DOCSLIB.ORG

Enzo Siciliano

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Enzo Siciliano Gabinetto G.P. Vieusseux Archivio Contemporaneo “Alessandro Bonsanti” https://www.vieusseux.it/archivio-contemporaneo.html Fondo Enzo Siciliano Indice dei corrispondenti a cura di Silvia Chessa, Eleonora Pancani Firenze, 2015 [una descrizione dei carteggi del fondo Siciliano ricercabile anche nella banca dati raggiungibile a questo indirizzo: http://opera.nexusfi.it/easyweb/w0102/] Fondo Enzo Siciliano – Indice dei corrispondenti Legenda: la dicitura “(n.a.)” corrisponde alla nuova accessione datata febbr. 2010; la dicitura “(Nu. Ar.)” indica la corrispondenza personale di Enzo Siciliano che è stata scorporata dal Fondo «Nuovi Argomenti» (marzo 2014). Con le seguenti abbreviazioni vengono invece indicati pezzi precedentemente conservati in fascicoli allestiti con documentazione omogenea ma che non esaurivano un determinato argomento (cioè altre lettere sul medesimo evento erano già presenti in luoghi diversi della corrispondenza), i dossier sono stati quindi smembrati ma queste sigle consentono di individuare i documenti che ne facevano parte: CDV = congratulazioni per la nomina alla Direzione del Gabinetto G.P. Vieusseux (nov. 1994) CPR = congratulazioni per la designazione alla Presidenza RAI (luglio 1996) PVP = due raccoglitori “RAI presidente Varie personali” 1) giugno-dicembre 1996 e 2) gennaio-giugno 1997 (giunti presso l’archivio tramite la segretaria Rita Degli Esposti); n.b. si segnala che sono presenti in originale le lettere esclusivamente personali, quelle con il timbro di protocollo della Presidenza RAI sono in fotocopia; in alcuni casi erano presenti nei raccoglitori solo le buste con allegata la fotocopia della risposta di Siciliano, il pezzo relativo è stato rinvenuto nei contenitori della corrispondenza generale e quindi riunito alla busta SDR = solidarietà dimissioni presidenza RAI (genn. 1998) SCATOLA 1 1 ABBADO, Roberto: 1, 1997 2 ABENI, Damiano: 14, 2000-2001 3 Accademia dei Georgofili: 1, 1998 [SCARAMUZZI, Franco] 4 Accademia Filarmonica Romana: 2, 1982-2001 [PANNI, Adriana] [PANNI PAVOLINI, Luisa] 5 Accademia Italiana del peperoncino: 1, 2003 [MONACO, Enzo] 6 Accademia Musicale Chigiana: 1, 1994 [ALBERTI, Luciano] CDV 7 Accademia Nazionale di Santa Cecilia: 1, 1996 [CAGLI, Bruno] PVP 8 ACERBI PETRASSI, Rosetta: 1, 2003 9 ACI (Associazione Culturale Italiana): 3, 1982-1983 [ANTONETTO, Irma] 10 ACIDINI, Cristina (Soprintendenza per i beni artistici e storici): 1, 1996 CPR 11 ADAMI, Stefano (Musica nel Chiostro): 4, 1993-[2000]; allegato testo di S.A. “Italo Calvino, stretto collaboratore di Musica nel Chiostro”, 19 c. 12 ADAMI, Valerio: 2, 1983-1989 13 ADAMO, Giovanni: 1, 1974 14 ADDAMO CAVALLARO, Grazia: 8, [1999]-2004; all. fotocopia della bibliografia ds. delle opere di Sebastiano Addamo, 4 c. 15 ADDAMO, Sebastiano: 