FOREWORD 10x10 brings together 100 of 10x10 was founded in one of the the world’s best architects and world’s great financial centres; the artists into the most famous city City of . Its aim is to raise in the world, the City of London, money for essential projects in to draw at their own expense for developing countries. Article 25. The City is one square It began as a celebration of mile and every corner contains three things: firstly, the process two thousand years of great of looking at the city; stopping, architecture. From Wren to Foster, listening and putting pen to from Soane to Koolhaas the City paper. Secondly, the process of has exquisite buildings and spaces making choices; deciding what which have, in turn been captured to draw - picking favourites – and by today’s best talent. articulating those choices. Thirdly Article 25 thanks the participants it is a celebration both of the of 10x10 for their generosity and individual and the collective - a now asks you to match their spirit many-layered ‘snapshot’ of the by digging deep and bidding high. City. Here’s your chance to secure a Thanks go to all those who have piece of history, for a very good contributed; with drawings, with cause. Article 25 is the UK’s their time and with sponsorship. leading architectural humanitarian We hope that this will be the first charity - we need your support. of many 10x10’s, both in London and in other cities around the World.

Jack Pringle Tim Makower Chair of Article 25 Allies and Morrison LONDON 10 X 10 “10x10 London – Drawing the City” DRAWING THE CITY is a unique project, dividing the City of London into a 10x10 grid. Each piece has been created for this event by prominent architects and artists. Initiated by architects Tim Makower and Stephen Taylor and supported by Argent and Sotheby’s, 10x10 is set to become an annual and international event. Proceeds from this event will support the built environment charity Article 25’s ongoing projects including a school building in Burkina Faso. All of our contributors took to the pavements of London to produce a truly distinctive and dynamic collection and, as we think you will agree, form a truly unique showcase of British architectural heritage. The resulting works highlight some of the most beautiful aspects of the city as well as the hidden and forgotten details that are regularly overlooked. This project is a unique concept, with the designers of the City

collaborating during one weekend and turning their gaze back to the built environment they helped to create as well as providing a commentary and critique on the constantly changing landscape of central London. These original and striking pieces, documenting the changing cityscape of London are being auctioned by Sotheby’s at an exclusive event on 1st December, 2011 at the German Gymnasium, courtesy of King’s Cross. AUCTION Live & Silent Auction Sealed bids PROCEEDINGS A selection of 25 pieces will Sealed bids are accepted by email, be auctioned live on Thursday text or telephone before 6pm on 1st December at The German Thursday 1st December. For more Gymnasium, Kings Cross Central. information please email laura- A Silent Auction of the 75 [email protected] or call +44 remaining pieces will run on the (0)20 7375 0144. same night. To participate in the Silent Auction, please write your Payment bid on the bidding forms next to If you place the winning bid for each artwork in the exhibition. any auction lot, payment can be Telephone bidding is also available made by credit or debit card, for the Live Auction – please email cheque, cash, bank transfer or [email protected]. online donation and must be made on or before collection or delivery of the piece. A payment desk will be available on the night for those present at the Live Auction. If not present, you will be notified by email or text message on the 1st December.

Collection All artworks will be packaged to take away on Thursday 1st December. If you are unable to take your piece it will be packaged and delivered on Friday 2nd December, to Greater London addresses. If payment is not received by 10.30am on Friday 2nd December, or if the delivery address is not in London, the buyer must arrange for their own collection.

The Live Auction is being hosted by Adrian Biddell (left) of Sotheby’s, who have also kindly provided their expertise in auction preparations. ARTICLE 25 Article 25 envisions a world where this human right to adequate shelter is met; a world where there is never a life nor livelihood lost due to the lack of a building, appropriate design or construction skills. Currently over 1 billion people live without adequate shelter, which acts as a major barrier to health, safety and poverty reduction. Article 25 works with communities, charities and NGOs in developing countries and post- disaster areas. We provide safe, making a difference to thousands cost-effective, and appropriate of beneficiaries. There are still design, and construction hundreds of thousands of people management for building projects that still need our help. that provide a vehicle to break a 10x10 Drawing the City cycle of poverty. demonstrates that the world of art Each physical building project also and architecture supports the need acts as a capacity building project; for safe design around the world. we train local communities in The proceeds from this auction will safe construction skills that will support “Child Friendly” secondary have a lasting impact long after schools in Burkina Faso, schools our role is complete. In 5 short that are earthquake and hurricane years, Article 25 has worked on resistant in Haiti and many more over 50 projects in 23 countries, worthy projects.

1a john penton

John Penton is an architect who specializes in all things to do with ageing and disability. He advises the Dean and Chapter of St. Paul’s and three other cathedrals. He is Past Master of the Chartered Architects livery company in ‘the’ City and was Master of the Merchant Taylors, one of the Great 12 Livery Companies, in 2003.

“Physic Garden” Watercolour on paper 420 x 297 mm

Guide Price £200 - £250 1b “Here – Where” paul sandilands & Collage on board 410 x 210 mm chloe phelps The City of London is a centuries old, Paul’s career started in private practice and cohesive example of legible urban form; in local government on public sector housing contrast, touching its north western edge, and urban renewal projects. Having trained lays an area of deliberate intent, somewhere as an architectural technologist, he gained conceived and created within a single professional qualification in 1987 with generation, somewhere of great ambition Powell+Moya. Since 1988, Paul has played and achievement. However, between the a key role in the design, procurement and City and the Barbican any sense of place, construction of many of Lifschutz Davidson location or presence evaporates, the Sandilands’ projects; he is committed to ubiquitous yet chanced upon ‘your are here’ staff development, is an active awards sign makes clear that one actually wasn’t judge and a member of the Royal Borough ‘here’ and can only clarify the conundrum of of Kensington + Chelsea Architectural ‘Where’? that could be. Appraisal Panel and chairs the LB Guide Price £100 - £120 Hammersmith + Fulham design review panel. 1C richard lavington

Richard is a director of Maccreanor Lavington Architects, the practice he established in 1992 with Gerard Maccreanor. Richard has led the office’s work on many projects including Accordia in Cambridge, St Andrews Bromley-by- Bow, the H10 Hotel Waterloo and the Lux in Hoxton Square as well as a number of the earlier housing projects in the Netherlands. Richard lives with his family in London.

“Highwalk Urbanism” Digital image 210 x 420 mm

Guide Price £150 - £200 1d “Backs and Fronts” michael squire Acrylic on paper 410 x 297 mm

Son of architect Raglan Squire and “The site was not treated kindly by the grandson of poet Sir John Squire, founder 60’s and is now in transition with major of the Architecture Club, Michael Squire construction works underway. The painting studied at St John’s College, Cambridge, recognizes views out of the site to the under Professor Sir Leslie Martin. Michael Barbican, 84 Moorgate, and the Swiss Re. founded Squire and Partners in 1976, and It also focuses on the contrast between designs buildings, places and spaces which roller shutter doors for delivery at the back are crafted to respond to their context of Moor House and fashion and glamour and function. The practice’s work reveals at its front. The picture is seen through the a commitment to contemporary design grid of the heras fencing which surrounds and detailing, set within a traditional so much of the current construction work.” urban framework of street patterns, scale, proportion and materials. Guide Price £300 - £400 1e “1E - Where are we going?” sir jeremy dixon Collage on board 420 x 297 mm

Born 1939 and in private practice since “Parking my car in the calm environment 1977, the current partnership with Edward of Finsbury Circus I walked towards Jones was formed in 1989. Common to our Moorgate and hit a moment of urban work as architects has been a concern for hostility. The roadway was fenced in with the city we work in and the way London barricades, buses were queuing nose to tail has had a particular history different from and the view was of the kind of desolation other European cities. Projects such as associated with large building sites. housing St Mark’s Road, the Royal Opera Understandably depressed by my given House, National Portrait Gallery, Somerset square, I found it difficult to encapsulate House, etc. all engage with aspects of my emotions in a drawing so made a London’s urban history. We always review collage to contrast the quiet urbanity the historical background of our sites as of the circus with the emerging chaotic a way of giving us a basis for finding a cityscape of random towers.” relationship between the new and the old. Guide Price £150 - £200 1f “A Private Corner” Max Chan Watercolour pencil and pencils on paper

Max is a Hong Kong born Architect living “A serene corner in a strenuous, exhausting in London. He has worked with Aedas since city invited a fatigued passer-by to pause graduation from the School on her journey home. She reclaimed of Architecture in 2007. At Aedas Max has her lost soul on a cold marble bench, its worked on a variety of projects including temperature resonated with the gesture. residential, transport, education and hotel A telephone conversation developed schemes, but he has a particular interest in and she began to disconnect from her housing design. surroundings; the glazed screens keeping her apart from the velocity of the city. She Alongside his work, Max spends a lot was thankful to have found a consoling of time sketching and undertaking private corner.” photographic work. He is trained in classical piano and is interested in the correlation between music & architecture. Guide Price £150 - £250 1g “The Urban Void” david adjaye Ink on paper 210 x 210 mm

“Walking to Finsbury Circus, I realised that the richness of London’s cityscape has little respite. Absorbed by the grandiose setting, I almost lost my bearings as the meticulously crafted facades overwhelmed me. My relief came when the sun shone David Adjaye was born in 1966. He works in my eyes and I was forced to look up. I as an architect with the aim of creating immediately gained a sense of tranquillity buildings as if they were conceptual from the never ending blue above me. My artworks. He earned his BA at London sketch observes this powerful image that South Bank University and went on to seemed to transcend any man made form.” graduate with an MA from the Royal College of Art. Guide Price £200 - £300 1h charlie whitaker

Charlie is a designer with 3DReid, with responsibility for their building designs and masterplans in Asia. He has been with 3DReid for around six years; before that he was with RMJM. Charlie is also a graduate of the Mackintosh School of Architecture.

