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White River Vision Plan Transition Team Submitted Written Briefs Activation/Economy Stakeholders
White River Vision Plan Transition Team Submitted Written Briefs Activation/Economy Stakeholders The White River Vision Plan Transition Team is appointed and charged with serving as the civic trust to create the regional governance implementation strategy for the White River Vision Plan. The White River Vision Plan Transition Team consists of balanced representatives from both Marion and Hamilton Counties with governance, organizational development, fundraising, and political experience. As part of the Team process, three sets of representative stakeholders, organized around the Vision Plan’s guiding principle groupings of environment, activation/economy, and regional/community/equity, are invited to submit written testimony to guide the Team’s discussions. Included in this packet are responses received from the activation & economy stakeholders. • Norman Burns, Conner Prairie • Ginger Davis, Hamilton County Soil & Water Conservation District • Patrick Flaherty, Indianapolis Arts Center • Greg Harger, Reconnecting to Our Waterways White River Committee • Amy Marisavljevic, Indiana DNR • Sarah Reed, City of Noblesville • Michael Strohl, Citizens Energy Group • Kenton Ward, Hamilton County Surveyor • Jonathan Wright, Newfields • Staff, Hamilton County Parks & Recreation Additional organizations were also invited to submit written briefs but opted not to respond. Response from Norman Burns Conner Prairie WRVP Transition Team: Regional Governance Model Questionnaire Please limit your response to four pages total. Responses will be public. Briefly describe your organization or interest, its relationship to the White River, and its primary geographic area of interest. Conner Prairie is a unique historic place that inspires curiosity and fosters learning by providing engaging and individualized experiences for everyone. Located on the White River in Hamilton County Indiana, the William Conner story, and the Indiana story, are intertwined and continues to be told and interpreted at Conner Prairie. -
Coram Experimental Forest
United States Department of Agriculture Coram Experimental Forest Service Forest: 50 Years of Rocky Mountain Research Station General Technical Research in a Western Report RMRS-GTR-37 September 1999 Larch Forest Raymond C. Shearer Madelyn M. Kempf Abstract Shearer, Raymond C.; Kempf, Madelyn M. 1999. Coram Experimental Forest: 50 years of research in a western larch forest. Gen. Tech. Rep. RMRS-GTR-37. Ogden, UT: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station. 66 p. This publication will enrich public understanding about the important contributions to science made at this and other outdoor laboratories. Coram, and other long-range research sites, provide scientific knowledge to assist resource professionals with the development of sound land management principles. This knowledge ensures healthy, sustainable, and productive ecosystems while meeting social and economic needs. Major research at Coram includes the regeneration of young forests and the interaction of flora, fauna, and water to a wide range of forest treatments. Ongoing studies include: • cone and seed development and dispersal • natural and artificial regeneration after harvest cuttings • effects of stand culture treatment on forest development • insect and disease interactions • effects of the amount of wood harvest on site productivity • influence of silvicultural practices on watershed, esthetics, and wildlife values The Coram Experimental Forest is used cooperatively by Federal, university, and private scientists. About 340 ha of the forest are designated as the Coram Research Natural Area where virgin conditions are permanently maintained for research and monitoring. Coram, designated a Biosphere Reserve in 1976, is part of an international network that is devoted to the conservation of nature and scientific research in the service of humans. -
Steve Paddack 7810 Meadowbrook Drive, Indianapolis, in 46240 317-797-0247 | [email protected]
