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Samuel Clemens Carriage House) 351 Farmington Avenue WABS Hartford Hartford County- Connecticut
MARK TWAIN CARRIAGE HOUSE HABS No. CT-359-A (Samuel Clemens Carriage House) 351 Farmington Avenue WABS Hartford Hartford County- Connecticut WRITTEN HISTORICAL AND DESCRIPTIVE DATA REDUCED COPIES OF THE MEASURED DRAWINGS PHOTOGRAPHS Historic American Buildings Survey National Park Service U.S. Department of the Interior Washington, D.C. 20013-7127 m HISTORIC AMERICAN BUILDINGS SURVEY MARK TWAIN CARRIAGE HOUSE HABS NO. CT-359-A Location: Rear of 351 Farmington Avenue, Hartford, Hartford County, Connecticut. USGS Hartford North Quadrangle, Universal Transverse Mercator Coordinates; 18.691050.4626060. Present Owner. Occupant. Use: Mark Twain Memorial, the former residence of Samuel Langhorne Clemens (better known as Mark Twain), now a house museum. The carriage house is a mixed-use structure and contains museum offices, conference space, a staff kitchen, a staff library, and storage space. Significance: Completed in 1874, the Mark Twain Carriage House is a multi-purpose barn with a coachman's apartment designed by architects Edward Tuckerman Potter and Alfred H, Thorp as a companion structure to the residence for noted American author and humorist Samuel Clemens and his family. Its massive size and its generous accommodations for the coachman mark this structure as an unusual carriage house among those intended for a single family's use. The building has the wide overhanging eaves and half-timbering typical of the Chalet style popular in the late 19th century for cottages, carriage houses, and gatehouses. The carriage house apartment was -
Bma Presents 2019 Jazz in the Sculpture Garden Concerts
BMA PRESENTS 2019 JAZZ IN THE SCULPTURE GARDEN CONCERTS Tickets on sale June 5 for Vijay Iyer, Matana Roberts, and Wendel Patrick Quartet BALTIMORE, MD (May 2, 2018)—The Baltimore Museum of Art’s (BMA) popular summer jazz series returns with three concerts featuring national and regional talent in the museum’s lush gardens. Featured performers are Vijay Iyer (June 29), Matana Roberts (July 13), and the Wendel Patrick Quartet (July 27). General admission tickets are $50 for a single concert or $135 for the three-concert series. BMA Member tickets are $35 for a single concert or $90 for the three-concert series. Tickets are on sale Wednesday, June 5, and will sell out quickly, so reservations are highly recommended. Tickets for BMA Members are available beginning Wednesday, May 29. Saturday, June 29 – Vijay Iyer, jazz piano Grammy-nominated composer-pianist Vijay Iyer sees jazz as “creating beauty and changing the world” (NPR) and is recognized as “one of the best in the world at what he does.” (Pitchfork). Saturday, July 13 – Matana Roberts, experimental jazz saxophonist As “the spokeswoman for a new, politically conscious and refractory music scene” (Jazzthetik), Matana Roberts’ music has been praised for its “originality and … historic and social power” (music critic Peter Margasak). Saturday, July 27 – Wendel Patrick Quartet Wendel Patrick is the “wildly talented” (Baltimore Sun) alter ego of acclaimed classical and jazz pianist Kevin Gift. The Baltimore-based musician creates a unique blend of jazz, electronica, and hip hop. The BMA’s beautiful Janet and Alan Wurtzburger Sculpture Garden presents 19 early modernist works by artists such as Alexander Calder, Isamu Noguchi, and Auguste Rodin amidst a flagstone terrace and fountain. -
View the 2018 Dart for Art Catalog
