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THE ALCHEMIST THROUGH the AGES an Investigation of the Stage
f [ THE ALCHEMIST THROUGH THE AGES An investigation of the stage history of Ben Jonson's play by JAMES CUNNINGHAM CARTER B.Sc., University of British Columbia, 196 8 A THESIS SUBMITTED IN PARTIAL FULFILMENT. OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 1972 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date 27 QclAtt ii ABSTRACT THE ALCHEMIST THROUGH THE AGES An Investigation of the Stage History of Ben Jonson's Play This study was made to trace the stage history of The Alchemist and to see what effect theatrical productions can have in developing critical awareness of Jonson's dramatic skill in this popular play. Therefore an attempt has been made to record all performances by major companies between 1610 and 197 0 with cast lists and other pertinent information about scenery/ stage action and properties. The second part of the thesis provides a detailed analysis of four specific productions considered in light of their prompt books, details of acting and production, and overall critical reception. -
The Glass Case Modern Literature Published After 1900
The Glass Case Modern Literature Published After 1900 On-Line Only: Catalogue # 209 Second Life Books Inc. ABAA- ILAB P.O. Box 242, 55 Quarry Road Lanesborough, MA 01237 413-447-8010 fax: 413-499-1540 Email: [email protected] The Glass Case: Modern Literature Terms : All books are fully guaranteed and returnable within 7 days of receipt. Massachusetts residents please add 5% sales tax. Postage is additional. Libraries will be billed to their requirements. Deferred billing available upon request. We accept MasterCard, Visa and American Express. ALL ITEMS ARE IN VERY GOOD OR BETTER CONDITION , EXCEPT AS NOTED . Orders may be made by mail, email, phone or fax to: Second Life Books, Inc. P. O. Box 242, 55 Quarry Road Lanesborough, MA. 01237 Phone (413) 447-8010 Fax (413) 499-1540 Email:[email protected] Search all our books at our web site: www.secondlifebooks.com or www.ABAA.org . 1. ABBEY, Edward. DESERT SOLITAIRE, A season in the wilderness. NY: McGraw-Hill, (1968). First Edition. 8vo, pp. 269. Drawings by Peter Parnall. A nice copy in little nicked dj. Scarce. [38528] $1,500.00 A moving tribute to the desert, the personal vision of a desert rat. The author's fourth book and his first work of nonfiction. This collection of meditations by then park ranger Abbey in what was Arches National Monument of the 1950s was quietly published in a first edition of 5,000 copies ONE OF 10 COPIES, AUTHOR'S FIRST BOOK 2. ADAMS, Leonie. THOSE NOT ELECT. NY: Robert M. McBride, 1925. First Edition. -
Manuscript Material from the Library of W.B. Yeats and George Yeats
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 96 MANUSCRIPT MATERIAL FROM THE LIBRARY OF W.B. YEATS AND GEORGE YEATS (MSS 40,568-40,597) (Accession No. 6194) Photocopies of annotations, markings, bookmarks etc. made in publications; catalogues and lists; prints Compiled by Peter Kenny, Assistant Keeper, 2004-2005 Contents Introduction 3 I Photocopies of annotations, markings, bookmarks, dog-ears etc. made by WBY and others 4 I.i Works by Yeats, and other items listed in Wade 4 I.ii Other publications 10 II Other photocopies 37 III Catalogues etc. of material in the Library 37 IV Manuscript items 38 IV.i Poems by WBY 38 IV.ii Articles by WBY 38 IV.iii Correspondence 39 V Prints and other illustrations 39 2 Introduction The material described in this List was acquired with the Library of W.B. Yeats in 2002. The greater part of the material consists of photocopies of annotations, corrections, underlinings and other markings, including bookmarks and dog-ears, made in some of the books and periodicals that constitute the Library. The photocopying was carried out by Roger N. Parisious about 1968 (information provided by Dr. Elizabeth Heine). Of particular interest are the copies of corrections etc. carried out by Yeats and his wife George in the published versions of his own works that remained in the Library. Records for these are in a separate sub-section (I.i) of this List. Throughout the List great reliance has been placed on Edward O'Shea’s A Descriptive Catalog of W.B. Yeats's Library. -
