Winona Daily News Winona City Newspapers

Total Page:16

File Type:pdf, Size:1020Kb

Winona Daily News Winona City Newspapers Winona State University OpenRiver Winona Daily News Winona City Newspapers 6-5-1972 Winona Daily News Winona Daily News Follow this and additional works at: https://openriver.winona.edu/winonadailynews Recommended Citation Winona Daily News, "Winona Daily News" (1972). Winona Daily News. 1187. https://openriver.winona.edu/winonadailynews/1187 This Newspaper is brought to you for free and open access by the Winona City Newspapers at OpenRiver. It has been accepted for inclusion in Winona Daily News by an authorized administrator of OpenRiver. For more information, please contact [email protected]. Cloudy, cooler; UNMAKES, I SOLD] thunderstorms ^ THAT OLO Bue&y v g llb With A Wan. M Z \Jjr ^ likely tonight Reef offensive rolling Que Son on 'knife blade' By PETER ARNETT a major military push through this valley every year since 1954. '¦ " ' ' QUE. SON, Vietnam (AP) — The North Vietnamese of- . This year is the biggest push with three infantry regi- fensive has been slowed at An Loc, Kontum and Hue. But the in the Que Son Valley south of Da Nang it moves relentlessly ments totaling around 2,500 men, and they have made forward , and the South Vietnamese are still losing fire bases greatest gains;; and villages. "They came right around behind us," Chinh said. "Now at least: 800 Communist troops have cut our only road to the "We are balanced on the knife's blade," said the Que Nothing of ours Son district chief , Maj. Nguyen Cong Chinh, as he described coast. They are in bunkers 15 feet deep. the methodical 56-day enemy push that has captured one has moved . along the roa d in two weeks." neighboring district, threatens another , and has Que Son An American adviser explained that the North Vietnam- in a stranglehold. ese were initially thought to be aiming at Route 1, which links Da Nang with the populous provinces south of it. But Chinh and his four American advisers are spending in- cutting off Que creasingly more of their time ir*. a deep command bunker the enemy su rprised everyone by suddenly hopefully safe from the rockets and mortars that often rain Son ai the valley entrance. in from the nearby.hills. Allied with the push through Hiep Due to Que Son has been a parallel enemy fchrust into Thanh Binh district ad- Two regiments from the. South Vietnamese 2nd Infantry joining Que Son to the south. .; Division are deployed around them. But there is nervousness The fighting has not been one-sided. Maj. Cbinh's mili- in the air, and a sense of impending doom. tary forces in Que . Son Eiave been giving a superb account, "The big enemy push has not come yet," one of the according to American advisers, and have killed maiiy North American advisers said ."They are just biting^ small chunks Vietnamese. put of us day by day. Much more of this and we'll fall apart." about the militiamen's lasting But¦ ¦¦there are no illusions The Que Son Valley is 40 miles south of Da Nang. It runs power from the mountains inland across Highway 1 almost to the "Let's face it, the I-Torth Vietnamese have the power to A SMILING ANGELA . Angela Davis, found innocent San Jose Sunday; gestures and smiles, at newsmen during a South China Sea. Because it is a natural infiltration route overwhelm us any time they like unless we get a lot of of murder-kidnap-conspiracy charges by an all-white jury In press conference following her acquittal.. (AP Photofax) int o the highly . populated coast , the communists have made help," Maj. Chinh said. Angela Davis is acquitted Planes raid Jurorim within 50 By EDITH LEDERER to defense arguments about the mingled with shrieks of happi- victory"—not a truimph for ) persecution^ of blacks. ness jn the courtroom when the American justice. SAN JOSE, CaUf. (AP — miles of China The jurors who acquitted An- verdict was returned. At a private post-verdict par- Another source said the all- Miss Davis wept quietly, ty, the lone Mexican-American SAIGON (AP ) _ Eight U.S. gela Davis on murder-kidnap- white jury voted at least three conspiracy charges had' no ma- tears streaming down her on the jury , Louis Franco, told Air Force jets streaked to with- times before handing in its ver- cheeks. attorneys he was moved by the in 50 miles of the Chinese bor- jor disagreements on her in- dict. On the first ballot, taken She was found innocent of en- defense's final arguments, der Sunday and demolished nocence from the start of their Friday afternoon shortly after s north- deliberations, the forewoman gineering the bloody Aug. 7, which centered on persecution twin bridges on Hanoi' they began deliberating, the ju- of blacks in America for cen- west rail line to China with five said. rors voted nine for acquittal 1970, Marin County courthouse ¦ escape attempt in which a turies. 