Emerald Eyes a Tale of the Continuing Time
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Music Video As Black Art
IN FOCUS: Modes of Black Liquidity: Music Video as Black Art The Unruly Archives of Black Music Videos by ALESSANDRA RAENGO and LAUREN MCLEOD CRAMER, editors idway through Kahlil Joseph’s short fi lm Music Is My Mis- tress (2017), the cellist and singer Kelsey Lu turns to Ishmael Butler, a rapper and member of the hip-hop duo Shabazz Palaces, to ask a question. The dialogue is inaudible, but an intertitle appears on screen: “HER: Who is your favorite fi lm- Mmaker?” “HIM: Miles Davis.” This moment of Black audiovisual appreciation anticipates a conversation between Black popular cul- ture scholars Uri McMillan and Mark Anthony Neal that inspires the subtitle for this In Focus dossier: “Music Video as Black Art.”1 McMillan and Neal interpret the complexity of contemporary Black music video production as a “return” to its status as “art”— and specifi cally as Black art—that self-consciously uses visual and sonic citations from various realms of Black expressive culture in- cluding the visual and performing arts, fashion, design, and, obvi- ously, the rich history of Black music and Black music production. McMillan and Neal implicitly refer to an earlier, more recogniz- able moment in Black music video history, the mid-1990s and early 2000s, when Hype Williams defi ned music video aesthetics as one of the single most important innovators of the form. Although it is rarely addressed in the literature on music videos, the glare of the prolifi c fi lmmaker’s infl uence extends beyond his signature lumi- nous visual style; Williams distinguished the Black music video as a creative laboratory for a new generation of artists such as Arthur Jafa, Kahlil Joseph, Bradford Young, and Jenn Nkiru. -
Table of Contents
Table of Contents Step 1 ........................................................................................... 1 Breastfeeding Overview .......................................................................... 2 Getting Information from the Healthcare Team ........................................................ 6 Step 2 ........................................................................................... 8 Temperature Control ............................................................................. 9 Pain Management ............................................................................. .13 Developmental Care ............................................................................ 15 Parenting in the NICU. .18 Newborn Screening ............................................................................ .20 Step 3 .......................................................................................... 24 Kangaroo Care ................................................................................ 25 Skin Care .................................................................................... .27 Newborn Jaundice ............................................................................. 32 Step 4 .......................................................................................... 35 Basic Baby Care ............................................................................... .36 Choosing Your Baby’s Provider .................................................................... 39 Home Safety ................................................................................. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Whole Day Download the Hansard
Tuesday Volume 628 12 September 2017 No. 26 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Tuesday 12 September 2017 © Parliamentary Copyright House of Commons 2017 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 617 12 SEPTEMBER 2017 618 Mr Speaker: We await the hon. Lady’s oration on that House of Commons occasion with eager anticipation. Tuesday 12 September 2017 Albert Owen (Ynys Môn) (Lab): The Minister’sresponse is simply not good enough. We have waited for report after report, and these carbon budgets have been delayed The House met at half-past Eleven o’clock time and again. I know that we have had an unnecessary and uncosted election, but even the United Nations is PRAYERS saying that our air is not clean. It is time that the Government took this seriously, acted and told the House the exact figures. [MR SPEAKER in the Chair] Claire Perry: I think the hon. Gentleman is showing BUSINESS BEFORE QUESTIONS the effect of our late sitting hours with his grumpiness. He should be celebrating the fact that Britain has led the world in decarbonising our economy, while growing MIDDLE LEVEL BILL the economy at a greater rate than any other G7 country. Motion made, If he wants more affirmation, he should read the PwC That the promoters of the Middle Level Bill, which originated report on that. What we have to do now is set out a very in this House in the previous Session on 24 January 2017, may difficult and long-term plan to meet the fourth and fifth have leave to proceed with the Bill in the current Session carbon budgets and to go beyond. -
