Professors of Journalism and Media Law in Support of Respondent
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Investing in Yourself: Entrepreneurial Journalism in the Digital Age
INVESTING IN YOURSELF: ENTREPRENEURIAL JOURNALISM IN THE DIGITAL AGE by Maggie Reid Master of Information, University of Toronto, Toronto, Ontario, Canada, 2012 Bachelor of Arts, University of Toronto, Toronto, Ontario, Canada, 2009 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Joint Program in Communication and Culture Toronto, Ontario, Canada, 2018 ©Maggie Reid, 2018 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Investing in Yourself: Entrepreneurial Journalism in the Digital Age Maggie Reid, PhD, Communication and Culture Ryerson University, 2018 Abstract This dissertation is grounded in a Critical Political Economy of communication theoretical framework in conjunction with extensive, qualitative interviews with eighteen emerging journalists, three journalism educators from different types of journalism schools (academic, vocational, hybrid) and four editors from different types of news organizations (legacy, public broadcaster, digital first media) in order to navigate between institutional structures and the agency of individual actors. This work examines how the current structural configurations of the news media industry are impacting how emerging journalists negotiate the expectations that they develop personal brands online, including their perceived control and autonomy over their work. -
Business Journalism for the General Reader
Reuters Institute Fellowship Paper University of Oxford Business Journalism for the General Reader: An inquiry into new media and business reporting by Olga Loiko Hilary Term 2011 Sponsor: Wincott Foundation 1 Table of Contents 1. Introduction ................................................................................................................................. 3 2. Form and Substance. ................................................................................................................... 5 2.1. Mainstream or New Media ....................................................................................................... 5 2.2. Big News or Business-light ...................................................................................................... 9 3. Qualification of journalists and readers: what they need and how they can get it .................... 12 4. Business journalism in a country with limited experience of a market economy: the case of Belarus .......................................................................................................................................... 15 5. Conclusion ................................................................................................................................. 18 Bibliography .................................................................................................................................. 19 Acknowledgements ...................................................................................................................... -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Media Coverage of Banking and Financial News (Published Jointly with I.B.Tauris) for Democracy
Selva cover alt_Layout 1 07/04/2014 14:41 Page 1 REUTERS INSTITUTE for the SELECTED RISJ PUBLICATIONS STUDY of REPORT JOURNALISM Wendy N. Wyatt (ed.) James Painter The Ethics of Journalism: Individual, Institutional and Poles Apart: The International Reporting of Climate Scepticism Cultural Influences (published jointly with I.B.Tauris) Lara Fielden Regulating for Trust in Journalism: Standards Regulation Raymond Kuhn and Rasmus Kleis Nielsen (eds) in the Age of Blended Media Political Journalism in Transition: Western Europe in a Comparative Perspective David A. L. Levy and Robert G. Picard (eds) (published jointly with I.B.Tauris) Is there a Better Structure for News Providers? The Potential in Charitable and Trust Ownership Nigel Bowles, James T. Hamilton, David A. L. Levy (eds) Transparency in Politics and the Media: Accountability and David A. L. Levy and Rasmus Kleis Nielsen (eds) Open Government The Changing Business of Journalism and its Implications Media Coverage of Banking and Financial News (published jointly with I.B.Tauris) for Democracy Julian Petley (ed.) Tim Gardam and David A. L. Levy (eds) Media and Public Shaming: Drawing the Boundaries of The Price of Plurality: Choice, Diversity, and Broadcasting Disclosure Institutions in the Digital Age Robert G. Picard, Meera Selva and Diego Bironzo (published jointly with I.B.Tauris) published in association with Ofcom April 2014 CHALLENGES James Painter Richard Sambrook Climate Change in the Media: Reporting Risk Are Foreign Correspondents Redundant? The Changing Face and Uncertainty -
