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UNIVERS ZERO Title: RELAPS
Bio information: UNIVERS ZERO Title: RELAPS (Archives 1984 – 1986) (Cuneiform Rune 280) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: ROCK / CHAMBER ROCK / EXPERIMENTAL / CLASSICAL “…one of the most important groups of the 1980s ..Univers Zero conceptualize the Europe of the late 20th Century... dense, desperate and dark; …above all beautiful and dramatic, strongly marked by the cultural traditions of Europe…Univers Zero may be classified somewhere between Bach and Bartok, Magma and Stravinsky…They represent something new, monumental, and important… a stirring lament over a European continent in physical and cultural decay … a rare, intense, and magnanimous piece of work, and it is absolutely compulsory for everyone who’s...played their Magma records to shreds, and/or who would have wanted there to be a bit more electric bass and drums on Bartok’s string quartets.” – Thomas Hylland Eriksen, Puls [Norway], Feb 1989 “Univers Zero…forged a genre of music that might appropriately be dubbed post-rock, had the term not been coined 15 years too late. …the Belgian’s craft at calculated pomp and nervous precision make Godspeed You! Black Emperor’s apocalyptic grandiosity seem like a Michael Bay movie in comparison. …” – Popmatters [USA] “UZ’s music was an antecedent for the kind of instrumental and stylistic interspersion considered normal today by groups including Bang on a Can and Alarm Will Sound. Henry Cow’s complex, abstruse writing meets Bartok, Stravinsky, Messiaen and Ligeti, but with hints of early music, especially in UZ’s use of spinet and harmonium. -
CS Lewis on Death
Volume 1 Issue 2 Article 4 January 1971 Farewell to Shadowlands: C.S. Lewis on Death Kathryn Lindskoog Follow this and additional works at: https://dc.swosu.edu/mythpro Part of the English Language and Literature Commons Recommended Citation Lindskoog, Kathryn (1971) "Farewell to Shadowlands: C.S. Lewis on Death," Mythcon Proceedings: Vol. 1 : Iss. 2 , Article 4. Available at: https://dc.swosu.edu/mythpro/vol1/iss2/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythcon Proceedings by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Examines death as portrayed in many of Lewis’s fictional and apologetic writings, and particularly in the Chronicles of Narnia. Discusses Lewis’s attitudes toward his own impending death as expressed to friends and his brother Warren. Keywords Lewis, C.S.—Attitude toward death This article is available in Mythcon Proceedings: https://dc.swosu.edu/mythpro/vol1/iss2/4 Lindskoog: Farewell to Shadowlands: C.S. Lewis on Death suooestion has been made14 that the Nine corresponded to the nine 4. JJJ 383 planets. These would be Mercury, Venus, the Earth, the Hoon, S. III 456 Mars, Jupiter, Saturn, Uranus, Neptune. Pluto •as probably not 6. I 472 known to the astronomers of the Second AQe; Neptune is not 7. -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality. -
À Tous Nos Lecteurs Et Nos Abonnés
À tous nos lecteurs et nos abonnés : Étant donné que la crise de santé publique nous affecte tous d'une manière ou d'une autre, la direction de Magazine TED a décidé de produire l'édition des mois de mai-juin 2020 uniquement en format PDF et électronique (par l'entremise de Zinio.com - le kiosque virtuel de pointe). Pour les abonnés à l'édition imprimée, n'ayez crainte car votre abonnement est toujours valide et sera prolongé en conséquence. Alors tous auront accès à la version PDF et pour les abonnés qui désirent la version électronique, ils n'auront qu'à en faire la demande en utilisant le courriel suivant : [email protected]. Exceptionnellement, l'édition des mois de mai-juin 2020 vous est offerte entièrement gratuitement grâce aux ententes conclues avec nos commanditaires. Nous les remercions tous de leur collaboration et de leur soutien. Ensemble, nous passerons à travers cette période difficile. Et comme on le dit si bien depuis les derniers deux mois, Ça va bien aller ! Restez en santé et surtout bonne lecture ! Volume 27, numéro 02 TENDANCES ÉLECTRONIQUES ET DESIGN Édition mars - avril 2020 Magazine Tendances Électroniques & Design 450 436-1777 www.tedpublications.com/fr [email protected] Les Éditions Mizka inc. Casier postal 695, Succ Centre-ville Saint-Jérôme QC J7Z 5V4 36 450 436-1777 Éditeur et directeur de la publication Franco Moggia Coéditrice et responsable des relations publiques Lucie Beauchamp Équipe de rédaction Lucie Beauchamp, Guillaume Brunet, Michel Dallaire, Jean-Denis Doyle, Michel Laliberté, Daniel Ménard et Adrien Rouah. Équipe de rédaction, actualités musicales Dan Behrman, Richard Guay Christophe Huss, 16 Pierre Jobin et Christopher Rodriguez. -
