Patricia Ainslie Fonds (RBSC-ARC-1691)

Total Page:16

File Type:pdf, Size:1020Kb

Patricia Ainslie Fonds (RBSC-ARC-1691) University of British Columbia Library Rare Books and Special Collections Finding Aid - Patricia Ainslie fonds (RBSC-ARC-1691) Generated by Access to Memory (AtoM) 2.4.0 Printed: March 04, 2020 Language of description: English University of British Columbia Library Rare Books and Special Collections Irving K. Barber Learning Centre 1961 East Mall Vancouver British Columbia V6T 1Z1 Telephone: 604-822-2521 Fax: 604-822-9587 Email: [email protected] http://rbsc.library.ubc.ca/ http://rbscarchives.library.ubc.ca//index.php/patricia-ainslie-fonds Patricia Ainslie fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 3 Arrangement .................................................................................................................................................... 4 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 5 Series descriptions ........................................................................................................................................... 5 , Artist and exhibition research files, [198-] - [2009] .................................................................................. 5 , Linocut research files, [1983 - 1999] ........................................................................................................ 6 , Alberta Art and Artists - book research, [1984 - 2007, predominantly 2002 - 2007] ................................ 7 , Images of the Land - book and exhibition research, [1983 - 2004] .......................................................... 8 , Printmaking research files, [1983 - 1995] ................................................................................................. 9 , Okanagan Artists in their Studios – book research, 1979 - 2018, predominant 2006 - 2013 ..................... 9 - Page 2 - RBSC-ARC-1691 Patricia Ainslie fonds Summary information Repository: University of British Columbia Library Rare Books and Special Collections Title: Patricia Ainslie fonds ID: RBSC-ARC-1691 Date: 1979 - 2018 (date of creation) Physical description: 1.16m of textual records and other material Language: English Language: French Language: Spanish Dates of creation, Description revised by Natalie Trapuzzano in February 2020. revision and deletion: Administrative history / Biographical sketch Note Art historian, curator, and author Patricia Ainslie was born in England and raised in South Africa. She moved to Calgary in 1977 and began work at the Glenbow Museum in Calgary in 1979, where she worked as a curator until 2006. She was instrumental in building the Glenbow's art collection and organized many of its exhibitions over the years, including Images of the Land: Canadian Block Prints 1919-1945 (which was shown internationally). She also planned exhibitions of the works of Margaret Shelton, Laurence Hyde, Cecil Buller, H.G. Glyde, and Jack Shadbolt. For her important work in printmaking, she was elected to the Print Council of America. As Vice President of Collections at Glenbow from 1993 to 2006, she worked on innovative museological projects, including deaccessioning, grading of collections and repatriation. She has published in scholarly journals and presented lectures on these topics in North America, England and Europe. Since leaving Glenbow and relocating to the Okanagan in 2006, Ainslie has worked as an independent curator and writer. She co-authored Alberta Art and Artists, published in 2007; Ted Godwin: The Regina Five Years: 1957-1967, published in 2008; and Okanagan Artists and their Studios, published in 2013. Scope and content Fonds