2,000-pound laser-guided bombs, Mary Timothy revealed the and three undecided. There Franco said he related it to military spokesmen said today. lack discord while attending were no votes for conviction judge, two convicts and ihelr of the problems of Mexican-Amer- U.S. military sources said a festive party celebrating Sun- during the balloting, the source accomplice were slain. She had ' spent 15 months in jail before icans. other bridges on both the north- day's verdict. A Mexican-Amer- said. - A Prosecutor Albert Harris Jr., west and northeast rail lines ican on the jury said he related Hysterical sobs of joy inter- she was freed on $102,500 bail five days before the trial began an assistant state attorney gen- linking to China have not been Feb. 28. ' ¦ eral, declined comment on the hit arid they would be attacked verdict. in the future. The tall, black comm unist hugged and kissed members of During the private celebra- Both bridges hit were aboat Federal deficit the seven-woman, five-man tion at the home of friends 85 miles northwest of Hanoi. jury when they met for the first here, Miss Davis toasted her Meanwhile, a seventh aircra ft time at a news conference acquittal and the jurors with; carrier, the Ticonderoga , joined shortly after th-i verdict was champagne. the 7th Fleet and will arrive off to be lower announced; All but three of the jury the coast of Vietnam within a "This is the happiest day of members showed up at the pri- week, U.S. military sources vate party, Davis said; • . ,, . my life," she told a crowd of and Mis^ told . 300 supporters outside the The Associated Press that the The sources said the mission jurors received her warmly and than predicted courthouse who had been . chant- TAKING COVER ... South "Vietnamese of Saigon. The town had been . destroyed by of the newest naval recruit for ing: brought along their husbands the "The power of the : Rangers take cover on the ruins of a roof the Viet Cong before its recapture after h eavy Vietnam War is to "hirnt By BILL NEIKIRK Several congressmen have people—it : set Angela free." and wives' to meet her. and kill submarines." in Dat Do, South Vietnam, while fighting for fighting. Much of the town was destroyed WASHINGTON (AP ) - The said they plan to attach tax-re- The jubilant Miss Davis de- (Continued on page 2a, col . i) Navy planes from other car- the recapture of the town, 45 miles southeast by air and artillery strikes. (AP Photofax ) federal deficit for fiscal 1972 form amendments to the debt- clared-the acquittal "a people's Juror: no riers in the Tonkin Gulf kept up will be an estimated $26 billion, limit request, but the adminis-? their attacks Sunday on war highest since World War II, but ration says the tax code should materials moving along rivers $12.8 billion lower than pre- not be revised in an election in North Vietnam and against dicted in January, the govern- year. Rep. Wilbur Mills, chair- other parts of the North Viet- ment said today. man of the Ways and Means namese transportation network. The revised budget estimate Committee, has introduced a Laird visits Congress The U.S. Command an- came as the Nixon adminis- bill that would call for a review nounced that a Marine F4 tration asked Congress to raise of 54 major tax "loopholes" by Phantom was lost while sup- the national debt limit by $15 1976. porting South Vietnamese billion from the curren t $450 The improved budget situ- troops encircled at Phu My, on billion. ation means the administration the central coast of South Viet- can claim that the budget is not arms package nam. The two The deficit for fiscal 1973 detail crewmen were , es. to timated earlier at $25.5 billion in deficit when figured on a killed, the command said. will be about full-employment basis. By HARRISON HUMPHRIES emerged from a two-hour presi- country and the executive $27 billion , the Of- and South Vietnamese fice of Management and Budget WASHINGTON (AP ) - Sec- dential briefing Friday ex- agreement limiting Soviet spokesmen bipartisan support for U.S. nuclear-warfare arma- at Pleiku said North Vietnam- said in a report to Congress. Defense Melvin R. pressing retary of both the treaty limiting antibal- ments. ese troops had been cleared The federal financial situ- Laird goes to Capitol Hill today from Kontum ation has improved McGovern picks listic-missile ( ABM) defensive Senate De mocratic leader , in the central markedly highlands, since January because of in- in a prelude to near-at-hand weapons to two sites in each Mike Mansfield said he expects except for an area of about 1,000 square yards creased tax collections result- congressional study of the Mos- tiie President to subrrait the on the agreements and accompanying northern side of the city.