![UNIVERS ZERO RELAPS-ARCHIVES 1984-1986 CUNEIFORM 2009 This Album Features: Michel Delory [Guitar]](https://docslib.b-cdn.net/cover/3018/univers-zero-relaps-archives-1984-1986-cuneiform-2009-this-album-features-michel-delory-guitar-393018.webp)
UNIVERS ZERO RELAPS-ARCHIVES 1984-1986 CUNEIFORM 2009 This Album Features: Michel Delory [Guitar]
WHAT THE PRESS HAS SAID ABOUT UNIVERS ZERO’S ALBUMS: UNIVERS ZERO RELAPS-ARCHIVES 1984-1986 CUNEIFORM 2009 This album features: Michel Delory [guitar]. Daniel Denis [drums], Dirck Descheemaeker [soprano sax, clarinet, bass clarinet], Christian Genet [bass], Patrick Hanappier [violin, viola], Andy Kirk [keyboards], André Mergen [cello, alto sax, voice], and Jean-Luc Plouvier [keyboards] “Reissue: Best of the Week: UNIVERS ZERO - Relaps: Archives 1984 - 1986 (Cuneiform) – …what a collection: selected from four gigs in Germany and Belgium, captured with great quality live sound that does justice to both the five-piece and later seven-piece version of the ensemble. Once again, there's no moment of filler from Univers Zero. A rich stew of beautiful classical instrumentation - clarinets and sax, violin, cello and viola - with keyboards and rock bass and drums, each complex, driving composition is alive with dangerous energy and crackling tension from beginning to end. They're the seething antidote to the twee and complacent in rock/classical crossover, the Stravinsky- and Ligeti- influenced blast of reality that makes even King Crimson sound like Andrew Lloyd Webber. Other avant-rock bands dabble in dark, 20th-century passages: Univers Zero dive right in, exploring danger and menace and foreboding in all possible nuances... These recordings catch Univers Zero with powers at full-strength - and fascinatingly, at a terrible time to be making this music, trapped in the shallows of the early 80s, soaring over the heads of the European music industry, … These concerts have Univers Zero playing later compositions that have moved on from the more acoustic, often early-music, medieval sound of their first album, with more keyboards and greater use of rock drum-kit. -
UNIVERS ZERO Title: CLIVAGES (Cuneiform Rune 295)
Bio information: UNIVERS ZERO Title: CLIVAGES (Cuneiform Rune 295) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: ROCK / CHAMBER ROCK / EXPERIMENTAL / CLASSICAL “...an indispensable release for anyone who believes that "Bartók" and "rock" can fit comfortably in the same sentence.” – All Music Guide “Univers Zero's vision (is) pretty much unique & for those touched by it, nothing else will quite do...a sound that really couldn't be any other band in the world.'” – The Rough Guide To Rock The Belgian band Univers Zero is legendary for their uncompromising musical vision – a sound and stance Keyboard described as “Chamber music for the Apocalypse”. Simultaneously medieval & modern, its distinctive, dark and elegantly beautiful music has set the standard for “chamber rock”, a New Music hybrid of Francophone origin and worldwide appeal that UZ pioneered. UZ’s singular sound derives from its unique instrumentation (piano and keyboards, violin, clarinets saxophone, oboe, bassoon, English horn, electric bass, drums) combined with brooding gothic imagery, elements of European folk and other world musics, the iconoclasm and intensity of rock, the relentless sonic experimentation of the avant garde, and leader and composer Daniel Denis’ classically-inspired writing style, influenced by early 20th Century avant garde classical composers. In the hands of some of the best musicians in Europe, these factors result in a group on the cutting edge of creating a new, vital, and unique fusion of classical and rock music. The band has remained on the cutting edge of New Music throughout the course of a career that began in the ‘70s and continues today, stretching and disintegrating the boundaries of classical and rock music alike to create a new, vital, and unique fusion. -
„Pauluse” Sõnumi Tooja
