DOCSLIB.ORG

Download a PDF Catalogue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

HODGINSAUCTION.COM SPRING 2020 Monday, June 22 @ 7 p.m. - Online Auction METHODS OF BIDDING: ELECTRONIC PRE-BIDDING. You can place your maximum bids through the online catalogue at any time prior to the auction - type in your maximum bid amount and click “Place Bid”. The software will administer your bid up to your maximum, in competition with other bidders. ELECTRONIC REAL-TIME BIDDING. Register early as pre-approval is required. Log in at sale time and bid in real-time as the auction is closing. ABSENTEE BIDDING. If you do not wish to bid electronically, you can submit an Absentee Bid Form. We will enter your maximum bids into our software where they will be placed into competition against other bidders. Absentee bids appear as “Floor Bidder” in the bidding history. NOTE. Lots begin to close sequentially in 20 second intervals. Each lot displays a countdown clock. A 2 minute bidding extension is added to the clock if a bid is placed in the final 2 minutes. The extended bidding on one lot does not affect the closing time of other lots. Late active bidding can extend the closing of an individual lot for an extended time. 4 | Michael O’Toole All bids are time-stamped. In the event of a tie (identical bids), the earliest placed bid wins. Canadian FCA [b. 1963] LATE OCTOBER (BANFF) The Terms and Conditions of the auction can be found within the online catalogue. acrylic on canvas 20 x 24 in. (50.8 x 61 cm) signed lower left; signed & titled verso $ 1,000 / 1,500 5 | William (Bill) Duma 1 | James McLaren (Jim) Nicoll Canadian ASA, RCA [b. 1936] Canadian ASA, CPE [1892-1986] SUMMER STREAM BRIDGE OVER THE BOW; ca 1934 acrylic on board watercolour on paper 12 x 16 in. (30.5 x 40.6 cm) 11.5 x 10.5 in. (29.2 x 26.7 cm) signed lower right; signed & titled verso signed lower centre; signed & titled verso $ 600 / 800 $ 600 / 800 2 | Robert Genn Canadian FCA [1936-2014] 3 | Claudette Castonguay CANADIAN TRI-COLOUR; 1980 Canadian [b. 1949] 6 | Robert Genn oil on canvas EN APRES-MIDI, CHEZ ARIANE; 1999 Canadian FCA [1936-2014] 12 x 16 in. (30.5 x 40.6 cm) acrylic on canvas SARA AT THE OMEY BIGHT (CONNEMARA) signed lower right; signed, titled & dated verso 36 x 16 in. (91.4 x 40.6 cm) acrylic on canvas Provenance: Estate of Bill and Peggy Code, signed & dated lower left; titled on the 20 x 24 in. (50.8 x 61 cm) Calgary AB; Gainsborough Galleries, Calgary AB stretcher verso signed lower right; signed & titled verso $ 1,500 / 2,000 $ 900 / 1,200 $ 2,500 / 3,500 12 | Horace Champagne 7 | Illingworth Holey (Buck) Kerr 9 | William Lewy Leroy Stevenson Canadian PSA, PSC [b. 1937] Canadian ASA [1905-1966] Canadian ASA, BCSA, FCA, RCA [1905-1989] SNOWY WALK BY CORNELIUS KRIEGHOFF’S TANGLED TREES PEPSI MOON; 1981 STUDIO (GRAND-ALLEE, QUEBEC CITY); oil on canvas, laid on board oil on board 1988 13 x 16 in. (33 x 40.6 cm) 16 x 20 in. (40.6 x 50.8 cm) pastel on paper monogrammed lower right; signed, titled & signed lower right