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Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. On the Cover: “Miss Tilly”, photo by Barrie Brewer Issue 12 Exploring 42 Contents Typhoon Lagoon and Letters ..........................................................................................6 Blizzard Beach Calendar of Events ............................................................ 8 Disney News & Updates..................................................9 MOUSE VIEWS ..........................................................13 Guide to the Magic by Tim Foster............................................................................14 The Old Swimmin’ Explorer Emporium by Lou Mongello .....................................................................16 Hole: River Country 52 Hidden Mickeys by Steve Barrett ......................................................................18 Photography Tips & Tricks by Tim Devine .........................................................................20 Pin Trading & Collecting by John Rick .............................................................................22 -
This Was a Time of Both Turmoil and Prosperity for America
Lillie, Disney, 1 Cleansing the Past, Selling the Future: Disney’s Corporate Exhibits at the 1964-65 New York World’s Fair Jonathan J. M. Lillie JOMC 242 History Paper 5/3/02 Park Doctoral Fellow The School of Journalism and Mass Communication The University of North Carolina at Chapel Hill Lillie, Disney, 2 Abstract This paper offers a historical analysis of Disney’s corporate exhibits at the 1964-65 New York World’s Fair, GE’s “Carousel of Progress” and Ford’s “Magic Skyway,” in an attempt to consider their historical and cultural significance. The coming together of Disney’s legacy of nostalgic entertainment achieved via his desire and skill in “improving” the past and future with the equally strong desire of corporate giants to sell themselves and their products is presented here as a case study of the processes of cultural creation: how and why specific discourses of technology and consumption are written in to these narratives of the past and the future. Introduction Between April 22, 1964 and October 17, 1965 fifty-one million people experienced the New York World’s Fair.1 The mid-1960s was a time of both turmoil and prosperity for America. President Kennedy had been assassinated only months before the Fair’s opening. In southern states such as Alabama the civil rights protest movement was drawing national attention. While cold war tensions remained high following the Cuban Missile Crisis, the nation was enjoying the height of postwar economic prosperity and geo-political power. The Fair’s twin themes of “Man’s Achievements in an Expanding Universe” and “A Millennium of Progress” captured the exuberance of the times, celebrating “the boundless potential of science and technology for human betterment.”2 The 1939 New York World’s Fair was in many ways a predecessor to the 1964-65 exhibition. -
Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
Celebrations Press PO BOX 584 Uwchland, PA 19480
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 1 year for only $29.99* *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. Subscribe online at www.celebrationspress.com, or send a check or money order to: Celebrations Press PO BOX 584 Uwchland, PA 19480 Be sure to include your name, mailing address, and email address! If you have any questions about subscribing, you can contact us at [email protected] or visit us online! Cover Photography © Garry Rollins Issue 67 Fall 2019 Welcome to Galaxy’s Edge: 64 A Travellers Guide to Batuu Contents Disney News ............................................................................ 8 Calendar of Events ...........................................................17 The Spooky Side MOUSE VIEWS .........................................................19 74 Guide to the Magic of Walt Disney World by Tim Foster...........................................................................20 Hidden Mickeys by Steve Barrett .....................................................................24 Shutters and Lenses by Mike Billick .........................................................................26 Travel Tips Grrrr! 82 by Michael Renfrow ............................................................36 Hangin’ With the Disney Legends by Jamie Hecker ....................................................................38 Bears of Disney Disney Cuisine by Erik Johnson ....................................................................40 -
Hounds Yap up Parade
10 WORLD MONDAY MARCH 5 2018 Razzie sticks to pile of poo MAYBE it was destiny for a Kimmel’s keen on movie with a pile of poo as a central character. The Emoji Movie has re- ceived Hollywood’s most fa- mous frown, the Razzie Award, for worst picture of 2017, making it the first ani- mated feature in 38 years to some Oscars chaos earn the top dishonour. “Leading this year’s list of movie-misfires is the emoti- NEALA JOHNSON just the sheer mystery of which While Best Picture is any- his performance as Winston con-based, talking poop opus,” film will take home the final one’s guess, winners in the Churchill in Darkest Hour and the Razzies said.” AFTER a catastrophic envel- gong of the evening. other big categories — Direc- Frances McDormand is the The Emoji Movie also took ope mix-up, what’s the worst Even supposing the right “I like when tor, Actor and Actress — seem firm favourite for her role as a worst screenplay, worst direc- thing that could happen at envelope is read at the end of far more certain: director Guil- mother seeking justice in tor, and worst screen combo, today’s Oscars? the Oscars, the final moment things go lermo del Toro is a sure bet for Three Billboards Outside Ebb- which was given to “any two That everything goes per- should be one of high drama. wrong” The Shape of Water, which is ing, Missouri. obnoxious emojis”. fectly. As far as host Jimmy Three Billboards Outside this year’s top Oscar contender That leaves Aussie nominee Tom Cruise’s attempted re- Kimmel is concerned, the Ebbing, Missouri won the with 13 nominations. -
