DOCSLIB.ORG

ABBREVIATIONS Adv

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ABBREVIATIONS Adv ABBREVIATIONS adv. (advs.) advertisement (advertisements) bl. blank cat. catalogue Copy: own. a copy belonging to my own collection of Swift books Frontisp. Frontispiece f.t. full-title h.t. half-title L.P. Large Paper N.D., or n.d. No Date Sm.P. Small Paper t. title Browning, Poems (see No. 197) Corresp. (see No. 196) Davis (see No. 215) Elr. Ball, Swift's Verse (see No. 1549) Griffith (see No. 1525) Hubbard, Contributions (see No. 1522) Monck Mason, History of St. Patrick's Cathedral (s·~e No. 1383) Prose Works (see No. 182) INDEX OF TITLES (The numbers given refer to the numbers of the text) Abhandlung uber die Zwifte . .. A then und American Journal of Insanity, The (1912), Rome, Eine (1820), 480. 1501. Accomplishment Of the First of Mr. Bicker­ American Speech (1926), 1537. staff's Predictions, The ( 1708), 495. A nato mist Dissected, The (I 727), 1233. Account Of Archbishop Marsh's Library, Anecdotes & Biography (1799), 1370. An (1926), 1474. Anecdotes, Observations, And Characters, Account of a Batte/ Between The Antient Of Books and Men (1820), 1384. and Modern Books in St.] ames's Libra­ Anglia (1888), 1450; (1893), 1458. ry, An. See Tale Of A Tub, A. Annoque Domini I7J2 (1732), 962. Account Of The Irish, Some (1753), 991. Answer, His Grace's [The Duke Of Graf- Account Of The journey-men Weavers ton's . .. to Smedley's Petition] ( 1724), grateful Congratulation of the Rev. Dr. 634. Swift, An (1726), 1213. Answer To Bickerstaff, An (1708), 494. Account Of The Life Of the Reverend Answer To Dr. D--- y's Fable Of The jonathan Swift, An (1800), 1371. Pheasant And The Lark, An (1730), 695. Account of the State of Learning In The Answer To A Paper, Called A Memorial, Empire of Lilliput, An (1728), 1234. An (1728), 665. Address Of The House Of Lords To The Answer To Mr. Wood's Proposal, An_. See Queen, The (1713), 588. Drapier's Letters, The (2nd Letter). Advantages Propos'd By Repealing The Answered [i.e. Delany's Riddle] by the Sacramental Test, The ( 1732), 723-725. Reverend Dean S - - - t ( 1727), 656. Adventures Of Capt. Gulliver, The. See Antiquarian Magazine & Bibliographer, Travels Into Several Remote Nations Of The (1885), 1445. The World (English). Anti-Longin (1734), 940. Advertisement By Dr. Swift ... Against Anti-Sublime ( 1733), 940. Joshua, Lord Allen (1729), 675. Apollo's Edict (1721), 904. Advice from Fairyland (1726), 1205. Apologie De La Reine Anne (1769), Advice Humbly Ofler'd to the Members Of 545. The October Club, Some (1712), 557. Apology For The Tale of a Tub, An (1711), Advice To a Certain Dean ( 1730), 1297. 223. Advice To The Electors Of The City Of Apology For Mr. Wood, An (1724), 1121. Dublin (I 727), 935. Apology To The Lady C-R-T, An Advice To The Free-Men of the City of (1730), 696. Dublin (1733), 739. Appeal to the Public, An ( 1758), 1353. Advice to a Parson, an Epigram ( 1732), Appeal To the Reverend Dean Swift, An 963. (1728), 938,939, 1281. Advice To The Roman Catholics Of Ire­ Appendix To Dr.Swift'sWorks,An (1767), land ( 1724), 1131. 