Tang Decline and Rise of the Song
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Tenth-Century Painting Before Song Taizong's Reign
Tenth-Century Painting before Song Taizong’s Reign: A Macrohistorical View Jonathan Hay 1 285 TENT H CENT URY CHINA AND BEYOND 2 longue durée artistic 3 Formats 286 TENT H-CENT URY PAINT ING BEFORE SONG TAIZONG’S R EIGN Tangchao minghua lu 4 5 It 6 287 TENT H CENT URY CHINA AND BEYOND 7 The Handscroll Lady Guoguo on a Spring Outing Ladies Preparing Newly Woven Silk Pasturing Horses Palace Ban- quet Lofty Scholars Female Transcendents in the Lang Gar- 288 TENT H-CENT URY PAINT ING BEFORE SONG TAIZONG’S R EIGN den Nymph of the Luo River8 9 10 Oxen 11 Examining Books 12 13 Along the River at First Snow 14 15 Waiting for the Ferry 16 The Hanging Scroll 17 18 19 289 TENT H CENT URY CHINA AND BEYOND Sparrows and Flowers of the Four Seasons Spring MountainsAutumn Mountains 20 The Feng and Shan 21 tuzhou 22 23 24 25 26 27 28 290 TENT H-CENT URY PAINT ING BEFORE SONG TAIZONG’S R EIGN 29 30 31 32 Blue Magpie and Thorny Shrubs Xiaoyi Stealing the Lanting Scroll 33 291 TENT H CENT URY CHINA AND BEYOND 34 35 36 Screens 37 38 The Lofty Scholar Liang Boluan 39 Autumn Mountains at Dusk 292 TENT H-CENT URY PAINT ING BEFORE SONG TAIZONG’S R EIGN 40Layered Mountains and Dense Forests41 Reading the Stele by Pitted Rocks 42 It has Court Ladies Pinning Flowers in Their Hair 43 44 The Emperor Minghuang’s Journey to Shu River Boats and a Riverside Mansion 45 46 47tuzhang 48 Villagers Celebrating the Dragonboat Festival 49 Travelers in Snow-Covered Mountains and 50 . -
China's Southern Tang Dynasty, 937-976
China’s Southern Tang Dynasty, 937–976 The Southern Tang was one of China’s minor dynasties and one of the great states in China in the tenth century. Although often regarded as one of several states preceding the much better known Song dynasty (960–1279), the Southern Tang dynasty was in fact the key state in this period, preserving cultural values and artefacts from the former great Tang dynasty (618–907) that were to form the basis of Song rule and thereby presenting the Song with a direct link to the Tang and its traditions. Drawing mainly on primary Chinese sources, this is the first book in English to provide a comprehensive overview of the Southern Tang and full coverage of the military, cultural and political history of the period. It focuses on a successful, albeit short-lived, attempt to set up an independent regional state in the modern provinces of Jiangxi and Jiangsu and establishes the Southern Tang dynasty in its own right. It follows the rise of the Southern Tang state to become the predominant claimant of the Tang heritage and the expansionist policies of the second ruler, culminating in the occupation and annexation of two of the Southern Tang’s neighbours, Min (Fujian) and Chu (Hunan). Finally, the narrative describes the decline of the dynasty under its last ruler, the famous poet Li Yu, and its ultimate surrender to the Song dynasty. Johannes L. Kurz is Senior Lecturer in the History Department at Universiti Brunei Darussalam. He is the author of Das Kompilationsprojekt Song Taizongs (reg. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Li Bai, Du Fu and Yang Guifei; Tang Dynasty Immortals