Recommended publications
  • Suggestions for Top 100 Family Films
    SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT..
    [Show full text]
  • The Illusion of Life: Disney Animation Interactive Edition
    The Illusion of Life: Disney Animation Interactive Edition By Michelle L. Walsh Submitted to the Faculty of the Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology University of Cincinnati College of Applied Science June 2006 The Illusion of Life: Disney Animation Interactive Edition by Michelle L. Walsh Submitted to the Faculty of the Information Technology Program in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Information Technology © Copyright 2006 Michelle Walsh The author grants to the Information Technology Program permission to reproduce and distribute copies of this document in whole or in part. ___________________________________________________ __________________ Michelle L. Walsh Date ___________________________________________________ __________________ Sam Geonetta, Faculty Advisor Date ___________________________________________________ __________________ Patrick C. Kumpf, Ed.D. Interim Department Head Date Acknowledgements A great many people helped me with support and guidance over the course of this project. I would like to give special thanks to Sam Geonetta and Russ McMahon for working with me to complete this project via distance learning due to an unexpected job transfer at the beginning of my final year before completing my Bachelor’s degree. Additionally, the encouragement of my family, friends and coworkers was instrumental in keeping my motivation levels high. Specific thanks to my uncle, Keith
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • Entertainment XII
    Entertainment XII “Our Work Habits” by Eric Larson PDF provided by www.animationmeat.com 1 “Our Work Habits” Notes 11.02.83 "The brain is a wonderful organ - it starts working as soon as you get up and doesn't stop until you get to the office." Robert Frost We are all creatures of habit, aren't we? We go through daily routines without concern. Usually things just fall into place in methodical order from the time we get up until we arrive at the Studio. The time lapse and routines from getting out of bed until we arrive at work will probably be quite the same day in and day out, barring the unexpected. With the preliminaries out of the way and the dressing completed, our dog takes us for a walk over the usual course, making the usual stops. We then sit down to breakfast at the given moment and are on our way to work at that given time. Arriving, "work habits" take over, they being the ones with which we are concerned. It would be quite presumptuous to say that "work habits" should or could be the same for all of us. We're individuals with varied personalities, with different views, with different goals perhaps. Yet, some very basic demands made on each of us by a profession that is a team effort, dedicated to getting good entertainment on the screen, should be adhered to, though with an individual approach. Our "work habits" should be geared to produce the best results we are capable of. Sometimes we reach goals with a minimum of effort.
    [Show full text]
  • The Great Mouse Detective
    Sherlock Holmes: Behind the Canonical Screen Edited & introduced by Lyndsay Faye and Ashley Polasek Order it at: www.bakerstreetjournal.com 272 pages, 10" x 7" trade paperback, December 2015 With 42 color and 38 b&w illustrations Sherlock Holmes: Behind the Canonical Screen was the third Baker Street Irregulars' officially sponsored Conference, and the first event held on the West Coast. Emphasizing the full range of Sherlockian cinema, it was a unique collaboration between the Baker Street Irregulars and the UCLA School of Theatre, Film and Television. The conference, held in 2012, was developed as an academic event examining the films of Sherlock Holmes and the craft of creating them. The presenters covered a wide range of topics, from Holmes in cartoon form to the earliest versions of Holmes on the screen, in England, the United States, and around the world. As part of the conference, John Musker and Ron Clements talked about their work in animation at the Walt Disney Studios, including their involvement as co-directors of The Great Mouse Detective. Animating Sherlock Holmes: The Great Mouse Detective with John Musker and Ron Clements Their discussion begins on the next page. www.BakerStreetJournal.com Page 1 of 4 17 Animating Sherlock Holmes: The Great Mouse Detective with John Musker and Ron Clements CLEMENTS: I was part of an animation development program at Disney; I started at Disney when I was about twenty. The first animated feature that I worked on was a feature called The Rescuers. I was an animator on the film The Rescuers. While I was working on The Rescuers, I walked into a book store one day, and I noticed, for the first time, the books by Eve Titus.
