Grizzly Bear Release New Video for “Losing All Sense” from New Album Painted Ruins (Rca)

Total Page:16

File Type:pdf, Size:1020Kb

Grizzly Bear Release New Video for “Losing All Sense” from New Album Painted Ruins (Rca) GRIZZLY BEAR RELEASE NEW VIDEO FOR “LOSING ALL SENSE” FROM NEW ALBUM PAINTED RUINS (RCA) VIDEO STARS BUSY PHILIPPS OF FREAKS AND GEEKS BAND DEBUT SONG ON JIMMY KIMMEL LIVE! EARLIER THIS WEEK, KICK OFF WORLDWIDE TOUR IN EUROPE NEXT WEEK Grizzly Bear has released a new video for their song “Losing All Sense” from their latest album PAINTED RUINS out now on RCA Records. Directed by Cody Critcheloe, the video follows Busy Philipps (Freaks and Geeks, Dawson’s Creek, Vice Principals) on a dinner party gone sour. Watch here and feel free to share: http://smarturl.it/GBLASvid The video caps a busy week for the band, who played two intimate, sold-out LA shows at Zebulon and Moroccan Lounge, as well as a special performance event at Apogee Studio in LA, hosted by KCRW. On Monday, the band performed “Losing All Sense” on the outdoor stage at Jimmy Kimmel Live. Watch their performance here: https://youtu.be/zc2quTLZNbU Starting October 4, Grizzly Bear will kick off their worldwide headlining tour in Ireland. The 30+ date run will take the band through Europe, the United States and Mexico, all before the year’s end. Full routing listed below. PAINTED RUINS has earned widespread praise from the New York Times, NPR Music and GQ, who praised the band’s “strikingly gorgeous music and harmonies.” Esquire called PAINTED RUINS “their most mature album yet,” Rolling Stone dubbed the music “ornate” and “spellbinding,” and in their 9/10 review, Under the Radar said, “the album is the sound of a band cohering as never before with a formidable swagger.” The album has earned 4/5 stars from Mojo and Q Magazine and 9/10 stars from Clash and Uncut, and Paste Quarterly declared, "Grizzly Bear made an album for the times: something wild and alive, bucking assumptions and beaming color, their best yet." GRIZZLY BEAR TOUR DATES Oct 4 – Dublin, IR – Vicar Street Oct 5 – Dublin, IE – Vicar Street Oct 6 – Manchester, UK – Albert Hall Oct 8 – Glasgow, UK – O2 ABC Oct 9 – London, UK – O2 Academy Brixton Oct 10 – Bexhill On The Sea, UK – Bexhill De La Warr Pavilion Oct 12 – Berlin, DE – Columbiahalle Oct 13 – Utrecht, NL – TivoliVredenburg Oct 14 – Brussels, BE – Ancienne Belgique Oct 16 – Paris, FR – L’Olympia Nov 1 - Boston, MA - House of Blues Nov 2 - Brooklyn, NY - Brooklyn Steel Nov 3 - Brooklyn, NY - Brooklyn Steel Nov 4 – Brooklyn, NY – Brooklyn Steel Nov 7 - Philadelphia, PA - The Fillmore Nov 8 – Washington, DC – The Anthem Nov 9 - Knoxville, TN - The Mill & Mine Nov 10 – McDade, TX – Sound On Sound Nov 12 - New Orleans, LA - Civic Theatre Nov 14 - Atlanta, GA - Tabernacle Nov 15 - Orlando, FL - House of Blues Nov 16 - Miami Beach, FL - The Fillmore Nov 18-19 – Mexico City, MX – Corona Capital Nov 19 – Autodromo Hermanos Rodriguez – Iztacalco, MX Nov 26 - Montreal, QC - Metropolis Nov 27 - Toronto, ON - Massey Hall Nov 28 - Royal Oak, MI - Royal Oak Music Theatre Nov 29 – Chicago, IL – Riviera Theatre Dec 1 - St. Paul, MN - Palace Theatre Dec 3 - Denver, CO - Ogden Theatre Dec 4 – Denver, CO – Ogden Theatre Dec 7 - Vancouver, BC - Orpheum Theatre Dec 8 - Seattle, WA - Moore Theatre Dec 9 - Portland, OR - Roseland Theatre Dec 11 - San Francisco, CA - Warfield Theater Dec 12 – San Francisco, CA - Warfield Theater Dec 13 - Los Angeles, CA - The Wiltern Dec 14 – Los Angeles, CA – The Wiltern LISTEN TO PAINTED RUINS iTunes - http://smarturl.it/PAINTEDRUINSi Apple Music - http://smarturl.it/PAINTEDRUINSa Spotify - http://smarturl.it/PAINTEDRUINSs Amazon - http://smarturl.it/PAINTEDRUINSaz Google Play - http://smarturl.it/PAINTEDRUINSg MORE INFO ON GRIZZLY BEAR http://www.grizzly-bear.net http://www.facebook.com/grizzlybear http://www.twitter.com/grizzlybear https://www.instagram.com/grizzlybear For more information, please contact: Matt Hanks ([email protected]), Ally Norton ([email protected]) or Spencer Foster ([email protected]) at Shore Fire Media, (718) 522-7171 Sarah Weinstein Dennison ([email protected]) at RCA Records Publicity (212) 833-5593 .
