Volume 2, Issue 19

Total Page:16

File Type:pdf, Size:1020Kb

Volume 2, Issue 19 Volume 2, Issue 19 Finding the Good in Your Quirky Accountant The movies have certainly done a good job of exaggerating and making fun of accountants and their personalities. One of my favorites is the smarmy character Louis Tully, played by Rick Moranis, in the 1984 movie Ghostbusters. “Hey, this is real smoked salmon from Nova Scotia, Canada, $24.95 a pound! It only cost me $14.12 after tax, though,” says Louis, right before he gets possessed. It might be true – most accountants are too honest for their own good. With tongue in cheek, here are five more talents of the typical accounting personality and how to put them to best use: 1. Straight-faced. Ok, so our sense of humor leaves something to be desired, but someone has to keep a straight face when the IRS arrives. One of the best at this was Bob Newhart, a famous comedian known for his deadpan. He’s known for his sitcoms, The Bob Newhart Show (1970s), where he played a psychologist, and the 1980s show Newhart where he played an innkeeper. The fact that Bob’s career started out in accounting may explain a lot. 2. A knack for numbers. When a big group goes out for dinner or drinks and wants to settle the check, it’s handy to have your accountant around. Who else will be able to let everyone know what they owe, get it correct down to the penny (and yes – I mean penny), collect it from everyone, and settle that restaurant bill in less than ten minutes? Now that’s talent. (Hint: Why, we’d love to go to lunch with you next week. Thanks for asking.) 3. Stylish (not). You’ll look pretty chic next to your accountant, especially if he is sporting his adored pocket protector. Well, at least most of us left the green eyeshades, visors, and armbands home a few decades ago. 4. Count on us to count. We know. No one wants to be the treasurer of the Toastmasters Club, the Lions, the Rotary, or the Masons. But we love doing this job, so you can count on us to count the club money. 5. Musical. What do musical artists Kenny G., Gibby Haynes (lead singer of The Butthole Surfers), and Tim DuBois (country singer) have in common? They are all accountants. It’s an interesting fact that individuals who are good in accounting and programming also have a natural talent for music. Next time your band needs a stand-in, consider asking your accountant. They may be a closet musician. Accountants are pretty good at helping you with your business, too. Let us know how we can help you with yours. *** Tweets Insert a link to your newsletter, web site or blog before you post these: Our latest blog: Finding the Good in Your Quirky Accountant. Subscribe here: [link] Did you know Kenny G, Gibby Haynes, and Tim DuBois were all accountants? Find out more: [link] Biz Tip: Few professions rank as high in trustworthiness as accountants. [link] What personality traits does your accountant have? [link] Did you know people good in accounting and programming make naturally good musicians? [link] Honesty is one trait you’re sure to want in your accountant Find out more here: [link] Who is your favorite famous accountant? [link] Find the good in your quirky accountant. Sign up for our newsletter: [link] .
Recommended publications
  • J. Dennis Thomas. Concert and Live Music Photography. Pro Tips From
    CONCERT AND LIVE MUSIC PHOTOGRAPHY Pro Tips from the Pit J. DENNIS THOMAS Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2012 Elsevier Inc. Images copyright J. Dennis Thomas. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, assume any liability for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein.
    [Show full text]
  • PDF (1.47 Mib)
    M M M M M M M M M M M M M M M M M M M M M M M M セ M M M M M M M M M M M M M M M セ M M M M M M セ ...-----------..-- .......... - - - - -- - arcade OCTOBER 17 2008 • 12 the spirit of Cold War Kids. It's as iflead singer Nathan Willett is perpetually and sloppily inebriated, balanc- SU D Y continued ing on the precipice of drunken brilliance and drunken oblivion. His stage presence is controlled, but with a passion and fervor that's remarkable. still feminine voice lends powerful sound to every tune she tack- Their latest release (Loyalty to Loyalty, 2008) stays true to the foundation they built musically in 2006's Rob- les. The Vettes do carry around some '80s influence, but it's tem- bers and Cowards. Voodoo audiences are sure to be impressed with their set for this year's show. Count on a pered with a modern sensibility that saves the music from falling little bit of absurdity and a lot of indie brilliance. -AmyHoliday into kitsch-ville. Fans ofDepeche Mode, the Cranberries and New Wave music in general will dig the Vettes at this year's Voodoo Fest. Known for its showmanship and manic energy, the band is certain to put on a kickass live show. Don't miss the ethereal meandering of 1:50-2:50 at Playstation/Billboard.com stage "Flame" on Voodoo Fest's main Web site. - F.G. Lupe Fiasco has been showing New Orleans a lot oflove lately, speaking at.
