Fontella Bass Now That I've Found a Good Thing Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Fontella Bass Now That I've Found A Good Thing mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Now That I've Found A Good Thing Country: UK Released: 1973 Style: Soul MP3 version RAR size: 1390 mb FLAC version RAR size: 1163 mb WMA version RAR size: 1716 mb Rating: 4.1 Votes: 483 Other Formats: MP3 WMA MMF AHX ADX MP4 DTS Tracklist Hide Credits Now That I've Found A Good Thing A Producer – Oliver SainWritten-By – Oliver Sain Home Wrecker B Arranged By – Bobby PattersonWritten-By – Bobby Patterson, Jerry Strickland Notes TRISTAN MUSIC A Paula Recording. Barcode and Other Identifiers Matrix / Runout (Side A, Label): CS.2004-A Matrix / Runout (Side A, Runout, Etched.): CS 2004 A-1◇X Matrix / Runout (Side B, Label): CS.2004-B Matrix / Runout (Side B, Runout, Etched.): CS 2004 B-1◇X Other versions Category Artist Title (Format) Label Category Country Year 389 Fontella Bass Home Wrecker (7") Paula Records 389 US 1973 389 Fontella Bass Home Wrecker (7", Promo) Paula Records 389 US 1973 Now That I've Found A Good CS.2004 Fontella Bass Contempo CS.2004 UK 1973 Thing (7") Now That I've Found A Good CS.2004 Fontella Bass Contempo CS.2004 Germany 1973 Thing (7") Now That I've Found A Good DL 22 005 Fontella Bass Contempo DL 22 005 Germany 1974 Thing (7", Single, Promo) Related Music albums to Now That I've Found A Good Thing by Fontella Bass Fontella Bass - Live In Italy Fontella Bass - Free Fontella Bass - The New Look Fontella Bass - It Sure Is Good / I'm Leaving The Choice To You Fontella Bass - Rescue Me / Soul Of The Man Fontella Bass - Soon As I Touched Him Fontella Bass - You Can Betcha In Love Fontella Bass - I Can't Rest / I Surrender Fontella Bass & Bobby McClure - Don't Jump / You'll Miss Me (When I'm Gone) Martha Bass, Fontella Bass, David Peaston - From The Root To The Source.

Copy Link

Recommended publications

Art Ensemble of Chicago Thelonious Sphere Monk
Art ensemble of chicago thelonious sphere monk Find a Art Ensemble Of Chicago* With Cecil Taylor - Thelonious Sphere Monk: Dreaming Of The Masters Vol.2 first pressing or reissue. Complete your Art. Thelonious Sphere Monk: Dreaming of the Masters Series Vol. 2 is an album by the Art Ensemble of Chicago and Cecil Taylor released on the Japanese DIW. Art Ensemble of Chicago, Cecil Taylor - Thelonious Sphere Monk: Dreaming of the Masters, Vol.2 - Music. This CD promises much more than it delivers, appearing to be a tribute to Thelonious Monk that features the Art Ensemble of Chicago and guest pianist Cecil. Find album release information for Thelonious Sphere Monk: Dreaming of the Masters, Vol. 2 - The Art Ensemble of Chicago on AllMusic. Thelonious Sphere Monk - Dreaming of the Masters Vol. 2 Recorded in , at Systems Two Studios, Brooklyn. Thelonious Sphere Monk: Dreaming of the Masters, Vol. 2, an Album by Art Ensemble of Chicago With Cecil Taylor. Released in on (catalog no. CK Albuminformatie voor Thelonious Sphere Monk: Dreaming of the masters ; vol.2 van Art Ensemble of Chicago. ART ENSEMBLE OF CHICAGO WITH CECIL TAYLOR ~ Thelonious Sphere Monk - Dreaming Of The Masters Vol. 2 []. C'est comme un. Thelonious Sphere Monk: Dreaming of the Masters, Vol. 2 by The Art Ensemble of Chicago release on May 06, Thelonious Sphere Monk: Dreaming of the. "Dreaming of the Masters"、"Intro to Fifteen"、"Excerpt from Fifteen, Pt. 3A" とその他を含む、アルバム「Thelonious Sphere Monk」の曲を聴こう。 . Acquista il CD album Thelonious Sphere Monk di Art Ensemble Of Chicago in offerta; album e dischi in vendita online a prezzi scontati su La Feltrinelli.