Steve Paddack 7810 Meadowbrook Drive, Indianapolis, IN 46240 317-797-0247 | [email protected] www.stevepaddack.com Education 1986 Master of Fine Arts, Painting, University of Illinois,Urbana-Champaign, Illinois 1984 Bachelor of Fine Arts, Painting, Herron School of Art, Indianapolis, Indiana Exhibitions Solo (Selected) 2009 Redundancy of Errata, 4 Star Gallery, Indianapolis, Indiana 1999 Paintings from the Unknown Country, 4 Star Gallery, Indianapolis, Indiana 1997 New Works, 4 Star Gallery, Indianapolis, Indiana 1994 Recent Paintings, In Vivo Gallery, Indianapolis, Indiana 1991 Individual painting, Summer of Grief exhibited at the Indianapolis Museum of Art, Indianapolis, Indiana 1989 Steve Paddack: Recent Paintings, New Harmony Gallery of Contemporary Art, New Harmony, Indiana 1988 Steve Paddack Paintings, Denouement Gallery, Indianapolis, Indiana 1987 Steve Paddack: Recent Paintings, Union League Club of Chicago, Chicago, Illinois Group (Selected) 2017 Tapped 8, juried show, Manifest Gallery, Cincinnati, Ohio 2017 Inaugural Group Show, 10th West Gallery, Indianapolis, Indiana 2017 Open House, curated by Indianapolis Museum of Contemporary Art and Edington Gallery, ESL/Sprectrum Design, Indianapolis, Indiana 2017 Always on My Mind, invitational show, Pique Gallery, Covington, Kentucky 2017 Magnitude Seven, 13th Annual Exhibition of Small Works, juried show, Manifest Gallery, Cincinnati, Ohio 2017 Moonlight Madness, Thunder Sky Gallery, Cincinnati, Ohio 2017 Thunder Snow!, Thunder Sky Gallery, Cincinnati, Ohio 2016 Making Indiana: A -
Indianapolis, IL – ACRL 2013
ArtsGuide INDIANAPOLIS ACRL 15th National Conference April 10 to April 13, 2013 Arts Section Association of College & Research Libraries WELCOME This selective guide to cultural attractions and events has been created for attendees of the 2013 ACRL Conference in Indianapolis. MAP OF SITES LISTED IN THIS GUIDE See what’s close to you or plot your course by car, foot, or public transit with the Google Map version of this guide: http://goo.gl/maps/fe1ck PUBLIC TRANSPORTATION IN INDIANAPOLIS Indianapolis and the surrounding areas are served by the IndyGo bus system. For bus schedules and trip planning assistance, see the IndyGo website: http://www.indygo.net. WHERE TO SEARCH FOR ARTS & ENTERTAINMENT NUVO is Indiana’s independent news organization: http://www.nuvo.net/ Around Indy is a community calendar: http://www.aroundindy.com/ THIS GUIDE HAS BEEN PREPARED BY Editor: Ngoc-Yen Tran, University of Oregon Contributors: | Architecture - Jenny Grasto, North Dakota State University | Dance - Jacalyn E. Bryan, Saint Leo University | Galleries - Jennifer L. Hehman, Indiana University-Purdue University Indianapolis | Music - Anne Shelley, Illinois State University | Theatre - Megan Lotts, Rutgers, the State University of New Jersey | Visual Arts & Museums - Alba Fernández-Keys, Indianapolis Museum of Art *Efforts were made to gather the most up-to-date information for performance dates, but please be sure to confirm by checking the venue web sites provided 1 CONTENTS ii-vi INTRODUCTION & TABLE OF CONTENTS ARCHITECTURE & DESIGN 5 Col. H. Weir Cook -
City of Indianapolis Awards $1.3 Million in Grants Supporting 70 Arts and Culture Organizations in Partnership with the Arts Council of Indianapolis
City of Indianapolis Awards $1.3 Million in Grants Supporting 70 Arts and Culture Organizations in Partnership with the Arts Council of Indianapolis Number of arts organizations receiving grant support has increased 37% since 2016; Mayor Hogsett Proclaims May 16 “Creative Renewal Arts Fellows Day” in Indianapolis MEDIA ADVISORY: Annual Grants Program Award Ceremony May 16, 2019 5:00 - 7:00 pm Indianapolis Artsgarden INDIANAPOLIS, IN, May 16, 2019 -- Indianapolis Mayor Joe Hogsett will today announce $1.3 million in grants supporting 70 nonprofit arts and cultural organizations serving residents in Marion County during the Annual Grants Program Award Ceremony conducted in the Indianapolis Artsgarden. Grant funding comes from the City of Indianapolis and the Capital Improvement Board and is awarded through a juried public panel process