8 201 Thank you for supporting LymeLight Foundation and our mission to provide treatment grants to children and young adults with Lyme disease. SCHEDULE OF EVENTS 6:30 ART VIEWING COCKTAIL & BUFFET 8:00 WELCOME BY THE FOUNDATION 8:15 AUCTION 8:30 DART BEGINS 9:30 AFFOGATOS & CHAMPAGNE 1229 Burlingame Ave, Suite 205 Burlingame, CA 94010 650 . 348 . 5509 [email protected] LymeLightFoundation.org Welcome to Dart for Art 2018 Thank you for supporting a life changing organization! Tonight’s proceeds directly fund treatment grants for children and young adults suffering with Lyme disease. Often the lack of diagnosis and costly treatment plans, (typically not covered by insurance), leaves families on their own to battle this debilitating disease. By being here tonight, you are raising hope for those struggling. Over the past 7 years, LymeLight Foundation has provided treatment grants totaling $3.2M to 539 individuals in 46 states. This would not have been possible without you. You are giving children a fighting chance to regain their health and the opportunity to lead productive lives. Two Strategic Financial Partnerships Continue • The Steven and Alexandra Cohen Foundation directly funds treatment grants with a $2M grant (over 5 years). • The Laurel Foundation covers all operating expenses through 2020. This means 100% of ALL donations received will directly fund treatment grants. This fun, lively and entertaining Dart for Art evening would not be possible without the generous support from our Corporate Sponsors, Host Committee, -
Download NARM Member List
Huntsville, The Huntsville Museum of Art, 256-535-4350 Los Angeles, Chinese American Museum, 213-485-8567 North American Reciprocal Mobile, Alabama Contemporary Art Center Los Angeles, Craft Contemporary, 323-937-4230 Museum (NARM) Mobile, Mobile Museum of Art, 251-208-5200 Los Angeles, GRAMMY Museum, 213-765-6800 Association® Members Montgomery, Montgomery Museum of Fine Arts, 334-240-4333 Los Angeles, Holocaust Museum LA, 323-651-3704 Spring 2021 Northport, Kentuck Museum, 205-758-1257 Los Angeles, Japanese American National Museum*, 213-625-0414 Talladega, Jemison Carnegie Heritage Hall Museum and Arts Center, 256-761-1364 Los Angeles, LA Plaza de Cultura y Artes, 888-488-8083 Alaska Los Angeles, Los Angeles Contemporary Exhibitions, 323-957-1777 This list is updated quarterly in mid-December, mid-March, mid-June and Haines, Sheldon Museum and Cultural Center, 907-766-2366 Los Angeles, Museum of Contemporary Art (MOCA), Los Angeles, 213-621-1794 mid-September even though updates to the roster of NARM member Kodiak, The Kodiak History Museum, 907-486-5920 Los Angeles, Skirball Cultural Center*, 310-440-4500 organizations occur more frequently. For the most current information Palmer, Palmer Museum of History and Art, 907-746-7668 Los Gatos, New Museum Los Gatos (NUMU), 408-354-2646 search the NARM map on our website at narmassociation.org Valdez, Valdez Museum & Historical Archive, 907-835-2764 McClellan, Aerospace Museum of California, 916-564-3437 Arizona Modesto, Great Valley Museum, 209-575-6196 Members from one of the North American -
Eamon Mac Mahon CV
Eamon Mac Mahon b.1976 407-60 Montclair Ave, Toronto ON, M5P 1P7 tel 1 647 893 9777, [email protected] books 2014 - "High Tails", Capricious Publishing NYC 2014 - "Flash Forward Tenth", Magenta Publishing for the Arts, Toronto/Boston 2013 - "The Petropolis of Tomorrow", photo essays and articles edited by Neeraj Bhatia and Mary ! Casper, Actar NYC 2013 - "Problemata Physica", Ohja Books, Germany 2009 - "Water", a collection of works by a diverse group of artists and writers, edited by John ! ! Knechtel, MIT Press 2006 - "Carte Blanche Volume 1", a compendium of Canadian photographers, Magenta Publishing ! for the Arts solo exhibitions 2015 - 'Fathoms', Circuit Gallery, (at Prefix Institute of Contemporary Art), Toronto, September 2014 - 'Amazon of the North', Toronto Pearson International Airport/No.9, December - June 2015 2013 - 'Currents', The Museum, Kitchener, October - January 2014 2013 - 'Cape Contrary', Magenta's Flash Forward Festival, Boston, July - September 2011 - 'Islands in the Woods' , Bau Xi Photo, Toronto, October 2010 - 'Landlocked', Bau Xi Photo, Toronto, March 2009 - 'Landlocked', Exposure Gallery, Ottawa, September 2008 - 'Ice Fields', Pikto Gallery, Toronto, July-August 2008 - 'Landlocked and Aerials', Toronto Pearson International Airport, May 2008-May 2009 2006 - 'The Last Twenty Days', The Drake Hotel, Toronto, May 2005 - 'Window Seat' , the Embassy, Toronto, August 2004 - 'Sleepwalking', York Quay Gallery (Harbourfront Centre), Toronto, March-May selected group exhibitions 2015 - 'Tension', Format Festival, -
