RAR AVANT LAFT 24.Pdf

LOST AND rOUND TIHES No. 24, April 1989 $3 Al Ackerman Eel Leonard John Adams Lyn Lifshin MIchael Andre Malok Ivan Arguelles MIchael McInnis Guy R. Beining Effie Mihopoulos Ben Bennett MIke MISkowskl C. Mehrl Bennett Randy Moore John M. Bennett SheIla E. Murphy Jeanlce Berg Edward Mycue Jake Berry Gale Nelson Daniel f. Bradley B. Z. Niditch Ernest Noyes BrookIngs MIchael Nort~rop John Buckner Francis Poole John Byrum Steve Richmond Doru Chirodea Andrew Savage Cornpuff Gerald Simonsen RobIn Crozier Jeffery L. Skeate Michael Dec Byron Smith John Eberly Willie SmIth Greg fvason Michael Sobsey Blair EWIng Stacey Sollfrey ChrIS Franke MartIn sosa Louise Gagne Ken Sparling David Gianatasio Spryszak Steve E. Gloom Ken Stone Kelly Green Jim Tyack Bob Grumman NICO Vassilakis S. Gustav H~gglund Paul Weinman G. Huth M. G. West F. C. Jerkoffsky N. Sean WIlliam M. Kettner Chris Wlnkler kryshten T. Winter-Damon Lisa Kucharski Rupert Wondowlowski Front cover by Greg Evason; back cover by Ben Bennett John M. Bennett, Editor Phrases throughout Issue by RobIn CrozIer: Subscription: $10 for 5 numbers. Back issues: nos. 1-10, complete, $15. nos. 11-15, complete, $15. nos. 16-20, complete, $15. no. 21/22, $5; no. 23, $3. LUNA BISONTE PRODS, 137 Leland Ave. Columbus, OhlO 43214 o 1989 John M. Bennett. All rIghts revert to authors and artIsts upon publication. "Insults...the past 3,000 years of literature" - THE AT ION G. Huth AtITOBIO- spat into the furnace, swamped with teargas and onion breath, barely able to hear the chair creak and give her away. Days were mere numbers that rose and fell in a fragmentary So many things beginning. Lines. A part of speech a glamor, silhouette of themselves. lorn strikes a glasses rolling past this room atop a cart. Percussion based and similar posture and is quite easy to maintain, strange. To unfamiliar hearing. therefore, its oppression. Moving through absolute zero by pouring beer in his chips and She met a man who asked to see her walk. He measured and he gulping iodine from an old sock removes any touched and diagrammed. An instance of downfall where we are possibility of repetition in this heat. It is taking this. Slowly away. What you are in the mood to do. like the grace of a wind tunnel to impotency, its speechless means of propelling time, if Perceived safety an alley of good cats all belonging. Somewhere only in slow and almost solid increments. your camera poised. Relentless thirst, the artist. Homecoming Theories abound regarding an ultimate and everywhere. Montage. Good vintage wine. Androgeny. inevitable return, but as with lightspeed the test remains only mathematical abstraction, My sisters win when they compete she said. No reference to other like a hanger on language; where can it be members of a tribe. My sisters learn to love she said lived? Such was the record of his flights into majestically and then they lean on depth it swathes their chilly volatile orange ( a microsecond before the arms. My sisters are my hope she said my daughters won't exist. shift into eternal exile); that is to say, these were the cracks he'd been studying when And then this world, the verdict. This world montage of blood he noticed the noise somewhere further back. and anger rapidly depleting the supply of goods and services. It was the chair that clued him, but that was Gentle goods and services. only the mask of it - the x that implied the unforseen y. Something about the smell of fresh grass looking back at him from the. oven, the eat's legs grown longer and its slow Sheila E. Murphy insistent lost frequency intonations looping around her eyes and forcing her belief in deep space gerbils, that betrayed the fire as he watched the atmosphere absorb his vapor. COMMUNITY Jake Berry Why have a man or woman in your kennel Ordering the strays around until they leave He is her pet I think and young I wish he would say one thing That I could disagree with The ego rapidly disappearing Her powerful face He might consent to sketching ENl> PANTS What he refuses in her If she'll hear him I love her formally because She looks me in the eye Our light goes no further Taking a shot I want to know precisely What he doesn't like may be sluggish Before impinging on his Circle of land and horns As I've been taught • UNTITLED REALITY' 1 To think her occaSIon try to launch Velvetine rubbers crusty with semen lay openly in the otherwise clean gutters of Sheila E. Murphy the street that runs from the lowlands to the mountain fortress homes in beautiful Love, sparked here, places everywhere. into gridlock you two! Michael McInnis Chris Franke one branching bark d 0 u b P 0 e 1\ t t h e p 1 a t 0 r i d D I 5 u s b 1 e s u r f a c e t h r 0 u 9 h leaves many rooted n a d e q u a t t h e s ., e u p p 1 e P A t 0 v a p p e a r e n t i 1 a t e