U~llessotherxrise noted, all Conference activities will take place at the Chicogo Hilton and Towers. All locatio~lsare clearly ~~larkcdthrougl~oot the program. Hotel 111aps appear on pages 8-11.

A11 Affiliated Society business meetings and special sessions are listed cl~ro~lologicallyin the pages that follo~\~.All receptions are listed on pages 54-55. All CAA Conunittee business lneetiogs are listed on pages 60-62. .LS1-zs 1 sa6od uo s/uo~!~!JJD,~ol xapuj aqr U! s(uD~!~!~JD~uo!ssas b!iuap! 01 pasn s! apo3 uo!ssas aql ,Lop aql u! uo!ssas aql jo laplo at11 oi spuodsallo3 Jaqlunu ayl puo uo!ssas aqr jo Aop aql ot slajal laual aql .apo3 D pauB!sso uaaq soy uo!ssas lopads lo JDI&~J 93~3

'~\?3JO saall!rnnro3 Zo!puels dr~parasuods a.te [oqmis s!qi ql!ai parJ!iuap! sua!ssaS uqssa~aa$)!urwoa v\ga El

.iualuo3 lo Jailow isalqns ys!nBu!is!p 01 SUO~!JO sLay alotu JO auo ~I!Mpa)lJotu uaaq anoq sBu!laalu pu~suo!ssar aql jo Auow 'fLjE$DPtY, MVEBNESDAY, 1:g~[1[~f~r{27 FEBRUARY 28

Tuesday evening Wednesday afternoon Art's Place 6:30-7:30 p.m. 12:30-200 p.m. W~ll~loidRoam C. third flwc i?rieil'io!ir9n (08, Association of Research Brimming \rill>ex,ents and activities of sllecial iuterest to CAlYs li~',i:i.vicvrr<:r onrl Institutes for Art History artist-members, Art's Place is a new fentnre of the ilnnual C:ct~16,lit4cat<:!j Business Meeting Conference. Part theater and part lounge, Art's Place will be a site Gmnd Bollroom. second flooi Privote Djnlng Room 7 lh~rdlloor for daylong, innoratire programming Illat i rill range from meetings and xcorksl~apsto multimedia preseatntions; it \rill provide a setting for stinmlation and intense co~lrersatio~land a llaven for relaxation. A monitor will be nrailahlo for viewing the 2001 online n~ernbers'exhibition. All attendees are cordially invited to drop in, be informed, and enjoy the events. Wednesday evening 5:30-7:00 p.m. 7:30-9:15 a.m. 4:30-6:00 p.m.

Conv~cafion Fresh Start: Orientation Prcsent~tions

G~OR~Bollroorn second floor wad Muitimediu by 2001 Annual Presentations Conference Regiorral \\'~lcome Pvograln chairs: Anne Tbc Honornblo Richnrrl Perk up )our senses uith Wilson and Buzz Spector Ai. Dnley, hlqor of Clneago, complimentary coffce, ten, allcl Alnggie Dale?, President, slid juice. A detailed schedole fatL11.11ysi!w.wenes~ Fo~~dati011 of tlze day's crents iviill IIC 615-890 p.m. made available. First set of Opening renlarks CAil.hosted celebration of Ellel, T. Bnird, ~nultimediapresentations. Art's Place with complimentary nibbles and cash bar. Sou~~d Prese~btatio~,of awards 9:30 a.m.-noon artists Eric 1.eonardson and Keynote address Fifth Annual Artists' Claude Villey will perform. I

intervic~redby AIsry Katherine Wednesday evening Coffey; Eri Pnschke will he ZOO-9:00 p.m. interviewed by Janles Ibod. Get in the Know: The Art Institute 3D Rapid Pratolyping of Chicago 12:15-1:45 p.m. Denionstrution Kocepsion Final ~r~~zlti~nedia I11 5 Mlrhlgan Avenue Services to Artists' prescntations. Admlri,oo by tlcket only Conirnittee Speakout Alole multimedia presentations Art's Ploce is generously sponrored bvMarsho11 Fielfls and Pearl.

Program to be announced 22 College Art A~rociolionConference in Chicogo

PRQGdAP4 SESSIONS

Thursday morning The History and leg or,^ Sensrrol Jorrr,tey: Raising 9:30 a.m.-noon of ~lfedietialArt in Girrlio the Mind to God ruirh Early illancirri's Considerazioni Q~rnttrocentoCointi Th l stllla pittura I~rmneasGngo, Elirnbcth Bailey, Thc: Molocauml cand Jollns Hopkins Utrirersity Ve'esleyan College Art Secondary *he of The Ideal of Early Christian The Humanist Scholar Wilnessing Sanctity nrrd the Construction irr Dialogue tvith lnle!notionol Bollioorn Souih, qf the Pust Kirstin Noreen, His Srtrroundings second floor Louisiana State Ihi~ersity Samh E. Lnrvrerxce, Coaper- CHAIR: Dora Apel, Howitt, National Design Alaseum W'a'aytxo Slvte Ut~irersily Tlre Caprichins and the Qsesl for the "True intagenof Renl us. Represented: A fi~o Christinn Boltn,tsN's Derni&res Fmncis: i\'o/es on rr illedievnl Look at the IIorrselrold Objects maCcs: Tire History of I'iolence Reviual Stuart P. Lingo, in 151h.Centrcry i\'etherlondish and rlie Iriolence of IIistory hliclligaa State Unirersit). Pninti,zgs of Donlestic Interiors Janis Bergman-Carton, Aunette LcZotte, Suutltcre Ll~tbodistUtiicersity "i\'o Spcciul Attribrctes or Tl'icI2itn Slate University Insignia": Rubens and the Seco,,dory IF'itness and the Probletrts oj Post-Trirlenriae "To Please all the Guests, Cultrcrnl Rhetoric of liarcnm: Hagiographic Iconography and Displeuse one": I,nuges lird JGshern Natnsha Goldmna, CynIBia Lnwrouee, andErrtertnining in the Skidmore College Tcnq~leUniversity F/'ie,,tish Dining Room Scnlpture nJier Stunde Clnttdin Goldstoin, Nlt11: The Post-Holocaust aTh3 Colutebia University I~nplicntionsof ~lfinin?al Studio Art Opeit Session Julia Bernard, Art irr Germany Iho GhiscagolPAidwest Th5 Kenstg~rrl~iebtlirl~eelnstitut, Ssrrlptuie P4nvernent Synuesthesin at the J.W! Goetlle,U~~iversitgI Joliel Room, third flooi Tuvti of she Cl-onrury Grand Bollrook, second llrar Holocnnst ~llenrorinls CHAIR: Austiu I. Collioa, Resisited: ll'ulterBenjor~rin's University of ih'ntre Damr CHAIRS:Stephanie D'Alessnudro, Lnsr Pnssuge, A ~IIonunierrlby Tlre Art llbstitute of Chicago; Mary O'Shnophnessy, \\bod Dnni Knrnoan 3IiahEle Cone, Jeremy Striek, Alaseuto of Street Gallery & Scalpture Center Srl~aulof tl~r\'isual Arts Co~ltern~orsryt\rt, Lor Angelel lr%y l%/orrld Anyorre in Their Steve Luking, On Kandinsky's Sj,,uesthetic DePartl University Right iIfindPhorogm/,lr 12 E-xperiencc IteioLold Heller, i\'azi C~~~~ent~tionCnnzps? University of Clrieago Jnn~esE'riedmaa, I'nle,rtinr de Soin~.Point$ Artist and Indeprttdent Sel~olvr ~lferaclroricTheater: AffilirtlcSociety Sor~io~r Th4 Spncsrhesin/An-estl*esin Th2 Borvresric Ai.t, L>ornestil: Cntlkeriue Bock-Weiss, H ,A, ,,,,,,,,i,,,, ,,,,in,, Ilae~aid Porceptiutt of thc Life: l.ivir?gwith Avf in Tl~eSrl~ool of tbe ~. ~~ Ghrisfiati Past durincg the Rctruissurtce Etrvaltrt?, r\rl Institste of Chirego GrrunEor Itofornrcaiiort 14QO-.I 600 krLe Mrch~gonRoom, e~ghlhllooi Continental Room C, lobby level Form, Substoace, Corresponde,,ce: CHAIRS:Esperau~a Cnmnm, CHAM: A. Victor Coonin, Inlersensory Conrposilion Jalms Hopkins University; Rl~orlesCollege is Digital Jfedio l'nttl Heits, Ann van Dijk, Lonrbs, Corul, Ikerh, nrtd Xortlnrestern University Uni7-ersity of Cirwinurti the Intintate Irrtersection Electrifying the ~llusses of Religion und illugic i,r Potsrlomer Plutz in Rennissurtce %rscnny David Ehrenprois, Jacqueline Mario ilfasacel~io, James hladisoo University \'as~nr College Gelatin: A i\'ere Synnesthesin? Samh Bancroft, Conrtauld Institute of Art Thuirdoy morning 23

