DOCSLIB.ORG

UMKC Hosts the Acting Company for Two Rotating Plays

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UMKC Hosts the Acting Company for Two Rotating Plays UMKC hosts The Acting Company for two rotating plays By Bob Evans A traveling troupe of actors, representing The Acting Company visited Kansas City, specifically, UMKC’s Spencer Hall to present two plays in true repertory fashion, “X or, Betty Shabazz V. The Nation, ” by Marcus Gardley, and William Shakespeare’s “Julius Caesar,” Feb. 21-23. Ji mo nn Co le st ar s in Th eT Charles Erickson and The Acting Ac Compa ti ng Co mp an y’ s na ti on al to ur of “X : Or , Be tt y Sh ab az z v. Th e Na ti on ” The timing for the play about Malcolm X occurs at the right time: Black History Month. And, coincidentally, the group opened their production in Kansas City on the anniversary of his 1965 death, Feb. 21. The two pieces performed in repertory align well together. The classic Shakespeare piece comes alive with this talented cast and their advances with the characters and dialogue. As a high school teacher for over 30 years, I taught “Julius Caesar” for at least 15 times to sophomore students who did not care for the story or Shakespeare’s verse. For the first time, seeing a live production inspired me to enjoy the show and further instill in me that Shakespeare’s should be “seen” and not “read.” The Acting Company gave the characters a personality, a drive, humor, and drama. The director found places for levity in some of the relationships and drew the audience into the show like a high school reader could never do. Seeing the different characters and having both visual and audio stimulation definitely made the show a theatrical, dramatic piece. This production should have been viewed by all those who have ever slogged through the Shakespearean tragedy. The play is a wonderful piece that builds the audience’s enthusiasm as they watch the conspiracy develop before them. The dynamic casting also gave the play a boost. Mark Antony, Caesar, Marcus Brutus, and Cassius were superbly crafted by The Acting Company. Hats off to them for their characterizations. My favorite of the bunch was Cassius. His character showed the most change and layers. Second favorite was Brutus. His portrayal displayed his role in the assassination was for the good of Rome, and not for personal gain. Both actors gave dynamic performances. Julius Caesar The production team was led by Director, Devin Brain. Lee Savage, Scenic Design; Jennifer Moeller and Christopher Metzger, Costume Design; Mary Louis Geiger, Lighting Design; Nathan A. Roberts and Charles Coes, Music and Sound Design; Orlando Pabotoy, Fight Direction; Elizabeth Smith, Voice and Speech Consultant; McCorkie Casting, LTD., Casting; Christine Goldman Bagwell, Property Design; Lindsey Turteltaub, Production Stage Manager; Geoff Boronda, Assistant Stage Manager. Calpurnia/Cinna/Lucilius, N’Jameh Camara; Marcus Brutus, Jimann Cole; Mark Anthony, Jonathan-David; Declus Brutus/Octavius Caesar, Gabriel Lawrence; Julius Caesar, Gabriel Lawrence; Lainie/Sandy, Austin Purnell; Soothsayer/Pindarus, Joshua David Robinson; Calus Cassius, William Sturdivant; Singer/Trebonius/Messala, Tatian Wechsler; Portia/Metellus Climber/Lucius, Chelsea Lee Williams. “X or, Betty Shabazz Vs. The Nation” This play asks the question of what kind of a man was Malcolm X. Was he the rebel leader of Black Muslim movement or was he the devoted husband to Betty Shabazz? The court’s out on this one. The trial is about to begin to establish what the “reality” is, what the facts “are” and where the “lies” overcome truth. Again, the play brings up contrasting sided to the Civil Rights pioneer and leader of his group. The play tells of his introduction and rapid rise into the Nation of Islam. The play is set in a tril situation with his wife pointing blame on a conspiracy within the Islamic group and the FBI. Again, The Acting Company chose a beautifully powered piece to stand beside “Julius Caesar.” This show so similarly develops the conspiracy theory and brings fourth a cast of characters that give the story a lush assortment of characters. The richness of this piece comes from the relationships formed and the characterizations of the individual actos. Director Ian Bellkamp selected wisely when casting this piece. Standouts were Malcolm X, Betty Shabazz, Louis X, and Wilbert X. The production team was led by Director, Ian Bellkamp. Scenic Design: Lee Savage; Costume Design: Candice Donnelly; Lighting Design: Mary Louise Geiger; Sound Design / Music Composition: Justin Ellington; Choreography: Byron Easley; Voice,Speech and Text Consultant: Elizabeth Smith; Fight Direction: Orlando Pabotoy; Casting: McCorkie Casting, LTD.; Property Design: Christine Goldman Bagwell; Production Stage Manager: Lindsey Turteltaub; Assistant Stage Manager: Geoff Baronda The Judge/Secretary, N’Jameh Camara; Malcolm X, Jimonn Cole; Louis X, Jonathan-David; Wilbert X, Kevis Hillocks; Muhammad the First/FBI Agent, Gabriel Lawrence; Balliff/John All/FBI Agent, Austin Purnell; Brother Eugene X/DOC, Joshua DavidRobinson; Eligaj Muhammad/Bootblack, William Sturdivant; Stenographer/Khadijah/Secretary/Singer, Tatiana Wechsler; Betty Shabazz/Secretary, Chelsea Lee Williams According to program notes about The Acting Company, “Founded in 1972 by legendary actor, director and producer John Houseman and Margo Harley from the first graduating class of the Drama Division of the Julliard School, The Acting Company is the only permanent, professional touring repertory company dedicated to the development of classical actors. Over the past 44 years, The Company has toured 143 procutions to millions of people in 48 states and 10 countries and has helped to launch the careers of more than 400 exceptional actors, including Kevin Kline, Patti LuPone, Rainn Wilson, Jesse L. Martin, Frances Conroy, David Ogden Stiers, Harriet Harris, David Schramm, Jeffrey Wright, Keith David and Hamish Linklater. Love’s Fire, Desire, Orchards, Puddinhead Wilson, The Heart Is A Lonely Hunter and more than a dozen other new plays and adaptions have been premiered by The Acting Company. The Company has been honored with TONY, Obie, Audelco and Los Angeles Drama Critics Circle Awards.”.
Load more

Recommended publications
  • Hounds Yap up Parade
    10 WORLD MONDAY MARCH 5 2018 Razzie sticks to pile of poo MAYBE it was destiny for a Kimmel’s keen on movie with a pile of poo as a central character. The Emoji Movie has re- ceived Hollywood’s most fa- mous frown, the Razzie Award, for worst picture of 2017, making it the first ani- mated feature in 38 years to some Oscars chaos earn the top dishonour. “Leading this year’s list of movie-misfires is the emoti- NEALA JOHNSON just the sheer mystery of which While Best Picture is any- his performance as Winston con-based, talking poop opus,” film will take home the final one’s guess, winners in the Churchill in Darkest Hour and the Razzies said.” AFTER a catastrophic envel- gong of the evening. other big categories — Direc- Frances McDormand is the The Emoji Movie also took ope mix-up, what’s the worst Even supposing the right “I like when tor, Actor and Actress — seem firm favourite for her role as a worst screenplay, worst direc- thing that could happen at envelope is read at the end of far more certain: director Guil- mother seeking justice in tor, and worst screen combo, today’s Oscars? the Oscars, the final moment things go lermo del Toro is a sure bet for Three Billboards Outside Ebb- which was given to “any two That everything goes per- should be one of high drama. wrong” The Shape of Water, which is ing, Missouri. obnoxious emojis”. fectly. As far as host Jimmy Three Billboards Outside this year’s top Oscar contender That leaves Aussie nominee Tom Cruise’s attempted re- Kimmel is concerned, the Ebbing, Missouri won the with 13 nominations.
    [Show full text]
  • A Study on Disney Princesses and Their Influence on Oungy Women and Their Personal Love Narratives
    University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2014 Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives Brittany Danielle Minor University of the Incarnate Word Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the American Film Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Minor, Brittany Danielle, "Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives" (2014). Theses & Dissertations. 1. https://athenaeum.uiw.edu/uiw_etds/1 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THEIR INFLUENCE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR Presented to the Graduate Faculty of University of the Incarnate Word in partial fulfillment for the degree of MASTER OF ARTS December 2014 Communication Arts HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THE INFLUENCE THEY HAVE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR APPROVED: Dr. Valerie K. Greenberg - Ph.D. Cpnikiittee Chair Michael L. Mercer - Member ABSTRACT Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and the Influence they have on Young Women and their Personal Love Narratives Brittany Danielle Minor, B.A., University of the Incarnate Word This study discusses the issue of whether the influence of Disney films affects the girls who watch these films once they become adult women.