38, 1970-1996 16 ADELFI, Nicola: 1 [1981] 1 Archivio Bonsanti – Gabinetto Vieusseux, Firenze [pseud. di DE FEO, Nicola] 17 AFELTRA, Gaetano: 2, 1984-1985 18 AFFINATI, Eraldo: 3, 1986-1993 19 AGAMBEN, Giorgio: 4, 1968-2005 Agenzia Letteraria Internazionale vedi fascicolo contratti ed ES.I.1726.1-36 20 A.G.I.S. (Associazione Generale Italiana dello Spettacolo): 2, 1989-1991 [SCARPELLINI, Lorenzo] [BANDINI, Carlo Maria] 21 AGLIOTI, Antonello:1, 1998 SDR 22 AGNELLI, Giovanni e Marella: 18, 1971-2001 anche PVP + copia di lettera di ES 13.6.1991 all'Avvocato [Gianni Agnelli] [AGNELLI CARACCIOLO, Marella] 23 AGNELLI, Susanna (n.a.): 2, [1995]-2003 24 AGNESE, Gino: 1, 1986 25 AGUS, Gianni: 1, 1983 26 AIMI, Amos (don): 1, 1986 27 AIOLLI, Valerio: 1, 2001 28 AIRAGHI, Alida: 1, 1978 29 ALBERTI, Barbara: 1, 1978 All. lettera a «L'Europeo» 30 ALBERTI, Guido: 1, 1973 31 ALBINATI, Edoardo: 14, 1982-2001 anche SDR [cartolina da Sarajevo f.ta anche Paolo Conti; cart. da New York f.ta anche Stefano [Simoncelli] 32 ALBISOLA ALBERTALLI, Giancarlo: 1, 1976 [all. fotocopia di lettera a BELLEZZA, Dario] + copia di lettera di ES 5.12.1976 33 ALESSANDRINI, Maria: 4, 1996-1998 34 ALHAÏQUE, Robert: 2, 1979 35 ALLAMPRESE, Luciano: 4, [1983]-1990 36 ALLEVA, Annelisa: 3, 1998-1999 37 ALMANSI, Guido (University of East Anglia): 14, 1975-1990 38 ALPI, Maurizio: 2, 1989-1996 39 ALTOVITI AVILA, Antonio: 1, 1995 2 Fondo Enzo Siciliano – Indice dei corrispondenti 40 ALVAREZ, Sonia: 3, 1980-2005 41 AMATO, Giuliano (Autorità Garante della Concorrenza, Presidente del Consiglio dei Ministri, Ministro del Tesoro): 66, 1997-2002 + 2 copie di lettere di ES 15.5.1997 PVP e 10.5.1999 42 AMBROGETTI, Andrea: 1, 1999 43 AMBROSINI, Richard: 2, 1992-1995 44 AMEDEO, Giovanni: 15, 1971-1980 + copia di lettera di ES s.d. [dopo il 7.4.1973] 45 AMENDOLA, Giorgio (Camera dei deputati): 3, 1972-1979 46 AMENDOLARA, Marco: 3, 2000-2005 47 American Academy in Rome: 1, 1994 [BRUZELIUS, Caroline] 48 Amici del Teatro Comunale: 1, 1996 [BONAIUTI, Grazia] 49 AMICUCCI, Elena: 1, 1985 50 AMORETTI, Amelia: 1, 1993 51 AMOROSO, Giuseppe: 3, 1984-2002 (presente ritaglio della recensione a Non entrare nel campo degli orfani in «Gazzetta del Sud», 24 sett. 2002) 52 ANCESCHI, Luciano: 1, 1971 53 Ancinex: 2, 1970-1976 [MONTIVIER, Monique - STÉPHANE, Nicole] + copia di lettera di ES 16.5.1976 a Nicole Stéphane; all. lettera di Suso Cecchi D'Amico e fotocopie di liberatorie di Francois Leterrier (19 febbraio 1976) e Franz-André Burguet (1 marzo 1976) 54 ANDREINI, Alba: 2, 2000-2005 55 ANDREINI, Gabriella B.: 2, 1990-1999 56 ANDREOLI, Annamaria (Fondazione il Vittoriale degli Italiani): 6, 1992-1999 anche SDR 57 ANDREOTTI, Roberto: 1, 2001 58 ANEC (Associazione Nazionale Esercenti Cinema): 1, 1983 [GRASSI, Luigi] SCATOLA 2 59 ANEDDA, Antonella: 4, [1994-2003] 60 ANGOTTI, Giovanni: 1, 1997 + copia