104. Age Of Pope By John Dennis, The ( 1894), Appendix To John Bull Still In His Sen­ 1464. ses, An. See History Of john Bull, The Agreeable Variety, The (1717), 893. (4th pamphlet). Alderman's Guide, The (1732), 965. Archiv Fur Das Studium Der Neueren Allies And The Late Ministry Defended Sprachen Und Literaturen (1927), 1539. against France, The (I 711), I 041. Argument that Dunkirk is not in our Hands AltarofLove, The(1727, 1731), 1279. (1712), 584. 412 INDEX OF TITLES Argument To prove, That The Abolishing Baucis And Philemon (1709, &c.), 516- Of Christianity, &c., An (1717,&c.), 523. 606-609; (English) 606, 609; (French) Beasts Confession To The Priest, The 607; (German) 608. ( 1738)' 758--760. Arguments Against enlarging the Power of Beauties of Swift, The (1782, 1783), 116, Bishops, In letting of Leases, Some 117; (1834?), 153. (1723), 633. Beautiful Young Nymph Going to Bed, A A rs Pun-ica, sive Flos Linguarum ( 1719), (1734), 744. 895. Bee: A Collection of Choice Poems, The Art De Voler Ses Maitres, L' (1854, (1715), 605. 1882), 800, 801. Benefit of Farting Explain'd, The (1722), Art of Beauing, The (1730), 1245. 19,905. Art of Cookery, The (1708), 839. Bibliographer, The (1884), 1440. Art of Sinking in Poetry, The ( 1728), 940. Bickerstaff Tracts ( 1708, &c.), 483-502; Arts of Logick And Rhetorick, The (1728), (English) 483-489; (Dutch) 490-492; 1291. (German) 493; (Answer) 494; (Accom­ As Bob as a Robin Or, All's well that Ends plishment) 495; (Elegy) 496, 497; well (1712), 871. (Vindication) 498; (A Famous Predic­ Asiniad, The (1730), 1244. tion of Merlin) 499-502. Atlantic Monthly, The (1897), 184. Bickerstaff's Almanack (1710), 1027. Atterburyana (1727), 24. Bickerstaffe's Prediction Conjirm'd In The Aufkltirung der Bedientenwelt (1794), 798. Death Of Partridge (1708), 1024. Augustan Ages By Oliver Elton, The Bickerstaffiana, Some (1708 &c.), 1021- (1899), 1470. 1031. Authentic Copy Of the Last Will and Testa­ Biogyaphia Britannica (1763), 1357. ment Of •.. Swift, An (N.D.), 1327. Biogyaphical Dictionary, A New and Authorship In The Days Of johnson Genef'al (1761), 1356. (1927), 1539. Biographical History Of England Autobiography. A Collection Of The Most Granger ... Noble, A (1806), 1374. Instructive and Amusing Lives Ever Biographie De jonathan Swift Par Hey­ Published (N.D.), 709. mile Reynald (1860), 1416. Autobiography And Correspondence Of Bif'th Of Manly Virtue, The (1725), 653, Mary Granville, Mrs. Delany, The 654. (1861), 162. Blackwood's Edinbuf'gh Magazine (1876), Auto-Biography Of Master Henry Bundy, 1433; (1906), 1484. The (1856), 1269. Blast upon Blast, And Lick for Lick Aventures Surprenantes De Gulliver. See (17 42)' 942. Travels Into Several Remote Nations Blue-Skin's Ballad (1724-5), 1168. Of The World (French). Blunder of all Blunders, The ( 1726), 1217. Blunderful Blunder Of Blunders, The Babillard, Le (1724-35), 15. (1722), 907. Balance Of Power In The State, The Bolingbroke And His Times (1901-02), (1886), 479. 1473. Ballad, or Some Scurrilous Reflections . •• , Book Collector's Quarterly, The (March A (1701), 830. 1931), 771, 1555; (Oct. 1931), 1314. Ballance Of Power, The (1709), 1032. Bookman, The (1907), 1489. Bank thrown down, The (1721), 630. Books And Authors (1870), 1426. Baron Munchausen's Narrative ( 1786), Bounce To Fop (1736), 976. 1256. Brain: A journal Of Neurology (1882), Battel of Audenard, The (1708), 506. 