[Show full text]
DUNWOODY Houston
\1!W _- CONTENTS Volume 13. Number 12 June 5·11. 1987 Largest Beer Bust In Texas 4pm~2am days a week~ PAGE 44 J 11 TWT NEWS Dallas Baptists Blast Gays. Dara Gray ta Head THRF. $4 24 COMMENT Letters ta the Editor 27 VIEWPOINT Self-Love bV Michoel H. Wilson 29 HEALTH Effects of Stress on Heatlh bV Dr. Terru R. Watson 30 HIGHLIGHT Ten Years After With Anita Bryant (Part 2) bV Phil Johnson 35 CLASSIC TWT Six Years Ago This Week in Texas bV Don Maines 39 BOOKS The Wings of the Phoenix by Florine De Veer Reviewed bV David Fields 43 MOVIES River's edge With Dennis Hopper Reviewed bV O. Flores Alvarez 44 SHOWBIZ Diana Ross & Jackie Ross. The Supremes & The Beatles ... bV .lock Varsi 46 BACKSTAGE Horveo Milk. Delia Stewart. Eartha Kitt ... bv Donolevon Maines 55 HOT TEA Marty Single Wins Mr. Prime Choice. Tierra Michaels Wins Miss Gay South Texas .. 67 SPORTS Marion & Lynn's Rebels Still Ahead in Women's Softball League .. bV BobbV Miller 69 STARSCOPE Your June Lovescope bV Milton voo Stem 74 COVER/PHOTO ESSAY Houston's Marco Roberts Photographs bV G.W. Hing 78 CLASSIFIED Want Ads and Notices 89 CALENDAR Special One-Time Only & Non-Profit Community Events 91 THE GUIDE Texas Business/Club Directory TWT (This Week in Texas) is published by Texas Weekly Publishing Co., at 2205 Montrose, Houston, Texas 77006, phone: (713) 527-9111. Opinions expressed by columnists are not necessarily those of TWT or of its staff. Publication of the name or photograph of any person or organization in articles or advertising in TWT is not to be construed as any indication of the sexual orientation of said person or organization.
[Show full text]
October 1983
VOL. 7, NO. 10 Cover Photo by Rick Malkin FEATURES ALEX VAN HALEN Rock musicians are often accused of being more concerned with the rock 'n' roll lifestyle than with the music. That lifestyle is very much a part of Alex Van Halen's image, but underneath that image is a serious musician who has a lot to say about drums and drumming, and he says it here in this MD exclusive. by Robyn Flans 8 PHILLIP WILSON For a drummer to have played with such diverse groups as The Art Ensemble of Chicago and the Paul Butterfield Blues Band indicates that his musicianship is not limited in any way, and that is certainly true of Phillip Wilson, who has a knack for weaving seemingly contrasting influences together into one unique style. by Chip Stern 16 DRUMS AROUND THE WORLD Japan's Stomu Yamash'ta; England's Ronnie Verrell; Brazil's Ivan Conti; Canada's Steve Negus; Israel's Aron Kaminski; Den- mark's Alex Riel. 20 FRANK BEARD In this revealing interview, Frank Beard, the unpretentious, self-taught drummer for ZZ Top, discusses his career from his early emulations of '60s British rock bands, to his later involvement with a psychedelic group, and his present position as a member of the highly successful, Texas-based rock trio. by Susan Alexander 26 ROCK CHARTS COLUMNS "Lowdown In the Street" PROFILES 74 by James Morton ON THE MOVE Nelson Montana 30 ROCK PERSPECTIVES A Left-Handed Perspective REVIEWS EDUCATION by Robert Doyle 92 ON TRACK 94 CLUB SCENE STRICTLY TECHNIQUE PRINTED PAGE 96 Handling the Ups and Downs Triplets With Buzz Rolls 46 by Joe Morello by Rick Van Horn 100 NEWS COMPLETE PERCUSSIONIST UPDATE Junkanoo EQUIPMENT by Robyn Flans 110 by Neil M.
[Show full text]
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M.
[Show full text]
The JAZZ Connections
The African e-Journals Project has digitized full text of articles of eleven social science and humanities journals. This item is from the digital archive maintained by Michigan State University Library. Find more at: http://digital.lib.msu.edu/projects/africanjournals/ Available through a partnership with Scroll down to read the article. OWIE was born in 1941, brought up in Little Rock, Arkansas, and bt Louis, Missouri, and began playing at the age of five. At sixteen he led a youth group in St. Louis and used to practice his trumpet by an open window in the hope that Louis Armstrong might pass by and discover him. After military service he worked with r&b bands and also with his wife, singer Fontella Bass. He played on r&b sessions for Chess Records and also helped to form BAG (Black Artists Group) and the Great Black Music Orchestra in St Louis. In 1996 he moved to Chicago, got involved with AACM, Association for the Advancement of Creative Music, and joined the band of saxophonist Roscoe Mitchell. In the later 1960s he and Mitchell were founder-members of the Art Ensemble Of Chicago, one of the key groups of the 1970s and '80s. In 1969 Bowie recorded with Archie Shepp, Sunny Murray, Jimmy Lyons and Cecil Taylor, among others. He has also done intermittent solo projects and recordings over the years He composed, conducted and at the 1970 Frankfurt jazz festival. In 1974 he toured Senegal, performing with African drummers and in 1979 played a New York concert with his 59-piece Sho Nuff Orchestra.