MUNICIPALITY Ward District LOCATION NAME ADDRESS
MUNICIPALITY Ward District LOCATION_NAME ADDRESS ALEPPO 0 1 ALEPPO TOWNSHIP MUNICIPAL BUILDING 100 NORTH DRIVE ASPINWALL 0 1 ASPINWALL MUNICIPAL BUILDING 217 COMMERCIAL AVE. ASPINWALL 0 2 ASPINWALL FIRE DEPT. #2 201 12TH STREET ASPINWALL 0 3 ST SCHOLASTICA SCHOOL 300 MAPLE AVE. AVALON 1 0 AVALON MUNICIPAL BUILDING 640 CALIFORNIA AVE. AVALON 2 1 AVALON PUBLIC LIBRARY - CONF ROOM 317 S. HOME AVE. AVALON 2 2 LORD'S HOUSE OF PRAYER 336 S HOME AVE AVALON 3 1 AVALON ELEMENTARY SCHOOL 721 CALIFORNIA AVE. AVALON 3 2 GREENSTONE UNITED METHODIST CHURCH 939 CALIFORNIA AVE. AVALON 3 3 GREENSTONE UNITED METHODIST CHURCH 939 CALIFORNIA AVE. BALDWIN BORO 0 1 ST ALBERT THE GREAT 3198 SCHIECK STREET BALDWIN BORO 0 2 ST ALBERT THE GREAT 3198 SCHIECK STREET BALDWIN BORO 0 3 BOROUGH OF BALDWIN MUNICIPAL BUILDING 3344 CHURCHVIEW AVE. BALDWIN BORO 0 4 ST ALBERT THE GREAT 3198 SCHIECK STREET BALDWIN BORO 0 5 OPTION INDEPENDENT FIRE CO 825 STREETS RUN RD. BALDWIN BORO 0 6 MCANNULTY ELEMENTARY SCHOOL 5151 MCANNULTY RD. BALDWIN BORO 0 7 BALDWIN BOROUGH PUBLIC LIBRARY - MEETING ROOM 5230 WOLFE DR BALDWIN BORO 0 8 MCANNULTY ELEMENTARY SCHOOL 5151 MCANNULTY RD. BALDWIN BORO 0 9 WALLACE BUILDING 41 MACEK DR. BALDWIN BORO 0 10 BALDWIN BOROUGH PUBLIC LIBRARY 5230 WOLFE DR BALDWIN BORO 0 11 BALDWIN BOROUGH PUBLIC LIBRARY 5230 WOLFE DR BALDWIN BORO 0 12 ST ALBERT THE GREAT 3198 SCHIECK STREET BALDWIN BORO 0 13 W.R. PAYNTER ELEMENTARY SCHOOL 3454 PLEASANTVUE DR. BALDWIN BORO 0 14 MCANNULTY ELEMENTARY SCHOOL 5151 MCANNULTY RD. BALDWIN BORO 0 15 W.R. -
2003 Annual Report of the Walters Art Museum
THE YEAR IN REVIEWTHE WALTERS ART MUSEUM ANNUAL REPORT 2003 France, France, Ms.M.638, folio 23 verso, 1244–1254, The Pierpont Morgan Library, New York Dear Friends: After more than three intense years renovating and reinstalling our Centre Street Building, which con- cluded in June 2002 with the opening of our transformed 19th-century galleries, we stepped back in fiscal year 2002–2003 to refocus attention on our Charles Street Building, with its Renaissance, baroque, and rococo collections, in preparation for its complete reinstallation for a fall 2005 opening. For the Walters, as for cultural institutions nationwide, this was more generally a time of reflection and retrenchment in the wake of lingering uncertainty after the terrorist attack of 9/11, the general economic downturn, and significant loss of public funds. Nevertheless, thanks to Mellon Foundation funding, we were able to make three new mid-level curatorial hires, in the departments of ancient, medieval, and Renaissance and baroque art. Those three endowed positions will have lasting impact on the museum, as will a major addition to our galleries: in September 2002, we opened a comprehensive display of the arts of the ancient Americas, thanks to a long-term loan from the Austen-Stokes Foundation. Now, for the first time, we are able to expand on a collecting area Henry Walters entered nearly a century ago, to match our renowned ancient and medieval holdings in quality and range with more than four millennia of works from the western hemisphere. The 2002–2003 season was marked by three major exhibitions organized by the Walters, and by the continued international tour of a fourth Walters show, Desire and Devotion. -
SARAH Mceneaney