1437. Battle Of The Books, The (1890), 257; Breves Reflexiones, Sabre El Tratado De (1908), 258; (1912), 259. And see Tale La Barrera (1712), 566. Of A Tub, A. Brewers Declaration, The (1724), 1118. Battle Of The Books And Other Short Brief Account Of Mr. john Ginglicutt's Pieces, The (1886, 1905), 174. Treatise, A (1731), 957. Battle Of The Books In Its Historical Set­ Brief an Hermione (1789), 819. ting, The (1920), 1518. British Journal, The (1726), 925. Battle Of The Players, The (1762), 1013. British Novelists And Their Styles (1859), Battle Of The Poets, The (1725), 1199. 1414. INDEX OF TITLES 413 British Poets, The (1822), 142. Character Earl Of Wharton (1711), 527- British Quarterly Review, The ( 1846), 532. 1396. Character Of Richard St-le, Esq; The British Visions, The ( 1711), 1028. (1713), 876, 1074. Briton Describ'd, The ( 1738), 982. Characters Of The Times ( 1728), 1288. Brobdingnagians, The (1727), 1215. Characters Of Two Independent Whigs, Broken Mug, The (1725), 922. The (1720), 900. Brotherly Love. A Sermon ( 1754), 807, Charter Of His Majesty King George II, 808. The (1746, 1798), 1328. Bubble: A Poem, The (1721), 623,624. Chefs-D'Oeuvre Etrangers, Les Cent ( 1927 Buch der Predigten ( 1858), 824. or 1928), 205. Buck Der Weisheit und der Tugend, Das Chloe Surpriz'd (1732), 961. (1752), 85. Choice Works Of Dean Swift, The (1876), Bulletin of the University of Cincinnati 166. (1909), 1491. Christmas-Box for D. D - -- ny, A ( 1730), 684 &c. Cabinet of Lilliput ( 1802), 1262. Christmas Box for Namby Pamby, A Cabinet Portrait Gallery Of British (1725), 924. Worthies, The (1847), 1400. Churchman Armed Against The Errors Of Cadenus And Vanessa (1726), 657-661. The Time, The (1814), 827. Cambridge History Of English Literature, City Cries, Instrumental and Vocal (1732), The (1912), 1500. 719. Candid Appeal From the late Dean Swift Classical Arrangement Of Fugitive Poetry To ... Orrery, A (1752), 1334. (1789), 1351. Capitain Lemuel Gullivers Reise, &c. Closing Years Of Dean Swift's Life, The (1775), 443. (1849), 1399. Capitain Lemuel Gullivers Resor, &c. Cobbelt's Parliamentary History Of Eng­ ( 1772)' 445. land (1810), 826. Capitain Samuel Brunts Reise nach Cack­ Co/conan Match, The (1730), 956. logallinien ( 1735), 54. Collection Of the Best English Poetry, By Capitains Lemuel Gulliver Reisen, &c., SeveralHands,A (1717),521. Des. See Travels Into Several Remote Collection Of Original Poems &c., A Nations Of The World (German). (1714), 1. Case Of John Browne Esq; The (1725), Collection Of Poems By Several Hands, A 1143. (1758), 1351. Case Of John Browne, Esq; In Answer to a Collection Of Scarce, Curious and Valuable Libel, The (1725), 1144. Pieces, A ( 1773), 895. Case Of the Kingdom of Ireland, The Collection Of Tracts, Concerning the (1735), 751. Present State of Ireland, A ( 1729), 938. Case of Many Thousand poor Inhabitants Collection Of Welsh Travels, A (1738), 982. of Dublin, The (1729), 1188. Comment Upon The History Of Tom Case Of The Present Convocation Con­ Thumb, A (1711), 848. sider'd, The (1711), 1033. Compleat Collection Of all the Verses ... Catalogue Of Books, The Library of ... occasioned by . Three Volumes of Swift, A (1745), 1326.
Load more

Recommended publications
  • The Oxford Companion to English Literature, 6Th Edition
    e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip­ form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted.