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia Southern University: Digital Commons@Georgia Southern Georgia Southern University Digital Commons@Georgia Southern Center for Undergraduate Research and Curio Research Symposium Intellectual Opportunities (CURIO) 2020 Li Bai, Du Fu and Yang Guifei; Tang Dynasty Immortals Cierra Landon Georgia Southern University, [email protected] Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/curio Part of the Creative Writing Commons Recommended Citation Landon, Cierra, "Li Bai, Du Fu and Yang Guifei; Tang Dynasty Immortals" (2020). Curio Research Symposium. 23. https://digitalcommons.georgiasouthern.edu/curio/23 This presentation is brought to you for free and open access by the Center for Undergraduate Research and Intellectual Opportunities (CURIO) at Digital Commons@Georgia Southern. It has been accepted for inclusion in Curio Research Symposium by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Cierra Landon Department: Chinese, Statesboro Co-Presenters: Faculty Mentor: Marti Lee, Writing & Linguistics Li Bai, Du Fu and Yang Guifei; Tang Dynasty Immortals During the Tang dynasty of China, two master poets would appear that would later cause a massive impact on future generations and modern poetry. The Tang dynasty is widely considered the most creative period in China’s history, having two poets compete for the title of best is an amazing feat. Both poets shared an unlikely friendship due to their exceptionally different writing styles and personal values, making their appeal to modern day poetry fanatics even more intense. Li Bai, with his romanticized poetry about wine and nature along with his obstinate behavior and carefree nature and Du Fu, with his realistic poetry about the struggles of life and man. -
The Eurasian Transformation of the 10Th to 13Th Centuries: the View from Song China, 906-1279
Haverford College Haverford Scholarship Faculty Publications History 2004 The Eurasian Transformation of the 10th to 13th centuries: The View from Song China, 906-1279 Paul Jakov Smith Haverford College, [email protected] Follow this and additional works at: https://scholarship.haverford.edu/history_facpubs Repository Citation Smith, Paul Jakov. “The Eurasian Transformation of the 10th to 13th centuries: The View from the Song.” In Johann Arneson and Bjorn Wittrock, eds., “Eurasian transformations, tenth to thirteenth centuries: Crystallizations, divergences, renaissances,” a special edition of the journal Medieval Encounters (December 2004). This Journal Article is brought to you for free and open access by the History at Haverford Scholarship. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Haverford Scholarship. For more information, please contact [email protected]. Medieval 10,1-3_f12_279-308 11/4/04 2:47 PM Page 279 EURASIAN TRANSFORMATIONS OF THE TENTH TO THIRTEENTH CENTURIES: THE VIEW FROM SONG CHINA, 960-1279 PAUL JAKOV SMITH ABSTRACT This essay addresses the nature of the medieval transformation of Eurasia from the perspective of China during the Song dynasty (960-1279). Out of the many facets of the wholesale metamorphosis of Chinese society that characterized this era, I focus on the development of an increasingly bureaucratic and autocratic state, the emergence of a semi-autonomous local elite, and the impact on both trends of the rise of the great steppe empires that encircled and, under the Mongols ultimately extinguished the Song. The rapid evolution of Inner Asian state formation in the tenth through the thirteenth centuries not only swayed the development of the Chinese state, by putting questions of war and peace at the forefront of the court’s attention; it also influenced the evolution of China’s socio-political elite, by shap- ing the context within which elite families forged their sense of coorporate identity and calibrated their commitment to the court. -
The Singular Countenance: the Visage As Landscape, the Landscape As Visage