Th6 Th8 ThlO Pc~cifirIslat~d Artisi~ Art History Open Session @~.aftsin tlic il,r?irl in a Global World Islen~iePart nnil Virtrtc~lWorld Luke Erie Room, eighth floor Lake Ontoiio Room, eighlh floor 8oulevard Roam C, second floor

CHAIR:Carol S. Ivory, CHAIR:Louise Rlaekie, CHAIRS: Dlnrgo Rlonsiug, Skidmorr W8~hinglonSlate Unirerril). The Clor~land>luseum of Art College; Katheriuo Hauser, Skidmore College Eucrything Old Is i\'ere Aguin: The Darb Zubuyda and Austmlia,r Bark Pnintings the Deselopntent of the Iriditiidrcotion of Crafl Sttsnu Keuuetly Zoller, i\'eighborhood Mosque Lisa Norton, The Sel>oolof ladependent Scholar in the Islanric trb/orld tl~oArl Institateof Chicago Berunrd O'IIetropolitn~t Uai~ersit) University of Canterbury Ea El Th9 dluliing Space: Pacific Islander Thll Tc:c2chirsy Ntirsetrrn Ti~eory The Association of Bodies nnd Perfbmn~uncr arrciss the Art e1t1d Art Historians of American Arf \'nil~loaua Litia alakakn~~faki Hislory Curi.irulrrrn tC~~rretttRcrictnrch on tile Nitnueitolu, Independent Sel~olar Boulevold Roam A and 8, second floor Visrrol <:uIkl~rt>of iingtonUniversity Criim thc RC:IICS~SSCIII~C! Pedagogy 4.0 Is in tl~vir~rgt~fhi? 19th Cerit~~ry Beta: Teracl!ing in the A Modest Proposalfor Conlinentol Room A, lobby level New Medic8 Studio Reuising the Art and Art Moiquette Room. lhird floor Hislory Curriculrr,a thror~glr CHA~RS:Amy DIeyers, /Ire i\'elv Afi~sclrntTheory Tile Hunlil~gtouLibrary, Art CHAIR: Draoko A. Knight, Daniel A. Siedoll, Slleldon Collections, encl Botanical Garclens; IJniverrity of Maine r\len,orisl Art Gallery and Sculpture Therese O'nIalley, Erponding rlre Botindnries: Gnrden, University of Nebraska National Gallery of kt Defining i\'elo Media Unisectily qf i\linnesola Anrericnn Idols: Religiorr Interdisciplinary C~rrriculrrn> i\lrrseology and the /I bsence and E!hnogrophy itr Craig Cnld~~ell, qf History Jeffrey Aht, Enlighte,znzent I'isrrol Ciilture University of Arirox>s Va).ae State Unirersity Alichnel 1'. Gnadio, Theory and Prnctica in i\'cro Stanford University ~\Iusennzs,Episterrtolog): Media Design Dinne Gromnln, and Art Education His dlaster's Obi: Technologies Georgia Institote of Tecllnology; I.inune AlcTnvish, of Projection, Empirical Jay Dnrid Bolter, University of New Brunssrirk: Science, and Colonial 17iolertce Georgia It,slitnte of Terh~~ology Rlnrgnret Liednuer, Jill H. Cnsid, University of Photo's Lost Stand: Brouery in hricorm State Unirersily North Carolina, Chapel Hill tlrc Face of the Digilal Donmin otscussal*i: Jnuct DInrsti~~e, A Splendid Panornniu of the Da~idNajjnb, Ceutral R'ashington University i\'ercr IPorld: George Cntli~r's of Unixvrsity Texas, Dallas Indian Gol[ery Lnndscnpes o~scussa~r:Jocl Slaylou, and dloderrz Geology CADRE Laboratory for Nowlledi;l, Bridget Gaodhody, San Jose State University lndel)eodtnt Scholar 24 College Art Arracioiion Conference in Chicago