conducted by the Arts Council of Indianapolis. Funded organizations provide programming serving nearly 7 million attendees annually as well as education and outreach in all 25 City-County Council districts. “Our city supports the arts,” said Indianapolis Mayor Joe Hogsett. “Our arts organizations are essential contributors to the economic health and overall vitality of our city and neighborhoods. We are proud to support the vibrant and growing creative economy in Indianapolis through these annual city grants which are amplified many times over through private support from corporate and philanthropic leaders and individual contributors.” 2019 grantees represent a 37 percent increase in the total number of arts and culture organizations receiving funding, growing from 51 organizations in 2016 to 70 in 2019. The increase is a result of changes made to the Annual Grants Program in 2017 to be more equitable and inclusive of Indy’s overall arts and cultural sector. -
CALL for ENTRIES: “ART from the HEARTLAND” Juried Exhibition of Midwestern Artists by Bryn Jackson at the Indianapolis Art Center
FOR IMMEDIATE RELEASE Images available upon request. CALL FOR ENTRIES: “ART FROM THE HEARTLAND” Juried Exhibition of Midwestern Artists by Bryn Jackson at the Indianapolis Art Center INDIANAPOLIS, IN (March 6, 2020) — The Indianapolis Art Center is excited to host Art from the Heartland, a biannual juried exhibition of artwork created by artist in the Midwest area. Highlighting artists from Indiana and surrounding states, this exhibition looks to survey Middle America and celebrate the voices of contemporary art that lie therein. Prizes include cash awards totaling $4k, with two artists being chosen to host their own solo show. JUROR: Bryn Jackson is an interdisciplinary artist, curator, and filmmaker who lives and works in Indianapolis, Indiana. He has exhibited in a number of galleries, clubs, universities, and anarchist spaces in New York, Indianapolis, Minneapolis, Chicago, Detroit, and Los Angeles, and his work – which ranges from photography and print to digital video and interactive media – has been published by Creeps Annual and Papercut Press. Jackson currently works as Assistant Curator of Audience Engagement and Performance at the Indianapolis Museum of Art at Newfields, where his practice focuses on diversity in representation and equitable access to community resources. For more information and to submit work, click here: https://artist.callforentry.org/festivals_unique_info.php?ID=7189 IMPORTANT DATES: Submission Deadline: April 3 Artwork Juried: April 6 – 8 Notifications Sent Out (via email through Café): April 10 Exhibition -
Summer 2018 Hy·Per·Con·Nect·Ed /H P Rk 'Nekt D
North American Reciprocal NA Museum (NARM) Association® RM Quarterly Summer 2018 hy·per·con·nect·ed /h p rk 'nekt d/ adjective adjective: hyperconnected; adjective: hyper-connected characterized by the widespread or habitual use of devices that have Internet connectivity. "in our hyperconnected world, employees expect to work from anywhere" Google search "The worldwide community of museums celebrates International Museum Day on and around 18 May 2018. The theme chosen for 2018 is 'Hyperconnected museums: New approaches, new publics.' The objective of International Museum Day is to raise awareness of the fact that, 'Museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.'" International Council of Museums, https://www.facebook. com/internationalmuseumday/ We believe, at the North American Reciprocal Museum (NARM) Association®, that we have taken this theme to an even higher level by connecting our institutions memberships with each other we have expanded the opportunities for cultural exchange and enrichment beyond what any one organization can do by itself. And, as we pass the 1,000 member institutions mark, we celebrate our connectivity, cooperation and continued growth! Thank you for being a part of our amazing hyperconnected association and have a wonderful summer! Virginia Phillippi Executive Director The NARM Quarterly is a publication of the North American Reciprocal Museum (NARM) Association®, 2607 Woodruff Road, Ste E #412, Simpsonville, -
