The Russian Connection in Singapore's Local Art Identity
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Performance Art
(hard cover) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Master of Arts Fine Arts 2006 LASALLE-SIA COLLEGE OF THE ARTS (blank page) PERFORMANCE ART: MOTIVATIONS AND DIRECTIONS by Lee Wen Submitted in Partial Fulfillment of the Degree Master of Arts (Fine Arts) LASALLE-SIA College of the Arts Faculty of Fine Arts Singapore May, 2006 ii Accepted by the Faculty of Fine Arts, LASALLE-SIA College of the Arts, In partial fulfillment of the requirements For the degree Master of Arts (Fine Arts). Vincent Leow Studio Supervisor Adeline Kueh Thesis Supervisor I certify that the thesis being submitted for examination is my own account of my own research, which has been conducted ethically. The data and the results presented are the genuine data and results actually obtained by me during the conduct of the research. Where I have drawn on the work, ideas and results of others this has been appropriately acknowledged in the thesis. The greater portion of the work described in the thesis has been undertaken subsequently to my registration for the degree for which I am submitting this document. Lee Wen In submitting this thesis to LASALLE-SIA College of the Arts, I understand that I am giving permission for it to be made available for use in accordance with the regulations and policies of the college. I also understand that the title and abstract will be published, and that a copy of the work may be made available and supplied to any bona fide library or research worker. This work is also subject to the college policy on intellectual property. -
List of Entries
List of Entries 1. Aik Htun 3 34. Chan Wai Chang, Rose 82 2. Aing Khun 5 35. Chao Tzee Cheng 83 3. Alim, Markus 7 36. Charoen Siriwatthanaphakdi 4. Amphon Bulaphakdi 9 85 5. Ang Kiukok 11 37. Châu Traàn Taïo 87 6. Ang Peng Siong 14 38. Châu Vaên Xöông 90 7. Ang, Samuel Dee 16 39. Cheah Fook Ling, Jeffrey 92 8. Ang-See, Teresita 18 40. Chee Soon Juan 95 9. Aquino, Corazon Cojuangco 21 41. Chee Swee Lee 97 10. Aung Twin 24 42. Chen Chong Swee 99 11. Aw Boon Haw 26 43. Chen, David 101 12. Bai Yao 28 44. Chen, Georgette 103 13. Bangayan, Teofilo Tan 30 45. Chen Huiming 105 14. Banharn Silpa-archa 33 46. Chen Lieh Fu 107 15. Benedicto, Francisco 35 47. Chen Su Lan 109 16. Botan 38 48. Chen Wen Hsi 111 17. Budianta, Melani 40 49. Cheng Ching Chuan, Johnny 18. Budiman, Arief 43 113 19. Bunchu Rotchanasathian 45 50. Cheng Heng Jem, William 116 20. Cabangon Chua, Antonio 49 51. Cheong Soo Pieng 119 21. Cao Hoàng Laõnh 51 52. Chia Boon Leong 121 22. Cao Trieàu Phát 54 53. Chiam See Tong 123 23. Cham Tao Soon 57 54. Chiang See Ngoh, Claire 126 24. Chamlong Srimuang 59 55. Chien Ho 128 25. Chan Ah Kow 62 56. Chiew Chee Phoong 130 26. Chan, Carlos 64 57. Chin Fung Kee 132 27. Chan Choy Siong 67 58. Chin Peng 135 28. Chan Heng Chee 69 59. Chin Poy Wu, Henry 138 29. Chan, Jose Mari 71 60. -
Licensee Name Licence No Premises Address Grade Year) Year) 122 MIDDLE ROAD #03-01/02 MERCURE 122 MIDDLE INVESTMENT HOTEL SINGAPORE PTE
Demerit Points Suspension (in the History past 1 (in the past 1 Licensee Name Licence No Premises Address Grade year) year) 122 MIDDLE ROAD #03-01/02 MERCURE 122 MIDDLE INVESTMENT HOTEL SINGAPORE PTE. LTD. CE16121L000 188973 A 1086 SERANGOON 126 EATING HOUSE GROUP ROAD SINGAPORE PTE. LTD. CE11F43A000 328187 B 18 HOURS @ KEONG SAIK 50 KEONG SAIK ROAD PTE. LTD. W00126P000 SINGAPORE 089154 A 5 STRAITS VIEW #04- 02 THE HEART 1855 F&B PTE. LTD. CE17H10B000 SINGAPORE 018935 A 50 CLUNY PARK ROAD THE GARAGE (S'PORE BOTANICAL GDNS LEVEL 1 /2) 1-GARAGE PTE. LTD. CE16F48P000 SINGAPORE 257488 A 3 PARK LANE #01-01 THE OVAL @ SAP 1-GARDEN PTE LTD CE16I90P000 SINGAPORE 798387 A 15 JALAN TEPONG #06-10 JURONG FOOD 2 IC CATERING PRIVATE HUB SINGAPORE LIMITED SW10902B000 619336 A 3017 BEDOK NORTH STREET 