Conzisi6rr Corogr4phico of Th13 Jh 14 Colonrbio: An E.~tended~\Iop Cnllcrtivisnr after. American Saciefy for ICnlhcriue E. 3lautltorue, PAt,ilerrri?;in:Par: I Hispanic Art Historical Gruclttnte Center, \h'aldaif Room, ihird floor Studies ,- City Uuireraity of Nexr Yorh 1scirrsfnvwtci0ioi1s iri Ai-en CUAIRS: Blake Slitasou. Slvdic?s: 1'11~: Csssc of DISCUSSANT. Alosauder Nomerov, University of California, Davis; Spat~isIt/Pc~sC~.~gtic~s(i Stunfo~rlUui~.er~ity Gregory Sholctte, Tl~rSchool Art ttistt~ry of tbe Art Institate of Chicago Lake Huron Room. eighth llaoi Th12 I%eAssnssi,ration qfilIurce1 CHAIR: Oscnr E. VBzqueo, "Olr, I Wish I Was iii Duchnorp: i\'eo.nsontgnr~/is,,r, Bil~~hvrntonUni~ersily rl?u Cund of COEYOII": Political Co:ontestotion,und Exnriiiarii>g ~lzeSorrEliurti Collectiuisnr in 1960s Fr'mrrca Chnrlgirrg Concepts, Clrnrrging Bile? in L'nstrnigruli~in Jill Cnrriek, Identities: Perspertiiies on the Africi~ir-Ati~cr.ic~ii~Art University of Britisll Colunlbia Use o/ "i\lanueline Style" iff Conlinenlol Roam 0. lobby level Portirg~tesrArt Historiography Alt nrzd Longrmge, Luis Qfonsu, CHAIR: Joyce Hemi ItoI~itlsou, i\'crcr I'orl;, Discusses Its University of Lishoe Peltner i\luseusl of Art, Oisa Social Kelntious Peaesylre~,iaStatr Unirerrity in the "Lt~nzpee-Heudnche" Locating the Print in Spanish Albert A. Sn,ith's Plantation Christopher Gilbcrt, Virginia Coloainl Art Ifistoriogruphy hleladics: The Anrerieon South Cun~mon~renltlrUniversity Kelly Dounhue-V'allnee. U~li~er~ityof Nor111 Texas as dfrrsicol Heorlland Strrfgglesfor iYew CIII~II~~ Lsural \Veiutra~ah, in the Decade of Disrcster G.E. Street's Some Account of New-Yorh liistnricel Society Alysootl Rizk, Gatllic Brchiteclurr in Spain: Art in Crisis: It~iugesof University of Toledo A l'ictorion DefYnition of Sponislr ~\ferlieurrlArt Ly,~chingin The Crisis IhcticnlSa6jectisities und Jlntilde Alnteo, ~llognzitreAu~y Kirscbke, Libmtory Art Practices in the lr~cliannUniversity \'anderbilt University US.Judilh Ilt~neujnPesrson, Understnndi~gAlain Locke's Uuirersity of Dayton From il'ea, Spnirr to illerico o~td Rack Agnin: TronsJbr,,,utioss Silence on o Sozrtlrerrr /I,fricon- Reclni,,,ing Art: The Use q/' Art in the Study of l'iceregnl i Anrerican 16rnocrrlnr 'linrlitioii Practices by the Dispossesserl, 17iisrrul Cllltrrre it, the lTiisurrl Arts Rl'u~nvk Helen H.Shnrluull, >liahnel J. Sehreffler, o~scuss~~r:Alan Moore, City Isdrpendrnt Seholat \'irginia Con~nlo~~rrealtl~University Uairersity of New York In 11,s Huurt of /Ire Blncl; Belt: NOTE: Port 2 \~iilbe iie!d an Jnrob Lotore,zee's Con,nriusion Snluiday 230-5:00 p.m. front Fortune to Paint the South Patricia Hills, Roston University Field, Boll, rind i\lo,zlrsent: Tor<:orrlas Icosogrrrphy o/ Cotton in Africua-ilnlericr~nArt Julio &Gee, iloxrdui~Culltgr Thursday akernoon Th16 M.F.A. SLIRVKY 12:30-2:00 p.m. l;AA iiiic.rr~aPioiiul Ar pail of their caofinuedi:,orl "Task Force on the usefulness of the M.EA., CAA's Profeiiionol Praclicer Cornmillee SPECIAL EVENT Roundtable Discussions is seeking orlists with MFAk to His~oricSliyscriipce~ Private Dining Room 3, third lloor Walking Tour of poiiicipoie in a survey, the reiuhi of the Chicago Loop cwalas: lllartn Teeget,, Coll~~ei\r~ which will be pieienledo~CMs 2002 Association; Cheryl Guldsleger, Conference. To porlicipole, please viril Piepurrhosed lickers ore required Piedmont College the Profeirionol Proclicei Cornmillee bb!e in the Regisfrolion area. Meel the lour guide 01 the Topics include: International Chirogo Hillan ond To~wers Academic Standards 81Slrfeienriooce 01 12: I5 pm Th18 CAXs Role at the United Coalition of Women's m Nations Art Organizations American Society The Itnportnnee of Ihc Ibiiphict of liigitisl for Hispanic Art Foreign Exelmages Ta?cltriirlogi~?ion College? I,ovr?iAtt Pi.cigrcri~~s: Historical Studies Art History Research and 011eii Forirtil 12t~sirir**,iMc-r~Eiiry Intemationnl Guideliaes Conference Room I fourth lloor Loke Erie Room, eighth floor The Role of International cHalR: Kyrs Beliia, Aleulbership in CAA Z33 rhrs Bror~ardCommurrity College Association for Textual Tile Role oS the Artist ia the Porlicipanli ID be announced Scholarship in Art History Digital Netxvorked Soeicty Isr~rcrihiii~~Prriiitiiyjs vs. Th19 l>;:~"ictii~ijk>r?sci.ijrtioi.c?; B Th17 Community College Boulevard Room C, second floor CAA Professional Professors of Art Practices Committee CHAIR:Jan de Joug, and Art History [.fin!; tho M.F.A. It~siitetefor the History of Arl awl Ouilivcd c2.ria(~tsgiedli?r, . Oisteriici: ~\rellitectt,rr,Tlle Xellterlnnds I:!; Ilscfrrlrio!is n: (2 Edrtcrxiinii iti CIic 'i;rrirtinixl I>c$jra?e? lJirginio Il6olfnnd ff'blter Cotrrnrtriiiky Ci~lle~gr? loke Ontorio Room, eighth lloor Sickert: Pen u,rd Pnistbrrrsh Loke Huron Room. eighth floor CHAIR:Bruce Bobick, KR~CBenzel, cHala: Alan Petersen, State Uairersily of Test Georgin Ueirersity of Nebraska, Kesrne) Caeonirao Con~~rtu!litgColl~ge The ~ll.l?A.in Studio Art: Jcrusalenl to Bologna, Distance Deliuery Jbr 'Ibrlny's Fro'lon? il6rld Far I1 lo 1960 ain illunlsa: Lnvinia Strrrlent Liudn IIigI~to~rer, Clayton Funk, I'oam,rn'r Visit of the lloel~rstrrInstitute of Technology Queeu of Sheba to Soloa~on Colem1,in IJni~-ersily Rnphoel to Rnuschenberg Cnroliuo P. 3Itarplly, Reeisiti,~gthe ~llidraestCollege from n Distorrce: Tencltirrg U1~i\.crsityof California, Rirerside Art Conference qf Octoler, Arr History in o Dismrrce- 1959; or, It's D4jd rI.1 All Ouer Test and Ir~tcrte.1ijtrrulityin Lenrrting Entiironnzent Agnirt Brace Bnhiek, il Poppi's Alexander Giuiug Barllnm Stephnuie, State U~~irersilyof West Georgia Caulpaspe to Apelles College of Southere blarylanrl Coriuuo AIaudel, A Conzparison of 111eJlnster Front Pony E.~pressto Univrrsity of \Trestere Ontario of Fine Arts Degree rail12 /Ire Cyberspace: 26 Years qf Tkn~rinnlDegrees in ,Inologorrs Style Signifird: Adding Distance Lenraing in Discipli,res Dorothy Joiner, AIenaings to i\'orrntive In?,mges i\'ortheasrerrz Brizonn State Uniuersit). of Vest Georgia Len >lerrdelsohu, Leigh S~vectmnu-I\,ie, Indel~eadrntSrholar Two Cnse Strldiss From the iVorthlnntd Pion~crCollege Sotrtlr,uest: Faclcelly and olscussalrr: Tllotuns llorrissey, Adntinistmtors' Perceptions of Coa~znenityCollege of Rllode Island the Firth qf tlrefiInsrerqfI.)'rre Arts Degree AIoirn Geoffriou, Unhersity of Arizona 26 College Art Arrociolion Conference in Chicago

Th20 aTh22 alh25 Getty Research Institute International Associution Society of Historians of Ri~productiotis of Art Critics/USA Eost European and Russian und Oi.i~ir~ul:i The lwc~ry Oivide: living to Art and Architecture Coniinenlol Room C, lobby level Wrile vs. Wr itirig to l'ivo Avtisls urid Elis St~alc: Conlhenlol Room 0, lobby level Cuipurai Policy under CHAIR: Thoruas Craw, Crse,mnnisrn in Eraslorn Gelty Research Institute C~~AIR:Douglas Dreisl~poon, Europe rxrid the Soviet Albrighl-Knos Art Gallery Technologies of Reproduction Ulriorp after 1945 rind the Economy of the Eleanor Hcartncy, Boulevard Room A and 8, second lloor Eighteen tlr-Cent~iryPorlruir Art in Anrerim Bust nlslcol~uBaker, I'ietoria and Alllert Alusounr Poiiicipaors to be announced ~\'etu Dogs, Old Tricks: Judith Russi Kii.sl~aer, of The Internal Logic Artistic Unirrrsity of Illinois, Cltieago Prodrcction in Seicento l'efzice @ Th26 CAA Publications Marin Loh, Sosau Suodgrass, Art in Antericn Committee University of Toronto Judd Ttally, Art & Auction a t:~~mOPI tho C:AA The Aesthetics of 6VIriiiblgrillih Sc?ries Indiscenzibles, Aguin Th23 Woldorf Room. ihird floor Whilney Davis, lnternationol Survey CHAIR: Bruce Rolrerlson, Northwestern University of Jewish Monuments University of California, Open iicssion: ~llechnniculReproduction Santn Barbara New 1leseni,cli an and /Ire Artis1 in Coloaial India Jewisfi P