    [Show full text]
  • Recess Activities, Inc. Presents Gibby Haynes Paintings
    FOR IMMEDIATE RELEASE Recess Activities, Inc. Presents Gibby Haynes Paintings April 26 - June 1, 2011 Red Hook, Brooklyn, April 26, 2011—Gibby Haynes will begin two months of work at Recess’s new Brooklyn outpost as part of its signature program, Session. Haynes’ project will be the second iteration of Recess’s collaboration with Charlotte Kidd and Dustin Yellin from Kidd Yellin Studios in Red Hook. Recess’s original location at 41 Grand Street in SoHo will remain open; both spaces will be free and open to the public. During his premiere US solo presentation, Haynes will adapt the residency room at Kidd Yellin into a production studio for a series of abstract, geometric paintings. Known for his work as a musician in the group Butthole Surfers, Haynes will translate his intimate relationship with sound and the hardcore movement into visual vocabulary. On eight-foot square canvases, the artist will use bold, contrasting colors issuing from the center in echoing circles. Revolving like a record, the canvas becomes vinyl and the paint etches vibration. About the Artist: Gibby Haynes is an American musician, radio personality, painter and the lead singer of the group Butthole Surfers. He received a BA from Trinity University. His work has been featured in exhibitions at Robert Berman Gallery in Santa Monica California and The Station in Houston Texas. Haynes currently lives in Brooklyn, New York with his wife, Melissa, their daughter, and their Westie. Recess Activities at Kidd Yellin 133 Imlay Street Brooklyn, NY .
    [Show full text]
  • Vol. XX No. 1 "You Don't Want the Roni! You Can't Handle the Roni!" September 9, .Wrwpra - -- -R-- -- -Agaa-~ P I R~C· Af~ 1~~-- ~ Rers - -A -- Ra a I IWT ~~A - Apy-L
    Vol. XX No. 1 "You Don't Want The Roni! You Can't Handle The Roni!" September 9, .wrwpra - -- -R-- -- -agaa-~ P I R~C· aF~ 1~~-- ~ rers - -a -- ra a I IWT ~~a - apY-L t:'e '·'·'· ~~ R '''' """ :·~ ·:·tt.· ISSUES nni/ilS~~And rt AOi^ : : *;' *.:> v:...... ........ gunted riot p( qsque in oacKgrouna ..i.... '.. iiiiii^ I I LLtCfl oreaK jor"ca jatll v at me marcn 1Vi '4~ 4 iiiii:iiii::::iiiiiiji:i ii ... ..•" .'.:..i•.. ...... -. ' t.:. ....... ---.-, ?7 .""" i r ii~i~i :C: t3i;i! i: c &· :I ::. i 3~ k / he riot police Keaay for --- Photos and text by Daniel Yohannes S Flippin' a I , THE STONY BROOK PRESS PAGE 2 bYIP~ II C ---~---I-- - It~LP~ - -- 1L-- -- llp~lL4~b-~ , ~_ --e~c- , ~ I ~ ~ ----- --- - I Ir ISSUES By Daniel Yohannes varied from reminders of the need for better educa- Donations were solicited from the crowd. tion for youth, to the dangers of drugs, AIDS, and "We gotta put some green in this black machine," It was billed as the Million Youth March police brutality. The first major issue raised was that organizers said. Money was passed through many by its organizers, and a poorly-organized, prob- of reparations. Marchers were told that a man hands to a central collection point and thrown lem-causing, hate march by its critics. It was nei- named Silas Muhammad had appeared before a from overlooking windows. Crowds cheered as ther of these things. There were nowhere near a subcommittee of the United Nations Human Rights money seemed to fall from the sky.