[Show full text]
PHILLIPS End to BEGINNING
MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz.
[Show full text]
CLINE-DISSERTATION.Pdf (2.391Mb)
Copyright by John F. Cline 2012 The Dissertation Committee for John F. Cline Certifies that this is the approved version of the following dissertation: Permanent Underground: Radical Sounds and Social Formations in 20th Century American Musicking Committee: Mark C. Smith, Supervisor Steven Hoelscher Randolph Lewis Karl Hagstrom Miller Shirley Thompson Permanent Underground: Radical Sounds and Social Formations in 20th Century American Musicking by John F. Cline, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication This dissertation is dedicated to my mother and father, Gary and Linda Cline. Without their generous hearts, tolerant ears, and (occasionally) open pocketbooks, I would have never made it this far, in any endeavor. A second, related dedication goes out to my siblings, Nicholas and Elizabeth. We all get the help we need when we need it most, don’t we? Acknowledgements First and foremost, I would like to thank my dissertation supervisor, Mark Smith. Even though we don’t necessarily work on the same kinds of topics, I’ve always appreciated his patient advice. I’m sure he’d be loath to use the word “wisdom,” but his open mind combined with ample, sometimes non-academic experience provided reassurances when they were needed most. Following closely on Mark’s heels is Karl Miller. Although not technically my supervisor, his generosity with his time and his always valuable (if sometimes painful) feedback during the dissertation writing process was absolutely essential to the development of the project, especially while Mark was abroad on a Fulbright.
[Show full text]
A Power Stronger Than Itself
A POWER STRONGER THAN ITSELF A POWER STRONGER GEORGE E. LEWIS THAN ITSELF The AACM and American Experimental Music The University of Chicago Press : : Chicago and London GEORGE E. LEWIS is the Edwin H. Case Professor of American Music at Columbia University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2008 by George E. Lewis All rights reserved. Published 2008 Printed in the United States of America 16 15 14 13 12 11 10 09 08 1 2 3 4 5 ISBN-13: 978-0-226-47695-7 (cloth) ISBN-10: 0-226-47695-2 (cloth) Library of Congress Cataloging-in-Publication Data Lewis, George, 1952– A power stronger than itself : the AACM and American experimental music / George E. Lewis. p. cm. Includes bibliographical references (p. ), discography (p. ), and index. ISBN-13: 978-0-226-47695-7 (cloth : alk. paper) ISBN-10: 0-226-47695-2 (cloth : alk. paper) 1. Association for the Advancement of Creative Musicians—History. 2. African American jazz musicians—Illinois—Chicago. 3. Avant-garde (Music) —United States— History—20th century. 4. Jazz—History and criticism. I. Title. ML3508.8.C5L48 2007 781.6506Ј077311—dc22 2007044600 o The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. contents Preface: The AACM and American Experimentalism ix Acknowledgments xv Introduction: An AACM Book: Origins, Antecedents, Objectives, Methods xxiii Chapter Summaries xxxv 1 FOUNDATIONS AND PREHISTORY
[Show full text]
1984-06 and 07
A S.rvlc• of Continuing Education & Extanslon University of Minnesota Dululh VolurM S Nurnt».r 3 JuM-July 1984 kumd 103.3 Acting Manager • Paul Schmitz Program Director • John Ziegler Public Affairs Director • Paul Schmitz Producer/ Outreach • Jean Johnson Report to the Listener Engineer • Kirk Kersten Volunteer Staff by Paul Schmitz, Acting Station Manager Bill Agnew, Craig Aderson, Kath I wish I had more time to list here the . Anderson, Mark Anderson, Bob It seems appropriate to begin this column University decides how to go about _names of all those who are leaving the Andreson, Leo Babeu, Chris Baker, Kent with a final "farewell" and "thanks for selecting the new permanent manager. station, and in some cases, this area. Many Barnard, Todd Borstad, Dave Brygger, everything" to the man who used to write This decision has not yet been made, and is students and others have contributed a lot Jan Cohen, Melanie Creger, Christopher it, Tom Livingston. Tom is now at his new being held up somewhat because the of energy and enthusiasm to KUMD this Devaney, Bruce Ecklund, Dann Edholm, job in Shreveport, Louisiana, and reports people m Minneapolis who will make it past year. To all of them our sincere Pat Eller, Phil Enke, Doug Fifield, that things are "different but also the are still working on next year's budgets for thanks, and best wishes. Tamar Fox, Susanna Frenkel, Bev same.'' I guess the problems of managing a the various departments they administer. Garberg, Brian Gitar, Stan Goltz, Doug public radio station do not vary that much We will let you know about further It is too early for me to say with certainty Greenwood, Jim Gruba, Bill Hansen, from one location to another.