biglietto di ES 27.2.1997 PVP 61 ANNECCHINO (?), Arturo: 1, [2000] 3 Archivio Bonsanti – Gabinetto Vieusseux, Firenze 62 (A.N.P.I.) Associazione nazionale Partigiani d'Italia: 2, 1981 [PETRONI, Guglielmo] 63 APOLLONI, W. (Apolloni Arte Antica): 1, 1994 CDV 64 ARBASINO, Alberto: 52, 1958-2006 + copia biglietto di ES 13.3.1997 PVP 65 Archivio di Stato di Parma: 1, 1992 [DALL'ACQUA, Marzio] 66 ARCIULI, Emanuele: 1, 2000 67 ARDENZI, Lucio: 1, 1995 68 ARDITI, Fiamma: 1, 1996 PVP 69 ARDUINI, Franca (Biblioteca Marucelliana): 1, 1994 70 ARECCO, Sergio: 2, 1971-1979 71 «Ariel», Istituto di Studi pirandelliani: 2, 1994 [BARBINA, Alfredo] 72 ARNOLD, Hans (L'ambasciatore della Repubblica Federale di Germania): 1, 1981 73 ARNONE, Vincenzo (don): 1, 2004 74 ASCOLI, Luciano: 1, 2004 75 ASOR ROSA, Alberto: 1, 2002 all. rec. ds. a Racconti italiani del Novecento, 7 c. 76 Associazione Amici di Romano Bilenchi: 2, 1999 [BARZANTI, Roberto] + due lettere di ES 8 e 30.8.1999 77 Associazione festival dei due mondi - Festival di Spoleto: 5, 1971-1985 [RAVAIOLI, Raffaele] [BOGIANCKINO, Massimo] [LOMAZZI, Giovanna] [MARIANI, Angela] [CURI, Raffaele] 78 Associazione Fondo Alberto Moravia: 8, 1994-2004 [MARAINI, Toni] [Dahlijani ?] PVP Allegato progetto “Roma - Sarajevo, gli scrittori contro ogni guerra” (comitato: ES, Predrag Matveievic, Arnaldo Colasanti, Emanuele Trevi, Mauro Martini, Toni Maraini, Attilio Scarpellini), 3 c. e fax “Circolo 99” [Adil Kulenovic] all. fotocopia di lettera di MONTINI, Franco (Associazione Made in Italy) 79 Associazione Goffredo de Banfield: 2, 1993 [KOBAU, Olivia] [DE BANFIELD, Maria Luisa] 80 Associazione Insieme per la Pace: 1, 1996 4 Fondo Enzo Siciliano – Indice dei corrispondenti [FANFANI, Mariapia] + copia di biglietto di ES 23.9.1996 PVP 81 Associazione italiana di scienze politiche e sociali: 1, 1996 [NEGRI, Guglielmo] PVP 82 Associazione i Teatri Reggio Emilia: 1, 1993 [RIGHI, Ero] 83 Associazione nazionale dei critici del teatro: 1, 1982 [URSINI URSIC, Giorgio] 84 Associazione «Piazza Maggiore»: 1, 1982 [BERLENGHINI, Giuseppe] 85 Associazione psicanalitica italiana: 1, 1980 [VERDIGLIONE, Armando] 86 Associazione Stampa Romana: 4, 1984-1993 [DIACONALE, Arturo] Premi internazionali Roma per la stampa [EVANGELISTI, Gilberto RAVAGLIOLI, Armando] all. fotocopia di lettera della Società Editrice Lancio S.p.a. 87 Associazione Storica del Taburno Orientale: 1, 1998 [D'ONOFRIO, Salvatore] 88 Associazione Trianon Teatro: 1, 1986 [OBINO, Antonio] 89 ASTALDI, Maria Luisa (Ulisse): 2, 1973-1975 90 ASTENGO, Domenico (Resine): 3, 1979-1995 91 Asti (Comune): 1, 1990 [GALVAGNO, Giorgio] [FLORIO, Luigi] 92 ATTARDI, Andrea: 5, [1994] - 1997 + copia biglietto di ES 3.4.1997 PVP 93 ATTARDI, Ugo: 3, 1997 + copia biglietto di ES 25.3.1997PVP 94 ATZORI, Graziella: 1, 1983 95 AUDAC (Associazione Umbra per il Decentramento Artistico e