    [Show full text]
  • THE SORCERER's APPRENTICES: AUTHORSHIP and SOUND AESTHETICS in WALT DISNEY's FANTASIA by Daniel Fernandez a Thesis Submitted
    THE SORCERER’S APPRENTICES: AUTHORSHIP AND SOUND AESTHETICS IN WALT DISNEY’S FANTASIA by Daniel Fernandez A Thesis Submitted to the Faculty of the Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Masters of Arts Florida Atlantic University Boca Raton, FL May 2017 Copyright by Daniel Fernandez 2017 ii ACKNOWLEDGEMENTS I would like to thank my committee members for all of their guidance and support, especially to my advisor Anthony Guneratne for his helpful suggestions during the writing of this manuscript. I am also grateful to a number of archival collections, particularly those of Yale University for providing me with some of the primary sources used for this manuscript. Likewise, I would like to acknowledge Stephanie Flint for her contribution to the translation of German source material, as well as Richard P. Huemer, Didier Ghez, Jennifer Castrup, the Broward County Library, the University of Maryland, the Fales Library at New York University, and Zoran Sinobad of the Library of Congress, for the advice, material assistance, and historical information that helped shape this project. iv ABSTRACT Author: Daniel Fernandez Title: The Sorcerer’s Apprentices: Authorship and Sound Aesthetics in Walt Disney’s Fantasia Institution: Florida Atlantic University Thesis Advisor: Dr. Anthony Guneratne Degree: Masters of Arts in Communications Year: 2017 This thesis makes three claims new to the critical literature on Walt Disney’s 1940 film Fantasia. Setting the scene by placing a spotlight on the long-serving Philadelphia Orchestra conductor Leopold Stokowski, it contextualizes his pervasive influence, as well as contributions by others that shaped Fantasia and defined the film’s stylistic elements.
    [Show full text]
  • Walt Disney Productions Sunday, April 9, 1978
    • ·I - ~ • • \ t .' .I • A Tribute to Walt Disney Productions Sunday, April 9, 1978 · Delta Kappa·Aipha's - ~ 39th. Annual Awards Banquet Delta Kappa Alpha National H onorary Cin~ma Fraternity Di<11ision of Cintma UNIV ERSITY oF SouTHERN CALIFORNIA SCHOOL OF PERFORMING ARTS UNIVERSI1Y PARK March 31, 1978 Los ANG!LES, CALIFORNIA 90007 DKA Honoraries folie A..odrewa J'red Astaire Greetings: Lucille Ball !..uc:ieo Ballard AnoeButer On behalf of the Alpha Chapter of Delta Kappa Alpha, Richard Brooks tvrwt~~·~,e the National Honorary Cinema Fraternity, I wish to Staole1 CA>nn extend my warmest welcome to you on the occasion ?.":~.;.."::11 of our thirty-ninth Annual Awards Banqu7t. Delmer Daves ~eb~~eo Allan Dwao The fraternity was established in 1937 and is Blue Edwardo Rudr Fehr dedicated to the furthering of the film arts and to s,lviA Fil>e jobo Flof1 the promotion of better rela~ions between the Glena Ford Ckne Fowler academic and practicing members of the industry, Marjorie Fowler both theatrical and non-thea·trical. Our Greek ~~.<:l.::re Lre Gai"'DtS letters symbolize the Dramatic, Kinematic and GreerGanoo lobo Green Aesthetic aspects of film. Coorad Hall Henry Hathaway Howard Ha"b Edith Head Of our yearly activities, the Banquet is one of A II red Hitchcod< Wilton Holm the most gratifying. It gives us the opportunity Ro. Huorer to recognize the truly talented people in the in­ I:!::O'::Jc!iton dustry, people who direct its future. ~~~~{;•es Sc:anlg Kiamer l.;~I'V1~1 This year we feel that the honorees are most Sol Lnter Rouben Mamoul iao worthy of such distinction for their tremendous Walter ~htthau Steve Mc:Queto contribution to the art of animation.
