Archaeologist in the Archive. a Turning Point in the Study of Late-Medieval Helmets in Western Pomerania
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MEDIEVAL ARMOR Over Time
The development of MEDIEVAL ARMOR over time WORCESTER ART MUSEUM ARMS & ARMOR PRESENTATION SLIDE 2 The Arms & Armor Collection Mr. Higgins, 1914.146 In 2014, the Worcester Art Museum acquired the John Woodman Higgins Collection of Arms and Armor, the second largest collection of its kind in the United States. John Woodman Higgins was a Worcester-born industrialist who owned Worcester Pressed Steel. He purchased objects for the collection between the 1920s and 1950s. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 3 Introduction to Armor 1994.300 This German engraving on paper from the 1500s shows the classic image of a knight fully dressed in a suit of armor. Literature from the Middle Ages (or “Medieval,” i.e., the 5th through 15th centuries) was full of stories featuring knights—like those of King Arthur and his Knights of the Round Table, or the popular tale of Saint George who slayed a dragon to rescue a princess. WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 4 Introduction to Armor However, knights of the early Middle Ages did not wear full suits of armor. Those suits, along with romantic ideas and images of knights, developed over time. The image on the left, painted in the mid 1300s, shows Saint George the dragon slayer wearing only some pieces of armor. The carving on the right, created around 1485, shows Saint George wearing a full suit of armor. 1927.19.4 2014.1 WORCESTER ART MUSEUM / 55 SALISBURY STREET / WORCESTER, MA 01609 / 508.799.4406 / worcesterart.org SLIDE 5 Mail Armor 2014.842.2 The first type of armor worn to protect soldiers was mail armor, commonly known as chainmail. -
Basic-Armouring-2Of4.Pdf
Chapter 8 — Padding Because you need to build your armour around your padding you need to know how to make it first! Gamberson This supplies basic padding under the body armour and something to hang your arm armour off. Some people rely on their gamberson (with a few minor additions such as a kidney belt) as their torso protection. This gives them excellent mobility at the expense of protection. If you are learning to fight, as well as armour, you are liable to get hit a lot so body armour might not be a bad idea—your choice! Making a gamberson is a sewing job; go get a needle and thread or borrow a sewing machine. The material you make it from should be relatively tough (it’s going to take a beating), adsorbent (you are going to sweat into it), colour fast (unless you want to start a new fashion in oddly coloured flesh) and washable (see sweating above). Period gambersons were made from multiple layers of cloth stitched together or padded with raw wool or similar material, modern ones often use an internal fill of cotton or polyester batting to achieve the same look with less weight. A descrip- tion of an arming doublet of the 15th century is “a dowbelet of ffustean (a type of heavy woollen broad cloth) lyned with satene cutte full of hoolis”. A heavy outer material, such as canvas or calico, is therefore appropriate with a softer lining next to the skin. For extra ventilation you can add buttonholes down the quilting seams. -
Times Creation
+91-7351222111 Times Creation https://www.indiamart.com/times-creationharidwar/ Our organization is engaged in manufacturing, exporting and supplying nautical products, armoury products, handicraft items and other decorative brass antiques. This range includes morion helmet, antique norman armour helmet and more. About Us Established in the year 2001, we, Times Creation, we are one of the recognized firms engaged in Manufacturing, Exporting and Supplying a wide range of Medieval Armour Helmets, Medieval Armour Shields, Medieval Body Armour Collections, Medieval Muscle Armour, Armour Gloves, Antique Telephones, Nautical Spot Lamp, Nautical Brass Candle Stand, Nautical Brass Gifts & Home Decor, Nautical Brass Ship Models, Nautical Compass With Wooden Box, Nautical Diving Helmets, etc . These products are manufactured using high-grade raw material, which is procured from the reliable vendors of the market. Moreover, the products offered by us are known for their features like durability, superior finish, attractive designs, strong construction and corrosion resistance. Clients can avail these products in various sizes, designs and finishes as per their specific requirements. We, Times Creation, have established a sophisticated infrastructure, which is spread across a large area in Roorkee, Uttarakhand. Well-segregated into various departments, this infrastructure helps in managing the business related activities in a proper manner. Our departments are well-installed with advanced machines and tools that help in manufacturing in compliance -
