{PDF EPUB} Fox! (Jumpstart Extra, Stage 1C) by Brian Moses Apr 20, 2000 · Fox! (Jumpstart Extra, Stage 1C) [Moses, Brian] on Amazon.Com
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SILVER AGE SENTINELS (D20)
Talking Up Our Products With the weekly influx of new roleplaying titles, it’s almost impossible to keep track of every product in every RPG line in the adventure games industry. To help you organize our titles and to aid customers in finding information about their favorite products, we’ve designed a set of point-of-purchase dividers. These hard-plastic cards are much like the category dividers often used in music stores, but they’re specially designed as a marketing tool for hobby stores. Each card features the name of one of our RPG lines printed prominently at the top, and goes on to give basic information on the mechanics and setting of the game, special features that distinguish it from other RPGs, and the most popular and useful supplements available. The dividers promote the sale of backlist items as well as new products, since they help customers identify the titles they need most and remind buyers to keep them in stock. Our dividers can be placed in many ways. These are just a few of the ideas we’ve come up with: •A divider can be placed inside the front cover or behind the newest release in a line if the book is displayed full-face on a tilted backboard or book prop. Since the cards 1 are 11 /2 inches tall, the line’s title will be visible within or in back of the book. When a customer picks the RPG up to page through it, the informational text is uncovered. The card also works as a restocking reminder when the book sells. -
Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
2019-Fall-Cultural.Pdf
315-731-5721 OFFICE BOX MVCC.EDU/CULTURE AVENGERS: ENDGAME AVENGERS: Cultural MVCC MVCC Series FALL 2019 LINEUP 6 SEPT. MVCC DRAMA CLUB AND THEATRE PROGRAM FAMILY FUN SERIES INTERNATIONAL CAFE AND CONVERSATIONS CHARACTER BREAKFAST OCTOBER 5 Ice T LECTURE: “RACE IN AMERICA, Series Cultural BRIDGING THE GAP” Ice T not only invented gangster rap, he has lived it. Born in New Jersey, he 14 SEPT. learned the art of survival pretty fast. An only child, whose parents died when he was very young, Ice T became involved in L.A. gangs before spending four years in the Army. Through his music, his roles in TV and film, his books, and his lecture tours of America’s prisons, high schools, libraries, and colleges, Ice T has become an influential spokesman for America’s youth, regardless of color. He has starred in NBC’s “Law & Order: Special Victims Unit” as Detective Odafin Tutuola for 20 years. In 2017, he produced and starred in “Who 4 STORY TOY Shot Biggie & Tupac” for Fox, released a new “BodyCount” album, which garnered SEPT. 28 SEPT. a 2018 Grammy nomination, and produced and hosted “In Ice Cold Murder” for Oxygen. SEPT. 17 MAGICIAN MICHAEL KENT OCT. 24 PREACHER LAWSON INTERNATIONAL FESTIVAL NOV. 1 EXPERIENCING NIRVANA, WITH BRUCE PAVITT, FOUNDER OF SUB POP RECORDS NOV. 7 NOV. NOV. 22 DRAG SHOW Thursday, September 5 • UTICA Tuesday, September 17 • UTICA LECTURE: “What Inspires You?” w/ Author P CONCERT: Backtrack SEPTEMBER Noon, Snack Bar, Alumni College Center Dina Radeljas, Ph.D., Assistant Professor of P UTICA Backtrack is an award-winning vocal ensemble based Social Sciences and Public Service at MVCC JORGENSEN ATHLETIC/ in New York City. -
A Critical Ideological Analysis of Mass Mediated Language
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2006 Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language Michael Alan Glassco Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Mass Communication Commons Recommended Citation Glassco, Michael Alan, "Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language" (2006). Master's Theses. 