Art and Truth Joliet Rwm, third floor

New ' Th27 York Unive ins: Laurie Beth Clark, CAA Distir~guisked University of Wisconsin, hladison; Scholat.'s Session: Benuvais Lyous, Ja~ncs5. Azkerman University of Tennossee lntemotionoi Ballioom South, second flwi Truth and Postn~odernity: CHAIR:Jaseplt Couuors, Releuonce of l\'elso,t Columhia Unirorsity Alfernafive Psychological Goodman's Writings on Art Approaches to Art Ritu Bhatt, Professor Ackerluau rdlbegill Hisforica! Iflferpreiotion U,,i,,,ity of California, Berkeley the session with a talk, On the toke Ontario Roam, eighth flwr Old and !\'era Art Histories. Truth and the Illusion of CHAIR:Claude Cerauschi, Truth: Contenrporary South Caroliue Joaes, Boston College African Artists Speak Boston University The Pron~iseof the Kim DIiller, Patricia Emisou, ~~~~~i~i~~~/object: object Transylvania University University of Ne~~~llatupsl~ire Relations and Art History Autobiography, Adrian Piper, Iugrirl Rolvlnud, Raudall K. Vau Sohcpeu, and the Truth of Interpretalion Getty Research Inrliluto and Rice University Weeua Dl. Perry, Ithaea College American Ae8dem)- in Rolrlo Pragntatist Srtbjectiuity "The Reality Efict": Robert Nelsou, and the New York School: Style, Self-Image, and John University of Chicago The Case of Robert ~Vlotherwell ~~~d~~i~kLentis (1805-1876) CAA iig fult,, ihe SomuelH. K,~~~Gregory Gilbert, KnoxCollege E&I~1. Weeks, Yale University Faundaiion lor funding the Hrr! CAA Archibald dtolley's Depiction Singing h{yself a Lullaby Disringuirhed Scholar's Session. of Blacks in Liglrt of Recent and the Construction of a Racial Identity Development (Perjorntative) Autobiography Th28 Theory Denuis Raverty, Douglas Roseuberg, Clbsceae Enjoymenf: lorca Stato Unir.ereity University of Wisconsin, hlndison Dlavoi Zizek and t The Beneficial Effects of of Visual Studies onsilicnce betrueen Art Th3 1 Waldoif Room, third floor istory and i\'euroscience The Politisal crla\as: Beujntuin B uuis Deke, Economy of Art Now York University; .a State University Lake Huron Room, eighth floor nlnrek Wieczorck, Putting Freud to the Test: CHNR:Julie E Codell, University of Wa'ashington, Seattle Ilolu Psychological Methods Arizona Slate University

On "Fnl;tura"as objet petit a Can Inform Art and Liberal Political Econon~yand Nntashe Kurehauova, Graduate Architectrrral Theory and the Civilizing Process in 18th- Centor, City University of New York Interpretation Century England: James Barry Lee Sternborger, on the li'alth-l'iirtue Problen~ University of Virginia shall Jouissance be: S in the Adelphi illurals Portrait as a Jetuis Dsuiel R. Guernsey, Stevcu Z. Leviue, Florida International Uni\.ersity Bryu Alawr College The Art of Choice The Obscene Stain of the in Italian Classicisnr l'oice in Early Talking Films Joaohilu Bomanu, Staatlielle (A1 Jolson/dfickey illoorcsc) Hochschule filr Gestaltung Ynsco Horsmau, Art in Alelo Zealnnd's 1\'c1u Yale University l\lational nifuseun~:/In inqrciry into the Identity of o ation ion Dlarin Brown, University of Auekland 28 College Ait Arrociolion Conference in Chicago

Strrrcterc urid Agency in Th33 D~SCUSSAN!:filnud Layin, 1Vers Deal Arr Warren Carter, 'ihn Still Life in Motinti: The Sel~aolof tlte Art Institute Unirerritr Colle~eLondou Recnnsiderinc! the Genre iri of Chirsco" '4uropo cind the Aiiloriras The Politico1 Econon~yof Continenlal Room C, lobby level Hiller's Stnle Archit~crure Th35 Paul B. Jnskot, CHAiRS: Diane Dillau, L\lois Riegl tind Dc Peal Unirerlity ~~,~b~~~~~il,~~~~;L~~~~ silver, Ai~eieiii.Art: ReErosl~cct University of Prnusylvania irnd Pl.n.sp;?cY Contineolol Room A, lobby led Th32 Aersterl Utiborcnd: Refmm,zing Firiltirsgr crnd iho The Meat Stall ns Eeerrt CHAIR:Ruth E. Lender, Neliyiorrs Iriluyii7erfioi1 Charlotte Hollghlou, King's Collrge l.ot~dott in Puledicrval ArY Pennsylvania State Ilniwrsity Riegl's ilrcstriatr Lake Eiie Room. ei~iltlilluoi Ler us ,\real praise A,,~~~~,~~~Co"te"lporories: Vickhofi; CHAIR:Thourns E. A. Dole, nfen: pierer ~~~~d~~~ still Strzygoruski, arlrl Di:oruk orr U~li~.ersityof K'isronsin, Aladiron if^ if it^, ~~h~~~~ B~~~ the Art oj' Lure Antiqrrit,~ nlnureou hueO'Brierl, Hurtlor, Fantns); and Instrec/io,r J"lie Hocbstmsser, i,r rhe Hybrid Figures of Uni\-ersity of Iowa University of North Carolina, Clnapel Hill Derlrns, Cathedral ~\lorrtrscripts klbert ~~+h~~~1,j10-~,1666,

Jennifc~A.Thompson, and StilILife in the I\'~I~ n70rld Tile C~~~tl~re~of /In(iqllit). Uaivrrsity of St. Anclrexrs Rebecca Parker Urieaen, in rhe IPorks qf Alois Riegl nnrl Joscf Slrzygoroslii Rupert's Kuptc~res: Xortl>rresternUniversity Christina Alnmnci, ludependcat illo~rrrnientnlCrriciJi.res rind ,\~~se~ieoorrsobjects: T~,,,,,~~ Scholm; Calnhridge, Aloss. Religiorrs Inroginntion irr I'oeil irr Georgian Londorr Twelfth-Centguy Ger~nnny and Fedem1 Plrilndelphin oiscusrn~~:lluth E. Lender, Jaeqc~clineE. Jang, Weudy Bellioa, King's Collegr, Loecloa Columbia University Xortlnrestera U~~iwrsity

17rU1i Welt 01 the Catlredral of ~d~~~~~ rrnd~ril/,rye Th36 Swaased l.uhor: PAir:e?i.ia 11 Vornrs: the Rc~Actrrrrlizntion A p,ol,osnl jol,,, alc~o,,~,rey, \\fork, Body, lclcrb$ity ntrd Inuersioii of Sel-ual Sin ~~i,.~~~i~~of pe,lnsy~,.ani.l Anuikn Fisher, Moiquetfe Room, third lloor University of Clrieago Th34 cnaias: Joan Livi~~gstouo, faking Spuce Sncred: Visrrr8i Cuiiirre and The Srl~oolof the Art lnstitutr fintnsy and Topograph.y Mass Disrvibr~Yiuii of Cl~ieugo;Jauis JeCCeries, in the Porch of illoissnc Gland Bollroom, recood floor Goldsmith's College Leah Rulehick, CHAIR:filntld Lsvis, The Scllaol The Object of Ind~pca~denlScl~olar of tho Art ln~tit~~teof Chicago Joan Liviugstoee, The Sellooi of AUilia?>i&tccsossio8, hluutclair State Uni7-crsity Alamo, qf the Searlle Underground Bod? Identit? Jani8 Jcfceries, Goidsmith's NOTE: O\ving 10 the liogic dwth of Julie Lasky, 1,rrcriors magazine College, University of London Professor Laivience iicey. ihornoi Dale I6.v Poprrli: Design will reod liis pope5 'Inlerpreliog the and Autlrorship Ho,ne K6rk Lots CaLeeu, 'MoigiooP Sculpture of Later Medieval Cheryl Tolvler Wcese, sttldio blue U'liversit~of vashiagton English Parish Chuicher." in mernoriorn. Drnsrirrg in the Space of Adoptive Rer~seMolly Blietleu, Graphic Desiga: Clrristian hloson Gross Srhool of the Arts, plri/ipp ,v~ii~/~~'swork on pope, Rutgerr Unirprsil~ Baker, U1liversit~ Addilion~l~aoelirlilo be announced of Nerr York, Purcbnsr Hip Hop Design: Speaking Through /Ire Cornrnodirj Debra Pnrr, Colusnbia College, Cbieago Thursdoy afternoon 29