OFF Festival Katowice 2018 Announcing the First Artists We’Re Pleased to Announce the First Artists That Are Confirmed to Perform at the Next OFF Festival
OFF Festival Katowice 2018 Announcing the First Artists We’re pleased to announce the first artists that are confirmed to perform at the next OFF Festival. They’re original, they’re psychedelic and they’re kaleidoscopic: Grizzly Bear, Clap Your Hands Say Yeah performing Some Loud Thunder, John Maus and Marlon Williams are coming to Katowice in August. Get your OFF Festival passes now at a special early- bird prices. There’s no better Christmas gift than that! Grizzly Bear If there’s one band on the US indie scene today that can blaze new trails in American folk music while remaining faithful to the lessons of the Beach Boys, and that can be as catchy as they are challenging, blending jazz and art rock with pop, then that band is, without a doubt, Grizzly Bear. But it would be unfair to brand this Brooklyn quartet as a group of savvy counterfeiters: their music — a dense web of gripping and at times slightly psychedelic sonic ideas — is a purely original invention. It’s also one that’s garnered rave reviews from audiences and critics alike since their debut Horn of Plenty (2004). Grizzly Bear’s follow-up Yellow House (ranked among the top albums of 2006 by The New York Times and Pitchfork) secured their spot in the top echelons of alternative rock, while later efforts, including this year’s Painted Ruins, only reinforced their status. But as we’ll all see on a warm summer night this August, this bear’s natural habitat is the stage. John Maus His music has been described as a mash-up of punk, catchy soundtracks to ‘80s blockbusters, the unremitting poppiness of Moroder, and the spiritual qualities of Medieval and Baroque music. -
Adult Fiction
Adult Fiction Heroes of the Frontier The Woman in Cabin 10 Dave Eggers Ruth Ware When travel journalist Lo Blacklock is Josie is on the run with her invited on a boutique luxury cruise children. She's left her husband, around the Norwegian fjords, it seems her failing dental practice, and the like a dream job. But the trip takes a rest of her Ohio town to explore nightmarish turn when she wakes in Alaska in a rickety RV. the middle of the night to hear a body being thrown overboard. With his trademark insight, humor, and pathos, Dave Eggers explores Brit Ruth Ware has crafted her second this woman's truly heroic gripping, dark thriller in the Christie adventure, all the while exploring tradition. This page-turner toys with the concept of heroism in general. the classic plot of "the woman no one Brilliant, unpretentious, and highly would believe" with incredible language readable. and fun twists. Also a terrific, ~Alan’s and Leslie’s pick unabridged audiobook. ~Alan’s pick They May Not Mean To, But Barkskins They Do Annie Proulx Cathleen Schine Spanning hundreds of years, this When Joy Bergman's husband dies, ambitious work tells the often brutal her children are shocked that she story of the Canadian and New doesn't agree with their ideas for England lumber industry and all her. The book's title is from a those whom it enriched or displaced. Philip Larkin poem, and this funny and compassionate look at the Annie Proulx’s writing never ceases Bergman family brings Larkin's to thrill me. -
Musician Neneh Cherry on Addressing Politics in Your Art