consists of research compiled by art historian and curator Patricia Ainslie. The research relates to both her published writing and her curatorial work at the Glenbow museum in Calgary, AB. Materials include research notes; photocopies of articles and images; correspondence with artists, other curators, University of British Columbia Library Rare Books and Special Collections Page 3 RBSC-ARC-1691 Patricia Ainslie fonds and archival institutions; planning documents and lists; photographs of artists and artwork; interviews on audio cassette, DVD, and as transcripts; manuscripts for some of her published work; and exhibition pamphlets. Notes Title notes • Source of title proper: Title based on the provenance of the fonds. Immediate source of acquisition Transferred directly from Patricia Ainslie in two installments, October 2011 and March 2014. In January 2020, Patricia Ainslie donated an accrual that became the Okanagan Artists in their Studios series (RBSC-ARC-1691-07-06 through 08-04). Arrangement Items have been arranged into series and files that reflect the grouping and order of the material as it arrived from Patricia. Related material Copies of Patricia Ainslie's published works are available at RBSC and other UBC libraries. In the 2020 accrual, Ainslie donated several books on and by the Okanagan artists she researched for her book, which can be found by searching the UBC library catalogue. Accruals Accrual occurred in February 2020. Further accruals are not expected at this time, but may be in the future. Other notes • Publication status: published • Physical description: Includes 281 photographs (BC2149/1-253 and RBSC-ARC-1691-PH-01 to 28) ; 7 audio cassettes (AV/01-03 and RBSC-ARC-1691-SPC-01 to 04) ; 5 DVDs (AV/04-08) ; and 1 VHS audio videocassette (RBSC-ARC-1691-SPVT-01). • Accompanying material: The 2020 accrual contains material used by Ainslie to write her book, which can be found at UBC Libraries via the following link: -"Ainslie, Patricia. Okanagan Artists in their Studios. Calgary, AB. Frontenac House, 2013.":http://resolve.library.ubc.ca/cgi-bin/catsearch? bid=7278890 University of British Columbia Library Rare Books and Special Collections Page 4 RBSC-ARC-1691 Patricia Ainslie fonds Access points • Multiple media (documentary form) Series descriptions Artist and exhibition research files Date: [198-] - [2009] (date of creation) Scope and content: Series consists of files compiled by Ainslie while researching three artists: Inglis Sheldon-Williams, Henry George Glyde and Cecil Buller, in the 1980's-1990's. Files contain research notes, photocopies from archival collections and reference sources, transcripts of interviews, correspondence and photographs of artworks. Physical description: 48 cm of textual records and other material Publication status: published Physical description: Includes 135 photographs : prints, negatives and slides (BC2149/1-135). - 5 DVDs (RBSC- ARC-1691-AV/04-08). - 3 audio cassettes (RBSC-ARC-1691-AV/01-03) File / item list Ref code Title Dates Access status Container RBSC-ARC-1691-1-01 File - Sheldon-Williams biography [198-?] RBSC-ARC-1691-1-02 File - Glyde exhibition files research [198-?] RBSC-ARC-1691-1-03 File - Glyde murals British [Photocopied 198-?] RBSC-ARC-1691-1-04 File - Glyde background reading [198-?] RBSC-ARC-1691-1-05 File - Glyde my notes [198-?] RBSC-ARC-1691-1-06 File - Glyde tape transcripts [198-] RBSC-ARC-1691-1-07 File - Glyde interviews, Asquin, Forbes [198-] RBSC-ARC-1691-1-08 File - Cecil Buller 1987 - 1997 RBSC-ARC-1691-1-09 File - Buller- John Murphy [ca. 1988] RBSC-ARC-1691-2-01 File - Buller work reproduced and [198-?] sketchbook repros RBSC-ARC-1691-2-02 File - Buller