Recommended publications
  • OFF Festival Katowice 2018 Announcing the First Artists We’Re Pleased to Announce the First Artists That Are Confirmed to Perform at the Next OFF Festival
    OFF Festival Katowice 2018 Announcing the First Artists We’re pleased to announce the first artists that are confirmed to perform at the next OFF Festival. They’re original, they’re psychedelic and they’re kaleidoscopic: Grizzly Bear, Clap Your Hands Say Yeah performing Some Loud Thunder, John Maus and Marlon Williams are coming to Katowice in August. Get your OFF Festival passes now at a special early- bird prices. There’s no better Christmas gift than that! Grizzly Bear If there’s one band on the US indie scene today that can blaze new trails in American folk music while remaining faithful to the lessons of the Beach Boys, and that can be as catchy as they are challenging, blending jazz and art rock with pop, then that band is, without a doubt, Grizzly Bear. But it would be unfair to brand this Brooklyn quartet as a group of savvy counterfeiters: their music — a dense web of gripping and at times slightly psychedelic sonic ideas — is a purely original invention. It’s also one that’s garnered rave reviews from audiences and critics alike since their debut Horn of Plenty (2004). Grizzly Bear’s follow-up Yellow House (ranked among the top albums of 2006 by The New York Times and Pitchfork) secured their spot in the top echelons of alternative rock, while later efforts, including this year’s Painted Ruins, only reinforced their status. But as we’ll all see on a warm summer night this August, this bear’s natural habitat is the stage. John Maus His music has been described as a mash-up of punk, catchy soundtracks to ‘80s blockbusters, the unremitting poppiness of Moroder, and the spiritual qualities of Medieval and Baroque music.
    [Show full text]
  • Grizzly Bear Rock Free Download
    GRIZZLY BEAR ROCK FREE DOWNLOAD Lesley Sims,Andrew Roland | 32 pages | 17 May 2010 | Usborne Publishing Ltd | 9781409507079 | English | London, United Kingdom Grizzly Bear Members Are Indie-Rock Royalty, But What Does That Buy Them in 2012? Just let this thing develop on its own, in a more casual way. Ajwa Imran rated it really liked it Sep 29, The song is featured in the film as Bella sees Grizzly Bear Rock illusion of Edward underwater. Resources for this book Video clip of Peter Usborne talking about Very First Reading Visit the Very First Reading mini site Find information about synthetic phonics and the structure of the series, along with downloadable puzzles for each title. Daniel Rossen Grizzly Bear Rock Presentation April 28 It's horribly scary to me. Cute story about how sometimes you may not have skills you hoped for but that doesn't mean you have to sit out altogether. Help Learn to edit Community portal Recent changes Upload file. Iain Abbott rated it liked it Oct 27, A lively story to inspire very beginner readers. Ed Droste talks to Larry Fitzmaurice about his band's upcoming fourth album: "It's not as dreamy and pastoral as past efforts, and there's a lot of raw vocal takes-- you can hear the cracks and the moments where it's not perfect. The award's aim is Grizzly Bear Rock identify and reward excellence in educational products that have been designed for children in Key Stage 1. To ask other readers questions about Grizzly Bear Rockplease sign up.