    [Show full text]
  • Mariott Accused of Food Poisoning
    THE OBSERVER Volume 17, Number 5 College at Lincoln Center, Fordham University, New York March 31,1993 BOMB SCARE Language Programs AT ROSE HILL to be Consolidated By Clare Saliba Fordham University may not be able to sustain Louise Mirrer, Chairperson of the Humanities all of its major programs in the modern languages Division, feels that although it is "important not to in their present form. The Observer has learned. offer the same courses on both campuses," she In an effort to make the most of College at Lincoln "doesn't want to see any of our major courses Center and Fordham College language programs dropped." and to minimize duplication, course offerings in In addition, some majors, such as Russian and the foreign language department will begin to be German, may have to be eliminated altogether. integrated as early as Fall 1993. A definitive plan Regardless of which option is implemented, of action will be in place by this June. faculty and some student travel between the cam- The consolidation is the result to decreasing puses appears to be inevitable. enrollment in elective upper level courses in for- According to Professor Jean Macary, Chair- eign languages on both campuses of the Univer- man of the Modern Languages Department at sity, say administrative sources. Fordham College, "For the time being, two of our A number of options are being considered in professors will be teaching at [CLC] in the Fall order to make such.a collaboration both academi- and we have invited someone to teach in Spring 1994 at Rose Hill." Therefore, only three out of forty language professors will be affected in the Police respond to bomb threat at RH last Saturday immediate future, he said.
    [Show full text]
  • Best of Grunge Rock Torrent Download Best of Grunge Rock Torrent Download
    best of grunge rock torrent download Best of grunge rock torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 679fa0258b33c3f2 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. The 100 Greatest Alternative Singles of the ’90s: 100 – 81. The first part of our examination of the 100 Greatest Alternative Singles of the ’90s looks at the “golden age” of alternative rock. Previously, we brought you the “100 Greatest Alternative Singles of the ’80s”, a five-part series that attracted thousands of readers from all over the world and explored the best alternative music the ’80s had to offer. Now, we move forward in time and examine what many consider the “golden age” of alternative rock, with the “100 Greatest Alternative Singles of the ’90s”. The understanding of “alternative” was different in the ’90s. The term was becoming more widely-used, replacing such ’80s descriptions as college rock, indie pop, post-modern, and underground.
    [Show full text]
  • Song Titles with Circular Reference
    Song Titles With Circular Reference Pent-up Renado remunerates that footlights huddles unsympathetically and plodded adhesively. supportablyFootling and when captivated negativism Horatio Rutger prostrate bragging her sanctification uneventfully codsand whites or bead her crazily. henges. Norm often nobble What a treat to see this in print. And if you pick album art that comes from the same creativity you used to make your album, your music will be well represented no matter where it goes. We had no choice. You see that rock? Even in this calm after the storm, the past still weighs on her, leaving her shaken in the present. It is a common misconception. Are you the Northwestern University Overtones or The Overtones of Northwestern University? Our son, the stirrer! What was it like to sting someone? They were just a joke. Not the best known record on this list, but in some ways the most groundbreaking one. There must be someone with the kind of voice Garcia was hearing in his head. As music and literature have been merging over the past few decades, there are a handful of examples of circular narratives in the music world. If the deficiency has been cured, the mechanical licensing collective shall so confirm in writing, and the license shall be effective as of the date that the original notice of license was provided by the digital music provider. Ina Gadda da Vida and. This is a rock group! The simplest of design. You a mosquito, you in trouble. Interim application of accrued royalties. Oould you slow down? Grand Funk at No.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Psychedelic Underground and Dream-pop (These are excerpts from my book "A History of Rock and Dance Music") Paisley Underground 1982-87 The "American Graffiti" phenomenon of the early Seventies, and the subsequent appropriation of the Sixties by the new wave, caused a revival of many of the styles of that happy decade. By far the most pervasive and long-lived was the revival of psychedelia, that kept recurring throughout the Eighties and the Nineties. Los Angeles had its own movement, the "Paisley Underground". Psychedelia became merely a pretext to concoct baroque, oneiric and hypnotic sounds, often with the help of keyboards and strings. Byrds-ian jangling guitars and naive melodies a` la Hollies dominate Emergency Third Rail Power Trip (feb/mar - oct 1983) by Rain Parade (1), with Matt Piucci on vocals and Dave Roback on guitar, as well as the EP Baroque Hoedown (fall 1982 - dec 1982) and the album Sixteen Tambourines (? 1983 - oct 1983) by Mike Quercio's Three O'Clock (1). Needless to say, the Paisley Underground was only the tip of the iceberg. The Dream Syndicate (12), formed by guitarists Steve Wynn and Karl Precoda and bassist Kendra Smith, acted as the natural liaison between Television (and the new wave in general) and the new generation of psychedelic rockers.
