Curriculum Vitae Larissa Tiggelers
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Truck Contemporary Art's 3Rd Annual Postcard Fundraiser
TRUCK CONTEMPORARY ART’S 3RD ANNUAL ARTIST CATALOGUE POSTCARD FUNDRAISER EVENT DETAILS Saturday, February 29th, 2020 7PM - 10PM TRUCK Contemporary Art - 2009 10 Ave SW, Calgary, AB Bidding starts at 7PM and closes at 930PM PROXY BIDDING If you cannot make it to the fundraiser in person, we will be accepting proxy bids by email at [email protected] prior to the event and by text at 587-439-8706 on the night of the event. Please include your maximum bid amount. BUY-IT-NOW Prior to the fundraiser, you may purchase postcards at the BUY-IT-NOW price of $300.00 without bidding. This option is only available until the beginning of the event, which starts at 7PM on February 29th, 2020. If you would like to BUY-IT-NOW, please email [email protected] Alberta Rose W./Ingniq Mohkinstsis (Calgary) based artist, Ingniq worked her way through college as a cook, then in politics before she obtained her BFA with distinction from the Alberta University of the Arts (formerly ACAD). Of mixed settler/Inuvialuit heritage, Ingniq often creates work that reflects both aspects of her cultural identity as well as broader social issues related to Indigenous people today. Often working with reclaimed or rescued materials in her art- making, Ingniq takes an intuitive and mindful approach to art. In part, this is a reactionary, conscious choice regarding the amount of rampant waste in this capitalist/consumerist society, as well as a symbolic gesture adding to the reclamation of identity. The need to create work like this is to focus on evolving activism that seeks to generate dialogue and awareness about the current and historical aspects influencing Indigenous people, as well as other groups of marginalized individuals and problems to generate opportunities for more inclusive and supportive societies. -
University of Calgary Press
University of Calgary Press www.uofcpress.com FROM REALISM TO ABSTRACTION: THE ART OF JB TAYLOR Adriana A. Davies ISBN 978-1-55238-764-1 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work. -
Alberta Foundation for the Arts Travelling Exhibition Program
ALBERTA FOUNDATION FOR THE ARTS TRAVELLING EXHIBITION PROGRAM 2 ALBERTA FOUNDATION FOR THE ARTS TRAVELLING FiguredEXHIBITION PROGRAM Interpretive Catalogue and Educators Guide: AFA Travelling Exhibition Program (TREX) Curated by: Xanthe Isbister, Curator of Art Esplanade Arts and Heritage Centre 3 Kay Angliss Figure in Red 1978 Watercolour on paper 18 1/2 x 11 13/16 in. Collection of the Alberta Foundation for the Arts 4 7 TableAbout the Esplanade of Contents 9 About the AFA Travelling Exhibition Program 11 Curatorial Statement 13 Biographies 20 List of Works 25 Introduction to Educator’s Guide and Lesson Plans 27 Lesson 1: Blind Contour Drawing 31 Lesson 2: Expressive Mark-Making 37 Lesson 3: Cut-Out Figures 41 Acknowledgements 5 Marion Nicoll Figure/Sketch n.d. Watercolour on paper 17 15/16 x 12 in. Collection of the Alberta Foundation for the Arts 6 About the Esplanade The Esplanade Arts and Heritage Centre is Esplanade Studio Theatre across the lobby where the stories of our great collective culture from the Esplanade Main Stage Theatre, the are told through music and dance, painting expansive Esplanade Archives and Reading and sculpture, plays and concerts, exhibitions Room, an art education space called the and installations, artifacts and art, education Discovery Centre and the catering-friendly programs and private events. Featuring a 700- Cutbanks Room. seat main stage balcony theatre which boasts superior technology and striking design, the In the northeast corner of the Esplanade Esplanade is where Medicine Hat celebrates grounds stands the oldest remaining brick arts and heritage. home in Alberta, the Ewart-Duggan House. -
Download a PDF Catalogue