Expedition Conquistador Brochure
EXPEDITION CONQUISTADOR Traveling Exhibit Proposal The Palm Beach Museum of Natural History Minimum Requirements 500-3,500 sq. ft. (variable, based on available space) of display area 8-12 ft ceiling clearance Available for 6-8 week (or longer) periods Expedition Conquistador takes three to seven days to set up and take down Assistance by venue staff may be required to unload, set up and break down the exhibit Venue provides all set up/break down equipment, including pallet jacks, fork lift, etc. Structure of Exhibit Basic: Armored Conquistador Diorama – (3 foot soldiers or 1 mounted on horse, 120 sq. ft.) Maps and Maritime Navigation Display Weapons and Armor Display Trade in the New World Display Daily Life and Clothing Display American Indian Weaponry and material culture (contemporary 16th century) Optional: First Contact Diorama (explorers, foot soldiers, sailors, priests, American Indians) American Indian Habitation Diorama Living History Component Both the basic and optional versions of Expedition Conquistador can be adjusted via the modification of the number of displays to accommodate venues with limited exhibition space. We welcome your questions regarding “Expedition Conquistador” For additional information or to book reservations please contact Rudolph F. Pascucci The Palm Beach Museum of Natural History [email protected] (561) 729-4246 Expedition Conquistador Expedition Conquistador provides the The beginnings of European colonization in public with a vision of what life was like for the New World began a series of violent the earliest European explorers of the New changes. Cultures and technology both World as they battled to claim territory, clashed on a monumental basis. -
Armour As a Symbolic Form
Originalveröffentlichung in: Waffen-und Kostümkunde 26 (1984), Nr. 2, S. 77-96 Armour As a Symbolic Form By Zdzislaw Zygulski Jr. „It is perfectly possible to argue that some distinctive objects are made by the mind, and that these objects, while appearing to exist objectively, have only a fictional reality." E. W. Said, Orientalism, New York 1979 Somewhere in the remote past of mankind armour was born, its basic purpose being to protect the soft and vulnerable human body in combat. It is somewhat surprising that in the course of Darwinian evolution man lost his natural protective attributes, above all hair, and slowly became what is called, with some malice, ,,the naked ape". Very soon man the hunter adopted animal skins as his first dress and also as armour. The tradition of an armour of leather is very ancient and still lingers in the word ,,cuirass". Various natural substances such as hard wood, plant fibres, bones, hoofs, or even tusks were used to make the body protection more resistant, but as soon as metallurgy had been mastered metal became the supreme material for all kinds of weaponry, both offensive and defensive. Since a blow to the head was often lethal, special attention was paid to the pro tection of that principal part of the body: early bronze helmets of conical shape are represented in the Sume rian art as early as the third millennium B. C.l. The shield, a prehistoric invention, although detached from the body and movable, may also be considered as a kind of armour. In the course of centuries a great number of types of armour and innumerable actual specimens were crea ted. -
India Overseas Trading Corporation, Roorkee
+91-8588813638 India Overseas Trading Corporation www.armourhelmet.com We are adept in manufacturing, exporting & wholesaling of exclusive range of Armor Helmets, Suits, Swords, Shields & new Medieval Products. Equipped with a sophisticated team, we cater an excellent range in global market. A Member of P r o f i l e India Overseas Trading Corporation is a proprietorship firm that embarked on its business venture in the year 1996. We are a prime manufacturer, exporter and wholesaler of exclusive range of Armor Helmets, Suits, Swords, Shields, Halloween Costumes & New Medieval Products. The company is rendering its services from its wide industrial base situated in Roorkee, Uttarakhand, to distant parts of the world. The range that exhibits a great inspiration from ancient tales of knights and warriors bravery renders superior quality. Appreciated for their utilization in various sectors like for home and office decor, enactment in different fields and so on, these products have increased our annual turnover to excellent heights. The organization is able to cater bulk demands of its worldwide clients owing to its well-built infrastructure. Spread across a huge mass of land, it is quite skill fully divided into various units for systematic and organized functioning of business processes. The units are outfitted with world class amenities and tools that assist in timely production of qualitative assortment in large volumes. We own a commodious warehouse that enables us in feasible storing and retrieving of products as per the growing requirements of our elite clients. We exports our products Worldwide. The entire business is the result of the entrepreneurship of Mr. -