AAM Montreal [198-?] RBSC-ARC-1691-2-03 File - Buller working file 1987 RBSC-ARC-1691-2-04 File - Buller exhibitions [198-?] University of British Columbia Library Rare Books and Special Collections Page 5 RBSC-ARC-1691 Patricia Ainslie fonds RBSC-ARC-1691-2-05 File - Buller biographical, background 1987-1988 info, summaries RBSC-ARC-1691-2-06 File - Buller works [ca. 1988] RBSC-ARC-1691-2-08 File - Folk Art [ca. 1993] RBSC-ARC-1691-2-09 File - Group of Seven [ca. 2009] RBSC-ARC-1691-2-10 File - Reclaiming History [exhibition] [ca. 1992 - 1998] RBSC-ARC-1691-2-11 File - Margaret Shelton [1985 - 1986] RBSC-ARC-1691-3-01 File - [Julius Griffith] RBSC-ARC-1691-3-02 File - Imprint 1991 [exhibition] [ca. 1991 - 1993] RBSC-ARC-1691-3-03 File - Vessels [exhibition] [1987 - 1989] RBSC-ARC-1691-3-04 File - Darci Mallon [exhibition] [1991 - 1992] RBSC-ARC-1691-3-05 File - Impressions - Prints 1991 [1990 - 1991] [exhibition] RBSC-ARC-1691-3-06 File - Glyde lecture [198-] - [2009] RBSC-ARC-1691-3-07 File - Gladys Johnston [exhibition] [ca. 1987 - 1988] RBSC-ARC-1691-3-08 File - Godwin, references - library [ca. 2006 - 2007] RBSC-ARC-1691-3-09 File - Ted Godwin - correspondence 2004 - 2007 RBSC-ARC-1691-3-10 File - Ted Godwin research [ca. 2004 - 2008] RBSC-ARC-1691-3-11 File - Ted Godwin, images, works in [ca. 2005 - Canadian Coll 2008] RBSC-ARC-1691-3-12 File - [Ted Godwin memoirs] January 2006 RBSC-ARC-1691-3-13 File - [Jack Shadbolt correspondence] ca. 1989 Linocut research files Date: [1983 - 1999] (date of creation) Scope and content: Series consists of research material compiled by
Recommended publications
  • February 2011 Online Sale Catalogue
    FEBRUARY 2011 ONLINE SALE CATALOGUE (with 3 minutes extension until no further bids received) Viewing: All works can be viewed on the Internet at www.heffel.com and at Heffel Gallery, 2247 Granville Street, Vancouver, BC, or at Heffel Fine Art Auction House, 13 Hazelton Avenue, Toronto, ON, or at Gallerie Heffel, 1840 rue Sherbrooke Ouest, Montreal, QC, Canada Note: Sale to be held through the Internet at www.heffel.com. Any estimates for this sale are in Canadian Dollars. Telephone and absentee bids accepted. Buyer's Premium 17% Heffel Fine Art Auction House Heffel Gallery Inc. Heffel Fine Art Auctioneers Galerie Heffel Québec Ltée. 2247 Granville Street 13 Hazelton Avenue 104 Daly Avenue 1840 rue Sherbrooke Ouest Vancouver, BC, V6H 3G1 Toronto, ON, M5R 2E1 Ottawa, ON, K1N 6E7 Montreal, QC, H3H 1E4 Phone: 00 1 604 732 6505 Phone: 00 1 416 961-6505 Phone: 00 1 613 230 6505 Phone: 00 1 514 939-6505 Mobile: 00 1 604 418 6505 Fax: 00 1 416 961-4245 Fax: 00 1 613 230 8884 Fax: 00 1 514 939-1100 Fax: 00 1 604 732 4245 Email: [email protected] FEBRUARY 2011 ONLINE SALE CATALOGUE Page: 1 of 22 001 KAKA ASHOONA 1928 - 1996 Canadian Indigenous Untitled green soapstone sculpture on verso signed in syllabics on the base 24 x 10 x 6 inches 61 x 25.4 x 15.2 centimeters Provenance: Private Collection, Toronto Exhibited: Literature: Starting Bid: $2,500 CDN Estimate: $3,000 ~ $5,000 CDN Preview at: Heffel Fine Art Inc. Toronto 002 LEONARD PARENT BASQUE 1927 - Canadian Première neige au Bic oil on canvas signed and on verso titled 9 x 12 inches 22.9 x 30.5 centimeters Provenance: Private Collection, Montreal Exhibited: Literature: Starting Bid: $100 CDN Estimate: $300 ~ $600 CDN Preview at: Heffel Gallery Montreal 003 SAMUEL BORENSTEIN CAS QMG 1908 - 1969 Canadian Préfontaine, Québec, Early Summer gouache on card signed and dated 1942 and on verso signed and titled 15 x 24 1/4 inches 38.1 x 61.6 centimeters Provenance: Private Collection, Nova Scotia Exhibited: Literature: Please note: this work is unframed.