    [Show full text]
  • Jonathan Swift and the Stage of the World
    JONATHAN SWIFT AND THE STAGE OF THE WORLD: A STUDY OF SWIFT'S POETRY, , WITH PARTICULAR REFERENCE TO THE POEMS ABOUT WOMEN. By JOAN ELIZABETH METCALFE A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1974 SK^^^LORIDA 3 1262 08666 231 8 ACKNOWLEDGEMENTS I wish to thank Professor Aubrey Williams for directing my disser- tation; Professors Robert H. Bowers and Douglas Bonneville for serving on my committee; and Professors T. Walter Herbert and Melvyn New for participating in my final examination. I wish also to record my gratitude to friends and family for their help and encouragement. il TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ±± ABSTRACT iv I. INTRODUCTION 1 Notes , 20 II. THE PERFORMANCE OF WOMEN Chapter I. Inadequacies 24 Notes 46 Chapter 2. Men's Share of the Blame 49 Notes 73 Chapters. The Ideal 76 Notes 88 Hi. THE PERFORMANCE OF SWIFT Chapter 4. Tutor and Courtier 89 Notes 108 Chapter 5. Courtier and Tutor 110 Notes 127 Chapter 6. Courtier, Lover and Poet 129 Notes 149 IV. DRAMATIC DEVICES, FORMS, AND IMAGERY Chapter 7. The Dean Observed 151 Notes 167 Chapter 8. The First Person 169 Notes 180 Chapter 9. Dramatic Imagination and Dramatic Structure: Scene and Play 182 Notes 213 Chapter 10. Further Echoes of a Tradition 216 Notes 231 APPENDIX 234 WORKS CITED 242 BIOGRAPHICAL SKETCH 246 iii Abstract of Dissertation Presented to the Graduate Council of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy JONATHAN SWIFT AND THE STAGE OF THE WORLD: A STUDY OF SWIFT'S POETRY WITH PARTICULAR REFERENCE TO THE POEMS ABOUT WOMEN.
    [Show full text]
  • Politics in Jonathan Swift's Literature
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Repositorio Documental de la Universidad de Valladolid FACULTAD de FILOSOFÍA Y LETRAS DEPARTAMENTO de FILOLOGÍA INGLESA Grado en Estudios Ingleses TRABAJO DE FIN DE GRADO Politics in Jonathan Swift’s Literature Rebeca Carravilla Izquierdo Tutora: Ana Sáez Hidalgo 4º Grado en Estudios Ingleses 2 Abstract Jonathan Swift has been considered one of the most skillful authors of the eighteenth century due to his harsh and accomplished satirist style of writing, and the polemic that it caused in the society of the time. His masterpiece, Gulliver’s Travels, an apparently simple travel book - among many others of the time- seems to camouflage, nevertheless, a brilliant satire that does not differ too much from the political essays and pamphlets published by the same author. In those writings, he harshly criticized the situation of his country by not only blaming Irish politicians and the British government, but also the own population and the stupidity of the human race. In this dissertation, I intend to find out about the author’s ideology through the study of the ideas captured in his literature. For this purpose, I have first analyzed four of Jonathan Swift’s political essays. Then, I have examined Gulliver’s Travels from the perspective of the conclusions reached through these first readings in order to expose the connection between Swift’s political treatises and his fiction. Key words: Jonathan Swift, politics, corruption, Gulliver’s Travels, government, Ireland, England Jonathan Swift es considerado uno de los mejores autores del siglo dieciocho debido a su conseguido estilo satírico y por la polémica que causó en la sociedad de su tiempo.