Specialty Reporting: Business Journalism
UC BERKELEY GRADUATE SCHOOL OF JOURNALISM J130: Specialty Reporting: Business Journalism Dates: July 3 to August 11, 2017 Instructor: Jason Folkmanis Tutor and Reader: TBA Course Location: Goldman School of Public Policy, Room 150 (GSPP 150), Monday through Wednesday, 4 to 6 p.m., Thursday, 4 to 5:30 p.m. 3 units Phone: 510-990-5307 Email: [email protected] Office Hours: To be discussed with class on first day, and then announced. Office Location: TBA COURSE PREREQUISITES: J100 Principles of Journalistic Reporting & Writing is preferred; students who have not taken J100 should notify the instructor. COURSE OVERVIEW Specialty Reporting: Business Journalism provides background and techniques for students interested in developing an understanding of how to cover financial news. The course will explore the concepts and methods used by business journalists, including economic indicators and corporate results, parsing through documents, and source development. This course is aimed at students interested in improving their communication skills in a financial context, and preparing themselves for a future where the capacity to follow, understand and be able to speak with authority about business and economic trends is valued. Financial news is now ubiquitous, particularly with the advent of social networks and so- called citizen journalism. News organizations such as Bloomberg and Reuters move financial markets in seconds by reporting breaking economic information or financial news. How do national economies, financial markets and the world’s biggest corporations interact with journalists? The instructor has almost two decades of experience reporting on business for Bloomberg News, for whom he worked as a correspondent in Vietnam and South Africa. -
OH, PRETTY PARODY: CAMPBELL V. ACUFF-ROSE MUSIC, INC
Volume 8, Number 1 Fall 1994 OH, PRETTY PARODY: CAMPBELL v. ACUFF-ROSE MUSIC, INC. Lisa M. Babiskin* INTRODUCTION For the second time ever, the Supreme Court addressed the affirmative defense of fair use to copyright infringement in the context of parody in Campbell v. Acuff-Rose Music, Inc. ~ The unanimous opinion found a parody rap version of Roy Orbison's song "Oh, Pretty Woman" by the group 2 Live Crew could be a fair use within the exceptions to the protections of the Copyright Act of 1976. 2 The fair use defense is an inconsistent and confusing area that has been called "the most trouble- some [issue] in the whole law of copyright. "3 The Campbell decision helps preserve the flexible, case-by-case analysis intended by Congress and recognizes the value of parody both as a form of social criticism and catalyst in literature. The decision affords wide latitude to parodists, emphasizing the irrelevance of the judge's personal view of whether the parody is offensive or distasteful. It is unclear whether future courts will interpret this holding to be limited to fair use of parody in the context of song, or whether they will construe it more broadly to confer substantial freedom to parodists of all media. It is also unclear what effect this decision will have on the music industry's practice of digital sampling. This article will review the historical background of fair use in the context of parody and the case law preceding the Supreme Court's decision. A detailed discussion of the lower courts' decisions will be followed by analysis of the Supreme Court's decision and its implications for the future. -
Roy Orbison by Dave Hoekstra May 10, 1987
Roy Orbison By Dave Hoekstra May 10, 1987---- MALIBU, Calif. We were unsure about ingenues in the front row of the class and goals in the back seat of the car. But we were certain about Roy Orbison. The first time I contacted a case of the Orbies was upon the demise of my first relationship in junior high school. She implied it was over by taking a pair of pliers to a dime-store ring with a design of a knight in shining armor. I would sleep with the transistor radio under the pillow; that night WLS played "Only the Lonely." The message was clear. I was not alone. At the second annual induction dinner for the Rock 'n' Roll Hall of Fame in January, Bruce Springsteen introduced Orbison by explaining, "In '74, just prior to going in the studio to make `Born To Run,' I was looking at Duane Eddy for his guitar sound and I was listening to a collection of Phil Spector records and I was listening to `Roy Orbison's All-Time Greatest Hits.' I'd lay in bed at night with just the lights of my stereo on and I'd hear `Crying,' `Love Hurts,' `Running Scared,' `Only the Lonely' and `It's Over' fillin' the room. "Some rock 'n' roll reinforces friendship and community, but for me, Roy's ballads were always best when you were alone and in the dark." I read that quote to Orbison during a recent conversation we had at his home here and asked him where he reached for a style that is isolated yet so personal. -