SARAH McENEANEY Born in Munich, Germany, 1955 Lives and works in Philadelphia, PA Education 1979 Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1973–75 University of the Arts, Philadelphia, PA Selected Solo and Two-Person Exhibitions 2018 #Wehavenopresident, Leroy Johnson and Sarah McEneaney, Marginal Utility, Philadelphia, PA 2017 Home Work, Sarah McEneaney/Ann Toebbe, Zevitas Marcus, Los Angeles, CA Tibor de Nagy Gallery, New York, NY 2016 When You Wish, Locks Gallery, Philadelphia, PA Out West Back East, Adams/Ollman, Portland, OR 2014 Tibor de Nagy Gallery, New York, NY 2013 Trestletown, Locks Gallery, Philadelphia, PA 2012 Tibor de Nagy Gallery, New York, NY 2009 Locker Plant, Chinati Foundation, Marfa, TX Tibor de Nagy Gallery, New York, NY 2008 Locks Gallery, Philadelphia, PA Mills College Art Museum, Oakland CA Tibor de Nagy Gallery, New York, NY 2004 Gallery Schlesinger, New York, NY Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Reynolds Gallery, Richmond, VA 2002 Gallery Schlesinger, New York, NY 2001 More Gallery Inc., Philadelphia, PA 2000 List Gallery, Swarthmore College, Swarthmore, PA 1997 More Gallery Inc., Philadelphia, PA 1990 Morris Gallery, Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1987 More Gallery Inc., Philadelphia, PA 1984 Noel Butcher Gallery, Philadelphia, PA 1982 Third Street Gallery, Philadelphia, PA Rosemont College, Rosemont, PA 1979 Third Street Gallery, Philadelphia, PA Selected Group Exhibitions 2019 LandEscape: New Visions of the Landscape from the -
The Art Museum Reciprocal Network
Upon presentation of a membership card designating AMRN reciprocity, The ArT MuseuM reciprocAl NeTwork members are entitled to the following at participating museums: · Free admission to the permanent collection during normal museum hours. A fee may be charged for access to ticketed exhibitions and special events. · A discount on bookshop or museum store purchases. ACADEMY ART MUSEUM COLUMBUS MUSEUM THE FRICK COLLECTION MONTCLAIR ART MUSEUM PEABODY ESSEX MUSEUM SMITHSONIAN AMERICAN Easton, Maryland OF ART New York, New York Montclair, New Jersey Salem, Massachusetts ART MUSEUM AND academyartmuseum.org Columbus, Ohio frick.org montclairartmuseum.org pem.org RENWICK GALLERY 410-822-2787 columbusmuseum.org 212-288-0700 973-259-5151 866-745-1876 Washington, 614-221-6801 District of Columbia ALBRIGHT-KNOX ART THE FRICK PITTSBURGH NATIONAL PORTRAIT PHILADELPHIA MUSEUM americanart.si.edu GALLERY COOPER HEWITT, Pittsburgh, Pennsylvania GALLERY OF ART 202-633-7970 Buffalo, New York SMITHSONIAN DESIGN thefrickpittsburgh.org Washington, Philadelphia, Pennsylvania albrightknox.org MUSEUM 412-371-0600 District of Columbia philamuseum.org SWOPE ART MUSEUM 716-882-8700 New York, New York npg.si.edu/visit 215-763-8100 Terre Haute, Indiana cooperhewitt.org FRIST ART MUSEUM 202-633-8300 swope.org AMERICAN FOLK ART 212-849-8400 Nashville, Tennessee THE PHILLIPS COLLECTION 812-238-1676 MUSEUM fristartmuseum.org THE NELSON-ATKINS Washington, Long Island City, New York CROCKER ART MUSEUM 615-244-3340 MUSEUM OF ART District of Columbia THE TAFT MUSEUM folkartmuseum.org -
Arctic Journeys, Ancient Memories : Sculpture
NB 249 .A,75 A4 2012 ANTH ■DLUI|JIUIC by Abraham Anghik Ruben Arctic Journeys Arctic Journeys Ancient Memories The Arctic Studies Center National Museum of Natural History National Museum of the American Indian Smithsonian Institution Kipling Gallery Published by ARCTIC STUDIES CENTER Department of Anthropology National Museum of Natural History Smithsonian Institution PO Box 30712, MRC 1 12 Washington, D.C. 2001 3-7012 www.mnh.si.edu/arctic ISBN- 978-0-9816142-1-2 Copyright © 2012 by Arctic Studies Center Smithsonian Institution Catalogue of an exhibition organized by the Smithsonian's Arctic Studies Center with assistance from Kipling Gallery, Woodbridge, ON and presented October 4, 2012 - January 2,2013 at The National Museum of the American Indian Curated by Bernadette Driscoll Engelstad Arctic Journeys, Ancient Memories: Sculpture by Abraham Anghik Ruben was produced by Perpetua Press, Santa Barbara Edited by Letitia Burns O'Connor Designed by Dana Levy Printed in Canada by Colour Innovations Object photography by Daniel Dabrowski, Silvio Calcagno, Alan Bibby, and Ernest R Mayer Front cover: To Northwestern Shores, 2008 (Detail) Back cover: Far left: Inuvialuit Inuit Way of Life, 201 I Clockwise from top left: Celtic Monk Keeper of Light, 2007 Memories:An Ancient Past, 2010 Sedna: Life Out of Balance, 2006 Odin, 2008 Study for Shaman's Message III, 201 I Migration: Umiak with Spirit Figures, 2008 CONTENTS 7 Preface by Kevin Gover 9 Foreword by William W. Fitzhugh I 2 Artist's Statement by Abraham Anghik Ruben I 5 Arctic Journeys, Ancient Memories by Bernadette Driscoll Engelstad 32 Catalogue 83 Exhibition History 85 Bibliography 87 Acknowledgments 5 PREFACE !