    [Show full text]
  • {PDF EPUB} the Works of of the Rev. Jonathan Swift, Volume 18 by John Nichols the Works of the Rev
    Read Ebook {PDF EPUB} The Works of of the Rev. Jonathan Swift, Volume 18 by John Nichols The Works of the Rev. Jonathan Swift, Volume 18 (1739) by Jonathan Swift, edited by Thomas Sheridan, John Nichols, John Boyle, Patrick Delany, John Hawkesworth, Deane Swift, William Bowyer, John Birch, and George Faulkner Letter from Jonathan Swift to John Barber - 8 May 22, 2020 · The works of the Rev. Jonathan Swift .. by Jonathan Swift, 1808, Printed for J. Johnson [etc. edition, in English - A new ed., ... corrected and revised by John Nichols ...Pages: 19The Works of the Rev. Jonathan Swift - Jonathan Swifthttps://www.bbrarebooks.com/pages/books/JSW002/...Jonathan Swift (1667-1745) was born in Ireland. He studied at Trinity College and was close with Alexander Pope and John Gay, the two other most important writers of his time period. He penned poetry and prose, and is best remembered for writing Travels into Several Remote Nations of the World, or Gulliver’s Travels (1726). Jun 04, 2001 · Letters written by the Late Jonathan Swift, D.D. Dean of St. Patrick's, Dublin and Several of His Friends from the year 1710 to 1740, published from the originals. The following volumes from "The Letters " edited by John Hawkesworth. Printed in London by T. Davies and others. 1769. Volume 18. (volume 1 of 'the letters'.) 396 pages. 1769. Volume 19. Swift, Jonathan, 1667-1745: The works of the Rev. Jonathan Swift, (London, Printed for J. Johnson, 1801), also by John Nichols and Thomas Sheridan (page images at HathiTrust) Swift, Jonathan, 1667-1745: The works of the Rev.
    [Show full text]
  • Language and Reality in Swift's a Tale of a Tub ?
    Language and Reality in Swift's A Tale of a Tub ?. ill if pi p 1 J \ Language and Reality in Swift's A Tale of a Tub Frederik N. Smith OHIO STATE UNIVERSITY PRESS : COLUMBUS Frontispiece Giovanni Battista Piranesi, Le Carceri ("The Prisons") Plate VII, second state (ca. 1761) Copyright © 1979 by the Ohio State University Press All Rights Reserved Library of Congress Cataloging in Publication Data Smith, Frederik N 1940­ Language and reality in Swift's A tale of a tub. Bibliography: p. Includes index. 1. Swift, Jonathan, 1667-1745. A tale of a tub. 2. Swift, Jonathan, 1667-1745—Style. I. Title. PR3724.T33S6 823'.5 79-15355 ISBN 0-8142-0294-2 To the memory of my mother and father Contents Preface ix Introduction 3 One Words and Things 9 Two Wordplay 27 Three Lexical Fields 49 Four Syntax and Rhythm 71 Five Language and Madness 93 Six Reality and the Limits of Mind 125 Glossary for A Tale of a Tub 145 Bibliography 165 Index 169 Preface The manuscript of a book may be written alone, but it is not revised without the opinions of others, nor does it reach publication without the assistance of still others. I owe a great debt to my friends Professor William B. Piper of Rice University and Professor Robert Wallace of Case Western Reserve University, both of whom read the entire manuscript and made innumerable, invaluable comments and criticisms—the majority of which I incorporated into the final draft. I wish also to thank my friends and former colleagues Professor Louis D.
    [Show full text]
  • Alphabetical Index of Articles Published in Swift Studies (1986-2020)
    Alphabetical Index of Articles Published in Swift Studies (1986-2020) Alderson, Simon J., ‘Swift and the Pun’, Swift Studies, 1996, 47–57 Apke, Bernd, ‘When Nature Took Sides: Richard Janthur’s Expressionist Illustrations of Gulliver’s Voyage to the Country of the Houyhnhnms’, Swift Studies, 2013, 115– 27 Arnold, Bruce, ‘“A Protestant Purchaser”: Bartholomew Van Homrigh, Merchant Adventurer’, Swift Studies, 2000, 42–50 ———, ‘“Those Who Seek to Obtain My Estate”: Swift on Love and Envy’, Swift Studies, 1996, 25–45 Arnott, Les G., ‘A Letter to the Editor of The Independent: Modest Proposal’, Swift Studies, 2006, 125 Baines, Paul, ‘Swift’s Last Speech and Dying Words of Ebenezor Elliston: Reading the Ephemeral Text’, Swift Studies, 2013, 78–95 Baltes, Sabine, ‘Diversion, Dollars, and the Dean: Jonathan Swift and Popular Culture’, Swift Studies, 2004, 110–20 ———, ‘Father Time: The Emblematic and Iconographic Context of “The Epistle Dedicatory to His Royal Highness Prince Posterity” in Swift’s Tale’, Swift Studies, 2005, 41–50 ———, ‘“The Grandson of That Ass Quin”: Swift and Chief Justice Whitshed’, Swift Studies, 2008, 126–46 Bernard, Stephen J., ‘Jonathan Swift and A Key, Being Observations and Explanatory Notes, upon the Travels of Lemuel Gulliver, with a New Edition of A Key’, Swift Studies, 2012, 87–119 Blanchard, W. Scott, ‘Swift’s Tale, the Renaissance Anatomy, and Humanist Invective’, Swift Studies, 2001, 83–97 Bony, Alain, ‘Mutiny on the Adventure: A Possible Source of Gulliver’s Travels’, Swift Studies, 2004, 72–85 Boucé, Paul-Gabriel, ‘The Rape of Gulliver Reconsidered’, Swift Studies, 1996, 98–114 Boyle, Frank T., ‘Ehrenpreis’s Swift and the Date of the Sentiments of a Church-of-England Man’, Swift Studies, 1991, 30–37 Brown, M.