ALH Online Review, Series XIX 1 Christopher N. Phillips, the Hymnal
ALH Online Review, Series XIX 1 Christopher N. Phillips, The Hymnal: A Reading History (Baltimore: Johns Hopkins University Press, 2018), 252 pp. Reviewed by Paul C. Gutjahr, Indiana University For anyone familiar with the original novel, watching Michael Mann’s popular 1992 motion picture adaptation of James Fenimore Cooper’s The Last of the Mohicans starring Daniel Day-Lewis becomes an exercise in absence, for Mann deletes from his movie the sometimes comic, sometimes heroic figure of the psalm-singing David Gamut. Thinking of David Gamut in relation to Christopher Phillips’s new book, The Hymnal: A Reading History, is instructive for two reasons. It underscores Phillips’s point that the singing of psalms and hymns was ubiquitous in early American culture, and it also points to the fact that attention to the importance and ubiquity of such singing (and printing) has been as absent from scholarly discussions of the era as the figure of David Gamut is in Mann’s film. Phillips has done a great service to those interested in the areas of American poetry, book history, and lived religion in his meticulously researched, broad-reaching study. Following in the footsteps of book historians like Michael Cohen and Anthony Grafton, Phillips is interested in the “social lives” of hymnbooks. He studies them not only as carrier of texts and traditions but as an important “part of the everyday social practices of hundreds of thousands of English-speakers across two centuries” (ix). More importantly, through a systematic study of the use, first, of psalms and then the more elastically biblical poetic musical form of Scripture and scriptural truths commonly known as hymns, Phillips goes a great distance in showing just how pervasive and important hymns, and their books, were in the development of early American print culture more generally. -
New Zealand Gazette
~umb. 87 1861 THE NEW ZEALAND GAZETTE WELLINGTON, THURSDAY, DECEMBER 12, 1946 Additional Land taken for a Technical School in the City of Christchurch SCHEDULE ApPROXIMATE area of the piece of land taken: 1 rood 23 perches. [L.S.] B. C. FREYBERG, Governor-General Being Lot 66, D.P. 297, being part Hapopo Block, and being the whole of the land comprised and described in Certificate of ritle, A PROCLAMATION Volume, 54, folio 202 (Wellington Land Registry). URSUANT to the Public Works Act, 1928, I, Lieutenant Given under the hand of His Excellency the Gover~or-General P General Sir Bernard Cyril Freyberg, the Governor-General of the Dominion of New Zealand, and issued under the of the Dominion of New Zealand, do hereby proclaim and declare Seal of that Dominion, this 4th day of December, 1946. that the additional land described in the Schedule hereto is hereby taken for a technical school; and I do also declare that this Pro R SEMPLE, Minister of Vvorks. clamation shall take effect on and after the sixteenth day of GOD SAVE THE KING! December, one thousand nine hundred and forty-six. (P.W.26/1127.) SCHEDULE ApPROXIMATE area of the piece of additional land taken: 1 rood Land taken for the Purposes of River Diversion and River Works in Blocks V and IX, Haurangi Survey District, Featherston 17·6 perches. County Being part Town Reserve 125, City of Christchurch (formerly part Fife Street, now stopped). [L.S.] Situated in the City of Christchurch (Canterbury RD.). B. C. FREYBERG, Governor-General In the Canterbury Land District; as the same is more parti A PROCLAMATION cularly delineated on the plan marked P.W.D. -