    [Show full text]
  • Bryan Riley Ecatalog
    The Drawers - Headbones Gallery Contemporary Drawings and Works on Paper Bryan Ryley Drawer’s Selection February 4, - March 11, 2006 Bryan Ryley Inaugural Drawer’s Selection February 4, 2006 - March 11, 2006 Artist Catalog, ‘Bryan Ryley - Headbones Gallery, The Drawers ’ Copyright © 2006, Headbones Gallery Images Copyright © 2006, Bryan Ryley Headbones commentary: Julie Oakes, filtered Copyright © 2006, Headbones Gallery Rich Fog Micro Publishing, printed in Toronto, 2006 Layout and Design, Richard Fogarty All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage or retrieval system, except as may be expressly permitted by the 1976 copyright act or in writing from Headbones Gallery. Requests for permission to use these images should be addressed in writing to Bryan Ryley, c/o Headbones Gallery, 260 Carlaw Avenue, Unit 202B, Toronto, Ontario M4M 3L1 Canada Telephone/Facsimile: 416-465-7352 Email: [email protected] Director: Richard Fogarty www.headbonesgallery.com Bryan Ryley Drawer’s Selection To leave the mark of individuality, a sense of the intellect and spirit, is to wax poetic. Abstraction reveals what it left behind, a track of energy. Abstraction indicates the state of mind that the artist inhabited while he assumed the creative responsibility. Bryan Ryley leaves indicators and passes over the flame of insight to the viewer with a practiced hand. Ryley has never tied down the field of possibilities with inconsequential dribble. Throughout series past, he has held a strict abstract agenda, giving us paint, pencil, paper, canvas a “medium is the message” type of artist.
    [Show full text]
  • University of Calgary Press
    University of Calgary Press www.uofcpress.com FROM REALISM TO ABSTRACTION: THE ART OF JB TAYLOR Adriana A. Davies ISBN 978-1-55238-764-1 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work.
    [Show full text]
  • Pierre Coupey Solo Exhibitions 2013 Clusters / Selected Work 1980
    Pierre Coupey Solo Exhibitions 2013 Clusters / Selected Work 1980-2010, curators Astrid Heyerdahl / Darrin Morrison, Evergreen Cultural Centre / West Vancouver Museum [Catalogue]* 2012 New Work, Gallery Jones, Vancouver [Catalogue]* 2011 Featured Artist, Gallery Jones, West Vancouver 2010 Projects, Capilano University Art Gallery, North Vancouver Between Memory and Perception, Gallery Jones, Vancouver 2008 Counterpoint, Gallery Jones, Vancouver [Catalogue] 2006 Requiem Notations I-IX, curator Cecilia Denegri Jette, Richmond Art Gallery (Gateway Theatre) Tangle, curator Darrin Martens, Burnaby Art Gallery [Catalogue] 2004 Paintings / Prints, curator Ingun Kemble, West Vancouver City Hall BlackWhiteGrey, curator Marcus Bowcott, Capilano University Art Gallery, North Vancouver Artist in Residence, The Urban Garage, West Vancouver 2002 Notations: Recent Work, Ballard Lederer Gallery, Vancouver 1999 Requiem Notations I-IX, curator Patrick Montgomery, Evergreen Art Gallery [Catalogue] 1998 Notations 1994-1998, curator Paula Gustafson, Canadian Embassy Gallery, Tokyo [Catalogue] Work from the Notations Series, Montgomery Fine Art, Vancouver 1997 Work in Process: Drawings, Proofs, Prints, Capilano University Art Gallery, North Vancouver 1995 Notations 12-15 (For Eva), curator Carole Badgley, Seymour Art Gallery, North Vancouver From the 80’s: Trellis, Wedge, Montgomery Fine Art, Vancouver From the 70’s: Selected Journal Drawings / New Work on Paper, Atelier Gallery, Vancouver 1994 Notations: Painting the Lion from a Claw, Atelier Gallery, Vancouver
    [Show full text]
  • Penticton Art Gallery 199 Marina Way Penticton, BC V2A 1H5
    Arts Letter Vol. XXXIII No. 6 November / December 2013 Letter Vol.Arts XXXIII No. 6 Publication Agreement #40032521 November / December 2013 Joice M. Hall in her studio working on Descending Light. Photo by: Joice M. Hall Joice M. by: Photo Light. on Descending working studio her in Hall M. Joice Penticton Art Gallery 199 Marina Way Penticton, BC V2A 1H5 Arts Letter Vol. XXXIII No. 6 November / December 2013 PENTICTON ART GALLERY Mission Statement 199 Marina Way, Penticton, BC V2A 1H5 Tel: 250-493-2928 Fax: 250-493-3992 The Penticton Art Gallery exists to exhibit, interpret, preserve and E-mail: [email protected] promote the visual artistic heritage of the region, the province and www.pentictonartgallery.com the nation. www.twitter.com/pentartgallery The Arts Letter is the newsletter for members of Values Statement the Penticton Art Gallery. In setting the Mission Statement, the Board of Directors also identifies ISSN 1195-5643 the following values: Publication Agreement # 40032521 Community Responsibility The gallery interacts with the community by designing programs that in- GALLERY HOURS spire, challenge, educate and entertain while recognizing excellence in Tuesday to Friday - 10 a.m. to 5 p.m. the visual arts. Saturday & Sunday - noon to 5 p.m. Professional Responsibility The gallery employs curatorial expertise to implement the setting of exhi- GALLERY ADMISSION bitions, programs and services in accordance with nationally recognized Members Free, Students & Children Free professional standards of operation. Weekends Free Fiscal Responsibility Adult Non-Members $2 The gallery conducts the operations and programs within the scope of the financial and human resources available.
