Indianapolis Museum of Art Reciprocal Museums/Institutions
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Med Center Route & Shuttle Service
MED CENTER ROUTE & SHUTTLE SERVICE 2021 – 2022 SERVICE HOURS AND FREQUENCIES The Ohio State University Airport The Ohio State University Golf Course Outpatient Care Center of Upper Arlington MC MED CENTER EXPRESS Sandefur Wetland Pavilion Olentangy St. 600 N. High St. Wilma H. Schiermeier FREQUENCY Olentangy River 5 6 6 8 8 2 2 – 8 Ackerman Rd. 680 610 Wetland Research Park Ackerman Rd., 700 630 MONFRI 10 3 10 3 Cliside Dr. 670 640 No service on weekends Hener Wetland Research and or university holidays. Olentangy Greenway Trail Kenny Rd. Education 650 St. Calumet 660 8 – 10 10 – MIDNIGHT MIDNIGHT – 12:30 12:30 – 5 ACKERMAN COMPLEX Arcadia Ave. Ackerman Rd. Arcadia Ave. Ackerman Rd. 10 3 10 ON DEMAND Kenny Rd. W. North St. Ave. East Jameson Crane Pl. Pomeroy Sports Medicine Institute B A Adams Ave. Adams Findley Ave. Findley Medary Ave. Medary Dayton Ave. Dayton Defiance Dr. Fred Taylor Dr. Cuyahoga Ct. Glenmawr Ave. E E. Dodridge St. C D MEDICAL CENTER OVERNIGHT ON-DEMAND SERVICE J W. Dodridge St. F Central Mahoning Ct. Ackerman Rd. Neil Ave. Sterile Stark Ct. K MON-FRI 12:30am – 5am Supply G L H ChildCenter Care W. Dodridge St. Indianola Ave. M Glen Echo Dr. To request Medical Center overnight on-demand service, please call 614-293- E. Duncan St. E. Hudson St. N E. Hudson St. Buckeye Montgomery Ct. W. Duncan St. Village R P Administration 8669 or use the call buttons located at the main entrances of Medical Center Olentangy River Rd. N. 4th St. buildingsSummit St. -
2013-14 Arts Report (Pdf)
2013-14 Arts Explosion Rocks Stanford 1 A Private Art Collection Becomes a Stanford Collection 2-3 Curricular Innovation 4-5 Interdisciplinary Dexterity 6-7 Anatomy of an Exhibition 8 Visual Thinkers 9 Renaissance Man 10-11 Festival Jérôme Bel 12 The Next Bing Thing 13 Sound Pioneer 14 Politicians, Producers & Directors 15 Theater Innovators 16 Museums & Performance Organizations 17 Looking Ahead 17 Academic Arts Departments & Programs 18-19 “Arts Explosion Rocks Stanford.” Arts Centers, Institutes & Resources 20-21 Student Arts Groups 22-23 That was the headline of a May 2014 article in the San Francisco Chronicle – and it’s a great descrip- Fashion at Stanford 24 tion of the experience of the arts at Stanford in 2013-14. Honors in the Arts: The Inaugural Year 25 Support for Stanford Arts 26 It was a year of firsts: the first full season in Bing Concert Hall, the first year of two innovative curric- 2013-14 Arts Advisory Council 27 ular programs – ITALIC and Honors in the Arts - and the first year of the new “Creative Expression” Faculty & Staff 27 breadth requirement (see p. 4). Stanford Arts District 28 BING CONCERT HALL’S It was also – perhaps most prominently – a year of planning and breathless anticipation of the opening GUNN ATRIUM of the Anderson Collection at Stanford University, which took place to great fanfare in September 2014. In the midst of it all there were exciting multidisciplinary exhibitions at the Cantor Arts Center, amaz- ing student projects and performances throughout campus, and a host of visits by artists including Carrie Mae Weems, Tony Kushner, and Annie Leibovitz. -
College and University Art Museums Reciprocal Program Participants
College and University Art Museums Reciprocal Program Participants ALABAMA Hammer Museum FLORIDA Abroms-Engel Institute for the Visual Arts University of California, Los Angeles Cornell Fine Arts Museum (AEIVA) hammer.ucla.edu Rollins College University of Alabama at Birmingham rollins.edu/cfam uab.edu/cas/aeiva University Art Museum California State University, Long Beach Harn Museum of Art Jule Collins Smith Museum of Fine Art csulb.edu/org/uam University of Florida Auburn University harn.ufl.edu jcsm.auburn.edu COLORADO Center for Visual Art Leepa-Rattner Museum of Art ARIZONA Metropolitan State University of Denver St. Petersburg College Arizona State University Art Museum msudenver.edu/cva leeparattner.org Arizona State University asuartmuseum.asu.edu Colorado Springs Fine Arts Center Ruth Funk