    [Show full text]
  • Introduction
    Cambridge University Press 0521802474 - The Cambridge Companion to Jonathan Swift Edited by Christopher Fox Excerpt More information CHRISTOPHER FOX Introduction “When a true Genius appears in the World,” Swift wrote, “you may know him by this infallible Sign; that the Dunces are all in Confederacy against him”(PW i: 242). He may well have been speaking about himself. After his death, his ghost was said to haunt the aisles of St. Patrick’s Cathedral in Dublin, complaining that “The Pamphlets wrote against me, would have form’d a Library.”1 Jonathan Swift (1667–1745) lived a contentious life in a contentious age. The day Swift, an ordained Anglican priest, became Dean of St. Patrick’s in 1713, these lines of welcome were said to be posted on the Cathedral gate: Look down St. Patrick, look we pray, On thine own Church and Steeple, Convert thy Dean, on this great Day, Or else God help the People.2 Swift of course invited and sometimes even welcomed this response. He did so because he was first and foremost a political writer, and one who was not afraid to speak truth to power. As a political writer, Swift was a brilliant controversialist with an uncanny ability to become what he attacked and then burrow from within. During his lifetime, political writers were at a premium. Swift lived to see the emergence of the new two-party system in the wake of the so-called Glorious Revolution of 1688 and the explosion of print media after the lapse of the Licensing Act in 1695.
    [Show full text]
  • Jonathan Swift (1667-1745)
    JONATHAN SWIFT (1667-1745) Ian Campbell Ross Jonathan Swift is most famous as the author of Gulliver’s Travels (1726), the most widely read book ever written in Ireland or by an Irish writer. Never out of print since its first publication, translated into countless languages, read in innumerable editions and abridgements, made into films and cartoons (one starring Mickey Mouse), and the subject of impassioned arguments over nearly three centuries as to its essential morality or misanthropy, Gulliver’s Travels is nonetheless only a small part of Jonathan Swift’s writings, in verse and prose, produced over a period of more than fifty years, during which he served as a priest of the Protestant Church of Ireland, most notably as Dean of St. Patrick’s Cathedral, Dublin. Swift was born in Dublin in 1667. His father, a lawyer, died before Jonathan’s birth, and his childhood was partly spent in the care of a nurse and most likely in the absence of both parents. Certainly, he boarded at Kilkenny College between the ages of six and fourteen, receiving the foundations of the classical humanist education reserved for boys of his social class. In 1682, Swift entered what was then Ireland’s only university, Trinity College Dublin, continuing his studies in Latin and Greek, adding Hebrew, and deepening his knowledge of Aristotelian philosophy. After four years, he graduated with the degree of B.A. ex speciali gratia—a term that Swift later glossed to imply that he had been a poor student but which most likely did not have the negative connotations Swift would later mischievously suggest.