    [Show full text]
  • H Odginsauction.Com
    FALL 2019 HODGINSAUCTION.COM FALL 2019 AUCTION LIVE SESSION Lots # 1 - 98 Sunday, December 1 @ 2 p.m. MT (with webcast and real-time bidding) ONLINE SESSION Lots # 100 - 269 Monday, December 2 @ 7 p.m. MT (staggered soft close) SHOWROOM VIEWING Friday, November 29 Noon - 4 p.m. Saturday, November 30 Noon - 4 p.m. Sunday, December 1 10 a.m. - sale time Preview and Auction to be held at: Hodgins Art Auctions Ltd. 4115-7005 Fairmount Drive SE Calgary AB T2H 0J1 Tel: 403-252-4362 Fax: 403-259-3682 Email: [email protected] HODGINSAUCTION.COM TERMS AND CONDITIONS OF SALE 1. A buyer’s premium of 17% (20% for credit card payments) which date the purchaser shall be responsible for all storage will be charged on the hammer price on all lots, subject to charges until the date the lot is removed from the offices of invoice deadline. Hodgins Art Auctions Ltd. 2. Goods and Services Tax (GST) of 5% will be charged on the 10. Payment in full must be made within three days by cash, hammer price and buyer’s premium on all lots. Harmonized Sales certified cheque, Visa, Mastercard, bank draft or wire/email Tax (HST) in rates applicable to the purchasing province will transfer unless other arrangements have been made with the apply unless the purchaser takes legal possession of auctioneer. Credit card transactions may be limited to $ 5,000. purchases within Alberta. If a purchaser from an HST eligible If the purchaser fails to pay for any lot within seven (7) days province arranges their own shipping, then the legal delivery from the date of the auction sale, Hodgins Art Auctions Ltd.
    [Show full text]
  • Getting Started with MLA Documentation Style
    Getting Started with MLA Documentation Style What is MLA Style? Modern Languages Association (MLA) style is one of several styles for academic citation. It is used in the hu- manities, especially English. The examples in this guide cover the more common sources only. For more detailed information, refer to the MLA Handbook for Writers of Research Papers (7th ed) available in the reference and the circulation collections at LB 2369.G53 2009. General Rules • Double-space the entire list. • Use hanging indentation format. Indent one-half inch from the left margin. In MS Word use Format > Paragraph>Special>Hanging. • Alphabetize entries by the author’s last name or, if there is no author, by title, ignoring initial articles such as A, An or The. • Reverse the author’s name for alphabetizing but otherwise give the author’s name as it appears in the source. • If there are two or more entries by the same author(s), give the name(s) in the first entry, and then use three hyphens in place of the name(s) in the following entry or entries; alphabetize the entries by title. • Capitalize the first, the last and all significant words of a title and subtitle regardless of how they are capitalized in your source. • Omit initial articles for titles of journals, magazines and newspapers; also omit subtitles. • Italicize titles and subtitles for works published independently; use quotation marks for works published only as part of another work, e.g. essay in a book or article in a journal. • If more than one city is listed for a publisher, give only the first city as place of publication.