First Choice
firstchoice wusf for information, education and entertainment • marcH 2010 Pop Heaven! The Teenage Music International Show (aka The T.A.M.I. Show) was America’s first full-length concert movie. Originally released it 1964, this exuberant and spellbinding documentary showcases an impressive line-up of rock and soul titans, including Chuck Berry, Marvin Gaye, Smokey Robinson and the Miracles, The Supremes, The Rolling Stones, and The Beach Boys. The film concludes with a battle of the bands between the electrifying James Brown and the then-young upstarts, The Rolling Stones. This legendary concert film, which has been meticulously restored in high-definition format, has not been seen in its entirety since its theatrical release more than 40 years ago. It’s pure pop heaven! Airs Saturday, March 6, at 8 p.m. from the wusf gm Giving and Getting here’s a good chance you’re a member of WUSF Public T Broadcasting because you’re reading this edition of First Choice. Your support has ensured the continued broadcast of quality programming that is creative, entertaining, relevant and educational. Thanks to you, we serve a Win an HD Radio leadership role in this region by providing During the WUSF 89.7 Spring Membership home-grown, in-depth journalism that Campaign! knits our area together with clear thinking, March 16, 17 & 18 honest talk and open dialogue. WUSF’s commitment to quality, community Everyone who makes journalism has been recognized on a national level. We’re proud that a pledge to WUSF 89.7 Innovators!, one of our Florida Matters programs, recently won a National Educational Telecommunications Association on the first three (NETA) award. -
Dinner Music
Dinner Music Best Day of my life- American Authors I do- Colbie Calliet My Girl- The Temptations I’m a believer- The Monkeys Don’t Stop Believing- Journey Pretty Woman- Roy Orbison That’s Amore- Dean Martin Fly me to the moon- Frank Sinatra The way you look tonight- Frank Sinatra Love and Marriage- Frank Sinatra Love and Marriage- Dean Martin I’m Yours- Jason Mraz Just a Kiss- Lady Antebellum How sweet it is to be loved by you-James Taylor Everything- Michael Buble I got a feelin- Billy Currington Sugar pie hunny bunch- The Four Tops God gave me you- Blake Shelton Smile- Uncle Kracker She’s Everything- Brad Paisley Ben E. King- Stand by me Ain’t no mountain high enough- Marvin Gaye God Bless the Broken Road- Rascall Flatts I cross my heart- George Strait I got you babe- Sonny and Cher When I said I do- Clint Black/Lisa Hartman My baby loves me just the way that I am- Martina McBride From here to eternity- Michael Peterson Everything I do- Bryan Adams At Last- Etta James Tie it up-Kelly Clarkson I Swear- John Michael Montgomery Strawberry wine- Deanna Carter Sugar Sugar- The Archies Just the way you are- Bruno Mars Forever and Ever, Amen- Randy Travis You’re Still the one- Shianna Twain To make you feel my love- Adele Can’t help falling in love- Elvis Presley You’re the inspiration- Chicago Signed, Sealed, delivered- Stevie Wonder Honey Bee- Blake Shelton Build me up buttercup- Foundations Tiny Dancer- Elton John Plain White T’s- Rhythm of love I knew I loved you- Savage Garden I could not ask for more- Edwin McCain Got Whatever it is- Zac Brown Band It had to be you- Harry Connick Jr. -
BEAT BASICS by Veteran Business Journalists