Th37 Typogruplries in Abstruc~ So,ne i)iles,nzns qf ~\luteriul 'jt~?ic:siype~IlnI.~ou~i(~:Pointing: 5 Co,8uersnfions Culrrrrc t-'reserrm/ion inn iti Lake Michigan Room, eighlh floor 31~~)-JO Aagerstouu, Ut~ivcr~ity Po'urlla~tdStatc IJnirersity of Alarylond, College Park Picturing Sa,,,e.Sc.r Love: Playing A/Part: The In,nges by Petres Clrrislus Stereotype ns Reoclysmde in /he ond /he Horrsebook dlasrer After Stnlin's Death: Fork qf Glen~rLigon nerl Kuro Dinate \blfihaI, i\loder,risnt in Ceatml T17nlker Nicole C. Leigllloe, i\rizono State [Jnirersity Europe in the Late 1950s Bryu Alarrr Collpge Piotr Piotroruski, Diptyhs, Deuotion, nnd the iidaal i\liekicwicz University, "Pis1 City": The Posl-Politics /Irrtltority qf /Ire ~llnscalirre Poznan, Poland of n Vhite Traslr Ider/i/y Audren Penrsou, Jouuifer Reeder, University 01 Blunnrsburg University The Rape of Buchares~: Illinois, Chicego, and The School of Architec~urens Perfirmnnce The Problenr taitlr Looking tllc Art Institute of Cltirngo and dlythology Ronlltl Barris, a/ f%ter Bruegel's Elck Kutnto5nl hi>-ersityof Parodies Lost: Brct Ruthstein, Pennsylvania An Anrrron,~of Rending Rhotle Island Collego Jorge Dnnicl \'eueein~to, Is lbtcr Pop Our Pop? A Gentlenrnn's Microcosnz: Culun~binUni7-ersity Tlre History of Art us Tapestries Jionz tlte Sheldon a Sel/.Colonizing Tool Bedchnn~berat Clrnstleton Th38 Attiln Horriuyi, Horrse, O.~fordslrire Studio Art Open Session University of Pbrs: Patricia R. Flores, Al$cYrcsri Katzlliu Tiatlrir, Piairrting Bard Graduate Cetrter for lniernol~onalBallroom North, ELTE Unirersity, Budapcst Studies in the Decorative Arts second lloor "ilf,~zale":Gender and Se.~uol Th40 Poliries in Corrtenzpornry Czech Docurncntnry arid Art rllnrtiun Pachmnuovii, Presentwlional SErcrfegies i\eadenzy of Arte, Arrltitecturr Linrits offfbsrracriorr Boulevord Room C, second floor and Design, Prague

ICnreu Lellergott, CHA~R:Rieltnrd Roth, Emptiness, Parasitism, I.ake Forest College \'irginia Cutn~not~\rmltbUnirersity Boredonz: Ilya Kabnkou and the Co,zcerr/m/ed hinting the Real: Art After The dlornl dlrrserrnr Spectacle of Souiet Po'olser the Absrrnct Saul Ostrorv, Cindy S~nillt,Artist, Xerr lhrk filnllheru Jesse Jacksou, Uni7-ersity of Cuttneetic~tt,Storrs Sabr~erlirrgthe Docen~entnry University of Calilornia, Berkeley Abstrnction: A Stare qf i\'nrratiue; Lornu Sinrpsoe nrzrl Beconrirrg Ernily Chcug, Collage Cllerise Smith, Coop~rU1riou Stanford Uai\,ersilr 30 College Arl Arrociolion Conference in Chicogo

Thursday evening Thursday evening Perseus and the dledusn 5:30-7:OO p.m. 8:OO-10:30 p.m. Shield: Erzforci~igPolitico1 and Allegorical Concord in Rubens's Occasio rn Th42 Th45 CAA Annual Multiple Cros!;ruiads: Lisa Rosenthsl, University of Illinois, Urbaua-C$ampaign Conference Committee Creiativity arjd the Digit Davelnpitig n Ses',inri Joliel Room, third floor Fresh illotter for GreeriJ Eyes: fou tht: knnural CHAIRS:Lyuue Allen, Obseruntioas on Ricberrs's Conference IPriayI'iat't~ AIaron Gross School of the Arts, I,tuarrtio,i in The Finding of Woldail Room, third floor Rutgers University; Darid Kiehl, Erid~thonins CHAIRS:Bruce Robertson, Wl~itneyAluseutn of iimeriean Art Arteta Georgievskn-Shiuc, National Gallery of Art University of California, Snntn Barbara Balfoar, Barbara; Enrn~neuelLemnkis, York University Poussin's Ecl~oand Narcissus, CAA Fenmle ~llorrrningand the Knthleeu A. Edrvnrds, dffected Viewer hlureum of Art, University of lo~ra Bernice Iarocci, David Adnmsou, University of Toronto Th43 rn David ida am son Editions Catalogue Roisonnb The "Rcnlrrrs" of Flora: Scholars Association Poessin, Antonio Brnni, and ilcrtc.; artd Blind Date.: Painting is the Ouidinn Age Jaliei Room, third lloor Th46 Jonnlltnu Unglaub, Colutnbia Unix-ersity CHA~RS:Rollerla Tnrboll, R~atgers Studio Art Open Session Uuirersit); Heidi Hornik, Baylor 'Ylrr: Au'r OF. f:~?Viguri: dljthologies of Loue and Potcrer Uni.ersity it? Coriti?nipor~~yNri in the b'edcl~nrriber of the Prince lnlernolionol Bollroom Noilh, de Rohon, H81el de Soabise, O~herparliclpanh 10 be announced second floor 1739-49 BIiuli Uellman, CHAIR: Rounltl M. Cohcu, Alouat Holyole College Th44 Urlivcrsity of Iowa CAA Student and Emerging Th48 Professionals Committee David Carhoue, State University l;:nckirig Art iirit-l i.ei~r~?incj , ~ ~ ~~ . Whcr* Do We h4exrn of Ne~rlbrk,Albnny tsi>oni. Art ilirrnlgh tho "Art, !listory?" S~lsnuuaCoffcy, Conitntrt~ily:'flit? i;r?rvice m o,,,,, sorrio,, Boulevard Room C, second floor The School of the Art Institute lourning Puvadiyrii, El orr.ssc s,,,i,,, CHAIR:Darn K. Siehermnu, of Chieaao- TJiic:; It Wl>i.li? Hunter College, City Uni\.ersity I,,,,',i,.,,, Laurie Hogin, University Boulevard Room C, second lloor of New hrk, and Brooklyn of Illinois, Urhann-Cl~ompaigo CHAIR: Edward Fordo, California M,,,,,,,!, sessi,,, bluseum of Art Caren Caeier, State Unirersit); Los Angeles Alfiliolc So,mnittccsosrion Hunter College and Grnduate Kiln Abclcs, California Statc Center, City uaiyersity of srk OISCIJSSANr: Liucolu Perry Unimrsity, Nortl,ridge Adrieuue Lai, Th47 Seruice Learning University of Californie, Iruine Art <,ir~cIM~?CIOIOOY and Cruphic Design: A Case Strrdj and b'ejotrd New P~:r!iputlivr:s Suenu Agro-Kippcuhau, Loke Erie Room, eighlh lloor Portland State Unixzrsilr

Caucus CHAW Jeffrey Collius, Fiitsirrr:ss Mr?eti~tg University of I'asltington Morquelie Room. lhird floor Thuridoy evening 31

(Re)illapping Cultrrml m rh50 EM rhsz Iiistories and Undersmnding Historians of American Council for Irzelusion, E.~clrrsion, German and Central Southern Asian Art nnrl Collectir~itythrough European Art Tlte 'Trudiiien of ConrszunityBused The Good, the Llod, Sectauiialr Classificution Art Edtt'dacation arid the Ugly: New in ijclrolnr~;hipon Dnlidn Alarin Bentfield, Pcrsy,cctivc?s or? Avt Soutll Asian Art The School of the iirl Instittcte of in Cerrlral and Lake tiuian Room, eighth floor