5 #04-13 GOURMET EAST 5 STAR RESTAURANT & KITCHEN SINGAPORE CATERING PTE. LTD. SE16611X000 486121 B 4 768 UPPER SERANGOON ROAD 7STAR RESTAURANT PTE. #02-03 SINGAPORE LTD. NE06302B000 534636 B 177A RIVER VALLEY ROAD #07-00 NOVOTEL CLARKE AAPC CLARKE QUAY HOTEL QUAY SINGAPORE PTE. LTD. W84115V000 179031 A ABANOZ FILDISI (ASIA PAC) 359 CHANGI ROAD CO. PTE LTD S83164P000 SINGAPORE 419821 B ABDUL MAJID BIN SHAIK 52 ONAN ROAD AYZODDIN E97164A000 SINGAPORE 424500 A 3015 BEDOK NORTH STREET 5 #05-06 SHIMEI EAST KITCHEN ABDUL RAJAK BIN AHMAD SE05237X000 SINGAPORE 486350 B 587 GEYLANG ROAD #01-01 SINGAPORE ABEDIN TRADING PTE. LTD. E00192E000 389526 B 301 UPPER THOMSON ROAD #03-23 THOMSON PLAZA ABR HOLDINGS LIMITED? S79012K000 SINGAPORE 574408 A 20 BUKIT BATOK CRESCENT #13-03 UNIT C - ENTERPRISE CENTRE SINGAPORE AH MAH COOKS PTE. -
Pusat-Damai.Pdf
Model A.3 - KPU DAFTAR PEMILIH TETAP PEMILIHAN UMUM ANGGOTA DPR, DPD, DPRD PROVINSI DAN DPRD KABUPATEN / KOTA TAHUN 2014 PROVINSI : KALIMANTAN BARAT KECAMATAN : PARINDU KABUPATEN/KOTA 1) : SANGGAU DESA/KELURAHAN : PUSAT DAMAI TPS : 001 Status Jenis No Tanggal Alamat No KK NIK Nama Tempat Lahir Umur Perkawinan Kelamin Keterangan 2) Urut Lahir B/S/P L/P Jalan / Dusun Rt Rw 1 2 3 4 5 6 7 8 9 10 11 12 13 1 6103090603080016 6103091905550001 F AHUI BOYOK 19-05-1955 58 S L - 000 000 2 6103091003050583 6103092004690001 MARTINVS BODOK 20-04-1969 44 P L - 000 000 3 6103091003050858 6103090107620043 GEDION YON SANGGAU 01-07-1962 51 P L - 000 000 4 6103091003050858 6103094107630005 ELISABFT ELIS SANGGAU 01-07-1963 50 P P - 000 000 5 6103091003050858 6103090104850001 LORENSIUS SANGGAU 01-04-1985 29 P L - 000 000 6 6103091003050858 6103096312910001 ANGGELA SUSI SANGGAU 23-12-1991 22 S P - 000 000 7 6103091003050871 6103095004540001 REGINA PAYONG SANGGAU 10-04-1954 59 P P - 000 000 8 6103091003050871 6103096906880003 BENEDIKTA JUNIARTI SANGGAU 29-06-1988 25 P P - 000 000 9 6103091003050874 6103091904880001 VINSENSIUS SISWONO SAMGGAV 19-04-1988 25 P L - 000 000 10 6103091003050878 6103090912760001 ADRIANUS SANGGAU 09-12-1976 37 B L - 000 000 11 6103091003050878 6103095811770001 ADITA TAMAN PONTIANAK 18-11-1977 36 P P - 000 000 12 6103091003051195 6103090509700001 REGURLI SIKAIT SPD SANGGAU 05-09-1970 43 B L - 000 000 13 6103091003051195 6103094806710001 ASAISPD LANDAK 08-06-1971 42 B P - 000 000 14 6103091510080014 6103090202480001 BONG NYUK ICHIONG -
2004/1 (7) 1 Art on the Line
Art on the line A Russian kaleidoscope: shifting visions of the emergence and development of art criticism in the electronic archive Russian Visual Arts, 1800–1913 Carol Adlam Department of Russian, School of Modern Languages, University of Exeter, Queen’s Drive, Exeter EX2 4QH, UK [email protected] Alexey Makhrov Department of Russian, School of Modern Languages, University of Exeter, Queen's Drive, Exeter, EX4 4QH, UK and independent researcher, Switzerland [email protected] 1 Origins notes on major art critics of the period under The project Russian Visual Arts, 1800–1913 consideration, new editorial and translators’ as it appears today at the Humanities notes, and a glossary. The project also pro- Research Institute at the University of Sheffield vides details of on-going research activity in (http://hri.shef.ac.uk/rva*) is the result of three the field: these include the work of various years of AHRB-funded labour (2000–2003) by team members in writing articles, delivering a team of individuals from the Universities of papers and also running a commemorative Exeter and Sheffield, the British Library, and conference at the University of Exeter in the National Library of Russia.1 Russian Visual September 2003 (Art Criticism, 1700–1900: Arts, 1800–1913 is a compendious electronic Emergence, Development, Interchange in archive consisting of four sub-archive areas: a Eastern and Western Europe). textbase of approximately 100 primary texts, in There were several sources of inspiration Russian and in many cases in English transla- -
