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Home , A Gathering of Eagles, Blaze of Noon, Buck Benny Rides Again, Dance in film, Hands Across the Table, Henry Bumstead

Index to Academy Oral Histories

Henry Bumstead (Art Director) Call number: OH155 Aaris, H. Barkely, 802, 816 AARON SLICK FROM PUNKIN CRICK, 278–281 AARON SLICK FROM PUNKIN CRICK (play), 281 ABSOLUTE POWER, 738–748, 752 , 29, 37–38, 67, 84, 89, 114, 124, 168, 178, 254, 287, 318, 379–381, 384, 407, 426, 432, 439–441, 450, 466, 502, 530, 532, 559, 565–566, 584–587, 620, 687, 703, 707-709, 736, 747, 769–770, 810, 812, 815-817, 827 Academy Center for Motion Picture Study see Margaret Herrick Library Academy of Motion Picture Arts and Sciences, 29, 37–38, 47, 62–63, 132–133, 159– 162, 172, 271, 466, 596, 598, 671, 797 Academy Samuel Goldwyn Theater see Samuel Goldwyn Theater “Ac-cent-tchu-ate the Positive" (song), 214 accounting departments, 688 acting, 57–58, 127–128, 132, 141, 156–157, 203, 222, 265, 284, 334, 357–361, 404, 413–414, 430, 434–435, 525, 551, 561, 564, 575, 577, 604, 608, 622, 635, 649–653, 659–660, 666–667, 671, 675, 680, 685–686, 702, 708, 723, 735–736, 762, 780–781, 787–788, 803, 809–810, 824–825, 827–828 Adams, Terry, 730 Adee, Richard, 698 ADVENTURE ISLAND, 118 THE ADVENTURES OF NICK CARTER (television), 546–548 advertising, 432, 633, 764 aerial cinematography, 160–162, 209, 322–323, 443, 631 African-Americans, depiction of, 265, 440 African-Americans in the industry, 685, 778, 782 THE AGE OF INNOCENCE, 21 ageism, 344, 736–737, 750–752, 787, 829–830, 833 agents, 452–453, 500–501, 522–523, 566, 569, 582–584, 690, 736, 753 Aherne, Brian, 167 Aiona, Edward, 710, 721, 747 Air France (airline), 299 aircraft, 626-633, 793-794 AIRPLANE! 632 airplanes in , 160–162, 171, 180, 186–188, 209, 221, 224–225, 315, 319, 323–324, 397, 441–444, 455, 528–529, 576–582, 626–633, 646–648, 657, 705, 768–769, 781– 794 AIRPORT, 318, 502 Akademie de Kunst (Berlin), 67, 704 Alameda Naval Air Station (), 773, 776–777 Alberghetti, Anna Maria, 292 Albiez, Peter, 631 Albion Film Corporation, 487 alcohol in films, 119, 239, 295, 417, 501, 593, 597–598, 619 Alda, Alan, 618–619 Alexander, James R., 549, 594 Alfer, Yarek, 671 Alford, Phillip, 434 ALICE ADAMS, 20 ALICE IN WONDERLAND, 78 ALL QUIET ON THE FRONT, 100 ALL THAT HEAVEN ALLOWS, 427 Alland, William, 398 Allen, Dede, 603, 653 Allen, Fred, 137, 150–151 ALLONS Z'ENFANTS, 635 ALMOST AN ANGEL, 384–385, 687–690 ALOMA OF THE SOUTH SEAS, 88–89 American Broadcasting Company (ABC), 514 American Building Survey,, 85 American Federation of Radio Artists, 65 , 158–159 American Movie Classics (AMC), 385 American Society of Cinematographers (ASC), 537 Ames, Preston, 381, 502 THE AMOS N' ANDY SHOW (radio), 265 THE AMOS N' ANDY SHOW (television), 265 Ampah, Kokayi, 39, 440, 685, 778, 782, 816, 818 amusement parks, 608–613 Anderson, Eddie "Rochester," 137–138, 151 Anderson, John, 478 Anderson, John H., 763, 768 Anderson, Judith, 260 Anderson, Lloyd, 524, 582 Anderson, Roland, 27, 64, 69–72, 77, 87, 90, 113–114, 125, 130–132, 135–139, 142– 144, 150–152, 167–168, 172–173, 176, 182–185, 190, 200, 208, 213–218, 228, 241, 250–251, 441, 524 Anderson Supply (production services), 266 THE ANDROMEDA STRAIN, 81 “Andy Gump" (cartoon), 15 ANGEL, 24–25, 43, 54, 114–116 animal actors, 124–125, 258, 266–270, 474, 492 animal trainers, 269, 492 , 35–36, 123, 370–371, 677 Ankrum, Morris, 265 ANNE OF GREEN GABLES (1934), 21

anti-Semitism, 264, 270, 318, 354, 403, 455, 568 THE APARTMENT, 208 Apogee Productions (effects), 685 Apone, Allan, 791 Appleby, James, 648 architecture, 85, 89, 140–141, 202, 278, 291, 403, 497, 648 architecture and film, 17–25, 45, 89, 105–106, 140–141, 173, 202, 278, 403, 412–413, 492, 648 Arensma, John Datu, 420 ARIZONA (1940), 261 THE ARIZONIAN, 21 Armand, Edward, 454 Armstrong, Michael Mick, 800 Arnold, Edward, 272 Arnold, Susan, 662 art departments, 18–91, 125–126, 138–139, 154–155, 190, 199–202, 220–221, 236, 246–247, 278, 297–298, 313, 330, 411–412, 420, 425–426, 450, 481, 519–520, 625, 644, 705, 748 art direction, 18–8 Art Directors Guild, 36–38, 56, 305–306, 385, 433–434, 770, 831 Art Institute of Chicago, 54 Arthur, Robert , 411–416, 421, 446, 458, 469, 517 AS YOUNG AS WE ARE, 398–399 Asher, Irving, 294 Ashmore, Ron, 730, 764 assistant directing, 17, 41, 170, 177, 213, 220, 234–235, 329, 414–418, 421–422, 447, 453–454, 460, 471, 478, 488-490, 494, 546, 567, 581-583, 594–596, 603, 618, 623, 643, 658, 662, 665, 677–678, 693, 710, 715, 722, 747, 780, 794, 798 Astaire, Fred, 20, 184 Astor, Bill, 471 Astoria studios (New York City), 646 attorneys in motion pictures, 285 attorneys in motion pictures see also litigation AUNTIE MAME, 380–381 Austin, John, 506, 508 Austin, Scott, 800 automobiles in films, 110–111, 430, 477-480, 493, 503, 567, 592–593, 600–601, 643, 723–724, 731, 753, 757 Avedon, Richard, 337 , 769 Axness, Ralph, 400

Babcock, Faye, 355–356 Bachelin, Franz, 90, 135, 182, 233–234 Bachler, Richard, 153 backlots, 74, 79, 83, 92–98, 102, 104, 117, 197, 219, 238, 252, 261–262, 390, 423, 431, 448, 457–461, 495–496, 499, 504, 516, 557–558, 563, 567, 595, 665, 726, 749, 821– 822 Bacon, Kevin, 817 BAD DAY AT BLACK ROCK, 533 Badham, Mary, 434–435 Baer, Parley, 689 Bailey, Pearl, 336, 338 THE BAITED TRAP see THE TRAP Balaban, Barney, 173 Balaban and Katz (theater chain), 45–46, 278 in films see in film; Ballew, Jerry, 582 Balling, John, 654 Bangs, Cate, 756–757, 764 Banks, Seth, 428 Bannerman, Bill, 747 BANNING, 482–485 Banton, Travis, 115 Bardot, Brigitte, 634 Barish, Keith, 679 Barndollar, Harry, 276 Barnes, George, 295–296 Barnett, Celia, 657 Barrandov studios (Czechoslovakia), 524 Barron, Jack, 594 Barry, William A., 688, 788, 798 Barsacq, Leon, 440 Bartlett, Sy, 443 Barwood, Hal, 660 baseball, 269–271 Basie, William "Count," 393–394 Bass, Elaine, 700 Bass, Saul, 370–371, 681–682, 700 Bates Lake (California), 97 BATTLESTAR GALACTICA, 613 Bauer, Frank, 512 Baumgartner, Karl, 659 Bavaria Studios (Munich), 655, 659 (California), 442–443 Beaton, Cecil, 337, 381 Beatty, Warren, 458 BEAU GESTE (1966), 473–475, 479 Beckerman, Sidney, 536 Becket, Welton, 18 Becket and Associates (architects), 18 BECKY SHARP, 20

Bedoya, Alfonso, 240 Beer, Dickey, 658 Bel Geddes, Barbara, 681 Bel-Air Bay Club (Santa Monica), 15 Belding, Richard, 547 Belin, Steve, 764 BELL, BOOK AND CANDLE, 380 Bellah, Ross, 406 Bellamy, Earl, 494, 512 THE BELLBOY, 394, 397–406 Bendix, William, 243 Bennett, Compton, 233–234 Bennett, Guy, 213, 239 Benny, Jack, 137, 150–151 Benson, Hugh, 575 Benson, Robby, 653 Benton, Robert R., 397–398, 404 Beresford, Bruce, 678–679, 727 Berg, Dick, 482–483 Berg, Gertrude, 263–264 Berger, Stephen Myles, 730, 733 Beringer, Carl, 453, 546 Berman, Bruce, 809 Bernard, Thelonious, 635 Bernstein, Elmer, 428–429, 603, 690 Bertrand, Robert, 560 Berwick, Ray, 492 Bespflug, Lynn, 715 THE BEST LITTLE WHOREHOUSE IN TEXAS, 645 THE BEST LITTLE WHOREHOUSE IN TEXAS (play), 644–645 THE BEVERLY HILLBILLIES (television), 396–397 Beverly Hills Waterworks Building see Margaret Herrick Library BEYOND THE BLUE HORIZON, 88 BEYOND THE SEA, 762 Biddle, Mary Ann, 628 THE BIG BROADCAST OF 1938, 74, 121–125 THE BIG CLOCK, 218 BIG SISTER BLUES (short), 232 Bill, Tony, 557, 567 Billancourt studios (Paris), 634–636 billing Productions, 249 Binyon, Claude, 278–279 biographical films, 66, 196-202, 211-212 BIRD, 762 Bird, Larry Clark, 662 THE BIRDMEN (television), 514 THE BIRDS, 446 Biroc, Joseph, 454, 575 Black, Karen, 590 Blackie-Goodine, Janice, 103, 710 blacklisting, 284–285, 389, 496, 501–502, 620–621 Blake, Robert, 30 Blangsted, Folmar, 464 Blasdel, Bradley, 798 films BLAZE OF NOON, 71 blind-booking BLINDFOLD, 469–473 block-booking BLOOD WORK, 39, 772–773, 778-790, 794–804 BLUE HAWAII, 78 BLUE SKIES, 214 Blyth, Ann, 249 Bodner, Bruce, 670 BOEING, BOEING, 78 Boggs, Haskell, 213, 339–340, 386–387, 393, 398 Boileau, Pierre, 69 (television), 339 Bondi, Beulah, 260 Boone, Richard, 463 Booth, Shirley, 287 Bornstein, David, 747 Bosley, Tom, 486 Bottoms, Timothy, 615 Bowles, Phil, 453–454 Box, John, 439 boxing, 339–340, 817–827 Boyd, Russell, 687 Boyd, William, 95 Boyle, Brandon, 799 Boyle, Robert, 17, 51, 73–74, 77, 132–133, 557, 563, 597, 645 Brackett, Charles, 156 Bradbury Building (), 207 BRAM STOKER'S DRACULA, 382 Brand, Neville, 547 Brando, Marlon, 23, 141 THE BRASS BOTTLE, 446–448, 450–451, 453 BREAK OF HEARTS, 21 BREAKING THE SOUND BARRIER, 502 Brentwood Productions, 421 THE BRIDGE ON THE RIVER KWAI, 502