“The Octagon” Giclée print, digital photography with compositing 305 x 406 mm

“The Octagon in the Broadgate Estate is an urban space but is not a public space. The use programme is tightly constrained, and commonly held beliefs concerning the justifications for these constraints may not have only a practical basis: The Octagon also has a very strong aesthetic programme, where certain forms and colours are absolutely dominant. Would the haphazard aesthetic of an ‘Occupy …’ demonstration be tolerated at all?” Guide Price £150 - £250 1i “Saturday Morning at the chris wilkinson Station” Pencil drawing, with watercolour wash version and acrylic paint version Chris Wilkinson is the founding principal 594 x 420 mm of Wilkinson Eyre Architects. He was awarded an OBE in the 2000 Millennium “I found myself a quiet spot in the station to Honours for services to architecture and sit and draw. It’s not my favourite building elected to the Royal Academy in 2006. because of the ornate Victorian decoration He has received honorary doctorates on the cast iron structure but my spirits from Westminster University and Oxford were lifted by the quality of light streaming Brookes University. He is a member of through the large modern glazing to the the RIBA, an honorary fellow of the AIA south. It took me some time to set out the and a fellow of the Chartered Society of composition because of the complexity Designers. He has been visiting Professor of the structure but, as it started to take at IIT and Harvard University shape, I settled down to enjoy myself.” Graduate School of Design. Guide Price £750 - £850 1j “Broadgate 142” ben kilburn Watercolour and ink on paper, size 420 x 295 mm “I was allocated a square right on the edge Ben Kilburn trained as an architect at of the 100 squares and the City, bordering Cambridge University and is a director at Spitalfields and the East End beyond. I Kilburn Nightingale Architects, with offices set out to capture the sense of being in just south of Kings Cross. Ben has been between these very different parts of working with Richard Nightingale, co- London. I drew fast with my sketchbook director at Kilburn Nightingale, for many leaning against a traffic light to capture years on a wide variety of work both in the the movement and energy and a stream of UK and abroad. He has also taught at a consciousness. The drawing suggests what number of architectural schools including lies beyond; the innards of the buildings, Cambridge and Bath University. He has the workings below ground, or the history worked in London for over 20 years and of the city to the west and the Dickensian currently lives in Hackney with his wife and charms of Spitalfields to the east.” three daughters. Guide Price £100 - £200 2a “88 Wood Street: Fragments” steve humphreys 4B and 2B pencil and eraser on paper 410 x 297 mm

“The images illustrate skyline and ground As a Director at Weston Williamson Steve level fragments of 88 Wood Street by maintains a design overview on a wide and Partners -the stand range of projects across all sectors. A key out building and aspect of this square aspect of his role is in the development, of the city in my view. What inspires evolution, and delivery of the design me about this building? It is elegant, concept. contextual, multi facetted. Where its Steve is closely involved in the visual arts neighbours play constrained games of not only in his specialist area as an artist one dimensional façade manipulation, and illustrator but also in arts management. this building has complexity delivered in a His role on the board of firstsite enables consistent fashion with playful elements to him to be actively involved in the visual arts enliven and articulate the streetscape.” in the Eastern Region of the UK. Guide Price (2 pieces) £150 - £200 2b “Metaphorical Landscape” eric parry Watercolour on paper 420 x 297 mm

Founded his own practice in 1983 and has “This is a representation of the north been working with co-directors Robert wall under 5 Aldermanbury Square using Kennett and Nick Jackson for over 15 years. watercolour as a medium which best He studied architecture at the University captures the shimmering quality of light of Newcastle, the Royal College of Art, reflected off the metal threads of the and the Architectural Association, and weft of the textiles hanging in front of the worked as a lecturer in architecture at the light absorbent shuttered concrete walls. University of Cambridge. He has also led Opposite, the other wall that defines the several lectures at the Graduate School of new public space and entrance to the Design, Harvard, and the Tokyo Institute square is also in concrete and carries water of Technology. Eric is involved in many that flows down bronze Channels in a projects and plays a key role in their design literal Opposition to The textiles.” development stages. Guide Price £200 - £300 2c mark major

Mark Major trained as an architect before becoming a lighting designer. He is a Director of award winning lighting designers Speirs + Major. He has been responsible for lighting a large number of landmark projects including the Millennium Dome, 30 St. Mary Axe and the . He recently re-lit the interior of St. Paul’s Cathedral. He lectures widely and was the co-author of the best selling publication ‘Made of Light – The Art of Light and Architecture’.

“Lights on the ” Gouache, marker pen, silver highlighter, Tippex and ball point pen 410 x 297 mm

“Our perspective of the city changes as darkness falls. We experience the streets, squares, parks and buildings differently. Vertical surfaces disappear. The colour and texture of the landscape is lost. Buildings become lanterns revealing their patterns of occupation. The dynamic movement of light created by advertising, headlights and signals creates an ever changing layer. There’s beauty to random patterns of light.”

Guide Price £300 - £400 2d Untitled john lyall Collage on board 420 x 210 mm

“Whether the job in hand is the installation is essentially inclusive, rich and generous of a new lift (as at London’s Science in spirit. It is an architecture which is Museum) or the renewal of an entire informed by the great urban traditions of district, Lyall’s approach begins with a the past and offers a new vision of the city practical assessment of what is needed of the future.” and how it can be delivered. To this extent, he is, indeed, a pragmatist who delights Ken Powell, Introduction to: “John Lyall in getting things done. But beyond the Contexts and Catalysts“. pragmatic surface, there is the mind of an artist, a maker of form whose architecture Guide Price £80 - £120 2e “On London Wall” tim stonor White ink on black paper 410 x 297 mm

Tim Stonor is an architect and urban planner, “Places exist at multiple scales, revealing specialising in the analysis and design of activities simultaneously local and human behaviour patterns in buildings and global: people coming to, going from or urban areas. His work shows how social, passing through. Occupiers and visitors economic and environmental value is - indistinguishable one from the other. created by the interaction and transaction Present in a scene that extends beyond the of people in space. Tim is Managing Director field of view. An urban perspective where of the strategic consulting firm Space the background is the static architecture of Syntax Limited, which he founded in 1996. buildings and the foreground is the kinetic A Director of the Academy of Urbanism, architecture of human activity.” Fellow of the Royal Society of Arts and winner of the Harvard Loeb Fellowship, he is an Honorary Senior Lecturer at University Guide Price College London. £200 - £300 2f sunand prasad

Sunand Prasad is a Trustee of Article 25, co-founder of Penoyre & Prasad and past President of the RIBA (2007-09).

“The Sky from Finsbury Circus” Black ink on tracing paper 410 x 297 mm

“If the streets and squares of the city are outdoor rooms the sky is the ceiling we rarely notice. These drawings show the shape and edge of the sky as seen past the tops of the buildings looking North, South, East and West. You can read the architecture of the buildings in these lines – the tame Po-Mo of 60 London Wall, the extravagant crenalations of Salisbury House and the classicism of London Wall buildings opposite, both turn of the century.”

Guide Price (set of 4) £200 - £250 2g peter murray

“I chose this because the rest of my square was pretty boring; the buildings face into the Circus and this seemed the natural focus. It also represented one of the heydays of the City - the Edwardian period when the City was the centre of the mercantile element of the British Empire, a role which was reflected in grand buildings such as this. As Chairman of Wordsearch I have been involved in the editing and design of brochures and other media for

“Baroque Entrance, Finsbury Circus by Gordon and Gunton” Ink and wash sketch 297 x 410 mm many City buildings including a number in Finsbury Circus. Much of my work has been in Broadgate, a few hundred metres from this site, but a very different environment. I am also Chairman of NLA - the centre for London’s built environment, Director of the London Festival of Architecture and an Assistant to the Court of the Worshipful company of Chartered Architects.”

Guide Price £250 - £350 2h “An impression of prof. sir colin Street Station” stansfield smith Watercolour on paper 420 x 297 mm

Born in Manchester, Professor Sir Colin “A sketch, a quick cartoon, full of life Stansfield Smith studied architecture at and energy – a snapshot of a gateway, Cambridge University. He was awarded an entry and an invitation to travel. 19th a CBE, the RIBA Royal Gold Medal, and century London Railway Terminals are all was later knighted. His career objectives embracing. They reveal visual interaction include successfully exploiting the cultural of people going in different directions diversity offered by context, history and doing different things at different speeds. craft, without being labelled a purveyor All these Terminals herald 20th century of superficial pastiche, one has to possess modernism and technology – a whole the talents, intellect and attributes of the history of metal and glass development.” practice of MJP Architects. Guide Price £200 - £400 2i alan stanton

“I have always admired Hawksmoor’s buildings, the strength, the clarity, the sheer guts. You cannot ignore a Hawksmoor building. And so: St. Mary Woolnoth ‘like a piece of compressed matter vibrating on its foundations likely to explode at any moment’. (Alastair Service) and of course:

“St. Mary Woolnoth (Nicholas Hawksmoor)” Ink on cartridge paper

“A crowd flowed over , so many - I had not thought death had undone so many. - Sighs, short and infrequent, were exhaled, - And each man fixed his eyes before his feet. - Flowed up the hill and down King William Street, - To where Saint Mary Woolnoth kept the hours - With a dead sound on the final stroke of nine.” T.S.Eliot. The Waste Land (1922). Enough said....” Guide Price £250 - £350 2j charlie curtis & jonathan beswick Well-done, Medium Or Rare architects was created by architect Jon Beswick, and Charlie Curtis through a 9 month overland journey through West Africa. We were designing and building shelters for HIV clinics using vernacular techniques. Now based in London, the practice collaborates with clients on high-end residential works. Our passion is for linking architecture with exploration. In January 2012 we are walking to the South Pole to celebrate Scott’s centenary and test a prototype shelter designed for extreme cold climates.