    [Show full text]
  • Kelowna Art Gallery 2011 Annual Report
    Kelowna Art Gallery Annual Report 2011 Cover image: Wanda Lock, She laughs every time she thinks about it, 2011, mixed media on paper, 22 x 30 in. (55.8 x 76.2 cm). Gift from the artist, 2008. Left to right: Marla O’Brien, Fern Helfand, Derek Sanders. Birgit Bennett, Leona Baxter, Deborah Owram, Nataley Nagy, Lori Van Rooijen, Stan Somerville, Laura Myles, Joanne Onrait. Absent: Ian Jones, Jim Meiklejohn, Tammy Moore, Mary Smith McCulloch, Sandra Kochan. The Kelowna Art Gallery Photo taken March 2012 gratefully acknowledges the financial assistance of the City of Kelowna, the Canada Council for the Arts, British Columbia Arts Council, the Province of British Columbia, Board of Directors 2011 Central Okanagan School District #23, Regional District of Central Okanagan, Central Leona Baxter Birgit Bennett Okanagan Foundation, and President Fern Helfand our members, donors and sponsors. Jim Meiklejohn Tammy Moore Laura Myles Vice President Marla O’Brien (until April 2011) Joanne Onrait To engage, inspire, Derek Sanders and enrich the greater Marla O’Brien Mary Smith McCulloch community through the Vice President Stan Somerville exhibition, collection, (from May 2011) (from October 2011) and interpretation of Lori Van Rooijen visual art. Ian Jones (from October 2011) Treasurer Directors Deborah Owram Sandra Kochan Secretary City Liaison © Kelowna Art Gallery 2012 Design by Kyle L. Poirier Presidents’s Report All of us – the Board of Directors, staff and volunteers of the Kelowna Art Gallery, would like to take this opportunity to sincerely thank you, our members and friends, for your continued support of the Gallery and its mission to strengthen visual arts in the community.
    [Show full text]
  • Pierre Coupey Solo Exhibitions 2015 New Work, Gallery Jones, Vancouver * 2014 New Work, Odon Wagner Contemporary, Toronto [C
    Pierre Coupey Solo Exhibitions 2015 New Work, Gallery Jones, Vancouver * 2014 New Work, Odon Wagner Contemporary, Toronto [Catalogue]* 2013 Cutting Out the Tongue: Selected Work 1976-2012, curators Astrid Heyerdahl / Darrin Morrison, Art Gallery at Evergreen / West Vancouver Museum [Catalogue] Field Work, Gallery Jones, Vancouver 2011 Featured Artist, Gallery Jones, West Vancouver 2010 Between Memory and Perception, Gallery Jones, Vancouver Projects, Capilano University Art Gallery, North Vancouver 2008 Counterpoint, Gallery Jones, Vancouver [Catalogue] 2006 Tangle, curator Darrin Martens, Burnaby Art Gallery [Catalogue] Requiem Notations I-IX, curator Cecilia Denegri Jette, Richmond Art Gallery (Gateway Theatre) 2004 Paintings / Prints, curator Ingun Kemble, West Vancouver City Hall BlackWhiteGrey, curator Marcus Bowcott, Capilano University Art Gallery, North Vancouver Artist in Residence, The Urban Garage, West Vancouver 2002 Notations: Recent Work, Ballard Lederer Gallery, Vancouver 1999 Requiem Notations I-IX, curator Patrick Montgomery, Art Gallery at Evergreen, Coquitlam [Catalogue] 1998 Notations 1994-1998, curator Paula Gustafson, Canadian Embassy Gallery, Tokyo [Catalogue] Work from the Notations Series, Montgomery Fine Art, Vancouver 1997 Work in Process: Drawings, Proofs, Prints, Capilano University Art Gallery, North Vancouver 1995 Notations 12-15 (For Eva), curator Carole Badgley, Seymour Art Gallery, North Vancouver From the 80’s: Trellis, Wedge, Montgomery Fine Art, Vancouver From the 70’s: Selected Journal Drawings / New
    [Show full text]
  • 50Art &Design @ Department of Art & Design University of Alberta • 2015
    department of art & design university of alberta • 2015 art & design @ 50Edited by M. Elizabeth Boone 50 years of history in the department of art and design 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 A timeline grew in response to the demand for fne arts and design degree in the history of art, design, and visual culture in the The Department of Fine Arts, encompassing Art, Drama education in the province of Alberta. prairie provinces. and Music, was created shortly after World War II by Comprised in 1965 of two bachelor degree programs— The department has also undergone radical changes in English-born painter H.G. Glyde. Jack Taylor and Al Forbes the bfa and the Bachelor of Arts (ba) with a concentration terms of its location and facilities. In 1971 ground was bro- were hired in 1947 and 1948 respectively, and Norman in the history of art—the department’s oferings have ken on the current Fine Arts Building, which houses the Yates joined the group in 1956. Studio classes were ofer- expanded over the past ffty years. In 1970 the department Department of Art and Design as well as the Departments ed to students in the Faculty of Education, and art history added a third degree at the undergraduate level, the ba of Music and Drama.