Vol. 5 No. 4 Language and Semiotic Studies Winter 2019 Te Singular Countenance: Te Visage as Landscape, the Landscape as Visage1 Massimo Leone University of Turin, Italy Shanghai University, China 我吴兴山水清远,甲于天下。生其间 者,得其灵淑之气,每借笔墨以抒写 其性真。如赵松雪、钱舜举、王叔 明、唐子华辈,皆足以名当时而传后 世。逮时易世殊,讲求者鲜,一二俗 学之徒,但私一隅,遂至家尸户祝, 而流易莫挽。求所谓六法者,能者绝 无,知者亦仅有矣。 (Shen Zongqian [沈宗騫] (1781) A Skiff on the Ocean of Painting, p. 1) Abstract The article shows that, in the effort to convey a notion of the singularity of the beloved face, especially in tragic settings, often human cultures resort to nature, and adopt animal, vegetable, and even mineral metaphors in order to rhetorically transfer the singularity of their shapes to that of the facial representations. This trend develops across cultures in world literature but imposes itself with particular emphasis in those traditions, authors, and texts that posit a systematic correlation between the microcosmos and the macro-cosmos, between body and nature, and between the face and the landscape. Keywords: face, singularity, semiotics of culture, landscape painting, portrait 28 Massimo Leone 1. Animal, Vegetable, and Mineral Metaphors of the Face The narrative poem Chang Hen Ge (长恨歌; lit. “Song of Everlasting Regret”) is one of the most accomplished literary works of the Tang dynasty.2 Composed by the renowned Chinese poet Bai Juyi,3 it recounts the tragic love story between Emperor Xuanzong of Tang4 and his favorite concubine, the epical beauty Yang Guifei (Figure 1).5 Figure 1. Imperial Consort Yang Guifei Teaches a Parrot to Chant Sutras, Liao dynasty (907-1125), Liao Tomb of Mountain Pao In the poem, which dates from 809, metaphors flow from the natural landscape to the face of the concubine, and vice versa. -
Bee Final Round Bee Final Round Regulation Questions
NHBB A-Set Bee 2016-2017 Bee Final Round Bee Final Round Regulation Questions (1) A letter by Leonel Sharp provides this work's most widely accepted text, including the promises \you have deserved rewards and crowns" and \we shall shortly have a famous victory." In this speech, the speaker thinks \foul scorn that Parma or Spain [...] should dare to invade the borders of my realm" before promising to take up arms, despite having a \weak, feeble" body. For the point, name this 1588 speech delivered to an army awaiting the landing of the Spanish Armada by a leader who had the \heart and stomach of a King," Elizabeth I. ANSWER: Tilbury Speech (accept descriptions that use the name Tilbury; prompt on descriptions that don't, such as \Queen Elizabeth's speech to her army about the incoming Spanish Armada" or portions thereof, so long as the player includes something that the tossup hasn't gotten to yet) (2) This man represented holders of the Wentworth Grants in a New York court case; protecting his interests in those grants led this man and his family to form the Onion River Company. Late in life, this man published the deist book Reason: The Only Oracle of Man. After a meeting at Catamount Tavern, this man organized a militia group that went on to aid Benedict Arnold in the capture of Fort Ticonderoga. For the point, name this man who advocated independence for Vermont and who led the Green Mountain Boys. ANSWER: Ethan Allen (3) This activity was re-affirmed to not be interstate commerce by Oliver Wendell Holmes, Jr. -
Tang Hanedanlığı Dönemi'nde Bir Cariye: Yang Guifei (杨贵妃)
Curr Res Soc Sci (2016), 2(2) • 58-66 Tang Hanedanlığı Dönemi’nde Bir Cariye: Yang Guifei (杨贵妃) ARAŞTIRMA MAKALESİ Mukaddes Cihanyandı* Ankara Üniversitesi, Dil ve Tarih-Coğrafya Fakültesi, Ankara, Türkiye Öz Tang Hanedanlığı, Çin tarihinin, ekonomik, siyasi ve kültürel açıdan en çok geliştiği altın çağıdır. Bu dönemde haremin devlet yönetiminde büyük ve önemli etkileri görülmüştür. Toplumun gelişmesinin yanı sıra kadına olan bakış açısının değişmesi, kadını daha güçlü hale getirmiştir. Bu dönemde kadının siyasi ve sosyal olarak statüsü yükselmiştir. Yang Guifei “Tang Döneminde Kadın” denildiğinde aklımıza gelen isimlerden birisidir. Yang Guifei (杨贵 妃, 719 - 756), Çin tarihindeki dört güzel kadından biridir. Güzelliği ve sıra dışı hayat hikâyesi ile dillere destandır ve pek çok şaire ilham kaynağı olmuştur; hakkında şiirler ve şarkılar yazılmış, filmler çekilmiştir. Tang Hanedanlığı