The Glass Case Modern Literature Published After 1900
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Charles H. Cecil Studios Studio Handbook
CHARLES H. CECIL STUDIOS STUDIO HANDBOOK Fl o rence, 1998 CHARLES H. CECIL STUDIOS STUDIO HANDBOOK Compiled by Marc Dalessio with contributions by Nicholas Beer, Brandon Soloff, Hazel Morgan, Patrick Graham, Scott Pohlschmidt, Lee Johnson, Greg Horwitch, and Charles Cecil. TABLE OF CONTENTS Introduction vi Introduction, history of the school, map of Florence, useful information, studio rules Drawing 13 Introductory notes, materials checklist, paper, media, additional materials, introduction to the sight size technique, Bargue drawings, suggested evening, drawing schedule Painting 23 Introductory notes, materials checklist, canvas, panel, grounds, size, stretcher bars, panels, drying oils, sun-thickened oil, volatile oils, balsams, siccatives, resins, varnishes, mediums, pigments, flesh palette, extended palette, grinding colors, brushes, palettes, painting basics, landscape painting basics, trouble shooting, glossary Reading 50 Silence and Slow Time by Charles Cecil Materials Addendum 54 Europe and the US Bibliography 57 And suggested reading Introduction A Brief History of the Studio This manual is intended as a companion guide to the drawing Charles H. Cecil Studios descends from the great Parisian and painting techniques taught over a four year course at Charles ateliers of the nineteenth century. The materials and methods H. Cecil Studios. For those not fortunate enough to be able to stay used today are, however, not the same as those which were the rule the full course, hopefully this booklet will assist you in in the studios of David or Gerôme. Many of the paintings from remembering your brief training in times of need. If nothing else, the last century have suffered from the use of materials we now the materials addendum at the end should help you to find the know to be impermanent and each teacher over the last two highest quality supplies when you return home. -
Ken Lopez Bookseller Modern Literature 165 1 Lopezbooks.Com
MODERN LITERATURE 165 KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 1 LOPEZBOOKS.COM KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 2 KEN LOPEZ, Bookseller MODERN LITERATURE 165 51 Huntington Rd. Hadley, MA 01035 (413) 584-4827 FAX (413) 584-2045 [email protected] | www.lopezbooks.com 1. (ABBEY, Edward). The 1983 Western Wilderness Calendar. (Salt Lake City): (Dream Garden) CATALOG 165 — MODERN LITERATURE (1982). The second of the Wilderness calendars, with text by Abbey, Tom McGuane, Leslie Marmon Silko, All books are first printings of the first edition or first American edition unless otherwise noted. Our highest Ann Zwinger, Lawrence Clark Powell, Wallace Stegner, grade is fine. Barry Lopez, Frank Waters, William Eastlake, John New arrivals are first listed on our website. For automatic email notification about specific titles, please create Nichols, and others, as well as work by a number of an account at our website and enter your want list. To be notified whenever we post new arrivals, just send your prominent photographers. Each day is annotated with email address to [email protected]. a quote, a birthday, or an anniversary of a notable event, most pertaining to the West and its history and Books can be ordered through our website or reserved by phone or e-mail. New customers are requested to pay natural history. A virtual Who’s Who of writers and in advance; existing customers may pay in 30 days; institutions will be billed according to their needs. All major photographers of the West, a number of them, including credit cards accepted. Any book may be returned for any reason within 30 days, but we request notification. -
Christopher Isherwood Papers
http://oac.cdlib.org/findaid/ark:/13030/c8pk0gr7 No online items Christopher Isherwood Papers Finding aid prepared by Sara S. Hodson with April Cunningham, Alison Dinicola, Gayle M. Richardson, Natalie Russell, Rebecca Tuttle, and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2, 2000. Updated: January 12, 2007, April 14, 2010 and March 10, 2017 The Huntington Library. All rights reserved. Christopher Isherwood Papers CI 1-4758; FAC 1346-1397 1 Overview of the Collection Title: Christopher Isherwood Papers Dates (inclusive): 1864-2004 Bulk dates: 1925-1986 Collection Number: CI 1-4758; FAC 1346-1397 Creator: Isherwood, Christopher, 1904-1986. Extent: 6,261 pieces, plus ephemera. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of British-American writer Christopher Isherwood (1904-1986), chiefly dating from the 1920s to the 1980s. Consisting of scripts, literary manuscripts, correspondence, diaries, photographs, ephemera, audiovisual material, and Isherwood’s library, the archive is an exceptionally rich resource for research on Isherwood, as well as W.H. Auden, Stephen Spender and others. Subjects documented in the collection include homosexuality and gay rights, pacifism, and Vedanta. Language: English. Access The collection is open to qualified researchers by prior application through the Reader Services Department, with two exceptions: • The series of Isherwood’s daily diaries, which are closed until January 1, 2030. -
ISM WORKSHEET Template
INDIAN SCHOOL MUSCAT SENIOR SECTION DEPARTMENT OF FINE ARTS CLASS: X PAINTING (049) WORKSHEET No. 7 THEORY Unit – II – (a) METHODS AND MATERIALS OF PAINTING – TOOLS Questions and Answers Very short Answer Type Questions Q. 1) What are the categories of materials of painting? Ans: The materials of painting can be broadly classified into 3 categories: (A) Tools (B) Surfaces and (C) Medium. Q. 2) Define the following (1) Tools of Art (2) Surfaces for painting (3) Eraser (4) Hand-held Sharpener (5) Paintbrush (6) Bristles (7) Ferrule (8) Crimp Ans-: (1) Tools of Art - Tools of art are the physical materials used to create the artwork which we see without leaving any mark on the surface. Further no part of the tool is supplied to surface. (2) Surfaces for painting - When we speak of a surface for painting we mean the surface which absorbs the paint or a colour. In other words, a surface is that part of a painting which receives colour on it. (3) Eraser - An eraser is an article of stationery that is used for removing marks from paper. Eraser is used to rub off a mistake made in a pencil drawing. (4) Pencil Sharpener - A pencil sharpener is a mechanical gadget used for sharpening pencils by shaving the casing and the core of the wooden pencil until it shapes the point. (5) Paintbrush- A paintbrush is a brush used to apply paint or sometimes ink to an underlying. ISM/CLASS X/ WORKSHEET NO.7/PAINTING/2020-21 (6) Bristles - Bristles are the hairy part of the brush which transfer paint onto an underlying surface. -
Manuscript Material from the Library of W.B. Yeats and George Yeats
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 96 MANUSCRIPT MATERIAL FROM THE LIBRARY OF W.B. YEATS AND GEORGE YEATS (MSS 40,568-40,597) (Accession No. 6194) Photocopies of annotations, markings, bookmarks etc. made in publications; catalogues and lists; prints Compiled by Peter Kenny, Assistant Keeper, 2004-2005 Contents Introduction 3 I Photocopies of annotations, markings, bookmarks, dog-ears etc. made by WBY and others 4 I.i Works by Yeats, and other items listed in Wade 4 I.ii Other publications 10 II Other photocopies 37 III Catalogues etc. of material in the Library 37 IV Manuscript items 38 IV.i Poems by WBY 38 IV.ii Articles by WBY 38 IV.iii Correspondence 39 V Prints and other illustrations 39 2 Introduction The material described in this List was acquired with the Library of W.B. Yeats in 2002. The greater part of the material consists of photocopies of annotations, corrections, underlinings and other markings, including bookmarks and dog-ears, made in some of the books and periodicals that constitute the Library. The photocopying was carried out by Roger N. Parisious about 1968 (information provided by Dr. Elizabeth Heine). Of particular interest are the copies of corrections etc. carried out by Yeats and his wife George in the published versions of his own works that remained in the Library. Records for these are in a separate sub-section (I.i) of this List. Throughout the List great reliance has been placed on Edward O'Shea’s A Descriptive Catalog of W.B. Yeats's Library. -
Edward Upward and the Novel of Politics
Edward Upward and the Novel of Politics ANTHONY ARBLASTER Edward Upward, novelist, has enjoyed a second, fictional or semi- fictional life in the writings of his contemporaries for half a century. Under the pseudonym of “Allen Chalmers”, given to him by Christo- pher Isherwood, he appears in the autobiographies of Isherwood (Lions and Shadows) and Stephen Spender (World Within World). But Chalmers’ first appearance is as a character in Isherwood’s very first novel, All the Conspirators, published in 1928. Did Upward himself really exist? In the 1930’s some stories and a short novel, Journey to the Border, were published under his name. But for twenty years between 1942 and 1962 Upward published nothing