4187. https://scholarworks.wmich.edu/masters_theses/4187 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. DEMOCRACY, HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIA TED LANGUAGE by Michael Alan Glassco A Thesis Submitted to the Faculty of the Graduate College in partial fulfillment'of the requirements for the Degreeof Master of Arts School of Communication WesternMichigan University Kalamazoo, Michigan August 2006 © 2006 Michael Alan Glassco· DEMOCRACY,HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIATED LANGUAGE Michael Alan Glassco, M.A. WesternMichigan University, 2006 Accepting and incorporating mediated political discourse into our everyday lives without conscious attention to the language used perpetuates the underlying ideological assumptions of power guiding such discourse. The consequences of such overreaching power are manifestin the public sphere as a hegemonic system in which freemarket capitalism is portrayed as democratic and necessaryto serve the needs of the public. This thesis focusesspecifically on two versions of the Society of ProfessionalJournalist Codes of Ethics 1987 and 1996, thought to influencethe output of news organizations. -
793-8423 Fax: (909) 335-9945 E-Mail: [email protected] Web Site
LIBROS LATINOS P.O. BOX 1103 REDLANDS, CA 92373 Phone: (909) 793-8423 Fax: (909) 335-9945 E-mail: [email protected] Web site: www.libroslatinos.com LATINO COMICS 10/2014 1. 159359 Aguirre, Jr., Raul CITIZEN SANCHEZ. Issue # 1. 2013 San Diego comic-con special edition Unknown Self-published, author 2013 First printing 8 p., b+w ilus., wrps. A short comic about the Sanchez family. The father, who is head of household, tries to maintain order and discipline. Hilarity ensues New Staplebound Wraps 2. 153287 Andersen, Brian FRIENDS OF DOROTHY. Issues #1-2. Story by Brian Andersen, Art by Neftali Centeno, Letters/colors by Falencia Woods CBG Comics 2010 8vo, wrps, 36 p., illus. Friend of Dorothy takes the beloved, iconic 'Wizard of Oz' characters and themes and playfully twists them into new, sometimes deadly, occasionally sexy, but always exciting, fresh and modern characters for the superhero age, says creator Brian Andersen. Friend of Dorothy stars Scott-John, a young teenage boy struggling with his sexuality who, after attempting to end his life, finds himself brought back from the brink to be given the mantel of Oz's first Official Campion on Earth —the one being in all the universe imbued with the strength, stamina, and righteous weapons of Oz itself! New Paperback 3. 153290 Anderson, Brian and Celina Hernandez REIGNBOW AND DEE-VA. Issues #1-3 CBG Comics 2008 8vo, wrps, 36 p., illus. Reignbow and Dee-Va are a heroic duo made in feather boa, MAC counter heaven. This sparkling romp of a comic, written by the seriously nice Brian Anderson (So Super Duper) and illustrated by Celina Hernandez, is as fun as it is unambiguous. -
Reconciling Cultural Diversity and Free Trade in the Digital Age: a Cultural Analysis of the International Trade in Content Items Claire Wright
The University of Akron IdeaExchange@UAkron Akron Law Review Akron Law Journals July 2015 Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items Claire Wright Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: http://ideaexchange.uakron.edu/akronlawreview Part of the International Law Commons, and the International Trade Law Commons Recommended Citation Wright, Claire (2008) "Reconciling Cultural Diversity and Free Trade in the Digital Age: A Cultural Analysis of the International Trade in Content Items," Akron Law Review: Vol. 41 : Iss. 2 , Article 3. Available at: http://ideaexchange.uakron.edu/akronlawreview/vol41/iss2/3 This Article is brought to you for free and open access by Akron Law Journals at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Akron Law Review by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. Wright: Reconciling Cultural Diversity and Free Trade WRIGHT_FINAL 3/23/2009 2:40 PM RECONCILING CULTURAL DIVERSITY AND FREE TRADE IN THE DIGITAL AGE: A CULTURAL ANALYSIS OF THE INTERNATIONAL TRADE IN CONTENT ITEMS Claire Wright* I. Introduction ....................................................................... 401 II. Background Information.................................................... 415 A. Cultural Diversity on the Global Level ....................... 415 B. International Media Conglomerates ............................ 420 C. Global Content Markets .............................................. 428 D. Digital Technology ..................................................... 432 III. Cultural Studies ................................................................. 439 A. Cultural Studies as a Discipline ................................. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