döneminin yedinci hükümdarı Tang Xuanzong ile gözde cariyesi Yang Guifei arasındaki ilişki yüzyıllardır trajik bir aşk hikâyesi olarak tanımlanmaktadır. Bu çalışmada, Tang Xuanzong ve Yang Guifei arasındaki ilişki ile Yang Guifei’in o dönemdeki devlet yönetimine olumlu – olumsuz etkisi incelenecektir. Anahtar Kelimeler: Tang Hanedanlığı, Tang Xuanzong, Yang Guifei, Çin’de Kadın. A Concubine in Tang Dynasty: Yang Guifei (杨贵妃) Abstract Tang Dynasty is the most developed golden age in Chinese history that developed in economy, political and culture fields. In this period, observed that harem has large and significant effects on politics and state administration. Besides the development of society, with the change of perspective on woman, woman has become much stronger. However, in this period women’s political and social status has rosen. In Chinese’s most brillant period Tang period when said Makale Bilgileri: woman one of the name that come to mind is Yang Guifei. -
China, Das Chinesische Meer Und Nordostasien China, the East Asian Seas, and Northeast Asia
China, das Chinesische Meer und Nordostasien China, the East Asian Seas, and Northeast Asia Horses of the Xianbei, 300–600 AD: A Brief Survey Shing MÜLLER1 iNTRODUCTION The Chinese cavalry, though gaining great weight in warfare since Qin and Han times, remained lightly armed until the fourth century. The deployment of heavy armours of iron or leather for mounted warriors, especially for horses, seems to have been an innovation of the steppe peoples on the northern Chinese border since the third century, as indicated in literary sources and by archaeological excavations. Cavalry had become a major striking force of the steppe nomads since the fall of the Han dynasty in 220 AD, thus leading to the warfare being speedy and fierce. Ever since then, horses occupied a crucial role in war and in peace for all steppe riders on the northern borders of China. The horses were selectively bred, well fed, and drilled for war; horses of good breed symbolized high social status and prestige of their owners. Besides, horses had already been the most desired commodities of the Chinese. With superior cavalries, the steppe people intruded into North China from 300 AD onwards,2 and built one after another ephemeral non-Chinese kingdoms in this vast territory. In this age of disunity, known pain- fully by the Chinese as the age of Sixteen States (316–349 AD) and the age of Southern and Northern Dynas- ties (349–581 AD), many Chinese abandoned their homelands in the CentraL Plain and took flight to south of the Huai River, barricaded behind numerous rivers, lakes and hilly landscapes unfavourable for cavalries, until the North and the South reunited under the flag of the Sui (581–618 AD).3 Although warfare on horseback was practised among all northern steppe tribes, the Xianbei or Särbi, who originated from the southeastern quarters of modern Inner Mongolia and Manchuria, emerged as the major power during this period. -
Immortality of the Spirit: Chinese Funerary Art from the Han and Tang Dynasties Exhibition Catalogue
Fairfield University DigitalCommons@Fairfield Immortality of the Spirit: Chinese Funerary Art Immortality of the Spirit - Ephemera from the Han and Tang Dynasties 4-2012 Immortality of the Spirit: Chinese Funerary Art from the Han and Tang Dynasties Exhibition Catalogue Jill J. Deupi Fairfield University, [email protected] Ive Covaci Fairfield University Leopold Swergold Follow this and additional works at: https://digitalcommons.fairfield.edu/immortality_ephemera Recommended Citation Deupi, Jill J.; Covaci, Ive; and Swergold, Leopold, "Immortality of the Spirit: Chinese Funerary Art from the Han and Tang Dynasties Exhibition Catalogue" (2012). Immortality of the Spirit - Ephemera. 1. https://digitalcommons.fairfield.edu/immortality_ephemera/1 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Immortality of the Spirit: Chinese Funerary Art from the Han and Tang Dynasties 1 ust over a year ago, Jane and Leopold Swergold surprised -