THE BRIDGES AT TOKO-RI, 100, 123, 164, 230, 318–323, 325–329, 337, 439, 491, 745, 784 The Bridges at Toko-ri (book), 318 BRIDGES OF MADISON COUNTY, 727 Brill, Bud, 387, 398 Bristol, Howard, 428 Bristol, Joe, 756 Bristol, Mark Lambert, 730 Bronson, Tom, 494, 603 Brosnan, Brian, 685 BROTHER SUN, SISTER MOON, 565 Brower, Robert, 145, 241, 546 Brown, David, 557 Brown, Frank L., 688 Brown, Garry, 730 Brown, Hugh, 232 Brown, Mark, 759 Brown, Robert Latham, 626, 662 Brown, Russ, 177 Broyles, William Jr., 825 Brundin, Bo, 580 Bryant, Kenneth, 765 THE BUCCANEER (1938), 65–66 THE BUCCANEER (1959), 65–66 Buck, J. Stephen, 678 Buck, Ronald, 652 , 68, 71, 136–139, 150–151 Buckland, Wilfred, 63 Budak, Zoran, 677 budgets, 29, 34, 39–40, 44, 48–49, 74, 82, 91, 98, 100–103, 117–118, 164–167, 175- 177, 194, 213, 225–228, 248, 257, 259, 294–298, 303–304, 312, 322, 325, 333, 339– 340, 356, 384–386, 411–412, 415, 427, 463–464, 473–476, 487–488, 513, 517–521, 534, 539, 559–562, 587, 641-643, 661–664, 696, 703, 716, 742, 768–771, 814 BULL DURHAM, 720 BULLDOG DRUMMOND, 86 “Bulldog Drummond" (film series), 86 BULLET FOR A BADMAN, 453–455 Bumstead, _____ (father), 11–12, 14 Bumstead, _____ Langaman (mother), 12 Bumstead, Ann (daughter), 33 Bumstead, Betty Martin (wife), 32–33, 395, 425 Bumstead, Ellen (sister), 11, 14 Bumstead, Henry, childhood, 11–13, 49–51 education, 11–19 and athletics, 13–16 as draftsman, 26–218 and U. S. Navy, 181–182, 190–191, 216–218 joins , 405–408 and Academy Awards, 380–383 art direction of Academy Awards, 1974, 584–587 as actor, 525, 675, 797 Bumstead, Lena Stivers (wife), 33, 42, 306, 309, 356, 459, 704 Bumstead, Marty (son), 33 Bumstead, Richard (brother), 11, 299 Bumstead, Robert (son), 33 Bumstead, Steven (son), 33 Bumstead Sporting Goods (Ontario, California), 11–12 Burbank, Monroe W., 241, 294 Burian-Mohr, Christopher, 768, 770 Burks, Ivyl, 216 Burks, Robert, 25, 30, 245, 342, 345–346, 350, 357, 362–364, 373, 408, 589 Burnett, Carol, 571 Burrell, Peter, 603, 623, 642 Burton, Louis Odell, 631 Busch, Niven, 261 Busch Gardens (Pasadena), 250 BUTCH CASSIDY AND THE SUNDANCE KID, 30, 497, 524, 565 Butler, David, 191

Cabana, Robert D., 324, 784 THE CABINET OF DR. CALIGARI, 66–67 Caffey, Frank, 100, 177, 387, 398 Caffey, Michael, 398 Cagmey, James, 128, 203, 328–329 Cain, Lyle, 512 Calabrese, Michael, 698 CALIFORNIA, 72 California Coastal Commission, 31, 616 California National Guard, 480 California studios see Raleigh studios Callaghahn, Duke, 471 Calvert, Phyllis, 233 cameras, 291, 308, 336–338, 419–420, 542–543, 606–607, 692, 706, 716, 725 Cammer, Judy, 670–671 Camp, Art, 239 Cannon, Dyan, 456, 458 Caparros, Ernesto, 491 CAPE FEAR (1991), 330, 691–698, 700, 832 CAPE FEAR (1962), 690 capital punishment in films, 781 Capp, Al, 42, 335

Capra, Frank, 283 Cardinale, Claudia, 471–472 Carey, MacDonald, 243, 254 Carfagno, Edward, 17, 53, 441 Carlson, Jeff, 600 Carlson, Steve, 600 Carney, Art, 623, 641–642 Caron, Leslie, 457–458 carpenters, 220, 237, 428, 434, 447, 464, 471, 491–494, 522, 550-552, 562, 611, 648– 649, 662, 664, 670, 673, 677, 684, 688, 698–699, 705–706, 710–711, 721, 730–731, 738, 743, 747, 767–768, 773, 775, 789, 799–800, 816 Carroll, Katie, 814 Carroll, Madeleine, 179 Carson, Jack, 151 Cartmel, Pam, 830 cartoonists, 15, 21–22, 42, 78, 335 Cartwright, John, 684 Casa de Grande Auditorium (Los Angeles), 823 CASABLANCA, 25, 259, 284, 344, 388–389 Cassara, Carl, 788 casting, 47, 201, 265, 353, 360, 430–431, 435, 444, 472, 474, 489, 502–503, 507, 524– 525, 538–539, 564, 570–571, 608, 614, 646, 649–651, 655, 659–662, 668, 674–675, 689, 736, 743, 780–781, 809, 826 THE CAT AND THE CANARY, 134 THE CAT IN THE HAT, 243 CATCH ME IF YOU CAN (2002), 410–411 Caulfield, Joan, 272 Cavens, Fred, 345 Celle Qui n'Etait Plus (book), 68–69 censorship, 120–121, 471–472, 501–502 Center for Advanced Film Studies see American Film Institute Central Artery/Tunnel Project (Massachusetts), 811 Century City (Los Angeles), 46 A CERTAIN SMILE, 380 Chaffey, George, 50 Chaffey High School (Ontario, California), 11 CHAMPAGNE , 74 Champoux, James, 815 Chandler Group, The (effects), 685 Chaney, Lon, 98 CHAPLIN, 382 Chaplin, Charles, 138 Chapman, Pat, 757 THE CHARGE OF THE LIGHT BRIGADE, 344 Chase, Chevy, 667 Chatten, Vic, 173 Cherubino, Michael, 642 Chester, Hal, 485, 487 child actors, 302–303, 434–435, 457, 633–638, 674, 718, 728, 738, 753, 758 Childress, Alvin, 265 choreography, 122–124, 184 Chouinard Art Institute (Los Angeles), 17 Chraibi, Abdelhaq, 350 Christie, Howard, 493 Churchill, Patricia, 791 CINDERFELLA, 91, 146, 242–243, 393–399, 406 Cinecitta (Rome), 344, 388, 414, 704 CinemaScope (widescreen system), 416 cinematography, 29–30, 56–61, 71, 76, 79–81, 96, 104, 106–109, 115–116, 121, 126– 127, 134–135, 141–142, 144–150, 160–161, 170-172, 175–176, 194, 199, 202–203, 206–207, 213, 220, 224, 228–231, 239, 241–245, 250–253, 258–265, 271–273, 286– 291, 295–297, 306-310, 316–323, 328, 332, 336, 339–342, 346–347, 352–353, 362– 365, 387, 390, 393, 408, 413–420, 427, 432, 437, 445–447, 450, 454, 459, 468–471, 479, 484, 491, 494, 496–497, 523, 528–531, 536–537, 544–545, 552-554, 559, 568– 570, 573–577, 581, 589, 599, 606–607, 612–617, 620, 624–628, 650, 652, 655, 661, 668, 673–674, 678–679, 684–687, 692–695, 699, 705, 713, 724–728, 742–743, 746, 755–756, 767, 771, 791–795, 815, 825 Claridge's (London), 378 Clark, Susan, 567–568 Clark, Virgil, 471 Clatworthy, Robert, 89, 98, 110 Cline, William, 239 Clinton, Bill, 744 Clooney, Rosemary, 292 Close, Glenn, 459, 647, 651 Clouzot, Henri-Georges, 68–69 Cobb, Lee J., 390 COCOANUT GROVE, 86 Coffey, Gerrard, 747 Cohn, Harry, 360–361 Colbert, Claudette, 57–58, 167 Coleman, Carl, 239 Coleman, Charles C., 170, 213, 390 Coleman, Herbert, 177, 358, 364, 377–378, 502 Colgate University (New York), 600 Colla, Richard, 515 COLLEGE RHYTHM, 86 Colman, Ben, 515 Colmenaro, Jack, 730 colorization Colossal (ship), 122 Columbia (aircraft), 793–794

Columbia Broadcasting System (CBS), 265 , 55, 89, 98, 175, 451 Colvig, Helen, 494 Colvin, Carl, 177 COME BACK, LITTLE SHEBA, 43, 285–291, 339 , 30, 343, 408, 413–416, 426 comedy films, 146, 157–158, 194, 215, 243, 247–249, 306–307, 354–355, 394–396, 401–406, 447, 453, 473, 487, 569–575, 621–626, 632–633, 639–644, 667–672, 678– 687, 752–760 Comer, Sam, 28, 152–153, 177, 199, 230, 256, 345 commercials see advertising Communism, 284–285, 292, 496, 501–502, 529 computers in films, 140–142, 785–786, 790–791, 816 CONCORDE: AIRPORT '79, THE, 615, 626–630, 632–633, 660 Conference of Studio Unions (CSU), 36, 238 Confidential (magazine), 388–389 Connolly, Joe, 765 Conrad, Robert, 547 construction see carpenters contracts, 48–49, 190–191, 227, 284, 288, 453, 484–485, 512, 517–518, 601, 637–639, 645, 727 Cook, Elisha Jr., 546 Cook, Tommy, 612 Cooper, Gary, 146, 201 Cooper, Louis R., 665 Copham, Phil, 16 Coppola, Francis Ford, 718 Corbin, Lisa, 748 Corey, Jeff, 546 Corey, Wendell, 259 Corman, Gene, 476 Cornell, John, 384, 687 Correll, Charles, 265 Cosby, Bill, 685 Cosper, Skip, 494 Costner, Kevin, 718, 720, 723 costume design, 121, 145–146, 169, 245, 294, 331, 334–335, 352, 436–438, 447-449, 475, 484, 490–491, 494, 498, 502, 510, 559, 567–568, 582, 594, 603, 623, 646, 649, 671, 676, 679, 687–688, 718, 722, 757, 784, 791, 794, 802–803, 814, 829 costume design see also wardrobe Cotten, Joseph, 214 Court Productions, 468 Cox, Joel, 350–351, 747, 760, 815, 828 Cox, Margaret, 776 craft services, 656, 742, 749 cranes and dollies, 119, 321, 406, 606–607 Crawford, Broderick, 547, 637 Crawford, Robert, 557, 582, 602–603, 657, 669–670 credits, 190, 220–221, 233–234, 284–285, 317, 421–422, 425–426, 428, 432–436, 445– 446, 461, 468, 481–482, 557, 575–576, 677, 722, 731, 736–737, 740, 785, 826, 829, 834 Crenna, Richard, 575 Crest Theatre (Los Angeles), 530 Cristides, Robert, 634 Cromwell, Dean, 15 Cronenweth, Jordan, 569–570, 574 Cronyn, Hume, 647 Crosby, Bing, 46, 75, 97, 101, 156, 182-184, 192, 214, 249, 269–270, 295, 298–300, 436 Crosby, Dixie Lee, 295, 300–301 Cross, Kevin, 756–757 Cross, Leonard, 684, 688 Crouse, Lindsay, 605 Crowley, Pat, 309 Crowley, Robert, 698 CRYSTAL BALL, 72 Cuevas, Robert, 698 Cummings, Irving, 170 Cummings, Robert, 83 Cundey, Dean, 661 Cunningham's (nautical outfitters), 114, 136 Curtiz, Michael, 25, 93, 96, 184, 341–345, 387–389, 462, 477, 693 Cusack, John, 761 Cutler, Bernie, 642–643, 684, 687

Daigler, Gary, 623, 665 dailies, 76, 189–190, 229, 250, 344, 388 Daily Trojan (newspaper), 21 Daley, Robert, 536, 548–549, 551 Dalzell, Archie, 239 dance in films, 75, 122–124, 184 Daniels, William, 413–414, 416 Darin, Bobby, 413 DAS BOOT, 659 Daugherty, Herschel, 541 Davidson, William, 400 Davis, George, 337, 441 Davis, James M, 688 Davis, Judy, 739 Davis, Sammy Jr., 360–361 Day, Cora, 728 Day, Dennis, 137

