Same Old New Labour Tricks
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Frammenti Dell'anarchismo Italiano (1944-1946)
00_pp.ed 16-01-2012 9:31 Pagina 1 00_pp.ed 16-01-2012 9:31 Pagina 2 00_pp.ed 16-01-2012 9:31 Pagina 3 Emanuela Minuto Frammenti dell’anarchismo italiano 1944-1946 Edizioni ETS 00_pp.ed 16-01-2012 9:31 Pagina 4 www.edizioniets.com Il presente volume è stato pubblicato con un contributo del Dipartimento di Scienze Politiche e Sociali dell’Università di Pisa © Copyright 2011 EDIZIONI ETS Piazza Carrara, 16-19, I-56126 Pisa [email protected] www.edizioniets.com Distribuzione PDE, Via Tevere 54, I-50019 Sesto Fiorentino [Firenze] ISBN 978-884673168-5 00_pp.ed 16-01-2012 9:31 Pagina 5 Premessa* Nel 1944-1945, chi per anni aveva riparato all’estero o era stato in carcere e al confino considerava la completa disgregazione del movimento anarchico un evento del tutto possibile, anzi probabi- le. L’esistenza di gruppi e testate rappresentò una vera e propria sorpresa accolta con un misto di stupore, di entusiasmo e di spe- ranze nella prospettiva di una prossima costruzione di una casa co- mune che segnasse finalmente il superamento di antiche divisioni. La frequentazione di circoli e persone, lo scambio epistolare e la lettura delle testate tuttavia avrebbero presto rivelato una compo- sita realtà per certi versi unificata da un patrimonio ideale e da pratiche che alcuni fuoriusciti bollarono come “deviazionismi” ge- nerati dal fascismo. Con ritmo accelerato dopo l’assestamento del fronte lungo la Gotica, emersero infatti diffuse commistioni rap- presentative e interpretative con porzioni del movimento repub- blicano in relazione alle lettura del fascismo e degli avvenimenti successivi al 25 luglio 1943. -
Centro Studi Sea
CENTRO STUDI SEA ISSN 2240-7596 AMMENTU Bollettino Storico, Archivistico e Consolare del Mediterraneo (ABSAC) N. 3 gennaio - dicembre 2013 www.centrostudisea.it/ammentu/ Direzione Martino CONTU (direttore), Giampaolo ATZEI, Manuela GARAU. Comitato di redazione Lucia CAPUZZI, Maria Grazia CUGUSI, Lorenzo DI BIASE, Maria Luisa GENTILESCHI, Antoni MARIMÓN RIUTORT, Francesca MAZZUZI, Roberta MURRONI, Carlo PILLAI, Domenico RIPA, Maria Elena SEU, Maria Angel SEGOVIA MARTI, Frank THEMA, Dante TURCATTI, Maria Eugenia VENERI, Antoni VIVES REUS, Franca ZANDA. Comitato scientifico Nunziatella ALESSANDRINI, Universidade Nova de Lisboa/Universidade dos Açores (Portogallo); Pasquale AMATO, Università di Messina - Università per stranieri ―Dante Alighieri‖ di Reggio Calabria (Italia); Juan Andrés BRESCIANI, Universidad de la República (Uruguay); Margarita CARRIQUIRY, Universidad Católica del Uruguay (Uruguay); Giuseppe DONEDDU, Università di Sassari (Italia); Luciano GALLINARI, Istituto di Storia dell‘Europa Mediterranea del CNR (Italia); Elda GONZÁLEZ MARTÍNEZ, Consejo Superior de Investigaciones Cientificas (Spagna); Antoine-Marie GRAZIANI, Università di Corsica Pasquale Paoli - Institut Universitaire de France, Paris (Francia); Rosa Maria GRILLO, Università di Salerno (Italia); Victor MALLIA MILANES, University of Malta (Malta); Roberto MORESCO, Società Ligure di Storia Patria di Genova (Italia); Fabrizio PANZERA, Archivio di Stato di Bellinzona (Svizzera); Roberto PORRÀ, Soprintendenza Archivistica della Sardegna (Italia); Didier REY, Università di Corsica Pasquale Paoli (Francia), Sebastià SERRA BUSQUETS, Universidad de las Islas Baleares (Spagna); Cecilia TASCA, Università di Cagliari (Italia). Comitato di lettura La Direzione di AMMENTU sottopone a valutazione (referee), in forma anonima, tutti i contributi ricevuti per la pubblicazione. Responsabile del sito Stefano ORRÙ AMMENTU - Bollettino Storico, Archivistico e Consolare del Mediterraneo (ABSAC) Periodico annuale pubblicato dal Centro Studi SEA di Villacidro. -
Libertaria, 4 – 2009
