department of art & design • 2015 art & design @

50Edited by M. Elizabeth Boone 50 years of history in the department of art and design

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A timeline grew in response to the demand for fne arts and design degree in the history of art, design, and visual culture in the The Department of Fine Arts, encompassing Art, Drama education in the province of Alberta. prairie provinces. and Music, was created shortly after World War II by Comprised in 1965 of two bachelor degree programs— The department has also undergone radical changes in English-born painter H.G. Glyde. Jack Taylor and Al Forbes the bfa and the Bachelor of Arts (ba) with a concentration terms of its location and facilities. In 1971 ground was bro- were hired in 1947 and 1948 respectively, and Norman in the history of art—the department’s oferings have ken on the current Fine Arts Building, which houses the Yates joined the group in 1956. Studio classes were ofer- expanded over the past ffty years. In 1970 the department Department of Art and Design as well as the Departments ed to students in the Faculty of Education, and art history added a third degree at the undergraduate level, the ba of Music and Drama. Prior to 1973, art classes were ofered courses were popular with those pursuing a general Arts with Honours, as well as ’s frst graduate degree on the top foor of the Old Arts Building, in Art Workshop 1, degree. A Diploma in Fine Arts was established in 1952, in the visual arts, the Master of Visual Arts (mva). In 1972 now known as the Industrial Design Studio, and in Art a four-year Bachelor of Fine Arts (bfa) ten years later, and the department changed its name to the Department of Workshop 3, which was located behind Athabasca Hall. the stage was set for the creation in 1965 of the depart- Art and Design, the name it retains to this day. The frst Some design classes were held in the General Services ment now known as Art and Design. graduate degrees in fne arts were awarded in 1972, the Building. Programs today are taught in the Fine Arts Build-

H.G. Glyde oversaw the creation of the new department mva in industrial design in 1973, and visual communication ing, the Industrial Design Studio, as well as in the North and retired the following year, becoming the frst of Art design the following year. The frst graduate student in Power Plant, the former hub parking garage, and the Draw- and Design’s many emeriti faculty members. Jack Taylor art history completed in 1983. In the early 1990s, the ing House. The Fine Arts Building, which was completed stepped in to fll the position of chair for a year, and Ron department separated the mva degree into two distinct in 1973, was later expanded in order to accommodate Davey arrived to take over in 1967. Over the frst fve years, degree programs, and students began receiving either a gallery that would show exhibits of student art as well the number of instructors more than doubled, with the the Master of Fine Arts (mfa in , printmaking or as host independent exhibitions. The Fine Arts Building arrival of Bob Sinclair and Dave Cantine to teach drawing sculpture) or the Master of Design (mdes in industrial Gallery—better known as the FAB Gallery—opened in 1987 and painting in 1965, as well as Jerry Moore to teach sculp- design or visual communication design) in 1993. Art with the exhibit Celebrations: Works by Selected Graduate ture, Jonathan Knowlton to begin a printmaking program, history became the history of art, design and visual culture Students, 1970 – 1986. and Helen Dow to expand art history oferings the follow- in 2002, the same year that students began to graduate The following pages provide a timeline of notable events, ing year. As the 60s came to a close, the department added with the mfa in drawing (eventually drawing & intermedia). celebrated images, and historic photographs. Research was Bruce Bentz, Neil Fiertel, Jetske Sybesma, and the many In 2011, the department further expanded its oferings provided by Sarah Flowers. • art & design timeline @ 50 introduction others who began shaping a curriculum that shifted and after gaining provincial approval to ofer the only doctorate 12 | 13 12 ▾ Ken Hughes in the Students’ Union Building timeline • 1965 – 1970 ( SUB ) Gallery circa 1970

▸ Jack Taylor critiquing students’ in the Old Arts Building studios Photos supplied by the Taylor Family