October 29, 2018 - As told to T. Cole Rachel, 2891 words. Tags: Music, Politics, Process, Collaboration. On addressing politics in your art Musician Neneh Cherry on what makes a good a collaborator, the headspace required for making thoughtful art, and why sometimes being quiet is a radical act. What’s the kind of headspace you need to be in when you’re working on music? It’s somewhat different every time, but recently I had a place that I wanted to go in my spirit and soul, through the songs and with the songs. I knew it was going to need me to be in a more… not a static place, exactly, but a more still place. It was almost like I could feel the songs around my head. Of course, the collaborative journey played an important part in actually reaching the goal. In the case of Broken Politics, I think we reached the goal I had in mind. I work with Cameron McVey, who is my husband and my creative partner, beyond just the spousal stuff. We’ve also had a very intimate creative journey. Quite often we’re working with other programmers and musicians when we’re writing, so there are all of these different things to figure out and negotiate. He’s a really fast writer. I’m a much slower writer. A lot of the time we’re in the studio by ourselves, each working at our own pace. Sometimes, even when you have an idea of where you want to go, it’s still a struggle getting there and getting past all the little weird obstacle courses that your brain sets up for you in order to get to that place where you’re creatively open. -
“Writing About Music” Vol
UCLA Department of Musicology presents MUSE An Undergraduate Research Journal “Writing About Music” Vol. 1, No. 1 “Dissonant Ones: The Harmony of Lou Reed and “Waitress! Equalitea and Pie, Please” John Cale” Irena Huang Gabriel Deibel “Boy Band: Intersecting Gender, Age, Sexuality, “A Possible Resolution for the Complicated and Capitalism” Feelings Revolving Around Tyler, the Creator” Grace Li Isabel Nakoud “Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie Rock” Jenna Ure Winter 2020 2 3 UCLA Department of Musicology presents MUSE An Undergraduate Research Journal Volume 1, Number 1 Winter 2020 Contents Introduction from the Editors 4 Being the Cowboy: Mitski’s Rewriting of Gender Roles in Indie 6 Rock Editor-in-Chief Jenna Ure Matthew Gilbert Waitress! Equalitea and Pie, Please 16 Managing Editor Irena Huang Alana Chester Dissonant Ones: The Harmony of Lou Reed and John Cale 26 Review Editor Gabriel Deibel Karen Thantrakul Boy Band: Intersecting Gender, Age, Sexuality, and Capitalism 36 Technical Editors Grace Li J.W. Clark Liv Slaby A Possible Resolution for the Complicated Feelings Revolving 46 Gabriel Deibel Around Tyler, the Creator Isabel Nakoud Faculty Advisor Dr. Elisabeth Le Guin Closing notes 62 4 Introduction Introduction 5 Introduction Li’s discussion of the exploitation of boy band One Direction, Gabriel Deibel’s essay on the influence of John Cale on the Velvet Underground’s experimental sound, a feminist exploration by Irena Huang of the musical Alana Chester, Matthew Gilbert, and Karen Waitress (composed by a UCLA alumnus, Sara Bareilles), and a critique Thantrakul of the music industry through indie singer Mitski’s music by Jenna Ure. -
Translation and Gender in the Urdu Ghazal by Nuzhat Abbas University of Wisconsin–Madison
Conversing to/with Shame: Translation and Gender in the Urdu Ghazal by Nuzhat Abbas University of Wisconsin–Madison Shattered Mirrors, Broken Bits Ghazal Ye n≥zuk sµ mir® andar kµ la∞kµ ‘Ajab jaÿb® ‘ajab t®var kµ la∞kµ Yuhµ zakhmµ nahµ hai h≥t^ m®r® Tar≥shµ mai n® ik patt^ar kµ la∞kµ K^a∞µ hai fikr k® ¥ÿar-kad® m® Burµda-dast p^ir ¥ÿar kµ la∞kµ An≥ k^å’µ tå ku∞^ kar mar ga’µ Ba∞µ √ass≥s t^µ andar kµ la∞kµ Saz≥var-e hunar muj^ kå na ª^har≥ Ye fan m®r≥ na mai ¥ÿar kµ la∞kµ Bik^ar kar shµsha shµsha r®za r®za Simaª kar p^∑l s® paikar kµ la∞kµ ƒav®lµ k® makµ tå ±≥ht® t^® Keh g^ar hµ m® rah® ye g^ar kµ la∞kµ This fragile girl inside of me Of strange aspect, girl of strange countenance. • T A U S Not for nothing are my hands wounded I carved a girl of stone. She stands in the idolater’s house of thought With wounded hands, again, Aazar’s girl.1 Losing her self, she died of grief2 So sensitive was she, the girl inside.3 Do not make me liable for the excellence of this art This art is not mine, nor am I Aazar’s girl. Scattering into shattered mirrors, broken bits Gathering into the face of a flower, this girl. The masters of the haveli wanted simply this4 She stay within the house, this household’s girl. -
June 2019 New Releases