Download Singapore Portraits Educators Guide For
Singapore Portraits Let The Photos Tell The Story Singapore Portraits is a tribute to some of Singapore’s most creative personalities. It features the works of and interviews with local artists which together tell the story of Singapore through their words and images. Besides the paintings and photographs, write-ups detailing the background of the artwork, social and historical contexts and artist biographies are also included. < for Primary School Students> Educators’ Guide Education and Community Outreach Division SG Portraits About The Exhibition Generations of Singapore artists and photographers have expressed themselves through art, telling stories of our nation, our history, people and their ways of lives. This exhibition looks at how Singapore has inspired art-making and what stories art tells about Singapore. Art in Singapore Drawn by the prospect of work in the region’s new European settlements, artists began to arrive here as early as the late 18th century. By the early 20th century, immigrant artists were forming art societies and the first school in Singapore, the Nanyang Academy of Fine Arts, was established in 1938. Among the most significant artists from the pioneering generation were Cheong Soo Pieng, Chen Chong Swee, Liu Kang, Chen Wen His, Georgette Chen and Lim Cheng Hoe. They were instrumental in establishing the Nanyang Style, the first local art style that emerged in the 1950s. Their work influenced younger generations of artists who followed in their footsteps to explore fresh ways of expressing local identity and local relevancy through their art. Take some time to share with students the importance of appreciating Art and the Arts that can help in their overall development. -
Hotel Address Postal Code 3D Harmony Hostel 23/25A Mayo
Changi Airport Transfer Hotel Address Postal Code 3D Harmony Hostel 23/25A Mayo Street S(208308) 30 Bencoolen Hotel 30 Bencoolen St S(189621) 5 Footway Inn Project Chinatown 2 227 South Bridge Road S(058776) 5 Footway Inn Project Ann Siang 267 South Bridge Road S(058816) 5 Footway Inn Project Chinatown 1 63 Pagoda St S(059222) 5 Footway Inn Project Bugis 8,10,12 Aliwal Street S(199903) 5 Footway Inn Project Boat Quay 76 Boat Quay S(049864) 7 Wonder Capsule Hostel 257 Jalan Besar S(208930) 38 Hongkong Street Hostel 38A Hong Kong Street S(059677) 60's Hostel 569 Serangoon Road S(218184) 60's Hostel 96A Lorong 27 Geylang S(388198) 165 Hotel 165 Kitchener Road S(208532) A Beary Best Hostel 16 & 18 Upper Cross Street S(059225) A Travellers Rest -Stop 5 Teck Lim Road S(088383) ABC Backpacker Hostel 3 Jalan Kubor (North Bridge Road) S(199201) ABC Premier Hostel 91A Owen Road S(218919) Adler Hostel 259 South Bridge Road S(058808) Adamson Inn Hotel 3 Jalan Pinang,Bugis S(199135) Adamson Lodge 6 Perak Road S(208127) Alis Nest Singapore 23 Robert Lane, Serangoon Road S(218302) Aliwal Park Hotel 77 / 79 Aliwal St. S(199948) Amara Hotel 165 Tanjong Pagar Road S(088539) Amaris Hotel 21 Middle Road S(188931) Ambassador Hotel 65-75 Desker Road S(209598) Amigo Hostel 55 Lavender Road S(338713) Amrise Hotel 112 Sims Avenue #01-01 S(387436) Amoy Hotel 76 Telok Ayer St S(048464) Andaz Singapore 5 Fraser Street S(189354) Aqueen Hotel Balestier 387 Balestier Road S(029795) Aqueen Hotel Lavender 139 Lavender St. -
Shaping Visions Unites Expressions of Lived and Natural Environments by Five Celebrated Cultural Medallion Recipients