The Department of Art is created in 1965 when the Depart- Union Building, where students and faculty sometimes ment of Fine Arts, consisting of art, music and drama, is exhibit their work, opens in 1967. divided into three separate departments. H.G. Glyde chairs Ron Davey takes the reigns in 1967 from Jack Taylor, who the new department for its inaugural year, both Jack Taylor serves as acting chair after Glyde’s retirement, and the and Norman Yates serve as senior painting professors, faculty complement continues to grow. Davey chairs the and Al Forbes teaches art history. Bob Sinclair and Dave department for almost ten years, until 1976. Cantine also teach during the inaugural year. Classes for 70 19 Plans begin for a new fne arts centre on campus. “To the ba and bfa degrees are held in the Old Arts Building, be scheduled for the North Garneau, the $4,500,000 Art Workshops 1 and 3, and other make-shift spaces fne arts building will provide centralized facilities for the on campus. departments of art, music and drama, which are now The department opens a small teaching gallery in a house scattered in buildings around campus.” on 112th Street, on a site now underneath the Housing — “Fine Arts, Arts, Ed, Chem Set for 1970 Expansion,” The Gateway, October 10, 1968 Union Building (HUB Mall), in 1966. Faculty in fne arts • donate work to initiate what eventually becomes the Uni-

versity Art Collection. A second gallery in the Students’ art | 15 14 – & design timeline @ 50 1965 ▾ Art Workshop 3 painting studio timeline • 1965 – 1970 in the back of Athabasca Hall Photo supplied by Dave Cantine 70 19

▴ Students working in Art Workshop 1 and in Art Workshop 3 Photos supplied by Dave Cantine 16 | 17 art16 – & design timeline @ 50 1965 ▾ Poster for an exhibition of visual communication timeline • 1970 – 1975 design work by students and staf Poster design by Peter Bartl

▸ Poster for a staf show in the Ring House Gallery Poster design by Ken Hughes

▴ Fine Arts Building exterior shown while Poole Construction begins the Fine Arts Building, past year, odd things have been happening like plays in the under construction designed by Sinclair, Skakun and Naito Architects, and lobbies, face-painting in the foyers, and rock concerts in ▸ Fine Arts Building interior shown while a groundbreaking ceremony is held in the spring of 1971. the Gallery. SUB’s dividing walls seem to be disappearing. under construction Is the Art Gallery pervading the entire building, or is the The art collection and teaching gallery move in 1971 Norman Yates, standing on the left, wears ▸ building invading the Gallery?” a hard hat at the FAB groundbreaking from their frst location on the site now occupied by HUB — “Watch the Gallery,” Folio, October 8, 1970 Mall to Ring House Number 1, the stately residence built Photos courtesy of the University of Alberta Archives, 75

Accession Numbers 88-77-72-172-37, 88-77-72-172-34, in 1911 for Henry Marshall Tory, the frst president of The frst fve mva graduate students, specializing in 19 and 88-77-71-11741-46 Faculty, staf, and students move into the new Fine Arts the university. painting, printmaking, and sculpture, enter in 1970 and Building, which is inaugurated at ceremonies held on graduate with a thesis exhibition at the Staf shows, student shows, and one-person exhibitions February 8, 1974 with the Honorable Grant MacEwan, Art Gallery two years later. Industrial design and visual continue to be held in the Students’ Union Art Gallery. Lieutenant Governor of the Province of Alberta, and the communication design students are right behind. “The Students’ Union Building is our Grand Central Station, Honorable Mr. James Foster, Alberta Minister for Advanced The Department of Art changes its name to the Depart- a giant concrete trafc centre. But within it are points of Education, in attendance. At the time of inauguration, the ment of Art and Design in 1972. stillness, places to think (the Meditation Room), to look at Department of Art and Design consists of over 25 full-time things (the Art Gallery), and at people (the theatre). In the continuing professors. • art | 19 18 – & design timeline @ 50 1970 ▾ Design show in the SUB Gallery circa 1970 timeline • 1970 – 1975 Photo supplied by Dave Cantine 75 19

◂ Poster for a staf show in the Ring House I Gallery Poster design by Peter Bartl

▸ Poster for the opening of the Fine Arts Building

Poster design by Ken Hughes 20 art | 21 – & design timeline @ 50 1970 timeline • 1975 – 1980

▴ Fundamentals classes introduce students Doug Haynes assumes the position of chair in 1976 and Al Forbes organizes a three-week study trip to Japan and to the basics of art and design serves for a fve-year term, until 1981. China in the spring of 1978. The group — which includes ▸ Making stretchers for a painting class faculty, staf and students — visits Beijing, Changsha, Edugraphic, an international Icograda conference that ▸ Sculpture and industrial design share Guilin, and Guangzhou, in addition to the childhood brings designers from all around the world to the Univer- studio space in the Fine Arts Building home of the late Chairman Mao Zedong. This is one of sity of Alberta, takes place in Edmonton in July 1975.