Day, Don, 728 Day, Doris, 348 Day, Francisco "Chico", 229, 266, 329 THE DAYS OF WINE AND ROSES, 440 De Fina, Barbara, 690, 693–694, 696 de Lamothe, Francois, 633–635, 642 De Mille, Cecil B., 27, 42, 57, 59, 63–66, 77, 80, 92, 111, 113, 123–131, 142–144, 147, 155, 172–174, 177–178, 196, 199–202, 219, 241, 250–253, 256, 294, 701 De Mille Productions, 64 De Mille, Richard, 201 De Niro, Robert, 693–694 DEAR BRAT, 271–272 , 86, 271–272, 336 DEAR WIFE, 86 , 74 DeCinces, William D., 643–644 Dee, Sandra, 413 Dekker, Albert, 150, 201, 260 Deland, C. Kenneth, 213 Delon, Alain, 659–660 Deluise, Dom, 489 Demara, Ferdinand, 24 Deming, Norman, 464 DEMONIAC, 69 Dena Productions, 314 Denes, Jeff, 802 Dennehy, Brian, 732 DePatis, Robert, 662, 664, 670, 678 Derek, John, 340 Dern, Bruce, 593 DeSylva, Buddy, 215 Detlie, John, 53 Devane, William, 590 Devonshire Downs (Northridge), 308 Devore, Sy, 402 DeWolfe, Billy, 272 Dexter, Brad, 472 Diamond, I. A. L., 156, 208–210, 573 DIAMOND IN THE HAYSTACK see TOP O' THE MORNING Dieterle, William, 206 Dietrich, Marlene, 25, 279 digital video discs (DVD), 62 Dillin, Keith, 165, 722, 724, 816 Dillon, Melinda, 605 Dillon, Patricia, 730 Dillow, Lee, 688 directing, 35, 38–40, 44–47, 59, 100, 125, 127, 146, 153–157, 163–164, 208, 210, 222, 227, 229, 231, 233, 248–249, 254, 262, 273, 277, 290–291, 311, 317–320, 323, 328- 330, 334, 338–339, 342–344, 347, 352–355, 371, 384–388, 395–396, 418, 421, 430, 433–434, 455, 462-464, 470, 472, 487, 490, 493–496, 502, 515, 518, 525–526, 533, 540, 548, 551–554, 559, 568-570, 600, 614–622, 625–628, 636, 639–640, 645, 649– 653, 656, 660, 664, 666, 672, 675, 678–679, 684–687, 690, 692–697, 700–705, 709, 715–716, 726–728, 736–741, 745, 750, 762, 774–775, 778–781, 787, 792, 797, 800, 802–803, 810, 812-814, 824–828, 832 Directors Guild of America (DGA), 270, 433 Dirks, Rudolph, 15 disaster films, 608–615, 626–633 Dismukes, Charles, 560 distribution, 530, 627, 638, 728 , 692 Dodds, Edward K., 515 Dodds, William, 447 DODSWORTH, 262 A DOG OF FLANDERS, 21 Domela, Jan, 216, 368, 480 Donlevy, Brian, 161 Donnelly, Kevin, 547 Dorsey, Biddle, 173 Dostoevsky, Fyodor, 53 Dotto, Carlo, 357–358 DOUBLE INDEMNITY, 46, 61, 88, 202–209 Dougherty, Marion, 524–525, 646, 649, 668 Douglas, Haldane, 89–90 Douglas, Melvyn, 233–235 Douglas, Paul, 340 Dowd, Nancy, 602, 605 Dowd, Ned, 602 Dowd, Russ, 270, 287, 298 Doyle, Ken, 815 DR. CYCLOPS, 78-80, 86, 145–150, 216, 321, 453 Dreesen, Tom, 730 Dreier, Hans, 23, 28, 32, 36, 46, 51–58, 61–62, 66, 77–79, 86, 88–89, 92, 101, 114, 133, 135, 139, 154, 168, 176, 179, 202, 216, 221–226, 250, 253, 278–279, 298, 412 DRIVING MISS DAISY, 678 Drumheller, Robert, 647, 691 DuBois, Raoul Pene, 168–169, 172 Duggan, Andrew, 486 Duggan, Pat, 341 Duncan, Andrew, 608 Dunkerley, Ross, 816 Dunkow, Susan, 685 Dunne, Finley Peter, 469

Dunne, Philip, 469–473 Durbin, Deanna, 22 Durkis, Andy, 76 Dutton, Syd, 695 Duvall, Robert, 434, 538, 727 Dyer, Elmer, 161

Earl Hayes Press (props), 102–103 EARTHQUAKE, 613 Eastman, Phil, 239 Eastman Kodak Company, 108–109, 419–420, 447 Eastwood, Allison, 739 Eastwood, Clint, 35, 39–40, 44, 51–52, 93, 139, 156–157, 162, 165, 203, 210, 228, 261, 290, 323–324, 333, 350, 382–383, 433, 533, 536–537, 540–543, 545, 548–555, 562, 685, 702–704, 707–709, 715–719, 722–728, 731-733, 736–747, 750–752, 761–762, 767–768, 771–782, 785–786, 792, 795-797, 800–805, 809–819, 825–829, 832–833 Eastwood, Francesca Ruth, 732 Eastwood, Kimber, 739 EASY LIVING, 74 EBB TIDE, 86, 116–121 Ebert, Roger, 753 Eddie Brandt's (video store), 155 Eden, Barbara, 447 Eden Roc Hotel (Miami), 403 Edens, Alric, 546 editing, 219, 339, 350–351, 375, 387, 434, 464, 472, 482, 491, 501–502, 506, 537, 547– 548, 578, 582, 593, 603, 628, 647, 651-653, 662, 696–697, 747, 760, 781, 826-828 editorial department Edouart. Farciot, 79–80, 109, 126-127, 147, 149, 161, 173, 176, 207, 216, 220–221, 251, 258, 261, 267, 296–297, 328–329, 444–445, 479–480, 484–485 Eisenhower, Dwight, 292 EL CID, 262 EL NORTE, 672 ELEPHANT WALK, 96 Elfand, Martin, 679 Elisofon, Eliot, 468–469 Ell, Gabriel C., 698 Emert, Oliver, 420, 428, 447, 454, 479, 512 emigres to Hollywood, 279 EMMANUELLE, 630 Emshwiller, Susan, 676 ENCHANTED APRIL, 21 Engle, Jann, 764, 776, 799, 815, 830 Enright, Harold III, 677 Epstein, Mel, 263 Erickson, C. O., 166–167, 342, 357–358, 379–380, 398, 815 Ernie's (San Francisco), 357, 591 Ernst, Ken, 335 estimating department see set planning and estimating department Evans, Ray, 279, 294 Evans, Maurice, 464 Evans, Walker, 85 executives, 235–237, 250, 277–278, 297–298, 310, 409, 425–429, 450–451, 464, 467, 472, 488, 679, 801, 832–833 exhibition, 278, 411, 452, 481, 530, 612–613, 627 THE EXORCIST, 566 Expressionism, 66–67 extras, 141–142, 601, 608, 611

F&D Scene Changes (Canada), 103 Facchinetti, Jeff, 688 Fairbanks Center see Margaret Herrick Library Falls, Barbara, 730 Falls, Walter T. III, 730 , 98, 511, 588–593, 596–598 THE FANTASTICKS (play), 281 fantasy films, 30, 231, 369, 501, 522–533, 544, 569, 645–646, 676 Fapp, Daniel, 253, 256, 266, 282, 306, 328, 339, 354, 390, 393 Farentino, James, 464 Fargo, James, 537, 549, 567 Faria, Guy, 683 Farlow, Wayne, 594, 603 Farmer, Frances, 116 Farrow, John, 43, 272–273, 277 fatalities in film production, 209 FATHER GOOSE, 44–45, 455–462 Fatigato, Anthony Joseph, 756 Fazenda, Louise, 48 FEAR STRIKES OUT, 408 Fegte, Ernst, 28, 55, 72–74, 84–85, 121, 135, 139, 152 Feldman, Glen R., 815 Feldman, Milton, 547 Fellows, Robert, 238 Fenton, Leslie, 44, 222–225, 229, 238, 266 Fernstrom, Ray, 445 Ferren, John, 370–371 Ferretti, Dante, 692 Ferro, Matthew, 759 Ferry, April, 687–688 FIBBER MCGEE AND MOLLY (radio), 720 Fields, W. C., 122 Film Booking Office (FBO), 96

film criticism, 633, 675, 795, 810 film editing see editing film equipment sales film laboratories, 109, 146, 244–245, 394 , 203–207 film preservation see preservation, film film schools, 158–159 film stock, 108–109, 144–146, 191, 241–242, 265, 296, 419–420, 432, 447, 460, 546, 725 Fine, Sylvia, 314 Fischbeck, Harry, 121 Fisher, Frances, 732 Fitzgerald. Barry, 249 FIVE GRAVES TO CAIRO, 73 FLAGS OF OUR FATHERS, 703, 812–813, 818, 825–826, 832–834 Flags of our Fathers (book), 703 Flagsted, Kirsten, 124 “Flamingo Feather" (project), 379–380 Flannery, William, 183–184 Fleming, Frank, 764 Fleming, Rhonda, 265 , 20 Fonda, Henry, 152, 615 Fontainebleau Hotel (Miami), 400–401, 403–404 Foote, Horton, 432 FOR WHOM THE BELL TOLLS, 90 Ford, Glenn, 265–266 Ford, John, 813 FOREIGN CORRESPONDENT, 413 foreign-language versions of Hollywood films Foreplay studios, 492 THE FOREST RANGERS, 186–191 Forsyth, Rosemary, 463 Forsythe, John, 507 Four Freedoms address (1942), 198 Fourcade, Christian, 302–303 Fowler, Gene Jr., 384–387 Franchi, Jean, 631 Franciosa, Tony, 494 Francis, Freddie, 678–679, 694–695 Francis, Melvin, 201 FRANCIS OF ASSISI, 344, 388 Frank, Melvin, 41, 313–314, 317–318, 335–336, 390, 392, 699 Frankel, Paul, 22, 27 FRANKENSTEIN, 427 Franklin, Daniel, 683 Frankovich, Michael, 17 Frazier, John, 715, 721, 790, 801–802 Freeman, Mona, 271–272 Freeman, Morgan, 440, 654, 678, 825 Freeman, Y. Frank, 76, 138–139 Freeman, Y. Frank Jr., 387–389 A FREE , 85 French, Andrea, 658 French, Donald, 658 FRENCHMAN'S CREEK, 74, 84–85, 254 Freudeman , A. E., 28, 109–110, 127, 153 Freund, Mark, 816 Friedman, Stephen, 602 THE FRONT PAGE (1974), 156, 208–210, 569, 571–575 FRONT PAGE, THE (1931), 570–573 Frye, William, 541 Fullerton, Gordon, 792 Fulton, John P., 123, 306, 319, 332, 368, 480 FUN IN ACAPULCO, 78 , 336–337, 482 FUNNY FARM, 528, 667, 669–672, 690 THE FURIES, 49, 77, 259–262, 267 Furth, George, 489

Gabelica, Damir, 673 Gabor, Eva, 252 GAILY, GAILY, 557, 563–564 Gallegly, Dick, 429 Gamiello, Tony, 648 Ganapoler, Paul, 490 Ganzer, Alvin, 232, 339 Gardner, Ava, 326 Garmes, Lee, 258, 260 Garner, James, 786–787 Garren, Bobby Joe, 788 “Gasoline Alley" (cartoon), 15 Gassner, Helmut, 655 A GATHERING OF EAGLES, 441–446 Gausman, Hal, 616, 618 Gauvreau, Andy, 759 Gebr, Jaroslav, 680 Geer, Will, 575 Geller, Stephen, 528 Gerbino, Jennifer, 815 Germain, Larry, 546 Gershwin, George, 336

Gershwin, Ira, 336 GHOST DAD, 45, 683–690 GIANT, 81 Gibbons, Cedric, 52, 58–59, 381 Gigantic (ship), 122 GIGI, 337, 380–381 Gilbert, Stanford, 721 Gilmore, Bill, 471 Giovannini, Giorgio, 565 Girard, Barney, 398 GIRLS WITH A PEARL EARRING, 383 Glass, Ned, 547 Gleason, Jackie, 435, 623, 641–642 Glenn, Scott, 739 Glennon, Bert, 673 Glennon, James, 673–674, 678 Glucksman, Ernest, 400 Gobruegge, Lew, 672 Goddard, Paulette, 186 Goddard, Richard C., 236, 684, 688, 740, 748, 751, 757, 764, 768, 771–772, 789, 794, 814, 824, 829 THE GODFATHER PART II, 546 Goetz, Gretchen, 730 THE GOLDBERGS (radio), 262, 264–265 THE GOLDBERGS see MOLLY , 85 The Golden State (ship), 118 Goldman, William, 744 Goldstone, James, 493–496, 610 Goldwyn, Samuel, 262 Goldwyn studios, 739 Golitzen, Alexander, 23, 30, 139, 408, 412–413, 425–426, 481, 502, 519–520, 531, 540, 559, 644, 813 Golitzen, George, 412 Gomez, Thomas, 260 GONE WITH THE WIND, 116, 145, 239 Good Samaritan Hospital (Los Angeles), 15 GOODFELLAS, 693 Goodine, Dean, 710 Goodman, George, 668 Goodman, John, 81–84, 94, 99 Goodstein, Robert, 239 Gordon, Annette J., 721 Gordon, Patrick, 626 Gordon, Shep, 674 Gorfine, Paul W., 670, 815–816 Gorton, Adrian, 699, 705, 711, 799, 815 Gosden, Freeman, 265 Gosnell, Raja, 752–753 Gosnell, Ray, 524–525, 531, 559, 582, 584, 650, 737, 753 Goss, Joe, 631 Gotti, Rolando, 357–358 Gottlieb, Morton, 616 Graber, Bill, 14 graft in the film industry, 137–139, 166–167, 358–359, 468 Grandhotel Pupp (Czechoslovakia), 525 Granger, Bertram, 238–239, 264, 266 Granox Company (production company), 456 Grant, Cary, 44–45, 455–459 Granthian, Kay, 788 Gray, Bob, 715 Gray, William W., 31, 146, 617 Great Depression (1929-1941), 13–14, 19, 60, 64, 102, 143 THE GREAT GATSBY (1974), 576 THE GREAT IMPOSTER, 24, 30, 407–412, 426 THE GREAT MCGINTY, 86 THE GREAT VICTOR HERBERT, 135 , 209, 303, 565, 574, 576–582, 733 THE GREAT ZIEGFELD, 18 THE GREATEST SHOW ON EARTH, 147, 241 Green, Alfred E., 460 Green, Douglas, 460 Green, Hilton, 460, 664, 759 Green, Jack N., 382, 704–705, 709-711, 722, 742, 746, 760, 771, 783, 795, 825 Green, Johnny, 37 Green, Marshall, 460, 560 Green, Nigel, 480 Greene, Lorne, 390 Gregory, Grace, 230, 331, 345 Grey, Joel, 413 Grier, David Alan, 689 Griffin, Merv, 553 Griffith, Joseph F. Jr., 330, 699 Griffith, Peter, 799 Griffiths, George, 710 Griggs, Loyal, 80–81, 161, 282, 296–297, 322, 336, 387, 484–485, 491 Grimes, Stephen, 566 grips and electricians, 76, 128, 289, 344, 388, 409, 545, 601, 650, 687, 706, 743, 794– 795, 814–816 Griswold, Albert, 649 Groesbeck, Dan Sayre, 63, 127, 199 Groesse, Paul, 53