Chicago; Jolm Ploof, Tlte Selzool Nortlrern Europe CHAIRS: Alkn I'ntcl, of the Art I~~stittttcof Chicago Loke Michigo" Room, eighth llwr University of Alicl~igan; The /Ilternotive Ad Agency c~alns:Charles IT! Harthausen, Sonya Rhie Quintnailla, Johnuun Poetlaig, California mlliams College; Joan 7\'eiustoin, University of California, lrrine Getty Grant Program State Uniiersily, hlonterey Bay Jhislr,rovrr Tenrples in an Changing Minds: Service Brigid DoLerly, Indo-Islatnic Enuironment Leurnirrg as n illode1 for Johns Hapkin$ Unirersity Pika Gllosh, University of Nortll Edrrcntional Refor~n Carolina, Cbapel Hill will inn^ Chnrlnud, Coonrnmstsan~yandthe Gmnd \'alley Stato University Discovery of India Thontns Dn Costa Knefiunn, Alexander Keefe, prince lot^ University Th49 IInrrard Uni~-ersity Ouo Karl \Frerckmeisler, Chrri~nelCuossii~gjs: Britain, The Problenz of Sectarian Frcance, ond il~cTradition Nortlnr~esternUniversity Cntegories in lrrdinrz Painting ofArtistic Exclturi$ge Cllristopher S. Wood, Daniel J. Fhubom, Lake Ontorio Room, eighth floor Yale University University of \'irginia CHAIRS: Knthryu Calloy Galit.&, The Role of Photogmopby nnd The i\Ietropolita~~Ahlseom of Art; El El rhSl Colonial Art Educutio~rin the Elizabeth Pcrgnw, lnslit~nteof Studio Art Open Session Historiography of South Asiarr Fine Arts, New Ihrk University Prr~fe!ssinlirxlSkills Art History Dccpnli Dewnu, Fir, Peuce, and J6inglory: for Artists Uaiversity of Alinnesota ~\'ntionol Glory and La Gloire Boulevard Room A ond 0, second floor l'ertrrense DuringtlreSeuor CHAIR: Lisn Lodeski, El rh53 I'enrs' 116, Valerie iilninz, Lisa Ladeski Fino Arts Art History Open Session University of Lreds Ouerconring "The 16n Gogh dhicrryo Arcllileiruve Grand Bollroom, second llooi ~llorrrice-errentinDe La Tour's 11lytA ":ilrr Overvietu of the Anglicized Portrnit of J'bltaire Artist in the ~llarlietplnce CHAIR: Frnuz Schnlze; Renn Hoisingtou, llrstitute of Program at the Bronx iVIcrsesm Lake E'oresl College Fine Arts, New York Uaiversity ofthe Arts Jackie Battenfield, Clricngo's Other 116sbrld's Fair: Tl~eBronx hluseum of the Arts EnrigrBs in Georgia,, London: The Significance of the 1,rregration nnrl Rebrike Global Stmtegies.for B~cilding 19.33-34 Century of Progress Willinm IInuptnlnu, n Career as a Fine Artist Interrzntional E.rposition in the Independent Sclrolnr Cay I,nag, Taking tllo 1,eap Deuelopnrent of Clricago An Ouervietv of the E.~hibition, Art i\lrrrketing: Diversification /IrchitectareLisn D. Sehrenk, Romantic Painting in England rind Pricing Ifrtegrity Aloston~Stale University and France, 182lL18.10 Lisn Ladeski, Little Plotzs: /Ircltitecture Patrick Noon, Lisa Lodeski Fine Arts and Social History in a hlinneapalis Instilute of Arts Clrnllerrge and Opportunity Post.Heroic Age Robert ITrcddle, DISCUSSANT: Jonathan P. Rihner, in Co,rt~nzporaryPublic Art Boston Uuivcraity Andrea nlykle1,ust. Uni\ersit) Drury University of h1innrsola;Stnntorl G. Sears, Alacalester College

The il/orld Ii'idc Veb: A iVe!s J'enue Scott Bcll. I\'oxlmonet.com 32 College Arl Ariociolion Conference in Chicago

"On Beconlirzg n City": ill tlreJlrnctere oJ' Th57 TJrbnrr Lalufr and Can~pr~s Forw/Formlessness: Dirrige~>,~s:i?cc?uiy: As A~clritecturnlSettirrgin Elenri Aichnrr.r's m~tercolor Cr~~?cnpDua"liivi:dew Cllieogo R. Slelrhen Sounott, Paintings, 1940-60 Conlinenlol Room C, lobby level Lakp Leslie Joues, I~tstituteof Finr Forest College CHAIRS: Oli \\'atti Arts, iVerr York Ueiroraity ACAI Chicago Arts Program; m ThSA Frnncesco Clernente: A Retarn Jennifer Yorkc, Art History Open Session to "Benrcty" Carol A. Nigro, Independent Artist, Cllieago Vi!<~,rr~iCulture iri the Uni\-ersity of Delnivnrc Bensty-Tlrc Icitrg o,r the Cur.iErL>orrrsr: 20f.11 CenDiivy Cake: Tlre Dangerous Drnrti Cantinentol Rooin 8, lobby level Trnrroli,rg Light: Wo'onren Artists Abrondnnd the Art a/ of Benzrty in nn Edrrcntior~nl CHAIRS: Edrrnrd J. Sullivan, n/ntercolor Jortlnun Pomeroy, Conte.tt Alisou Deuyor, New York Unirrrsily; Y:asmIu National Alusrum of X'omen Savat~rivl~College of Art and Upsigtr Itnmireo, El Aluseo del Barrio in tlie Arts Contes?pornry Photogrplry Lore,zzo Honrnr nnd the Puerro Attribrrtio~rsof E-~oticisn~ and tl~eRecr~pemtion Ricun Print-Jlaking Tradition and Dilference: Tlre Watercolors of the Arstltetic Mode illicllnel Bro~ru,Institnte of Fine oJ' Eugene Delncroi.~,Paul Steven Skopik, Itltaen College Arts, New York U~~i~~rsity Gnrrgeirt, Er~rili\'olde, and Beautiful Politics: Asseezhlnge, Control, and Frunce~coClenzertte The Rhetoricnl Po'ortrer of Secrecy: Huition Tlnedorr 's llobiu Reisenfeld, Conceptual Art ?iotuy illaji Yassaua Craissnt, hles~acliusrtlsCollege of Art Kathrye Hixson, of Nc~r lnstitrlte Fiue Arts, Ibrk o>scussarrr: Henri Zeruer, Tho School of ll~eArt Institute Usi\.ersity Harvard University of Cbicugo, i\'eai Art E.~nnzirtrr Tropical Excess: Caribbeurt Conceptunl Beauty Art nrld ,Ire Baroqrre rh56 Pri,>tnruN,ig i\'ore Gerard Dnpcun, Graduele Center, Ir' CaslcI Rlnod: Jcuuifer Yorke, City Unirprrity of New York Violei~ccnrzd Art Indepe~~de~rtArtist; Oli IF'ntt. Morquette Roam. third floor Ethnograph?: Instollation, AChl Chicago Arts Program and Diasporo Audren Dotlglns, CHAIR: Nadine wctsscrluau, U~rirersit~of \'irginie Snntttel Dorsky Aluseun~of Art, State U~lirersityof New 'iork, lconogrnplric lirrnsfornznlions xe,v Paltz oJ' Haiti's Sen Jnk Drnpos KJ <,,*.si,eS~~S~O,, Hope DIohler, El Aluseo drl Uarrio For They Knoiu i\'ot Whot They Do: Enjoyment ns or, Aesthstic hrn"Pleasrrre lslrrrrd" to Post fictor in illedieual Tortzcre Ms~o~JE~?!;o$sio,, Color,).: i\'utionolizing /Ire Iconography llabert Alills, Traveler's Gaze in Jnnzaiean Affilit#>cSwicty S< Uuirersity of Csxnbridge Art (19.75-1962) cnn c,,n,,,i~,?,: s,:,,io,, Kristn Tbompsou, Lnngrrnge, 11lenror): and ConJ7ict: Acts of Interrogatio~t Linm Kelly, Unirersity of Ulst~r Th55 ~llemoryn~rd i'iiolence: Painting Wnii.r.colcir: the Khrrrer Rouge Genocide or 'Clie Monnii~g!;of a M~:di~rrrr Tttol Sleng Prison Bareth Ly, Conliner>lol Room A, lobby level University of California, Berkeley CHAIRS: Philip TT'alsb, Nortlteastern Horrqic Bearrly: U~lirerrit);Elizabeth illnusfield, Coninzentorntion arrd the IJnirersity uf tlre South Aestheticizution qf T'iolence in l+lricls of' Change: Style, Corztenzporory Colo,nbio,, Art Stutrrs, nrtd /lie Americorr haillaria Reyes, Wntercolor ~louenteet Unirersity of Cliicvgo

