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Scripture Translations in Kenya
/ / SCRIPTURE TRANSLATIONS IN KENYA by DOUGLAS WANJOHI (WARUTA A thesis submitted in part fulfillment for the Degree of Master of Arts in the University of Nairobi 1975 UNIVERSITY OF NAIROBI LIBRARY Tills thesis is my original work and has not been presented ior a degree in any other University* This thesis has been submitted lor examination with my approval as University supervisor* - 3- SCRIPTURE TRANSLATIONS IN KENYA CONTENTS p. 3 PREFACE p. 4 Chapter I p. 8 GENERAL REASONS FOR THE TRANSLATION OF SCRIPTURES INTO VARIOUS LANGUAGES AND DIALECTS Chapter II p. 13 THE PIONEER TRANSLATORS AND THEIR PROBLEMS Chapter III p . ) L > THE RELATIONSHIP BETWEEN TRANSLATORS AND THE BIBLE SOCIETIES Chapter IV p. 22 A GENERAL SURVEY OF SCRIPTURE TRANSLATIONS IN KENYA Chapter V p. 61 THE DISTRIBUTION OF SCRIPTURES IN KENYA Chapter VI */ p. 64 A STUDY OF FOUR LANGUAGES IN TRANSLATION Chapter VII p. 84 GENERAL RESULTS OF THE TRANSLATIONS CONCLUSIONS p. 87 NOTES p. 9 2 TABLES FOR SCRIPTURE TRANSLATIONS IN AFRICA 1800-1900 p. 98 ABBREVIATIONS p. 104 BIBLIOGRAPHY p . 106 ✓ - 4- Preface + ... This is an attempt to write the story of Scripture translations in Kenya. The story started in 1845 when J.L. Krapf, a German C.M.S. missionary, started his translations of Scriptures into Swahili, Galla and Kamba. The work of translation has since continued to go from strength to strength. There were many problems during the pioneer days. Translators did not know well enough the language into which they were to translate, nor could they get dependable help from their illiterate and semi literate converts. -
Kenya Briefing Packet
KENYA PROVIDING COMMUNITY HEALTH TO POPULATIONS MOST IN NEED se P RE-FIELD BRIEFING PACKET KENYA 1151 Eagle Drive, Loveland, CO, 80537 | (970) 635-0110 | [email protected] | www.imrus.org KENYA Country Briefing Packet Contents ABOUT THIS PACKET 3 BACKGROUND 4 EXTENDING YOUR STAY? 5 PUBLIC HEALTH OVERVIEW 7 NATIONAL FLAG 15 COUNTRY OVERVIEW 15 OVERVIEW 16 BRIEF HISTORY OF KENYA 17 GEOGRAPHY, CLIMATE AND WEATHER 19 DEMOGRAPHICS 21 ECONOMY 26 EDUCATION 27 RELIGION 29 POVERTY 30 CULTURE 31 USEFUL SWAHILI PHRASES 36 SAFETY 39 CURRENCY 40 IMR RECOMMENDATIONS ON PERSONAL FUNDS 42 TIME IN KENYA 42 EMBASSY INFORMATION 43 WEBSITES 43 !2 1151 Eagle Drive, Loveland, CO, 80537 | (970) 635-0110 | [email protected] | www.imrus.org KENYA Country Briefing Packet ABOUT THIS PACKET This packet has been created to serve as a resource for the KENYA Medical/Dental Team. This packet is information about the country and can be read at your leisure or on the airplane. The first section of this booklet is specific to the areas we will be working near (however, not the actual clinic locations) and contains information you may want to know before the trip. The contents herein are not for distributional purposes and are intended for the use of the team and their families. Sources of the information all come from public record and documentation. You may access any of the information and more updates directly from the World Wide Web and other public sources. !3 1151 Eagle Drive, Loveland, CO, 80537 | (970) 635-0110 | [email protected] | www.imrus.org KENYA Country Briefing Packet BACKGROUND Kenya, located in East Africa, spans more than 224,000 sq. -
Impacts of Colonial Policies and Practices on Kamba Song and Dance up to 1945
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 25, Issue 4, Series. 5 (April. 2020) 18-25 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Impacts of Colonial Policies and Practices on Kamba Song and dance Up To 1945. Kilonzo Josephine Katiti Abstract: Song and dance are powerful cultural medium in any society. This is especially so in countries where other forms of communication and cultural expression, such as written word are not yet fully developed. The history of many developing countries where colonial domination was evidenced indicates that the colonized people were always able to express themselves through song and dance in complete defiance of the oppressor. Song and dance was used not just as a preserver but also a transmitter of history. This paper seeks to assess the impacts of colonial policies and practices on Kamba song and dance up to 1945. Due to the view of the colonizers that the Africans were primitive and barbaric the colonial masters introduced policies which favored them. These policies led to a definite change of the content of Kamba songs sang at that time. In order to accommodate the changes to the environment, culture, political and economic life of the community, several changes were experienced at the time. This paper present the findings from the study that was conducted on the Kamba of eastern Kenya and shows that over time the community evolved dynamic song and dance styles that responded to the changes within their midst. This paper hopes to contribute to scholarship in terms of the key contribution of Kamba song to the historical transformation of society. -