Guay, Isabelle, 770 GUESS WHO'S COMING TO DINNER? 89 Gulick, Jane, 815 GUNPOINT, 512–513 THE GUNS OF NAVARONE, 212, 476 Guttenberg, Steve, 615

Haas, Joanne, 494 Haas, Robert, 81 Hackman, Gene, 483, 708, 738 Haggis, Paul, 829 hairstyling, 259, 436–437, 546 Hall, Conrad, 30, 496–497, 794–795, 815 Hallenberger, Harry, 170, 172 Halliburton, Isabel M., 429 Hamburger, David Shamroy, 643 Hamilton, John, 239 Hampton's (restaurant), 652 Hancock, John Lee, 760 , 69 THE HANGMAN, 344, 387–390, 399 Hankins, Kelley, 730 Hanks, Tom, 768 Hansen, Kirk D., 748, 816 Hanson, David, 607 Hare, Walter Benjamin, 281 Harkrider, John, 18–19, 22–23, 26 Harlan, Russell, 32, 95, 417-419, 432, 445, 479 Harris, Barbara, 593, 598 Harris, Ed, 739 Harris, John, 688 Harris, Phil, 137 HARRY AND SON, 644, 651–654 Hart, Walter, 262 Harvey, Laurence, 379 HATARI! 24, 407 Hathway, Henry, 481 HAWAII, 56, 603 Hawaii (book), 322 Hawks, Howard, 570 Haworth, Ted, 440 Haydn, Richard, 309 Hayes, John Michael, 311, 349 Haysbert, Dennis, 739 Hayward, Chuck, 549 Hayward, Susan, 186 Hazen, Joseph, 247, 310, 312–313 Head, Edith, 54, 115, 153, 294, 302, 331, 334–335, 350, 390, 437, 486, 490–491, 498, 502–503, 510, 559, 567–568, 582, 594 Heath Productions, 392 Heckart, Eileen, 541 Hedrick, Earl, 46, 78–79, 85–88, 116, 147, 158, 186, 195, 206, 216, 271 Hegarty, Hazel, 387 Heinmann, Juanita, 730 THE HEIRESS, 85 Helfritz, Eric, 698 Helgeland, Brian, 798, 805, 810 Helmer, Richard O., 684 Hendrix, Wanda, 233, 252 Hennesy, Dale, 422 Henriques, Edouard, 662 Henry, Buck, 486 Henry Bumstead and the World of Hollywood Art Direction (book), 35, 98, 128, 296, 646–647 Hepburn, Audrey, 379 HER ALIBI, 678–679, 682–683 , 69, 212–214, 680 Heritage House Inn (Mendocino), 618 Heron, Julia, 408–409 Herrmann, Bernard, 381, 594, 691 Herrmann, Chuck, 747, 756, 764, 776, 788 Herrmann, Edward, 581 Heston, Charlton, 331, 359, 449, 462, 468 Heyes, Douglas, 473, 575 Heyhoe, Kate, 688 Heyward, Lillian, 765 Hicks, Alan, 691, 698, 719–722, 730–733 Higgins, Colin, 645 HIGH, WIDE AND HANDSOME, 82 , 244, 261, 548–557, 703, 709, 712 Hildyard, Jack, 245, 502 Hill, Arthur, 637 Hill, George Roy, 29–30, 35, 40, 210, 369, 496–497, 500–501, 522–527, 532, 557, 559, 562–564, 569, 577–578, 582, 599–606, 633–637, 639, 645, 648–656, 667–668, 682, 701–704, 714, 737, 745, 775 Hillcrest Country Club (Los Angeles), 270 Hiller, Arthur, 476–477 Hilton, Arthur, 546 Hinson, Lee, 225 HIS GIRL FRIDAY, 570 historical films, 717–718 Hitchcock, Alfred, 25, 30, 40, 47–49, 56–57, 62–63, 69, 96, 98, 101, 105–106, 166,

210, 242, 245, 311, 318, 341–342, 345–349, 351–353, 356–359, 362–366, 369–370, 373–379, 387, 413, 452, 475–476, 502–506, 508, 511, 533, 588–598, 610, 624, 627, 681, 692, 701–702, 726–727, 737, 751–752 Hitchcock, Alma, 348, 358–360, 589 Hitchcock, Patricia, 358 HOBSON'S CHOICE, 502 Hoch, Winton, 145 Hoffman, Roswell, 446, 453 Hogan, James, 116, 129 Hogan, Paul, 384–385, 687 HOGAN'S HEROES (television), 487 Holden, William, 161, 243, 272, 275, 322 HOLIDAY INN, 69, 182–186, 200 Holliman, Earl, 390 Hollywood Athletic Club (Los Angeles), 823–824 , 146, 308, 345, 354–357, 395–396, 399 Hollywood Palladium (Los Angeles), 820 Hollywood Reporter (trade publication), 117, 284–285 Holm, Hanya, 345 HOME ALONE, 754 HOME ALONE 2, 754 HOME ALONE 3, 737, 752–755 Homolka, Oscar, 116 homosexuality in films, 23, 55, 277, 416, 440 THE HONEYMOONERS (television), 623, 641–642 HONKY TONK (television), 575–576 Hoover Dam (Nevada), 266 Hope, Bob, 41, 75, 87, 97, 101, 122, 170, 180, 192, 323 Hope, Fred, 52 Hopper, Deborah, 791, 794, 802, 814, 829 Hornblow, Arthur, 134, 160 Horner, Harry, 85 Hornung, William, 52, 381 Horton, Andrew, 35, 647 Horton, Edward Everett, 94 Hosking, Craig, 791 Hosler, Robert, 239 HOUSE CALLS, 621–624, 626 House Committee on Un-American Activities (HUAC), 284 HOUSEBOAT, 82 Hoven, James, 800 Howard, Cy, 258 Howard, Trevor, 461–462 HOWARD'S END, 382 , 83 Howarth, Richard, 698 Howe, James Wong, 286–287 Hoyt, Bill, 799 Hoyt, Judie, 798, 809 Hoyt, Robert L., 594 Hubbard, Lucien, 116 Hublou, Heidi, 756 Hudkins, John, 549 Hudson, Rock, 30, 300, 413–416, 418, 441, 445, 469, 480, 567 Huebner, Mentor, 678–679 Huffman, Phyllis, 826 Hughes, Jack, 648 Hughes, John, 752, 759 Hulett, Kurt V., 617 Hunt, Helen, 614 Hunter, Ross, 98, 427–428 Huntley, Leslie, 677 Hurt, William, 674–675 Huston, Walter, 260-262 Hutton, Betty, 214 Hutton, Timothy, 674 Hyer, Martha, 48

I DREAM OF JEANNIE (television), 447, 451 I MARRIED A MONSTER FROM OUTER SPACE, 384–387, 393 , 85, 160–164 I WAS A TEENAGE WEREWOLF, 384 , 82 Ihnen, Wiard, 54, 331 Illusion Arts (effects), 695, 734 illustrators see painters Industrial Light & (ILM), 40, 140, 765–766, 782, 786–791, 800 THE INFORMER, 20 Inn, Frank, 269 insert recording see sound re-recording INTERNES CAN'T TAKE MONEY, 70 internet, 572, 779 Internet Movie Database, 804 INVASION OF THE BODY SNATCHERS (1956), 384 Iribe, Paul, 63 IRMA LA DOUCE, 106 Irving, Richard, 546 IT'S A WONDERFUL LIFE, 688 Ives, Burl, 418, 447

J. C. Backings (scenic), 104 THE JACK BENNY SHOW (radio), 137

Jackson, Glenda, 622 Jacobson, Arthur, 270 Janssens (ship), 198 Jarre, Maurice, 507, 690 Jefferies, Philip, 565 Jennings, Devereaux, 123, 126, 148, 216 Jennings, Gordon, 123, 126, 147–148, 173, 251, 258 JEOPARDY (television), 553 Jergens, Adele, 280 Jerry's Market (Los Angeles), 206–207 Jet Propulsion Laboratory (Pasadena), 820 , 533–539, 551–552 Johnson, Ernest, 153 Johnson, Eugene, 422, 656 Jones, Howard, 14-16 Jones, J. B., 695 Jones, Jennifer, 73, 214 Jones, L. Dean, 722, 730 Jones, Paul, 153, 179, 191, 215–216 Jones, Tommy Lee, 786–788 Joplin, Scott, 559 Joslin, Howard, 350 journalism, 15, 117, 388–389, 423, 527, 589 Joyce, Michael, 541 Joyner, Tom, 603 Judson, Sylvia Shaw, 764 Julia, Raul, 515 , 282–284

Kallis, Stanley, 546 Kalmus, Natalie, 147, 241 Kane, Joseph, 478, 757 Kanter, Hal, 157–158, 307 Karapiperis, Mikes, 655 “Katzenjammer Kids" (cartoon), 15 Kay, Gordon, 453, 512 Kaye, Danny, 41, 309, 314, 317 Kazanjian, Howard, 590, 594, 612 Keach, James, 727–728 U.S.S. Kearsarge (ship), 320–321, 325 Keaton, Diane, 658 Keller, Harry, 446 Kellerman, Sally, 637 Kelley, Patrick, 602, 670 Kelley, Wallace, 79–80, 147, 319-323 Kelly, Colin P. Jr., 198 Kelly, Gene, 217, 439 Kelly, Grace, 322, 360 Kelly, Peter, 764 Kemper, Victor, 599, 606 Kempf, Terry, 731 Kennedy, Arthur, 546 Kennedy, John F., 451 Kennedy, Kathleen, 698 Kennedy International Airport (New York City), 768–769 Kenny, Joseph, 414–418, 422, 447 Kern, Hal C., 42, 392 Kilian, Victor, 150 King, Frank, 15 KING KONG (1933), 79, 147, 212, 221 KING KONG (1976), 25, 465–466 THE KING OF HEARTS (play), 338 Kinney, Shelley, 799 KINSEY, 736 Kinski, Klaus, 659 Kirkeby, Arnold, 396–397 KISS ME GOODBYE, 621 Knechtel, Lloyd, 115 Knerr, Harold, 15 KNOCK ON WOOD, 41, 309, 313–316 Knoth, Fred, 428, 447 Kobylka, Jan, 711 Koch, Howard W., 585–586 Kocurek, Michael, 731 Koenitz, Olive, 454 Kolsrud, Dan, 618 (1950-53), 274 Koscina, Sylvia, 486 Kotto, Yaphet, 660 Krams, Arthur, 350 Krasna, Norman, 272 Krasny, Paul, 546 Kristel, Sylvia, 630 Krummel, David, 756 Kulik, _____, 524, 530–532 Kuljian, Anne, 676–677, 770 Kunert, Arnold, 429 Kuri, Emile, 283–284 Kurtz, Swoosie, 605 Kuter, Leo K., 56, 81