Center for Textile Arts at Colorado College Florida Institute of Technology Center for Creative Photography Colorado College textiles.fit.edu University of Arizona coloradocollege.edu/fac ccp.arizona.edu GEORGIA CONNECTICUT Bernard A. Zuckerman Museum of Art University of Arizona Museum of Art Fairfield University Museum of Art Kennesaw State University University of Arizona Fairfield University zuckerman.kennesaw.edu artmuseum.arizona.edu fairfield.edu/museum Georgia Museum of Art CALIFORNIA Housatonic Museum of Art University of Georgia Anderson Collection at Stanford University Housatonic Community College georgiamuseum.org Stanford University hcc.commnet.edu/artmuseum anderson.stanford.edu Michael C. Carlos Museum William Benton Museum -
White River Vision Plan Transition Team Submitted Written Briefs Activation/Economy Stakeholders
White River Vision Plan Transition Team Submitted Written Briefs Activation/Economy Stakeholders The White River Vision Plan Transition Team is appointed and charged with serving as the civic trust to create the regional governance implementation strategy for the White River Vision Plan. The White River Vision Plan Transition Team consists of balanced representatives from both Marion and Hamilton Counties with governance, organizational development, fundraising, and political experience. As part of the Team process, three sets of representative stakeholders, organized around the Vision Plan’s guiding principle groupings of environment, activation/economy, and regional/community/equity, are invited to submit written testimony to guide the Team’s discussions. Included in this packet are responses received from the activation & economy stakeholders. • Norman Burns, Conner Prairie • Ginger Davis, Hamilton County Soil & Water Conservation District • Patrick Flaherty, Indianapolis Arts Center • Greg Harger, Reconnecting to Our Waterways White River Committee • Amy Marisavljevic, Indiana DNR • Sarah Reed, City of Noblesville • Michael Strohl, Citizens Energy Group • Kenton Ward, Hamilton County Surveyor • Jonathan Wright, Newfields • Staff, Hamilton County Parks & Recreation Additional organizations were also invited to submit written briefs but opted not to respond. Response from Norman Burns Conner Prairie WRVP Transition Team: Regional Governance Model Questionnaire Please limit your response to four pages total. Responses will be public. Briefly describe your organization or interest, its relationship to the White River, and its primary geographic area of interest. Conner Prairie is a unique historic place that inspires curiosity and fosters learning by providing engaging and individualized experiences for everyone. Located on the White River in Hamilton County Indiana, the William Conner story, and the Indiana story, are intertwined and continues to be told and interpreted at Conner Prairie. -
Steve Paddack 7810 Meadowbrook Drive, Indianapolis, in 46240 317-797-0247 | [email protected]
Steve Paddack 7810 Meadowbrook Drive, Indianapolis, IN 46240 317-797-0247 | [email protected] www.stevepaddack.com Education 1986 Master of Fine Arts, Painting, University of Illinois,Urbana-Champaign, Illinois 1984 Bachelor of Fine Arts, Painting, Herron School of Art, Indianapolis, Indiana Exhibitions Solo (Selected) 2009 Redundancy of Errata, 4 Star Gallery, Indianapolis, Indiana 1999 Paintings from the Unknown Country, 4 Star Gallery, Indianapolis, Indiana 1997 New Works, 4 Star Gallery, Indianapolis, Indiana 1994 Recent Paintings, In Vivo Gallery, Indianapolis, Indiana 1991 Individual painting, Summer of Grief exhibited at the Indianapolis Museum of Art, Indianapolis, Indiana 1989 Steve Paddack: Recent Paintings, New Harmony Gallery of Contemporary Art, New Harmony, Indiana 1988 Steve Paddack Paintings, Denouement Gallery, Indianapolis, Indiana 1987 Steve Paddack: Recent Paintings, Union League Club of Chicago, Chicago, Illinois Group (Selected) 2017 Tapped 8, juried show, Manifest Gallery, Cincinnati, Ohio 2017 Inaugural Group Show, 10th West Gallery, Indianapolis, Indiana 2017 Open House, curated by Indianapolis Museum of Contemporary Art and Edington Gallery, ESL/Sprectrum Design, Indianapolis, Indiana 2017 Always on My Mind, invitational show, Pique Gallery, Covington, Kentucky 2017 Magnitude Seven, 13th Annual Exhibition of Small Works, juried show, Manifest Gallery, Cincinnati, Ohio 2017 Moonlight Madness, Thunder Sky Gallery, Cincinnati, Ohio 2017 Thunder Snow!, Thunder Sky Gallery, Cincinnati, Ohio 2016 Making Indiana: A -