Race for Distinction a Social History of Private Members' Clubs in Colonial Kenya
Race for Distinction A Social History of Private Members' Clubs in Colonial Kenya Dominique Connan Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 09 December 2015 European University Institute Department of History and Civilization Race for Distinction A Social History of Private Members' Clubs in Colonial Kenya Dominique Connan Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Prof. Stephen Smith (EUI Supervisor) Prof. Laura Lee Downs, EUI Prof. Romain Bertrand, Sciences Po Prof. Daniel Branch, Warwick University © Connan, 2015 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Race for Distinction. A Social History of Private Members’ Clubs in Colonial Kenya This thesis explores the institutional legacy of colonialism through the history of private members clubs in Kenya. In this colony, clubs developed as institutions which were crucial in assimilating Europeans to a race-based, ruling community. Funded and managed by a settler elite of British aristocrats and officers, clubs institutionalized European unity. This was fostered by the rivalry of Asian migrants, whose claims for respectability and equal rights accelerated settlers' cohesion along both political and cultural lines. Thanks to a very bureaucratic apparatus, clubs smoothed European class differences; they fostered a peculiar style of sociability, unique to the colonial context. Clubs were seen by Europeans as institutions which epitomized the virtues of British civilization against native customs. In the mid-1940s, a group of European liberals thought that opening a multi-racial club in Nairobi would expose educated Africans to the refinements of such sociability. -
Urbanization and Adaptation a Reorganization Process of Social
!\ URBANIZATION AND ADAPTATION A Reorganization Process of Social Relations Among The Maragoli Migrants In Their Urban Colony, Kangemi, Nairobi Kenya. By Motoji UDA B . A. , M . A. University of Kyoto, Japan. A Thesis submitted in fulfullment of the requrements for the degree of Master of Arts (SOCIOLOGY) in the University of Nairobi. 1984 . (i) D K C L A R A T I 0 N This Thesis is my original work and had not been presented for a degree in any other University Motoji MATSUDA This Thesis has been submitted for examination with our approval as University Supervisors. DR. B.E. KIPKORIR Former Director of Institute of African Studies . UNIVERSITY OF NAIROBI. DR. E. MBOlRyCU DEPARTMENT OF S(3CI0L0GY UNIVERSITY OF NAIROBI . (ii) Abstract African urban studies of Anthropology have their origin in one ideal model, the dyachronic model. This model assumes that African urbanization can be regarded as a gradual process of detribali- zation in consequence of direct contact with heterogeneous and powerful Western Cultures. In the 1950's, however, members of Rhodes-Livingstone School advocated a new approach for African urban studies. They criticized the detribalization model and put forward the situational analysis which emphasized synchronic social relations. This approach had a decided superiority because it high lighted the migrant's personal strategy in situafional selection. It cannot, however, explain the retribalization phenomenon which prevails in the most of African larger cities today. It cannot resolve the paradox of retaining tribal relations in a strikingly urban context. There are several points of the situational analysis that requires to be modified. -
A Comprehensive Study of Two Kenyan Societies Author(S)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kyoto University Research Information Repository Rainmaking Rituals: A Comprehensive Study of Two Kenyan Title Societies Author(s) AKONG'A, Joshua Citation African Study Monographs (1987), 8(2): 71-85 Issue Date 1987-10 URL http://dx.doi.org/10.14989/68028 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University African Study "'tonographs, 8(2): 71-85, October 1987 71 RAINMAKING RITUALS: A COMPARATIVE STUDY OF TWO KENYAN SOCIETIES Joshua AKONG'A Instilute ofAfrican Stlldies. Unh'ersity ofNairobi ABSTRACf A comparative examination of the public rainmaking rituals in Kitui District and the secret rainmaking rituals in Bunyore location of Kakamega District, both in Kenya, reveals that public rituals are more susceptible to rapid social change than those of secret. Secondly. although rainmaking rituals are a response to scarcity or unreliability that are rain fall. such rituals can be found even in the areas of adequate rainfall either because the people once lived in an area of rainfall scarcity or the rainmakers are strangers who came from such areas. Thirdly, the efficacy of rainmaking rituals is based on faith, and due to the involvement of the supernatural, they have socio-psychological implications on the participants. Key Words: Rainmaking; Processions; Magic; Prophesy; Occult. INTRODUCTION Sir James George Frazer who wrote widely on the types and practices of magic, considered rainfall rituals as falling under the purview of magic. This is because the purpose of rainfall rituals is to influence weathercondition~ in order to cause rain or to cause drought either for the general good or destruction ofthe people in the specific society in which there is a belief in man's ability to influence weather conditions. -