“London by London” Print of 40 original sketches by members of the public at

“For us the most important element of architecture is the experience. Rather than draw our square we wanted to see how the public viewed the space. We spent 8 hours outside Liverpool Street Station with sketch pads, pens, and a steely resolve against rejection. The public were given a continuous outline of the scene we prepared and the opportunity to draw what they saw. These results demonstrate that people see more than expected.”

Guide Price £300 - £400 3a Yasser el Gabry

Yasser is a Projects Director with Aedas with 18 years of experience designing buildings for the civic & education sectors. A Regional Design Champion for Aedas’ Southern Region, He is also the Public Sector Group Leader in the London office for which his responsibilities include leading a team of architects across several projects. Yasser is a member of the RIBA and was awarded a fellowship in 1996 to lead design studios and construction classes at the University of Michigan.

“Threadneedle Street” Pencil on paper 297 x 420 mm

“I only had 3 hours to complete my drawing and had to choose my view quickly. Threadneedle Street was obvious- but also the most irresistibly challenging. The building site, with stacked tower cranes frame the early fabric of the Merchant Tailors’ institution. In the background two icons of the city, Nat & Swiss Re, loom. In the foreground another building is undergoing a transformation: the constantly evolving nature of the city.” Guide Price £150 - £200 3b mark whitby

Born in 1950 and married to Janet with 5 children. He is a key construction figure, advocate for change, strong communicator and visionary leader. A Fellow of Royal Academy of Engineering, Honorary Fellow Royal Institute of British Architects, Fellow of Institution of Civil Engineers, Professor at Nottingham University and Edge Built Environment Think Tank co-founder.

“Twin Towers” Watercolour on paper 297 x 420 mm

“These two tapering towers span two generations... the city police station by my father with MacMorran and Aldermanbury Square where I was the engineer with Eric Parry.”

Guide Price £200 - £400 3c “Urban Rooms in the City” michel mossessian Collage, various paper, leaves, flowers seeds Mossessian & partners is an international award winning studio for architecture, planning, technology and design. Established in 2005 by former SOM London Design Director Michel Mossessian, Michel and his experienced team are committed to architecture which adds cultural value and benefits society ‘beyond buildings’. Their design process is entirely collaborative, anti the ‘ivory tower’ mentality, alert to the needs of clients and attentive to the requirements of local planning authorities. Guide Price £200 - £300 3d “London Wall at Night” matthew lloyd Mixed media on paper 420 x 297 mm

Innovation in cities inspires Matthew Lloyd “When I do a drawing the same as when and the practice he established in the early I design a building, I work on it until I’m 90s: creating sensitive modern solutions on happy. I am incapable of doing an instant awkward sites, breathing new life into old piece. There comes a point in the process buildings, interacting with and responding where I’m content. The building in the to the city. Over the last 20 years, the foreground – One Coleman Street by practice has completed numerous key David Walker Architects – is extraordinary. projects, including: Brick Lane Housing, I come from a family of painters, as well as The Prince’s Foundation and St Paul’s of architects, so I’m inclined to paint. The Old Ford. Matthew created the Water & painting is a night shot because the view is Solar Powered Lift installed on the Duke more dramatic in the dark.” of York Steps for the London Festival of Architecture 2010. Guide Price £300 - £400 NEW LIFE IN THE CITY

3e My concept is to unhesitatingly“New Life inre-landscape the City” the key streets john mcaslan Digital piece within the study area.Size I believe to order a radical re-balancing of natural resources within the urban context is a fundamental pre-requisite “My concept is to unhesitatingly re- of providing a sustainablelandscape future the key for streets our children. within the study Re-claiming the streets for people andarea. local I believe communities a radical re-balancing and trees of is the first step natural resources within the urban context John founded John McAslan and Partners at re-calibration of ouris a cities fundamental and lives. pre-requisite of providing in 1996 after training with Cambridge a sustainable future for our children. Re- claiming the streets for people and local Seven Associates in Boston and Richard STANISLAVSKY FACTORY Rogers in London. Some of his projects communities and trees“NOBODY is the first step WILLat include the Roundhouse, the De La re-calibration of our cities and lives.” Warr Pavilion at Bexhill, headquarters BUILD ANYTHING complexes for Max Mara in Italy, Yapi Kredi Bank in Turkey and major transport and (IN THE FOREST) infrastructure schemes in the UK. Guide Price £200 - £300 AS LONG AS WE LIVE. WE CANNOT DIGNIFY THEFT.”

NEW LIFE IN THE CITY

My concept is to unhesitatingly re-landscape the key streets within the study area. I believe a radical re-balancing of natural resources within the urban context is a fundamental pre-requisite of providing a sustainable future for our children. Re-claiming the streets for people and local communities and trees is the first step at re-calibration of our cities and lives.

STANISLAVSKY FACTORY “NOBODY WILL BUILD ANYTHING In Aid of Article 25 Supported by Allies and Morrison, NLA and Sotheby’s (IN THEDrawing FOREST) the City Sponsored by Argent 10x10 MAATHAI WANGARI (1940-2011) AS LONG AS WE Endorsed by The Mayor of London, A B C D E F G H I J LIVE. WE CANNOT 1 “It is evident that many wars are fought DIGNIFY THEFT.” 2 over resources which are now becoming increasingly scarce. If we conserved our 3 resources better, fighting over them would 4

3E not then occur…so, protecting the global 5 environment is directly related to securing

6

In Aid of Article 25 peace…those of us who understand the Supported by Allies and Morrison, NLA and Sotheby’s Drawing the City Sponsored by Argent 10x10 MAATHAI WANGARI (1940-2011) 7 Endorsed by The Mayor of London, Boris Johnson complex concept of the environment have A B C D E F G H I J

1 “It is evident that many wars are fought 8 the burden to act. We must not tire, we 2 over resources which are now becoming increasingly scarce. If we conserved our 3 resources better, fighting over them would must not give up, we must persist.” 4 9

3E not then occur…so, protecting the global 5 environment is directly related to securing ON RECEIVING THE NEWS OF BEING AWARDED THE NOBEL 6 10 peace…those of us who understand the © 2011 Google Map 18.11.11 square PEACE PRIZE, 2004 7 complex concept of the environment have

8 the burden to act. We must not tire, we must not give up, we must persist.” 9 Name: John McAslan ON RECEIVING THE NEWS OF BEING AWARDED THE NOBEL 10 Your Square - 3E © 2011 Google Map 18.11.11 square PEACE PRIZE, 2004 Name: John McAslan Your Square - 3E See p.2 for Brief

See p.2 for Brief 3f greg penoyre

Greg Penoyre, co-founded Penoyre & Prasad Architects with Sunand Prasad in 1988. He has played a central role in the design, procurement and delivery of the practice’s 300 plus projects spanning commercial and public sectors. He brings a lifelong interest in the art and craft of design to the practice and is involved in project design from strategic level through to detail. Greg is passionate about drawing and the communication of architecture.

“Austin Friars” & “Austin Friars Reflected” Pen on paper 2 pieces 410 mm x 297 mm “On first looking at my square I was puzzled as to what to draw, a quiet back street behind London Wall. Interestingly Austin Friars was home to Thomas Cromwell, a priory that was ‘sprung’ from the Church. Part of this is now the Drapers Hall with a tiny garden in an otherwise hard surfaced place. I drew here until the street cleaners moved me on and turning, drew the view reflected in the glass office block on Throgmorton Avenue. In reflection the view is more sinister - darker and distorted”. Guide Price (2 pieces) £300 - £400 3g tina john

Tina John is an Indian architect with a particular interest in regeneration and the sustainability of cities and their built form. She currently works with Hunter Evans Ltd. a London based multidisciplinary practice.