COVER LIBERTARIA 4-09 3-12-2009 15:04 Pagina 1 Acri (Cosenza) Fasano Milano Ravenna • Germinal • Libri e cose • Ateneo libertario • Feltrinelli viale Monza, 255 Albano (Roma) Firenze • Cuem-università Statale Reggio Emilia • Delle Baruffe • Bancarella • Feltrinelli Buenos Aires • Info-shop Mag 6 piazza San Firenze • Feltrinelli Galleria Duomo Ancona • Centro Dea, • Feltrinelli Piemonte Rimini • Feltrinelli • Libreria shake-interno 4 • Libreria interno 4 Borgo Pinti, 42/R viale Bligny, 42 Barcellona (Spagna) • Edicola • Reload Mindcafè Roma • Ateneu Enciclopèdic Popular piazza San Marco via Angelo della Pergola 5 • Alegre interno 4 • Feltrinelli Cerretani • Anomalia Paseo de San Juan, 26 • Torchiera infoshock • Libreria delle donne piazzale del Cimitero • Biblioteca l'Idea • Lokal • Libreria Majakovskij maggiore, 18 • Ciclo officina centrale calle La Cera, 1 bis presso Centro popolare • Utopia via Baccina, 36 • Espai Obert autogestito • Feltrinelli Argentina Modena • Feltrinelli Orlando calle Blasco de Garay, 2 • Movimento Anarchico • Feltrinelli • Il Tiaso Enolibreria Bari Fiorentino, • Infoshop Forte Prenestino • Feltrinelli vicolo del Panico, 2 Montpellier (Francia) • La bottega dell'asino Villaggio globale Forlì • Centro culturale Bassano Ascaso-Durruti • Laboratorio Sociale La Talpa del Grappa • Einaudi 6, rue Henry René • Lettere Caffè • Ellezeta (Vicenza) • Libreria Contaminazioni Napoli largo Riccardo Monaco, 6 • La Bassanese Genova • Cooperativa ‘O Pappece • Libreria La Fronda • Feltrinelli Bensa Bergamo vico Monteleone, 8/9 • Lo Yeti • Feltrinelli XX settembre • Odradek • Underground, • Feltrinelli • Libreria A. Guida • Rinascita Spazio anarchico Gerusalemme (Est) • Teatro Ygramul via Furietti 12/b • Educational Bookshop numero 4 - ottobre / dicembre 2009 Padova Saint Imier (Svizzera) • Feltrinelli Bologna La Spezia • Espace Noir • • Feltrinelli • Contrappunto Palermo libertaria San Francisco (Usa) • Feltrinelli • City Lights Bolzano Lione (Francia) • Modusvivendi Piazza Fontana: perché • Cooperativa Libraria • La Gryffe San Giorgio Roma. -
Lost. in Between. Together
Lost. In Be tween. Together. Refugees. of Struggle Collective —Reader #2 with We Are Here Collective Struggle of Refugees. Lost. In Between. Together. Colophon in collaboration with New World Summit New World Academy Reader #2: [email protected] Collective Collective Struggle of Refugees. www.newworldsummit.eu Lost. In Between. Together New World Academy Editor: Research, Development, Struggle of Jonas Staal and Realization Team: in dialogue with We Are Here Şeyma Bayram (BAK), Younes Bouadi (NWS), Jan de Bruin Associate Editor: (NWS), Vincent W.J. van Gerven Refugees. Şeyma Bayram Oei (NWS), Maria Hlavajova (BAK), Robert Kluijver (NWS), Coordinator & Proof Reader: Paul Kuipers (NWS), Renée In der Gwen Parry Maur (NWS), Arjan van Meeuw- Lost. In Between. en (BAK), Kasper Oostergetel Design: (NWS), Sjoerd Oudman (NWS), Remco van Bladel, Amsterdam Gwen Parry (BAK), Merel Som- with Andrea Spikker horst (BAK), Jonas Staal (NWS), Together. and Ivo Verburg (BAK) Lithography and Printing: Drukkerij Raddraaier, Amsterdam Cover and Chapter Images: pp. 11, 12, 20, 25, 40 depict the ISBN: 978-90-77288-19-1 We Are Here tent camp on the Notweg in Amsterdam during New World Academy Reader #2 Every effort has been made to September to November 2012. obtain copyright permission for Photos: Erik Veld. All other im- images. We apologize for any ages depict life in and around the inadvertent omissions and pledge Vluchtkerk between November to correct them in future editions. 2012 and March 2013, including The texts in this reader are the preparations for the move published according to individual to the Vluchtkantoor. Photos: agreements with the authors, no Manette Ingenegeren. -
Cinquant'anni Di Volontà Indici 1946-1996 a Cura Di Dario Bernardi E Luciano Lanza Nota Introduttiva Durante I Decenni Di Pu
Cinquant’anni di Volontà Indici 1946-1996 a cura di Dario Bernardi e Luciano Lanza Nota introduttiva Durante i decenni di pubblicazione, e con il rotare di redazioni e responsabili, ovviamente le norme di scrittura sono andate mutando. Qui abbiamo preferito seguire alcune regole generali che sistematizzassero le varie modalità così da consentire una ricerca quanto più agevole possibile. Dunque gli Indici riportano, numero per numero, anno per anno (in base alla numerazione progressiva che talvolta travalica l’anno solare), il titolo dell’articolo pubblicato seguito dal nome dell’autore. Ove possibile, il nome e cognome dell’autore è stato sempre esplicitato (anche quando non lo era nell’Indice originario) al fine di attribuire chiaramente la paternità dell’articolo (per gli pseudonimi, si veda la lista non esaustiva a fine Indici). Si