Lava Thomas [email protected] B
Lava Thomas www.lavathomas.com [email protected] b. Los Angeles, CA Selected Solo Exhibitions 2018 Mugshot Portraits: Women of the Montgomery Bus Boycott, Rena Bransten Gallery, San Francisco, CA 2015 Looking Back and Seeing Now, Berkeley Art Center, Berkeley, CA 2014 Lava Thomas: Beyond, Museum of the African Diaspora, San Francisco, CA Selected Group Exhibitions 2020 New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum & Pacific Film Archive, Berkeley, CA The Black Index, Leubsdorf Gallery, Hunter College, New York City, NY UNTITLED, ART, Rena Bransten Gallery, San Francisco, CA 2019 UNTITLED, ART, Rena Bransten Gallery, Miami, FL To Reflect Us, Rena Bransten Gallery, San Francisco, CA Adjust Yo’ Eyes For This Darkness, Ashara Ekundayo Gallery, Oakland, CA The Outwin 2019: American Portraiture Today, National Portrait Gallery, Washington, DC Women to Watch 2020 Nominee, Surfacing Histories, Sculpting Memories, Hubble Galleries, California College of the Arts, San Francisco, CA Plumb Line: Charles White and the Contemporary, California African American Museum, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Las Cruces Museum of Art, NM Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Gallery 360, Northeastern University, Boston, MA Spring Auction Exhibition, Kala Art Institute, Berkeley, CA 2018 PULSE Miami Beach, Rena Bransten Gallery, Miami, FL My Silences Had Not Protected Me, For Freedoms and Fort Gansevoort, New York, NY EXPO Chicago, Rena Bransten Gallery, Chicago, IL Pretty Big Things, Walter Maciel Gallery, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Krasl Art Center, St. -
Bruce Conner (1933 – 2008)
BRUCE CONNER (1933 – 2008) BORN: McPherson, Kansas EDUCATION: 1956 B.F.A., Nebraska University 1956 Brooklyn Museum Art School 1957 University of Colorado SOLO EXHIBITIONS: 2012 Gallery Paule Anglim, San Francisco, CA Bruce Conner and the Primal Scene of Punk Rock, MCA Denver, Denver, CO 2011 Bruce Conner: An Anonymous Memorial, American University, Katzen Arts Center, Washington D.C. Bruce Conner: Falling Leaves: An Anonymous Memorial, Paula Cooper Gallery, New York, NY 2010 Bruce Conner: 1970’s, Kunstalle Wien, Vienna, Austria (travelled to Kunsthalle Zurich, Switzerland) I am Not Bruce Conner, Ursula Blickle Foundation, Krachtal, Germany Bruce Conner, Inova/Kenilworth Institute, University of Wisonsin, Milwaukee, Peck School of the Arts 4 ½, Creative Time, New York, NY Long Play: Bruce Conner and the Singles Collection, SFMOMA, San Francisco The Late Bruce Conner, Susan Inglett Gallery, New York, NY 2009 Bruce Conner: Discovered, Gallery Paule Anglim, San Francisco, CA Bruce Conner in the 1970s, Michael Kohn Gallery, Los Angeles, CA Intelligent Design: Untitled Lithographs 1970-1971, Milwaukee Art Museum, Milwaukee, WI 2008 Gallery Paule Anglim, San Francisco, CA Applause, Miyake Fine Art, Tokyo, Japan Mabuhay Gardens, UC Berkeley Art Musuem, Berkeley, CA 2007 Bruce Conner, Susan Inglett Gallery, New York, NY Gallery Paule Anglim, San Francisco, CA Michael Kohn Gallery, Los Angeles, CA 2006 Bruce Conner Sheldon Memorial art Gallery, Lincoln, NE 2005 After Conner: Anonymous, Anonymouse and Emily Feather, Katzen Art Center Museum, American -
SARAH Mceneaney