    [Show full text]
  • Available Now from Slope Records! Insurrection • the Besmirchers Red Squares • Surfbort the Bulemics • Our Neighbors Suck the Fuckemos • Mighty Sphincter Scorpion Vs
    AVAILABLE NOW FROM SLOPE RECORDS! INSURRECTION • THE BESMIRCHERS RED SQUARES • SURFBORT THE BULEMICS • OUR NEIGHBORS SUCK THE FUCKEMOS • MIGHTY SPHINCTER SCORPION VS. TARANTULA • THE SCANDALS Exclusively Distributed by Slope Records was founded in October of 2015, with a mission to document what is currently happening, what has happened, and provide a strong foundation to help build what is happening next in the punk rock world. Slope Records releases are designed with the passionate record collector in mind. The 7”, 10”, and 12” EPs and LPs are culled from a combination of rare live recordings, previously recorded studio albums for re-release, and new projects selected by the label as the best of the best across several different genres rooted in punk music. Limited editions, colored vinyl, and amazing packaging are but a few of the excellent features out of our desert based headquarters. INSURRECTION LTC 203, EP STREET DATE: AVAILABLE NOW INFORMATION: Artist Hometown: Tempe, Arizona Key Markets: Arizona, Southern California, Texas For Fans of: DR. KNOW, RKL, POISON IDEA This down-and-dirty recording of Tempe, Arizona’s INSURRECTION comes from 1987. Though a more polished recording of this influential AZ hardcore band does not exist, this 7” is an important historical document of the mid-‘80s Arizona punk scene. INSURRECTION — which featured Doug Curtis on vocals, Joe Agins, on guitar, Mike “Grinch” Grzyb on bass, and JR Dinero on drums — rubbed shoulders with some of the best bands in the desert scene (including JFA and SACRED REICH) while sharing stages with some of the top American and international bands throughout the late ‘80s.
    [Show full text]
  • Band of the Week: Butthole Surfers | Nouse
    Nouse Web Archives Band of the Week: Butthole Surfers Page 1 of 4 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Music › Band of the Week › News Features Reviews Playlists Band of the Week: Butthole Surfers Resident sound-nerd Tom Killingbeck thumbs through reams of musty vinyl so you don’t have to. Here are his weekly recommendations… Monday 11 April 2011 #22: Butthole Surfers Who: Gibby Haynes, Paul Leary, King Coffey. Jeff Pinkus, Teresa Nervosa. When: 1970’s-Present. Where: USA. Why: Few bands can claim to have achieved as much infamy and success having given themselves a ridiculous, entirely uncommercial name as the Butthole Surfers. Hailing from Texas, Gibby Haynes was the son of local TV personality ‘Mr. Peppermint’ and seemed primed for a conventional life; captain of his college’s basketball team, and the school’s ‘Accountant of the Year’. But, despite his jock veneer, Haynes was a freak at heart, publishing a zine full of comedic descriptions and pictures of diseases called Strange V.D. with partner in crime Paul Leary. The pair dropped out and tried to start a business selling Lee Harvey Oswald fan merchandise, before deciding that forming a band might be a better venture. It didn’t take long before the two, having recruited a rhythm section in brothers Scott and Quinn Matthews, were spotted by Jello Biafra of the Dead Kennedys, and signed to his label Alternative Tentacles. After a couple of years, and following the release of their insane debut LP, which combined rabid punk with multifarious surreal elements, the line-up fell into place.