a n c e 0 f veined as if c 0 n t b e i n i n u e 9 e A T E John Byrum pronominal in fields John Byrum ROOM THE SOME LIGHT STRETCHED TO WATER WHITEFISH PAPER, DOLPHIN AGGRESSION RAIN LONG IN LONG MOUTH AS THERE WEIGH strawberry dog and puppies Birds bounce. always take the Trip, with myself in mind. It room. the (some) light push the screw smells funny, melt your hair. It's still a penny, nothing changes! The stretched to water rain up to the god Objective-Self Perceptual-Obviation rules instantly, absolute negation an long in long kissed pie. impossibility. Creates an IN-FACTI A condition favoring a white, cartoon mouth gobble the radio nothingness. Components of area-spaces. Of gestating HORTA! It smells funny. thrown the hail. Melt your hair. Solo-gu and Macro-Eeah l They group in fears, red alone. as there Phouda-Gaudha~ weigh Daniel f. Bradley Malak N. Sean William PIGEON ~yhwd~yhwd~yhwd~yhwd~yhwd~yheed91yheed shyheedshyheedshyheed91yheed91yheed91yheed91yheed shyheedshyheedS'lyheedroyheedS'lyheedmyhwdmyheed shyhead shyhead shyheed shyheed S'lyheed shyheed myheed ~yheed ~yheed ~yheed ~y dle had this Id.rw:t of pigeoo \elk myheed shyteld shyheed my am ....henever file'd will< shyheed 9lyheed shyheed S'ly ene' d press alittle air 9lyheed myhwd myhwd 9ly ~ to the side of her myheed shyheed myhwd my am \ohen 9le spcke royheed myheed mytuw:1 d1y it IoOJ1.d be like shyheed myheed royheed my she 'to8S piddn at your head !t\yheedshyheedmyheedshyheedshytvs:!!t\ytvs:!roytuw:1 royheedshyheedshyheedshyheedshytvs:!!t\yheedshytvs:! shyhead shyheed !t\yheed shy and ene \01ld rove frantic shyheed shyheed shyheed shy her beak \01ld get stuck in yoor ear roytvs:! shyheed shyheed shy and ene had this ~, yoo I<rDf dtyheed dlyhead she'd get alitt1e excited ani alitt1e 'toet shyheed dlyheed dtyheed shy she'd flap her wiJWl dtyheed dtyheed shyheed shy just alnlt leave the grn.u¥l shyheed dtyheed shyheed shyheed shyheed shyheed royheed shyheedmyheedmytvs:!!t\yheedmyheedshyheed!t\yheed dlyhwd shyhwd i al108YS looOIlererl ...oot it "'Wld be like shytvs:! dlyheed dtytvs:! Sly if 9le left the grwrxJ ani i royheed royhead shyheed !t\y i \8S tcl.~ 00 to snyhead shyheed shyhead sny her pigem toes Greg Evason shyhead shyhead snyheed shy am roe day i \oBS ~ to her 9lyheed shyhead shyheed !t\y and ene \oBS ~ me shyheadmyheedshyheedshyheedshyheedSlyheedshyheed shyhead shyhead shyheed shyhwd shyheed 9lyheed 9lyheed shyhead dtyheed dtyheed shy 00,.. it's, you Iauw shyhead shyhead shyhead dty ...Mt it'5 like to live 00 bird gut shyhead shj'head shyheed shy and bird food and camstareh dlyhwd shyheed and all that shit, she \oo8S telling ne ~yhwd dlyheed dlyheed Sly her beak 108S get~ rusty shyhwd shyhead dlyteld Sly she I d pecked <It so DBny heada shyheedsnyheedshyheedshyheedshyheedshyheedSlyteld shyheed shyheed shyhead shyheed shyheed snyteld shyhead shyheadshyheadshyheadshyheadshyheadshyheadshyheed shyhead· shyhead shyhead shyhead Slyhead Slyhead shyheed flashOOck f1afiU:&::k fJ..a.shOOck flashback flashback flamOOck ~booth ~booth j:bnebooth Jh:nebooth j:bnebooth flashhr.k flashback flashback fla91back flashback flashOOck ~booth ~booth j:bnebooth ~booth j:bnebooth flashback flashback flashOOck fla91back flashback flashback }1nlebooth ~booth j:bnebooth Jh:nebooth Jb:neOOoth flashback flashback flashback flashback flashback flashback ~booth ~booth )iolebooth ~th ~booth ~booth flashback flashback flash there 'to8S blood, dry blood }1nlebooth by this roe coostantly flashOOck flashback flash all dcJr,.n the sides J*xJnebooth ~booth and for the ooes that 1OJ1dn' t 1:isten flashback flashback flash it hadn't rained for m.hile J*xJnebooth ~booth they'd just get br'uSled f1aS1back flashback flash so it hadn't all WlStled off yet ~booth ~booth aside as file \o6l.J<OO by flashback flash she'd go 00 these ~ flights, yw I<rDf ~booth J*xJnebooth it didn't DBtter ItlJCh to her tln.Jgh .f1ad1OOck flashback flash in the middle of the nul j:bnebooth she alW3yS fouR1 a little SJmTOW arcu-d to nibble <It flashOOck f1ashbBck flashback flashback flashbeck flashback ~booth ~booth ~th ~booth j:bnebooth flashback flashback flashback flashback flashback flashback ~booth ~booth Ihnebooth ~th ~th flashback flashback flash and she'd get stuck in it and I*ulebooth ~booth i told her, yeah <rc.e i \oo8S flashback flashback flash inst.eOO of chirping like every J*xJnebooth ~booth in COTIIBl¥i of the birds flashOOck flashback flash oonml roe "'Wld she'd sit in it ~booth ~booth i'd be able to tell them IoteI to sing flashback flashback flash aM peck in the nul ~booth ~booth ani .....tel not to flashback flash she told ne this for quite ao..trile, you Iauw ~th \ilooebooth she kin:! of flapped her ~ flashback flashback flash ani i, i didn't I<rDf -..hat to tell her

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