“Monochrome: Impressions of the City” Pencil & Ink on paper 297 x 420 mm “3G presents the embodiment of London’s juxtaposition of old and new architecture. The towering Building 42, and Swiss Re Headquarters - the backdrop for quainter buildings lining Great Winchester Street. On a grey Saturday morning the city seems engulfed in a monochromatic aura; it lacks its usual vibrancy and the people that animate the streets on a weekday. Faced with those mystical entities - and the Swiss Re Headquarters - soaring above the city is reinvented.” Guide Price £80 - £120 3h “Level 42” angela brady Hand crafted work of art in fuse glass , mounted in light fitting 260 X 560 x 6 mm

“‘Level 42’ glass artwork is the view of the crossroads taken from the Nat West tower café bar on 42nd floor. It is the street scene below. Each small glass piece has Angela Brady is the current President been hand cut and fused in a kiln. It can of the RIBA; director of Brady Mallalieu be wall mounted framed or back lit on the Architects; and is a TV broadcaster based light box provided.” in London. Angela has been working with fuse glass for 5 years and makes many glass objects and artworks. She has exhibited in many art exhibitions and is a great supporter of Article 25. Guide Price £800 - £1000 3i “The Golden False Acacia” tim makower Watercolour & blue pencil on paper 420 x 297 mm

“I am at a crossroads – , Camomile, Wormwood. What shall I draw? Tim has been involved in major projects A shiny Heron or a slice of London’s of Architecture and Urban Design with Higgeldy Piggeldy ? An empty corner, as Allies and Morrison for many years. His structures rise and fall in preparation for love of being in the city expresses itself not (A&M’s skirted beauty)? only in his determined attachment to his No. bicycle but also in his unstoppable habit of I will sit on a wall on a grey afternoon drawing. in a quiet London churchyard and paint The idea of 10x10 for him touches on many the saturated green of the ‘Golden False aspects of what he most cherishes about Acacia’ tree, against the warm pink of St being an individual in the thick of a bustling Botolph’s.” metropolis. Guide Price £150 - £250 3j “Life of a crane” melissa woolford Metallic print on MDF 594 x 420 mm

Melissa Woolford is the director of “I am absolutely fascinated by cranes in the Nous, a leading architecture and design sky. They often tell the story of the ever- consultancy and gallery based in London. changing built environment and remind us Nous has worked with clients such as when change is taking place, like migrating Unilever, Campari, The Mayor of London, birds. Their resemblance to birds is quite and Ocean Spray. remarkable in the way that they roost on top of structures, flock to areas in groups, Nous’ aim is to provide a platform for and move elegantly, like real life cranes. established and emerging architects to This piece is a homage to the city crane pursue the most compelling issues and and its exciting life atop the rooflines.” research affecting architectural practice, and facilitate collaboration between architects, designers and businesses. Guide Price £400 - £500 4a “Restaurant, Gutter Lane” henning stummel Pencil on paper 420 x 297 mm

“Surrounded by anonymous corporate offices I was touched by this sensitive and thoughtful contemporary intervention. Finding this charming, but unassuming building was a bit of a discovery. Ultimately it reflects some of the concerns we have in our work - the creation of serene and humane space.”

Henning has recently worked with Article 25 on a project in Uganda, helping design a vocational training centre for former child soldiers. Guide Price £90 - £120 4b “Guildhall / Overcast” chRis choa Graphite and ink on paper 410 x 297 mm “Guildhall is an extraordinary place Although I design cities, I’m originally from After receiving his education at Harvard New York, a relatively new city. I liked the University and Yale University, Chris idea that the original mass of the Roman leads the Urban Development studio in amphitheatre and the remains of a great our London office. We focus on socio- 13th-century gatehouse influenced the economic positioning, urban structure, siting of the current buildings. You can and the creation of civic spaces. As Vice imagine 2000 years of history by looking President, He is focusing on emerging at the open spaces. It was a cold and geographies in the Middle East, Levant, overcast day, and there were very few North Africa, and Turkey. His specialites people around. I shared cups of cocoa with involve Urban Design, Net-Zero Carbon Victoria Jinivizian who was working on her Strategies, Aerotropolis Development, drawing around the corner.” Development Management. Guide Price £500 - £600 4c gus alexander

“Most of the work of my practice is small scale refurbishment in central London, for private residential clients although we have worked on Hotels, and for an organisation that looks after street people. For twelve years I had a monthly column in Building. I am interested in illustration, (not especially architectural illustration) line drawings, caricatures and cartoons. I bought and restored 2 derelict 1830’s terrace houses in Stepney 35 years ago and we have been living there ever since.”

“Gresham Street Blues” Pencil drawing with marker and aquarrel pencil and watercolour brush 297 x 420 mm “Something amazing about London, as an architect, is the way one is constantly surprised by buildings and places that one never knew existed. I had walked past St. Lawrence Jury without taking in the little pond. When I decided to draw it in situ I found myself wanting to show the sixties baroque Seifert building in the foreground, in contrast with the tiny pond. It was a chilly November day so I opted for a financial figure in the picture.”

Guide Price £150 - £250 4D & 4E “Towards Lothbury from victoria jinivizian Gresham Street” Pencil drawing 841 x 594 mm “From the threshold of my square, the view of Lothbury from Gresham Street demanded to be drawn. It contains visual excitement in architectural terms, materials and colour: Victoria Jinivizian is a painter and poet reds and pale blue greens punctuating the graduating from The Slade in 1995. As well various grey spaces. Clean curves lead to as undertaking commissioned work she intricate lines and shapes which clamour has exhibited in many group exhibitions into view - relieved by blank sky. The Bank in London and held two person shows of England is nudged right by the Bank of with painter Toby Wiggins in Bath and China and the tree rising from the pavement Marlborough. This year she read her between them, a lonely note of nature own work at the Marlborough Literature amongst these monumental facades.” Festival. Guide Price £400 - £500 4f crispin kelly

“Trained as an architect, I work mainly as a developer and housebuilder. Painting and drawing is a good way for me to keep looking at places and things, rather than getting overwhelmed with the joys and troubles of getting projects to work.”

Untitled Watercolour on paper

“The City of London seems odd as the parent of the bigger London which I know. I don’t have any connection with the bank buildings and the dense street pattern which I know tells of a medieval history. My drawing takes a piece of pavement, something common to most of London. Here it is stone, big pieces which I don’t imagine would be laid now. Over the top of this rather noble layer comes the information from services surveyors, coded and mystifying in their colours.” Guide Price £200 - £300 4g “Fibrous Lumina” alisa andrasek Digital print 420 x 297 mm

“Fibrous Lumina has a feel of very intricate hand drawing - yet it is completely Alisa Andrasek is a Principal of Biothing synthetic and “unnatural”. It was generated and teaches at the Architectural by filtering data of the light values sampled Association and UCL Bartlett in London. from the built fabrics on the site. Levels of Andrasek was born in Croatia, she brightness control the density of fibrous graduated from the University of Zagreb, drawing. Brighter areas have less density and holds a Masters in Advanced and vice versa. Such data from physics of Architectural Design from Columbia light, humidity, air flow and similar could be University. In 2001 she founded Biothing incorporated in designing higher resolution operating at the intersection of material architecture, which has been one of the praxis, complex systems and computer obsessions and research areas of Biothing.” science. She lives and works in London. Guide Price £250 - £350 4h “Credit Crunch” narinder sagoo Digital print 420 x 297 mm

Narinder studied architecture at “Square 4H in the 10x10 grid includes Metropolitan University, He graduated with Tower 42 and I used site images to create first class honours in 1996. After a year’s a mosaic of a credit card. By making a placement at Foster and Partners, Narinder patchwork of city images, I wanted to went to the Bartlett School of Architecture. reflect the area’s fascinating mixture of He received a Diploma in Architecture with new and old buildings, as well as our Distinction in 1999. Narinder brings his different perspectives of what happens experience and knowledge as a member of in the square mile – the way we see the a Design Board overseeing the design and city from the outside, looking in, and the development of all projects in the studio. consequences, closer up, of the credit Narinder’s expertise lies in his perspective crunch for the people based there.” drawings of which he has produced over 5000, many of which have been exhibited at the . Guide Price £250 - £300 4i “Old City New City’” ken shuttleworth Pencil on paper 420 x 297 mm

“I found it fascinating to see the Gherkin juxtaposed with the historic City and even Ken founded Make in 2004 having worked more construction underway, including the on some of the world’s most iconic and figure of the builder as a symbol of this.” ground-breaking architectural landmarks while at Fosters & Partners. Make is a creative and imaginative international practice which has recently completed several high-profile schemes including the London 2012 Handball Arena, The Cube in , office refurbishment for HSBC Private Bank in Geneva and the Gateway Building for the . Guide Price £150 - £200 4j “Drawing the City - square 4J” tim ronalds Pencil and watercolour on paper 420 x 297 mm

“On St Mary Axe, reflected in the yellow light of a 1980s gold mirror clad facade, three buildings of different eras captured in a fourth.”

Tim Ronalds, Tim Ronalds Architects Guide Price £250 - £350 5a “Engineers view from inside No1 hanif kara New Change” Digital image 420 x 210 mm Hanif Kara is design director and co- founder of London-based structural engineering practice Adams Kara Taylor (AKT II). Kara was the first structural engineer to be selected for the Master Jury for the 2004 cycle of the Aga Khan Awards for Architecture. He is a fellow member of the RIBA, the Institute of Structural Engineers and the Royal Society of Arts. In May 2011 the Association of Consulting Engineers awarded him the Engineering Ambassador award for his contribution to design consultancy and engineering. Guide Price £350 - £450 5b “St-Mary-Le-Bow, London Ec2” george l. legendre Digital imaging printout on card 400 x 200 mm

“This image is about the miracle of London. The duplication turns our church into a corner Palazzo of the Italian Renaissance, mysterious events unfold. The gentleman (centre) paces away from his reflection in the cityscape’s invisible mirror. Buses run on the wrong side of the road. Shadows form on alternate sides, while a sign informs us that the church is open George L. Legendre is a founding partner Saturday. Just another day in the capital.” of IJP, a London-based practice exploring the natural intersection between space, mathematics, and computation. Guide Price £100 - £150 5c roger thomson

Roger is an architect, photographer, product designer, translator and mini entrepreneur. His background experiences include: farming and building in the Himalayas, restoring antique furniture and statues in Verona, translating in Venice & working on the Orient Express. Roger studied architecture in Venice, and Cambridge. He admires and supports the work of Article 25; architecture at its’ most essential, delivering urgently needed, dignified shelter in the most challenging of circumstances.