ROMANS F/ 52 PART L: the KINGS of ROME
ruuLAE rcWAE STORIES OF FAMOLJS ROMANS f/ 52 PART l: THE KINGS OF ROME 1 iam dEdum: "for a long time already.' 2 aegrl ferre, to take badly, resent. Sex. Tarquinil: the youngest son ofTarquinius Superbus; see 11:17 and the note there" 3 ut . , . statuerent: "that they decided," result clause (see the grammar note on page 56). 5 Tarquinius CollEtlnus, -I (m.), Lucius Tarquinius Collatinus (nephew of Tarquinius Superbus and husband oflucretia). sorOre . n6tus: "born from the sister," ablative ofsourcewith nEtus, perfect participle ofthe verb n6scor. 6 contubernium, -i (n.), the sharing of a tent in the army, the status of be- ing messmates. in contuberrrid iuvenum rEgi0rum . erat: "was a messmate of . ." Ardea, -ae (f), Ardea (a town to the south of Rome). 7 *hber, libera, hberum, free, outspoken, unrestricted, unrestrained. frnusquisque, tnaquaeque, tnumquodque, each one. 8 *nutue, -ts (f), daughter-in-1aw. 9 *ltxus, -0.s (m.), luxury, luxurious living, extravagance. *d6prehend6, d6prehendere (3), dEprehendl, d6preh6nsum, to get hold of, surprise, catch in the act. CollEtia, -ae (f), Collatia (a town in Latium). 10 LucrEtia, -ae (f), Lucretia (wife of Collatinus). lanificium, -I (n.), wool-spinning, weaving (a traditional occupation of a Roman housewife). L1 offendO, offendere (3), offeadi, oftnsum, to strike against, find, en- counf,er. pudlcus, -a, -lrm, chase, virtuous. *itrdicd (1), to judge, proclaim, declare, think. 12 *corrump6, corrumpere (3), corrtrpl, corruptum, to break, corrupt, seduce, Ad quan corrumpendam: "To seduce her," gerundive (see the grammar note on page 59). 13 propinquitds, propinquitdtig (f), family relationship. Sextus Tarquinius was admitted to the house because he was a rela- tive. -
Slater V. Baker and Stapleton (C.B. 1767): Unpublished Monographs by Robert D. Miller
SLATER V. BAKER AND STAPLETON (C.B. 1767): UNPUBLISHED MONOGRAPHS BY ROBERT D. MILLER ROBERT D. MILLER, J.D., M.S. HYG. HONORARY FELLOW MEDICAL HISTORY AND BIOETHICS DEPARTMENT SCHOOL OF MEDICINE AND PUBLIC HEALTH UNIVERSITY OF WISCONSIN - MADISON PRINTED BY AUTHOR MADISON, WISCONSIN 2019 © ROBERT DESLE MILLER 2019 BOUND BY GRIMM BOOK BINDERY, MONONA, WI AUTHOR’S INTRODUCTION These unpublished monographs are being deposited in several libraries. They have their roots in my experience as a law student. I have been interested in the case of Slater v. Baker and Stapleton since I first learned of it in law school. I was privileged to be a member of the Yale School Class of 1974. I took an elective course with Dr. Jay Katz on the protection of human subjects and then served as a research assistant to Dr. Katz in the summers of 1973 and 1974. Dr. Katz’s course used his new book EXPERIMENTATION WITH HUMAN BEINGS (New York: Russell Sage Foundation 1972). On pages 526-527, there are excerpts from Slater v. Baker. I sought out and read Slater v. Baker. It seemed that there must be an interesting backstory to the case, but it was not accessible at that time. I then practiced health law for nearly forty years, representing hospitals and doctors, and writing six editions of a textbook on hospital law. I applied my interest in experimentation with human beings by serving on various Institutional Review Boards (IRBs) during that period. IRBs are federally required committees that review and approve experiments with humans at hospitals, universities and other institutions. -
Conclusions * Deism Is Commonly Regarded As a Major Religious Expression of the Enlightenment
