEDIATE RELEASE -- Nordic Changes: Works by Diane Burko On view at the American Swedish Historical Museum th th September 29 , 2019 thru January 5 , 2020 Philadelphia, PA: ASHM is delighted to present Nordic Changes, an exhibition of paintings and photographs by the internationally-renowned artist, Diane Burko and guest opening event on Sunday, September 29th curated by Dr. Kirsten Jensen. The will feature gallery talks by Ms. Burko and Dr. Jensen, as well as a panel discussion with the artist, along with local experts including Christine Knapp, Director of Sustainability for the City of Philadelphia, Erik Johanson Director of Innovation for Septa, and Billy Fleming, former Wilks Family Director McHarg Center and former White House Domestic Policy Councilor for Urban Policy Development, to discuss the impacts of climate change in the Philadelphia area. Special guest Ambassador Bergdís Ellertsdóttir of Iceland will also be in attendance. The Philadelphia- and Bucks County-based artist is a world traveler, and this exhibition highlights a body of work she produced following expeditions made over the past two decades to the Nordic Arctic in Greenland, Iceland, and Svalbard. Since her first visit to Iceland in 2002, Burko has focused her attention on environmental issues, blending science with beauty to create art that is a vessel for eco-activism. Burko’s pieces in the exhibition are visual investigations, revealing the dramatic ways in which the Arctic is being transformed due to the effects of climate change. Nordic Changes offers visitors a capsule survey of Burko’s many expeditions to the Arctic, beginning with her Icelandic landscapes. -
Indianapolis Museum of Art Reciprocal Museums/Institutions
Indianapolis Museum of Art Reciprocal Museums/Institutions Updated: June 20, 2017 The IMA is a member of the following Reciprocal Organizations: Reciprocal Organization of Associated Museums (ROAM), Metropolitan Reciprocal Museums (MRP), American Horticultural Society (AHS), and Museum Alliance Reciprocal Program (MARP) PLEASE NOTE: The IMA is no longer a member of the North American Reciprocal Museums. Always contact the reciprocal museum prior to your visit as some restrictions may apply. State City Museum ROAM AHS MRP MARP AK Anchorage Anchorage Museum at Rasmuson Center X AK Anchorage Alaska Botanical Gardens X AL Auburn Jule Collins Smith Museum of Fine Art X AL Birmingham Abroms-Engel Institute for the Visual Arts (AEIVA), UAB X AL Hoover Aldridge Gardens X AL Birmingham Birmingham Botanical Gardens X AL Dothan Dothan Area Botanical Gardens X AL Huntsville Huntsville Botanical Garden X AL Mobile Mobile Botanical Gardens X AR Fayetteville Botanical Garden of the Ozarks X AR Hot Springs Garvan Woodland Gardens X AZ Phoenix Phoenix Art Museum X AZ Flagstaff The Arboretum at Flagstaff X AZ Phoenix Desert Botanical Garden X AZ Tucson Tohono Chul X CA Bakersfield Kern County Museum X CA Berkeley UC Berkeley Art Museum and Pacific Film Archive X CA Berkeley UC Botanical Garden at Berkeley X CA Chico The Janet Turner Print Museum X CA Chico Valene L. Smith Museum of Anthropology X CA Coronado Coronado Museum of History & Art X CA Davis Jan Shrem & Maria Manetti Shrem Museum of Art X CA Davis UC Davis Arboretum and Public Garden X X CA El