    [Show full text]
  • CONSIGNOR CANADIAN FINE ART Auction of Important Canadian Art November 19–28, 2014
    CONSIGNOR CANADIAN FINE ART Auction of Important Canadian Art November 19–28, 2014 FALL AUCTION OF IMPORTANT CANADIAN ART Online Auction All bidding takes place on Consignor.ca BIDDING OPEN: Wednesday, November 19th at 10:00 am EST to Friday, November 28th, 2014 beginning at 2:00 pm EST ON VIEW: November 3rd – November 22nd Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 4:00 pm November 23rd – 28th Sunday, November 23rd: 11:00 am to 4:00 pm Monday, November 24th – Friday, November 28th: 9:00 am to 5:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 / 1-866-931-8415 (toll free) [email protected] Consignor Canadian Fine Art presents a new partnership within the Canadian art industry. The venture bridges the services of the retail gallery and auction businesses in Canada with a team of industry professionals who specialize in consultation, valuation, and professional presentation of Canadian art and have unparalleled reputations in providing exceptional service to the specialized clientele. Mayberry Fine Art partner Ryan Mayberry and auction industry veterans Rob Cowley and Lydia Abbott act as the principals of Consignor Canadian Fine Art, a hybridized business born in response to the changing landscape of the Canadian art industry. Apart from the sales of artwork through auction and private means, Consignor Canadian Fine Art also provides professional appraisal and consultation services, serving our clientele through a wide range of purposes, including insurance,
    [Show full text]
  • January 2018 Online Sale Catalogue
    JANUARY 2018 ONLINE SALE CATALOGUE Opens: 04-Jan-2018 04:00:00 PM Estimated closing time: 25-Jan-2018 03:00:00 PM (with 3 minutes extension until no further bids received) Viewing: All works can be viewed on the Internet at www.heffel.com and at Heffel Gallery, 2247 Granville Street, Vancouver, BC, or at Heffel Fine Art Auction House, 13 Hazelton Avenue, Toronto, ON, or at Gallerie Heffel, 1840 rue Sherbrooke Ouest, Montreal, QC, Canada Note: Sale to be held through the Internet at www.heffel.com. Any estimates for this sale are in Canadian Dollars. Telephone and absentee bids accepted. Heffel Fine Art Auction House Heffel Gallery Inc. Heffel Fine Art Auctioneers Galerie Heffel Québec Ltée. 2247 Granville Street 13 Hazelton Avenue 451 Daly Avenue 1840 rue Sherbrooke Ouest Vancouver, BC, V6H 3G1 Toronto, ON, M5R 2E1 Ottawa, ON, K1N 6E7 Montreal, QC, H3H 1E4 Phone: 00 1 604 732 6505 Phone: 00 1 416 961-6505 Phone: 00 1 613 230 6505 Phone: 00 1 514 939-6505 Mobile: 00 1 604 418 6505 Fax: 00 1 416 961-4245 Fax: 00 1 613 230 8884 Fax: 00 1 514 939-1100 Fax: 00 1 604 732 4245 Email: [email protected] JANUARY 2018 ONLINE SALE CATALOGUE Page: 1 of 55 001 MAUD LEWIS 1903 - 1970 Canadian Two Deer oil on board signed 12 1/4 x 10 1/4 inches 31.1 x 26 centimeters Provenance: By descent to the present Private Collection, Vancouver Exhibited: Literature: Born in South Ohio, Yarmouth County, Nova Scotia, Maud Lewis is renowned for her bright paintings of Maritime rural life.
    [Show full text]