APLAUS kevad 2012 kevad persoon MUUSIKAAJAKIRI Nr 3 kevad 2012 EMA 2012 Ewert and Two Dragonsi triumf Siim Aimla Aasta muusik 2011 Jõhvi balletifestival Mihhailovski teater ja Nacho Duato Peeter Saul 80 Väärika dirigendi Olari Elts väärikas juubel „Pauluse” sõnumi tooja Uudised Kontserdikava Plaadisoovitused• 1 • Sündmustekevad galerii 2012 persoon Audi A4 1.8TFSI (125 kW/170 hj); keskmine kütusekulu: 5,7 l/100 km; keskmine CO₂ emissioon: 134 g/km persoon Tuleviku rütm. Uuenenud Audi A4 on kohal. Audi Tallinn Paldiski mnt 100a Telefon: 611 2000 E-mail: [email protected] Audi Kuressaare Tallinna tn 61a Telefon: 453 0100 E-mail: [email protected] Audi Pärnu Tallinna mnt 87e Telefon: 444 7130 E-mail: [email protected] sisukord Tere tulemast 8 18 Aasta muusik Siim Aimla Ida-Virumaale! 21 Jazzkaar kutsub taas! Head muusikasõbrad, mul on hea meel ter- Maestro Peeter Saul tähistas vitada teid imeilusa looduse ja kõige kontras- 22 tiderohkema maastikuga Eesti maakonnast! 80 aasta juubelit Töötan Ida-Virumaal aastast 2004 ja võin kinnitada, et see on avastamist väärt ning 6 Uut muusikamaailmas 26 Estica – viis hakkajat neidu muudab teie Eestimaa-pildi kindlasti avara- asutasid puhkpillikvinteti maks ja rikkamaks. Tuleb nõustuda nende- 8 Dirigent Olari Elts ga, kes ütlevad, et Ida-Virus on veel paljutki, mis vajab korrastamist, kuid väga suur töö 12 Jõhvi kontserdimaja kui kul- 26 on juba ära tehtud. Ida-Virumaa linnad on ilusamad kui kunagi varem, näiteks on jala- tuuritempel postiteede ristil käijatele ehitatud promenaad Kohtla-Järvele 14 Viies Jõhvi balletifestival ja Sillamäele ning lähiaastail valmib see ka Jõhvis ja Narva-Jõesuus. Samuti on saanud toob Eestisse maailmakuul- korda linnadevahelised maanteed ja rajatak- sa koreograafi Nacho Duato se kergliiklusteid. -
UNIVERS ZERO Title
Bio information: UNIVERS ZERO Title: RELAPS (Archives 1984 – 1986) (Cuneiform Rune 280) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: ROCK / CHAMBER ROCK / EXPERIMENTAL / CLASSICAL “…one of the most important groups of the 1980s ..Univers Zero conceptualize the Europe of the late 20th Century... dense, desperate and dark; …above all beautiful and dramatic, strongly marked by the cultural traditions of Europe…Univers Zero may be classified somewhere between Bach and Bartok, Magma and Stravinsky…They represent something new, monumental, and important… a stirring lament over a European continent in physical and cultural decay … a rare, intense, and magnanimous piece of work, and it is absolutely compulsory for everyone who’s...played their Magma records to shreds, and/or who would have wanted there to be a bit more electric bass and drums on Bartok’s string quartets.” – Thomas Hylland Eriksen, Puls [Norway], Feb 1989 “Univers Zero…forged a genre of music that might appropriately be dubbed post-rock, had the term not been coined 15 years too late. …the Belgian’s craft at calculated pomp and nervous precision make Godspeed You! Black Emperor’s apocalyptic grandiosity seem like a Michael Bay movie in comparison. …” – Popmatters [USA] “UZ’s music was an antecedent for the kind of instrumental and stylistic interspersion considered normal today by groups including Bang on a Can and Alarm Will Sound. Henry Cow’s complex, abstruse writing meets Bartok, Stravinsky, Messiaen and Ligeti, but with hints of early music, especially in UZ’s use of spinet and harmonium. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
GIANNI LAMAGNA AIRPORTMAN E STEFANO GIACCONE RICCARDO ROMANO LAND Feat. JENNIFER
MAT2020 - cinquanta - 0419 - cinquanta MAT2020 50 anni di “TOMMY” FRANCESCO DI GIACOMO GIANNI LAMAGNA AIRPORTMAN E STEFANO GIACCONE RICCARDO ROMANO LAND feat. JENNIFER ROTHERY APRILE 2019 La Primavera risveglia la voglia di musica e di concerti dal vivo, ma nel numero di aprile di MAT2020 MAT 2020 - MusicArTeam racconta... viene commentato un solo evento, quello a cui ha assistito Evandro Piantelli a Genova: Riccardo [email protected] Romano con la partecipazione di Jennifer Rothery. Angelo De Negri Come sempre sono tanti i commenti dei progetti discografici: Valentino Butti propone il secondo General Manager and Web Designer album dei Tacita Intesa mentre Luca Nappo mette in evidenza il nuovo lavoro della Fungus Family; tocca ad Antonio Belfiore raccontarci del disco di Macchina Pneumatica e ad Athos Enrile farci sco- Athos Enrile prire un diverso volto del poliedrico Franco Giaffreda; Max Rock Polis fa emergere la storia, sotto 1st Vice General Manager and Chief Editor tutti i punti di vista, proponendo un chitarrista mitico italiano, Andrea Braido, che a sua volta rende omaggio ai grandi del passato. Ancora Evandro Piantelli sottolinea il prog degliEveline’s Dust, e An- Massimo ‘Max’ Pacini drea Pintelli si “fa in tre” per presentare l’album di inediti diFrancesco Di Giacomo, AIRPORTMAN / 2nd Vice General Manager, Chief Editor and Webmaster Stefano Giaccone e Markus Stockhausen e Alireza Mortazavi. Andrea Zappaterra si concentra sulla Spagna e sul nuovo disco degli ON THE RAW, Alberto Sgarlato sull’esordio prog di Belloni/Mugiati e Marta Benedetti, Paolo ‘Revo’ Revello Gianni Sapia dà risalto ai suoi concittadini Next Station, arrivati al secondo album. -