Adam Zuercher CEO & Chief Investment Officer, Hixon Zuercher Capital Management BEST IDEAS 2019, HOSTED by MOI GLOBAL DECEMBER 19, 2018
Adam Zuercher CEO & Chief Investment Officer, Hixon Zuercher Capital Management BEST IDEAS 2019, HOSTED BY MOI GLOBAL DECEMBER 19, 2018 419-425-2400 Adam C. Zuercher, CPA/PFS, CFP® CEO & Chief Investment Officer www.hzcapital.com Hixon Zuercher Capital Management [email protected] HIXON ZUERCHER CAPITAL MANAGEMENT Founded in 2002 by Adam Zuercher and Tony Hixon Located in Findlay, Ohio $135+ Million firm assets under management (AUM) GIPS verified Managed Strategies Focused Equity Portfolio (Large Cap US) - $32 Million AUM* Focused Equity Income Portfolio (Large Cap US / Dividend Growth) - $29 Million AUM* Small Cap Portfolio (Small Cap US) - $1 Million AUM* 6 Globally Diversified Mutual Fund Portfolios and Other Custom Strategies - $73 Million AUM* 2 *AUM as of 11/30/2018 INVESTMENT TEAM Adam C. Zuercher, CPA, CFP® Joshua W. Robb Chief Investment Officer, Portfolio Manager Associate Wealth Advisor, Equity Analyst • The University of Toledo, Bachelor’s • Huntington University, Bachelor’s Degree in Degree in Accounting (1999) Business Management (2005) • Co-founded Hixon Zuercher in 2002 • Joined Hixon Zuercher in 2013 Anthony J. Hixon, CIMA®, RFC® Austin A. Wilson Chief Operating Officer, Portfolio Manager Research Analyst • Ohio Northern University, Bachelor’s • The University of Findlay, Bachelor’s Degree Degree in Accounting (1999) in Finance and International Business (2014) • Co-founded Hixon Zuercher in 2002 and • Joined Hixon Zuercher in 2018 joined full-time in 2003 3 ADAM C. ZUERCHER, CPA, CFP® Adam has experience providing investment management and financial advisory services since 1999. Adam is co-founder, Chief Executive Officer, and Chief Investment Officer of Hixon Zuercher Capital Management. As Chief Investment Officer, he oversees investment research and the development and implementation of the firm’s investment strategies. -
Integrating 3D and 2D Computer Generated Imagery for The
INTEGRATING 3D AND 2D COMPUTER GENERATED IMAGERY FOR THE COMICS MEDIUM A Thesis by RUBEN DELUNA JR. Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE December 2004 Major Subject: Visualization Sciences INTEGRATING 3D AND 2D COMPUTER GENERATED IMAGERY FOR THE COMICS MEDIUM A Thesis by RUBEN DELUNA JR. Submitted to Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Approved as to style and content by: ______________________________ _____________________________ Karen Hillier Mary Saslow (Chair of Committee) (Member) ______________________________ _____________________________ Donna Hajash Phillip J. Tabb (Member) (Head of Department) December 2004 Major Subject: Visualization Sciences iii ABSTRACT Integrating 3D and 2D Computer Generated Imagery for the Comics Medium. (December 2004) Ruben DeLuna Jr., B.S., Texas A&M University Chair of Advisory Committee: Prof. Karen Hillier Advances in 3D computer technology have led to aesthetic experimentation within the comics medium. Comic creators have produced comic books done entirely with 3D models that are then assembled digitally for the printed page. However, in using these 3D objects in a comic format, the creators have developed art styles that do not adhere to the paradigms established by this traditionally 2D medium. More successful results can be achieved by integrating 3D computer generated imagery with traditional 2D imagery, rather than replacing it. This thesis develops a method of combining rendered 3D models with 2D vector graphics to create a comic book art style that is consistent with the traditional medium, while still taking advantage of the new technology. -
Long Beach Comic Con SEPTEMBER 17, SATURDAY Program Schedule