the frst Canadian trips organized to the People’s Republic After several years sharing space with sculpture on the frst

of China. 1980 foor of the Fine Arts Building, industrial design moves to “When the department is no longer able to fund the Ring Art Workshop I, which is renamed the Industrial Design House Gallery, the university combines the art collection Studio. The sculpture studio is converted into fgurative with University Collections and places it under central and abstract areas, and machine equipment (saws, routers, administration. Helen Collinson, daughter of H.G. Glyde lathes, etc) used in industrial design moves across campus. and curator of the collection, points to the need for a cen- Some painting and fundamentals classes continue to be tralized storage and exhibition facility to properly care and ofered in the Old Arts Building and Art Workshop 3. ▴ Al Forbes (center front) organizes the frst display this growing collection.” trip to China for faculty, staf and students

— H. Collinson, “A Growing Collection,” Folio, November 1, 1980 • Photo supplied by Walter Jule 22 | 23 art– & design timeline @ 50 1975 ◂ Vandercook letterpresses in the visual timeline • 1975 – 1980 communication design studios

◂ Making a lithograph in printmaking

▾ Painting studio in Art Workshop 3 80 19 art– & design timeline @ 50 1975 24 | 25 timeline • 1980 – 1985 ◂ Assembling slides for art history class ▾ Industrial design studio

▾ Visual communication design

▾ Printmaking studio 85 19 Jorge Frascara becomes chair of the department in 1981 Staf and students from Art and Design join forces with Faculty scramble to avoid the elimination of industrial The Alberta Art Foundation (now the Alberta Foundation and serves for a fve-year term, until 1986. community members in 1982 to create the Society of design due to budget cuts and the death of Heinz for the Arts) establishes an endowment to support

Northern Alberta Print-Artists (snap), which ofers exhi- Tebelmann, who provided technical support of the area. graduate students in fne arts. AFA Scholarships still fund bfa and bdes students begin exhibiting their graduating bitions, classes, workshops, lectures, and other events The second technician is given a termination notice and students working in painting, sculpture, printmaking, and work of-campus after the closure of the SUB Gallery in related to traditional and experimental print practices. students are advised to seek other options. drawing/intermedia today. • 1982. They continue to arrange for space in various locales around the city over the next decade, before moving to The degree of Master of Arts (ma) in art history is added “ ‘They don’t like Industrial Design much…It requires a the FAB Gallery in the early 1990s. to the department’s graduate oferings, with the frst lot of equipment.’ says Students’ Union Vice-President student completing in 1983. Academic Barb Donaldson.”

— “Design Program and Technicians Cancelled,” Gateway, March 15, 1984 26 art | 27 & design– timeline @ 50 1980 timeline • 1980 – 1985 ◂ Painting classes ▾ Working with wood in the sculpture studio 85 19 28 | 29 art & design– timeline @ 50 1980 ▾ Newly hired gallery manager Blair Brennan timeline • 1985 – 1990 with Lyndal Osborne at the reception

▸ Jazz Quartet performing at the reception

▸ Construction of the FAB Gallery, interior and exterior views

Rick Chenier becomes chair in 1986, serving until 1990. Jorge Frascara joins FGSR Dean Fu-Shiang Chia, Chancellor Joe Naito, the Edmonton-based designer of both the move to the refurbished parkade under HUB Mall in the Tevie Miller, President Myer Horowitz, and many other Fine Arts Building (1973) and the new gallery…Naito’s summer of 1988. • Macintosh computers appear in visual communication well-wishers to open the Fine Arts Building Gallery on Feb- big challenge in designing the original building had been design classrooms in 1985, only one year after this new 90

ruary 25, 1987. The FAB Gallery, containing 3000 square to establish a strong entrance on the west side of the 19 technology is made available to the public. feet of display space, provides students, faculty and staf structure. The new gallery—a transparent glass box that The visual arts become an integral part of the plan for with a much needed professional venue in which to exhibit displays artworks for viewers both inside and outside the new Walter C. Mackenzie Health Sciences Centre. their work. The inaugural exhibition, Celebrations: Works by the structure—successfully meets his client’s art display

“Art in a hospital helps a patient maintain a sense of his Selected Graduate Students, 1970 – 1986, features artists and requirements without destroying the entrance.”