except for one early story, The Railway Accident, which he partly disowned, and which therefore appeared under the familiar pseudonym, with an introduc- tion, appropriately, by Isherwood, the inventor of “Allen Chalmers”. Like another writer of the ’thirties, Jean Rhys, Upward disappeared from public view for many years. He has since explained the relation between this long silence and his engagement with and painful dis- engagement from the Communist Party. This relationship is itself one main theme of the trilogy of novels published since 1962 under the overall title of The Spiral Ascent (Onward and Upward?). Even now that Upward can be perceived as a novelist in his own right, the relationship between Upward and Chalmers still flourishes in the material of the trilogy, as will be seen. Isherwood and Upward have enjoyed a kind of literary partnership, the most enduring among those writers who formed a recognisable group or generation in the 1930’s. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
Genre Trouble in Radclyffe Hall's the Well of Loneliness
This is a repository copy of An ‘ordinary novel’: genre trouble in Radclyffe Hall's The Well of Loneliness. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/99000/ Version: Accepted Version Article: Roche, H (2018) An ‘ordinary novel’: genre trouble in Radclyffe Hall's The Well of Loneliness. Textual Practice, 32 (1). pp. 101-117. ISSN 0950-236X https://doi.org/10.1080/0950236X.2016.1238001 © 2016 Informa UK Limited, trading as Taylor & Francis Group. This is an Accepted Manuscript of an article published by Taylor & Francis in Textual Practice on 03 November 2016, available online: http://www.tandfonline.com/10.1080/0950236X.2016.1238001. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ An ‘ordinary novel’: Genre Trouble in Radclyffe Hall’s The Well of Loneliness Author Hannah Roche Affiliations University of Leeds; Harry Ransom Center, The University of Texas at Austin Contact information Email: [email protected] Postal address: School of English, University of Leeds, Woodhouse Lane, Leeds, LS2 9JT Telephone: 07841 480842 Acknowledgments This work was supported by the Arts and Humanities Research Council under Grant AH/K503095/1 and Grant AH/L01534X/1. -
Catalogue #19
Back of Beyond Books proudly releases Catalogue #19. We continue to feature books and ephemera from the American West but you’ll also find numerous pages of Americana, Travel and Photographic material along with Explora- tion, Mining and Native Americana. We’ve also picked up small collections of Poetry and Art Books which have been fun to catalogue. Perhaps my favorite genre of Catalogue #19 are the 21 Promotional items from western states and communities. These colorful pamphlets, mostly from the early 20th century, would make any Chamber of Commerce proud. It’s always interesting to see what items sell quickly in each catalogue. I of- ten guess wrong so I’ll leave the decisions up to you. Several items of note, however, include: The best association copy known of Cormac McCarthy’s Blood Meridian--inscribed to Edward Abbey, a beautifully bright advertising poster for the ‘Field Self Discharging Rake’, a scarce promotional for the Salt River Valley of Arizona, a full-plate tintype from Volcano, California, and six large format albumen photographs depicting archaeological sites of Arizona and New Mexico by John K. Hillers. I’m also taken with the striking and rare Broadside for the Chicago, Burlington and Quincy Railroad, the very clean re- view copy of Rachel Carson’s Silent Spring and the atlas from the Pike Expe- dition published in 1810. Thanks to my staff at the store for working around the piles and boxes of books. If you’re ever in Moab our shop is open daily; please stop in. Sophie Tomkiewicz used the skills she learned at the Colorado Rare Books School in developing Catalogue #19 and Eric Trenbeath is our designer. -
Stevenson-Mastersreport