“Dawn Glow, square 5D, Square Mile, London 2011” Photographic print 420 x 297 mm

“I like the shot as the sun came up pre- dawn on a clear day on people hurrying to work, dwarfed by one of the massive buildings of the City. The harsh facade was softened by the dawn glow and the smile of a cheerful ‘putto’ overlooking the procession below. The building has plenty of rhythm and detail to discover. I had fun exploring a chunk of the square mile, struck by the fantastic diversity of scale, style, texture and symbol.” Guide Price (Set of 4 and 2) £450 - £650 5d “” Peter Ayres Pen & watercolour on paper 440 x 360 mm

“The piece focuses on the north-west corner of the Bank of England: I am particularly interested in the objects that accrete in our streetscapes; phone boxes, electrical boxes, traffic signs, and the recently added wayfinding points for bicycles. As I drew at the weekend, the streets were quiet save for a few stray tourists – could I point them in the direction of the ? Another man was looking for a gym – Did I know Peter Ayres is an architect at Heatherwick where it could it be?” Studio. Guide Price £200 - £250 5e “An Architectural Pantheon” edward jones Collage and black ink drawing 297 × 420 mm

“At this city intersection John Soane (Bank of England 1808) is placed in this Pantheon Edward Jones is a Director in the London of English Architects – with Wren (St based practice of Dixon Jones, architects Stephens Walbrook 1672), Hawksmoor to most notably the , (St Mary Woolnoth 1716), Dance (Mansion The National Portrait Gallery and the House 1739), followed by Lutyens (ex East Wing of the . He was Midland Bank 1924), Cooper (National awarded an Honorary Doctorate of Letters Westminster Bank 1930) and Stirling (No.1 from the University of , an Poultry 1994). These buildings confidently Honorary Fellowship from the University define the limits of public space unlike the of , and in 2003 an Honorary recent arrivals (caricatured in the sketch).” Professorship from the University of Cardiff. In 2011 he was made an Honorary Fellow of the RIAI and was awarded a CBE. Guide Price £100 - £150 5f “Speckled Jim” Derek John Draper Mixed media 420 x 297 mm

“The pigeon is a symbol of our increasingly Derek joined Aedas in 2002 moving to urbanised lives. Walking through the London in 2004. He has received the desolate city on a Sunday morning it felt following awards for his architectural fitting to capture the moment, the bird design work: landing on the Royal Exchange. The city ‘MAKE Student Sustainably Award’; 2008 is the amalgamation of these seemingly undergraduate category and the 2009 unimportant moments. Collecting them in post graduate category; 2009 RIBA drawings they help assemble an image of Presidents Medals Nomination; 2011 RIBA the city in our minds; a tool that helps us Presidents medals Nomination; RIBA understand our place within it.” London Award for Greenwich University in 2010; Shortlisted for the 2009 Urban SOS competition. Guide Price £400 - £600 5g “Profound is the Air” Nuria Lombardero & Collage 210 x 240 mm Francisco Gonzales “London Wall is a superimposition of de Canales different strata in the City of London. This work tackles the particular encounter between two pieces of urban fabric in the City: the Victorian - heavy, stolid and stable - and the contemporary - light, fickle and changing -. The encounter is “spatilised” Francisco González de Canales and as an architectural experience/proposition Nuria Alvarez Lombardero run the which reflects on the dialectics of the city intermediate unit 8 at the Architectural history and global cities condition today.” Association. They are directors of Canales & Lombardero with offices in London and Seville. Guide Price £200 - £300 5h “Park” niall mclaughlin Digital photograph, plastic objects, crayon, pavement 300 x 420 mm

Niall McLaughlin was born in Geneva in 1962 and established his own practice in London in 1990. Niall McLaughlin Architects make high quality modern buildings with a special emphasis on materials and detail. Niall won Young British Architect of the Year in 1998, he was one of the BBC Rising Stars in 2001 and his work represented Britain in a recent US exhibition Gritty Brits at the Carnegie Mellon Museum. Guide Price (2 pieces) £150 - £200 5i “Kokoro Shelter Globe” takasAki masaharu Collage and message 410 mm x 205 mm

“The architecture exists in present, but it is absent from this era and goes to any other places or times. The presence Born in Kagoshima in 1953 Takasaki of architecture stimulates human graduated from Meijyo University, went to subconscious. There comes a mysterious Europe and then worked under Professor world when it is floating around the utopia Sir Peter Cook. He then worked with in the subconscious. It is the fantasy of professors at Stuttgart University and architecture that future architecture should the Technology University of Graz. He aim spiritually.” established the Takasaki Monobito Institue in 1982 and he is currently an Honorary Fellow of the RIBA and a Professor of Kyoto University of Art and Design. Guide Price £100 - £150 5j lord norman foster

“Swiss Re is instantly recognisable from above. You can see the space at the pinnacle is for people to enjoy the incredible views. This top is different from all the towers. Their tops are filled with machinery. Our tower embodies diverse values – about conserving energy, making the workplace more enjoyable by bringing light, views and fresh air deep into the heart of the interior.

“” Pencil on paper 210 × 297 mm

People communicate within the building in the same way that the tower communicates with the city itself. We are proud that the “gherkin” has become a popular symbol of London. It was impossible to resist the temptation to sketch it for Article 25’s auction – showing it lit up like a beacon with the green lungs that wrap around it.”

Guide Price £500 - £700 6a “A glance by any other street Karl Singporewala would look as sweet” Ink and watercolour on layered handmade cotton paper 410 x 205 mm Karl Singporewala felt blessed that his 10x10 square featured a prominent view of Karl Singporewala is a young architect who St Paul’s (one of his favourite buildings). originally gained notoriety by vowing to Drawn on recycled cotton rag on the sell ‘any drawing his tutors ripped off the junction between Watling Street and Bread wall...’ This helped fund his architectural Street and cut and layered together in the education and since then has gone on to maternity ward of East Surrey Hospital, win numerous domestic and international Karl chose to sketch Christopher Wren’s awards for architecture and drawing. His famous dome as all other surrounding art work is exhibited and sold in galleries buildings paled in comparison. throughout the UK and is a regular at the Royal Academy of Arts Summer Exhibition. Guide Price £600 - £800 6b laurie cheTwood

Laurie Chetwood is an architect who runs his own practice - Chetwoods. Highlights include Architectural Practice of the Year, shortlisted for the Stirling Prize and holder of two CABE gold medals. He is an examiner at Birmingham University and has won three gold medals for show gardens at the Chelsea Flower Show. As an artist, he has exhibited at the Royal Academy - his artwork was used for their “Paper City” exhibition.

“Gin Lane 2” Digital print Size to order

“The piece of art is based on Hogarth’s ‘Gin Lane’ which was a commentary on the ills of the day, fuelled by Gin and the detrimental effects it had on people’s lives. This work is brought up-to-date with a sample of some of the ills that afflict our society today - all in the shadow of St Mary-Le-Beau Church. The Church was immortalised in the nursery rhyme Oranges and Lemons, according to tradition, a true Cockney must be born within earshot of the sound of its bells.” Guide Price £800 - £1000 6c “The Yellow Column”” celia scott Graphite and pastel on paper 410 x 295 mm

Celia Scott is an architect and sculptor. “Number One Poultry is a very humane She studied at Bath Academy of Art and building usually full of people making their at the Bartlett School of Architecture. She way to work. There are people sitting at worked as an architect for Norman Foster, cafes drinking a coffee or drinking at the and spent time working in New York for pub: it is a hubbub of busy urban life. On various architects before returning to the top floor, those with money enjoy the London to set up her own practice, Maxwell terrace restaurant of the Coq d’Argent. Scott Architects. At the back of the building, away from the Scott’s sculpture has been exhibited in a main streets, is a pub with a yellow column, solo show in New York. She has sculpture inside and out. People sit near this column, in the Scottish National Portrait Gallery, the quietly, away from the crowds and traffic.” , The Dean Centre Edinburgh and Prince Charles’ private collection. Guide Price £175 - £250 6d “Suspended Movement” odile decq Collage on board 420 x 297 mm “The objective was to capture the dynamic of this square, a complex system trapped between Stirling’s architecture and the London Magistrate Court. In a collage the diversity and complexity of the square is heightened. The graphic movement of architecture is exposed and exploited through the two main vanishing points whilst the Magistrate Court, a prominent Odile has been involved with various figure, is portrayed as a monolithic shape. projects worldwide, including a few public The monolith appears to be suspended housing projects and public and private in the movement, creating a sense of projects. She utilises a 3-D type model in cognitive disorientation.” many of her works. Guide Price £250 - £350 6e “All the Commuters” simon haddock Painting on board 500 x 330 mm

“‘All The Commuters’ is a portrait of the workers crossing the public space in Simon Haddock’s square. The cloud-like formation is suggestive of a map of the world, recalling the many nationalities that populate our great city.”

Haddock’s works are crafted and tooled from mdf and energized by colour. They evoke a spatiality which provides a new sensory navigation through urban space. Guide Price £100 - £150 6f “Cornhill Decorum” fred pilbrow Watercolour on paper 400 x 400 mm Fred Pilbrow is a founder partner of PLP “A series of grand banking palazzos Architecture established in 2009 by the face the Royal Exchange along the five partners who had formerly run KPF’s southern side of Cornhill, interestingly, London office. In the City of London, whilst small pedestrian laneways penetrate the a partner at KPF, Fred was responsible block and are deftly integrated into the for the design of the . He is architecture of the facades. The entrance currently working on the next phase of the to each is balanced by a matching interior Heron Plaza: The Four Seasons Hotel and doorway on the opposite side of the Private Residences London. Fred is working elevation, both openings are treated with on two projects for Crossrail at Farringdon equal weight, the effect downplays the and and the design of the new visibility of the public routes, stressing their national centre for biomedical research, intimate, interior quality. The architectural The Francis Crick Institute, in collaboration approach is one of order and decorum.” with HOK. Guide Price £120 - £250 6g “City Voids” kathryn findlay Pastel on textured paper 410 x 297 mm

Guide Price £200 - £300 6h & 6I kevin mccloud

An author, broadcaster and designer, Kevin is best known for ’s Grand Designs and for his annual coverage of the Stirling Prize. In 2006 Kevin formed Hab Housing, the subject of a new two- part Channel 4 series. In partnership, the company is now building sustainable housing schemes across the West of England.