HODGINSAUCTION.COM SPRING 2020 Monday, June 22 @ 7 p.m. - Online Auction METHODS OF BIDDING: ELECTRONIC PRE-BIDDING. You can place your maximum bids through the online catalogue at any time prior to the auction - type in your maximum bid amount and click “Place Bid”. The software will administer your bid up to your maximum, in competition with other bidders. ELECTRONIC REAL-TIME BIDDING. Register early as pre-approval is required. Log in at sale time and bid in real-time as the auction is closing. ABSENTEE BIDDING. If you do not wish to bid electronically, you can submit an Absentee Bid Form. We will enter your maximum bids into our software where they will be placed into competition against other bidders. Absentee bids appear as “Floor Bidder” in the bidding history. NOTE. Lots begin to close sequentially in 20 second intervals. Each lot displays a countdown clock. A 2 minute bidding extension is added to the clock if a bid is placed in the final 2 minutes. The extended bidding on one lot does not affect the closing time of other lots. Late active bidding can extend the closing of an individual lot for an extended time. 4 | Michael O’Toole All bids are time-stamped. In the event of a tie (identical bids), the earliest placed bid wins. Canadian FCA [b. 1963] LATE OCTOBER (BANFF) The Terms and Conditions of the auction can be found within the online catalogue. acrylic on canvas 20 x 24 in. (50.8 x 61 cm) signed lower left; signed & titled verso $ 1,000 / 1,500 5 | William (Bill) Duma 1 | James McLaren (Jim) Nicoll Canadian ASA, RCA [b. -
William Leroy “Roy” Stevenson Exhibition History And
WILLIAM LEROY “ROY” STEVENSON EXHIBITION HISTORY AND CHRONOLOGY compiled by Chris Varley and Nancy Townshend “I believe he [William Leroy Stevenson] was one of Canada’s greatest artists, especially as a landscape painter.” Maxwell Bates in a letter dated February 19, 1976 to Terry Fenton, Art Gallery of Alberta Archives. “We were of enormous help to each other; of that I am sure.” Maxwell Bates, “The Painter WLS: a Memoir, 2” Maxwell Bates fonds, 439/89.1, Box/file 10.2, Special Collections, Taylor Family Digital Library, University of Calgary. Illingworth Kerr; “Maxwell Bates, Dramatist”, Canadian Art, Vol. XIII, No. 4, Summer 1956: “After high school he [Bates] became associated with his father in architecture, though his real passion was for painting. The idea of nationalism in Canadian art did not affect him. Self-taught, except for two years in evening classes, he became influenced by Gauguin, van Gogh and Cézanne. When his work was shown in Calgary in 1928 it shocked the local artists, public and press. Though he exhibited in Vancouver, Ottawa and New York, the home town remained unimpressed.” His chief sustaining force was a fellow painter, Roy Stevenson, with whom Bates made a stimulating visit to the Chicago Art Institute.” 1905 May 25 - born in Guelph, Ontario Born with infantile paralysis: had a lame club foot. “Parents did not give him any encouragement to paint. Nonetheless he thought only about art.” 2 Gerry Stevenson (brother of Roy) in an interview with Nancy Townshend, October 31, 1988, as quoted by Nancy Townshend, A History of Art in Alberta 1905 – 1970 (Calgary: Bayeux Arts, 2005) 2. -
Marion Nicoll: Silence and Alchemy
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2013 Marion Nicoll: Silence and Alchemy Davis, Ann; Herbert, Elizabeth University of Calgary Press Davis, A. & Herbert, E. "Marion Nicoll: Silence and Alchemy". Art in Profile Series, No. 11. University of Calgary Press, Calgary, Alberta, 2013. http://hdl.handle.net/1880/49900 book http://creativecommons.org/licenses/by-nc-nd/3.0/ Attribution Non-Commercial No Derivatives 3.0 Unported Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com MARION NICOLL: SILENCE AND ALCHEMY by Ann Davis and Elizabeth Herbert ISBN 978-1-55238-757-3 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. -
CARFAC-Gallery-Surveys.Pdf
Canadian Gallery Guide for Artists Guide des musées et galeries du Canada à l’intention des artistes Listings have been published in the language in which they were submitted. Les listes informatives sont publiées dans la langue dans laquelle elles nous ont été transmises. Canadian Gallery Guide for Artists Looking for places to exhibit your work? CARFAC has all the tools you need to find success including a newly assembled compilation of gallery surveys from across Canada – available exclusively for members. Find information on: • Submissions • Artist’s fees • Framing • Shipping • and more CARFAC/Visual Arts Newfound Land's survey