L.A. CONFIDENTIAL, 810

labor unions, 36–38, 56, 65, 85, 139, 238, 305–306, 376, 404, 407, 433–434, 449, 489 laboratories see film laboratories Lacy, John, 816 Ladd, Alan, 27, 60, 182, 206, 218, 221, 263 THE LADIES MAN, 406 THE LADY EVE, 74–75, 151–154 THE LADY'S FROM KENTUCKY, 82 Laird, Jack, 545 Lake, Veronica, 53, 182, 229 Lake Sherwood (California), 97 Lakeside Country Club (Los Angeles), 123, 270, 482–484 Lamour, Dorothy, 66 Lamppu, Peter, 684 Lancaster, Burt, 288–289 Lane, Arthur, 161 Lane, Diane, 634–635, 638 Lanfield, Sidney, 179, 215 Lang, Charles Jr., 60, 134, 167, 186, 191, 228, 233, 278, 459–460 Lang, Fritz, 279, 387 Lang, Jennings, 500–501, 522–523, 548, 569, 612–613, 626–629 Langdon, Sue Ann, 541 Lanini, Judy, 177 Larkin, Ed, 648 Larrecq, Henry, 652, 670–671, 678 Larson, Robert E., 478 Lasky Photoplay Company, 65 “Lassie” (dog), 269 THE LAST DAYS OF POMPEII, 20 THE LAST OUTPOST (1951), 80 THE LAST SAMURAI, 383 Laszlo, Andrew, 684 Laszlo, Ernest, 161, 568 Lathrop, Phil, 628 Lawrence, Robert, 662 LAWRENCE OF ARABIA, 439, 502 Lazarus, Erna, 355 Le Carre, John, 658–659 Leacock, Philip, 514 Leahy, Charles, 239 Lean, David, 502 THE LEATHER SAINT, 339–341 LeBaron, William, 116, 128 Lee, Andrew, 247 Lee, Deborah, 696 Lee, Gary A., 829–830 Lee, Harper, 421–425 Lee, Sandra Joy, 790 Leenhouts, Grant, 114 Lees, Robert, 284–285 Lehane, Dennis, 805 Lehman, Ernest, 593–594 Leisen, Mitchell, 42, 57, 70, 85, 91, 121, 124, 138, 155, 160, 163–164, 230-232, 252– 257 Lemmon, Jack, 156, 570 lenses, 543 Leonard, Elmore, 536 Leonard, Sheldon, 309 Lerpae, Paul, 216, 306 LES DIABOLIQUES, 69 , 834 Leven, Boris, 17, 81 Levine, Antoinette, 760 Levinson, Art, 779–780 Levinson, Richard, 515, 613 Levitt, Ruby, 497 Lewis, Jerry, 77, 91, 146, 158, 215, 242, 247, 249, 258, 274, 282, 285, 306–309, 354– 356, 394–406, 745, 758 Lewis, Monica, 627, 629–630 Lewton, Val, 233, 235 Leys, Jack, 111 Liberty Films, 283 Library of Congress (Washington D.C.), 85 licensing see rights and clearances THE LIE see Life (magazine), 318, 468–469 Lifford, Tina, 803 THE LIGHT THAT FAILED, 79 lighting, film, 56–57, 63, 230–231, 263–264, 273, 362–363, 366–368, 450, 459, 542– 544, 564, 570, 589, 614, 699, 705, 709, 713, 724–727, 743, 794–795, 815 “L'il Abner" (comic strip), 335 LILIES OF THE FIELD, 456 Lindgren, Harry, 168 Lindon, Lionel, 229–231, 250, 272–273, 276, 294, 332, 341, 545 Link, William, 515, 613 Linney, Laura, 735–736, 739 Linz, Alex, 753, 758 Lithgow, John, 649, 651 litigation litigation see also attorneys in motion pictures LITLE BOY LOST, 46 LITTLE BOY LOST, 270, 295–303, 348, 436 THE LITTLE DRUMMER GIRL, 580, 644, 654–660

THE LITTLE MINISTER, 21 , 627, 633–639, 642, 649 Litvak, Anatole, 206 LIVES OF A BENGAL LANCER, 72 Livingston, Jay, 279, 294 Livingstone, Mary, 137 Lloyd, Frank, 100 location scouting, 193, 267–268, 357, 377–379, 422–423, 430–431, 455–457, 470, 503, 572, 597, 599–600, 627, 632, 635–637, 668–673, 677, 685, 704–705, 711, 744, 760, 777–778, 783, 805–806, 813, 816–823 location shooting, 23–25, 31, 33, 38–41, 45–46, 73–74, 84, 97, 100–103, 115, 118, 128–129, 136–137, 152, 162–164, 171, 175–176, 179–180, 186–188, 193–198, 202– 207, 213–214, 218-220, 238–244, 250, 257, 260, 265–266, 270–271, 275–278, 282– 284, 289, 293, 296–298, 301–304, 314–315, 319–320, 323–327, 332–333, 340, 346– 351, 354–357, 362, 370–374, 388–403, 407, 413, 417–421, 428, 438–439, 442–443, 446, 453-463, 466–471, 474–477, 482, 485, 488–489, 492–496, 499–504, 509, 516– 517, 523–536, 539–543, 548–553, 556–564, 568, 576–580, 588–595, 598–600, 605– 610, 616–627, 632, 635–641, 644, 647, 651–655, 658–673, 676–679, 682–684, 689– 697, 700, 703–709, 712–714, 718–721, 725, 728–730, 734–735, 739–744, 753–754, 757, 760–763, 766, 770–774, 777–783, 794–798, 803-813, 816–823 Lollobrigida, Gina, 30, 408, 416 Lombard, Carole, 60, 119–120, 134–135, 228 Long Beach Relays (track meet), 15–16 THE LONGEST DAY, 439–440 looping see sound re-recording Lord, Jack, 390 LORD OF THE RINGS: THE RETURN OF THE KING, 383 Lorenz, Robert, 747, 780, 791, 794, 798, 809, 814, 829 Los Angeles City College, 12 Los Angeles County Music Center (Los Angeles), 587 THE LOST PATROL, 20 THE LOST WEEKEND, 87 Loughran, L. J., 480 Louis, Jean, 484 Louise, Tina, 390 LOUISIANA PURCHASE, 168–172 LOVE LETTERS, 70, 73, 214 LOVE THY NEIGHBOR, 150–151 Lowenthall, Al, 199–200 Lowther, T. J., 718 Lubin, Arthur, 268 Lubitsch, Ernst, 25, 28, 54, 279 Lubonovich, Ted II, 747 Lucas, John, 428 Lucchesi, Gary, 829 Luchow's (New York City), 96 Luckey, Bill, 673 Luckman, Charles, 46 Lucky, Fred, 756 LUCY GALLANT, 54, 330–334, 337, 437 Ludi, Heidi, 655–656 Ludi, Tony, 656 Luling, Eric, 765 Luraschi, Luigi, 472 Lux, Mirek, 531 LUX RADIO THEATER (radio), 65 Luzius, Karen, 731 Lyles, A.C., 131–132

Macat, Julio, 755–756 MacDonald, Joe, 471, 473 MacGinnis, Niall, 464 MacIntosh, Woods, 646, 648 MacMurray, Fred, 119, 205 Macrorie, Alma, 491 magazines see journalism Magic Camera Co. (effects), 695 MAGNIFICENT OBSESSION, 427 Maharis, George, 541 Maibaum, Richard, 229, 253, 255 Maitland, Scott, 710 Major, William B., 688 THE MAJOR AND THE MINOR, 70 makeup, 435–436, 445, 546, 594, 662, 791, 825 Malley, Bill, 566 Malpaso Productions, 159, 540, 728, 804 Mamoulian, Rouben, 82 A MAN CALLED GANNON, 493-496 THE MAN WHO KNEW TOO MUCH (1934), 68, 348 THE MAN WHO KNEW TOO MUCH, 25, 68, 245, 341, 345–353, 356–357, 377, 475, 726 MAN WITHOUT A STAR, 495 Mancini, Henry, 582, 690 Mann, Anthony, 43, 260, 262 Mann, Daniel, 43, 286 Mann, Delbert, 260, 443 Mann, Lewis M., 688 Mantz, Paul, 443 Marble Collegiate Church (New York City), 34 Marck, Nick, 662 Margaret Herrick Library, 62–63, 132, 260, 368 Margulies, William, 494–495, 512

marketing, 432, 633, 764 Marley, Peverell, 278 Marlow, Brian, 284–285 Marsh, Harry, 239 Marshall, E. G., 739 Marshall, Frank, 698 Marshall, George, 157–158, 186, 248, 306 Marshall, Steve, 515 MARSHMALLOW MOON see AARON SLICK FROM PUNKIN CRICK “Marshmallow Moon" (song), 280 Martin, Dean, 77, 91, 146, 158, 215, 247-249, 258, 285, 307-309, 354–356, 377, 567– 568 Martin, Mary, 151 Martin, Strother, 604 Martin, Walt, 780 Martinelli, Enzo, 531 Marwyck (Northridge), 307–308 Marx, Zeppo, 308 “Mary Worth" (comic strip), 335 Mascarella, Mike, 748 Mason, James, 269 Massachusetts Institute of Technology (MIT), 24 MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD, 383–384, 687 Masterson, Peter, 645 Mathieu, J. P., 505 Matthau, Walter, 156, 571, 622 Maurer, Michael, 746–747, 767 MAVERICK (television), 575 Mayer, Louis B., 59 McAlpine, Donald, 652 McCarthy, John, 471, 473, 494, 512–513, 545 McCarthy, Kevin, 444 MCCLOUD: WHO KILLED MISS U.S.A.? (television), 514–517 McClure, Doug, 474 McComb, Dave, 776, 789 McCormack, John T. "Red," 305 McCrea, Joel, 83, 94 McCrilliss, Robert, 153 McCulley, Anne, 740 McDonnell Douglas Aircraft Inc., 784 McDowell, Alex, 243, 770 McGavin, Darren, 455 McGee, Timothy, 756 McGuire, C. J., 688 McKean, Michael, 780 McKelvy, Frank, 329, 339, 363, 371 McKibben, Dea, 676 McLaglen, Andrew, 517 McLaglen, Mary, 673 McLaglen, Victor, 673 McMurry, Gregory L., 662 McSorley, Chuck, 711, 747 McWhorter, Richard, 418 Meadows, Earle, 16 Mears, Martha, 185 Meddings, Derek, 695 Meehan, John, 75, 84–86, 160-162 Megna, John, 434–435 Melchior, Lauritz, 292 Mellor, William, 179, 191 MEN OF THE FIGHTING LADY, 325 MEN WITH WINGS, 79 Menjou, Adolph, 571 Menzies, William Cameron, 90, 433 Merrill, Robert, 279–280 Mesetich, Joel, 799 Mestres, Ricardo, 759 Metro-Goldwyn-Mayer (MGM), 18, 42, 52–53, 58–59, 85–86, 97, 104, 112, 371, 376, 381, 505 Metty, Russell, 417, 427, 468, 485 Metzel, Michael, 698 Michaels, Mickey, 622, 628, 661, 665 Michener, James, 322 Mick, Curtis, 387, 398 MIDNIGHT IN THE GARDEN OF GOOD AND EVIL, 553, 760–768 MIDWAY, 613 Miles, Vera, 360 Milestone, Lewis, 100, 570 Milland, Ray, 116, 161, 167, 270 Miller, Burton, 612, 623 Miller, David, 44–45, 249–250, 455–456, 626 , 544, 572, 625, 691, 703, 717, 735–736, 749, 769, 776- 780, 790, 795, 804, 812, 817–832 Milner, Victor, 128–129, 135, 142, 144, 176, 199, 260 Milo, George, 471, 484, 494, 506–508, 548–549, 555, 567 Milrad, Abe, 631 miniatures, 123, 126, 139, 148, 250–252, 271, 275, 365, 695 MIRACLE OF MORGAN'S CREEK, 87 Mirisch, Walter, 31, 37, 616–617, 619–621 Mission Inn (Riverside), 499–500 Moby Dick (Santa Barbara), 114 Moeller, Irv, 15

Mohr, Gerald, 309 Mohr, Hal, 37 MOLLY, 262–265 Monash, Paul, 569 , 157, 306–312, 315, 356 MONSIEUR BEAUCAIRE (1946), 87 Montgomery, Elizabeth, 541 Moonjean, Hank, 642 Moore, Mary Tyler, 489 Moore, Tim, 814 Moore, Victor, 170 Moore, Winston E., 445 Moorehead, Agnes, 205 Moran, Tim, 802 Moresco, Robert, 829 Morris, Wayne, 161 Morse, John, 780 Morse, Terry, 422 Mosier, Wilbur, 623 Motion Picture Country House and Hospital, 652 MOUNTAIN MUSIC, 83 Mouradian, Al, 698–699, 731, 760, 764 THE MOVIE MURDERER (television), 513–516, 545–547 Moyer, Lucie, 75, 256 Moyer, Ray, 75–76, 256, 294, 315, 387, 390 MR. BLANDINGS BUILDS HIS DREAM HOUSE, 669 MRS. WIGGS OF THE CABBAGE PATCH, 55, 79, 94 Mueller, Richard, 145, 336, 371 Mugavero, Luigi, 799 Muhl, Edward, 98, 429 Muldaur, Diana, 517 Mull, William, 270, 387 Mulligan, Robert, 24, 30–32, 317–318, 407–408, 411-413, 415, 418, 421, 426, 430, 434, 616–621, 701–702, 737 Murakami, James J., 711, 764, 788, 834 Murphy, Audie, 453–455, 512–513 Muscarella, Jason, 800 Muscarella, Mike, 491–492, 799, 819 Muscular Dystrophy Association, 395 music, film, 184–185, 279–281, 294, 336, 355, 380–381, 393–394, 401–402, 428–429, 444, 507, 512, 559, 582, 594, 603, 609, 690–691, 724, 736, 802, 827 Music Corporation of America (MCA), 98, 452–453, 475–476, 500–501 “Musical Parade " (shorts series), 232 musicals, 184–185, 279–281, 292–295, 341, 343, 345 Musso, Joseph, 684, 686, 689, 756 MUTINY ON THE BOUNTY, 100 MY FAVORITE BLONDE, 179–181 MY FRIEND IRMA, 158, 247–249 , 257–259 MY FRIEND IRMA (radio), 258 My Life in the Movies (book), 699 MY OWN TRUE LOVE, 232, 234–235 MYSTIC RIVER, 35, 39, 159, 210–211, 226, 382–383, 543–544, 553, 703, 748, 778, 790, 795, 804–818, 829–830 Mystic River (book), 805