Copyright by Katharine A. Stevenson 2013 The Report Committee for Katharine A. Stevenson Certifies that this is the approved version of the following report: Delicacy or Shame: Christopher Isherwood’s Obscured Sexuality in Lions and Shadows APPROVED BY SUPERVISING COMMITTEE: Supervisor: Mia Carter Alan Friedman Delicacy or Shame: Christopher Isherwood’s Obscured Sexuality in Lions and Shadows by Katharine A. Stevenson, B.A. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2013 Dedication This project is lovingly dedicated to my brother Sam, who has so much in common with certain personalities in Lions and Shadows. Don’t worry—it took Christopher nearly fifty years. Acknowledgements I would like to thank both of my committee members, Professors Mia Carter and Alan Friedman, for their time and input on this project, and for setting shining examples of leadership and dedication in academia. My adviser Professor Carter deserves particular thanks for introducing me to Christopher Isherwood’s work. His writing has become more meaningful to me than that of almost any other author, and I hope to continue to explore why for years to come. I would like to thank my parents for their unflagging faith, help, and moral support, without which I’m not sure that I could accomplish anything, and my best friend L.A. Fields for being my sounding board at all hours of the day and night. Finally, I must thank the other members of my cohort class. -
Peter Harrington London We Are Exhibiting at These Fairs
Peter Harrington london We are exhibiting at these fairs: 7–9 July 2017 melbourne Melbourne Rare Book Fair Wilson Hall, The University of Melbourne www.rarebookfair.com 8–10 September brooklyn Brooklyn Antiquarian Book Fair Brooklyn Expo Center 79 Franklin St, Greenpoint, Brooklyn, NY www.brooklynbookfair.com 4–5 October pasadena Antiquarian Book, Print, Photo & Paper Fair Pasadena Center, Pasadena, CA www.bustamante-shows.com/book/index-book.asp 14–15 October seattle Seattle Antiquarian Book Fair Seattle Center Exhibition Hall www.seattlebookfair.com 10–12 November boston Boston International Antiquarian Book Fair Hynes Convention Center bostonbookfair.com 17–19 November hong kong China in Print Hong Kong Maritime Museum www.chinainprint.com VAT no. gb 701 5578 50 Cover illustration: Luke’s account of the birth of Christ, from the Gutenberg Bible, item 14 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Design: Nigel Bents; Photography Ruth Segarra. Registered in England and Wales No: 3609982 Peter Harrington london catalogue 134 all items from this catalogue are on display at stand d4 preview day 28 June 11.00−21.00 public fair days 29-30 June 11.00−21.00 1-2 July 11.00-19.00 3-5 July 11.00-21.00 masterpiece 2017 | london South Grounds, The Royal Hospital Chelsea, London, SW3 4LW mayfair chelsea Peter Harrington Peter Harrington 43 Dover Street 100 Fulham Road London w1s 4ff London sw3 6hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 usa 011 44 20 7591 0220 Dover St opening hours: 10am–7pm Monday–Friday; 10am–6pm Saturday www.peterharrington.co.uk The tale of Jason and the Argonauts, the most important epic tumn 1533 he became a questionist and on 18 February 1534 he between Homer and Virgil, first edition in the original Greek, was admitted BA and nominated for a fellowship. -
Hall of Mirrors: Radclyffe Hall's the Well of Loneliness and Modernist Fictions of Identity
H all of Mirrors: R adclyffe Hall's The Well of Loneliness and M odernist Fictions of Identity Laura Green I n 1928, as she was preparing to appear as a defense witness in the pros ecution of Radclyffe Hall's novel The Well of Loneliness (1928) for ob scenity, Virginia Woolf wrote in a letter: At this moment our thoughts center upon Sapphism we have to upliold the n1orality of that Well of all that's stagnant and lukewarm and neither one thing or the other; The Well of Lone- liness. (Woolf 555; also qtd. in Cline 255)1 Woolf's response to The Well privately caustic, publicly supportive pre figures the ambivalence that the novel has famously continued to arouse an1ong readers and critics. The Well appeared on the heels of the critical and popular acclaim accorded Hall's novel Adam's Breed (1926), recipient of the 1927 Prix Femina Vie Heureuse (which Woolf herself won the next year), and H all's novels share certain concerns with Woolf's. Like Woolf, Hall created fen1ale protagonists who are artists (A Saturday Life) or writers (Tite Well of Loneliness), whose thwarted ambitions include an Oxbridge education (The Unlit Lamp), who may challenge conventional gender expectations (The Unlit Lamp, The Well of Loneliness), and whose lives are shaped by powerful (although in Hall's case almost entirely neg ative) mother figures who embody traditional feminine morality (The U1Llit Lamp, The Well of Loneliness.) But Hall is not among the contempo rary authors discussed in Woolf's literary journalism. Woolf's dismissal of Hall has traditionally been read as a marking of Twentieth-Ce11tury Literature 49.3 Fall2003 277 Laura Green the boundary between modernist aesthetics and the traditions ofVicto rian and Edwardian realism from which modernisn1 distinguished itself.