è inoltre evitato di utilizzare le sigle per autori con iniziali simili (per esempio: Luigi Fabbri, Luce Fabbri), tranne che in alcune rubriche (anche per questo si veda la lista delle sigle principali a fine Indici). Sempre con l’obiettivo di facilitare la ricerca, i nomi degli autori stranieri sono stati scritti in lingua originale (per esempio: Pëtr Kropotkin e non Pietro Kropotkin o Kropotkine) e sono stati inoltre corretti alcuni errori presenti nel testo originale (per esempio: non Emile Armand, come era comunemente, ma erroneamente, noto in Italia, bensì E. Armand, effettivo pseudonimo di Ernest Juin). Infine le rubriche sono state evidenziate con il maiuscoletto – LETTERE DEI LETTORI; ANTOLOGIA; RECENSIONI; -
A Counter Guide to Free Labour in the Arts 2
SURVIVING INTERNSHIPS A COUNTER GUIDE TO FREE LABOUR IN THE ARTS 2 The Guide This guide has been produced by the Carrot Work- ers‘ Collective in London. It attempts to explore and debunk some commonly held myths around creative careers and provide some survival tools for those cur- rently working in the creative sector. This guide asks: is unpaid interning essential for a job in the creative sector? Does interning and free labour automatically lead to paid work? Do those who work in the creative industry actually do creative work? Why do we often think that cultural work isn‘t ‘real work‘, and therefore that cultural workers don‘t deserve the same rights as everyone else? The contents of the guide are based on real life experiences of cultural workers in London who tell it like it really is, sharing the fears and desires that motivate their work, their experiences of disap- pointment and survival, and also, importantly, suggest- ing how we could organise our work otherwise. Who are we? The Carrot Workers‘ Collective is a London-based group of cultural workers, interns, teachers and researchers who regularly meet to think and work together around the conditions of free labour in con- temporary society. We aim to understand the impact of free labour on material conditions, subjectivity, life expectations and desires. Why ‘The Carrot‘? The Carrot represents the promise of paid work, meaningful experience, success and stability which in the cultural sector, more often than not, is never actu- ally realised. More generally ‘the carrot‘ signifies the hope that we might organise our work around ‘creativ- ity‘ rather than drudgery; an aspiration that is used to prompt, cajole and sometimes blackmail workers into long-term and recurring periods of free and precari- ous labour. -
José Peirats
José Peirats FREEDOM PRESS José Peirats (1908-1989) ANARCHISTS in the SPANISH REVOLUTION . by JOSE PEIRATS FREEDOM PRESS London 1998 This edition first published by FREEDOM PRESS 84b Whitechapel H igh street London El 7QX Reprinted 1990, 1998 4 # KæeryMÎ ISBN 0 900384 53 0 PRINIF.D IM GKHA'!' ΒκΠ'ΑίΝ BY Αΐ.ίΧίΑΤί PHHSS. LONDON E t 7 0 X ACKNOWLEDG EMENTS The firsi Engtish (American) transition was the work of Mary Ann Slocombe and Pau! Hollow. A number of comrades were invoked in the actuai production of the book, Special mention was made in the original edition to Federico Atcos "whose idea it was and whose energy and single mindedness saw it through", and to Art BarteH "whose generosity made it financially possibie". For this FREEDOM PRESS edition we a!so have to thank the )ast two named (and the transiators, of course) for the same reasons. !n order to produce this voktme ascheaply as possible the origina) negatives have been used, and consequent^ one or two factuai errors, as we!t as some infeticities in transiation, have not been corrected. The American edition gives no date of publication (probabiy 1977) nor publisher though it was 'avaiiable' from Solidarity Books (Toronto). Ccrrfci/on: Page 371 Glossary. Matcn Pedro was not killed in the attack on the President of the Council of Ministers in 1921. NOTE The )'o!towing abbreviations have been used in the text to identify tlHmntsations and political parties: CNT (Con/Meraci'df! Nac/ofM?/ Je/ 7raàayo — National Confedera tion of Labour). The revolutionary syndicaiist organisation influ enced by the anarchists. -
Occupying Vacant Spaces: Precarious Politics of Temporary Urban Reuse