From Warhorses to Ploughshares: the Later Tang Reign of Emperor Mingzong
《中國文化研究所學報》 Journal of Chinese Studies No. 61 – July 2015 Book Reviews 353 From Warhorses to Ploughshares: The Later Tang Reign of Emperor Mingzong. By Richard L. Davis. Hong Kong: Hong Kong University Press, 2014. Pp. xiii + 219. $60.00. Within the emerging field of Five Dynasties and Ten States studies, starting with 1 Edward H. Schafer, Brigitte Amthor, and Wang Hongjie, biographies of rulers have played an important part. The present study of Emperor Mingzong 明宗 (r. 926–933) of the Later Tang 後唐 by Richard L. Davis is thus a most welcome addition. Davis conveniently summarizes the history of the Shatuo 沙陀 and Shatuo rule in northern China until the end of the Later Tang dynasty. Previous studies have examined Shatuo rule in the general context of Five Dynasties history whereas Davis singles out the reign of one ruler, that of the second Later Tang ruler Mingzong, whom he clearly sees as an exemplary “good” ruler in terms of his adoption of cultural policies and leanings towards peaceful policies. The writing style is fluid, and the contents covers much more than just the life of Mingzong. This book starts with a preface (pp. xi–xvi), followed by Chapter 1 “People and Places” (pp. 1–31), an introduction to Shatuo history, family relations, and the main political actors. Chapter 2 “Royal Passage” (pp. 33–61) describes the rise of Li Siyuan 李嗣源, the later Mingzong, to the throne of the Later Tang. Chapters 3 and 4 “Political Events” look at Mingzong’s reign according to his reign titles Tiancheng 天 成 (pp. -
Homer's Helen and Bai Juyi's Yuhuan: Beauty, Subjectivity, And
Homer’s Helen and Bai Juyi’s Yuhuan: Beauty, Subjectivity, and Ethics By Suiyun Pan (David) Honors Thesis Department of English and Comparative Literature University of North Carolina-Chapel Hill 2020 Approved: ____________________________________________ Abstract A beautiful woman, in the history and literature of ancient Greece and ancient China, is often presented as a controversial figure who can initiate dramatic events. On the one hand, people enjoy and praise her beauty. On the other hand, these same appreciators may blame the beautiful woman for morally corrupting them and generating chaos—even when such chaos is the product of the decisions and conduct of men. The mysterious Greek composer Homer and the renowned Chinese poet Bai Juyi are not ignorant of the unfair treatment of women in their societies. Throughout his Iliad and Odyssey, Homer reconsiders the reputation of his beautiful yet infamous heroine, Helen. As the poet shows a great interest in Helen’s morality and sociality, criticism of this “war-causing” beauty is called into question. Likewise, in “Song of Everlasting Regret,” Bai Juyi demonstrates the goodness of Yang Yuhuan, a “troublemaking” royal concubine in Tang China. Going even further than Homer, Bai is concerned with Yuhuan’s self- awareness and subjectivity. Nevertheless, neither Homer’s epics nor Bai’s poem should be interpreted as a feminist corrective to legend and history. Both poets redefine their beauties in ways that ultimately canonize the literary exploitation of women. Introduction When introduced to the western world, Yang Yuhuan 楊玉環 (719-756 CE), also known as Yang Guifei, Precious Concubine Yang, or Imperial Consort Yang, is often referred to as “the Chinese Helen of Troy.” We compare Yuhuan to Helen not only for the similarities of their beautiful appearance and romantic experiences, but also for the similar role they played in each of the empires that immortalized them—ancient China and ancient Greece, respectively.