    [Show full text]
  • Disney's Part in Creating Gender Roles in the 1950S
    University at Albany, State University of New York Scholars Archive History Honors College Spring 5-2019 Nuclear Families for the Nuclear Age: Disney's Part in Creating Gender Roles in the 1950s Carlee T. Litt University at Albany, State University of New York, [email protected] Follow this and additional works at: https://scholarsarchive.library.albany.edu/honorscollege_history Part of the History Commons Recommended Citation Litt, Carlee T., "Nuclear Families for the Nuclear Age: Disney's Part in Creating Gender Roles in the 1950s" (2019). History. 13. https://scholarsarchive.library.albany.edu/honorscollege_history/13 This Honors Thesis is brought to you for free and open access by the Honors College at Scholars Archive. It has been accepted for inclusion in History by an authorized administrator of Scholars Archive. For more information, please contact [email protected]. Nuclear Families for the Nuclear Age: Disney’s Part in Creating Gender Roles in the 1950s An honors thesis presented to the Department of History, University at Albany, State University of New York in partial fulfillment of the requirements for graduation with Honors in History and graduation from The Honors College Carlee Taylor Litt Research Advisors: Mitch Aso, Ph.D. & Kori Graves, Ph.D. May 2019 Abstract The 1950s was a revolutionary period for American youth culture. The Walt Disney Company played an important role in forming and conveying a new image and set of ideals associated with childhood. My paper examines the Disney Company’s messages about growing up, in particular, the gendered expectations surrounding love that revolutionized the way Americans viewed family life.
    [Show full text]
  • The Life & Legacy of Walt Disney
    The Life & Legacy of Walt Disney Panel Discussion Neal Gabler, Moderator Annenberg School for Communication University of Southern California November 15, 2006 1 The Norman Lear Center Neal Gabler: The Life & Legacy of Walt Disney The Norman Lear Center Neal Gabler The Norman Lear Center is a Neal Gabler, Senior Fellow at the multidisciplinary research and USC Annenberg Norman Lear public policy center exploring Center, is an author, cultural implications of the convergence historian, and film critic. His first of entertainment, commerce, book, An Empire of Their Own: and society. From its base in the How the Jews Invented Hollywood, USC Annenberg School for won the Los Angeles Times Book Communication, the Lear Center Prize and the Theatre Library builds bridges between eleven Association Award. His second schools whose faculty study book, Winchell: Gossip, Power and aspects of entertainment, media, the Culture of Celebrity, was named and culture. Beyond campus, it non-fiction book of the year by Time magazine. Newsweek calls his bridges the gap between the most recent book, Walt Disney: The Triumph of American Imagination, entertainment industry and “the definitive Disney bio.” academia, and between them and the public. For more He appears regularly on the media review program Fox News Watch, information, please visit and writes often for the New York Times and the Los Angeles Times. www.learcenter.org. Gabler has contributed to numerous other publications including Esquire, Salon, New York Magazine, Vogue, American Heritage, The New York Republic, Us and Playboy. He has appeared on many television programs including The Today Show, The CBS Morning News, The News Hour, Entertainment Tonight, Charlie Rose, and Good Morning America.
    [Show full text]
  • Mickey Mouse: from Walt to the World PRESS RELEASE
    Mickey Mouse: From Walt to the World PRESS RELEASE The Walt Disney Family Museum Presents Mickey Mouse: From Walt to the World Celebrating Mickey Mouse, Walt Disney's most iconic character, and his global impact on popular culture, art, and entertainment San Francisco, December 5, 2018—The Walt Disney Family Museum presents Mickey Mouse: From Walt to the World, a celebration of animation’s most beloved and recognizable character. This exclusive, original exhibition opens Spring 2019. This special exhibition chronicles Mickey’s impact and influence on art and entertainment over the past nine decades and tells the story of his origin, rise to fame, and enduring world-wide appeal, juxtaposed with Walt Disney’s inspiring and parallel story. Presented in conjunction with the museum’s tenth anniversary, the exhibition will be displayed in the Diane Disney Miller Exhibition Hall from May 16, 2019 through January 6, 2020. Guest curated by legendary animator Andreas Deja, Mickey Mouse: From Walt to the World features more than 400 objects, including rare and never-before-seen original sketches, character model sheets, and concept artwork, together with nostalgic merchandise, vintage photographs, and a variety of Mickey’s earliest and most recent animated short films. The exhibition is a testament to Mickey’s transcendent influence, from cartoons and comic books to real-life appearances at Disney Parks worldwide. It also highlights the incredible artists who are responsible for his success: legendary animators and artists including Ub Iwerks, Les Clark, and Fred Moore, plus contemporary talent such as Andreas Deja, Eric Goldberg, and Mark Henn. “I have been collecting and studying classic Disney animation drawings for a long time.