BEAT BASICS by veteran business journalists COMPILED BY THE DONALD W. REYNOLDS NATIONAL CENTER FOR BUSINESS JOURNALISM Donald W. Reynolds National Center for Business Journalism Beat Basics © Donald W. Reynolds National Center for Business JournalismAll RiGhts Reserved, except where otherwise noted CONTENTS Introduction by Reynolds Center Director Micheline Maynard 1 PART I. COVERING AGRICULTURE 1. CoverinG the AGriculture Beat: An Introduction 5 2. CoverinG AGriculture: IdentifyinG Local Stories, AnGles 7 3. CoverinG AGriculture: ChallenGes 9 4. CoverinG AGriculture: Resources and SourcinG 11 5. CoverinG AGriculture: Glossary of Terms, Concepts 13 PART II. COVERING BUSINESS: AN INTRODUCTION 6. CoverinG Business: An Introduction 23 7. CoverinG Business: FindinG Local Stories 25 8. CoverinG Business: Resources and ReadinG 27 PART III. COVERING COMPANIES: A GUIDE TO SEC DATABASES 9. 10-K FilinGs Guide: Introduction 31 10. 10-Q FilinGs Guide: Introduction 33 11. 8-K FilinGs Guide: Introduction 35 PART IV. COVERING ECONOMICS 12. How to Cover Economics: An introduction 41 13. CoverinG Economics: Glossary 42 14. CoverinG Economics: FindinG Local Stories in the Data 44 15. CoverinG Economics: Common Mistakes 46 16. CoverinG Economics: Resources 48 PART V. COVERING ENERGY, UTILITIES AND MINING 17. Covering Energy, Utilities and MininG: An Introduction 53 18. Covering Energy, Utilities and MininG: IdentifyinG Local Stories 55 19. Covering Energy, Utilities and MininG: ChallenGes and Hurdles 57 20. Covering Energy, Utilities and MininG: Resources 59 21. Covering Energy, Utilities and MininG: Glossary 61 PART VI. COVERING SUSTAINABILITY 22. Covering Sustainability: An Introduction 65 23. Covering Sustainability: IdentifyinG Local Stories 67 24. Covering Sustainability: ChallenGes and Hurdles 69 25. -
Journalism (JOUR) 1
Journalism (JOUR) 1 JOUR 2712. Intermediate Print Reporting. (4 Credits) JOURNALISM (JOUR) This is an intermediate reporting course which focuses on developing investigative skills through the use of human sources and computer- JOUR 1701. Introduction to Multimedia Journalism With Lab. (4 Credits) assisted reporting. Students will develop beat reporting skills, source- A course designed to introduce the student to various fundamentals building and journalism ethics. Students will gather and report on actual of journalism today, including writing leads; finding and interviewing news events in New York City. Four-credit courses that meet for 150 sources; document, database and digital research; and story minutes per week require three additional hours of class preparation per development and packaging. The course also discusses the intersection week on the part of the student in lieu of an additional hour of formal of journalism with broader social contexts and questions, exploring the instruction. changing nature of news, the shifting social role of the press and the Attribute: JWRI. evolving ethical and legal issues affecting the field. The course requires a JOUR 2714. Radio and Audio Reporting. (4 Credits) once weekly tools lab, which introduces essential photo, audio, and video A survey of the historical styles, formats and genres that have been used editing software for digital and multimedia work. This class is approved for radio, comparing these to contemporary formats used for commercial to count as an EP1 seminar for first-year students; students need to and noncommercial stations, analyzing the effects that technological, contact their class dean to have the attribute applied. Note: Credit will not social and regulatory changes have had on the medium. -
The Man Behind the Poster
presents DREW: THE MAN BEHIND THE POSTER 2012 / 1.85:1 / 96 min. / Color A Kino Lorber Release 333 West 39 St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contacts: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SYNOPSIS DREW: THE MAN BEHIND THE POSTER is a feature-length documentary exploring the life and work of Drew Struzan, the artist who created the posters for some of the most iconic movies of the past 30 years, including "Indiana Jones", "Back to the Future" and "Star Wars", among many others. Director Erik P. Sharkey tells the story of this distinctive artist, beginning with his early works in commercial and album cover art for Alice Cooper and Black Sabbath, to his acclaimed career and recent retirment as one of the most recognizable and influential movie poster artists of all time. The film features exlusive interviews with noted filmmakers, artists and critics including George Lucas, Harrison Ford, Michael J. Fox, Frank Darabont, Guillermo del Toro, Steven Spielberg, and many others. CREDITS Director Erik P. Sharkey Producer Charles Ricciardi Directors of Photography Thomas Mumme and Greg Boas Editor Jeff Yorkes Supervising Editor Greg Boas Featuring George Lucas Steven Spielberg Harrison Ford Michael J. Fox Frank Darabont Guillermo del Toro Thomas Jane Drew Struzan DREW STRUZAN – SHORT BIOGRAPHY Drew Struzan, one of the most prolific and revered film poster designers of the 20th century was born in 1947 in Oregon. At the age of 18, he decided to leave home and pursue his life-long passion for drawing at the Art Center College of Design, migrating to West Los Angeles from Oregon City.