dated verso Provenance: Estate of Bill and Peggy Code, 30 x 40 in. (76.2 x 101.6 cm) signed lower right; signed, titled & dated on Provenance: Estate of Bill and Peggy Code, Calgary AB the artist’s label verso Calgary AB $ 700 / 1,000 $ 3,500 / 4,500 $ 2,500 / 3,500 13 | Thomas Keith (Tom) Roberts 10 | Claude Langevin Canadian OSA, RCA [1908-1998] Canadian [b. 1942] SHADOWS ON THE SCHOOL HOUSE DEBUT DE TEMPETE (HEAVY SNOW IN THE oil on masonite LAURENTIDES) 16 x 24 in. (40.6 x 61 cm) oil on canvas signed lower left; signed, titled & dated verso 24 x 30 in. (61 x 76.2 cm) $ 1,000 / 1,500 signed lower left; signed & titled verso $ 2,000 / 2,500 8 | Allen Sapp Canadian RCA [1928-2015] THE LITTLE BOY CAME TO WATCH THE GAME; 1982 acrylic on canvas 20 x 24 in. (50.8 x 61 cm) signed lower right; titled & dated on the artist’s label verso (AZ-303) Provenance: This work originally came through 11 | Illingworth Holey (Buck) Kerr Assiniboia Gallery (Regina SK) to the corporate Canadian ASA, BCSA, FCA, RCA [1905-1989] 14 | Mary Evelyn Wrinch collection of UNICEF Canada. It was then AUGUST AFTERNOON; 1981 Canadian CPE, OSA, RCA [1877-1969] gifted to the consignor, who was involved oil on canvas SUNLIGHT ON THE HILLS for many years with the company’s greeting 24 x 32 in. (61 x 81.3 cm) oil on board card program. During the 1980s and 1990s, monogrammed lower right; signed, titled & 10 x 12 in. (25.4 x 30.5 cm) Sapp had a relationship with UNICEF Canada, dated on the stretcher verso signed lower right; titled on a label verso allowing the company to reproduce several of Provenance: Estate of Bill and Peggy Code, Exhibited: Small Picture Exhibition OSA, Avon his works as Christmas cards. Calgary AB House, Simpsons $ 3,000 / 5,000 $ 7,000 / 9,000 $ 1,500 / 2,500 19 | Henri Leopold Masson 15 | Berthe Des Clayes Canadian CGP, CSPWC, RCA [1907-1996] 17 | Clarence Alphonse Gagnon FISHING VILLAGE Canadian [1877-1968] Canadian RCA [1881-1942] oil on canvas LE PONT COUVERT IGLOO; ca 1928 18 x 24 in. (45.7 x 61 cm) pastel on paper gouache on paper laid on panel 7.75 x 9.25 in. (19.7 x 23.5 cm) signed lower right 5.25 x 6.25 in. (13.3 x 15.9 cm) Provenance: Estate of Bill and Peggy Code, signed lower right; titled on the gallery label Certified verso by Lucile Rodier Gagnon, wife of Calgary AB verso the artist (Paris, 1946; no. 666). $ 1,500 / 2,500 Provenance: Galerie d’Art Michel Bigue, St- Provenance: Walter Klinkhoff Gallery, Montreal Sauveur QC QC; Masters Gallery, Calgary AB $ 800 / 1,200 Note: This gouache is a study for the composition appearing on page 90 of “Le Grand Silence Blanc, Roman Vecu d’Alaska” (Louis Frederic Rouquette & Clarence Gagnon; Paris Editions Mornay; 1928) $ 5,000 / 7,000 20 | Frederic Marlett Bell-Smith Canadian OSA, RCA [1846-1923] MOUNTAIN LAKE AND SNOW-CAPPED RIDGE watercolour and gouache on paper 11.75 x 18 in. (29.8 x 45.7 cm) signed lower left $ 2,000 / 2,500 21 | Carl Fellman Schaefer Canadian CGP, CSGA, CSPWC, RCA [1903-1995] BARNS AND ORCHARD ON JOHN VOELZING’S FARM, HANOVER; 