Kirthlean A. Foster, Indiana o~scussa~i:Elleu Handler Spitz, Uni\.ersity Art Alusrum Stunforrl University Friday morning Friday morning The "Irzdiurrr,ess" of ROO-8:30 a.m. 9:OO-11:30 a.m. Co,ztentpornry I,rdia,z Plrotographers irz the Dircsporn m F1 Auuc~Pnlnktatlantbu Alnttho~u, Association of Historions InItalian Art Society joliel Room, third lloor Harrard U~kiversity 13t#rinessMenEiriy CHAIRS:George Creamer, Canleience Rooml, fourth floor Process, Dsrurion, and I\larsacl~usettsCollege of Art: tlre Color of Time in the Laura Nernmitu, \'assax Coll~ge Pninrirtgs of Jne unn Eyck Carol J. Purtle, The i\'orra/ise Lesicoir SPECIAL EVENT University of lle~ephis George Creamer, hlarieelttts~ltsCollege of Art Friday morning Chnrlrs n/illsorr Peole's 7:30-9:00 a.m. Stewart Children and Lnum No~nltnr~,J'arrur College qf the Labor Co,zscience Leslie Thorutou, D~t.idSleiaherg, rn Bro~reUairersily Omol~undroIustit~ttc of Early CAA Committee on Ae~eriennHistory arld Culture Tltoluns Nozkowski, Artist, Women in the Arts AIaz Proterh Gallery, Xe~rIhrk Aritsnwl I2ecoy11itian "Passage des tons": Awurds I1venkfwst Transitive Vision in CBznnne Grond Ballroom, second floor filntrl~e~vSimms, Emory University Elsa Hocnig-Fine will he F4 l~u~luredthis yrar. "Tlrorr rrne,tdirtg truce": Hortrecomirzrjs: Tinre nrrd the Elen~ortsirr Admisrion by ricler only Itit~:rsecoic?nsof Pi~hlic Cy T~eonrbly'sGmy Puiirlings Ari elid GLIIEIJ~~S Kntllryn 'li~mn, of BornesCicily Center for Advanced Stody Lake Erie Room, eiglllh floor in the \'isual Arls AIRS: Jiirgeu Heinriclls, Setorr liall Unirerity; F2 Vnicc/Ayericy: Anycsite Nnuey Roso filershnll, of Lisler~iny?Cnnianipurtlry Uaiversity Viseonsia, hladison Ark end lridiu Post-Colo,zinl Chic: ioke Huron Rooni, eighth floor Re/~slziorri,tgrlre Frerrclr

CHAR Audrcrr L. Colten, I~rrerior,circn 1962 University of Central Arkaesss Douiel J. Sherntnu, Rico Unirrrsily E.xoticn: Irrepressible Force Itckbn Menon, Slate Unirersity Punrperirrg Plensrcres urrd of New Yolk, Ringlru~ntoe Aesthetic Aspirntions: Burlis, Cundles, rrnd Alurthn Stetoort llnth R. Miller, Uni\etsil).of California, Snetn Rarllvrv Independen/ Artisr-Run T/,lre Case oJ. the ''Harts der Initintiues in /he Sorrrh Asinn Fru7rurr"nt the 1914 ll/erlibund Diosporn Shelly nnhl, E.vhibirio,, in Cologne Art G.lllrr). of O~rtsrio Despinn Strslignkos, Griaarll College 34 College Art Arrociotion Conference in Chicago

"Tioze for Ten": Donresticrrting F6 Little F'omen: Tlre Fenrale the Visual Ctcltrrre oj' Ten Snrrkes in tlie criorrden: 1V11dein the Golden Age Co~rsrrnzptionin Britnin, 'i'htlury, P~:tluyogy, of Picture Postcnrris Fronnnce, and Their Fornrcr rrnrl Pewar (c. 1890-1920) Colonies, 1800-1999 take Ontoiio Room, eiyhlh floor Lyuda IClich, Romitn Kay, Itlstittxto of Rne Arts, CHAIR: Grnut Kc~ler, Sew York University Unirerrity of Georgia Uni>-ersityof California, San Diego dlnnifestos by lllail: Don,estic Engineering: Trorrbling Tlreories/Termins: Postcards in the Tlreo uns Caging ilfricnn Art Reconceptrruliai~tgArt Doesbzrrg Archiue Lyneise Williams, Pedagogy Knreu Kosnsa, file University Craig Elinsou, Boiso St~toUniversity Rutgcrs University Big IF'ltite A'oise: Global rJ ThePost-History of 1Pilli Urbanisnu and Architectural Relics, Re:litjrburii?s, atld Baunzeister's Anti-~\'uzi Tlzeory Greig Crgsler, rill: Cart of Relic Cults Postcards Peter Cllmuetzk~, University of California, Berkeley Continent01 Room A, lobby level Southern Illinois Universily Theory-I'isioe nrzd Blnrtted CHAIR: Sstsan L. Huutiugton, Il/eapo,rs: Oppositional Culture The Ohio State University F8 in the Service of Em~ire ". A+:he ileurt of us, Isstle: TGil of //re Universe, F'irler than jot,I(. ~~i~hid~, Tlie Maryincg cof Puhlir the Clouds: Relics, Reliqrmries, livrrvrd ~~i~~~~i~~ and Artist in bzracially and Inznges oj'the Alother of ,I ,I Cltltrrml Crisis: Design Raloviant Work God Anua Ilnssnkoff, Education o,td the l/exrrtions Wililoid Room C, third floor Institute of Fine Arts. of Race Ncv Ihrk Uaiversity cHalas: Susau King Obnrski, Lesley Kna Norle Lokko, Alonet San Antonio College; l\'uue Ursrrlanrcs: Relics, Kineston Unirersitr Heleu Ruth Klel~esadel, Reliqrrnries rind the Dynaniics Unirersity of Wiseonsin of Sacred Spuce in the Church rrc7 of the Eleven Thorrsand Process nnd Production: Frorrt ihll,t~riti; to tho I'iirgins of Cologne Acrrd:?rny: Posfrcards Hn,rdicrafi in Judy Chicago's SCOII B. 3Iouigomery, Tlie Dinner Part). end Art ilis+i;ry of Pu-Chin-B'eu Lion, University North Texas 1okeMichiyon Room, eighlh floor Parsons Scltool of Design and Relics nrzd the Lising Presence Jordaun ende el sou, CONY Graduate Center of the Buddha after the University of Illieois. Urhanu. illuhapnrinirunna Clratnpaign Decentering the Heroic: Leele Aditi Woad, The I-Thou of Art ilkking University of Michigan Postcrrrds of dlterity: Antonotto Rosato, Prodrrction, Image, Reception Ilniversity of Colorado, Boulder Relics and Irrmges in David Prochnskn, University of tlrc Gondlrurotr Corztest Illinois, Urhana.Champaign Conr,,to,r Threads Artist Group Kurt BeLeudt, Sheila Piukel, Poe>onnCollege Picture Postcards by 11% I< Temple Unirersity Tlre Silk Plnzn, The Eclrigo- Dhurandhar: Scenes and Types Relics, Ruin, ond Gmin: Buried ,,f indin-v,th ~i8~~~~~~Tsnnmri Art Trienainl2000 Auue Graham, T~msnreon 1V1t. ~Vlr~ro,Japan Allau Life, Usirersity of University of Newcastle Sherry Forvlor, i\'ortll Carolina, Chapel llill Kansas University of Pedugogy as Socinl /Ictiuisnl F'illian, Henry Jackson's Gaye Leigh Greou, Il/esrer,r Plrotographs: S~tblinze We'eslern Wa'asltingtonUniversity Landscopes irr [Ire Albnnr, nlrrsecrnl nnrl Library Collections Eller~Randy, Interrlvtio~ralCerller of Pbotogruphy F9 ~lfot,ingTnrget: Blacker tlrc Bwrj ... : Black lire City as MiilnjsCior, A Corrsideration of Electronic Hole I'isr~ul aesthetic^ in fh~'Ciiy trs Reality dIerlin, Politics, and Culture Africa and the ilfiico~z Moiquette Roam, third floor Norman Corvic, Diospom Frn~tcineFarr, Fordlrsnl University Inrfependent Selrolnr, X'ashington, UC c~aia:Robert Ousterhont, Unirersityof Illinois, Video urrd the Ecorlontics of Abject Accretions: Tlte Bnnznna Urbrno-Cl>ampaig~~ 'linseling Light Elniue Ng, Boli figures Claire Dnigle, Independent Scholar, Cl~irago City University of Xc~rYork Good us. Evil: Athens utzd Persepolis in tlre Vestern ~VeruMedin Actiuisn?: Aesthetic i\'klrobn Artai i\'kuu: A Gorrrd Politicnl/Hisroricul Interue,~tionsfront lfieq~ieslo of Ettdless Potentialities Inznginution D.C. Pal11 Chnn, Artist, Xew l'ork Bnrhnrn Thompson, Unixrrity of Nortl>ert~lorm Alnrgnret Cool noot, Auid"' is a Four Letter Word: lJni\rrsity of Alirl~igae i\'ores on ilIakingar,d Tcnclzzng Urr/i,,ishedSernal Aesthetics: The Piazza So,, nlnrco in Leah Gillintn, Bard College Art and Politics in Dnr Es 16nice and the Leuant Salnnnz, Tanzonia !\'ea, ilIer/io/i\'ere Teclrsology Eileen Aloyer, llnrin Gcorgopouloo, and the ifigging Eterrrnl Yale Unirersity The Uni7-ersity of Amsterdam Retern of tlre Some Florence as the i\'eru Jerrrsaleni: Grcgg Bordorritz, Tllc School of Sacred Circles und 111rogiaed The ~lletnphorand the Real on tlw Art I~~~tilttleof Chicago F'orlds: Accs,r,rrlntedArtistic the Piazza Snn Ciosa1118i /lesthetics o,rd Blr,rocentered Pltillip Enrcufigl~t, FI I Africa,, Anzericon Artists Juaiata College ?'4iil;caf.gs.ilpEly Cora Alnrshnll, Cenlml Connecticut Stnte College Civic Architectrrre us !/re k3<3tv,Italy "Iieri~iCie fdaPiti.i#liiirii 61~til CHAIR: Jennnoue 31. Przyblyski, The Urban Id~nrityof' i:irriy flhcadort~ I~~depeatdentScholar Mni.ihern Lnte illedieuol Germany: The Eui.crp(xnl' Vistrial d;tilfcrrd: Tols,r Hnll ns Citiic Symbol Eliznhoth Ahel, Boulevoid Roam A and 8, second flooc Icejran Rafii, Unirersity of Uaireraity of California, Berkeley cHaia: Clattdin Swan, Illinois, Urbuna-Chnn>puiga Do~tglnsR. Nickel, San Francisco NnrtI~~~-estrreUnirrrsity hlureum of hlodern Art F10 Strange Truths: Naauxvkeurig, Studio Art Open Session Sharrn Aliehelle Smith, Ti'serachtigh, and Ti'onderlijk in Video and Film R'asl~inglon State University Early Dutclr Accorrsts of Asia ~rr:rs/cci~n~~ns/yr~roic~cticirt5/ Alnri8t \\'estormann, cdrorlnrs: bilrri, vitlco ort, Rutgers Uei~errity Niellolns llirzoeff, extic4 digifui t\i?i State U~lirrrrityd New %rk, Stony E.rperime,,ts reith l'ision: Woldorl Room. ihird floor Brook I6rintions qf Truth in the Work CHA~R:Mary Patten, The School of of' Pieter Claesz orid Cornelirrs Gijsbrechts the Art Institute of Clbirvgo Fl2 m Hnntleke Grootenboer, The Digital In terkce: The Arts Council Uahersity of Rochester Flattening the DifJerences of the African Studies betroeen Filnr, l'iirleo, nnd Other Association Tmnslati,rgthe Huntfor Motring Inmge dfedin 'TII<: ~ltJrjfi~~i!u!~r>d~ks;!~#?tiC'' l\'atrrre into Paint: Poisonous Alarin Troy, Tlle Vesner Center, in isfi.icci,i criiid Africtrri Strakes nnrl the Creatrrrol lPorld Ohio State University l>i#is:loi.aArts of Otto ilforsees van ScItrieck Contincnlol Room B, lobby level (1619/20-1670) Doug Hildebrccht, CHAIR: Dana Rush, IJnireraity of hlirhigun University of i\liehigan 36 College Ail Ariocioti~nConference in Chicogo