“Lloyds Building at Sunset” Pen, ink, watercolour and gouache on paper 310 x 410 mm

“I chose this view as it was the best view. The Lloyds building has always been one of those hairy feminine buildings in a city which is hard, sheer and very masculine in contrast to the staid and morose surroundings of the Edwardian Architecture.”

Guide Price £900 - £1500 6j jinita batavia

Jinita Batavia studied at the Manchester School of Architecture, graduating with 1st class honours in 2006, she became a qualified chartered architect in 2011 working at Foster and Partners. Her personal work has been internationally published in and Blueprint Magazine. She has spoken at Architecture for Humanity and Open Architecture seminars. Jinita’s expertise lies in her innovative designs through first hand research of sustainable developments. She addresses current issues through creations of thoughtful, inclusive frameworks.

“Happiness in the City” Digital piece (Nikon D3100, Apple iPhone 4S, CS5 Adobe Photoshop) 297 x 420 mm

“The City of London is fuelled by money, power and smartphones. Using an application on a smartphone, I have captured the enchanting satellites in my chosen grid that are overlooked but fundamental to the life of the City.” A to B = Advancing, X to Y = Appreciating, AB + XY= Happiness in the City

Guide Price £150 - £200 7a “St. Paul’s Framed” ted cullinan Pen on foamboard 420 x 297 mm Ted Cullinan is an inquisitive, inventive and passionate composer and maker of buildings. He received a CBE in 1987 for services to architecture, and was elected a Royal Academician in 1989 and an Honorary Fellow of the Royal Incorporation of Architects in Scotland in 1995. In 2005, he achieved a Special Commendation: Prince Philip Designers Prize, for his outstanding achievement in design. In 2008, he was awarded the RIBA Royal Gold Medal in recognition of a lifetime’s work in architecture and in 2010 the RSA made him a Royal Designer for Industry. Guide Price £250 - £350 7b barbara weiss

Born and raised in Italy, Barbara Weiss attended the AA between 1974-79, before transferring to work in a variety of New York design practices, including Johnson and Burgee. Having returned to London in 1982, Barbara was project architect and Stirling Wilford for a few years on a variety of Italian projects. Barbara Weiss Architects was founded in 1987; it currently employs 18 staff. It is best known for the high quality residential projects it undertakes, as well as for its award-winning NHS flagship Brent Birth Centre.

“STOP THE ROT” Photographic collage 410 x 297mm “With 50% of buildings in the Square Mile demolished and replaced since 1985, historic locations such as the Mansion House are now traffic junctions surrounded by a depressing array of sub-standard office blocks. Views of world-renowned monuments are obliterated or suffocated. The scale of new developments is incongruous, materials unsympathetic to context with overall design and detailing clumsy. The identity of the City is in danger of being lost forever. Action is needed urgently to STOP THE ROT.” Guide Price £150 - £250 7c steve edge

Steve Edge is a branding guru as well as a designer, jockey and fisherman. Being severely dyslexic, Steve has never read a book. He attributes his success in being diagnosed early (4 yrs). He now believes that if he can look at a piece of design before it leaves the studio and immediately grasp its message, then anyone should be able to understand it. Recently featured in The , he has acted as a graphic designer many times for Article 25, most notably our website and aiding us with visual materials for the 10x10 event.

“London Stoned” Digital print 297 x 420 mm

“My area was , home to the London Stone, rumoured to be the centre of London and the marker for Roman measurements of distances. Mentioned by Shakespeare and Dickens, I am fascinated by its mysterious history. I wanted to portray this whilst highlighting the colours that make London the world’s greatest cosmopolitan city, as it always has been. I hoped to capture the colour and fun so unique to our city - London Stoned.”

Guide Price £400 - £600 7d “Wren and Foster at Walbrook” jack pringle Black and white sketch on paper 420 x 297 mm

Jack studied architecture at the University of Bristol and began his career at Powell Moya. He set up Jack Pringle Architects in 1981 before founding Pringle Brandon in 1986. Jack is the immediate past president of the RIBA. His clients include Allen & Overy, Barclays plc, Diageo and London Underground. Jack is also the Chair of Article 25, the beneficiary charity of 10x10. Guide Price £200 - £300 7e “King William Street” giacomo costa Sketch on paper 410 x 210 mm

Giacomo Costa has exhibited internationally and represented Italy at the 2009 Venice Biennale Italian Pavilion. Guide Price £200 - £250 7f “Lombard 24” sarah gray Watercolour and ink illustration on water- colour paper 410 x 297 mm

“This impressive and rather saucy “I work as a full time architect in sculptural scene situated in Lombard , and as a children’s book Street above the entrance to an insurance illustrator and budding photographer company is surprising, considering the during any spare moment I can steal. position between large-scale offices of the I grew up reading Roald Dahl books, and 90s- 00`s, with Wrens church and a late particularly enjoyed Quentin Blake’s wry 18th century office opposite. Presumably illustrations, which led me onto making the entrance was commissioned to my own short stories with an emphasis on demonstrate power when the building was the illustrations. I’m currently working on a built in 1910, at a time when most banks rather macabre illustrative story, which was had head offices in Lombard Street.” inspired by a work trip to Boston, where there was an abundance of fat squirrels!” Guide Price £275 - £350 7g Untitled nathan coley Gold leaf on paper, mixed media 410 x 205 mm

Artist. Guide Price £250 - £350 7h “Temporal Fragments of Lines, takero shimazaki London” A series of 3 sketches by hand on card with colours/paint in digital application

I chose this view as I am always attracted “I wanted to make a drawing that was to the complexities of geometries and more abstract than literal, so that the the lines that scaffoldings and structural drawing itself was a kind of an architectural bars create on building sites. This one ‘idea’, rather than just an observation. So, is a particularly amazing and complex I separated some of the ‘surfaces’ and the site on and my eyes ‘objects’ from the ‘lines’ and the ‘bars’ in were immediately drawn to it. However, the way colour was applied to the drawing. I decided that this site was interesting I have always being fascinated by the as it could be any location, but at the delicate lines and lightweight elements same time was very specific to London forming spaces.” in its scale, complexity, the background buildings and the cores being created. Guide Price £350 - £450 7i Jamie Eden

Jamie is a Part 1 Architectural graduate from Hallam University and has been working at Aedas since May 2011. During his time with the company Jamie has assisted on a number of residential and transport projects in London and he is looking to continue his architectural studies within the capital in the near future.

“Throgmorton Street” Pen and pencil on cartridge paper 210 x 148 mm

“A quiet narrow street running parallel to Threadneedle Street offered contrasting experiences of perspective, immediacy, enclosure and scale with a framed distant view of Heron Tower.”

Guide Price £150 - £200 7j “Composition in Classical” andrew pryke Pen and ink on paper 420 x 297 mm

Andrew leads Capita Symonds Commercial “London is full of many undiscovered Sector which incorporates all work from architectural gems. Many people pass Urban Design and Masterplanning through these, day in day out, never noting these new build, refurbishment, adaptive re-use intricate works of art. This drawing brings to interior design, space planning and together some of the many striking stone bespoke brief analysis and formation. carvings that adorn our City’s buildings, to He has 23 years experience of high design encourage people to explore the hidden profile national and international award beauty of London.” winning experience as commercial and education sector director at John McAslan + Partners and as project leader and senior associate at James Stirling Michael Wilford and Associates. Guide Price £175 - £250 8a “Threadneedle Street” Aimee Emerson Pencil on paper 297 x 210 mm

“Walking around I was most drawn to this Aimee Emerson studied Illustration at the viewpoint along Threadneedle Street from Arts University College Bournemouth. Bank Station. I’m always attracted to the Since graduating in 2009 she has been juxtaposition of old and new buildings and working on some freelance projects I liked that I could see the ‘Gherkin’ out whilst gaining experience within various of the corner of my eye, with older and creative organisations such as Creative heavier buildings in the foreground. As an Health Lab and printmakers London Print illustrator I like to play with perspective Studio. Aimee began working part-time at and explore different aspects of the scene Aedas as a receptionist in August of this as I draw. I find that this often results in a year, whilst she continues to work on her playful depiction of my surroundings.” illustration practice in her spare time at her home in South London. Guide Price £175 - £250 8b NORMAN FOSTER

As Article 25 Trustee, Lord Norman Foster, is a strong advocate of crafting sustainable green designs encased in sleek, glass- fronted buildings.

“30 St Mary Axe ‘The Gherkin’” SLS (Selective Laser Sintering) model Scale 1:500, 170 x 170 x 445 mm

“Aesthetically, the SLS technique employed on this model highlights the careful composition of glass spiralling from ground level to the top, both on the interior and exterior that makes up the surface of ‘The Gherkin’. With energy and performance a concern, this environmentally conscious structure is a defining feature of London’s skyline, a landmark of internationally renowned architecture.”