can be found at: http://vanl‐carfac.com/index.php/programs‐services/newfoundland‐labrador‐visual‐sector‐ survey‐2010/#a1c Visual Arts Alberta Association Alberta Gallery Requirement Survey 2009 Table of Content Cooperative Galleries p 12-13 Cottage Craft Introduction: Dean Francis at Sagebrush Galleries Allied Arts Council of Spruce Grove #43 Diana Paul Galleries The Alberta Gallery Requirement Survey Results booklet Introduction p 2 Canadian Badlands Artist Association #44 Douglas Udell Gallery has been four years in the making, and was inspired by the Harris-Warke Gallery #45 Elevation Gallery excellent work of CARFAC Saskatchewan whose ongoing Table of Contents p 2 Framing and Art Centre assistance is greatly appreciated. Artist-Run Centers p 3-5 Other Cooperative Galleries p 13 Front Gallery Gainsborough Galleries Bric Gallery This Gallery Survey contains the information on Alberta’s artist- Artist Proof Gallery #7 Gerry Thomas Gallery run-centres, public and commercial galleries provided by those Potemkin Too Gust Gallery Emmedia Gallery and Production Society #8 Sun and Moon Gallery that responded to our survey request. -
THE ART of JB TAYLOR Adriana A
University of Calgary PRISM: University of Calgary's Digital Repository University of Calgary Press University of Calgary Press Open Access Books 2014 From realism to abstraction: the art of J.B. Taylor Davies, Adriana A. University of Calgary Press Davies, A.A., "From realism to abstraction: the art of J.B. Taylor". Art in Profile Series; 13. University of Calgary Press, Calgary, Alberta, 2014. http://hdl.handle.net/1880/49929 book http://creativecommons.org/licenses/by-nc-nd/4.0/ Attribution Non-Commercial No Derivatives 4.0 International Downloaded from PRISM: https://prism.ucalgary.ca University of Calgary Press www.uofcpress.com FROM REALISM TO ABSTRACTION: THE ART OF JB TAYLOR Adriana A. Davies ISBN 978-1-55238-764-1 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. -
L'art DES PRAIRIES Découvert Ou, Si L'on Veut, Tout L'infi Ni En Lui Reflété, Lui-Même Plus Secret Que Tout Autre
Document generated on 09/28/2021 7:49 p.m. Vie des arts L’art des prairies Andrée Paradis Number 44, Fall 1966 URI: https://id.erudit.org/iderudit/58366ac See table of contents Publisher(s) La Société La Vie des Arts ISSN 0042-5435 (print) 1923-3183 (digital) Explore this journal Cite this article Paradis, A. (1966). L’art des prairies. Vie des arts, (44), 68–72. Tous droits réservés © La Société La Vie des Arts, 1966 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 84—Kenneth Lochhead Within the Realm. 1966 acrylic sur toile 70" x 79" (177.8 x 200,65 cm) Cette absence de secret, c'était sans doute ce qui me ravissait le plus dans la plaine, ce noble visage à L'ART DES PRAIRIES découvert ou, si l'on veut, tout l'infi ni en lui reflété, lui-même plus secret que tout autre. "La route d'A/tamont" Gabrielle Roy par Andrée Paradis Avant de chercher, autant qu'il se s'est confondu le chant des vastes Calgary peut, les constantes de l'art dans les étendues; brûlé par la lumière, poli Ce qui frappe en général celui qui trois provinces centrales du Canada, par les vents, il est à l'image des s'intéresse à l'évolution de l'art dans l'Alberta, la Saskatchewan et le beaux blés qu'il cultive. -
Out-Of-Order EAWP-PDF
e-merging a-rt w-riters p-rogram we are currently experiencing technical difficulties. please bear with us as we decode unusual syntax from (8) art writers partaking in the e-merging a-rt w-riters p-rogram. we thank you kindly for your patience. This publication was created in Mohkinstsis (Calgary) which is located on the traditional territories of the Blackfoot Confederacy and the First Peoples of the Treaty 7 region of Alberta including the Siksika, the Piikani, the Kainai, the Tsuut’ina, and the Stoney Nakota First Nations, including Chiniki, Bearspaw, and Wesley First Nations. The City of Calgary is also home to Métis Nation of Alberta, Region III. 2 The Emerging Art Writers Program (EAWP) launched in September of 2019 with a seminar led by Dr. Mark Clintberg titled, Write Through This: Writing for Contemporary Art Markets. Open to all current AUArts students, the seminar focused on freelance art writing for emerging artists and writers, and