Culturale) - Teatro stabile dell'Umbria: 2, 1984-1992 [RUGGIERI, Franco] + copia di lettera di ES 14.11.1984 96 AUFIERO, Raffaele: 1, 1998 SDR 97 AUGIAS, Corrado: 13, 1967-2001 anche PVP 98 AVAGLIANO, Tommaso (Avagliano casa editrice): 1, 2002 5 Archivio Bonsanti – Gabinetto Vieusseux, Firenze 99 AVILA, Alice: 1, 2000 100 AVVANZINI, Ugo: 2, 2001 101 BACCHINI, Pier Luigi: 3, 1992-2000 102 BÀCCOLO, Luigi: 2, 1975-1979 103 BACIGALUPO, Massimo: 3, 1995-2003 104 BAGATTI, Fabrizio (Giunti, Alinari): 6, 1991-1998 anche CDV 105 Bagheria (Comune): 1, 1998 [VALENTINO, Giovanni] 106 BAGNOLI, Paolo (Senato della Repubblica, Democratici di sinistra): 6, 1994-1999 107 BALDACCI, Luigi: 56, 1965-2002 anche CDV + copia biglietto di ES 3.6.1997 PVP 108 BALDI, Nora: 1, 1979 + copia telegramma ES 13.5.1979 109 Baldini&Castoldi: 1, 1998 [CALVETTI, Paola] 110 BALDINI, Jolena: 1, 1994 [pseud. Berenice] 111 BALLANTI, Federico: 1, 2000 112 Banca Popolare dell'Etruria e del Lazio: 1, 1995 [REDI, Alessandro] 113 BANDINI, Fernando (Fondazione Giorgio Cini): 2, 1999-2004 114
Load more

Recommended publications
  • Chapter One: Introduction
    CHANGING PERCEPTIONS OF IL DUCE TRACING POLITICAL TRENDS IN THE ITALIAN-AMERICAN MEDIA DURING THE EARLY YEARS OF FASCISM by Ryan J. Antonucci Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History Program YOUNGSTOWN STATE UNIVERSITY August, 2013 Changing Perceptions of il Duce Tracing Political Trends in the Italian-American Media during the Early Years of Fascism Ryan J. Antonucci I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Ryan J. Antonucci, Student Date Approvals: Dr. David Simonelli, Thesis Advisor Date Dr. Brian Bonhomme, Committee Member Date Dr. Martha Pallante, Committee Member Date Dr. Carla Simonini, Committee Member Date Dr. Salvatore A. Sanders, Associate Dean of Graduate Studies Date Ryan J. Antonucci © 2013 iii ABSTRACT Scholars of Italian-American history have traditionally asserted that the ethnic community’s media during the 1920s and 1930s was pro-Fascist leaning. This thesis challenges that narrative by proving that moderate, and often ambivalent, opinions existed at one time, and the shift to a philo-Fascist position was an active process. Using a survey of six Italian-language sources from diverse cities during the inauguration of Benito Mussolini’s regime, research shows that interpretations varied significantly. One of the newspapers, Il Cittadino Italo-Americano (Youngstown, Ohio) is then used as a case study to better understand why events in Italy were interpreted in certain ways.
    [Show full text]
  • History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena
    NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996).
    [Show full text]
  • A British Reflection: the Relationship Between Dante's Comedy and The
    A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives.