June 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 79 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES Music Video DVD & Blu-ray 44 YEASAYER - TOMMY JAMES - STIV - EROTIC RERUNS ALIVE NO COMPROMISE Non-Music Video NO REGRETS DVD & Blu-ray 49 Order Form 90 Deletions and Price Changes 85 800.888.0486 THE NEW YORK RIPPER - THE ANDROMEDA 24 HOUR PARTY PEOPLE 203 Windsor Rd., Pottstown, PA 19464 (3-DISC LIMITED STRAIN YEASAYER - DUKE ROBILLARD BAND - SLACKERS - www.MVDb2b.com EDITION) EROTIC RERUNS EAR WORMS PECULIAR MVD SUMMER: for the TIME of your LIFE! Let the Sunshine In! MVD adds to its Hall of Fame label roster of labels and welcomes TIME LIFE audio products to the fold! Check out their spread in this issue. The stellar packaging and presentation of our Lifetime’s Greatest Hits will have you Dancin’ in the Streets! Legendary artists past and present spotlight June releases, beginning with YEASAYER. Their sixth CD and LP EROTIC RERUNS, is a ‘danceable record that encourages the audience to think.’ Free your mind and your a** will follow! YEASAYER has toured extensively, appeared at the largest festivals and wowed those audiences with their blend of experimental, progressive and Worldbeat. WOODY GUTHRIE: ALL STAR TRIBUTE CONCERT 1970 is a DVD presentation of the rarely seen Hollywood Bowl benefit show honoring the folk legend. Joan Baez, Pete Seeger, Odetta, son Arlo and more sing Woody home. Rock Royalty joins the hit-making machine that is TOMMY JAMES on ALIVE!, his first new CD release in a decade. -
Neneh Cherry: 27 Febbraio 2019 @ Milano Circolo Magnolia
NENEH CHERRY: 27 FEBBRAIO 2019 @ MILANO CIRCOLO MAGNOLIA 23/10/2018 IL SINGOLO “7 SECONDS” AI PRIMI POSTI DELLE CLASSIFICHE DI TUTTO IL MONDO PER OLTRE UN ANNO CON PIÚ DI 1 MILIONE E MEZZO DI VENDITE HA COLLABORATO CON ARTISTI DEL CALIBRO DI MICHAEL STIPE, GORILLAZ E FOUR TET IL NUOVO ALBUM “BROKEN POLITICS” IN USCITA IL 19 OTTOBRE UN’UNICA ED ECCEZIONALE DATA IN ITALIA NENEH CHERRY 27 FEBBRAIO 2019 @ MILANO CIRCOLO MAGNOLIA Prezzi biglietti: Posto Unico: 22,00 € + diritti di prevendita (+ tessera Arci) Biglietti disponibili su ticketone.it e in tutti i punti vendita autorizzati dalle ore 10 di venerdì 19 ottobre L'organizzatore declina ogni responsabilità in caso di acquisto di biglietti fuori dai circuiti di biglietteria autorizzati non presenti nei nostri comunicati ufficiali. Neneh Cherry, dopo varie collaborazioni con diversi gruppi tra cui i Rip Rig & Panic, The Slits e New Age Steppers, inizia la carriera da solista debuttando con il singolo di protesta contro la guerra delle Falkland Stop The War. Nel 1989 pubblica il suo primo album Raw Like Sushi in cui collabora con Cameron McVey che ha scritto gran parte delle sue canzoni.L’album raggiunge il successo grazie al singolo Buffalo Stance, subito alla #3 della Uk Chart. Neneh Cherry riceve una nomination ai Grammy Awards come miglior debuttante, e trionfa ai Brit Awards come Miglior Artista Solista Internazionale nel 1990.Nel 1992 pubblica il secondo album Homebrew, che raggiunge il successo grazie ai singoli Buddy X, il cui video riceve una nomination agli MTV MVA nel 1993 nella categoria Miglior Video di un’Artista Femminile e il singolo Trout in cui collabora con Michael Stipe dei R.E.M. -
Trinity Reporter, Winter 1989
EDITORIAL ADVISORY BOARD Frank M . Child ill Dirk Kuyk !tinity ProftJJor of Biology Professor of E11gliJh Gerald J . Hansen, Jr. '51 Theodore T. Tansi '54 Vol. 19, No. 1 (ISSN 01643983) Winter 1989 Director of Alumni & College Relations Susan E. Weisselberg '76 Editor: William L. Churchill J . Ronald Spencer '64 Associate Editor: Roberta Jenckes M '87 Associate Academic Dean Sports Editor: Gabriel P. Harris '87 Staff Writers: Martha Davidson, Elizabeth Natale NATIONAL ALUMNI ASSOCIATION Publications Assistant: Kathleen Davidson Executive Committee Photograph er: Jon Lester President Robert E. Brickley '67 West Hartford, CT ARTICLES Vice Presidents Alumni Fund Stephen H . Lockton '62 MEL KENDRICK: ESSAYS 7 Greenwich, CT By Michael FitzGerald Admissions Jane W. Melvin '84 Small wood works by a gifted sculptor Hartford, CT and alumnus highlighted the fa ll exhibits A rca Associations Thomas D. Casey '80 at the Austin Arts Center. Washington, D.C. METHUSALIFE AND Nominating Committee David A. Raymond '63 ESCAPISM 10 South Windsor, CT By jennifer Rider '90 Members A work by a student playwright is Allen B. Cooper '66 Michael B. Masius '63 representative of a recent anthology of San Francisco, CA Hartford, CT plays by Trinity undergraduates. Karen A. Jeffers '76 Eugene M. Russell '80 Westport, CT Boston, MA THE CHANGING CAMPUS 18 Robert E. Kehoe '69 Jeffrey H. Seibert '79 By Roberta jenckes M'87 Chicago, IL Baltimore, MD Daniel L. Korengold '73 Stanley A. Twardy, Jr. '73 A new dormitory and additions to the Washington, D.C. Stamford, CT Ferris Athletic Center are among major Michael Maginniss '89 Pamela W. Von Seldeneck '85 campus improvements.