1935 watercolour on paper 15.5 x 22.5 in. (39.4 x 57.2 cm) 16 | Charles Ernest de Belle 18 | William Kurelek signed & dated lower right; signed, titled & Canadian RCA [1873-1939] Canadian RCA [1927-1977] dated verso GIRLS IN FLOWING WHITE GOWNS SKETCH FOR “THE EGG THIEF”; 1975 Exhibited: “Carl Schaefer in Hanover”, The pastel on paper pen and ink wash on paper board laid on Edmonton Art Gallery (1980) 28 x 22 in. (71.1 x 55.9 cm) masonite Note: Other examples of Schaefer’s Voelzing monogrammed lower right 20 x 14.5 in. (50.8 x 36.8 cm) Farm paintings appear in the collections of the Provenance: Walter Klinkhoff Gallery, Montreal monogrammed & dated lower right; titled & National Gallery of Canada (Acc. No. 4609) and QC dated verso the Winnipeg Art Gallery (Acc. No. G-78-2). $ 3,000 / 5,000 $ 3,000 / 4,000 $ 3,000 / 4,000 22 | Homer Ransford Watson Canadian OSA, RCA [1855-1936] SKETCH AT BRAY, BERKS. ENG oil on board 6.5 x 9.25 in. (16.5 x 23.5 cm) initialed lower left; titled verso Provenance: Estate of Bill and Peggy Code, Calgary AB $ 1,000 / 2,000 25 | Henry George Glyde Canadian ASA, CSGA, FCA, RCA [1906-1998] SOUTHERN ALBERTA TOWN oil on canvas 18 x 24 in. (45.7 x 61 cm) signed lower right; signed & titled verso Estate of Bill and Peggy Code, Calgary AB $ 6,000 / 8,000 23 | William Lewy Leroy Stevenson 26 | Ted Godwin Canadian ASA [1905-1966] Canadian ASA, R5, RCA [1933-2013] CHURCH SPIRE STILL FALL (KENAUK SERIES); 2001 oil on board oil on canvas 10.75 x 14 in. (27.3 x 35.6 cm) 47 x 64 in. (119.4 x 162.6 cm) initialed lower right signed & titled on the stretcher verso Provenance: Estate of Bill and Peggy Code, Provenance: Estate of Bill and Peggy Calgary AB; former collection of artist Max Code, Calgary AB; Wallace Galleries, Bates Calgary AB $ 700 / 1,000 Reference: “Lower Bow: A Celebration of Wilderness, Art and Fishing” (Ted Godwin & Geoffrey Simmins; Hard Art Moving and Storage Co. Ltd.; 1991) Streams and waterways feature prominently in Ted Godwin’s paintings. As a mature artist, it would seem that the subject held particular significance for the artist, who identified as a Buddhist. Godwin grew up on the banks of the Elbow River in Calgary, walking and fly fishing the river with his father. Both his parents’ ashes were later scattered over the Bow River. In his book (page 11), Godwin wrote: “In retrospect, most of the time I spent growing up was streamside, although this memory lay dormant for a long time. Old memories now merge with new and the only constant is the current of the dark stream that flows through my life. It seems to me that the images and rhythms of streamside have formed an integral part of whatever it is that is Ted.” 24 | Roland Gissing Ted Godwin was the youngest member of the Regina Five, a name given to the avant-garde Canadian ASA [1895-1967] group of artists when they were featured in the National Gallery of Canada’s 1961 touring WINTER SUNSET exhibition “Five Painters from Regina”.
Recommended publications
  • Patricia Ainslie Fonds (RBSC-ARC-1691)