    [Show full text]
  • 'Something Is Wrong with Our Army…' Command, Leadership & Italian
    Journal of Military and Strategic VOLUME 14, ISSUE 1, FALL 2011 Studies ‘Something is wrong with our army…’ Command, Leadership & Italian Military Failure in the First Libyan Campaign, 1940-41. Dr. Craig Stockings There is no question that the First Libyan Campaign of 1940-41 was an Italian military disaster of the highest order. Within hours of Mussolini’s declaration of war British troops began launching a series of very successful raids by air, sea and land in the North African theatre. Despite such early setbacks a long-anticipated Italian invasion of Egypt began on 13 September 1940. After three days of ponderous and costly advance, elements of the Italian 10th Army halted 95 kilometres into Egyptian territory and dug into a series of fortified camps southwest of the small coastal village of Sidi Barrani. From 9-11 December, these camps were attacked by Western Desert Force (WDF) in the opening stages of Operation Compass – the British counter-offensive against the Italian invasion. Italian troops not killed or captured in the rout that followed began a desperate and disjointed withdrawal back over the Libyan border, with the British in pursuit. The next significant engagement of the campaign was at the port-village Bardia, 30 kilometres inside Libya, in the first week of 1941. There the Australian 6 Division, having recently replaced 4 Indian Division as the infantry component of WDF (now renamed 13 Corps), broke the Italian fortress and its 40,000 defenders with few casualties. The feat was repeated at the port of Tobruk, deeper into Libya, when another 27,000 Italian prisoners were taken.
    [Show full text]
  • Mussolini a New Life
    A 364818 MUSSOLINI A NEW LIFE Nicholas Farrell Weidenfeld & Nicolson LONDON CONTENTS Acknowledgements xi Illustrations xiii Maps xv Foreword xvii 1 The Land of the Duce 1 2 The Youth of the Duce 8 3 The Duce as Tramp and Teacher 21 4 The Duce as Journalist 34 5 Avanti! 47 6 Trench War in the Alps 66 7 The Birth of Fascism 75 The Crisis of the Italian Liberal State The Fascist Movement Is Founded If d'Annunzio's March on Fiume Was Comic Opera, Mussolini's March on Rome Was Opera Lirica Life at Fiume The 1919 General Election: Fascism Fails The Fascist Phoenix Rises Squadrismo 1921: 'L'Anno Fascista' 8 The March on Rome 110 9 Power: Year One of the Fascist Era 124 10 Dux 161 The Five Souls of Fascism The Battle for the Economy and the Corporate State Marriage and the Man The Conciliation of Church and State, 1929 11 The Fascist Faithful and the Cult of the Duce 214 1932: Year Ten of the Fascist Era Duce! Duce! The Glory Years: I Ragazzi degli Anni Trenta vii Mussolini: A New Life The Wall Street Crash and the Corporate State Getting Across the Fascist Message Starace and Lo Stile Fascista Foreign Policy 1925-35: An Italian Place in the Sun Austria 12 Ethiopia 1935-6: Mad Dogs and Englishmen 252 Galeazzo Ciano: The Son-in-Law the Duce Would Have Shot All Silent at Stresa Appeasing the Dictators A Proletarian Colonial War The Hoare-Laval Pact Victory in Ethiopia Ethiopia: Italian Atrocities and Vanity 13 The Spanish Civil War (1936-9): The Blurring of Good and Evil and the Taking of Sides 281 Chamberlain's Secret Contacts with Mussolini The
    [Show full text]
  • Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
    Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan)
    [Show full text]
  • The Case of Alberto Carocci (1926-1939)
    Habitus and embeddedness in the Florentine literary field: the case of Alberto Carocci (1926-1939) Article Accepted Version La Penna, D. (2018) Habitus and embeddedness in the Florentine literary field: the case of Alberto Carocci (1926- 1939). Italian Studies, 73 (2). pp. 126-141. ISSN 1748-6181 doi: https://doi.org/10.1080/00751634.2018.1444536 Available at http://centaur.reading.ac.uk/75567/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/00751634.2018.1444536 Publisher: Taylor and Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Habitus and Embeddedness in the Florentine Literary Field: The Case of Alberto Carocci (1926-1939) Daniela La Penna Department of Modern Languages and European Studies, University of Reading, Reading, UK [email protected] 1 Habitus and Embeddedness in the Florentine Literary Field: The Case of Alberto Carocci (1926-1939) This article intends to show how the notion of embeddedness, a concept derived from network theory, can improve our understanding of how a journal’s reliance on regional and national intellectual networks impacts the journal’s performance. The study takes as test case Alberto Carocci’s editorship of Solaria.