    [Show full text]
  • Menu Preprint & Formats
    STEVEN S. LONG Predators An Enemies Book for Dark Champions Author: Steven S. Long Editing & Development: Allen Th omas Layout & Graphic Design: Andy Mathews Cover Illustration: Andy Mathews Interior Illustration: Manuel Calderon, Storn Cook, Dominika Klosowicz, Derrick Th omas, Maria van Bruggen SPECIAL THANKS First, special thanks to Christoph Schütt (for help translating names and terms into German) and S. John Ross (for the chili recipe). Second, we’d also like to thank the Digital Hero playtest- ers and testreaders who reviewed the Predators manuscript and helped us correct typos and check the math. It would be a crime not to give you the thanks you deserve — you’re all heroes! Hero SystemTM ® is DOJ, Inc.’s trademark for its roleplaying system. No part of this book may be reproduced or transmitted in any form or by any means, Hero System © 1984, 1989, 2002 by DOJ, Inc. d/b/a Hero Games. All rights reserved. electronic or mechanical, including photocopying, recording, or computerization, or by Champions © 1984, 1989, 2002 by DOJ, Inc. d/b/a Hero Games. All rights reserved. any information storage and retrieval system, without permission in writing from the Fantasy Hero © 2003 by DOJ, Inc. d/b/a Hero Games. All rights reserved. Publisher: DOJ, Inc., 1 Haight Street, Suite A, San Francisco, California 94102. Predators © 2005 by DOJ, Inc. d/b/a Hero Games. All rights reserved. Printed in the Canada. First printing July 2005 Star Hero, Justice Inc., Danger International, Dark Champions, Pulp Hero, Produced and distributed by DOJ, Inc. d/b/a Hero Games.
    [Show full text]
  • Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95
    Type Artist Album Barcode Price 10" 13th Floor Elevators You`re Gonna Miss Me (pic disc) 803415820412 32.95 10" A Perfect Circle Doomed/Disillusioned 4050538363975 21.95 10" A.F.I. All Hallow's Eve (Orange Vinyl) 888072367173 20.95 10" African Head Charge 2016RSD - Super Mystic Brakes 5060263721505 26.95 10" Allah-Las Covers #1 (Ltd) 184923124217 26.95 10" Andrew Jackson Jihad Only God Can Judge Me (white vinyl) 612851017214 24.95 10" Animals 2016RSD - Animal Tracks 018771849919 21.95 10" Animals The Animals Are Back 018771893417 21.95 10" Animals The Animals Is Here (EP) 018771893516 21.95 10" Beach Boys Surfin' Safari 5099997931119 26.95 10" Belly 2018RSD - Feel 888608668293 21.95 10" Black Flag Jealous Again (EP) 018861090719 26.95 10" Black Flag Six Pack 018861092010 26.95 10" Black Lips This Sick Beat 616892522843 26.95 10" Black Moth Super Rainbow Drippers n/a 20.95 10" Blitzen Trapper 2018RSD - Kids Album! 616948913199 32.95 10" Blossoms 2017RSD - Unplugged At Festival No. 6 602557297607 31.95 (45rpm) 10" Bon Jovi Live 2 (pic disc) 602537994205 26.95 10" Bouncing Souls Complete Control Recording Sessions 603967144314 17.95 10" Brian Jonestown Massacre Dropping Bombs On the Sun (UFO 5055869542852 26.95 Paycheck) 10" Brian Jonestown Massacre Groove Is In the Heart 5055869507837 28.95 10" Brian Jonestown Massacre Mini Album Thingy Wingy (2x10") 5055869507585 47.95 10" Brian Jonestown Massacre The Sun Ship 5055869507783 20.95 10" Bugg, Jake Messed Up Kids 602537784158 22.95 10" Burial Rodent 5055869558495 22.95 10" Burial Subtemple / Beachfires 5055300386793 21.95 10" Butthole Surfers Locust Abortion Technician 868798000332 22.95 10" Butthole Surfers Locust Abortion Technician (Red 868798000325 29.95 Vinyl/Indie-retail-only) 10" Cisneros, Al Ark Procession/Jericho 781484055815 22.95 10" Civil Wars Between The Bars EP 888837937276 19.95 10" Clark, Gary Jr.
    [Show full text]
  • A Digital Renaissance in Books, Or Fifty Shades of Dreck?