    [Show full text]
  • Publicación Digital De Consciencia, La Revista Del Siladin
    Método Científico Aplicado a la Investigación sobre la Enfermedad de COVID-19 8-9 Museo Celular: Manuel Felguérez 24-26 Órgano Informativo del CCH Naucalpan, número 242, 8 de junio de 2020 Secretaría General - Departamento de Comunicación Publicación digital de ConsCiencia, la revista del Siladin 6-7 Imágenes: Susana Rodríguez DIRECTORIO UNAM l cumplirse 84 días de la suspensión de actividades presenciales en el CCH Dr. Enrique L. Graue Wiechers Rector Naucalpan por la emergencia sanitaria, las vivencias se trasladaron al Dr. Leonardo Lomelí Vanegas hogar de cada docente, alumno, personal administrativo e integrante de Secretario General Ala base trabajadora. El protocolo para no suspender y mantener las actividades Dr. Luis Álvarez Icaza Longoria sustantivas del Plantel se estableció a distancia; dicho protocolo educativo- Secretario Administrativo Dr. Alberto Ken Oyama Nakagawa administrativo lo creó la propia comunidad, sobre la marcha. Incluso, y en Secretario de Desarrollo Institucional lo más reciente, los Cursos Locales Interanuales para Profesores 2020-2 y la Lic. Raúl Arcenio Aguilar Tamayo Escuela de Verano 2020-2 serán en línea, y las inscripciones están abiertas. Secretario de Prevención, Atención El distanciamiento social continúa y el regreso “paulatino” y “moderado” a y Seguridad Universitaria las instalaciones del Colegio sólo las autoridades federal, local y universitaria Dra. Mónica González Contró Abogada General habrán de marcarlas. Corresponde a cada uno mantenerse en casa, e informarse Mtro. Néstor Martínez Cristo por los medios oficiales. La recomendación es no bajar la guardia, y continuar Director General de Comunicación Social con las medidas de cuidado personal y grupal. Permanece comunicado a través de la página oficial del Plantel, de la APP cch Pulso y de los medios sociodigitales Facebook y Twitter.
    [Show full text]
  • Why? Why Are You Doing This?
    do it for your mum i-viii 001-312 _do it for your mum 06/07/2011 13:49 Page 1 INTRODUCTION Why? Why are you doing this? ‘Do it for your mum! Do it for the Butthole Surfers!’ It was an unlikely clarion call. It was stranger still from a man of almost eighty. My father stood in the sitting room, his eyes welling with tears. He was overcome at the thought of these two great presences – his wife (my mother) and the Butthole Surfers, a Texan rock group best known for their massive drug intake, spectacular sense of anarchy and albums called things like Rembrandt Pussyhorse. It was a singular moment. It even made some kind of sense. By 8 December 2003, the rock group British Sea Power had sold 27,182 copies of their debut album in Britain. The band were signed to Rough Trade Records; from Cumbria via East Sussex; self-proclaimed suppliers of ‘high-church amplified rock music’. My two youngest brothers Neil Hamilton Wilkinson and Jan (aka Yan) Scott Wilkinson were the band’s singers. I was the band’s manager. Our father – a former shipping clerk and Second World War anti-aircraft gunner from Sunderland – was, by some margin, the band’s most obsessive admirer. Dad was an unpublished novelist with decades of un- publishing under his belt. As well as managing the band I was a music journalist who dreamed of producing the kind of writing you find in libraries rather than in the newsagent on the corner. British Sea Power brought us both a kind of proxy 1 do it for your mum i-viii 001-312 _do it for your mum 06/07/2011 13:49 Page 2 glory.
    [Show full text]