    Patricia Ainslie Fonds (RBSC-ARC-1691)

    University of British Columbia Library Rare Books and Special Collections Finding Aid - Patricia Ainslie fonds (RBSC-ARC-1691) Generated by Access to Memory (AtoM) 2.4.0 Printed: March 04, 2020 Language of description: English University of British Columbia Library Rare Books and Special Collections Irving K. Barber Learning Centre 1961 East Mall Vancouver British Columbia V6T 1Z1 Telephone: 604-822-2521 Fax: 604-822-9587 Email: [email protected] http://rbsc.library.ubc.ca/ http://rbscarchives.library.ubc.ca//index.php/patricia-ainslie-fonds Patricia Ainslie fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 3 Arrangement .................................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 5 Series descriptions
  • February 2011 Online Sale Catalogue

    February 2011 Online Sale Catalogue

    FEBRUARY 2011 ONLINE SALE CATALOGUE (with 3 minutes extension until no further bids received) Viewing: All works can be viewed on the Internet at www.heffel.com and at Heffel Gallery, 2247 Granville Street, Vancouver, BC, or at Heffel Fine Art Auction House, 13 Hazelton Avenue, Toronto, ON, or at Gallerie Heffel, 1840 rue Sherbrooke Ouest, Montreal, QC, Canada Note: Sale to be held through the Internet at www.heffel.com. Any estimates for this sale are in Canadian Dollars. Telephone and absentee bids accepted. Buyer's Premium 17% Heffel Fine Art Auction House Heffel Gallery Inc. Heffel Fine Art Auctioneers Galerie Heffel Québec Ltée. 2247 Granville Street 13 Hazelton Avenue 104 Daly Avenue 1840 rue Sherbrooke Ouest Vancouver, BC, V6H 3G1 Toronto, ON, M5R 2E1 Ottawa, ON, K1N 6E7 Montreal, QC, H3H 1E4 Phone: 00 1 604 732 6505 Phone: 00 1 416 961-6505 Phone: 00 1 613 230 6505 Phone: 00 1 514 939-6505 Mobile: 00 1 604 418 6505 Fax: 00 1 416 961-4245 Fax: 00 1 613 230 8884 Fax: 00 1 514 939-1100 Fax: 00 1 604 732 4245 Email: [email protected] FEBRUARY 2011 ONLINE SALE CATALOGUE Page: 1 of 22 001 KAKA ASHOONA 1928 - 1996 Canadian Indigenous Untitled green soapstone sculpture on verso signed in syllabics on the base 24 x 10 x 6 inches 61 x 25.4 x 15.2 centimeters Provenance: Private Collection, Toronto Exhibited: Literature: Starting Bid: $2,500 CDN Estimate: $3,000 ~ $5,000 CDN Preview at: Heffel Fine Art Inc. Toronto 002 LEONARD PARENT BASQUE 1927 - Canadian Première neige au Bic oil on canvas signed and on verso titled 9 x 12 inches 22.9 x 30.5 centimeters Provenance: Private Collection, Montreal Exhibited: Literature: Starting Bid: $100 CDN Estimate: $300 ~ $600 CDN Preview at: Heffel Gallery Montreal 003 SAMUEL BORENSTEIN CAS QMG 1908 - 1969 Canadian Préfontaine, Québec, Early Summer gouache on card signed and dated 1942 and on verso signed and titled 15 x 24 1/4 inches 38.1 x 61.6 centimeters Provenance: Private Collection, Nova Scotia Exhibited: Literature: Please note: this work is unframed.
  • C H R I S C R a N R C a Born 1949, Ocean Falls, British Columbia Lives

    C H R I S C R a N R C a Born 1949, Ocean Falls, British Columbia Lives

    C H R I S C R A N R C A Born 1949, Ocean Falls, British Columbia Lives and works in Calgary, Alberta, Canada E D U C A T I O N 1979 Alberta College of Art and Design, Graduate with Honours, Calgary, Alberta 1976 Kootenay School of Art, Nelson, British Columbia S E L E C T E D E X H I B I T I O N S Solo 2015 That's an Excellent Question!, Wilding Cran Gallery, Los Angeles, CA 2011 Reading Room, Trepanier Baer Gallery, Calgary, AB 2010 “if something appears to be photographic, it is” Trepanier Baer Gallery, Calgary, AB 2009 Bright Spiral Standard, Clint Roenisch Gallery, Toronto Ont. Chris Cran: Diversions, Trépanier Baer Gallery, Calgary, Alberta 2008 The Secret Ecstasy of the Whole World, 809 Gallery, Calgary, Alberta 2006 Novel, TrépanierBaer, Calgary, Alberta Chris Cran: The Return of the Beautiful Hayseed, Clint Roenisch Gallery, Toronto, Ontario 2005 Camera Obscura, Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta Chris Cran: Camera Obscura Theatre, Calgary Science Centre, Calgary, Alberta 2004 Inspirational Themes and Sublime Sales, TrépanierBaer, Calgary, Alberta Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta 2003 Big Opening!!!, Sable-Castelli Gallery, Toronto, Ontario And Now It’s Personal, Owens Art Gallery, Sackville, New Brunswick Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary 2001 Fully Visible, Harcourt House, Edmonton Art Gallery, Edmonton, Alberta 2000 The Second Hundred Years, TrépanierBaer, Calgary, Alberta Surveying the Damage, 1977-1997,
  • 2018-2019 Annual Report

