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Jcah-Ahac 14-2.Pdf THE JOURNAL OF CANADIAN ART HISTORY ANNALES D'HISTOIRE DE L'ART CANADIEN Etudes en art, architecture et arts decoratifs canadiens Studies in Canadian Art, Architecture and the Decorative Arts Volume XIV / 2 Editeurs-fondateurs / Founding Publishers: Donald F.P. Andrus, Sandra Paikowsky Adresse I Address: Tarif d'abonnement I Subscription Rate: Universite Concordia / Concordia University 20 $ pour un an / per year 1455, boul. de Maisonneuve ouest, VA 432 (25 $ US aI'etranger / outside Canada) Montreal, Quebec, Canada 12 $ le numero / per single copy H3G1M8 (14 $ US a I'etranger / outside Canada) (514) 848-4699 La revue Annales d'histoire de Part canadien est membre TheJournal o/Canadian Art History is a member of de la Societe de developpement des periodiques la Societe de developpement des periodiques culturels culturels quebecois (SODEP) et de la Canadian quebecois (SODEP) and the Canadian Magazine Magazine Publishers Association. Publishers Association. Cette revue est reperroriee dans les index suivants / This publication is listed in the following indices: Architectural Periodicals Index (England), Art Bibliographies (England) Art Index (New York, U.SA) Arts and Humanities Citation Inckx (ISI, Philadelphia, U.S.A.) Canadian Almanac and Directory (Toronto, Ont.) Canadian Business Index (Micromedia, Toronto, Ont.) Canadian Literary and Essay Index (Annan,Ont,) Canadian Magazine Index (Micromedia, Toronto, Ont.) Canadian Periodical Index (INFO GLOBE, Toronto, Om.) Current Contents / Arts & Humanities (lSI, Philadelphia, U.S.A.) lBR (International Bibliography of Book Reviews, F.R,G,) IBZ (International Bibliography o/Periodicals Literature, F.R.G.) Point de repen (Repertoire analytique d' articles de revues du Quebec) RILA (Mass., U.s.A.) Les anciens numeros des Annales d' histoire de tart Back volumes of TheJournal o/Canadian Art History (anadien som disponibles sur microfiche aI' adresse are available in microform from: Micromedia suivante: Micromedia Limited, 20, rue Victoria, Limited, 20 Victoria Street, Toronto, Ontario Toronto, Ontario M5C 2N8. M5C2N8. Design: Grauerholz Design Inc. Mise en page I Layout: Pierre Leduc Impression Linorronic: SAJY Revision des textes I Proofreading: Elise Bonnette, Mairi MacEachern, Denyse Roy Imprimeur I Printer: Impression Au Point Couverture I Cover: Conference des artistes canadiens, Queen's University, juin 1941 Distribution: Diffusion Parallele inc., Montreal Canadian Magazine Publishers Association, Toronto ISSN 0315-4297 Depot legal/Deposited with: Bibliotheque nationale du Canada / National Library of Canada Bibliotheque nationale du Quebec Publiee deux fois ran par: Published twice yearly by: Owl's Head Press REMERCIEMENTS / ACKNOWLEDGMENTS Les Ct!dacteurs des Annales d'histoire de rart The Editors of TheJournal o/Canadian Art History canadien tiennent a remercier de leur aimable gratefully acknowledge the assistance of the collaboration les etablissements suivants: following institutions: Programme des Revues scientifiques, Fonds FCAR, Gouvernement du Quebec Concordia University, Faculty of Fine Arts Conseil de recherches en sciences humaines du Canada / Social Sciences and Humanities Research Council of Canada Les n§dacteurs annoncent l'institution des Amis des The Editors wish to announce the institution of AnnaleJ d'hiJtoire de I'art canadien. Un don the category of Patron of The