\ AS THE DIRECTOR OFTHE NATIONAL MUSEUM OFTHE AMERICAN INDIAN, I frequently watch as exhibitions grow out of good ideas that gather energy as they are researched and discussed, written and organized and installed. -
THREE HOURS in Pittsburgh
THREE HOURS IN Pittsburgh THERE’S A LOT TO SEE AND DO IN JUST A FEW HOURS IN PITTSBURGH. Get out and experience some of the city’s greatest highlights. CONSIDER A TOUR, which can showcase the city in a way like no other, whether guided or self-guided. Love history, art or unique architecture? Walk or bike through Downtown and other neighborhoods along the riverfront trails, or get a fantastic view from the water aboard a Gateway Clipper riverboat cruise. Plan ahead to experience Pittsburgh like a local. VISIT ONE OF THE CITY’S 90 NEIGHBORHOODS. Some are hip, some historic, where modern homes meet Victorian mansions. Pittsburgh’s North Side, with iconic Penn Brewery and the expansive Riverview Park, is a place worth exploring. While there, don’t miss the National Aviary, the only dedicated indoor bird zoo in America. In the South Side discover walking trails, restaurants, small music venues and vintage shops. Walk down Walnut Street in Shadyside to browse local boutiques, name brands and great eateries. Get inspired at one of the art galleries in Garfield, or make something of your own at the Pittsburgh Glass Center. Trendy, walkable Lawrenceville is filled with cozy coffee shops and one-of-a-kind cuisine. EXPLORE A MUSEUM. Two of the country’s top museums, the Carnegie Museum of Art and Natural History, are located in Oakland. For something more abstract, try the Mattress Factory Museum in the North Side or The Andy Warhol Museum in the North Shore. And, sports lovers should definitely make a stop at The Clemente Museum in Lawrenceville, where Pittsburgh baseball hero Roberto Clemente is celebrated.. -
2016 ANNUAL REPORT Letter from Our President & CEO
2016 ANNUAL REPORT Letter from our President & CEO Art gives us insight into a snapshot in time. It is often a profound and palpable More than ever, the museum uses the arts and culture as a catalyst to drive expression of the artist’s emotion and mindset. It allows us to view the world in a interaction, experimentation and social change throughout our city and region. moment and in a continuum – what led to the creation of each piece, what it meant Its programs, exhibits, and partnerships enlighten, engage, energize and empower at the time and what it means now. people—transforming the community one person and one idea at a time. So, too, can we look at the Allentown Art Museum of the Lehigh Valley. We are a What’s now; what’s new; what’s next? Here’s what we’re doing and how we’re doing reflection of where we’ve been, where we are now and where we strive to go as we it. We hope you’ll continue to be an instrumental part of it and we thank you for all boldly redefine the role of arts and culture in our region. that you have done to make this possible. David Mickenberg As you’ll see in this annual report, we are reimagining the Museum and all it offers The Priscilla Payne Hurd President and CEO to be both a beacon for and reflection of the 21st century. Our past year was filled with self-assessment, exploration, and experimentation: what should our Museum be in our community’s future? Just as importantly, what could it be? This unparalleled opportunity compelled us to develop a new strategic and operational vision, building on a distinguished past and crafting an extraordinary future.