    2018-2019 Annual Report

    2018-2019 annuAl report THE MONTREAL MUSEUM OF FINE ARTS CITED AS MODEL EXAMPLE IN THE OECD AND ICOM’S INTERNATIONAL GUIDE “The Organisation for Economic Co-operation and Development (OECD) and the International Council of Museums (ICOM) recognized the Montreal Museum of Fine Arts’ pioneering role in their guide launched in December 2018, Culture and Local Development: Maximising the Impact. Guide for Local Governments, Communities and Museums. This remarkable validation from two major international economic and cultural institutions will enable us to disseminate our message ever farther, so as to strengthen the role of culture and expand the definition of trailblazing museums, like the MMFA, that are fostering greater inclusion and wellness.” – Nathalie Bondil The Museum is cited in 5 of the 16 international case studies in the guide: a remarkable nod to our institution’s actions that stem from a humanist, innovative and inclusive vision. Below are a few excerpts from the publication that is available online at www.oedc.org: 1. Partnering for urban regeneration 3. Partnership for education: EducArt 5. Promoting inclusiveness, health and Regarding the MMFA’s involvement in creating the digital platform, Quebec, Canada well-being: A Manifesto for a Humanist Zone Éducation-Culture in 2016, in collaboration Launched in 2017 by the MMFA, EducArt gives Fine Arts Museum with Concordia University and the Ville de Montreal: secondary school teachers across the province access “As part of the Manifesto for a Humanist Fine “The project … has its roots in a common vision [of to an interdisciplinary approach to teaching the Arts Museum written by Nathalie Bondil,1 the the three institutions] to improve Montreal’s role as educational curriculum, based on the Museum’s MMFA has put forth a strong vision of the social a city of knowledge and culture.
  • Truck Contemporary Art's 3Rd Annual Postcard Fundraiser

    Truck Contemporary Art's 3Rd Annual Postcard Fundraiser

    TRUCK CONTEMPORARY ART’S 3RD ANNUAL ARTIST CATALOGUE POSTCARD FUNDRAISER EVENT DETAILS Saturday, February 29th, 2020 7PM - 10PM TRUCK Contemporary Art - 2009 10 Ave SW, Calgary, AB Bidding starts at 7PM and closes at 930PM PROXY BIDDING If you cannot make it to the fundraiser in person, we will be accepting proxy bids by email at [email protected] prior to the event and by text at 587-439-8706 on the night of the event. Please include your maximum bid amount. BUY-IT-NOW Prior to the fundraiser, you may purchase postcards at the BUY-IT-NOW price of $300.00 without bidding. This option is only available until the beginning of the event, which starts at 7PM on February 29th, 2020. If you would like to BUY-IT-NOW, please email [email protected] Alberta Rose W./Ingniq Mohkinstsis (Calgary) based artist, Ingniq worked her way through college as a cook, then in politics before she obtained her BFA with distinction from the Alberta University of the Arts (formerly ACAD). Of mixed settler/Inuvialuit heritage, Ingniq often creates work that reflects both aspects of her cultural identity as well as broader social issues related to Indigenous people today. Often working with reclaimed or rescued materials in her art- making, Ingniq takes an intuitive and mindful approach to art. In part, this is a reactionary, conscious choice regarding the amount of rampant waste in this capitalist/consumerist society, as well as a symbolic gesture adding to the reclamation of identity. The need to create work like this is to focus on evolving activism that seeks to generate dialogue and awareness about the current and historical aspects influencing Indigenous people, as well as other groups of marginalized individuals and problems to generate opportunities for more inclusive and supportive societies.
  • Bruno Bobak the Full Palette