Journal 0/ Canadian minimum de 500 $ vaudra un abonnement de trois Art History. A donation of $500 minimum to ans au donateur. The Journal will entitle the donor to a three year subscription. Editeur I Publisher: Sandra Paikowsky Redacteurs I Editors: Jean Belisle, Universite Concordia I Concordia University Fran~ois-M. Gagnon, Universite de Montreal Laurier Lacroix, Universite du Quebec a Montreal Sandra Paikowsky, Universite Concordia I Concordia University John R. Porter, Universite Laval Esther Trepanier, Universite du Quebec a Montreal Assistante a l'administration I Administrative Assistant: Rose Mary Schumacher Comite de lecture I Advisory Board: Jacqueline Beaudoin-Ross, Musee McCord d'histoire canadienne IMcCord Museum of Canadian History, Montreal Jean Blodgett, McMichael Canadian Collection, Kleinburg Jim Burant, National Archives of Canada I Archives nationales du Canada, Ottawa Christina Cameron, Canadian Parks Service I Service canadien des parcs, Ottawa Alan Gowans, University of Victoria, Victoria Charles C. Hill, National Gallery of Canada I Musee des beaux-arts du Canada, Ottawa Denis Martin, Musee du Quebec, Quebec Luc Noppen, Universite Laval, Quebec John O'Brian, University of British Columbia, Vancouver Jean-Rene Ostiguy, Banque nationale du Canada, Montreal Ruth Phillips, Carleton University, Ottawa Dennis Reid, Art Gallery of Ontario, Toronto Jean Trudel, Universite de Montreal, Montreal Luce Vermette, Parcs Canada I Parks Canada, Ottawa Joyce Zemans, The Canada Council I Conseil des Arts du Canada, Ottawa TABLE DES MATIERES / CONTENTS XIV / 2 1991 ARTICLES Ginette Laroche 6 LES JESUITES DU QUEBEC ET LA DIFFUSION DE 1'ART CHRETIEN l'eglise du Gesu de Montreal, une nouvelle perspective 26 Resume Helene Sicotte 28 A KINGSTON, IL Y A 50 ANS, LA CONFERENCE DES ARTISTES CANADIENS Debat sur la place de l'artiste dans la societe 48 Resume Donald Goodes 50 QUALIFIED DEMOCRATIZATION The Museum Audioguide 72 Resume NOTES ET COMMENT AIRES / SHORT NOTES Elizabeth Mulley 74 LUCIUS R. O'BRIEN A Victorian in North America 82 Resume Deidre Simmons 83 FREDERICK ALEXCEE, INDIAN ARTIST (c. 1857 TO c. 1944) 92 Resume SOURCES ET/AND DOCUMENTS Irene Puchalski 94 JOHN S. ARCHIBALD, ARCHITECT (1872-1934) 100 Resume COMPTES RENDUS / REVIEWS Liz Wylie 114 Michael Tooby, with essays by: Robert Stacey, Charles C. Hill, Maria Tippett and Esther Trepanier The True North: Canadian Landscape Painting 1896-1939 John O'Brian 118 Scott Watson Jack Shadbolt Johanne Lamoureux 121 Linda Hutcheon Splitting Images. Contemporary Canadian Ironies Mark Cheetham Remembering Post modernism. Trends in Recent Canadian Art NOTE DE PUBLICATION / PUBLICATION NOTICE Ellen 1. Ramsay 127 Dennis Reid Lucius R. O'Brien: Visions a/Victorian Canada flJl.1 Mnll!re. l, Ge5U, Hie' d~ l'~miore v~rs I'avall!. v~n IH"''), I.too,ltr.phlr (juatre (OUI~urs. ""plet. '1.'5 I[ {2 (m; Imag~. Ui x ;,? (rn. ~,"c·Jtrt'm~. Anh"n dt' I~ ScK Ic'Cc' J.. Jc'\U~. Pn","H du C.1II.tc.l~ fr~IlI,~IS_ (Photo: )e-.n·Gu\ Kc't(H.l~ I 6 LES JESUITES DU QUEBEC ET / LA DIFFUSION DE [ART CHRETIEN L'eglise du Gesu de Montreal, une nouvelle perspective * Le probleme qui se pose n'est pas un probleme specifiquement canadien: il y a surement certaines donnees canadiennes d'un probleme general qui est le probleme de l'art chretien dans le monde moderne'. Alain-Marie Couturier (1940) u tournant des annees 1840, un sulpicien, ou meme un jesuite, frakhe­ A ment debarque a