SARAH McENEANEY Born in Munich, Germany, 1955 Lives and works in Philadelphia, PA Education 1979 Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973–75 University of the Arts, Philadelphia, PA Selected Solo and Two-Person Exhibitions 2018 #Wehavenopresident, Leroy Johnson and Sarah McEneaney, Marginal Utility, Philadelphia, PA 2017 Home Work, Sarah McEneaney/Ann Toebbe, Zevitas Marcus, Los Angeles, CA Tibor de Nagy Gallery, New York, NY 2016 When You Wish, Locks Gallery, Philadelphia, PA Out West Back East, Adams/Ollman, Portland, OR 2014 Tibor de Nagy Gallery, New York, NY 2013 Trestletown, Locks Gallery, Philadelphia, PA 2012 Tibor de Nagy Gallery, New York, NY 2009 Locker Plant, Chinati Foundation, Marfa, TX Tibor de Nagy Gallery, New York, NY 2008 Locks Gallery, Philadelphia, PA Mills College Art Museum, Oakland CA Tibor de Nagy Gallery, New York, NY 2004 Gallery Schlesinger, New York, NY Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Reynolds Gallery, Richmond, VA 2002 Gallery Schlesinger, New York, NY 2001 More Gallery Inc., Philadelphia, PA 2000 List Gallery, Swarthmore College, Swarthmore, PA 1997 More Gallery Inc., Philadelphia, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1987 More Gallery Inc., Philadelphia, PA 1984 Noel Butcher Gallery, Philadelphia, PA 1982 Third Street Gallery, Philadelphia, PA Rosemont College, Rosemont, PA 1979 Third Street Gallery, Philadelphia, PA Selected Group Exhibitions 2019 LandEscape: New Visions of the Landscape from the -
The Art Museum Reciprocal Network
Upon presentation of a membership card designating AMRN reciprocity, The ArT MuseuM reciprocAl NeTwork members are entitled to the following at participating museums: · Free admission to the permanent collection during normal museum hours. A fee may be charged for access to ticketed exhibitions and special events. · A discount on bookshop or museum store purchases. ACADEMY ART MUSEUM COLUMBUS MUSEUM THE FRICK COLLECTION MONTCLAIR ART MUSEUM PEABODY ESSEX MUSEUM SMITHSONIAN AMERICAN Easton, Maryland OF ART New York, New York Montclair, New Jersey Salem, Massachusetts ART MUSEUM AND academyartmuseum.org Columbus, Ohio frick.org montclairartmuseum.org pem.org RENWICK GALLERY 410-822-2787 columbusmuseum.org 212-288-0700 973-259-5151 866-745-1876 Washington, 614-221-6801 District of Columbia ALBRIGHT-KNOX ART THE FRICK PITTSBURGH NATIONAL PORTRAIT PHILADELPHIA MUSEUM americanart.si.edu GALLERY COOPER HEWITT, Pittsburgh, Pennsylvania GALLERY OF ART 202-633-7970 Buffalo, New York SMITHSONIAN DESIGN thefrickpittsburgh.org Washington, Philadelphia, Pennsylvania albrightknox.org MUSEUM 412-371-0600 District of Columbia philamuseum.org SWOPE ART MUSEUM 716-882-8700 New York, New York npg.si.edu/visit 215-763-8100 Terre Haute, Indiana cooperhewitt.org FRIST ART MUSEUM 202-633-8300 swope.org AMERICAN FOLK ART 212-849-8400 Nashville, Tennessee THE PHILLIPS COLLECTION 812-238-1676 MUSEUM fristartmuseum.org THE NELSON-ATKINS Washington, Long Island City, New York CROCKER ART MUSEUM 615-244-3340 MUSEUM OF ART District of Columbia THE TAFT MUSEUM folkartmuseum.org -
2009 Reciprocal Admissions Program
Conejo Valley Botanic Garden The Ruth Bancroft Garden UNITED STATES 350 West Gainsborough Road 1552 Bancroft Road Thousand Oaks, CA 91358 Walnut Creek, CA94598 ALABAMA (805) 494-7630 (925) 944-9352 Aldridge Gardens www.conejogarden.com www.ruthbancroftgarden.org 3530 Lorna Road ♦ 10% discount in gift shop ♦ Free admission; Free admission Hoover, AL 35216 to spring and fall plant sales (205) 682-8019 Descanso Gardens www.aldridgegardens.com 1418 Descanso Drive San Francisco Botanical Garden ♦ Free admission to some events; La Cañada Flintridge, CA 91011 at Strybing Arboretum 10% discount in gift shop (818) 949-4200 Golden Gate Park www.descansogardens.org 9th Avenue at Lincoln Way Birmingham Botanical ♦ Free admission San Francisco, CA 94122 Gardens (415) 661-1316 2612 Lane Park Road Earl Burns Miller Japanese www.sfbotanicalgarden.org Birmingham, AL 36303 Garden, CSULB ♦ 10% discount in gift shop (205) 414-3900 1250 Bellflower Boulevard www.bbgardens.org Long Beach, CA 90840 Santa Barbara Botanic Garden ♦ 10% discount in gift shop (562) 985-8885 1212 Mission Canyon Road www.csulb.edu/~jgarden Santa Barbara, CA 93105 Dothan Area Botanical Garden ♦ 10% discount in gift shop; (805) 862-4726 5130 Headland Avenue discount on admission to some www.sbbg.org 2009 Reciprocal Dothan, AL 36303 special events ♦ Free admission (334) 793-3224 www.dabg.com Fullerton Arboretum South Coast Botanic Garden Admissions Program ♦ Free admission 1900 Associated Road 26300 Crenshaw Boulevard Fullerton, CA 92831 Palos Verdes Peninsula, CA 90274 Huntsville-Madison County (714) 278-3407 (310) 544-6815 Participating Gardens, Arboreta, and Conservatories Botanical Garden www.arboretum.fullerton.edu www.southcoastbotanicgarden.org 4747 Bob Wallace Avenue ♦ 10% discount in gift shop; ♦ Free admission and parking; free Huntsville, AL 35805 free admission to Green Scene admission to all events except (256) 830-4447 Garden Show fundraisers Your membership card is your garden passport to America’s www.hsvbg.org ♦ Free admission The Gardens at Heather Farm Turtle Bay Exploration Park & treasures. -