Cover Page The handle http://hdl.handle.net/1887/66795 holds various files of this Leiden University dissertation. Author: Berg, J. van den Title: Thomas Morgan (1671/2-1743): from presbyterian preacher to Christian deist : A contribution to the study of English deism Issue Date: 2018-11-08 135 Conclusions * Deism is commonly regarded as a major religious expression of the Enlightenment. Much has been written about various aspects of Deism, including questions about the label as such, whether Deism covers a movement, or even whether it is a myth. Since David Hume there has been discussion about the so-called deist movement, and who belonged to it. Thomas Morgan called himself a Christian deist, but he did not belong to any organized group of deists. The literature since Leland brought them together as English deists. But an organized group of deists in England never existed. This notion has been questioned by various authors. As to the term deist, so much is clear that hardly any so-called deist wanted to be labelled as such since it was seen by many as a defamatory label. Only few used the term in a positive sense. Thomas Morgan was one of them. In contrast to other deists he was proud to call himself a deist. He even went so far as to call himself a “Christian Deist”. What did he mean with this particular label? What did it involve in this case? What are the differences between ‘Chistian Deism’ and Deism as such? These are questions which are central to this dissertation. -
Redeeming the Truth
UNIVERSITY OF CALIFORNIA Los Angeles Redeeming the Truth: Robert Morden and the Marketing of Authority in Early World Atlases A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Laura Suzanne York 2013 © Copyright by Laura Suzanne York 2013 ABSTRACT OF THE DISSERTATION Redeeming the Truth: Robert Morden and the Marketing of Authority in Early World Atlases by Laura Suzanne York Doctor of Philosophy in History University of California, Los Angeles, 2013 Professor Muriel C. McClendon, Chair By its very nature as a “book of the world”—a product simultaneously artistic and intellectual—the world atlas of the seventeenth century promoted a totalizing global view designed to inform, educate, and delight readers by describing the entire world through science and imagination, mathematics and wonder. Yet early modern atlas makers faced two important challenges to commercial success. First, there were many similar products available from competitors at home and abroad. Secondly, they faced consumer skepticism about the authority of any work claiming to describe the entire world, in the period before standards of publishing credibility were established, and before the transition from trust in premodern geographic authorities to trust in modern authorities was complete. ii This study argues that commercial world atlas compilers of London and Paris strove to meet these challenges through marketing strategies of authorial self-presentation designed to promote their authority to create a trustworthy world atlas. It identifies and examines several key personas that, deployed through atlas texts and portraits, together formed a self-presentation asserting the atlas producer’s cultural authority. -
The Puppet Show of Memory
CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library DA 574.B25A3 1922 Puppet show of memor 3 1924 028 027 245 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924028027245 THE PUPPET SHOW OF MEMORY By the same Author THE BLACK PRINCE GASTON DE FOIX MAHASENA COLLECTED POEMS DESIDERIO POEMS—1914-1919 TRANSLATIONS ANCIENT AND MODERN WITH THE RUSSIANS IN MANCHURIA A YEAR IN RUSSIA THE RUSSIAN PEOPLE LANDMARKS IN RUSSIAN LITERATURE AN OUTLINE OF RUSSIAN LITERATURE RUSSIAN ESSAYS AND STUDIES THE GLASS MENDER FORGET-ME-NOT AND LILY OF THE VALLEY ORPHEUS IN MAYFAIR DEAD LETTERS DIMINUTIVE DRAMAS LOST DIARIES THE GREY STOCKING PASSING BY R.F.C. H.Q. OVERLOOKED THE PUPPET SHOW OF MEMORY BY MAURICE BARING LONDON: WILLIAM HEINEMANN NOTE MY thanks are due to Messrs. Methuen for allowing me to use in Chapters XVI.-XIX. some matter which has already appeared in A Year in Russia and Russian Essays, two books published by them; to Mr. Leo Maxe for allowing me to use an article on Sarah Bernhardt which appeared in the National Review, and has been re-written for this book; to Father C. C. Martindale and Mr. Desmond McCarthy for kindly cor- recting the proofs. M. B. CONTENTS PAGE I. The Nursery .... I II. The Nursery and the Schoolroom . M III. Membland ... 31 IV. Membland ... -