Montreal, aurait pu tenir ce discours, non pour denoncer la situation de notre art religieux, mais plutot pour 1'inscrire dans les preoccu­ pations propres au XIXe siecle - ce qu'incidemment 1'intervention du pere Couturier fera pour le XXe siecle. Bien sur, on ne disposait pas au Quebec, non plus que chez nos voisins americains, de ces vestiges medievaux qui ont, en Europe, suscite tant de ques­ tions en orientant les recherches non seulemem sur l'art religieux mais egale­ mem sur les valeurs morales et esthetiques, voire patriotiques, vehiculees par 2 cet art. La mise au point en France, vers 1840, de theories de 1'art chretien , ne pouvait no us laisser indifferents, compte tenu d'un contexte particulierement difficile qui, en 1848, faisait ecrire au jesuite Luiset, a propos des protestants «qui ne negligent rien pour assurer leur preponderance», que «leur zele pour 1'attaque doit nous arrimer a la defense'». Cette defense prend divers aspects, dom celui d'une resttucturation de la vie sociale, intellectuelle et religieuse des Momrealais, restructuration rendue necessaire apres les evenemems des annees 1837 et 1838. Mais surtout, elle s'ouvre sur une nouvelle hypothese, celle de notre participation active, comme collectivite, a ce vaste mouvemem de spiritualisation de 1'art qu'a con nu le XIXe siecle. Deja, en 1960, Gerard Morisset avait pose les limites de cette participa­ 4 tion, soit les cercles ultramontains de Montreal • Fondes en 1857 et en 1858 5 par les sulpiciens et les jesuites , ces cercles ont pu, a travers leurs activites, leurs bibliotheques, leurs publications et leurs membres, imposer leur preference dans une entreprise qui, a toutes fins utiles, amenera au pays non seulement des idees, mais egalement des hommes aptes ales realiser, ces artistes italiens et allemands que Morisset allait tant decrier par la suite('. C'est dire qu'au jugement esthetique, voire ethno-centrique, d'un Morisset, je prefere substituer une analyse de ce phenomene d'emprum, analyse qui per- 7 mettra de reintroduire dans un tableau d'ensemble un aspect pragmatique de ces ideologies contemporaines du «reveil religieux des annees 1840», L'imprime ayant joue un role de premier plan dans la diffusion des recherches et dans la promotion des idees, il est naturel d'y rechercher la mani­ festation d'un certain interet pour l'art de l'epoque. Parmi les quelques articles traitant du sujet et publies entre 1857 et 1867, mon choix s'est arrete sur la 7 conclusion d'un article paru en 1866, dans le Journal de l'instruction publique • Apres avoir longuement analyse l'architecture de quelques edifices religieux montrealais, l'auteur regroupe dans sa conclusion toutes les references utiles a l'honnete ultramontain. 11 recommande ainsi la lecture aussi bien de textes de personnalites qui, a divers titres, ont marque le monde religieux fran\ais - Dupanloup, Lacordaire, Cahier et Montalembert - que de textes theoriques, tels ceux de Rio sur l'art catholique, ou plus techniques, comme ceux de Vitet et de Schmidt, inspecteurs des monuments nationaux de France. A titre de documents complementaires et facilement accessibles, il cite encore, pour leurs planches, les revues europeennes le Magasin Pittoresque, l'Illustration de Paris et le Illllstrated News de Londres. Ses sources citees, il nous trace egale­ ment un itineraire des bibliotheques a visiter pour consulter ces volumes.
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