Narcejac, Thomas, 69 National Aeronautic and Space Administration (NASA), 782–792 National Board of Review, 735 National Geographic (magazine), 449 Nava, Elizabeth, 674 Nava, Gregory, 672 Naval Aid Auxiliary, 198 Navy Relief Society, 198 Needham, Hal, 475, 518, 639–640 NEEDLE IN A HAYSTACK see TOP O' THE MORNING Neiman-Marcus (department store), 331–333 Nelson, Ralph, 455–458 Nelson, Terence, 471, 478, 488, 684 nepotism in the film industry, 674, 696, 753, 800 Nesbitt, Cathleen, 590 New Mexico National Guard, 239–240 NEW YORK TOWN, 89 New Yorker (magazine), 810 Newberry, Norman, 465 Newman, Arthur S., 488, 599 Newman, Paul, 486–487, 493, 559, 562-564, 651–654, 714 Newmar, Julie, 515 Newport Beach Film Festival, 429, 434 newspapers see journalism Nicholl Fellowships in Screenwriting see Academy Nicholl Fellowships in Screenwriting Nichols, Dudley, 387 Nichols, Michael, 756 Nicholson, Jon, 756 Nickodell (restaurant), 72 Niehaus, Lennie, 724 Nielsen, Leslie, 474 Nifong, Frank, 425, 445 Nixon, Charles III, 764, 799 “No Bail for the Judge" (project), 359, 377–378 NO MAN OF HER OWN, 42, 253–256

Noble, John, 387 Nolan, Lloyd, 116 Nolte, Nick, 693 Normandie (ship), 152 NORTH BY NORTHWEST, 371 NORTHWEST MOUNTED POLICE, 70, 142–146, 376 Novack, Ben, 400–401 Novak, Kim, 360–361, 371 Novarese, Vittorio Nino, 449–450 Nozaki, Al, 87, 406 THE NUTTY PROFESSOR, 78 Nuyen, France, 517 Nyez, Craig, 800

Oakes, Vanya, 222 Oates, Kevin, 698 Oates, Warren, 546 Oblath's (restaurant), 71–72, 90 O'Brien, Edmond, 265 O'Brien, Laura M., 748, 756, 765 O'Brien, Pat, 570 Ocasek, Ric, 680 occupational safety and health, 134 O'Connell, Joseph E. Jr., 358 Odell, Cary, 55–56, 81 Odell, Robert, 55, 78–79, 85, 94, 136, 147 Odell, Rosemary, 428, 447, 475 OF HUMAN BONDAGE, 20 AN OFFICER AND A GENTLEMAN, 679 O'Keefe, Michael, 804 Old Tucson Studios (Arizona), 261 Oliver, Susan, 494 Olivier, Laurence, 636 Olson, Richard, 168 Olympic Auditorium (Los Angeles), 820–823 Olympic Games, 14, 414, 743 O'Morrison, Kevin, 671 Ondricek, Miroslav, 60, 231, 523, 528–530, 544, 646, 668, 671 ONE MORE TRAIN TO ROB, 517–519 Ontario and San Antonio Heights Railroad (Ontario, California), 50–51 Ontkean, Michael, 603, 608 opera in films, 124, 279–280 operetta in films, 341, 343, 345 Orangey Murray (cat), 268–269 organized crime in the motion picture industry, 489, 492–493 Orion Pictures Corporation, 634 U.S.S. Oriskany (ship), 319, 321, 323, 325 Orrison, George, 549 Ortmair, Arno, 657 Osborne, Eric, 200 OUR LEADING CITIZEN, 73 Owens, Michael, 789–790

Pace, Rino, 711 Pacelli, Joseph Jr., 764, 776, 789, 829–830 Pacific Title and Art, 286, 624, 816 painters, 83, 89–90, 105, 108, 119, 127, 144, 186–187, 199, 220, 237–238, 241–242, 336–337, 356, 397, 448, 554–555, 588–589, 595, 625, 647, 670–671, 678–689, 694– 699, 706, 710–714, 730, 748, 755–756, 761, 764, 790, 799–801, 815–816, 824 Pajak, _____, 677 Pakula, Alan, 317–318, 421, 423, 426, 435 Pakula-Mulligan Productions, 421, 426 THE PALEFACE, 87 THE PALM BEACH STORY, 75 Pan Arts (production company), 634 Panama, Norman, 41, 313–314, 317–318, 335–336, 390, 392 Panavision Inc., 462 , 27, 32-419, 452, 472, 475–476, 479–480, 484, 490–491, 520–522, 568, 585, 644, 680–681, 751, 815 PARIS HONEYMOON, 73 Park Plaza Hotel (Oakland), 772 Parker, Fess, 390 Parkwood Productions, 392 Parrish, Helen, 334 Parrish, Robert, 333–334 Parslow, Phil, 490 Parton, Dolly, 645 THE PARTY, 405 Parvin, Ted, 494 Pasetta, Marty, 586 Pathe, 420, 447 Patnode, Darren, 731 Patrick, Jenny, 731 Paul, Valentine, 22, 26 Paul, Vaughn, 22, 26 Paul, Victoria, 648 Paulk, Steven, 731 Payne, James W. "Jim," 23, 513, 516, 541, 546–548, 559, 561, 569, 582, 594, 596, 599, 612, 668, 679 Peach, Mary, 444 Peale, Norman Vincent, 34 Pearson, John B., 325–326

Pebble Beach Country Club (California), 179 Peck, Gregory, 37, 430, 432, 434–435 Peden, Robert, 776 Peerless Inc., 119 Penn, Sean, 809–810, 817, 826 Peppard, George, 480, 489, 517–518 Percey, Helen Gladys, 223-334, 247 Pereira, Hal, 41, 45–47, 86-88, 139, 202, 208, 278–279, 297, 313, 345, 406, 412, 441 Pereira, William, 46, 88–89, 173, 278 , 103, 716, 718–726 A PERIOD OF ADJUSTMENT, 441 Perkins, Anthony, 664, 666–667 Perlberg, William, 46, 268-270, 278, 281–282, 295–297, 302, 318, 322, 568 Perrine, Valerie, 527 Perry, Dan, 624 Perry, Harry, 115 Perry, Odette, 505 Petagna, Ron, 648–649 Peters, Brock, 435 Pfeiffer, Carolyn, 674 Phi Kappa Psi (fraternity), 14 Phillips, Erica Edell, 722 Phillips, Julia, 557, 567 Phillips, Michael, 557 photography see still photography; cinematography PICNIC, 183 Pierce, Otto, 161, 263 Pierce, Ronald, 560 THE PIGEON THAT TOOK ROME, 441 Pike, Kevin, 662 PILLOW TALK, 98, 407, 416, 427, 450 Pillsbury Company, 527 Pine, Frank L., 209, 576–577, 579 Pine, Howard, 454 Pine, William, 128, 454 Pine-Thomas Productions, 128, 204, 327, 333 Piranesi, Giovanni, 448 A PLACE IN THE SUN, 76 THE PLAINSMAN, 73 plastic surgery see cosmetic surgery Plauche, Adele, 721 PLAY MISTY FOR ME, 540 Playboy (magazine), 527 Playboy Bar (restaurant), 72 The Players (restaurant), 154 Plews, Tom, 168 Plomer, James, 410 Poitier, Sidney, 45, 684–687 Polaire, Hal, 498 Polonsky, Abraham, 41, 496, 500–501 “Popeye" (cartoon), 15 Porizkova, Paulina, 678, 680 Powell, Michael, 699 The Power of Positive Thinking, (book), 34 Powers, Thomas, 283 Pratt, James, 102, 460, 463–464, 488 Prehoda, Frank, 436 premieres, 198, 530 preservation, film, 120, 692 President of the United States see United States, President of the Presley, Elvis, 78, 158, 284 Pretz, Jake, 112 Price, Clarence Lynn, 491-492, 773, 782, 789 Prinz, Leroy, 123 Pro Boxing Equipment (Pasadena), 822 Process: Prepared Under the Supervision of W. L. Pereira (book), 173 Proctor, Genessa Goldsmith, 698 producing, 31, 47–49, 59, 66, 77, 91–92, 100, 116, 125, 222–223, 226–228, 235, 257– 259, 263, 270, 277, 284, 288, 303–304, 310-312, 317–318, 354, 389, 396, 414, 421, 428, 449, 456, 487–490, 500–501, 519, 536, 541, 551, 557, 567–569, 582, 586, 603, 612, 616–618, 621–622, 627, 642, 652, 654, 656, 664-666, 669–670, 674, 679, 687, 690, 694-698, 709, 718, 727–728, 733, 736–737, 742, 745–747, 759, 771, 798, 801, 817, 829, 832–833 product placement in motion pictures, 448–449 Production Code Administration (PCA), 120–121, 256, 471–472 production department, 74, 91–96, 100–102, 105, 163–167, 188–189, 225–227, 233, 312, 331, 334, 387, 460, 463–464, 476, 488, 521–522, 533–534, 559–560, 815 production management, 28–29, 38–39, 49, 74, 76, 91–96, 100–105, 141, 153, 163– 167, 177, 188–189, 211-213, 225–228, 232, 258, 282, 297–300, 303–304, 307, 312, 325, 331–334, 342, 379–380, 387, 400, 411–412, 415, 418, 426–429, 445, 454–455, 471, 474, 478, 484, 488–490, 493–494, 498, 512, 518, 521, 524, 534, 537, 547, 559– 560, 582, 594, 599, 612, 623, 626–627, 643, 647, 649, 656–657, 662–665, 668, 673, 683–685, 688, 696–697, 710, 715–716, 730, 740–743, 747, 757–758, 767, 775, 779– 782, 789, 799, 806–811, 814–817, 824–825, 830–831 promotions see also advertising; publicity; marketing; merchandising prop department, 138, 561, 567, 571–572, 748 , 196–202, 211, 277 props, 27–28, 102–104, 110–112, 130–131, 138, 143, 177, 239, 244, 254, 404, 425, 445, 448, 478, 561, 567, 571–572, 648, 662, 670, 676–677, 688, 691, 698, 706, 710– 711, 721, 747, 757, 761, 764–765, 767, 770, 790–791, 799–800, 806, 815 Prouty, Howard, 63, 598 PSYCHO, 371, 376–377, 666–667

PSYCHO II, 665 PSYCHO III, 664–667 publicity, 117, 143–144, 269, 335, 388, 432, 764

Quashnick, David, 662 Quick, Mike, 731 Quinlan, Kathleen, 660 Quinn, Aidan, 727 Quinn, Anthony, 65 QUO VADIS? (1951), 29 radio, 150–151, 205, 247, 258, 262–265 Radio City Music Hall (New York City), 411 Radio-Keith-Orpheum (RKO), 18–21, 46, 92–94, 96–98, 235 Radley, Liz, 791, 816 RAID ON ROMMEL, 481–482, 511–512 railroads in films, 126–133, 165, 199, 219, 255-257, 299, 530, 533–534, 558, 560–561, 563–564, 707 Railsback, Philip, 733 Railsback, Steve, 733 Rains, Claude, 254 Raleigh studios, 95–96, 195 Ralph, Houghton, 173 Ramsey, Peter A., 688 Ramsey, Van Broughton, 730 Rand, William, 176, 229, 239, 266 Randall, Lexi, 732 Randall, Tony, 447 Ray, Nicholas, 204, 327–330 Raye, Martha, 124 REACHING FOR THE SUN, 158 Reagan, Ronald, 132, 331 real-estate development (Los Angeles), 78, 86, 423 REAP THE WILD WIND, 70, 172–179, 194 REAR WINDOW, 177, 366–367, 475 record companies see sound recording Rector, Kenneth, 731 Redd, James, 473 Redford, Robert, 30, 497, 559, 562, 564, 577 THE REDHEAD AND THE COWBOY, 44, 229, 246, 265–268 Reed, Alan, 265 Reed, J. Theodore, 163 Reed, Vivian, 460 Reedall, Mark, 445 Reidy, Joe, 693 Reisbord, William, 447 religion in films, 339–340 remakes, 68–69, 448 , 70 Renfroe, Sandra, 764, 789, 799 Rennahan, Ray, 116, 145, 170-172, 239–240 Reseigne, Richard, 684 retakes, 460, 506, 510, 745, 828 Retchin, Norman, 339 THE RETURN OF PETER GRIMM (1935), 21 Rex (ship), 152 Rey, Alejandro, 472 Reynolds, Burt, 642, 645 Reynolds, Janice, 673 Reynolds, Marjorie, 185 Reynolds, William, 582 Reynolds, William F., 721 RHUBARB, 268–271 Rich, David Lowell, 626–628, 631 rights and clearances, 421, 475–476, 601 Rigling, Eric, 790 Riley, Steve, 790, 801, 816 Rinaldo, Ben, 284–285 Ripley, Gary Clayton, 711 road shows see distribution ROAD TO MOROCCO, 191–194 “Road to Moscow" (project), 191–192 ROAD TO SINGAPORE, 79, 135–136 ROAD TO UTOPIA, 70, 135, 191, 215–218 Rob Wagner's Script (magazine), 53 Robb, Donald, 387 Robbins, Tim, 809–810, 817, 826 Roberson, Charlene, 791 ROBERTA, 20 Roberts, Donald, 490, 568, 618 Roberts, Irmin, 216, 261 Roberts, James L. II, 698–699 Roberts, Pernell, 547 Roberts, Rick, 711 Robertson, Peggy, 594 Robertson, Stan, 684 Robinson, Bruce, 711 Robotti, Bruno, 648 Robson, Mark, 164, 320–323 Rockefeller, Nelson, 470 Rockefeller, Winthrop, 470 Rodes-Jamero, Nilo, 759