    The Digital Renaissance in Books: 50 Shades of Dreck Joel Waldfogel Giessen Workshop on Book Market November 14, 2019 Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture Joel Waldfogel Digital Renaissance: What Data and Economics Tell Us about the Future of Popular Culture Joel Waldfogel “Digitization” and cultural industries • The bad news: low-cost copying facilitates piracy • Napster and the revenue collapse • Streaming’s small payments per stream: another slap in the face? • The better news: falling costs of production, distribution, promotion • Easier to bring new products to market without the investment and permission of traditional intermediaries But amateurs/barbarians are storming the gates • Threats to intermediaries – studios, labels, publishing hoses – are threats to nurture and “adult supervision.” • Critics deride amateur work • Andrew Keen: “All we have is the great seduction of citizen media, democratized content, and authentic online communities.” “No more Hitchcocks, Bonos, or Sebalds.” • Cory Doctorow (on self-publishing site Authonomy): an “open slushpile” • Jen Doll (on Fifty Shades): “50 Shades of Grey is a terrible book….The writing is stilted and relies on tropes that anyone who's ever sat through 15 minutes of a high school writing workshop would know to avoid. The characters are two-dimensional and stereotypical.” • A cultural Stone Age on the horizon? Digitization and copyright • Cultural products are expensive and risky • $100 million per MPAA movie • Recording industry
    [Show full text]
  • Grizzly Bear Återvänder Efter Fem Års Tystnad Med Nya Låten ”Mourning Sound”
    Grizzly Bear återvänder efter fem års tystnad med nya låten ”Mourning Sound” Bandet Grizzly Bear bestående av medlemmarna Ed Droste, Daniel Rossen, Chris Taylor och Chris Bear, är ett utav 00-talets mest prominenta och respekterade indieband med rötter i Brooklyn/Chicago. Sedan senaste släppet har bandet legat lågt i 5 år. År 2016 började de arbeta på nytt material och nu har Grizzly Bear äntligen avslutat studioarbetet med sitt kommande femte album ”Painted Ruins” som väntas släppas i sommar via RCA/Sony MusiC! Inofficiella debuten kom 2002 via ett hemsnickrat album avsett för vänskapskretsen, men som läckte och fick liv tack vare New Yorks underground-indiescen. Den officiella debuten kom istället 2004 med albumet ”Horn Of Plenty” som hyllades av både The New York Times & PitChfork. Sedan dess har bandet hunnit med att släppa albumen ”Yellow House”, ”Veckatimest” som i samband med releasen 2009 fick stor uppmärksamhet bland både fans och media samt albumet ”Shields” ifrån 2012. Under våren 2017 har teasers publicerats via det nystartade instagramkontot @grizzlybear där bandet själva teasat smakprov på ljud och bilder på vad som komma skall ifrån nya albumet. Detta i syfte att skildra den komplexa ljudbilden. Gruppen förklarar vidare: “The idea of the snippets on our new instagram @grizzlybear was something we thought people would enjoy. Our songs are usually so layered and dense and it seemed like a fun way to peel back the onion layers of the new album. So to clarify, it wasn't meant to torture you but more meant to show you small pieces of all the songs from the forthcoming album!” - Grizzly Bear Låten “Mourning Sound” premiärades på Zane Lowes Beats1 World ReCords-show i gårkväll i samband med en stor intervju med hela gruppen.
    [Show full text]
  • When Grizzly Bear Came to the End of the Road with Their Fourth Album, 2012'S 'Shields', the Future Was Unclear
    When Grizzly Bear came to the end of the road with their fourth album, 2012's 'Shields', the future was unclear. No dramatic decisions were made, no arguments were had, but there was a feeling as there always is with the foursome that a breather was required. The band who emerged in 2004 in Brooklyn, New York, have forever functioned as a self-described “democracy”. It's equal and it's fair but it can also take a lot of out of them. And so they went their separate ways and bedded down in different corners. Vocalist and songwriter Ed Droste adapted back to life in Los Angeles, his new adopted home and decided to distance himself from music and the industry, vocalist, songwriter, and multi-instrumentalist Daniel Rossen moved to a remote area of upstate New York and continued to write and record on his own, drummer, songwriter, and multi-instrumentalist Christopher Bear continued playing with various projects and worked on scoring a TV series, and vocalist, multi-instrumentalist, songwriter, and producer Chris Taylor decided to go West to LA after a one year stint in Berlin. He produced for other artists and made a solo record under the moniker CANT. Taylor, however, got restless. The band's mediator since the beginning, his feet started to itch after the usual six months of downtime. “I kinda kept writing everyone,” he says. “Telling them that we should start making a record. I wanted to be making music with my band again. I stayed busy, I wrote a cook book, produced other people, but my favorite thing to do was work with my band.