2016 ANNUAL REPORT Letter from Our President & CEO
2016 ANNUAL REPORT Letter from our President & CEO Art gives us insight into a snapshot in time. It is often a profound and palpable More than ever, the museum uses the arts and culture as a catalyst to drive expression of the artist’s emotion and mindset. It allows us to view the world in a interaction, experimentation and social change throughout our city and region. moment and in a continuum – what led to the creation of each piece, what it meant Its programs, exhibits, and partnerships enlighten, engage, energize and empower at the time and what it means now. people—transforming the community one person and one idea at a time. So, too, can we look at the Allentown Art Museum of the Lehigh Valley. We are a What’s now; what’s new; what’s next? Here’s what we’re doing and how we’re doing reflection of where we’ve been, where we are now and where we strive to go as we it. We hope you’ll continue to be an instrumental part of it and we thank you for all boldly redefine the role of arts and culture in our region. that you have done to make this possible. David Mickenberg As you’ll see in this annual report, we are reimagining the Museum and all it offers The Priscilla Payne Hurd President and CEO to be both a beacon for and reflection of the 21st century. Our past year was filled with self-assessment, exploration, and experimentation: what should our Museum be in our community’s future? Just as importantly, what could it be? This unparalleled opportunity compelled us to develop a new strategic and operational vision, building on a distinguished past and crafting an extraordinary future. -
CONNECTING to COLLECTIONS PENNSYLVANIA a Five-Year Preservation Plan for Pennsylvania PROJECT OVERVIEW
CONNECTING TO COLLECTIONS PENNSYLVANIA a five-year preservation plan for Pennsylvania PROJECT OVERVIEW Imagining Our Future: Preserving Pennsylvania’s Collections, published in August 2009, includes an in-depth analysis of conditions and needs at Pennsylvania’s collecting institutions, a detailed preservation plan to improve collections care throughout the state, and a five-year implementation timetable (2010-2015). The analysis concludes that many of Pennsylvania’s most important historic holdings must be considered at risk. Millions of items comprise these collections, and the financial resources available to care for them are limited and shrinking. Pennsylvania is a state vibrant with world-class art museums, libraries, historic sites. Arts and culture play a substantial role in creating business, jobs, and bringing revenue into the state and stewardship of its artifacts is too important —to the state, to the people, to the history of country—to be ignored. This call to action is a rallying cry for all future generations of Pennsylvanians. With generous support from the Institute of Museum and Library Services, and in close partnership with three leading preservation organizations, the Pennsylvania Historical and Museum Commission (PHMC), the Pennsylvania Federation of Museums and Historical Organizations (PFMHO), and LYRASIS, the Conservation Center for Arts & Historic Artifacts organized and led the assessment and planning process. The project was capably guided by a Task Force with representatives from the Office of (PA) Commonwealth Libraries, the Western Pennsylvania Museum Council, the Pennsylvania Caucus of the Mid- Atlantic Regional Archives Conference, Pennsylvania State University, the Philadelphia Area Consortium of Special Collections Libraries, the University of Pittsburgh, and Carnegie Mellon University.