Roeper, Richard, 753 Rogers, Ginger, 20 Roland, Gilbert, 229, 260, 329 ROLLERCOASTER, 608–615, 626 Rollercoaster (magazine), 609–610 Rooker, Tom, 746, 767, 771, 780 ROOM AT THE TOP, 379 Rooney, Mickey, 323, 326 Roosevelt, Franklin D., 66, 85, 196, 198 ROPE, 367 Rosenberg, Aaron, 17 Rosenberg, Tom, 829 Rosenkrantz, Julius, 425, 445 Roshko, Ariel, 655 Ross, Katharine, 30, 497, 500 Ross, Michael, 670 Rossington, Norman, 480 Rosson, Arthur, 129 Rosson, Gladys, 129 Roth, Ann, 646, 649, 668, 671, 679 Rothchild, Richard, 678 ROUTE 66 (television), 304–305 Rowlands, Gena, 418 Royal Australian Infantry, 480 Royal Canadian Navy, 410 Royal Porcelain Factory (Copenhagen), 503 Rubine, Irving, 397 Rubinstein, Dodi Lee, 780, 794 Ruddy, Albert, 829 Rudolph, Alan, 235 Rudolph, Oscar, 235 Ruggles, Wesley, 119 , 82, 100 RUN FOR COVER, 128, 203–204, 327–330, 337 rushes see dailies Russell, Rosalind, 71, 214 Russell, William D., 229, 232, 272 Rutchland, John J. Jr., 747, 754, 760, 765 Rutgard, Mike, 688, 789, 799 Ryder, Loren, 126, 168

Saccio, Thomas, 648 Sagal, Boris, 513, 516, 545 SAIGON, 27, 44, 66, 100, 139, 155, 218–225, 228, 231, 239, 251, 266, 521, 544, 725, 745 SAILOR BEWARE, 272, 274, 326–327 THE SAINTED SISTERS, 229–232 salaries, 60, 76, 84, 228, 327, 514, 583–584, 601, 638, 645, 687 Salazar, Steve, 789 Saldana, Charlie, 545, 816 Saldutti, Peter, 665 Salter, Hans, 512 SAME TIME, NEXT YEAR, 31, 289, 438, 548, 615–621 SAMSON AND DELILAH, 78, 85 San Quentin Prison (California), 773–774, 776, 780 Sanders, George, 336 Sandrich, Mark, 137, 150, 167, 212 Sanford, Kenny, 799 Sanford, Schuyler, 161 Santa Monica Auditorium, 441 Saper, Jack, 49 Sarandon, Susan, 574, 577 Sarra, Manilo, 681 Sarrazin Michael, 494 Sauls, Larry, 765 Sawhill, Steve, 721, 731 Sawley, George, 177, 199, 216 Saxon, John, 538 Saylor, Steven, 776, 789 scenic department, 76, 413–414 Schacht, John, 688, 756–757, 789, 799 Schaffner, Franklin, 41, 462–464, 472 scheduling see production management Schertzinger, Victor, 192 Schifrin, Lalo, 613 SCHINDLER'S LIST, 67 Schlesinger, Leon, 123 Schlom, Maria Denise, 665 Schmidt, Arthur, 345, 400 Schmidt, David, 789 Schmidt, Phoebe, 676 Schoedsack, Ernest, 79, 147, 221 Schoonmaker, Thelma, 696–697, 699 Schwartz, Marvin, 469 science-fiction films, 522–533, 661–664 Scoppa, John Jr., 647 Scorsese, Martin, 45, 385, 690–697, 700, 832 Scott, Charles, 422 Scott, Randolph, 83 Screen Actors Guild (SAG), 23, 376, 404 screen credits see credits Screen Gems (television), 451

screenwriting, 40, 45, 47, 69, 91, 121, 127, 153–154, 203, 227–228, 245, 248, 259, 263, 268-270, 284–285, 291-293, 311, 317–318, 336, 339, 349, 353, 355, 357, 364, 379, 389, 392–393, 404, 412, 415–416, 430–434, 440, 455, 470, 473, 476, 487–490, 498– 499, 502, 506, 510, 518, 528, 536, 548, 561, 564–565, 568, 593–594, 602–604, 613, 628–629, 652, 654, 658–659, 676, 687–688, 700–703, 710, 718–721, 744–746, 752, 772–773, 781, 786, 789, 793, 798, 805, 810–813, 825–826, 828, 832 script clerks, 177, 594 SEABISCUIT, 383 Seaton, George, 43, 46–47, 268–271, 278, 281–282, 295–297, 318, 322, 488–490, 502, 567–568, 746 second units, 41, 129, 160, 175, 198–199, 212–213, 218–219, 257, 260, 276, 293, 314, 443, 445, 460–461, 478–479, 529–530, 600, 631, 643, 791, 820 THE SECRET WAR OF HARRY FRIGG, 417, 485–488 Segal, George, 615 Segar, Elzie, 15 Seiter, William, 271 Seitz, John, 60–61, 206–207, 221, 231, 263–264 Selig Polyscope Company, 461 Selleck, Tom, 546, 678 Sellers, Arlene, 626 Seltzer, Walter, 462, 473 Selznick, David O., 409 Sensurround (sound system), 608, 613-615 sequels, 271–272, 435, 639–644, 754 SERGEANT YORK, 201 set decorating, 28–29, 59–60, 112, 143, 152–153, 186, 212, 225, 230, 234, 238–239, 244–245, 256, 270, 283–284, 287, 294, 298, 315, 331, 355, 387, 404, 408–409, 420, 428, 447–449, 454, 471, 479, 484, 494, 496–497, 503, 505–508, 512, 516-518, 524, 537, 541, 544, 547–548, 555, 559, 561, 567-569, 572, 582, 594, 596, 599, 612, 616– 618, 622, 628, 634, 643, 647, 652, 655, 660–662, 668, 676, 679–681, 684, 688, 691, 698, 710, 719–721, 730–733, 740, 751, 757, 761–772, 789–791, 798–799, 805, 814– 815, 824, 829 Seven (7) Pictures-Raoul Walsh Enterprises, 414 Sexton, Michael, 711, 721, 731, 747, 765, 776, 789, 799 sexuality in films, 33, 363, 367, 370, 388–389, 397–398, 415–416, 680 Seymour, Stephen, 168, 172 SHANE, 76–77, 145 Shapiro, Melvin, 501 Sharp, John, 740 Shaw, Robert, 561 Shaw, Tom, 460 SHE (1935), 21 Shepard, Alan Jr., 323-324 Sherman studios see Raleigh studios Sherry Netherlands Hotel (New York City), 213 SHIP OF FOOLS, 89, 98 Shipman (scenic backings), 286 SHOGUN, 684 Shore, Dinah, 280–281 Short, Chuck, 577 “" (project), 597–598 Shotwell, Edna, 153 SHOW BOAT, 19–21 SHOWDOWN, 490, 567–568 Siegel, Don, 540 production, 95–98, 743 silent films, 67–68, 758 Silva, Henry, 444 Simmons, David, 683 Simpson, Wallis, 705 Sirk, Douglas, 427 Sistrom, Joseph, 272 Skall, William V., 176, 191 sketch artists see painters SKYLARK, 70, 167 , 40, 599–608 SLAUGHTERHOUSE-FIVE, 30, 231, 369, 501, 522–533, 544, 569, 645–646, 676 Slaughterhouse-Five (book), 522 SLM Production Group, 759 Smalley, Tad, 731 Smight, Jack, 485, 487 Smith, Gosnell, Nicholson and Associates (Los Angeles), 584 Smith, Jack Martin, 18, 22–23 Smith, Sidney, 15 Smith, Wayne, 748, 789 SMOKEY AND THE BANDIT, 643 SMOKEY AND THE BANDIT II, 435, 639–644 Snyder, William, 199 SO PROUDLY WE HAIL, 45, 57, 194–196 SOME LIKE IT HOT (1939), 87 SOME LIKE IT HOT (1959), 87 , 43, 252–254, 256 SORRY, WRONG NUMBER, 45–46, 88, 205–206 SORRY, WRONG NUMBER (radio), 205 S.O.S. NARONHA, 69 , 113–114, 118, 178 sound department, 168 sound recording, 104, 124, 155, 166-168, 223-225, 266, 512, 543–544, 549, 594, 613, 618, 641, 780, 825 sound re-recording, 124, 185, 543, 618, 641 South, Leonard J., 589 Southern Cross (ship), 173–175

Southern Pacific Railroad, 51, 262 , 40, 140, 162–163, 323–324, 781–794 Spacey, Kevin, 761–762 Sparkuhl, Theodor, 99 , 70 special effects, 76, 79–80, 92, 113, 123, 126–127, 133–134, 142–143, 147–150, 160– 161, 172, 178, 190, 211–212, 216, 250–251, 260–261, 276, 290, 318–319, 322–323, 332, 346–347, 351–354, 365–370, 374–375, 419, 446–448, 451, 453, 460–461, 476, 478, 482, 518–519, 528, 531, 546, 568, 577, 614, 631, 649, 657, 659, 662, 665, 680, 682–684, 686–687, 694–695, 698–699, 715, 721, 765–766, 781–782, 785–794, 800– 802, 816 special effects see also visual effects Spencer, Dorothy, 628 Spiegel, Karen, 746 Spielberg, Steven, 67, 566, 698, 768, 833 , 417–421, 426, 428 Springsteen, R. G., 453 St. James, Susan, 489 St. Luke's Hospital (Pasadena), 820, 825 Stader, Paul, 173 STAGECOACH, 331 stages, 526, 591 Staley, Roy, 17 stand-ins, 460, 723 Stanford, Kenny, 816 Stanwyck, Barbara, 127–128, 205, 255, 259, 262, 307–308 Star of Finland (ship), 114 star system, 228, 394–395, 456, 487–489, 507, 517, 689 Stargate (visual effects), 141 Starke, Annie, 647 Starke, John, 647 THE STARS ARE SINGING, 292–294 THE STARS FELL ON HENRIETTA, 555–556, 727–736, 738, 814 Starski, Alan, 67 Stelling, Larry, 816 Stembridge, Syd, 111–112 Stendhal (Marie-Henri Beyle), 53 Stern, Tom, 794, 815, 825 Sternad, Joseph, 199–200, 795 Stevens, Craig, 515 Stevens, George, 76 Stevens, Leslie, 515 Stevens, Stella, 575 Stewart, James, 348 Stiefel, Arnold, 767 still photography, 85, 346, 421–425, 468–469, 527, 778–779 Stimmel, L. Jr., 199 Stine, Clifford, 447 , 23, 29, 385, 431, 465, 497, 541, 554, 557–559, 561–567, 573, 575, 582, 585, 601, 649, 679–681, 713–714, 775 THE STING II, 565 Stiven, David, 687 stock film, 109, 271 stock see film stock; stock film Stockwell, Dean, 547 Stockwell, Guy, 464, 472, 474 Stone, Andrew, 135 Stone, Peter, 487 THE STORY OF DR. WASSELL, 66, 196–202, 211–212 Strauss, Robert, 309 Streep, Meryl, 727 Street, Sidney, 97 STREETS OF LAREDO, 44, 229, 238, 240–244, 246 THE STREETS OF SAN FRANCISCO (television), 516–517 Strong, John, 515 studio executives see executives studio system, 26–29, 33, 38, 40–41, 46–52, 58–64, 74, 88, 95–98, 102–105, 109–112, 120, 130, 144, 148–152, 157, 164–169, 187–190, 220, 225–228, 235–236, 247, 254, 258–259, 262–263, 267, 277–278, 311–312, 333–334, 344, 358–359, 411, 422, 426, 472, 484–485, 501–502, 508, 513–516, 534, 563–564, 722, 726–727, 745–746, 751 , 611 stunt persons, 475, 518, 537, 549, 552, 576–582, 602, 609-611, 639, 643, 648, 658, 662 Sturges, John, 533, 535–536, 548 Sturges, Preston, 86–87, 153–154 , 272–278, 326–327 Suchecki, Theodore, 815 Sullivan, Barry, 444 Sullivan, Blue, 765 SULLIVAN'S TRAVELS, 87 SUMMER AND SMOKE, 78 SUMMERTIME, 502 Sun Chemical Building (Los Angeles), 818–821, 824 Sundance Institute (Utah), 497 SUNSET BOULEVARD, 75–76, 190 Surtees, Bruce, 536–537, 548, 551–552, 581, 664, 727–728 Surtees, Robert, 29, 536, 557, 616–617, 620, 713 Sutherland, Donald, 786–787 Svenson, Bo, 580 Swank, Hilary, 826 Sweeney, Alfred, 24

