Discussion on the Thoughts of Family and Country in Du Mu's Poems and Its Teaching Implications Rong Xiaocuo
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Research on Li Bai and His Poetry Works from the Perspective of Tourism Jihong Xu Ma'anshan Teacher's College, Anhui, Ma'anshan, 243041, China Abstract
Advances in Social Science, Education and Humanities Research (ASSEHR), volume 300 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018) Research on Li Bai and His Poetry Works from the Perspective of Tourism Jihong Xu Ma'anshan Teacher's College, Anhui, Ma'anshan, 243041, China Abstract. Li Bai is a great poet and traveler in China. He leaves China precious tourism resources. His tourism poetry works enrich China tourism culture, Li Bai is an outstanding tourism aesthetics master. His poetry aesthetic artistic conception is far-reaching. Li Bai and his poetry works are comprehensively arranged and deeply studied from the perspective of tourism, thereby providing an important basis for developing tourism resources and enriching cultural connotation of tourism products in various regions, and further promoting inheritance and development of China tourism culture. Keywords: Li Bai; tourism resources; tourism culture; tourism aesthetics. 1. Introduction Li Bai is a great romantic poet of China, who 'traveled many famous mountains for his life'. He 'studied immortals in his fifteenth year and never stopped immortal trips'. He 'went to far places with sword' at the age of 25. Li Bai stayed in Dangtu of Anhui at the age of 60 till his death. Li Bai traveled all year round since 15 years old. His steps were radiated to the whole China. Li Bai was repeatedly frustrated in his political career and failed to realize his political ambition especially from 44 to 55 years old. Therefore, he mainly focused on travelling during the period. Such a long and extensive travel is rare among ancient Chinese literati, which also enabled him to transcend his status as a poet. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Li Bai, Du Fu and Yang Guifei; Tang Dynasty Immortals
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia Southern University: Digital Commons@Georgia Southern Georgia Southern University Digital Commons@Georgia Southern Center for Undergraduate Research and Curio Research Symposium Intellectual Opportunities (CURIO) 2020 Li Bai, Du Fu and Yang Guifei; Tang Dynasty Immortals Cierra Landon Georgia Southern University, [email protected] Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/curio Part of the Creative Writing Commons Recommended Citation Landon, Cierra, "Li Bai, Du Fu and Yang Guifei; Tang Dynasty Immortals" (2020). Curio Research Symposium. 23. https://digitalcommons.georgiasouthern.edu/curio/23 This presentation is brought to you for free and open access by the Center for Undergraduate Research and Intellectual Opportunities (CURIO) at Digital Commons@Georgia Southern. It has been accepted for inclusion in Curio Research Symposium by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Cierra Landon Department: Chinese, Statesboro Co-Presenters: Faculty Mentor: Marti Lee, Writing & Linguistics Li Bai, Du Fu and Yang Guifei; Tang Dynasty Immortals During the Tang dynasty of China, two master poets would appear that would later cause a massive impact on future generations and modern poetry. The Tang dynasty is widely considered the most creative period in China’s history, having two poets compete for the title of best is an amazing feat. Both poets shared an unlikely friendship due to their exceptionally different writing styles and personal values, making their appeal to modern day poetry fanatics even more intense. Li Bai, with his romanticized poetry about wine and nature along with his obstinate behavior and carefree nature and Du Fu, with his realistic poetry about the struggles of life and man. -
Rediscovering the Idea of Cultural Heritage and the Relationship with Nature: Four Schools of Essential Thought of the Ancient Han Chinese
heritage Article Rediscovering the Idea of Cultural Heritage and the Relationship with Nature: Four Schools of Essential Thought of the Ancient Han Chinese Otto Chen * and Dawei Han Department of Civil Engineering, University of Bristol, Bristol BS8 1TR, UK * Correspondence: [email protected]; Tel.: +44-117-903-5428 Received: 12 June 2019; Accepted: 28 June 2019; Published: 3 July 2019 Abstract: After a long-standing debate of pluralism in heritage conservation, the global practice has just started to broaden its view from material to people and even to nature, leading to the potential of a more comprehensive understanding and harmony between these spheres. Notwithstanding that the shift from material to people and then to nature seemingly looks like the only path in the modern heritage conservation movement to achieve the foregoing goals, in fact, there exist some regional cultures that originally featured particular views on human–nature harmony. This paper hence highlights the