covered topics ranging from copyediting and communicating with editors to financial management and contracts. Following the seminar, students were invited to submit letters of interest and short writing samples in application for the program, and eight students were selected to participate: Carmen Belanger, oualie frost, Caro Ging, Levin Ifko, Meghan Ivany, Chantal Lafond, Raewyn Reid, and Yuii Savage. Continuing into April of 2020, the participants took part in a series of workshops and editing sessions led by Clintberg to develop written responses both to exhibitions on campus and within the community. Award-winning senior art critic Nancy Tousley was invited to lead an editing session and provide feedback on the students’ writing. -
March 2020 Preview-Art.Com
GUIDE TO GALLERIES + MUSEUMS ALBERTA BRITISH COLUMBIA WASHINGTON OREGON February - March 2020 preview-art.com DOWNTOWN HOTEL GUESTS ENJOY HALF OFF MUSEUM PRICES IN FEBRUARY SeattleMuseumMonth.com Restrictions apply Installation Storage Shipping Transport Framing Providing expert handling of your ne art for over thirty years. 155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8 604 876 3303 denbighfas.com [email protected] Installation Storage Shipping Transport Framing Providing expert handling of your ne art for over thirty years. 155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8 604 876 3303 denbighfas.com [email protected] BRITISH COLUMBIA ALBERTA Laxgalts’ap Prince Rupert Prince George St. Albert Skidegate Edmonton HAIDA GWAII North Vancouver West Vancouver Port Moody Williams Lake Vancouver Coquitlam Burnaby Maple Ridge Richmond New Westminster Banff Canmore Chilliwack Calgary Surrey Fort Langley Salmon Arm Tsawwassen White Rock Abbotsford Foothills Kamloops Vernon Black Diamond Lake Country Kelowna Black Creek Whistler Medicine Hat Comox Valley Penticton Nelson Qualicum Beach Vancouver Lethbridge Port Alberni (see inset) Grand Forks Castlegar Nanaimo Osoyoos Cowichan Valley Bellingham Oroville Victoria La Conner Friday Harbor Everett Port Angeles Bellevue Spokane Bainbridge Island Seattle Tacoma WASHINGTON Pacific Ocean Astoria Cannon Beach Portland Salem Sisters Eugene OREGON 6 FEB - MAR 2020 ★ FIRST THURSDAY OR LATE OPENINGS February - March 2020 Vol.34 No.1 ALBERTA PREVIEWS & FEATURES 8 Banff, Black Diamond, Calgary 15 Canmore, -
Generations in Canadian Society, Le Phénomène Des Générations Et La
Editorial Board / Comité de rédaction Editor-in-Chief Rédacteur en chef Kenneth McRoberts, York University, Canada Associate Editors Rédacteurs adjoints Mary Jean Green, Dartmouth College, U.S.A. Lynette Hunter, University of Leeds, United Kingdom Danielle Juteau, Université de Montréal, Canada Managing Editor Secrétaire de rédaction Guy Leclair, ICCS/CIEC, Ottawa, Canada Advisory Board / Comité consultatif Alessandro Anastasi, Universita di Messina, Italy Michael Burgess, University of Keele, United Kingdom Paul Claval, Université de Paris-Sorbonne (Paris IV), France Dona Davis, University of South Dakota, U.S.A. Peter H. Easingwood, University of Dundee, United Kingdom Ziran He, Guangzhou Institute of Foreign Languages, China Helena G. Komkova, Institute of the USA and Canada, USSR Shirin L. Kudchedkar, SNDT Women’s University, India Karl Lenz, Freie Universität Berlin, Germany Gregory Mahler, University of Mississippi, U.S.A. James P. McCormick, California State University, U.S.A. William Metcalfe, University of Vermont, U.S.A. Chandra Mohan, University of Delhi, India Elaine F. Nardocchio, McMaster University, Canada Satoru Osanai, Chuo University, Japan Manuel Parés I Maicas, Universitat Autònoma de Barcelona, Espagne Réjean Pelletier, Université Laval, Canada Gemma Persico, Universita di Catania, Italy Richard E. Sherwin, Bar Ilan University, Israel William J. Smyth, St. Patrick’s College, Ireland Sverker Sörlin, Umea University, Sweden Oleg Soroko-Tsupa, Moscow State University, USSR Michèle Therrien, Institut des langues et civilisations orientales, France Gaëtan Tremblay, Université du Québec à Montréal, Canada Hillig J.T. van’t Land, Rijksuniversiteit Groningen, Pays-Bas Mel Watkins, University of Toronto, Canada Gillian Whitlock, Griffith University, Australia Donez Xiques, Brooklyn College, U.S.A.