Occupying Vacant Spaces: Precarious Politics of Temporary Urban Reuse. Ferreri, Mara The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/8460 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] Occupying Vacant Spaces: Precarious Politics of Temporary Urban Reuse Mara Ferreri Thesis submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy Queen Mary University of London School of Geography 2013 Declaration I declare that this thesis is my own work and that all other sources of information are cited accordingly. Signed ______________________ 2 Abstract Temporary urban projects are often portrayed as offering innovative and experimental solutions to the challenges of countering the negative perceptions associated with vacancy, and of providing rent-free open spaces for non-commercial activities in inner city areas. The political implications of temporary use, however, are controversial, being both celebrated as a form of participatory and emancipatory spatial re-appropriation and critiqued as a new frontier of experiential place marketing and a symptom of urban gentrification. This thesis aims to provide a situated investigation of the tension between the potential of re- appropriation and its wider material conditions, to discuss the precarious politics of temporary use as a form of urban action at a time of austerity. -
The Intimate Enemy As a Classic Post-Colonial Study of M
critical currents Dag Hammarskjöld Foundation Occasional Paper Series Camus and Gandhi Essays on Political Philosophy in Hammarskjöld’s Times no.3 April 2008 Beyond Diplomacy – Perspectives on Dag Hammarskjöld 1 critical currents no.3 April 2008 Camus and Gandhi Essays on Political Philosophy in Hammarskjöld’s Times Lou Marin Dag Hammarskjöld Foundation Uppsala 2008 The Dag Hammarskjöld Foundation pays tribute to the memory of the second Secretary-General of the UN by searching for and examining workable alternatives for a socially and economically just, ecologically sustainable, peaceful and secure world. Critical Currents is an In the spirit of Dag Hammarskjöld's Occasional Paper Series integrity, his readiness to challenge the published by the dominant powers and his passionate plea Dag Hammarskjöld Foundation. for the sovereignty of small nations and It is also available online at their right to shape their own destiny, the www.dhf.uu.se. Foundation seeks to examine mainstream understanding of development and bring to Statements of fact or opinion the debate alternative perspectives of often are those of the authors and unheard voices. do not imply endorsement by the Foundation. By making possible the meeting of minds, Manuscripts for review experiences and perspectives through the should be sent to organising of seminars and dialogues, [email protected]. the Foundation plays a catalysing role in the identifi cation of new issues and Series editor: Henning Melber the formulation of new concepts, policy Language editor: Wendy Davies proposals, strategies and work plans towards Layout: Mattias Lasson solutions. The Foundation seeks to be at the Printed by X-O Graf Tryckeri AB cutting edge of the debates on development, ISSN 1654-4250 security and environment, thereby Copyright on the text is with the continuously embarking on new themes authors and the Foundation. -
Poésie D'un Rebelle
Poésie d’un rebelle. Isabelle Felici To cite this version: Isabelle Felici. Poésie d’un rebelle. : Gigi Damiani. Poète, anarchiste, émigré (1876-1953). Atelier de création libertaire, 183 p., 2009, 978-2-35104-027-0. hal-01359814 HAL Id: hal-01359814 https://hal.archives-ouvertes.fr/hal-01359814 Submitted on 8 Sep 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ETTE ÉTUDE EST CONSACRÉE à l’œuvre poétique de Gigi Damiani, I SABELLE ELICI C I F grand nom du journalisme anarchiste italien et compagnon I EL Cde route d’Errico Malatesta. Si le parcours de vie de cet F autodidacte commence et se termine à Rome (1876-1953), il le conduit dans de nombreuses métropoles, notamment celles où s’est Poésie SABELLE installée une forte communauté italienne : São Paulo, Marseille, I Paris, Bruxelles, Tunis. Partout il compose des poésies de lutte et d’espoir, surtout dans les moments les plus troubles de l’histoire d’un rebelle italienne et internationale, dont des pans entiers apparaissent ainsi Poète, anarchiste, émigré (1876-1953) sous un angle inédit, tandis que se dessine également le parcours d’un militant qui, quels qu’aient été les sacrifices à accomplir, n’a jamais suivi d’autres chemins que les chemins de la liberté. -