PRESS RELEASE STPI Gallery’s Annual Special Exhibition Shaping Visions unites expressions of lived and natural environments by five celebrated Cultural Medallion recipients Opens to Public: Sunday, 27 Sep – Sunday, 15 Nov 2020 STPI Gallery Free Entry Shaping Visions STPI Gallery is delighted to present its Annual Special Exhibition 2020, Shaping Visions. This year, STPI proudly looks close to home with its selection of five extraordinary artists in Singapore: the late master of Chinese ink Chua Ek Kay; pioneering collage artist Goh Beng Kwan; leading sculptor Han Sai Por; seminal performance artist Amanda Heng; and renowned watercolour painter Ong Kim Seng. Shaping Visions marks the first time these distinguished practitioners — who have each been awarded The Cultural Medallion, the nation’s highest honour for arts and culture practitioners — exhibit together, in an ode to their immense artistic contributions. A testimony of artistic sensibilities and achievements across time Shaping Visions unites each artist’s distinct depictions showcases each artist’s trail-blazing style and expert of natural and built environments, shedding light command of media and materials. As the artists hail on personal reflections of and postures towards an from backgrounds that are largely not printmaking- evolving society. centric, the exhibition will feature a diverse range of expressions that invite moments of pause, suspension By bringing together existing, signature pieces as well and perception. as print-based works produced during their respective residencies -
Tariff Schedule of Singapore (Hs2012)
TARIFF SCHEDULE OF SINGAPORE (HS2012) Tariff Line Description Base Rate Staging Year 1 and Category subsequent years 01 Live animals 01.01 Live horses, asses, mules and hinnies. - Horses : 0101.21.00 - - Pure-bred breeding animals 0% EIF 0% 0101.29.00 - - Other 0% EIF 0% 0101.30 - Asses: 0101.30.10 - - Pure-bred breeding animals 0% EIF 0% 0101.30.90 - - Other 0% EIF 0% 0101.90.00 - Other 0% EIF 0% 01.02 Live bovine animals. - Cattle : 0102.21.00 - - Pure-bred breeding animals 0% EIF 0% 0102.29 - - Other: 0102.29.10 - - - Male cattle (including oxen) 0% EIF 0% 0102.29.90 - - - Other 0% EIF 0% - Buffalo : 0102.31.00 - - Pure-bred breeding animals 0% EIF 0% 0102.39.00 - - Other 0% EIF 0% 0102.90 - Other: 0102.90.10 - - Pure-bred breeding animals 0% EIF 0% 0102.90.90 - - Other 0% EIF 0% 01.03 Live swine. 0103.10.00 - Pure-bred breeding animals 0% EIF 0% - Other: 0103.91.00 - - Weighing less than 50 kg 0% EIF 0% 0103.92.00 - - Weighing 50 kg or more 0% EIF 0% 01.04 Live sheep and goats. 0104.10 - Sheep: 0104.10.10 - - Pure-bred breeding animals 0% EIF 0% 0104.10.90 - - Other 0% EIF 0% 0104.20 - Goats: 0104.20.10 - - Pure-bred breeding animals 0% EIF 0% 0104.20.90 - - Other 0% EIF 0% 01.05 Live poultry, that is to say, fowls of the species Gallus domesticus, ducks, geese, turkeys and guinea fowls. - Weighing not more than 185 g: 0105.11 - - Fowls of the species Gallus domesticus: 0105.11.10 - - - Breeding fowls 0% EIF 0% 0105.11.90 - - - Other 0% EIF 0% 0105.12 - - Turkeys: 0105.12.10 - - - Breeding turkeys 0% EIF 0% 0105.12.90 - - - Other -
Brother Joseph Mcnally P
1 Design Education in Asia 2000- 2010 Exploring the impact of institutional ‘twinning’ on graphic design education in Singapore Simon Richards Z3437992 2 3 Although Singapore recently celebrated 50 years of graphic design, relatively little documentation exists about the history of graphic design in the island state. This research explores Singaporean design education institutes that adopted ‘twinning’ strategies with international design schools over the last 20 years and compares them with institutions that have retained a more individual and local profile. Seeking to explore this little-studied field, the research contributes to an emergent conversation about Singapore’s design history and how it has influenced the current state of the design industry in Singapore. The research documents and describes the growth resulting from a decade of investment in the creative fields in Singapore. It also establishes a pattern articulated via interviews and applied research involving local designers and design educators who were invited to take part in the research. The content of the interviews demonstrates strong views that