A Cultural Tour Along White River
IL A R T N A M K IC L Indianapolis Art Center B L I A R Galleries, classes, interactive T E E open-air sculpture park, gardens, V E L sensory path, outdoor music; near trails and nature preserve; A Cultural Tour Along White River home of Broad Ripple Art Fair. www.indplsartcenter.org Funded by The Allen Whitehill Clowes Charitable Foundation MONON TRAIL Efroymson Gardens Winding path through landscaped Holliday Park & Nature Center grounds, public canoe launch 95 acres of trails and woodlands, native prairie, arboretum, and ornamental and native gardens; art and photo exhibits and arts and crafts programs with nature themes. Writers’ Center of Indiana www.hollidaypark.org COLLEGE Poetry and prose classes, conversation and community for writers and readers. www.indianawriters.org IL A MERIDIAN R T H T A P W Butler University O T 20-acre Holcomb Gardens includes L A N sculptures, gardens and carillon in A C landscaped setting, near Central Canal L A R Towpath and riverside trails. T N 46th E www.butler.edu C MICHIGAN Indianapolis Museum of Art Largest and oldest general arts museum in the country with more than 50 acres of gardens and grounds, plus the Virginia B. Fairbanks Art & Nature Park, special events and free guided tours of historic homes and gardens. 38th www.imamuseum.org M.L. KING Virginia B. Fairbanks Art & Nature Park Opening in 2009, this will be a 100-acre www.friendsofwhiteriver.org open-air art park featuring site-specific works by international artists. Programming will derive directly from the artwork. -
Print the Fifth Third Sculpture Walk
A Chicago native, Ryden taught and was Flower (see 16, above). Dorf lives and sculpture by Bernie Carreño represents At the northeast corner of Good Hall artist-in-residence at several Midwestern works in Denver, Colorado. He has been the culmination of the change that occurs facing Hanna Avenue is Brian Ferriby’s universities, including Southern Illinois represented by many galleries and his as we move from our youth through painted steel sculpture, Caterpillar, 23 . University and University of Missouri. work can be found in numerous private our middle years and into the “golden Ferriby, from Berklem, Michigan, uses He is currently artist-in-residence and and corporate collections. years.” Although the golden years have copper and steel mined in the Upper Bank Fifth Third professor of art at Anderson University Along Hanna Avenue in front of Esch much to offer, they are also a time of Peninsula. He employs techniques and lives in Yorktown, Indiana. Hall sits Precautions, 19 , a welded physical deterioration and pain. The cast elemental to the region, from those of the On the second floor of Esch Hall steel and cast iron sculpture by Bernie iron and bronze parts represent bones, earliest blacksmiths to ironworkers who stands Big Red Prop Flower, 16 , a Carreño. Precautions represents the while the steel portions represent joints built factories, skyscrapers, and bridges. composite of found objects altered and need of individuals to consider whether and radiated pain. “I believe my sculpture is a continuation painted. This sculpture by Jennifer Meyer, they or the world they live in are ready Northeast of the Christel DeHaan of these innovations,” Ferriby says. -
Read the Full List of 2020 Grant Approvals
Grant Approvals Community Development and Philanthropy Dollar amount approved in 2020 American Cabaret Theatre Central Indiana Community Indianapolis, IN Foundation (CICF) General operating support 100,000 Indianapolis, IN Support for racial equity fund 500,000 American Enterprise Institute for Public Policy Research Central Indiana Corporate Partnership Washington, DC (CICP) Foundation General operating support 100,000 Indianapolis, IN Building a digital technology ecosystem 36,000,000 American Red Cross CICP charitable, educational and scientific programs 1,500,000 Washington, DC Disaster relief 7,500,000 Children’s Museum of Indianapolis Indianapolis, IN Arts Council of Indianapolis Power of Children expansion planning 48,950 Indianapolis, IN Art & Soul at the Artsgarden 52,000 General operating support 300,000 Coalition for Homelessness Intervention and Prevention Indianapolis, IN Association for Research on General operating support 260,000 Nonprofit Organizations & Voluntary Action (ARNOVA) Indianapolis, IN The Conversation US Waltham, MA General operating support 240,000 Philanthropy Journalism Collaboration 3,600,000 Support for legal expenses for the Atlas Economic Research Foundation Philanthropy Journalism Collaboration 17,500 (Atlas Network) Arlington, VA General operating support 500,000 Crossroads Rehabilitation Center (Easterseals Crossroads) Indianapolis, IN Benjamin Harrison Presidential Site Continuation of the Autism Family Support Indianapolis, IN Center and related programs 750,000 Capital campaign 1,500,000 Respite -
Interactivity 2015 Final Program
ASSOCIATION OF CHILDREN’S MUSEUMS ANNUAL CONFERENCE May 13–15, 2015 Program Hosted by The Children’s Museum of Indianapolis THINKERS PRODUCERS DESIGNERS BUILDERS If you can dream it VEE can do it. Minnesota Children’s Museum : Storyland Oklahoma Museum Network: Science Matters Mobile science exhibit. Photo by: Bruce Silcox Walker Art Center : Art Golf The Children’s Museum of Indianapolis : Bumblebee We specialize in the design and fabrication of high quality permanent and traveling 612.378.2561 vee.com exhibits, and costumes that engage, entertain and educate children. 1 Table of Contents Welcome to InterActivity 2015 . 3 Thank You . 5 Acknowledgments ...................................................................................8 InterActivity 2015 Hosts . .12 General Conference Information ....................................................................14 Floor Plans—Indianapolis Marriott Downtown . .15 Museum Open House Program ......................................................................16 Conference Programming and Events Tuesday, May 12 Emerging Museums Pre-Conference . .19 Locally Grown Workshop: Creating Successful Early Learning Collaborations ..........................23 New Attendee Orientation. .23 InterActivity Welcome Reception . .23 Evening Event: Bringing the World to InterActivity. .23 Wednesday, May 13 Professional Networking Breakfast ...................................................................25 SmallTalks 2015 ......................................................................................25 -
Insect Poetics
IssueA 3 Autumnn 2007 – Volumet 2 ennae Insect Poetics Volume 2 Giovanni Aloi A New Entomology Display Cabinet? Jennifer Angus Silver Wings and Golden Scales Lane Hall The marquis Collection: Amature Obsession and Junk Science Amy Youngs Cricket Call: Communication Between Insects and Humans Tan Lin The Roach In Us Is Not Us Chris Hunter An Interview With Catherine Chalmers & You Don’t Need to Emerge Lars Chittka & Julian Walker Insects as Art Lovers: bees for Van Gogh Eric Frank Why not Eat Insects? Sarah Gordon Bugs Eating: Images of Entomophagy in Mass Media EDITORIAL ANTENNAE ISSUE 3 – Volume 2 olume 2 of our Insect Poetics Issue continues the ethos of its predecessor presenting a combination of new and original work along with texts especially re-written for Antennae by some of the writers included in Insect Poetic, V the book edited by Eric Brown and published by Minnesota Press. But Before introducing the content of Volume 2 I’d like to take the opportunity to thank all the readers who manifested their appreciation for our first Volume. In terms of both, feedback and copies downloaded, the September Insect Poetic issue is to date our most successful. Volume 2 opens with an interview to Poul Beckmann, the photographer responsible for the fascinating ‘Living Jewels 1&2’, the books picturing beetles in an unusual way, standing with one foot in the future of close-up photography and one in the past of the entomology display cabinet. By now you may have realised that here at Antennae we have a soft spot for entomology cabinets, so we decided to indulge further looking at the singular case of the Marquis Collection brought to surface by Lane Hall who is also responsible for the current front cover.