Animation Article
1 Accommodating Avant-Gardism? Amateur Animation and the Struggle for Technique [published in translation as: ‘Eine Annäherung an den Avantgardismus? Amateur- animation und das Ringen mit der Technik’, in: Siegfried Mattl, Carina Lesky, Vrääth Öhner, Ingo Zechner (eds), Abenteuer Alltag. Zur Archäologie des Amateurfilms, Vienna, FilmmuseumSynema Publications: Vienna, 2015, pp. 28-42. ISBN: 978-3-901644-63-4. Although sometimes regarded as an exceptional pursuit within a cine culture exhibiting such strong roots in still photography and amateur dramatics, animation has represented a persistent strand of non-professional filmmaking in Britain, since the emergence of “small-gauge” technologies, and the consolidation of an organised amateur movement in the 1920s. The distinctive nature of such interest was recognised early by movement insiders, and soon marked by the creation of dedicated “classes” within developing competition spheres,1 in the provision of customised technical devices and services by commercial suppliers,2 and by the emergence of reflection and critique within related hobby literatures.3 By the early 1930s, animation had 1 Notes announcing the first “Amateur National Convention” of small-gauge filmmaking organisations, identify a specific class for “A cartoon film lasting not more than 5 minutes,” adding suggestively that “cut-outs may be used, provided the cartoon effect is achieved.” See Anon., “The National Convention,” Amateur Films 1 (1929) 10, p. 222. 2 Several companies emerged in the post-war decades to supply animation equipment and materials for the amateur market, such as Filmcraft, established by well-known enthusiast, David Jefferson. Specialist devices and services for the would-be animator abound: see, for example, Alan Cleave, “Cartoon Animation For Everyone,” [part one] Movie Maker 5 (1971) 11, p. -
A Study on Disney Princesses and Their Influence on Oungy Women and Their Personal Love Narratives
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2014 Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives Brittany Danielle Minor University of the Incarnate Word Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the American Film Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Recommended Citation Minor, Brittany Danielle, "Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and Their Influence on oungY Women and Their Personal Love Narratives" (2014). Theses & Dissertations. 1. https://athenaeum.uiw.edu/uiw_etds/1 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THEIR INFLUENCE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR Presented to the Graduate Faculty of University of the Incarnate Word in partial fulfillment for the degree of MASTER OF ARTS December 2014 Communication Arts HAPPILY EVER AFTER: IS DISNEY SETTING US UP? A STUDY ON DISNEY PRINCESSES AND THE INFLUENCE THEY HAVE ON YOUNG WOMEN AND THEIR PERSONAL LOVE NARRATIVES A Thesis by BRITTANY DANIELLE MINOR APPROVED: Dr. Valerie K. Greenberg - Ph.D. Cpnikiittee Chair Michael L. Mercer - Member ABSTRACT Happily Ever After: Is Disney Setting Us Up? A Study on Disney Princesses and the Influence they have on Young Women and their Personal Love Narratives Brittany Danielle Minor, B.A., University of the Incarnate Word This study discusses the issue of whether the influence of Disney films affects the girls who watch these films once they become adult women. -
The Illusion of Life: Disney Animation Interactive Edition
The Illusion of Life: Disney Animation Interactive Edition By Michelle L. Walsh Submitted to the Faculty of the Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology University of Cincinnati College of Applied Science June 2006 The Illusion of Life: Disney Animation Interactive Edition by Michelle L. Walsh Submitted to the Faculty of the Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology © Copyright 2006 Michelle Walsh The author grants to the Information Technology Program permission to reproduce and distribute copies of this document in whole or in part. ___________________________________________________ __________________ Michelle L. Walsh Date ___________________________________________________ __________________ Sam Geonetta, Faculty Advisor Date ___________________________________________________ __________________ Patrick C. Kumpf, Ed.D. Interim Department Head Date Acknowledgements A great many people helped me with support and guidance over the course of this project. I would like to give special thanks to Sam Geonetta and Russ McMahon for working with me to complete this project via distance learning due to an unexpected job transfer at the beginning of my final year before completing my Bachelor’s degree. Additionally, the encouragement of my family, friends and coworkers was instrumental in keeping my motivation levels high. Specific thanks to my uncle, Keith -
SPRING 2009 Vol. 18 No. 1