    Bruno Bobak the Full Palette

    BRUNO BOBAK THE FULL PALETTE Edited by Bernard Riordon Goose Lane Editions and The Beaverbrook Art Gallery Bobak-V2.indd 3 9/7/06 11:03:46 AM Copyright © 2006 by The Beaverbrook Art Gallery. All rights reserved. No part of this work may be reproduced or used in any form or by any means, electronic or mechanical, including photocopying, recording, or any retrieval system, without the prior written permission of the publisher or a licence from the Canadian Copyright Licensing Agency (Access Copyright). To contact Access Copyright, visit www.accesscopyright.ca or call 1-800-893-5777. On the cover: The Tired Wrestler, 1964, oil canvas, 120.0 x 100.0 cm. Gift of Mel and Stephen Ross in memory of Reuben Ross. NAC: 965.29. Leonard and Bina Ellen Art Gallery, Concordia University, Montreal QC Book jacket and page design by Julie Scriver. Typeset by Troy Cole – Envision Graphic Design. Printed in Canada. 10 9 8 7 6 5 4 3 2 1 Library and Archives Canada Cataloguing in Publication Bruno Bobak: the full palette / Bernard Riordon, editor. Co-published by Beaverbrook Art Gallery. Includes bibliographical references and index. ISBN 0-86492-481-X 1. Bobak, Bruno. 2. Artists — Canada — Biography. I. Riordon, Bernard II. Beaverbrook Art Gallery. III. Title: Full palette. N6549.B6252F84 2006 709'.2 C2006-904661-1 Goose Lane Editions acknowledges the financial support of the Canada Council for the Arts, the Government of Canada through the Book Publishing Industry Development Program (BPIDP), and the New Brunswick Department of Wellness, Culture and Sport for its publishing activities.
  • CURTIS CUTSHAW Born in Edmonton, Alberta 1967 Lives in Calgary, Alberta

    CURTIS CUTSHAW Born in Edmonton, Alberta 1967 Lives in Calgary, Alberta

    CURTIS CUTSHAW Born in Edmonton, Alberta 1967 Lives in Calgary, Alberta Artist Statement Curtis Cutshaw’s paintings show us how a painting is made. Each step of the Artist’s process can be seen. Each choice is there for the viewer to unravel, as if stopped in time. Each piece shows a choice, a step forward to the final realization of the complete painting. Fractured and deconstructed images on individual birch wood tiles create a sense of removal of meaning. Scratched, rubbed, marked, erased and distressed images hint at repurposing and the multiple pieces appear to have had a history, where in fact the artist creates them. The viewers’ mind wants to reassemble the pieces and use what is there to create what is not there. Cutshaw does not allow for the accidental. The works may appear spontaneous, yet every piece, every mark; whether it is painted, drawn or scratched, is intentional and created by the artist. The artists’ touch, his hand and his construction are at the center of each work. Cutshaw has an ongoing dialogue with the picture plane. Depending on what the artist does with each piece in the painting, he either adds to or denies spatial reference. A mark scratched into the surface flattens the picture plane, denying illusionistic space, bringing the viewers’ eye to the surface; where half of a circle implies the whole, creating illusionistic space. Through Cutshaw’s paintings, the viewer can experience this dichotomy and the viewer is able to see one choice and a thousand choices through assemblage. Each shape is a record of a moment that can be seen, experienced, and arrived.
  • 26727 Consignor Auction Catalogue Template