[Show full text]
Page 6 Jan. 4
Page 6 ~ January 4, 2013/THE VILLAGER www.theaustinvillager.com CITY ~ STATE ~ NATIONAL ~ WORLD 2012, a Year of Conflict for the African Continent International By Tsoke the government and its mem- ment. In Libya, the people to overthrow their leader Year in Review (Chuch) Adjavon bers were living in "luxury", with the help of foreign na- Mubarak. After months of by Shannen Hill chief of Hamas’ military the poor were getting poorer. tions, like the United States, demonstration, the army gave Special to the NNPA from wing. The current leader The year 2012 was As a result, the people's France, Great Britain and in to the request of the the Los Angeles Sentinel of Hamas, Khaled marked by several conflicts frustration led to the over- others helped to overthrow people by letting Mubarak USA Mashaal, has recently throughout North Africa and leave power. A United States am- been giving a series of Sub-Sahara Africa. These On the other hand, bassador, along with speeches threatening to conflicts were fueled by the Sub-Saharan Africa experi- three other Americans, destroy Israel. people's desire to acquire enced a regain to violence was killed in Benghazi, Palestine, along with democracy which gives them and conflict. In the Demo- Libya on Sept. 11, 2012. the countries of the United the opportunity and ability of cratic Republic of Congo, a This attack became a sub- Nations, has chosen to self-determination. In other rebel group decided to at- ject of debate on how ef- ignore the statements words, the people living on tack various government fective the United States made by Mashaal, leaving the African continent have positions in the East.
[Show full text]
And a Letter to My Customers ===
--- == ROOTS & RHYTHM - SALE 01/12/2014 - AND A LETTER TO MY CUSTOMERS === --- Dear Friends Happy New Year! We hope you all had a wonderful holiday season. NOTE: Regrettably our holiday season was the slowest we've ever seen and it may mean that we will not be able to continue operating our business for very much longer. I am no longer a young man (not by a long shot!) and don't have the energy to pursue ways in which we may be able to promote the business. I would love to be able to settle down and listen to all the music I have gathered over the years in a relaxed setting and with critical reviewing faculties turned off. I would love to see Roots & Rhythm continue and thrive and even if we make it through the current crisis I would still like to get away from the stress of running a business so I am open to having someone else take over and move the company forward. If you are such a person or know such a person please contact me and we can discuss it. This list consists of a sale which we hope will raise enough money to help us get caught up with our suppliers and our taxes as well as some other pressing expenses. This list features 600 titles in all covering all the genres of music we specialize in and featuring books, DVDs and compact discs. This list includes manufacturer?s overstocks and deletions, our own excess inventory and a lot of titles that have been sitting on our shelves that have never been listed before.
[Show full text]
S0480 Hayes, Bernard (1935- ), Papers, 1961-1989, 16 Folders, 2 Audio Tapes
S0480 Hayes, Bernard (1935- ), Papers, 1961-1989, 16 Folders, 2 Audio Tapes This collection is available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. Bernard Hayes, news director for KWMU Radio, loaned his scrapbooks and papers for copying to the Western Historical Manuscript Collection on November 29, 1989. Bernie Hayes began his radio career in the Air Force in 1950 as an announcer for the Armed Forces Radio Service. After his military service, Hayes returned to the University of Illinois and graduated with a degree in journalism. In 1956 he began work as the black on-air personality and first black news announcer for a radio station in Alexandria, Louisiana. Hayes went on to other broadcasting jobs in New York and New Jersey in 1961 and in Chicago throughout 1962 and 1963. In Chicago, Hayes worked for WMMP, the first black- owned radio station in the midwest; WSBC and WGES, narrowcast stations that programmed for ethnic areas within the city; and WVON ("Voice of the Negro"), a radio station owned by the Chess brothers, whose record label featured such blues and rock artists as Muddy Waters and Chuck Berry. Hayes moved to San Francisco in 1964 and joined the staff of KSOL, a soul music station. Hayes also worked as a producer and recording artist for Volt, a subsidiary of the soul music label, Stax Records. Hayes arrived in St. Louis in April 1965, working first for KXLW and then as an announcer for KATZ, a black music station.
[Show full text]