    [Show full text]
  • Historical Inaccuracies and a False Sense of Feminism in Disney’S Pocahontas
    Cyrus 1 Lydia A. Cyrus Dr. Squire ENG 440 Film Analysis Revision Fabricated History and False Feminism: Historical Inaccuracies and a False Sense of Feminism in Disney’s Pocahontas In 1995, following the hugely financial success of The Lion King, which earned Disney close to one billion is revenue, Walt Disney Studios was slated to release a slightly more experimental story (The Lion King). Previously, many of the feature- length films had been based on fairy tales and other fictional stories and characters. However, over a Thanksgiving dinner in 1990 director Mike Gabriel began thinking about the story of Pocahontas (Rebello 15). As the legend goes, Pocahontas was the daughter of a highly respected chief and saved the life of an English settler, John Smith, when her father sought out to kill him. Gabriel began setting to work to create the stage for Disney’s first film featuring historical events and names and hoped to create a strong female lead in Pocahontas. The film would be the thirty-third feature length film from the studio and the first to feature a woman of color in the lead. The project had a lot of pressure to be a financial success after the booming success of The Lion King but also had the added pressure from director Gabriel to get the story right (Rebello 15). The film centers on Pocahontas, the daughter of the powerful Indian chief, Powhatan. When settlers from the Virginia Company arrive their leader John Smith sees it as an adventure and soon he finds himself in the wild and comes across Pocahontas.
    [Show full text]
  • The Acting Company and Guthrie Theater – Join Together to Present Shakespeare’S Romeo and Juliet at the Annenberg Center for the Performing Arts
    March 29, 2010 Two Tony® award-winning companies – The Acting Company and Guthrie Theater – join together to present Shakespeare’s Romeo and Juliet at the Annenberg Center for the Performing Arts Society-driven Edwardian era used as backdrop in a new production the New York Times raves will “steal your heart” Performances take place April 20 – 24 in the Zellerbach Theatre (Philadelphia, March 29, 2010) — The Annenberg Center for the Performing Arts’ season of Shakespeare concludes with two of America’s most renowned touring/regional theater companies – The Acting Company and The Guthrie Theater – in six performances of Romeo and Juliet, April 20 – 24, 2010. The Annenberg Center is the final stop on a 26-city tour for the Acting Company and Guthrie Theater that has taken them to college campuses and other performing arts venues across the country since early January. Tickets for the performance are $20-$55. For tickets or for more information, please visit AnnenbergCenter.org or call 215.898.3900. Tickets can also be purchased in person at the Annenberg Center Box Office. Young love has never been so delightful or dangerous as in this stirring new production co- produced by The Acting Company and The Guthrie Theater. While the story remains the same, turn of the century Verona has been chosen as the backdrop, allowing the production to have a more contemporary sensibility. Elizabethan dress is traded in for tuxedos and fashionable Edwardian-era gowns. Romeo and Juliet is directed by Penny Metropulos, former associate artistic director of the Oregon Shakespeare Festival. The star-crossed lovers are played by Sonny Valicenti (Romeo), who has performed as part of the Philadelphia Live Arts Festival and recently appeared on TNT’s Raising the Bar and Laura Esposito (Juliet), a graduate of the Yale School of Drama.