Armour Manual Mark II Ze
Basic Armouring—A Practical Introduction to Armour Making, Second Edition By Paul Blackwell Publishing History March 1986: First Edition March 2002: Second Edition Copyright © 2002 Paul Blackwell. This document may be copied and printed for personal use. It may not be distributed for profit in whole or part, or modified in any way. Electronic copies may be made for personal use. Electronic copies may not be published. The right of Paul Blackwell to be identified as the Author and Illustrator of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. The latest electronic version of this book may be obtained from: http://www.brighthelm.org/ Ye Small Print—Cautionary Note and Disclaimer Combat re-enactment in any form carries an element of risk (hey they used to do this for real!) Even making armour can be hazardous, if you drop a hammer on your foot, cut yourself on a sharp piece of metal or do something even more disastrous! It must be pointed out, therefore, that if you partake in silly hobbies such as these you do so at your own risk! The advice and information in this booklet is given in good faith (most having been tried out by the author) however as I have no control over what you do, or how you do it, I can accept no liability for injury suffered by yourself or others while making or using armour. Ye Nice Note Having said all that I’ll just add that I’ve been playing for ages and am still in one piece and having fun. -
Armour Weapons
M m et . !Photograph by H auser ' Madnd . Armour ofPhilip II. A R M OU R WEA PONS BY W 10 C H A RLE SA FFO ULKE S W ITH A PREFACE BY V S OUN T DILLON V P A I . C , S. CU RATOR O F T H E T OW ER AR M OU R I ES OXFO R D AT TH E CLARENDO N PRESS NR Y FR OWDE M A HE , . P B I S H TO TH E U N IV E R S I TY X D U L ER . OF O FOR N D N D IN B G H N E W Y K LO O , E UR , OR TORONTO A N D M E LB OURN E 651244 5 7 3 . z , PR E FA C E WR ITE R S on Arms and Armour have approached the s ub je c t s tu de nts th e ir from many points of View , but , as all know , works s o size are generally large in , or , what is more essential , in price , th a t for many who do no t have access to large libraries it is o . imp ssible to learn much that is required Then again , the papers of the Proceedings of the various Antiquarian and Archaeological Societies are in all cases very scattered and , in some cases , unattainable , owing to their being out of print . Many writers on the subj ect have confined themselves to documentary evidence , while others have only written about such examples as have been n e . -
Ansteorran Achievment Armorial
Ansteorran Achievment Armorial Name: Loch Soilleir, Barony of Date Registered: 9/30/2006 Mantling 1: Argent Helm: Barred Helm argent, visor or Helm Facing: dexter Mantling 2: Sable: a semy of compass stars arg Crest verte a sea serpent in annulo volant of Motto Inspiration Endeavor Strength Translation Inspiration Endeavor Strength it's tail Corone baronial Dexter Supporter Sea Ram proper Sinister Supporter Otter rampant proper Notes inside of helm is gules, Sea Ram upper portion white ram, lower green fish. Sits on 3 waves Azure and Argent instead of the normal mound Name: Adelicia Tagliaferro Date Registered: 4/22/1988 Mantling 1: counter-ermine Helm: N/A Helm Facing: Mantling 2: argent Crest owl Or Motto Honor is Duty and Duty is Honor Translation Corone baronial wide fillet Dexter Supporter owl Or Sinister Supporter owl Or Notes Lozenge display with cloak; originally registered 4\22\1988 under previous name "Adelicia Alianora of Gilwell" Name: Aeruin ni Hearain O Chonemara Date Registered: 6/28/1988 Mantling 1: sable Helm: N/A Helm Facing: Mantling 2: vert Crest heron displayed argent crested orbed Motto Sola Petit Ardea Translation The Heron stands alone (Latin) and membered Or maintaining in its beak a sprig of pine and a sprig of mistletoe proper Corone Dexter Supporter Sinister Supporter Notes Display with cloak and bow Name: Aethelstan Aethelmearson Date Registered: 4/16/2002 Mantling 1: vert ermined Or Helm: Spangenhelm with brass harps on the Helm Facing: Afronty Mantling 2: Or cheek pieces and brass brow plate Crest phoenix -
Inventory and Survey of the Armouries of the Tower of London. Vol. I