The Challenges of Reinvigorating Democracy Through Visual Art in 21St Century Nairobi
The challenges of reinvigorating democracy through visual art in 21st century Nairobi Craig Campbell Halliday 30 September 2019 Dissertation Submitted in Partial Fulfilment for the Degree of Doctor of Philosophy Sainsbury Research Unit for the Arts of Africa, Oceania & the Americas School of Art, Media and American Studies University of East Anglia, Norwich This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived therefrom must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 1 Abstract This study examines the potential for contemporary visual art to reinvigorate democracy in 21st century Nairobi, Kenya, through an interdisciplinary investigation. The new millennium ushered in fresh hope for democratisation in the postcolonial East African country. In 2002, Daniel arap Moi’s 24 years of authoritarian rule ended. The opposition were victorious at the ballot box, instilling a belief amongst the electorate that formal political processes could bring change. However, the post-election violence of 2007/8 shattered such convictions. But, from this election result came a progressive Constitution and with it possibilities for creating change. These momentous events underscore Kenya’s topsy-turvy path towards democracy – a path whose trajectory is charted in the experience of ordinary Kenyans who believe in democracy’s value and their right to participate in politics and civil life. Artists, too, have been at the forefront of this ongoing struggle. This study draws on empirical research to demonstrate contemporary visual art’s capacity to expand ways of practising, experiencing and understanding democracy. -
Journal of Arts & Humanities
Journal of Arts & Humanities Volume 07, Issue 11, 2018: 58-67 Article Received: 06-09-2018 Accepted: 02-10-2018 Available Online: 23-11-2018 ISSN: 2167-9045 (Print), 2167-9053 (Online) DOI: http://dx.doi.org/10.18533/journal.v7i10.1491 Pioneering a Pop Musical Idiom: Fifty Years of the Benga Lyrics 1 in Kenya Joseph Muleka2 ABSTRACT Since the fifties, Kenya and Democratic Republic of Congo (DRC) have exchanged cultural practices, particularly music and dance styles and dress fashions. This has mainly been through the artistes who have been crisscrossing between the two countries. So, when the Benga musical style developed in the sixties hitting the roof in the seventies and the eighties, contestations began over whether its source was Kenya or DRC. Indeed, it often happens that after a musical style is established in a primary source, it finds accommodation in other secondary places, which may compete with the originators in appropriating the style, sometimes even becoming more committed to it than the actual primary originators. This then begins to raise debates on the actual origin and/or ownership of the form. In situations where music artistes keep shuttling between the countries or regions like the Kenya and DRC case, the actual origin and/or ownership of a given musical practice can be quite blurred. This is perhaps what could be said about the Benga musical style. This paper attempts to trace the origins of the Benga music to the present in an effort to gain clarity on a debate that has for a long time engaged music pundits and scholars. -
THE CATHOLIC UNIVERSITY of AMERICA Woman As Mother And
THE CATHOLIC UNIVERSITY OF AMERICA Woman as Mother and Wife in the African Context of the Family in the Light of John Paul II’s Anthropological and Theological Foundation: The Case Reflected within the Bantu and Nilotic Tribes of Kenya A DISSERTATION Submitted to the Faculty of the School of Theology and Religious Studies Of The Catholic University of America For the Degree Doctor of Sacred Theology © Copyright All Rights Reserved By Joseph Okech Adhunga Washington, D. C. 2012 Woman as Mother and Wife in the African Context of the Family in the Light of John Paul II’s Anthropological and Theological Foundation: The Case reflected within the Bantu and Nilotic Tribes of Kenya Joseph Okech Adhunga, S.T.D. Director: Brian V. Johnstone, S.T.D. This study examines the theological and anthropological foundations of the understanding of the dignity and vocation of woman as mother and wife, gifts given by God that expresses the riches of the African concept of family. There are two approaches to inculturation theology in Africa, namely, that which attempts to construct African theology by starting from the biblical ecclesial teachings and finds from them what features of African are relevant to the Christian theological and anthropological values, and the other one takes the African cultural background as the point of departure. The first section examines the cultural concept of woman as a mother and wife in the African context of the family, focusing mainly on the Bantu and Nilotic tribes of Kenya. This presentation examines African creation myths, oral stories, some key concepts, namely life, family, clan and community, marriage and procreation, and considers the understandings of African theologians and bishops relating to the “the Church as Family.” The second section examines the theological anthropology of John Paul II focusing mainly on his Theology of the Body and Mulieris Dignitatem. -