LONG BEACH COMIC CON LOGO 2014 Long Beach Comic Con SEPTEMBER 17, SATURDAY Program Schedule Danger Room Smallville Film Festival Cosplay Closet Creator’s Lab The Final Rumble Room Knerds of the Thunderdome Cardiff (S1) (S3A) (S3B) (S4B) (S5) Frontier (S6) (S7) Round Table (Seaside Pre-Func- (Long Beach tion) Public Library) 10:30am Follow Your Bliss: #MakeComics: NASA's Dawn Fiery Heroines TOKYOPOP Kids Can Cosplay So You Want to Writing Tips & Mission: The Relaunch Workshop Panel 11:00am 1First Comics State Work in Anime… GeekFest Filmmakers Cosplay for All Sizes Techniques for the Asteroids Awaken of the Union Festival Aspiring Comics Writer or Novelist 11:30am Follow Your #MakeComics: Developing & BattleBots GI Joe: Knowing You May Also Bliss: So You Ask an Editor Selling Animated is Half the Battle Enjoy... 12:00pm A Marvel-ous Want to Work in Aero Origins Trailer Geeks Got Your Back TV Series Girl Scout Brownie Universe! Comics… Galactic Galaxy CLOSED Session Phoenix Run Dark Specter 12:30pm How to Create & Star Trek Wars #MakeComics: The Martians at Work Kickstarter vs. History of Teen Girl Scout Junior History of Draw Your Own Art of Lettering Self Funding: Titans Drawing CLOSED TARDIS Props Superhero The Indie Session with Pierre 1:00pm So You Want To Be Sebestian: Slumberland Cosplay Comedy Creator Fight of Bernard Jr. An Animator... The Odyssey Trailer the Century Beginners Guide to Heroes of the Realm 1:30pm Making Cartoons! Youth Can Draw, Liberator #MakeComics: “Holy Bleep, Pokemon (Go!) Batman: The Doctor Who LIVE! Too! ANIME/ -
The Comic Book Is Dead, Long Live the Comic Book V3.0 by Tony C
Comic Book Publishing 1 of 33 The Comic Book is Dead, Long Live the Comic Book V3.0 A White Paper By Tony C. Caputo September 26, 2005 © 2005 Tony C. Caputo Comic Book Publishing 2 of 33 A White Paper..................................................................................................................... 1 Abstract............................................................................................................................... 3 Introduction......................................................................................................................... 3 Overview of Comic Book Publishing................................................................................. 3 CREDITS............................................................................................................................ 4 AUTHOR................................................................................................................ 4 STATISTICAL CONTRIBUTORS........................................................................ 4 REVIEWERS.......................................................................................................... 4 The Five-Headed Monster .................................................................................................. 7 Product Overview ........................................................................................................... 7 Market Overview ............................................................................................................ 7 -
The Visual Language Manifesto
THE VISUAL LANGUAGE MANIFESTO RESTRUCTURING THE “COMICS” INDUSTRY AND ITS IDEOLOGY BY NEIL COHN 2 Neil Cohn About the Author eil Cohn has recently been gaining attention for his linguistic N research on how the comic medium communicates, and is the author of Early Writings on Visual Language. He has lectured are the Museum of Contemporary Art in Los Angeles, UC Berkeley, and at academic conferences in San Diego, California; Dundee, Scotland and Krakow, Poland. His new book with Thom Hartmann, We the People: A Call to Take Back America (CoreWay Media, 2004), addresses the pervasive hold of corporations on American government. Neil received a B.A. from the University of California, Berkeley, studied in Japan at Tsuru University, and received a Masters at the University of Chicago. He is currently a graduate student in the Psychology Department at Tufts University. You can find his work at www.emaki.net. The Visual Language Manifesto: Restructuring the “Comics” Industry and its Ideology by Neil Cohn Second Edition, Nov. 2007 Emaki Productions www.emaki.net [email protected] Contents is © 2005, 2007 Neil Cohn. Articles first appeared in 2004 and 2005 on www.comixpedia.com. This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivs License. Reproduction of the contents in part or full is acceptable and even encouraged, though under the conditions that 1) it is for non- commercial use 2) it is unaltered in any capacity, and 3) the author’s name remains attached and credited in full. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/2.0/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.