SPRING 2009 vol. 18 no. 1 Mickey Mouse and Minnie Mouse, honorary Disney Vacation Club Members since 1991, walk the beach near the site of the new Disney Resort development in Hawai‘i. Disney Files Magazine is published Illustration by Keelan Parham by the good people at Disney Vacation Club Never before have I abused the power of the pen for personal gain. Strong in my editorial P.O. Box 10350 convictions, I’ve taken the high road past self-fulfilling temptation, never pulling over to push Lake Buena Vista, FL 32830 my own agenda. But now our company is building a resort in Hawai‘i (pages 2-6) and, frankly, I want to go. So if you’ll excuse my ethical detour, I present this edition’s key stories All dates, times, events and prices with a little “strategic flattery” along the way. printed herein are subject to It all starts on page 2, where Disney Vacation Club President Jim Lewis (both a change without notice. (Our lawyers gentleman and a scholar) shares new details about the Hawai‘i project and highlights do a happy dance when we say that.) enhancements to our Member Getaways program. MOVING? Page 7 features brilliant Imagineer John Mauro’s perspectives about our first resort Update your mailing address project in California, while page 8 takes you behind the scenes of ABC’s “America’s Funniest online at www.dvcmember.com Home Videos,” a show that, thanks to my leaders’ impressive approach to relationship- building, is once again featuring a grand prize from Disney Vacation Club. -
Pd Films List 0824
PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター NO 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 (1924) バクダッドの盗賊 1・2 (1924) 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock! マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード(2種有り) 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女 -
As Six Flags Turns 50, New CEO Jim Reid-Anderson Shares How He Will Rebrand and Rebuild Custom Modular Renovation
IN FOCUS: TRENDS IN VIRTUAL QUEUES AND THEIR IMPACT ON THE INDUSTRY, P. 28 FUNWORLDTHE INTERNATIONAL ASSOCIATION OF AMUSEMENT PARKS & A TTRACTIONS APRIL 2011 Roadto Recovery As Six Flags turns 50, new CEO Jim Reid-Anderson shares how he will rebrand and rebuild Custom Modular Renovation Indoor/Outdoor Miniature Golf Custom Design TheGolfCourt® | A golf practice center that fits in the MiniLinks® | Portable Golf size of a tennis court AnyWhereLinks® | Modular miniature golf | 3 models TheLawnCourt® | Play multiple classic lawn games on one activity court Sports fields | Putting greens | Black Light mini golf | Cruise Ship applications www.adventureandfun.com 2042 South Airport Rd., Suite # 15 Traverse City, MI 49684 888 -725-4FUN (4386) COVER STORY Roadto KEVIN BROWN Recovery In this exclusive interview, new Six Flags CEO Jim 20 Reid-Anderson explains his strategy and vision for the company as it Jim Reid-Anderson at celebrates its 50th the newly refurbished “Texas Giant” anniversary. IN FOCUS: QUEUES Parks share SAINT LOUIS ZOO LOUIS SAINT insights on ADVENTURE LANDING ADVENTURE 28 managing lines for major DENO’S WONDER WHEEL PARK WONDER DENO’S attractions. How smartphones From packaging to Zoos see multiple The continuing are changing the payment plans, a benefits in legacy of Deno’s 32 way attractions 36 look at pricing 40 refurbishing their 44 Wonder Wheel Park handle queuing strategies through - entrances. in Coney Island. and the in-park out the industry. experience. WYLIE THUNDER ROAD WYLIE NATIONAL TICKET COMPANY NATIONAL MOUNTASIA FAMILY FUN CENTER FAMILY MOUNTASIA SANTA CRUZ BEACH BOARDWALK SANTA SECURITY FOOD & BEVERAGE MARKETING HUMAN RESOURCES How attractions are Beverages can Text messaging FECs save time, 49 addressing ticket 54 make a big impact 56 effective for FECs 58 reduce turnover fraud. -
Mickey's Trailer
Mickey’s Trailer and Environmental Thought Disney Cartoons and Countryside Goddard, Joseph Published in: American Studies in Scandinavia Publication date: 2016 Document version Publisher's PDF, also known as Version of record Citation for published version (APA): Goddard, J. (2016). Mickey’s Trailer and Environmental Thought: Disney Cartoons and Countryside. American Studies in Scandinavia, 48:2(2016:2), 43-60. https://rauli.cbs.dk/index.php/assc/article/view/5360 Download date: 23. Sep. 2021 American Studies in Scandinavia, 48:1 (2016), pp. 43-60. Published by the Nordic Association for American Studies (NAAS). Mickey’s Trailer and Environmental Thought: Disney Cartoons and Countryside Joe Goddard University of Copenhagen Abstract: The influence of popular cartoons on environmental cognition is explored in this essay through readings of Mickey’s Trailer, a 1938 cartoon directed by Ben Sharpsteen for Walt Disney. Other materials considered include Ford Motor Compa- ny’s 1937-38 film coproduced by Wilder Pictures, Glacier International Park, which promotes motor-tourism and automobile ownership, and Ben Sharpsteen’s other work for Walt Disney. The article also examines the ideas of physical and “illusional” zoning in the city, especially the way that they were applied in the mid-twentieth century. Physical zon- ing involved separating incompatible land uses, whereas illusional zoning entailed seeing what you wanted to see. What does Mickey’s Trailer say about how people can live, and can it inform where people choose to live? The essay muses that apprecia- tions of nature and the environment are influenced by popular culture. Keywords: Walt Disney, Mickey’s Trailer, Cartoons, Popular Culture, Environmental Ideas “Oh boy, Whatta day,” exclaims Mickey Mouse from the front step of his small house as Disney’s 1938 short cartoon Mickey’s Trailer opens.1 Mickey is wearing a nightshirt and a nightcap, and rubs his hands in ex- pectation.