    [Show full text]
  • Art and Protest in Putin's Russia
    Art and Protest in Putin’s Russia The Pussy Riot protest and the subsequent heavy-handed treatment of the protes- tors grabbed headlines, but this was not an isolated instance of art being noticeably critical of the regime. As this book, based on extensive original research, shows, there has been gradually emerging over recent decades a signifi cant counter- culture in the art world which satirises and ridicules the regime and the values it represents, at the same time putting forward, through art, alternative values. The book traces the development of art and protest in recent decades, discusses how art of this kind engages in political and social protest, and provides many illustrations as examples of art as protest. The book concludes by discussing how important art has been in facilitating new social values and in prompting political protests. Lena Jonson is Senior Research Fellow and Head of the Russia Research Program at the Swedish Institute of International Affairs, Stockholm. Routledge Contemporary Russia and Eastern Europe Series 1 Liberal Nationalism in Central 8 The Development of Capitalism Europe in Russia Stefan Auer Simon Clarke 2 Civil-Military Relations in 9 Russian Television Today Russia and Eastern Europe Primetime drama and comedy David J. Betz David MacFadyen 3 The Extreme Nationalist Threat 10 The Rebuilding of Greater in Russia Russia The growing influence of Putin’s foreign policy towards the Western Rightist ideas CIS countries Thomas Parland Bertil Nygren 4 Economic Development in 11 A Russian Factory Enters
    [Show full text]
  • Vinyl Stock List - August 2020 (03) 6234 2039 | Tommygunrecords.Com | Facebook.Com/Tommygunhobart
    TOMMY GUN RECORDS VINYL STOCK LIST - AUGUST 2020 (03) 6234 2039 | TOMMYGUNRECORDS.COM | FACEBOOK.COM/TOMMYGUNHOBART WARPLP302X !!! WALLOP 47.99 PIE027LP #1 DADS GOLDEN REPAIR 44.99 PIE005LP #1 DADS MAN OF LEISURE 35 8122794723 10,000 MANIACS OUR TIME IN EDEN 45 SSM144LP 1927 ISH 39.99 7202581 24 CARAT BLACK GHETTO 69 USI_B001655701 2PAC 2PACALYPSE NOW 49.95 7783828 2PAC THUG LIFE 49.99 FWR004 360 UTOPIA 49.99 5809181 A PERFECT CIRCLE THIRTEENTH STEP 49.95 6777554 A STAR IS BORN SOUNDTRACK 67.99 JIV41490.1 A TRIBE CALLED QUEST MIDNIGHT MARAUDERS 49.99 R14734 A TRIBE CALLED QUEST PEOPLE'S INSTINCTIVE TRAVELS 69.99 5351106 ABBA GOLD 49.99 19075850371 ABORTED TERRORVISION COLOURED VINYL 49.99 88697383771 AC/DC BLACK ICE 49.99 5107611 AC/DC LET THERE BE ROCK 41.99 5107621 AC/DC POWERAGE 47.99 5107581 ACDC 74 JAIL BREAK 49.99 5107651 ACDC BACK IN BLACK 45 XLLP313 ADELE 19 32.99 XLLP520 ADELE 21 32.99 XLLP740 ADELE 25 29.99 1866310761 ADOLESCENTS THE COMPLETE DEMOS 34.95 LL030LP ADRIAN YOUNGE SOMETHING ABOUT APRIL II 52.8 M27196 AEROSMITH ST 39.99 J12713 AFGHAN WHIGS 1965 49.99 P18761 AFGHAN WHIGS BLACK LOVE 42.99 OP048 AGAINST ALL LOGIC 2012-2017 59.99 OP053 AGAINST ALL LOGIC 2017-2019 61.99 S80109 AIMEE MANN MENTAL ILLNESS 42.95 7747280 AINTS 5,6,7,8,9 39.99 1.90296E+11 AIR CASANOVA 70 PIC DISC RSD 40 2438488481 AIR VIRGIN SUICIDE 37.99 SPINE799189 AIRBOURNE BREAKIN OUTTA HELL STND EDT 45.95 NW31135-1 AIRBOURNE DIAMOND CUTS THE B SIDES 44.99 FN279LP AK79 40TH ANNIV EDT 63.99 VS001 ALAN BRAUFMAN VALLEY OF SEARCH 47.99 M76741 ALAN PARSONS I
    [Show full text]
  • Emerald Eyes a Tale of the Continuing Time