Guide Price £3000 - £4000 8c & 8D “Magister Equitum” piers gough Pencil on paper 410 x 205 mm

“An historic part of the City where the style exclusive to this particular area of the extraordinary Dick Whittington, four City. The latter ruins a pocket park called times mayor, first fleeced the system and Whitington Gardens. Seeming to challenge then gave big to charities. Now bounded the charging traffic are two identical by – benign and bronze casts of a caped horseman by Lower Thames Street – diabolical (the bit Duilio Camberllotti (Plaster 1924, Casts where the fur traders used to be). The 2005) which seemed more exciting than former has a huge building over it with an the buildings.” X structure that seems to be a 70’s retro Guide Price £250 - £350 8e “As above so below” jenny harborne Permanent marker on heavyweight matt paper 420 x 297 mm Jenny Harborne is principal of IMAGO “Turning up Abchurch Lane on the North architects which she set up 12 years ago of Canon Street you arrive in Abchurch to produce work based on the tenets of Yard. The courtyard paving depicts a ecological, conceptual and metaphoric radiant centre with orbiting globes. The design. The practice has produced sky above has a jagged profile, but one some forerunning housing schemes for side of the yard is formed by St Mary competitions and been widely published Abchurch, a Wren Church of 1686. Once and exhibited. Work currently focuses on inside the church and looking up, you find ecological high end house modifications, an unusual domed ceiling, with the same with particular expertise in frameless glass illustration depicting a central radiance and - invisible cantilevered magic stairs and four ovoid rooflights.” bridges- and is now commencing a series of sculptural one off houses abroad. Guide Price £200 - £300 8f mark cazalet

Mark Cazalet is a London based artist, trained at Falmouth School of Art, and two post graduate scholarships at L’Ecole des Beaux Arts in . He is happiest in urban or woodland environments responding to the specific sense of place through his heightened chromatic sensibility. Chief influences are Romanesque carvings, Muhgal miniatures, Indian and West African textiles, Matisse, English neo-romantics and Italian 20th century metaphysical painters. “It is a strange phenomenon that one is never so invisible than at rush hour in the City of London. Even with large boxes of

“Oranges and lemons” Chalks on paper 420 x 300 mm chalk pastels spread out I might as well have been a statue. I like the contrast between the office workers’ homeward rush and the quieting gloom of the back street; like sitting still on a rock with the tide sweeping past. Watching the daylight being replaced by municipal lighting is theatrical; local colours morph into that odd indefinite palette of warm yellow- greys, while tonal contrasts deepen. It is a meditative experience I would recommend, to feel for a few moments richly connected with the life of the City, yet set apart.” Guide Price £400 - £600 8g “Small, Big, Small?” glenn howells Coloured pencil on tracing paper 420 x 297 mm

Glenn Howells is the founding director “The drawing looks at the changes to the of Glenn Howells Architects and site over the last 130 years, and explores established the practice in 1990. Glenn how it might change over the next century. has led the practice to win numerous It questions whether the shift to major design competitions and awards increasingly large organisations and for a diverse range of building types simplification of land use with the impact including residential, commercial, urban of this on the City grain is inexorable, or regeneration, education and arts projects. whether changes in technology, energy Glenn is on CABE’s LOCOG Design Review availability will mean a reversal of scale and Panel. He is Chair of MADE and also Chair increasing complexity.” of the IKON Gallery in Birmingham. He is a visiting Professor at Nottingham Trent University. Guide Price £100 - £175 8h “Tap door” frank green Felt tip pen and highlighter pen on cartridge paper 420 x 210 mm

“The work records a moment in time and reflects upon the relationship between acts of creation, between reality and contingent reality, equality and inequality and the displacement of the church, in the reading of the City and it’s skyline, by new edifices of commerce.”

Frank Green BA (Hons) Dip. Arch RIBA FRSA. Architect. Born London, England. Partner at BUJ Architects. Guide Price £350 - £450 8i “Behind Bars” mary bowman Photography, acetone transfer, pen and ink on cartridge paper 370 x 210 mm

“In my square I was particularly interested the mix of historic buildings and striking in the public realm which was largely contemporary buildings like Lloyds and ‘Behind Bars’ especially on a Saturday. the Swiss Re building by Fosters where Most courtyards were gated with no I worked for ten years. The public realm public access. I chose a series of views is such a vital part of a vibrant and that typified the tall narrow view corridors contemporary city. The more the public that you find in that part of the City. These realm becomes truly ‘public’ the livelier a fit with the tall, narrow proportions of a city will be.” railing or fence. I noticed that there were many references to animals, the statue of a horse, a sheep on a gate, references to cows and cocks in text on the pavement. What is most striking about the area is Guide Price £175 - £250 8j “Mortality reminder at robert kennett St. Olave’s” Pencil and crayon on paper 420 x 297 mm

“My square is at the eastern edge of the 10x10 grid where Fenchurch Street commuters pile out into the lanes of EC3 and at the weekend tourists stroll to The Tower. Amidst the banal post war offices Robert Kennett is a director at Eric Parry is a vestige of life and death in The City in Architects and lives in Westminster. Two Pepys’ church, St. Olave’s.” decades with this practice has brought the toils and joy of the St Martin-in-the Fields renewal project, and with private and commercial clients successes such as 30 Finsbury Square. Guide Price £150 - £200 9a “City Line” oliver barratt Welded steel, board and sand 410 x 280 mm

Oliver Barratt studied sculpture at “The site I was given is layered with Falmouth School of Art and graduated contradictions. Densely built with high real in 1985. He then worked with adults with estate value, the Saturday morning I visited learning difficulties for several years the buildings and streets were deserted. before being awarded the Henry Moore Occasional street cleaners tidy the last of Fellowship. From 1992 he has established a rubbish away and all that was left was a sculpture studio in Kent. Oliver has worked ghost of the forgotten past quietly asking on numerous public commissions, most to be listening too. The steel frame draws notably Skyline that was commissioned for the empty space of a ground floor office Liverpool European City of Culture in 2008. mid-way through its regeneration some In 2002 he installed the Everest Memorial spaces missing; it speaks of the material close the Everest base camp in Nepal and is and space of the city.” currently working on a project in Antarctic. Guide Price £400 - £600 9b Mike Oades

Mike joined Aedas at the start of 2008 having previously run his own practice, atomikarchitecture, and having been an Associate at both Foster and Partners and Ushida Findlay Architects. Mike is registered with the Royal Institute of British Architects and is also a current member of the Hackney Design Review Panel. He has exhibited his own work at the Royal Academy and The Hub - National Gallery for Craft and Design in Sleaford.

“Saturday afternoon and all the lights are on - Throgmorton Street” Pencil and pencil crayon on watercolour paper 420 x 297 mm “Throgmorton Street; named in honour of former resident Sir Nicholas Throckmorton, Chief Banker of England in the reign of Queen Elizabeth. The view looking East encapsulates the mutating DNA of the City from the historic street plan, to the location of the Drapers’ Company who have occupied the North-side since 1541 and the juxtaposition of all architectural styles and scales. The scaffolding across the street reminds us of constant change.” Guide Price £250 - £350 9c “Ivan and Rey playing on the pierre d’avoine river bed” Ink on cartridge paper 410 x 297 mm Pierre d’Avoine is an architect and teacher “Our site, on a mild afternoon on Sunday 9 based in London. He practices on a wide October, was dominated by traffic moving front although he is probably best known at speed. We walked towards the river, less for designing houses. In 2005 Clare drawn to the view than the need to escape Melhuish and Pierre published Housey the traffic. At the end is a pub called The Housey - a Pattern Book of Ideal Homes . Banker and we descended steps to the The book has been influential in the UK and river. At low tide the river bed is a mixture Europe and led to Pierre’s appointment of pebbles, old timber, clay tiles and as guest professor at the Royal Danish hundreds of bone fragments. Below the Academy of Fine Arts, Copenhagen. Pierre level of the street, within the dank, green d’Avoine Architects has been working with tidal zone something of the character of an Article 25 on Luis Cabral Creche in Maputo, older London re-establishes itself.” Mozambique. Guide Price £200 - £300 9d “The Transience of Man on Earth” robert townshend Collage on foam board 841 x 594 mm

This piece is our interpretation of the laying down of the rich ground layers of history which have informed the development of our City grid square. The story begins with the settlement of the “Townshend Landscape Architects have Thames-soaked marshes, how people drawn inspiration from the transient nature built and used the man-made structures of this hard, dark and noisy place. People and celebrated spaces over time to the move in and out of it quickly, the trees individual who passes through it today. It shed their annual foliage; buildings are is also representational of man’s transience constructed and reconstructed over the on Earth and how we can inform it.” decades whilst some loved landmarks and lanes survive for centuries. Guide Price £175 - £300 9e “Something in the City...” john burrell Caran D’Arche soft crayon on white cartridge paper 500 x 250 mm “Beside this wall is where city workers linger daily to chat and stub out their cigarettes whilst the surface patina of this wall imperceptibly evolves. Decade after decade. A mysterious rusting cabinet survives with its crumbling surround. It is the backdrop to an everyday side of “I grew up being told that I could draw… the life of the City which complements so being anywhere without something to that played out behind the sleek walls of draw with…just never happens… no piece granite and glass and metal but whose of paper is safe near me! My drawings have surface will forever remain the same, been published and raised funds for causes ageless, silent and, for me un-drawn.” in the past.” Guide Price £500 - £700 9f “Monuments” ben paul Photographic laser prints on 300gsm semi gloss paper 410 x 297 mm Ben became a fully qualified registered “I was struck by the volume of people and architect in 1997 and has worked in their constant movement, giving life to a architecture and design for over 20 years. space of limited aesthetic qualities. The Ben and Silka Gebhardt founded Neu workers were countered by directionless Architects in 2004, which has gone from tourists looking for the Monument, a strength to strength, and now includes significant feature and historic landmark. the Worshipful Company of Goldsmiths I thought about representing it, but it’s as one of their esteemed clients. significance is to remember workers and 1999 - Shortlisted for TVN television residents of the City, people who lost their studios, Santiago de Chile, 2001 - lives in the great fire. So I decided to take Royal Australian Institute of Architects pictures each day for two weeks of the Architecture Award, Sydney, 2009 - Winner people who make the space vibrant.” Pennine Lancashire Squared Competition. Guide Price (2 set of 2) £400 - £500 9g ian bogle

Ian is a founding director of BFLS and director of Strata SE1, the world’s first residential structure with fully integrated wind turbines. He is responsible for a varied portfolio of mixed use projects throughout the UK and mainland Europe. Ian studied at the Mackintosh School of Architecture, joining Foster + Partners in 1995. As Project Director, he was instrumental in the design of London’s Swiss Re Headquarters and the Bexley Business Academy.