TAKE A LETTER, DARLING, 70-71, 214–215

Tallman, Frank, 209, 576–579 Tandy, Jessica, 647 Tashlin, Frank, 91, 146, 354–355, 395–396 Taurog, Norman, 282, 294 Taylor, Don, 575 Taylor, Jack G. Jr., 140, 228, 236, 385, 691, 694, 697-699, 719–720, 730, 733, 747, 757, 771, 776, 783, 786-788, 794, 805, 814, 829–834 Taylor, Michael, 679 Taylor, Robert, 344, 389 Taylor, Rod, 444 Taylor, Samuel, 377, 506 Teal, William, 199 Teamsters Union, 38–39, 489, 492, 549–550 technical advisors, 221–222, 234, 323–324, 350, 410, 420, 445, 449, 480, 505, 531, 561, 602, 612, 631, 785, 792, 816 Technicolor Inc., 108–109, 116, 144–147, 170, 191, 202, 241–244, 294, 306, 313, 336, 350, 416, 419–420, 462, 546, 549 Techniscope (widescreen system), 479, 487 television, 49, 120, 141, 166, 171, 265, 292–295, 304–306, 447, 450–452, 489, 510, 513–521, 541, 545–547, 553, 584–587, 623, 650, 691 TELL THEM WILLIE BOY IS HERE, 29–30, 493, 496–502, 519, 522 Telschow, Chris, 731 Templeton, George, 213 THE TEN COMMANDMENTS (1957), 65, 75, 80–81, 256, 336, 387, 484 THE TERMINAL, 768–771 tests, 109, 145–146 Tetzlaff, Ted, 60, 120, 134–135, 150, 228 THE TEXANS, 82 THE TEXAS RANGERS, 243 Thackery, Bud, 473 Thalberg, Irving, 59 “Thanks for the Memory" (song), 124 THAT CERTAIN FEELING, 41–42, 335–339, 482 Thaxter, Phyllis, 255 The Hollywood I Knew: A Memoir 1916-1988 (book), 177 theater, 63, 143, 280–281, 291, 338–339, 405, 435, 443, 644–645, 650 theme parks see amusement parks Theresa Hotel (New York City), 502–504, 508–509 THIS GUN FOR HIRE, 88, 182 Thomas, A. Leslie, 757 Thomas, Anna, 674 Thomas, William, 128 Thompson, Charles S., 513, 518, 537, 545 Thompson, Wes, 474, 518 Thompson, Willie J., 684 Thomspon, Viola, 428 Thornton, Billy Bob, 732 Thorpe, Jack, 731 THE THREE MUSKETEERS (1935), 21 THREE SMART GIRLS, 22 three-dimensional motion pictures, 306–310, 313, 356 Thunberg, A., 199 Thurman, Lois, 594 Tidyman, Ernest, 548 Tillen, Jodie, 757 A TIME OF DESTINY, 671–674, 770 titles, 87, 370, 416, 529, 624–625, 661, 679–682, 700, 759 TO KILL A MOCKINGBIRD, 30–32, 95, 107, 111, 369, 385, 419, 422–440, 445-447, 479, 519, 538, 573, 671 TOBRUK, 476–482 Tocchet, Louis Paul, 780 TOM SAWYER (1973), 565 Tomasini, George, 350, 387 Tony Awards see Antoinette Perry Awards , 20 TOP O' THE MORNING, 44, 249–252, 456 TOPAZ, 245, 491-493, 502–511, 588–590 Tover, Leo, 116, 161, 248 TOYS, 382 Tozer, Geoffrey, 655 Tozija, Gorin, 673 training films, 216–217 transportation department, 165–166, 225–226, 298, 477–478, 705, 715, 722-724, 743, 816 THE TRAP, 41–42, 390–393, 399 Trauner, Alexandre, 106, 208-210 Treu, Wolfgang, 655 Trinacra Films (production company), 634 Tropp, Stan, 671 Trost, Ron, 711 THE TROUBLE WITH HARRY, 84, 475 , 119–120 TRUE CRIME, 771–781 Truman, Harry, 403–404 Tune, Tommy, 645 Tuttle, Frank, 182 Tutwiler, Tom, 322 TWELVE O'CLOCK HIGH, 443 Twentieth Century-Fox, 384, 454, 489, 582–583, 585, 644, 759 Tyler, Walter, 65, 76–77, 85, 218

UFA studios (Germany), 51, 66–67, 109, 591

THE UGLY AMERICAN, 23–24 UNCONQUERED, 78 underwater photography, 172–176 , 40, 67, 103–104, 159–160, 244, 246, 382, 483, 703–718, 747, 778, 801, 804, 815, 825 UNION PACIFIC, 43, 64, 71, 125–133, 139, 165, 219 United Artists, 174, 637 , 441–443 United States Army, 92, 202, 282–284, 480 United States Army Air Corps, 162 United States Department of Defense, 273, 325 United States Department of Homeland Security, 613 United States Naval Academy, 12–13 United States Naval Photographic Station (Anacostia), 27, 72, 181–182, 217 United States Naval Training Center, Women's Reserve (New York City), 212 United States Navy, 27, 72, 80, 181–182, 190–191, 216–218, 273, 275, 278, 320–321, 324–326, 439, 480, 672–673, 776–777, 784 United States Office of War Information, 470 United States War Production Board, 197 Universal Pictures,, 423, 426, 704, 726 Universal Studios Hollywood (theme park), 451, 465–467, 595, 665–666, 749 University of California, Berkeley, 13 University of California, Los Angeles (UCLA), 12, 32 University of California, Santa Barbara, 12 University of Iowa, 13 University of Southern California (USC), 13–16, 32, 68, 77, 81, 132–133, 385, 691, 759, 818, 823 University of Washington, 412 Uris, Leon, 502 Usher, Robert, 54–55, 72, 84, 114–116, 119, 134–135, 139, 160, 169, 172, 179, 182, 186, 191, 194, 299

THE VAGABOND KING, 24–25, 68, 93, 96, 341–345 Valdes, David, 703–704, 715, 722, 733 Valentine, Sean, 677 Van den Ecker, Louis, 345 Van Horn, Buddy, 537, 549, 552, 582, 722 Van Runkle, Theodora, 616 Vanderbilt Mansion (New York City), 91 Vargo, John, 757 Variety (trade publication), 117 Vassar, Charles, 721 vaudeville, 405 Venora, Diane, 780 Ventura, Jesse, 810 Ventura, Tyrel, 810 Vernon, John, 507, 517 VERTIGO, 25, 62, 69, 242, 245, 329, 353, 356–376, 380–381, 408, 443, 475, 519, 588, 671, 680–682, 700, 770 THE VICTIM (television), 541–543, 548 video-assisted filmmaking, 551, 694–695, 778–779, 828 videocassettes, 120, 178 Vignes, Louis, 385 Visart, Natalie, 127 VistaVision (widescreen system), 76, 316, 337–340, 462 visual effects, 40, 45, 79–80, 96, 123, 126, 141–143, 147–150, 160–161, 172, 178, 194, 207, 216, 220–221, 250–251, 260–261, 271, 276, 282, 290, 296–297, 306, 318–319, 322–323, 328, 332, 336–337, 342, 346–347, 351–354, 365–366, 368, 370, 374–375, 444–448, 453, 479–482, 528, 531, 568, 594, 631, 657, 662, 665, 670–671, 677, 685– 688, 692–697, 725–726, 734, 755–756, 759, 765–766, 781–782, 785–794, 800–802, 816 visual effects see also special effects Von Kleinsmid, Rufus B., 18–19 Von Richtofen, Manfred, 90 Vonnegut, Kurt, 522

Wagner, Robert, 483 WAIKIKI WEDDING, 99 WAKE ISLAND, 85–86 Walker, Hal, 215, 248, 258 Walker, Steven, 683 Waller, Peter, 657 Wallis, Hal, 47–49, 77–78, 91–92, 96, 146, 158, 189, 214–215, 247, 257–259, 262, 282–289, 307, 310–313, 344, 354–356, 388–389, 396, 399–400, 745 Wallis, Jim, 757 Wallis-Hazen Inc., 247 Walsh, David M., 612, 626 Walsh, Emmett, 605 Walsh, Raoul, 414 Walt Disney Company, 35–36, 89, 141 war films, 194–198, 212–213, 274–275, 318–320, 325-327, 441–442, 462, 477–481, 485–488, 514, 522–533, 672–678 THE WAR LORD, 417, 449–450, 462–468, 472, 662 Warburton, Cotton, 17 Warden, Jack, 472 wardrobe, 212, 244, 254, 302, 346, 387, 402–403, 428, 437–438, 447, 450, 494, 502, 745, 802–803 wardrobe see also costume design wardrobe see costume design Warner Bros., 81, 93–94, 112, 189, 206, 259, 262–263, 304, 389, 634, 704, 739, 748– 751, 761, 782, 830 WARNING SIGN, 644, 660–664, 759

Warren, Jennifer, 605 Washington, Isaiah, 781 Wassell, Corydon, 66, 196, 201 Wasserman, Lew, 318, 450–453, 502, 566 Wasson, Craig, 615 Waters, Chuck, 549 Waterston, Sam, 660, 662 Watson, Waldon O., 512 THE WAY WE WERE, 566 Wayne, John, 24 Weaver, Dennis, 517 Weaver, Judith, 790 Webb, George, 412, 531–532 Webb, Robert, 443 Webber, Robert, 546 Webster, Ferris, 537, 548 Weddington, Stacey, 765 Weed, Frank, 161 Wehmeyer, Ernest, 415, 429, 445, 455, 524, 537, 549, 559–562, 594, 599 Weil, Richard, 284 Weinman, Morris, 648 Welch, James, 460 Welch, Robert L., 249 Wellman, William, 55, 79, 158 WELLS FARGO, 83, 94, 99-115, 120 West, Bruce, 789 West, Butch, 721 West, Judi, 494 Western Association of Motion Picture Advertisers (WAMPAS), 21 Western Costume Company, 71–72 westerns, 40, 68, 82–84, 92–94, 139–140, 165, 218–219, 243–246, 260, 264, 328–329, 344, 387–390, 419, 453–454, 493–497, 533–541, 548–557, 702–718, 802–803, 813 Westman, James, 603 Westmore, Bud, 435, 445, 546 Westmore, George, 436 Westmore, Wally, 350, 436 Wetherhead, Arthur C., 19 Wexler, Haskell, 304 WHAT DID YOU DO IN THE WAR, DADDY? 487 WHAT'S SO BAD ABOUT FEELING GOOD? 488–493 WHISPERING SMITH, 218–220 WHITE CHRISTMAS, 184–185 “White Christmas" (song), 182, 184–185 Whitlock, Albert, 141, 479–482, 518–519, 531, 560, 568, 594, 670 widescreen systems, 76, 306, 313, 316–320, 337–340, 416, 462, 479, 487 Widmark, Richard, 41, 390, 615 Wiesmann, Robert, 657 Wilcoxon, Henry, 464 Wilder, Billy, 61, 73–74, 88, 153, 156, 170, 202, 208–210, 232, 315, 569–570, 573– 574, 702 Williams, "Big Joe," 393 Williams, J. Terry, 593 Williams, Jim, 762 Williams, John, 486, 594 Williams, Robin, 650–651 Williams, Spencer, 265 Willis, Constance, 350 Wilson, Dean, 815 Wilson, Doug, 554, 706, 711–712, 748 Wilson, Harold, 170 Wilson, Henry, 414 Wilson, Marie, 258 Windom, William, 780 Windsor, Edward (Edward VIII), 705 Winitsky, Alex, 626 WINNING, 493 “Winning Ugly" (project), 704 Winston, Ron, 482–483 Winters, Shelley, 547 Wise, Robert, 37–38 Wisnievitz, David, 685 WIVES AND LOVERS, 78 Wolfson, P. J., 66, 223 Women Accepted for Volunteer Emergency Service (WAVE), 213 Wood, Carol Winstead, 671 Wood, Durlinda, 676 Woods, James, 773 Woodward, Joanne, 653 Woodworth, Walter, 494 Woolstenhulme, Charles, 188–189 THE WORLD ACCORDING TO GARP, 35, 369, 528, 644–651 , 54, 90 World War II, 53–54, 61, 91, 136, 161–162, 180–181, 191–192, 195–201, 211–213, 224, 239–240, 275, 325, 470, 480, 487, 523 Worsley, Wallace, 471, 484, 488–490, 493–494 Worsley, Wallace Jr., 599, 612 Worthington, Harold, 177 Wright, Joseph, 440 Wright, Loyd, 285 Wright, Thomas, 595 Wrigley, Dewey, 127, 145, 161, 176 Wrigley, Philip K., 119

Writers Guild of America (WGA), 270, 376, 404, 407, 490 Writing With Hitchcock: The Collaboration of and John Michael Hayes (book), 311 Wunderlich, Jerry, 566 Wunsch, Robert, 602 Wyman, Jane, 331

Yale University (Connecticut), 526 YANKEE DOODLE DANDY, 259, 262 Yeaton, Brook, 679 You'll Never Eat Lunch in This Town Again (book), 567 Young, Alan, 280 Young, Freddie, 502 Young, Victor, 345 YOURS FOR THE ASKING, 71 Yuricich, Richard, 684, 688

Zaganto, John, 757 Zahlen, Gary, 612 Zanuck, Lili Fini, 771 Zanuck, Richard, 557, 771 Zemansky, Jim, 757 Zerbe, Anthony, 780 Zieff, Howard, 621–626 Ziegler, Bill, 335 Ziker, Dick, 643 Zingelewicz, D. A., 790 Zipfel, Donald, 664–665 ZOOT SUIT, 613 Zorina, Vera, 170 Zucco, George, 180 Zuckerman, Anita, 767