regional difference in heritage with a focus on China of ancient times, which unfolds the particular perspective emphasising the unity of human and nature. With a case study of Huaqing Palace of the Tang Dynasty (618–907 CE), the research is expected to be the first attempt to rediscover that the four schools of thought, Buddhism, Taoism, Confucianism and I Ching, had jointly formed a “wisdom” system of the ancient Han Chinese in shaping the idea of cultural heritage, as well as the idea of heritage conservation, which were inherited by modern Chinese without knowing and recognising it. The paper, therefore, argues that without understanding and acknowledging the significance of the ancient Han Chinese’s particular view on nature and the universe formed by the four schools of thought behind the material, it is not likely to protect and promote comprehensively their heritage value, such that the importance of cultural diversity will be just rhetoric. -
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Advances in Social Science, Education and Humanities Research, volume 324 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019) Exploration on the Protection Scheme of the Great Ruins of Southern Lifang District in the Luoyang City Site in Sui and Tang Dynasties Haixia Liang Luoyang Institute of Science and Technology Luoyang, China Peiyuan Li Zhenkun Wang Xi’an University of Architecture and Technology China Petroleum First Construction Company (Luoyang) Xi'an, China Luoyang, China Abstract—The great ruins are a kind of non-renewable district in a comprehensive and detailed way. Through the precious resources. The southern Lifang district in the analysis of the current situation of southern Lifang district, a Luoyang City Site in Sui and Tang Dynasties is the product of relatively reasonable planning proposal is obtained. This the development of ancient Chinese capital to a certain study can provide theoretical or practical reference and help historical stage. As many important relics and rich cultural on the protection and development of Luoyang City Site in history have been excavated here, the district has a rich Sui and Tang Dynasties, as well as the reconstruction of humanity history. In the context of the ever-changing urban southern Lifang district. construction, the protection of the great ruins in the district has become more urgent. From the point of view of the protection of the great ruins, this paper introduces the II. GREAT RUINS, SUI AND TANG DYNASTIES, LUOYANG important sites and cultural relics of southern Lifang district CITY AND LIFANG DISTRICT in Luoyang city of the Sui and Tang Dynasties through field Great ruins refer to large sites or groups of sites with a investigation and literature review. -
The Reception and Translation of Classical Chinese Poetry in English
NCUE Journal of Humanities Vol. 6, pp. 47-64 September, 2012 The Reception and Translation of Classical Chinese Poetry in English Chia-hui Liao∗ Abstract Translation and reception are inseparable. Translation helps disseminate foreign literature in the target system. An evident example is Ezra Pound’s translation based on the 8th-century Chinese poet Li Bo’s “The River-Merchant’s Wife,” which has been anthologised in Anglophone literature. Through a diachronic survey of the translation of classical Chinese poetry in English, the current paper places emphasis on the interaction between the translation and the target socio-cultural context. It attempts to stress that translation occurs in a context—a translated work is not autonomous and isolated from the literary, cultural, social, and political activities of the receiving end. Keywords: poetry translation, context, reception, target system, publishing phenomenon ∗ Adjunct Lecturer, Department of English, National Changhua University of Education. Received December 30, 2011; accepted March 21, 2012; last revised May 13, 2012. 47 國立彰化師範大學文學院學報 第六期,頁 47-64 二○一二年九月 中詩英譯與接受現象 廖佳慧∗ 摘要 研究翻譯作品,必得研究其在譯入環境中的接受反應。透過翻譯,外國文學在 目的系統中廣宣流布。龐德的〈河商之妻〉(譯寫自李白的〈長干行〉)即一代表實 例,至今仍被納入英美文學選集中。藉由中詩英譯的歷時調查,本文側重譯作與譯 入文境間的互動,審視前者與後者的社會文化間的關係。本文強調翻譯行為的發生 與接受一方的時代背景相互作用。譯作不會憑空出現,亦不會在目的環境中形成封 閉的狀態,而是與文學、文化、社會與政治等活動彼此交流、影響。 關鍵字:詩詞翻譯、文境、接受反應、目的/譯入系統、出版現象 ∗ 國立彰化師範大學英語系兼任講師。 到稿日期:2011 年 12 月 30 日;確定刊登日期:2012 年 3 月 21 日;最後修訂日期:2012 年 5 月 13 日。 48 The Reception and Translation of Classical Chinese Poetry in English Writing does not happen in a vacuum, it happens in a context and the process of translating texts form one cultural system into another is not a neutral, innocent, transparent activity. -
The Chinese University Press