or her own personality against a system that of necessity designers who have completed degrees in the department. — “Art and Design Gallery Opens Ofcially with Celebrations, ” Folio, February 19, 1987 imposes strict controls and tight schedule,” explains “Designing a gallery to suit the physical space available Painting and fundamentals studios in Old Arts and Art

Norman Yates. art– & design timeline @ 50 1985 was ‘an interesting and challenging project,’ says architect Workshop 3, the old gymnasium behind Athabasca Hall, — “Part of the Healing Process,” New Trail 41 (spring 1987) 30 | 31 ▾ Curated shows, like this exhibition of timeline • 1985 – 1990 fgurative sculpture by Evan Penny, round out the FAB Gallery schedule 90 19

▴ The newly opened FAB Gallery provides

a much needed venue to exhibit work 32 | 33 art– & design timeline @ 50 1985 ▾ Several ambitious exhibitions, including timeline • 1990 – 1995 Rubens to Picasso, are held in the FAB Gallery during this period

▾ Photo studio in visual communication design

▸ Students working in the printmaking studio

▸ Ganden Jangtse Tibetan monks creating a sand mandala in the FAB Gallery 95

Desmond Rochfort arrives from to become chair Beginning in 1993, graduate students in fne arts and into this intricate sacred symbol of the universe. Other by artists such as Rubens, Goya, Manet, Degas, Monet, 19

in 1990. He serves for nine years, until 1999. design receive distinct Master of Fine Arts (mfa) or Master FAB Gallery exhibitions include a show of Japanese calli- Cezanne, van Gogh, Matisse, and Picasso is held at the

of Design (mdes) degrees rather than the Master of Visual graphy, organized in collaboration with East Asian Studies, FAB Gallery from September 16 to October 29, 1995. As Printmaking students raise more than $8,000 by selling Arts (mva). The undergraduate bfa degree is also separated an exhibition of work by Japanese printmaker Ryoji Ikeda, attendance nears 20,000 visitors, the show is extended Lasting Impressions, boxed portfolios of prints created into the bfa and bdes at this time. and architectural artifacts from Rajasthan and Gujarat until November 5. An award-winning, full-colour catalogue, by faculty, technicians, and senior students, in order to in northwestern India. written by Victor Chan and designed by Sue Colberg, is purchase a new lithographic press in 1991. Dean of Arts More than 2,000 visitors crowd the FAB Gallery in order published by the University of Alberta Press. • Patricia Clements matches the fundraising efort and the to see Ganden Jangtse Tibetan Buddhist monks create Rubens to Picasso: Four Centuries of Master Drawings, an press arrives in time for Christmas. a beautiful guhyasamaja mandala. Over the course of fve exhibition organized by Victor Chan including 64 drawings

— “New Lithographic Press a Fantasy No Longer,” Folio, November 15, 1991 days, the monks arrange brightly colored grains of sand 34 | 35 art & design– timeline @ 50 1990 ▾ Thesis exhibitions, like this one by Allen Ball, timeline • 1990 – 1995 appear in the FAB Gallery

▸ An exhibition of Japanese women’s calligraphy showcases aspects of the art and culture of East Asia 95 19 art & design– timeline @ 50 1990 36 | 37 timeline • 1995 – 2000 ▾ The newly opened Print Study Centre ▸ Figurative sculpture studio class

▸ An art history class held in the industrial design computer lab

The department responds to the Alberta Ministry of design professors, on-going equipment needs, visiting The Print Study Centre opens on the third foor of the essays by the same title is published by the University of 000 Advanced Education and Career Development’s post- speakers, and student bursaries. Fine Arts Building in 1996. Formerly housed in the base- Alberta Press to celebrate these events. secondary access plan by proposing the creation of ment of Biological Sciences, the move signifcantly im- Printmaking is designated a University of Alberta Centre A series of lectures called Rethinking Design for the 21st Cen- 132 student places in the new bdes pathways program. proves access to the university’s collection of historical of Research Excellence for the frst of three consecutive tury brings to campus such internationally renowned design The Ministry approves the proposal in 1995, and new and contemporary prints. terms, from 1995 until 2003. The department celebrates theoreticians as Bernd Meurer (Germany), Richard Buchanan students join the department over the next fve years. this accomplishment with the exhibition and catalogue Almost 400 artists from 18 countries come to the uni- (United States), Penny Sparke and Christopher Frayling When the program review shows that enrolment targets Lines of Site: Ideas, Forms and Materialities, held at versity for Sightlines: Printmaking and Image Culture, (), Ezio Manzini (Italy), and Alain Findeli (Canada). have more than been met, the department receives London’s Royal College of Art and Tokyo’s Musashino a fve-day conference accompanied by 11 associated The series is capped by Design and the Social Sciences: Making

a permanent budget augmentation funding several new Art University in 1999. exhibitions held in Edmonton in 1997. An anthology of Connections, an international conference and publication. • 2 38 | 39 art– & design timeline @ 50 1995