Squatting in Europe: Radical Spaces, Urban Struggles Edited by the Squatting Europe Kollective
Squatting in Europe: Radical Spaces, Urban Struggles Edited by the Squatting Europe Kollective <.:.Min0r.:.> .c0mp0siti0ns. Squatting in Europe: Radical Spaces, Urban Struggles Edited by the Squatting Europe Kollective ISBN 978-1-57027-257-8 Cover design by Haduhi Szukis Interior design by Margaret Killjoy Editorial Support: Joshua Eichen, VyVy, Miguel A. Martínez, Hans Pruijt, and Stevphen Shukaitis Cover Image: CSO Los Blokes Fantasma from the district Gracia in Barcelona Inside cover image: Tina Helen Released by Minor Compositions 2013 Wivenhoe / New York / Port Watson Minor Compositions is a series of interventions & provocations drawing from autonomous politics, avant-garde aesthetics, and the revolutions of everyday life. Minor Compositions is an imprint of Autonomedia www.minorcompositions.info | [email protected] Distributed by Autonomedia PO Box 568 Williamsburgh Station Brooklyn, NY 11211 www.autonomedia.org [email protected] Contents Preface . 1 Margit Mayer Introduction . 11 . Miguel Martínez, Gianni Piazza and Hans Pruijt Squatting in Europe . .17 . Hans Pruijt Resisting and Challenging Neoliberalism: . 61. Pierpaolo Mudu How do activists make decisions within Social Centres? . 89. Gianni Piazza The Squatters’ Movement in Spain . 113. Miguel A. Martínez López Urban squatting, rural squatting and the ecological-economic perspective . 139 Claudio Cattaneo Squatting And Urban Renewal . 161 Andrej Holm and Armin Kuhn Have squat, will travel . 185 Lynn Owens Configurations of squats in Paris and the Ile-de-France Region . 209 Thomas Aguilera What is a “good” squatter? . 231 . Florence Bouillon Moving towards criminalisation and then what? . .247 ETC Dee About the Authors . 269. About the Squatting Europe Kollective . 273. Preface Margit Mayer Thanks to the Occupy movement, the call to squat is once again raised more widely and acted upon with increasing frequency. -
Squatting in Europe: Radical Spaces, Urban Struggles Edited by the Squatting Europe Kollective
Minor Compositions Open Access Statement – Please Read This book is open access. This work is not simply an electronic book; it is the open access version of a work that exists in a number of forms, the traditional printed form being one of them. All Minor Compositions publications are placed for free, in their entirety, on the web. This is because the free and autonomous sharing of knowledges and experiences is important, especially at a time when the restructuring and increased centralization of book distribution makes it difficult (and expensive) to distribute radical texts effectively. The free posting of these texts does not mean that the necessary energy and labor to produce them is no longer there. One can think of buying physical copies not as the purchase of commodities, but as a form of support or solidarity for an approach to knowledge production and engaged research (particularly when purchasing directly from the publisher). The open access nature of this publication means that you can: • read and store this document free of charge • distribute it for personal use free of charge • print sections of the work for personal use • read or perform parts of the work in a context where no financial transactions take place However, it is against the purposes of Minor Compositions open access approach to: • gain financially from the work • sell the work or seek monies in relation to the distribution of the work • use the work in any commercial activity of any kind • profit a third party indirectly via use or distribution of the work • distribute in or through a commercial body (with the exception of academic usage within educational institutions) The intent of Minor Compositions as a project is that any surpluses generated from the use of collectively produced literature are intended to return to further the development and production of further publications and writing: that which comes from the commons will be used to keep cultivating those commons.