18 Reinvention Or Renewal?
32 The Many Faces of 22 A Place Religious Persecution to Turn 38 December 2013 December Setting the Table for a Good Debate 18 Reinvention or Renewal? Year-End Giving Guide Denominational agencies The Banner Home Missions 800.777.7270 800.266.2175 recommended for financial www.thebanner.org wwww.crhm.org support See our ad on page 46 CRCNA World Literature Ministries 877.279.9994 (US) 800.426.8355 World Missions 800.730.3490 (Canada) www.librosdesafio.org 800.346.0075 (US) www.crcna.org 800.730.3490 (Canada) Denominational Ministries: www.crwm.org CRC Foundation Abuse Prevention See our ads on pages 3, 50 877.272.6299 616.224.0735 www.crcna.org/foundation www.crcna.org/abuse World Renew/CRWRC 800.552.7972 (US) Back to God Ministries International Chaplaincy Ministries 800.730.3490 (Cananda) 800.879.6555 (US) 616.224.0844 www.worldrenew.net 800.730.3490 (Canada) www.crcna.org/chaplaincy See our ad on back cover http://backtogod.net Disability Concerns Partners Worldwide Calvin College 616.224.0844 See our ad on page 61 800.688.0122 www.crcna.org/disability www.calvin.edu Dynamic Youth Ministries See our ad on page 48 Pastor-Church Relations 616.241.5616 616.224.0764 www.youthunlimited.org Calvin Institute of Christian Worship www.crcna.org/pastor-churchrelations See our ad on page 60 616.526.6088 www.calvin.edu/worship Race Relations See our ad on page 57 616.224.5883 www.crcna.org/race Calvin Theological Seminary 800.388.6034 Safe Church Ministry www.calvinseminary.edu www.crcna.org/safechurch See our ads on pages 58, 62 Social Justice and Hunger Action Faith Alive Christian Resources 616.224.0807 800.333.8300 www.crcjustice.org www.FaithAliveResources.org See our ad on page 56 See our ads on pages 5, 54 2 THE BANNER | December 2013 | www.thebanner.org Special Advertising Section Use this list of organizations advertising in this issue to help Christian Reformed plan your year-end contributions. -
Gordon Giltrap BIOGRAPHY
Gordon Giltrap BIOGRAPHY Over the past forty years, Gordon Giltrap has graced the music business with his dedication to his craft and his affection for his audience. As one of the UK's most respected guitarists, he has consistently proved the adage that respect cannot be bought. It must be earned. Gordon was born on 6 April 1948, at the British Home for Mothers and Babies in Brenchley, Kent. The son of a labourer, he grew up in an austere but protective community of terraced houses in Deptford, south-east London. His obsession with stringed instruments began nine years later, when a friend turned up at the house with an out-of-tune Spanish guitar. Keen to encourage his new hobby, his parents bought him a plastic ukulele with a picture of Elvis on the headstock, then a Martin Coletti archtop jazz guitar with a sunburst finish and a brown canvas case. Without a teacher to guide him and just a set of pitch pipes and a book entitled “First Steps” he taught himself how to tune the instrument and finger basic chords. A familiar story I’m sure you have heard before from many of the guitar legends around today! Gordon joined his first band when barely in his teens, and relished the opportunity to play songs by his idols - Cliff Richard, The Shadows and The Everly Brothers. He set his sights on Art College, but bowed to his father's insistence that he learn "a trade", and grafted his way through a series of unrewarding jobs. Gordon unwittingly taught himself a hybrid technique of plectrum and little finger, but in doing so, created the individual sound that is still his trademark.