◂ Students working in the industrial design timeline • 1995 – 2000 computer lab

▾ Welding steel in the sculpture studio 000 1995 – 2 art40 | 41 – & design timeline @ 50 1995 timeline • 2000 – 2005 ▾ The Endless Knots exhibition in the FAB Gallery

▸ The Alcuin Society’s national book design awards are exhibited annually in the FAB Gallery beginning in 2003 005 Jetske Sybesma becomes chair in 2000, after serving as The gallery begins hosting the annual exhibition of the The department begins participating in the interdisciplinary The department turns sadness into a party when large acting chair since 1999. She continues in this position Alcuin Society Awards for Excellence in Book Design in phd program, serving as conjoint department for students numbers of faculty and staf members are forced into until 2005. Canada in 2003. In future years this show is often coupl- bringing art and design together with other disciplines. mandatory retirement in 2005 and 2006. • ed with the Book, Jacket, and Journal Show from the The department is awarded the frst Canada Research Art history becomes the history of art, design, and visual Association of American University Presses (aaup). Chair in Fine Arts and successfully recruits Sean Caulfeld culture in order to better capture the research and study

to fll the position in 2001. Endless Knots, a 2004 exhibition of traditional artifacts from interests of faculty and students in this area. A major reno- south Asia and the Himalayas includes exceptional objects vation of the lecture hall and slide library is completed such as bronze lamps, ceremonial daggers, and musical in 2005.

instruments. 422 art | 43 & design timeline– @ 50 2000 ◂ Jetske Sybesma and Jorge Frascara, former timeline • 2000 – 2005 chairs of the department, retire

▾ Deanna Ashton, Elzbieta Popiel, Walter Jule and Neil Fiertel are provided with a post-retirement activity 005

◂ Stan Szynkowski thoroughly enjoys the retirement festivities

▴ Tad Warszynski and Marc Siegner raise

a glass to the retirees as well 442 | 45 art & design timeline– @ 50 2000 ◂ Exhibition catalogue and installation view timeline • 2005 – 2010 of the Seeing the World of Sound at the FAB Gallery

▾ A print work based on government hous- ing plans for First Nations communities, by CRC in Design Studies Gavin Renwick 010

M. Elizabeth (Betsy) Boone arrives from California to take the university’s folkwaysAlive! archive and Smithsonian The gift of the Mactaggart Art Collection, consisting of Awarded a Canada Research Chair in Design Studies, the the reins from Liz Ingram, who serves as acting chair from Folkways Recordings. Accompanied by an award-winning a spectacular group of Chinese art from the Ming and Qing department commits to deepening its engagement with 2005 to 2006. Betsy serves as chair from 2006 to 2011. catalogue designed by Sue Colberg, the exhibition show- dynasties, prompts the department to add the history of Indigenous cultures by recruiting Gavin Renwick, who cases a selection of the historically, culturally, and artistic- Asian art and design to its curriculum. works with Dene communities in the Northwest Territories, The FAB Gallery shows Seeing the World of Sound: The ally signifcant images used on record covers since the to fll the position. • 2 art & design timeline– @ 50 2005 Cover Art of Folkways Records, a 2005 exhibition of original The department’s proposal to begin a stand-alone phd label’s birth in 1948. •

artifacts, curated by Joan Greer and Margaret Asch, from program is approved by the province of Alberta. 46 | 47

▾ Visual communication design class in the timeline • 2005 – 2010 1-7 computer lab

▸ Industrial design workshop 2010 –

▴ Book arts class in the visual communication design studio

▸ Lithography in printmaking art & design timeline @ 50 2005 48 | 49 ▾ Exhibition catalogue for InSight: Visualizing timeline • 2010 – 2015 the Health Humanities