    [Show full text]
  • In This Corner
    Welcome UPCOMING Dear Friends, On behalf of my colleagues, Jerry Patch and Darko Tresnjak, and all of our staff SEA OF and artists, I welcome you to The Old TRANQUILITY Globe for this set of new plays in the Jan 12 - Feb 10, 2008 Cassius Carter Centre Stage and the Old Globe Theatre Old Globe Theatre. OOO Our Co-Artistic Director, Jerry Patch, THE has been closely connected with the development of both In This Corner , an Old Globe- AMERICAN PLAN commissioned script, and Sea of Tranquility , a recent work by our Playwright-in-Residence Feb 23 - Mar 30, 2008 Howard Korder, and we couldn’t be more proud of what you will be seeing. Both plays set Cassius Carter Centre Stage the stage for an exciting 2008, filled with new work, familiar works produced with new insight, and a grand new musical ( Dancing in the Dark ) based on a classic MGM musical OOO from the golden age of Hollywood. DANCING Our team plans to continue to pursue artistic excellence at the level expected of this IN THE DARK institution and build upon the legacy of Jack O’Brien and Craig Noel. I’ve had the joy and (Based on the classic honor of leading the Globe since 2002, and I believe we have been successful in our MGM musical “The Band Wagon”) attempt to broaden what we do, keep the level of work at the highest of standards, and make Mar 4 - April 13, 2008 certain that our finances are healthy enough to support our artistic ambitions. With our Old Globe Theatre Board, we have implemented a $75 million campaign that will not only revitalize our campus but will also provide critical funding for the long-term stability of the Globe for OOO future generations.
    [Show full text]
  • Acting in the Academy
    Acting in the Academy There are over 150 BFA and MFA acting programs in the US today, nearly all of which claim to prepare students for theatre careers. Peter Zazzali contends that these curricula represent an ethos that is outdated and limited given today’s shrinking job market for stage actors. Acting in the Academy traces the history of actor training in universities to make the case for a move beyond standard courses in voice and speech, move- ment, or performance, to develop an entrepreneurial model that motivates and encourages students to create their own employment opportunities. This book answers questions such as: • How has the League of Professional Theatre Training Programs shaped actor training in the US? • How have training programs and the acting profession developed in relation to one another? • What impact have these developments had on American acting as an art form? Acting in the Academy calls for a reconceptualization of actor training in the US, and looks to newly empower students of performance with a fresh, original perspective on their professional development. Peter Zazzali is Assistant Professor of Theatre at the University of Kansas. John Houseman and members of Group I at Juilliard in the spring of 1972 reading positive reviews of the Acting Company’s inaugural season. Kevin Kline is seated behind Houseman. Photo by Raimondo Borea; Courtesy of the Juilliard School Archives. Acting in the Academy The history of professional actor training in US higher education Peter Zazzali First published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2016 Peter Zazzali The right of Peter Zazzali to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
    [Show full text]
  • DVD Profiler
    101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV).
    [Show full text]
  • This Is a Test
    ‘THE SEVEN YEAR HITCH’ CAST BIOS NATALIE HALL (Jennifer) – Natalie Hall hails from Vancouver, Canada and is best known for playing Colby Chandler on the ABC daytime drama, “All My Children.” She is currently shooting a lead role in the feature film, “Plus One” for director, Dennis Iliadis. Hall has also starred on the hit ABC Family Series, “Pretty Little Liars” and most recently starred in the Hallmark Channel Original Movie Event “Love’s Christmas Journey” alongside Sean Astin, JoBeth Williams and Ernest Borgnine. Natalie's theatre credits include the National Tour of Broadway's, A Chorus Line, in which she was nominated for an Ovation Award along with the Broadway tour of Wicked and Broadway’s Rising Stars at New York Town Hall. Television appearances include the CBS dramatic series, “The Good Wife” and NBC’s “Law & Order: SUV.” ### DARIN BROOKS (Kevin) – Born in Honolulu, Hawaii Darin Brooks began his career on-stage starring as Rapunzel's Prince in his high school’s production of Into the Woods. Not soon after he found himself on television portraying Max Brady in the Emmy® Award-winning daytime soap opera “Days Of Our Lives,” from 2005-2010. Brooks continued his roles on television series including “Miss Behave,” Spike’s “Blue Mountain State” and “My Wife And Kids.” Brooks has also appeared as a host for “Two Scoop” and “America Goes Bollywood.” On the big screen, Brooks’ credits include, “Blue Crush,” “Truth Or Dare,” “Staring At The Sun” and “Big Bounce.” An avid sportsman, Brooks’ hobbies include surfing, snowboarding, skiing and cycling. ### RYAN DOOM (Bryce) – Born in Phoenix, Arizona, Ryan Doom’s family moved East, settling in Spring, Texas when he was only eight years-old.