THE ARMOVRIES OF THE TOWER OF LONDON MCMXVI McKEW PARR COLLECTION MAGELLAN and the AGE of DISCOVERY PRESENTED TO BRANDEIS UNIVERSITY • 1961 1 > SeR-GEokGE Ho\W\RDE KNfioHTAASTEFl oF THE Q.WEN£S*AA)EST/FS ARMORYAWODOn, <»^^= — ^F^H5^— r^l 5 6. : INVENTORY AND SURVEY OF THE Armouries OF THE Tower of London BY CHARLES J. FFOULKES, B.Litt.Oxon, F.S.A. CURATOR OF THE ARMOURIES n> Volume I. r LONDON Published by His Majesty's Stationery Office Book Plate of the Record Office in the Tower by J. MYNDE circa 1760 To The King's Most Excellent Majesty SIRE, laying this History and Inventory of the Armouries of the Tower INof London before Your Majesty, I cannot but feel that, in a work of this nature, it would be unfitting that I should take credit for more than the compilation and collation of a large amount of work done by others in the past. In tracing the changes that have taken place from the time when the Tower was a Storehouse of Military Equipment up to the present day, when it is the resting place of a Collection of Royal and Historical Armours many of which are without equal in Europe, I have availed myself of the National Records and also of the generous assistance of living authorities who have made a special study of the several subjects which are dealt with in these pages. I therefore ask Your Majesty's gracious permission to acknowledge here my indebtedness and gratitude to my predecessor Viscount Dillon, first Curator of the Armouries, who has unreservedly placed at my disposal the vast amount of notes, photographs, and researches, which he had collected during over twenty years of office. -
Tournament Gallery - Word Search
HERALDRY Heraldry involves using patterns pictures and colours to represent a knight. Below is an example. Q: Why do you think heraldry was important to a knight? TOURNAMENT Design and GALLERY sketch your own coat of arms KEY STAGE 3 Self-Guided Visit Student Activity Handbook w w w w w w . r r o o Name: y y a a l l a a r r School: m m o o u u r r i i Class: e e s s . o o r r g g Date: © Royal Armouries The Tournament Gallery can be found on Floors 2 and 3 of the Museum. TUDOR TOURNAMENT ARMOUR DECORATION Q: In the Tudor period the tournament was highly popular. Name and describe Find the section in the gallery that describes different ways to the different games associated with the tournament? decorate armour. Q: Name the methods used to decorate these armours A B C D E Q: Why do you think knights and nobles decorated their armour? Q: Find a piece of decorated armour in the gallery sketch it in the box below and describe why you chose it. Armours were made to protect a knight in battle or in the tournament. Q: What are the main differences between armour made to wear in battle and tournament armour? 1 © Royal Armouries © Royal Armouries 2 FIELD OF CLOTH OF GOLD KING HENRY VIII Find the painting depicting the Field of Cloth of Gold tournament. Henry VIII had some of the most impressive armours of his time. To the right of the painting of the Field of Cloth of Gold is a case displaying an armour made for Henry VIII; it was considered to be one of Q: In which year did the Field of Cloth of Gold tournament take place? the greatest armours ever made, why do you think this was? Q: On the other side of the painting is an usual armour. -
Franco-Burgundian Armor of the 15Th Century
Franco-Burgundian Armor of the 15th Century Master Klaus AKA PPF Burgundy Pas d’Armes 15th Century Kit greatly admired and here is how to fake it! Spoiler Alert: A belted, sleeved surcoat will give you the right silhouette. A crest and mantle will make you look even better. Late-15th- century heraldic tabards. Kunsthisto risches Museum, Vienna. Late-15th-century tabard, The Hermitage, St. Petersburg. This one appears to be similar in form to the surcoats depicted in King René’s book. Simone de Varie, c. 1455, clad as in King Rene Great bascinets for the tournament, The Metropolitan Museum of Art, New York. Left, c.1450 Center, c. 1450-1500 Right, c. 1510 The “Avant Armor,” the oldest known near-complete medieval harness, Milanese, circa 1440. Originally from Schloss Churburg, now in the Kelvingrove Museum, Glasgow. Displayed with a Venetian sallet, aka a “barbuta,” c. 1450, it would originally have been worn with an Armet. An early “Gothic” (ie, German) style harness with sallet and bevor, c. 1470. Harness in the Italian style with a great bascinet., circa 1450. Kunsthistorisches Museum, Vienna. Illumination from Le Livre du Cueur d’Amours Espris by Duke René of Anjou (aka “King René’s Book of Love”), 1457. Illumination from Le Livre du Cueur d’Amours Espris by Duke René of Anjou (aka “King René’s Book of Love”), 1457. René d’Anjou’sTraittié : preparing for the grand melée. The noble competitors wear their specialized tournament harness, while their (presumably non-combatant) standard-bearers wear ordinary battle armor. Note the men with axes on the list barrier, about to cut the ropes.