▸ The Design Latitudes exhibition, mounted in 2015, maps future directions of design studies in the north

▸ Dick Der with students at the Metropoli- tan Museum of Art in New York

Cezary Gajewski becomes chair of the department in 2012, InSight: Visualizing Health Humanities is a FAB Gallery ex- 2015 – after serving as acting chair from 2011 to 2012. hibition, organized by Bonnie Sadler Takach, Aidan Rowe, and Pamela Brett-McLean, ofering a signifcant new con- Dick Der, technician demonstrator in painting, continues to tribution to the literature on the interdisciplinary feld of take students to New York, Madrid, Paris, and London. He Arts and Humanities in Medicine in 2012. A second, related has been organizing these spring travel trips since 1994. exhibition and an international symposium, InSight 2: Engag- The FAB Gallery turns 25 in 2012 with Blair Brennan, hired in ing the Health Humanities, are held the following year. 1987 to manage the space, still at the helm. Art and Design celebrates a half century of history with three

exhibitions and the publication of Art & Design@50. • 50 | 51 art & design timeline @ 50 2010

studio photo Astate-of-the-art ▸ lab computer design Industrial ▸ studio below below studio ▴ timeline • in Students at work in the painting painting the in work at Students industrial design design industrial HUB M HUB all 2010 – 2015 Etching in the printmaking studio studio printmaking the in Etching ◂ Betsy Boone setting up the the up setting Boone Betsy ▸ design art, of history the in aclass for theatre an d visual culture culture d visual FAB 2-20 lecture lecture 2-20

52 | 53 art & design timeline @ 50 2010 – 2015 ▴ Plant studios Plant Power North the in fundamentals Design ▸ HUB M HUB Art fundamentals in the studios below below studios the in fundamentals Art all timeline • 2010 – 2015 ▸ design industrial in Aworkspace ▾ area common design communication ◂ Pain visual the in working Students ting studio in the Fine Arts Building Arts Fine the in studio ting

54 | 55 art & design timeline @ 50 2010 – 2015 academic faculty department of art and design

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Many talented and hard-working faculty have spent time and Allan Antlif Alistair Dunlop Victor Johnson Jetske Sybesma • acting chair from 1999 to 2000 contributed in important ways to the Department of Art and Timothy Antoniuk James Egler Walter Jule* • chair from 2000 to 2005 Design. The following list is derived from the University of Alberta Allen Ball Bridget Elliott Walter Jungkind * J.B. (Jack) Taylor * Calendar. Some moved on to other positions, while others Peter Bartl* Neil Fiertel Jonathan Knowlton • acting head from 1966 to 1967 stayed for many years. We thank them all. Emeritus faculty are David Bennetts J. Allison (Al) Forbes* Marytka Kosinski Jesse Thomas indicated with an asterisk.* Bruce Bentz* Jorge Frascara* Robert J. Lamb Michael J. Travers • chair from 1982 to 1987 Jo-Anne Berelowitz Robert Lederer Anne Whitelaw John Freeman Amanda Boetzkes Natalie Loveless Maria Whiteman Cezary Gajewski M. Elizabeth (Betsy) Boone Lianne McTavish Norman Yates* • acting chair from 2011 to 2012 and • chair from 2006 to 2011 • chair from 2012 — Peter Millward C. Jean Campbell Jacques R. Giard Jeremy Moore David Cantine* Henry George Glyde Nobuoki Ohtani G.J.K. Carmichael • head until from 1945 to 1966 Lyndal Osborne* Sean Caulfeld Mary L. Grayson Graham Peacock* * Victor Chan Neville Green Greg Prygrocki Richard (Rick) Chenier Joan Greer Bart Pragnell • chair from 1987 to 1990 Glenn Gunhouse Gavin Renwick Lisa Claypool V. Hammock Desmond Rochfort Susan Colberg Steven Harris • chair from 1990 to 1999 Helen Collinson Douglas Haynes* Aidan Rowe Philip Darrah • chair from 1976 to 1982 Bonnie Sadler Takach * Ronald A. Davey Daniela Schlüter • head from 1967 to 1976 and Ken Hughes • acting chair from 1990 to 1991 Roger Silvester Elizabeth (Liz) Ingram * Walter Davis Robert Sinclair • acting chair from 2005 to 2006 Helen J. Dow Colleen Skidmore art & design @ 50 academic faculty 56 | 57