Preface to the Calligrams Edition • Reading poetry in translation is an exploration born of restlessness, a search for something that will add new colors to our own experience. Yet the poetry we read and appreciate from outside the comfort zone of our own culture inevitably has a resonance with our own traditions and views. The “world literature” we choose is a reflection of our tastes—one that often does not precisely Materials coincide with the tastes of the readers in the original language. The translation of classical Chinese poetry in the English- speaking world is intimately connected Copyrightedto the history of modernism (especially through the efforts of Ezra Pound and Kenneth Rexroth as well as the BloomsburyPress: scholar Arthur Waley). But not only does our enthusiasm for Chinese poetry sometimes empha- size qualities traditionallyUniversity of lesser interest to Chinese readers— and ignore aspects they would consider quite important—our versions of ChineseChinese poetry do not exhibit merely one form of modernism. The The dean of Chinese translators in America, Burton Watson, operates very much in the tradition of American verse defined by William Carlos Williams—he prefers to work with straightfor- ward, allusion-free poetry that conveys its charms directly, whether it is the flamboyant rhyme-prose of the Han and post-Han eras, or the genial directness of the great Song poet Su Dongpo. Eminent Chinese literature translators who worked in Great Britain or in the Commonwealth have often been attracted by more difficult as- pects of modernism; they are the descendants of William Empson, xii | Preface to the Calligrams Edition with his erudite mastery of the English literary tradition and his fascination with the difficult. -
Marriage Customs in Shandong During the Ming and Qing
2018 4th International Conference on Social Science and Management (ICSSM 2018) ISBN: 978-1-60595-190-4 Marriage Customs in Shandong During the Ming and Qing Dynasties from the Novel of Marriages to Awaken the World Chang-Lin WU a, Wen-Jing YU * East China Traffic University, College of Humanities, Nanchang of China, 330013 [email protected] , *[email protected] Keywords: Marriages to Awaken the World ; Ming and Qing Dynasties; Shandong, Marriage customs. Abstract. Marriages to Awaken the World is a long chapter novel in late Ming and early Qing Dynasty. This book takes the marriage of two generations as the plot framework, and the author is very concerned about family marriage. This novel depicts many marriage customs, including three aspects of talking about marriage and preparing for marriage, wedding ceremony and custom after marriage. It helps us to have a comprehensive understanding of the social functions and regional culture of Shandong in Ming and Qing Dynasties by sorting out marriage customs in Marriages to Awaken the World . Introduction Marriages to Awaken the World is a long chapter novel written in the background of Shandong local culture. The book takes the marriage between two generations as the plot frame, which truly reflects the marriage customs and local customs in Shandong province. It provides effective data for later generations to study the literature, culture and folk customs of the Ming and Qing dynasties in Shandong province. Premarital Customs Talk about Marriage Talking about marriage is arranged by the command of parents and the words of a matchmaker. The matchmaker is a middleman, representing the parents of both sides. -
Law, Literature, and Gender in Tang China: an Exploration of Bai Juyi's
NORMAN HO- PAGE PROOF (DO NOT DELETE) 7/8/2009 3:51 AM Law, Literature, and Gender in Tang China: An Exploration of Bai Juyi’s Selected Panwen on Women Norman P. Ho (侯孟沅)* I. INTRODUCTION Since the birth of the law and literature field in the 1970s,1 scho- lars working in the West have primarily focused their attention on analysis of legal issues in American and European literary master- pieces. More recently, academics have begun to explore the inter- sections between law and literature in the literary traditions of late imperial and modern China.2 However, very little scholarly atten- * J.D. candidate and Global Law Scholar (class of 2012), Georgetown University Law Cen- ter. A.M. in Regional Studies-East Asia (Chinese History), Harvard University (2009). Harvard-Yenching Institute Fellow, Department of History, Peking University (2007-2008); A.B. cum laude in History, Harvard University (2007). I would like to thank Professor Wai-yee Li for her extremely helpful comments and suggestions about my translations of Bai Juyi‘s panwen and on this paper in general, as well as her encouragement for pursuing research on this topic. Many thanks also to Professor Xiaofei Tian for first introducing me to panwen as a literary genre. 1 Most scholars credit James Boyd White, currently L. Hart Wright Collegiate Professor of Law at the University of Michigan Law School, and his seminal book: THE LEGAL IMAGINATION: STUDIES IN THE NATURE OF LEGAL THOUGHT AND EXPRESSION (Boston: Little, Brown, 1973), with creating the field. See Professor White‘s faculty website at http://cgi2.www.law.umich.edu/_FacultyBioPage/ facultybiopagenew.asp?ID=14. -
Tang Decline and Rise of the Song