    [Show full text]
  • The World of Glen Keane San Francisco, CA, January 10, 2018
    The Walt Disney Family Museum Presents Make Believe: The World of Glen Keane San Francisco, CA, January 10, 2018 – The Walt Disney Family Museum is proud to introduce its newest original exhibition, Make Believe: The World of Glen Keane, showcasing the work of this critical Disney animator and artist. Keane’s dynamic artistic talent brings to life some of the most unforgettable characters of our time, from the imposing Beast and fearless Tarzan, to the daring heroines Ariel, Pocahontas, and Rapunzel. The exhibition, curated by Glen Keane in partnership with Michael Labrie, the museum’s Director of Collections and Exhibitions, opens on March 8, 2018 in the museum’s Theater Gallery and will be on view through September 3, 2018. This unique exhibition showcases hand-drawn animation and maquettes of Keane’s most iconic Disney characters, from earlier films, including The Fox and the Hound (1981), to more recent works, such as Tangled (2010). Keane’s methodical approach to his work, honed during a 40- year-career that has witnessed profound technological changes in the field of animation, led to a period now recognized as the Disney animation renaissance. Make Believe features images and animation sketches from numerous films, including The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), Pocahontas (1995), and Tarzan (1999). Of special interest, also on view in this exhibition are Keane’s personal works, many of which emerged from dynamic partnerships. Visitors can get a rare glimpse into Keane’s collaboration with the Paris Opéra (Nephtali), his embracing of innovation and technology with Google on Duet, and his recent 2017 collaboration with Kobe Bryant and legendary composer John Williams on Dear Basketball.
    [Show full text]
  • Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Bill Roberts; Supervising Directors: Hamilton Luske and Ben Sharpsteen
    August 27, 2019 (XXXIX: 1) Hamileton Luske and Ben Sharpsteen (supervising directors): PINOCCHIO (1940, 88m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTORS Sequence directors: Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Bill Roberts; supervising directors: Hamilton Luske and Ben Sharpsteen WRITING: Based on the story by Carlo Collodi; adapted by Ted Sears, Otto Englander, Webb Smith, William Cottrell, Joseph Sabo, Erdman Penner, Aurelius Battaglia, and Bill Peet PRODUCED BY Walt Disney ART DIRECTION Ken Anderson, Hugh Hennesy, John Hubley, Dick Kelsey, Kendall O'Connor, Charles Philippi, Thor Putnam, Terrell Stapp, Mel Blanc...'Giddy' Gideon (hiccup) / Cleo McLaren Stewart, and Al Zinnen Billy Bletcher...Donkeys Don Brodie...Carnival Barker MUSIC Leigh Harline and Paul J. Smith Stuart Buchanan...Carnival Barker Walter Catlett...J. Worthington Foulfellow ANIMATION DIRECTORS: Art Babbitt, Milt Marion Darlington...Birds Kahl, Ward Kimball, Eric Larson, Fred Moore, Frankie Darro...Lampwick Wolfgang Reitherman, Bill Tytla Cliff Edwards...Jiminy Cricket Dickie Jones...Pinocchio / Alexander AWARDS: Charles Judels...Stromboli / The Coachman In 1941, the film won two Academy Awards for Best John McLeish...Carnival Barker Music, Original Song (Leigh Harline and Ned Jack Mercer...Carnival Barker Washington) for "When You Wish Upon a Star" and Clarence Nash...Figaro /Rough House Animatronic / Best Music, Original Score (Leigh Harline, Paul J. Donkeys Smith, and Ned Washington). In 1994, it was selected Patricia Page...Marionettes by the National Film Preservation Board to enter the Thurl Ravenscroft...Monstro the Whale National Film Registry.
    [Show full text]