    [Show full text]
  • Applying a Rhizomatic Lens to Television Genres
    A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here.
    [Show full text]
  • The Old Globe Is Proud to Present the World Premiere of Nick Gandiello's
    FEBRUARY 2017 WELCOME JIM COX elcome to The Blameless! The Old Globe is proud to present the world premiere of Nick Gandiello’s moving and timely family drama. W The Globe has been producing world premieres since 1939, when then-Artistic Director Craig Noel invited playwright Lynn Riggs to San Diego to work on his play A World Elsewhere. (This was four years before the musical based on Riggs’s Green Grow the Lilacs—Rodgers and Hammerstein’s Oklahoma!—became a hit on Broadway.) Since that time, the Globe has produced over 80 world premieres, bringing generations of important, challenging, and inspiring new works to the stage for the first time. In the years ahead, the Globe will be redoubling its commitment to the development of new work. If you flip to page 24 in this program, you’ll see our staff page, with a list of commissioned artists under the “Artistic” section. These are writers and companies with whom we are actively working to create new work specifically for the Globe. Keep your eye on that list in future, and you’ll know whom to watch for in our annual Powers New Voices Festival—and even on our stages. We cannot imagine anyone better to bring this particular world premiere to life on this particular stage than director Gaye Taylor Upchurch. This marks GT’s third production here at the Globe—two of which were world premieres. She’s assembled a top-notch team for The Blameless, including several returning designers (costume designer David Israel Reynoso, lighting designer Bradley King, and sound designer Ryan Rumery) and one who’s making his Globe debut (scenic designer Andrew Boyce).
    [Show full text]
  • Gazette Spring 2018
    GLOBE GUILDERS Spring 2018 Guilder Gazette JUNE LUNCHEON SHAPING UP TO BE A CAN’T MISS EVENT WITH SPECIAL GUEST SPEAKER, NEW MANAGING DIRECTOR TIMOTHY J. SHIELDS! The Membership Luncheon and and a variety of items from the ven- Members Meeting will be held on dors. Tickets will be available when June 8. It will be both insightful and you register for the luncheon, 8 for entertaining! It will start at 10:30 $20.00, or at the luncheon 5 for am with a slightly earlier social $20.00 or $5.00 each. hour so you can enjoy shopping There will be a Globe Guilder wel- options with four different ven- come and lunch at noon. After lunch dors… while enjoying a flute of we will have a brief meeting fol- champagne! Our extra special lowed by our special guest speaker, pick-a-prize drawing options will The Globe’s Managing Director, President of the League of Resident include a $100.00 money hat, gift Timothy J. Shields. Theatres (LORT) and as a board certificate from Town and Country, member of Art Pride NJ and Thea- tre Communications Group, as In This Issue well as being an evaluator for the National Endowment for the Arts. June Luncheon 1 Bring your friends and prospective Membership Information 2 President’s Message 3 members to hear him speak. Invi- tation on Page 14. MFA Luncheon 4 MFA Luncheon in Pictures 5 News from Around The Globe 8 Please come support this entertain- Celebrating Couture 2018 10 ing and informative Globe Guilder History Moment #15 11 Luncheon, have fun shopping, win Birthday Celebrations 11 a wonderful prize Meet & Greet Native Garden 12 Mr.
    [Show full text]
  • Celebrations-Issue-46-DV49825.Pdf
    Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. Cover Photography © Tim Devine Issue 46 Twilight on the Savanna: Nighttime 42 Contents Entertainment Comes Calendar of Events ............................................................ 8 to Disney’s Animal Disney News ...........................................................................10 MOUSE VIEWS ..........................................................17 Kingdom Guide to the Magic by Tim Foster............................................................................18 Getting From Here to Hidden Mickeys by Steve Barrett .....................................................................20 There: Attraction Vehicle 52 Shutters & Lenses by Tim Devine .........................................................................22 Technology Throughout Disney Legends the Years by Jamie Hecker ....................................................................24 Disney Cuisine by Allison Jones ......................................................................26
    [Show full text]