Tang Decline and Rise of the Song By Sydney Hancock Tang Decline: Empress Wu and Empress Wei – A.ack on Buddhist monas5c order by the Tang was caused by the general weakening of the imperial control that had begun a century earlier – 690-705 The Tang Dynasty was ruled by Empress Wu who had tried to establish a new dynasty – Second aempt to control the throne was made by a woman who married into the imperial family – Empress Wei poisoned her husband (the son of Empress Wu) with the encouragement and support of her relaves – Empress Wei then placed her own child on the throne – Her aempt to seize power was stopped by another prince Tang Decline: Xuanzong – Xuanzong, the prince that had led a palace revolt that ended with the destruc5on of Wei, ruled from 713-756 – His rule marked the peak of Tang power and the high point of Chinese civilizaon under the dynasty – Xuanzong had a strong interest in poli5cal and economic reforms – These reforms were enforced by the officials he appointed to high posi5ons – He devoted himself to patronizing the arts – He was interested in music and would play himself, but would also have performers play for him Tang Decline: Yang Guifei – AQer the death of his second wife, Xuanzong became involved with Yang Guifei – This relaonship was one of the most famous in all of Chinese history – Yang was raised to the status of royal concubine – She used her new power to pack the upper levels of the government with her greedy relaves – The arrogance and ambi5on of Yang and her family angered members of rival cliques at court -
An Explanation of Gexing
Front. Lit. Stud. China 2010, 4(3): 442–461 DOI 10.1007/s11702-010-0107-5 RESEARCH ARTICLE XUE Tianwei, WANG Quan An Explanation of Gexing © Higher Education Press and Springer-Verlag 2010 Abstract Gexing 歌行 is a historical and robust prosodic style that flourished (not originated) in the Tang dynasty. Since ancient times, the understanding of the prosody of gexing has remained in debate, which focuses on the relationship between gexing and yuefu 乐府 (collection of ballad songs of the music bureau). The points-of-view held by all sides can be summarized as a “grand gexing” perspective (defining gexing in a broad sense) and four major “small gexing” perspectives (defining gexing in a narrow sense). The former is namely what Hu Yinglin 胡应麟 from Ming dynasty said, “gexing is a general term for seven-character ancient poems.” The first “small gexing” perspective distinguishes gexing from guti yuefu 古体乐府 (tradition yuefu); the second distinguishes it from xinti yuefu 新体乐府 (new yuefu poems with non-conventional themes); the third takes “the lyric title” as the requisite condition of gexing; and the fourth perspective adopts the criterion of “metricality” in distinguishing gexing from ancient poems. The “grand gexing” perspective is the only one that is able to reveal the core prosodic features of gexing and give specification to the intension and extension of gexing as a prosodic style. Keywords gexing, prosody, grand gexing, seven-character ancient poems Received January 25, 2010 XUE Tianwei ( ) College of Humanities, Xinjiang Normal University, Urumuqi 830054, China E-mail: [email protected] WANG Quan International School, University of International Business and Economics, Beijing 100029, China E-mail: [email protected] An Explanation of Gexing 443 The “Grand Gexing” Perspective and “Small Gexing” Perspective Gexing, namely the seven-character (both unified seven-character lines and mixed lines containing seven character ones) gexing, occupies an equal position with rhythm poems in Tang dynasty and even after that in the poetic world. -
Dissertation Section 1
Elegies for Empire The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ! 2013 Gregory M. Patterson All rights reserved ABSTRACT Elegies for Empire: The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson This dissertation explores highly influential constructions of the past at a key turning point in Chinese history by mapping out what I term a poetics of memory in the more than four hundred poems written by Du Fu !" (712-770) during his two-year stay in the remote town of Kuizhou (modern Fengjie County #$%). A survivor of the catastrophic An Lushan rebellion (756-763), which transformed Tang Dynasty (618-906) politics and culture, Du Fu was among the first to write in the twilight of the Chinese medieval period. His most prescient anticipation of mid-Tang concerns was his restless preoccupation with memory and its mediations, which drove his prolific output in Kuizhou. For Du Fu, memory held the promise of salvaging and creatively reimagining personal, social, and cultural identities under conditions of displacement and sweeping social change. The poetics of his late work is characterized by an acute attentiveness to the material supports—monuments, rituals, images, and texts—that enabled and structured connections to the past. The organization of the study attempts to capture the range of Du Fu’s engagement with memory’s frameworks and media. It begins by examining commemorative poems that read Kuizhou’s historical memory in local landmarks, decoding and rhetorically emulating great deeds of classical exemplars.