    EMERALD EYES A TALE OF THE CONTINUING TIME DANIEL KEYS MORAN This is a work of fiction. None of the characters in it are real people and any resemblance to anybody, living or dead, is a coin- cidence. It is the author’s intention that this work should be freely downloadable, copyable, and shareable in electronic format. It may not be reproduced, shared, or transmitted for a fee by any party to whom the author has not contractually granted permis- sion. The author retains all other rights. Emerald Eyes Copyright © 1987 by Daniel Keys Moran The Star Copyright © 1998 by Daniel Keys Moran Dedicated to The Tales of the Continuing Time are dedicated to a whole bunch of writers – everybody I ever read, according to one re- viewer. That seems fair. This book is dedicated to Amy Stout-Moran. She was the edi- tor at Bantam Books who first bought this novel; she is the mother of my sons and the love of my life. EMERALD EYES A Tale of the Continuing Time The gods can either take away evil from the world and will not, or, being willing to do so cannot…. If they have the will to remove evil and cannot, then they are not omnipotent. If they can but will not, then they are not benevolent. If they are neither willing nor able, they are neither omnipotent nor benevolent. Epicurus, 300 BC The Ancestors 2029-2053 Gregorian 1. YOU WILL HAVE heard the story of Carl Castanaveras; of Suz- anne Montignet and Malko Kalharri; of our ancestors.
    [Show full text]
  • Thomas Cole on Architecture
    THOMAS COLE ON ARCHITECTURE: PICTURING THE GOTHIC by Rebecca Ayres Schwartz A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art History Spring 2016 © 2016 Rebecca Ayres Schwartz All Rights Reserved THOMAS COLE ON ARCHITECTURE: PICTURING THE GOTHIC by Rebecca Ayres Schwartz Approved: ______________________________________________________________ Lawrence Nees, Ph.D. Chair of the Department of Art History Approved: ______________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: ______________________________________________________________ Ann L. Ardis, Ph.D. Senior Vice Provost for Graduate and Professional Education I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: _________________________________________________________________ Bernard L. Herman, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: ________________________________________________________________ Wendy Bellion, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: ________________________________________________________________ J. Ritchie Garrison, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy.
    [Show full text]
  • THE EXOTIC GIFT and the ART of the SEVENTEENTH-CENTURY DUTCH REPUBLIC By
    THE EXOTIC GIFT AND THE ART OF THE SEVENTEENTH-CENTURY DUTCH REPUBLIC By ©2013 ELLEN O’NEIL RIFE Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Linda Stone-Ferrier, Ph.D. ________________________________ Sally J. Cornelison, Ph.D. ________________________________ Stephen H. Goddard, Ph.D. ________________________________ Amy McNair, Ph.D. ________________________________ William D. Keel, Ph.D. Date Defended: 4/9/2013 The Dissertation Committee for Ellen O’Neil Rife certifies that this is the approved version of the following dissertation: THE EXOTIC GIFT AND THE ART OF THE SEVENTEENTH-CENTURY DUTCH REPUBLIC ________________________________ Chairperson Linda Stone-Ferrier, Ph.D. Date approved: 4/9/2013 ii Abstract This dissertation examines the intersection between art and the gifting of exotic objects in the seventeenth-century United Provinces, directing attention to a special class of imagery visualizing the remarkable extent to which Europe’s first consumer culture became intertwined with foreign goods and influences. Its four chapters present representative case studies encompassing a range of media, including prints and paintings, and artistic genres, such as still life, portraiture, landscape, and allegory, from the mid- through the late- seventeenth century. These episodes of exotic gift exchange and their manifestation in art belonged to public and private spheres, the gifting of men and women, and multiple classes of society. In analyzing these images, my methodology draws on close readings; socioeconomic, historical, pictorial, and cultural contexts; gender; and issues in gift theory, including reciprocity, identity, personalization, and commodity/gift status, to explore the pictures’ meanings or functions for their audiences.
    [Show full text]