    [Show full text]
  • Homage to Alberto Moravia: in Conversation with Dacia Maraini At
    For immediate release Subject : Homage to Alberto Moravia: in conversation with Dacia Maraini At: the Italian Cultural Institute , 39 Belgrave Square, London SW1X 8NX Date: 26th October 2007 Time: 6.30 pm Entrance fee £5.00, booking essential More information : Press Officer: Stefania Bochicchio direct line 0207 396 4402 Email [email protected] The Italian Cultural Institute in London is proud to host an evening of celebration of the writings of Alberto Moravia with the celebrated Italian writer Dacia Maraini in conversation with Sharon Wood. David Morante will read extracts from Moravia’s works. Alberto Moravia , born Alberto Pincherle , (November 28, 1907 – September 26, 1990) was one of the leading Italian novelists of the twentieth century whose novels explore matters of modern sexuality, social alienation, and existentialism. or his anti-fascist novel Il Conformista ( The Conformist ), the basis for the film The Conformist (1970) by Bernardo Bertolucci; other novels of his translated to the cinema are Il Disprezzo ( A Ghost at Noon or Contempt ) filmed by Jean-Luc Godard as Le Mépris ( Contempt ) (1963), and La Ciociara filmed by Vittorio de Sica as Two Women (1960). In 1960, he published one of his most famous novels, La noia ( The Empty Canvas ), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl, in Rome. It won the Viareggio Prize and was filmed by Damiano Damiani in 1962. An adaptation of the book is the basis of Cedric Kahn's the film L'ennui ("The Ennui") (1998). In 1960, Vittorio De Sica cinematically adapted La ciociara with Sophia Loren; Jean- Luc Godard filmed Il disprezzo ( Contempt ) (1963); and Francesco Maselli filmed Gli indifferenti (1964).
    [Show full text]
  • Consensus for Mussolini? Popular Opinion in the Province of Venice (1922-1943)
    UNIVERSITY OF BIRMINGHAM SCHOOL OF HISTORY AND CULTURES Department of History PhD in Modern History Consensus for Mussolini? Popular opinion in the Province of Venice (1922-1943) Supervisor: Prof. Sabine Lee Student: Marco Tiozzo Fasiolo ACADEMIC YEAR 2016-2017 2 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Declaration I certify that the thesis I have presented for examination for the PhD degree of the University of Birmingham is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of my words. 3 Abstract The thesis focuses on the response of Venice province population to the rise of Fascism and to the regime’s attempts to fascistise Italian society.
    [Show full text]
  • JENS PETERSEN the Italian Aristocracy, the Savoy Monarchy, and Fascism
    JENS PETERSEN The Italian Aristocracy, the Savoy Monarchy, and Fascism in KARINA URBACH (ed.), European Aristocracies and the Radical Right 1918-1939 (Oxford: Oxford University Press, 2007) pp. 91–110 ISBN: 978 0 199 23173 7 The following PDF is published under a Creative Commons CC BY-NC-ND licence. Anyone may freely read, download, distribute, and make the work available to the public in printed or electronic form provided that appropriate credit is given. However, no commercial use is allowed and the work may not be altered or transformed, or serve as the basis for a derivative work. The publication rights for this volume have formally reverted from Oxford University Press to the German Historical Institute London. All reasonable effort has been made to contact any further copyright holders in this volume. Any objections to this material being published online under open access should be addressed to the German Historical Institute London. DOI: 6 The Italian Aristocracy, the Savoy Monarchy, and Fascism JENS PETERSEN What political role did the aristocracy play in the early decades of a unified Italy? Researchers are widely divided in their opin- ions on this question. They range from the rose-tinted view of Arno Mayer, who regarded the ancien regi,me nobility as still at the core of Italy's social and political system, to opinions that speak of a rapid and unstoppable decline. 1 Although aristocratic values continued to shape the path of upward mobility for the middle classes, nobility as such did not play an important role in the Italian nineteenth-century social structure, because it did not constitute a well-defined group in itself, due to its regional more than national status.