    [Show full text]
  • Interpretation, Agency, Entropy: Rumbold, Valerie
    Interpretation, agency, entropy: Rumbold, Valerie DOI: 10.3366/ijhac.2017.0191 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Rumbold, V 2017, 'Interpretation, agency, entropy: annotating Pope’s Dunciads', International Journal of Humanities and Arts Computing, vol. 11, no. 2, pp. 174-198. https://doi.org/10.3366/ijhac.2017.0191 Link to publication on Research at Birmingham portal Publisher Rights Statement: This article has been accepted for publication by Edinburgh University Press in the journal International Journal of Humanities and Arts Computing, http://www.euppublishing.com/doi/full/10.3366/ijhac.2017.0191, http://dx.doi.org/10.3366/ijhac.2017.0191. General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document.
    [Show full text]
  • Cornered: Intimate Relations in the Words Upon the Window-Pane
    International Yeats Studies Volume 5 Issue 1 Article 3 April 2021 Cornered: Intimate Relations in The Words upon the Window-Pane Charles I. Armstrong University of Agder, Norway Follow this and additional works at: https://tigerprints.clemson.edu/iys Recommended Citation Armstrong, Charles I. (2021) "Cornered: Intimate Relations in The Words upon the Window-Pane," International Yeats Studies: Vol. 5 : Iss. 1 , Article 3. DOI: https://doi.org/10.34068/IYS.05.01.02 Available at: https://tigerprints.clemson.edu/iys/vol5/iss1/3 This Article is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in International Yeats Studies by an authorized editor of TigerPrints. For more information, please contact [email protected]. Cornered: Intimate Relations in The Words Upon the Window-Pane Charles I. Armstrong hen Wheels and Butterflies was published by Macmillan in 1934, both the cover and the title page featured an image of three faces clustered together in a circular formation. This image was based Won theatrical masks made by the Dutch artist Hildo van Krop for The Only Jealousy of Emer and subsequently used in a Dublin production of Fighting the Waves (a dance play based on The Only Jealousy of Emer). The masks belong to the characters of the Woman of the Sidhe, Emer, and Cuchulain, and their juxtaposition on the cover reflects the complex love triangle inFighting the Waves.1 Set in intimate proximity, the three partially overlapping faces appear anguished and awkwardly, even forcibly intertwined. Although originally written and staged in 1930, The Words upon the Window-Pane was—like Fighting the Waves—one of the four plays included in the Wheels and Butterflies volume.
    [Show full text]
  • Tone and Intention in Swift's Verses on His Own Death
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1977 Tone and Intention in Swift's Verses on His Own Death Eleanor Leslie Taylor College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Taylor, Eleanor Leslie, "Tone and Intention in Swift's Verses on His Own Death" (1977). Dissertations, Theses, and Masters Projects. Paper 1539624982. https://dx.doi.org/doi:10.21220/s2-jj2k-5x31 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. TONE AND INTENTION IN SWIFT’S VERSES ON HIS OWN DEATH A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Eleanor Leslie Taylor 1977 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, April 1977 irl P . Tfaw, Jr. Frank B. Evans III Robert P. Maccubbin 8 6 0 0 7 7 ABSTRACT The purpose of this study is to suggest a better understanding of Jonathan Swift's "Verses on the Death of Dr. Swift" in terms of the author's tone and intention in the poem, especially regarding the role of the eulogist in the third section.
    [Show full text]
  • Governs the Making of Photocopies Or Other Reproductions of Copyrighted Materials
    Warning Concerning Copyright Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. Factions' Fictions Ideological Closure in Swift's Satire Daniel Eilon ~ DElAWARE Newark: University of Delaware Press London and Toronto: Associated University Presses 122 PARTY mark of fanaticism. Swift described the succession of heresy after heresy and faction after faction of the Interregnum by way of allusion to the capricious builders of Babel, and the curse of dispersion inherited by Simeon and Levi,62 the men of violence: "Yet, clearly to shew what a Babel they had built, after twelve 5 years trial, and twenty several sorts of government; the nation, grown weary of their tyranny, was forced to call in the son of him whom those reformers had sacrificed. And thus were Simeon Book-Burning, Parsimony, Private Jokes, and Levi divided in Jacob, and scattered in Israel" (Sermons, and Antinomian Fiction Works, 9:226). Temporal and spatial isolationism are essentially similar; both contribute to the dissolution of the cursed Modern world. In this chapter we began by considering party, the contemporary target for Swift's satires and polemics against faction.
    [Show full text]