Identities and the Colonial Past in Kenya and Tanzania
Laura-Catalina Althoff University of Leipzig Institute of Ethnology [email protected] Identities and the colonial past in Kenya and Tanzania BA dissertation by Laura-Catalina Althoff published as a CERS working paper on the MGR archive Abstract: The aim of this paper is to explore the relation between the colonial politics of tribalism in Kenya and Tanganyika and the present day ethnic identities and conflicts in the two post- independence nations. Reasons for diverging post-colonial developments can be found in slight differences in the colonial administration, but also and mainly in the different political approaches implemented by Kenyatta and Nyerere. Thus patronage led to an essentialisation and racialisation of ethnicities in Kenya, which can be juxtaposed to an almost “ethnicity-blind” situation in Tanzania, created through the radically egalitarian Ujamaa. The argumentation of this study is, apart from the relevant literature, based on nine interviews conducted in Kenya in July and August 2013. These clearly demonstrate the current ethnic tensions in Kenya, but present alternative narratives as to where these originated from, as the colonial “invention of tradition” is not perceived as such in retrospect. The last section of this paper also considers the most recent developments and detects a renegotiation and convergence of ethnic identifications in Kenya and Tanzania. Contents Introduction 2 1 Overview of definitions, concepts and debates 5 1.1 Identities 5 1.2 Ethnicity 5 1.2.1 Ethnicity and hierarchy 7 1.2.2 Ethnicity -
Mau Mau Crucible of War: Statehood, National Identity and Politics in Postcolonial Kenya
Graduate Theses, Dissertations, and Problem Reports 2014 Mau Mau crucible of war: Statehood, national identity and politics in postcolonial Kenya Nicholas Kariuki Githuku Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Githuku, Nicholas Kariuki, "Mau Mau crucible of war: Statehood, national identity and politics in postcolonial Kenya" (2014). Graduate Theses, Dissertations, and Problem Reports. 5677. https://researchrepository.wvu.edu/etd/5677 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. MAU MAU CRUCIBLE OF WAR: STATEHOOD, NATIONAL IDENTITY AND POLITICS IN POSTCOLONIAL KENYA by Nicholas Kariuki Githuku Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Approved by Dr. Robert Maxon, Committee Chairperson Dr. Joseph Hodge Dr. Robert Blobaum Dr. Jeremia Njeru Dr. Tamba M’bayo Department of History Morgantown, West Virginia 2014 Keywords: war, statehood, stateness, security, mentalité, national identity, psychosociological anxieties Copyright 2014 Nicholas Kariuki Githuku Abstract The postcolonial African state has been the subject of extensive study and scrutiny by various scholars of great repute such as Colin Legum, Crawford Young, Robert H. -
Songs and Dances Among the Abagusii of Kenya : a Historical Study Evans Omosa Nyamwaka
Songs and dances among the Abagusii of Kenya : a historical study Evans Omosa Nyamwaka To cite this version: Evans Omosa Nyamwaka. Songs and dances among the Abagusii of Kenya : a historical study. History. 2000. dumas-01332864 HAL Id: dumas-01332864 https://dumas.ccsd.cnrs.fr/dumas-01332864 Submitted on 16 Jun 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. SONGS AND DANCES AMONG THE ABAGUSII OF KENYA: A HISTORICAL STUDY SERA EMU in vl FRA0011008 0 7 / 0,31 o,5 BY Y A . 76. NYAMWAKA EVANS OMOSA A THESIS SUBMITTED TO GRADUATE SCHOOL IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS OF EGERTON UNIVERSITY August,2000 11 DECLARATION AND APPROVAL This Thesis is my Original Work and has not been presented for award of a degree to any other University. Signature fvJ Date RO\ g ZDOC) NYAMWAKA, EVANS OMOSA This Thesis has been submitted for examination with my approval as the Candidate's Supervisor. Signature Date LJ— PROF. MWANIKI H.S.K. iii DEDICATION DEDICATED TO MY DEAR FATHER, SAMUEL NYAMWAKA OINGA, MY DEAR MOTHER, SIBIA KWAMBOKA NYAMWAKA AND MY BROTHER, GIDEON OYAGI iv ACKNOWLEDGEMENT First and foremost, I wish to thank our heavenly Father for having created me and exposing me to the world of intricacies whereby I have encountered several experiences which have shaped me to what I am today.