    [Show full text]
  • Questionariostoria
    QuestionarioStoria 1 In seguito a quale evento bellico l'esercito del Regno 7 A seguito di quale accusa fu sciolto il Partito d'Italia poté entrare in Roma nel 1870? Socialista Italiano nel 1894? A) Alla sconfitta dei Francesi a Sedan A) L'accusa di aver appoggiato i Fasci siciliani B) Alla sconfitta dei Prussiani a Verdun B) L'accusa di spionaggio a favore della Seconda Internazionale socialista C) Alla sconfitta degli Austriaci a Sadowa C) L'accusa di voler attentare alla vita del sovrano D) Alla sconfitta dei Francesi a Lipsia D) L' accusa di aver attentato alla vita di Umberto I 2 Come reagì il governo Rudinì alle agitazioni popolari del 1898? 8 Tra quali nazioni l'irredentismo italiano fu causa di rapporti diplomatici tesi? A) Cercò alleanze in parlamento A) L'Italia e la Polonia B) Fece importanti concessioni ai dimostranti B) L'Italia e la Grecia C) Rassegnò le dimissioni C) L'Italia e l'Impero ottomano D) Si affidò all'esercito D) L'Italia e l'Austria - Ungheria 3 Nel 1884 il governo Depretis abolì un'imposta invisa alla popolazione. Quale? 9 In quale anno morì Camillo Cavour? A) La tassa sul macinato A) Nel 1865 B) La tassa doganale regionale B) Nel 1875 C) La tassa comunale di utilizzo delle acque pubbliche C) Nel 1861 D) La tassa sulla prima casa D) Nel 1871 4 Quali direttive di politica estera adottò Antonio 10 Nel 1861 espugnò, dopo un assedio, la fortezza di Rudinì nel marzo del 1896, quando fu incaricato di Gaeta, ultima roccaforte dei Borbone; condusse nella sostituire Francesco Crispi alla guida dell'Esecutivo? Terza guerra d'indipendenza le truppe dell'esercito che operavano sul basso Po.
    [Show full text]
  • CATALOGO 2017 Letteratura Italiana Del ’900 Libreria Malavasi S.A.S
    CATALOGO 2017 LETTERATURA ITALIANA DEL ’900 Libreria Malavasi s.a.s. di Maurizio Malavasi & C. Fondata nel 1940 Largo Schuster, 1 20122 Milano tel. 02.80.46.07 fax 02.36.741.891 e-mail: [email protected] http: //www.maremagnum.com http: //www.libreriamalavasi.com Partita I.V.A. 00267740157 C.C.I.A.A. 937056 Conto corrente postale 60310208 Orario della libreria: 10-13,30 – 15-19 (chiuso il lunedì mattina) SI ACQUISTANO SINGOLI LIBRI E INTERE BIBLIOTECHE Negozio storico riconosciuto dalla Regione Lombardia Il formato dei volumi è dato secondo il sistema moderno: fino a cm. 10 ............ = In - 32 fino a cm. 28 ............. = In - 8 fino a cm. 15 ............ = In - 24 fino a cm. 38 ............. = In - 4 fino a cm. 20 ............ = In - 16 oltre cm. 38 .............. = In folio 89580 AMENDOLA Giorgio, Un’isola Milano, Rizzoli, 1980. In-8, brossura, pp. 251. Prima edizione. In buono stato (good copy). 9,50 € 79355 ANDREOLI Vittorino, Il matto inventato Milano, Rizzoli, 1992. In-8, cartonato editoriale, sovracoperta, pp. 232. Pri- ma edizione. In buono stato (good copy). 9,90 € 51595 ANGIOLETTI Giovanni Battista, Scrittori d’Europa Critiche e polemiche Milano, Libreria d’Italia, 1928. In-16 gr., mz. tela mod. con ang., fregi e tit. oro al dorso, conserv. brossura orig., pp. 185,(7). Pri- ma edizione. Ben conservato, con dedica autografa dell’Autore ad Anselmo Bucci. 40 € 47217 ANTOLOGIA CECCARDIANA Introduzione e scelta di Tito Rosina Genova, Emiliano degli Orfini, 1937. In-8 p., brossura (mancanze al dorso, piatto posterio- re staccato), pp. 171,(3), Prima edizione. Antologia dedicata al poeta Ceccardo Roccatagliata Ceccardi, con un suo ritratto.
    [Show full text]