    26727 Consignor Auction Catalogue Template

    Auction of Important Canadian & International Art September 24, 2020 AUCTION OF IMPORTANT CANADIAN & INTERNATIONAL ART LIVE AUCTION THURSDAY, SEPTEMBER 24TH AT 7:00 PM ROYAL ONTARIO MUSEUM 100 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario ON VIEW Please note: Viewings will be by appointment. Please contact our team or visit our website to arrange a viewing. COWLEY ABBOTT GALLERY 326 Dundas Street West, Toronto, Ontario JULY 8TH - SEPTEMBER 4TH Monday to Friday: 9:00 am to 5:00 pm SEPTEMBER 8TH - 24TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm Sunday, September 20th: 11:00 am to 5:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 2 COWLEY ABBOTT | September Auction 2020 Cowley Abbott Fine Art was founded as Consignor Canadian Fine Art in August 2013 as an innovative partnership within the Canadian Art industry between Rob Cowley, Lydia Abbott and Ryan Mayberry. In response to the changing landscape of the Canadian art market and art collecting practices, the frm acts to bridge the services of a retail gallery and auction business, specializing in consultation, valuation and professional presentation of Canadian art. Cowley Abbott has rapidly grown to be a leader in today’s competitive Canadian auction industry, holding semi-annual live auctions, as well as monthly online Canadian and International art auctions. Our frm also ofers services for private sales, charity auctions and formal appraisal services, including insurance, probate and donation.
  • Post-War & Contemporary

    Post-War & Contemporary

    post-wAr & contemporAry Art Sale Wednesday, november 21, 2018 · 4 Pm · toronto i ii Post-wAr & contemPorAry Art Auction Wednesday, November 21, 2018 4 PM Post-War & Contemporary Art 7 PM Canadian, Impressionist & Modern Art Design Exchange The Historic Trading Floor (2nd floor) 234 Bay Street, Toronto Located within TD Centre Previews Heffel Gallery, Calgary 888 4th Avenue SW, Unit 609 Friday, October 19 through Saturday, October 20, 11 am to 6 pm Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 27 through Tuesday, October 30, 11 am to 6 pm Galerie Heffel, Montreal 1840 rue Sherbrooke Ouest Thursday, November 8 through Saturday, November 10, 11 am to 6 pm Design Exchange, Toronto The Exhibition Hall (3rd floor), 234 Bay Street Located within TD Centre Saturday, November 17 through Tuesday, November 20, 10 am to 6 pm Wednesday, November 21, 10 am to noon Heffel Gallery Limited Heffel.com Departments Additionally herein referred to as “Heffel” consignments or “Auction House” [email protected] APPrAisAls CONTACT [email protected] Toll Free 1-888-818-6505 [email protected], www.heffel.com Absentee And telePhone bidding [email protected] toronto 13 Hazelton Avenue, Toronto, Ontario M5R 2E1 shiPPing Telephone 416-961-6505, Fax 416-961-4245 [email protected] ottAwA subscriPtions 451 Daly Avenue, Ottawa, Ontario K1N 6H6 [email protected] Telephone 613-230-6505, Fax 613-230-8884 montreAl CatAlogue subscriPtions 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Heffel Gallery Limited regularly publishes a variety of materials Telephone 514-939-6505, Fax 514-939-1100 beneficial to the art collector.
  • 2019 Annual Report Mission the Assiniboine Park Conservancy Exists to Enhance the Assiniboine Park Experience for Present and Future Generations

    2019 Annual Report Mission the Assiniboine Park Conservancy Exists to Enhance the Assiniboine Park Experience for Present and Future Generations