“The Monument” Sketch in felt tip 190 x 250 mm

Guide Price £200 - £250 9h “Layered London” paul brady Acrylic on board 297 x 210 mm

The first private client for the Director of “Distinct architectural periods and styles a new architectural practice was the artist are layered together by a modern office Jane Simpson, Paul was involved in working building’s glazed opacity, reflecting the drawings for the solo exhibitions ‘A Three uniqueness of the City.” Way Conversation with Myself’ at the New Art Centre, Roche Court, Wiltshire (2005) and ‘Tableau’ at CAC Malaga (2004.) Over recent years individual pieces have also been created as part of Independent Architects Ltd exhibitions: ‘Lamella’ Dar Al- Fanoon Gallery (Kuwait 2009), ’Syncretic’ La Fontaine Gallery (Bahrain 2008), ‘Residue’ Nous Gallery (London 2008). Guide Price £200 - £300 9i cany ash

Cany Ash studied at Cambridge and the University of Westminster, going into practice with Robert Sakula in 1994. Ash Sakula’s ongoing projects include Deptford Station yard and market, a new canalside quarter on the banks of the Ouseburn in Newcastle, and planning St. Botolphs cultural quarter in Colchester. The practice champions new ideas through adaptable neighbourhoods campaigns currently working with people to rebuild ’s Waterside and to build the Canning Town Caravanserai for space for micro enterprise during the Olympics.

“St. Mary’s At Hill 5 November 2011” Digital print, 160 x 400 mm

“Life in the City of London sometimes feels tolerated. The blocks with fortress like fronts and fluorescent backs are simply doing their job; an evil backdrop for office workers and dreary trudge space for puzzled tourists. This view from the steps of St. Margarets Patterns Church offers an escape to the Thames with the unfinished Shard as a new beacon but the grand old gold clock on the church first built in 1177 stops the eye and makes one think.” Guide Price £300 - £400 9j “Minster Court” mike stiff Acrylic on board

“Like much of the City, at street level this is a pretty ordinary townscape. However if you look up the angular profile of the post modern gothic that is Minster Court becomes spooky and disturbing. A Transylvanian landscape of peaks and dark valleys.”

“I am a practicing architect with a reputation for drawings and watercolours. However this site demanded a more painterly approach.” Guide Price £250 - £350 10a “Two Wren Churches” norman ackroyd Ink and wash on handmade cotton paper 410 x 210 mm

Norman Ackroyd studied at Leeds Bank, London; British Airways, Birmingham College of Art (1956 – 1961), and the Royal Airport; Freshfields, London; Tetrapack, College of Art, London from 1961 to 1964. Stockley Park, Heathrow; a bronze mural Ackroyd has had many solo exhibitions, for the Main Hall of the British Embassy, both in Britain and internationally. Solo Moscow; and Lazards Bank, Stratton shows abroad include the National Street, London W1. Museum of Art, Santiago, Chile; Jan Norman Ackroyd was elected a Royal Turner, Los Angeles; Dolan/Maxwell Academician in 1991 and was made Senior Gallery, Philadelphia and the Mickleson Fellow, Royal College of Art in 2000. Gallery, Washington DC. Ackroyd has also Ackroyd lives and works in London. received several public mural commissions, produced in etched stainless steel or bronze. Recent commissions include Lloyds Guide Price £900 - £1500 10b & 10c “Sssch! It’s just going up” ian ritchie Ink on Somerset paper 210 × 297 mm

“When I looked at the City - the skyline Ian Ritchie uses the interplay between was chaos. When I looked at the Thames words and images to distil into poems there was detritus. I looked south, and oh! and aphorisms varied influences from Through the elliptical window, with seat technology, social concerns, history and taken by a safety buoy there was the...... context. END (with the).” In 2000 he was awarded a CBE, and became the sole foreign architect to receive the French Academie d’Architecture Grand Silver Medal for Innovation joining a small illustrious group including Jean Prouvé, Felix Candela, Frei Otto, Buckminster Fuller and Peter Rice. Guide Price £400 - £500 10d graham morrison

London has held a lifetime’s fascination for Graham, living here all his professional life. Allies and Morrison the practice that he began with Bob Allies in 1984, has been associated with an number of London’s major new plans. These include the London 2012 masterplan, Kings Cross Central, BBC White City and the new Bankside district in Southwark. Graham divides his time between London and Venice – two very different cities that share an informal compositional structure.

“The layers of the city” Layers of card 280 x 440 mm

“This is the view from the south bank – a view from within the 100 squares of 10x10 - but encompassing them all. The City’s familiar silhouette is dominated by the railway infrastructure. The viaducts that bisect south London culminate in bridges that become the view. There are five layers – the sky, the silvery outline of the city’s familiar buildings, the tracery of the signal gantries and the bridge, the heroically scaled columns and the passive surface of the river they command.” Guide Price £700 - £1000 10e “City of London Skyline” david partridge Single reproduction from ink on paper vel- lum, printed on fine art paper 420 x 297 mm David Partridge joined Argent Group PLC “It is not often possible to stand back and in 1990 and was appointed Joint Chief see the City of London skyline from such Executive in September 2006. He is a a close-up view as this. History is captured member of the RIBA and a fellow of the in silhouette – from the Monument (to the Royal Society of British Sculptors. After Great Fire) through the Nat West Tower, a degree in architecture at Cambridge, the Gherkin and (its most recent edition) he became a founding partner of Gebler the Heron Tower. These iconic images rise Tooth Partridge Architects based in casually above the more normative “bread Chiswick. He is a Non-Executive Director of and butter” buildings, representing the the Manchester Airports Group, a director relentless commercial drive of the City and of Cityco, the Manchester City Centre its ability to re-invent itself.” Management Company and ex-Chairman of the Partnership. Guide Price £650 - £750 10f “London Bridge is Falling Down” maxwell hutchinson Blue ink on paper 420 mm x 210 mm

“The inspiration for ‘London Bridge is Falling Down’ was that the access onto the old London Bridge was under the tower of the church of St. Magnas the Martyr when the River Thames was considerably wider than it is now.”

Maxwell Hutchinson is an award-winning architect and broadcaster. He was the President of the RIBA from 1989 to 1991 and came up with the idea of Article 25. Guide Price £200 - £300 10g “Lines and Edges” cj lim Pencil and photocopy images on watercolour paper 410 x 205 mm

“The dominating buildings flanking the redefined my spatial experience. Each chosen site framed the southerly view frame of my experience was carefully towards the river. To my surprise, the work- re-traced onto 116gsm watercolour paper, in-progress of was perfectly and the negative spaces painstakingly cut pictured at the end of this long space. using 10A blades revealing the observed The surrounding facades, columns, paving edges. Follow the pencilled instructions and even people and plants heightened on the flip-book to experience the spatial the sense of claustrophobia. While details emotions of yet another unpredictable day blur and colours blended, the lines and in London.” edges of the surroundings very quickly Guide Price £700 - £1000 10h “Moment, surprise, interlude” richard portchmouth Sketch and print on card 420 × 297 mm

Richard Portchmouth became a founding member of the award winning practice Birds Portchmouth Russum Architects (BPR) in 1989 having previously worked on many internationally renowned projects. Since forming BPR, Richard has been responsible for a series of significant infrastructure, masterplanning, residential, educational and cultural projects. These include the Avenue de Chartres Car Park in Chichester and Peabody Docklands Housing proposal. Guide Price £350 - £500 10i stephen taylor

With a continuing commitment to architecture’s social dimension, as well as its capacity for artistic and cultural expression, Stephen Taylor Architects recognises the collective process by which buildings and cities are made as part of an ongoing process of an economic, social and cultural continuum. Amongst their interests lies a strong concern for the emotional affect that architecture can have through physical and pictorial presence, material association and constructional directness.

“Facade of 60 Mark Lane” Pencil drawing on cartridge paper 420 x 297 mm

“60 Mark Lane is a five storey office building considered to be one of the earliest speculative buildings of its type. Its load bearing stone facade present a tiered composition of arches and pilasters, each floor a variation on the last. Observing the craftsmanship of this building I am reminded of how the 19th century developers of such buildings saw value in artistic and cultural endeavours, unlike so much office building of today.”

Guide Price £200 - £250 10j “Old Souls + New Sins” bill hanway Watercolour on birch veneer plywood 255 x 255 mm

“This view references the question of which building is the future context.”

Architect interested in the juxtaposition of the new and the old in historic cities. Guide Price £300 - £350 SPONSORS

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