Hymnody of Eastern Pennsylvania German Mennonite Communities: Notenbüchlein (Manuscript Songbooks) from 1780 to 1835
HYMNODY OF EASTERN PENNSYLVANIA GERMAN MENNONITE COMMUNITIES: NOTENBÜCHLEIN (MANUSCRIPT SONGBOOKS) FROM 1780 TO 1835 by Suzanne E. Gross Dissertation submitted to the Faculty of the Graduate School of The University of Maryland in partial fulfillment of the requirements for the degree of Doctor of Philosophy 1994 Advisory Committee: Professor Howard Serwer, Chairman/Advisor Professor Carol Robertson Professor Richard Wexler Professor Laura Youens Professor Hasia Diner ABSTRACT Title of Dissertation: HYMNODY OF EASTERN PENNSYLVANIA GERMAN MENNONITE COMMUNITIES: NOTENBÜCHLEIN (MANUSCRIPT SONGBOOKS) FROM 1780 TO 1835 Suzanne E. Gross, Doctor of Philosophy, 1994 Dissertation directed by: Dr. Howard Serwer, Professor of Music, Musicology Department, University of Maryland, College Park, Maryland As part of an effort to maintain their German culture, the late eighteenth-century Mennonites of Eastern Pennsylvania instituted hymn-singing instruction in the elementary community schoolhouse curriculum. Beginning in 1780 (or perhaps earlier), much of the hymn-tune repertoire, previously an oral tradition, was recorded in musical notation in manuscript songbooks (Notenbüchlein) compiled by local schoolmasters in Mennonite communities north of Philadelphia. The practice of giving manuscript songbooks to diligent singing students continued until 1835 or later. These manuscript songbooks are the only extant clue to the hymn repertoire and performance practice of these Mennonite communities at the turn of the nineteenth century. By identifying the tunes that recur most frequently, one can determine the core repertoire of the Franconia Mennonites at this time, a repertoire that, on balance, is strongly pietistic in nature. Musically, the Notenbüchlein document the shift that occured when these Mennonite communities incorporated written transmission into their oral tradition. -
ENGLISH RENAISSANCE EPITHALAMIA Approvedi Major Professor
ENGLISH RENAISSANCE EPITHALAMIA APPROVEDi Major Professor : ~ Director of the ^Department of English si Deaf of the Graduate School \ ENGLISH RENAISSANCE EPJTHALAMIA THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Larry B. Corse, M. M, Denton, Texas August, 1970 TABLE OF CONTENTS Page Chapter I, THE CLASSICAL BACKGROUND 1 II. SIR PHILIP SIDNEY. 20 III. EDMUND SPENSER 31 IV. JOHN DONNE 48 V. BEN JONS ON AND ROBERT HERRICK. 78 VI. CONCLUSIONS 90 APPENDIX 97 BIBLIOGRAPHY ...... 108 ill CHAPTER I THE CLASSICAL BACKGROUND In the late sixteenth century, the classical genre of marriage songs called epithalamia-'- appeared In England. A few fine poems in this tradition were written by some of the major English poets: Sidney, Spenser, Donne, Jonson, and Herrick. The genre was important for only three decades in England before it fell into the hands of minor poets and literary hacks. When the English Renaissance poets took up the epithalamic genre, it had a two-thousand year old tradition behind it, a tradition which began in Greece, flourished for a time in Rome, then disappeared until the Renaissance, when epithalamla were written in Italian, French, Spanish, Latin, and English poetry. After the Renaissance, the classical tradition lost its influence on English epithalamia, and not until the twentieth century have major English poets written marriage songs patterned on the classical models. ^To avoid confusion which might arise from the several forms of this word ending in -urn, -a, -ie, -ies, -on, and -ons, the Latin forms, epithalamium and epithalamla, will be used throughout this thesis except in quotations and titles where the original spelling will be raaintained.