    2019 Annual Report Mission The Assiniboine Park Conservancy exists to enhance the Assiniboine Park experience for present and future generations. 1 Vision 2 Capital Development and Refurbishment 3 Zoo News 4 New Initiatives 4 Awards and Recognition 6 Capital Campaign Highlights 7 Education Programs 8 Conservation and Research 9 Sustainability Initiatives 10 Community Events and Engagement PHOTOS, COVER - Family admires polar bear display at Zoo 11 Staff and Volunteer Resources Lights Festival; BELOW - Visitors enjoy summer entertainment 12 Financial Statements at the Lyric Theatre (Mike Peters, courtesy of Tourism 16 Donor Listing Winnipeg). OPPOSITE - Margaret Redmond (President & CEO) and Hartley Richardson (Chair, Board of Directors). CELEBRATING A DECADE OF TRANSFORMATION In 2009, the Assiniboine Park Conservancy unveiled a visionary redevelopment plan that has transformed Assiniboine Park and Zoo. Ten years later, as we look back on the decade, we are reminded of the many exciting milestones we have celebrated together, including: • January 2011 opening of the expanded Riley Family Duck Pond • May 2011 opening of the Nature Playground and Streuber Family Children’s Garden • June 2011 opening of the Shirley Richardson Butterfly Garden • November 2011 opening of the Qualico Family Centre and Park Café • January 2012 opening of the Leatherdale International Polar Bear Conservation Centre • February 2013 opening of the Tundra Grill and Polar Playground • October 2013 first orphaned polar bear cub (Aurora) arrives at the Zoo • July 2014 opening of the Journey to Churchill exhibit • August 2015 opening of the McFeetors Heavy Horse Centre • September 2016 re-opening of The Pavilion art galleries and launch of WAG@ThePark • July 2017 sod-turning for The Leaf and Canada’s Diversity Gardens, attended by Prime Minister Trudeau, Premier Pallister, and Mayor Bowman We are now in the final major phase of this historic redevelopment.
  • Newsletternewsletter Official Newsletter of the International Association for Mathematical Geology

    Newsletternewsletter Official Newsletter of the International Association for Mathematical Geology

    No. 71 December 2005 IAMGIAMG NewsletterNewsletter Official Newsletter of the International Association for Mathematical Geology Contents oronto - welcoming city on the shores of Lake Ontario and site of IAMG 2005 this last August. The organizers of the confer- ence chose well: Hart House of the University of Toronto, an President’s Forum .................................................................................3 Tivy-draped, Oxbridge style college building, recalling the British her- IAMG Journal Report ...........................................................................4 itage, was a very suitable venue for plenary talks in the “Great Hall”, topical sessions in various smaller rooms, spaces for work sessions, Association Business ............................................................................4 posters and the “music room” for reading, computer connections, and The Matrix Man ....................................................................................5 listening to the occasional piano player. Member News .......................................................................................5 Downtown Toronto turned out to be a nicely accessible city with Conference Reports ...............................................................................6 many places within walking distance from the university, and a good public transportation system of Toronto Photo Album ............................................................................7 subways and bus lines to reach Student Affairs ....................................................................................10
  • The National Gallery of Canada: a Hundred Years of Exhibitions: List and Index

    The National Gallery of Canada: a Hundred Years of Exhibitions: List and Index

    Document generated on 09/28/2021 7:08 p.m. RACAR : Revue d'art canadienne Canadian Art Review The National Gallery of Canada: A Hundred Years of Exhibitions List and Index Garry Mainprize Volume 11, Number 1-2, 1984 URI: https://id.erudit.org/iderudit/1074332ar DOI: https://doi.org/10.7202/1074332ar See table of contents Publisher(s) UAAC-AAUC (University Art Association of Canada | Association d'art des universités du Canada) ISSN 0315-9906 (print) 1918-4778 (digital) Explore this journal Cite this article Mainprize, G. (1984). The National Gallery of Canada: A Hundred Years of Exhibitions: List and Index. RACAR : Revue d'art canadienne / Canadian Art Review, 11(1-2), 3–78. https://doi.org/10.7202/1074332ar Tous droits réservés © UAAC-AAUC (University Art Association of Canada | This document is protected by copyright law. Use of the services of Érudit Association d'art des universités du Canada), 1984 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ The National Gallery of Canada: A Hundred Years of Exhibitions — List and Index — GARRY MAINPRIZE Ottawa The National Gallerv of Canada can date its February 1916, the Gallery was forced to vacate foundation to the opening of the first exhibition of the muséum to make room for the parliamentary the Canadian Academy of Arts at the Clarendon legislators.