reflect the growing importance of creativity and design in the local society. In considering the deliberate practice of Singaporean graphic design schools adopting twinning strategies with western universities, the research posits questions about whether Singapore is now able to confirm that such relationships have been beneficial as viable long-term strategies for the future of the local design industry. If so, the ramifications may have a significant impact not only in Singapore but also in major new education markets throughout Asia, such as the well-supported creative sectors within China and India. -
The Artistic Adventure of Two Bali Trips, 1952 and 2001
Wang Ruobing The Quest for a Regional Culture: The Artistic Adventure of Two Bali Trips, 1952 and 2001 Left to right: Liu Kang, Cheong Soo Pieng, Luo Ming, Ni Pollok, Adrien-Jean La Mayeur, Chen Chong Swee, Chen Wen Hsi, 1952. Courtesy of Liu Kang Family. iu Kang (1911–2004), Chen Wen Hsi (1906–1991), Cheong Soo Pieng (1917–83), and Chen Chong Swee (1910–1986) are four Limportant early artists of Singapore. They were born in China and emigrated to what was then called Malaya before the founding of the People’s Republic of China.1 In 1952, these four members of the Chinese diaspora went to Bali for a painting trip. Struck by the vibrant scenery and exoticism of Balinese culture, on their return they produced from their sketches a significant amount of artwork that portrayed the primitive and pastoral Bali in a modernist style, and a group exhibition entitled Pictures from Bali was held a year later at the British Council on Stamford Road in Singapore. This visit has been regarded as a watershed event in Singapore’s art history,2 signifying the birth of the Nanyang style through their processing of Balinese characteristics into a unique “local colour”—an aesthetic referring to a localized culture and identity within the Southeast Asian context. Their Bali experience had great significance, not only for their subsequent artistic development, both as individuals and as a group, but also for the stylistic development of Singaporean artists who succeeded them.3 Vol. 12 No. 5 77 Exhibition of Pictures from Bali, British Council, Singapore, 1953. -
International Scholarly Conference the PEREDVIZHNIKI ASSOCIATION of ART EXHIBITIONS. on the 150TH ANNIVERSARY of the FOUNDATION
International scholarly conference THE PEREDVIZHNIKI ASSOCIATION OF ART EXHIBITIONS. ON THE 150TH ANNIVERSARY OF THE FOUNDATION ABSTRACTS 19th May, Wednesday, morning session Tatyana YUDENKOVA State Tretyakov Gallery; Research Institute of Theory and History of Fine Arts of the Russian Academy of Arts, Moscow Peredvizhniki: Between Creative Freedom and Commercial Benefit The fate of Russian art in the second half of the 19th century was inevitably associated with an outstanding artistic phenomenon that went down in the history of Russian culture under the name of Peredvizhniki movement. As the movement took shape and matured, the Peredvizhniki became undisputed leaders in the development of art. They quickly gained the public’s affection and took an important place in Russia’s cultural life. Russian art is deeply indebted to the Peredvizhniki for discovering new themes and subjects, developing critical genre painting, and for their achievements in psychological portrait painting. The Peredvizhniki changed people’s attitude to Russian national landscape, and made them take a fresh look at the course of Russian history. Their critical insight in contemporary events acquired a completely new quality. Touching on painful and challenging top-of-the agenda issues, they did not forget about eternal values, guessing the existential meaning behind everyday details, and seeing archetypal importance in current-day matters. Their best paintings made up the national art school and in many ways contributed to shaping the national identity. The Peredvizhniki