Description rind ClussiJicorion F15 Friday afternoon in Jar, Brneghel the Elder's Curriculizing 12:OO-1:30 p.m. Entry into Roah's Ark Contemporary Art Arinune Faller I

FI~ American Association of ClliraE" of Museums F16 Firldirzg and Fo'orrnding: Idol, Wluseulri Ethics: AAM% 'Ihe Dialectics of fitish, Totenr W. J. T. ;\Iitehell, erridclines on Holocnust De:covafion irr France Unirerrity ol Clrieogo Era Ohjockr, cxnd EwCrilaiting 1875-1925 /Is>cricrrrtLost and YJovrovresl Objects CHAIR: Gloria Groom, Inleinolion01 Bollmom Norih, Forrnd-Reconsideri~~g second flwr the Second-Hand Filnz The Art Institute of Chicago Dnu Eiscuberg, Iritirnute E.~prcssions,Prtblic cHalar: Jason Rnll, Aznerican 'I'lre Scltaol of the Art Institute Intentions: The ~\'ntrcre a/ Association ol Aluseulus; of Cllirago hbisDecoration irr the 1890s Hclcu Veehsler, American Assoristion of Alusettmr ~~~ "lF/l,e,r illy Tlrorrghts Katherine Koenzli, vitlr Flln,itrrre,, Unircrsity of C~liforuia,Rcrkeley Parlicipooli 10 be aooouoced a.,,,,, ,,,,i,,, Bnrlmm Keudriek, Pods, Pntrinron): o~td University of Illinois, the Psyche in Fin-de-Siecle F18 6a otl.si,e sessb,, ArtTable Urbana.Champsign Parisian Decoration P,",li'",,, If Piot reaching, EJ Claire I. R. O'&fnhony, Object, Fetish, Relic: Joseph then Who'i? El I,,",,",,,,B,,,,, Courtauld Institute of Art Ber,ys and The dlrrsertnr Conl~nenfo!Roorn C, lobby level Alfiliolc so

This session iuill be held01 The Arl loitiiule oichicogo, Rubhff Auditorium i I I South Michigan Avenue Inter at ,he Fort Enliance on Columbus Drive m FI9 m a~21 Being and Conflict: The Association of Art Editors Association of Historians Politics of Kecognirio,l/ VO~LPSfrotn th~Now of American Art dfisrecognitiorr among Blnck !'rantier: Editing for Bnlirre Braving (ond Bridging) mszeri Artists Frcidn High, i*aFsliccalion tho Great Divide: U~rimrsit~of \T'isronsin, Madison Conl~nenhlRoom B lobby level The Accr~!enry nnci OISCUSSANI: Donald Preziosi, Dl,e Musoiari~ CHAIR: Susan Rosseu, Usircrsily of California, 1.0s Continent01 Room A, lobby level The Art lnstlruie of Chicago iingelcs, and Oxford Unirersil). CHA~R:Sylvia Yuonl, Peuasylvaniu Pairicipoob lo be announced Arstlenry of tlw Fiue Arts F23 CAA Education Committee rn bd F20 Froor Cosnropolitnnisnr What Do First-Year Csllnyo Association of College and to Cultarnl Denmcmcy: S~~rdet??~Kasw Aborrt Ai.f, University Museums and /fcndernic Menis and the Anyway? Galleries En,,riisioningof n 111rcsertsz loke Ontario Room, eighth lloai Hercules and the i-lyduu: Profbsion Sally Anue D~~uenu, TCic: Aecadeo?ic Arts Tt~ftsUniversity CHAIRS:Olivia Gade, Building, Cunlplra Clients, Detroit Rock City: Reuisionist University of Illinois, Chicago; and the Labor of Art IIistor); dluserrnt Sttidies, Jlissuuri Slate Unirrrrit) Boulevard Room A ond 5, second ilooi Diaun L. Linden, A Frnuees IInlsbnud, R.M. Tllr i\rl lnstilulo of Chicago the Art ~llrrserinrPerspectiue Kliment & Ronres Malsl,nnd Jssionnl Art Sclrool Gro~usAgnin wltffir NOW? Perspectise Steven Blcieher, Pditlltis~~lturolislrrand Andy Y. Shnukeu and Art I~istittttrof Fort Lnnderdale Feil~i~iisririii Plro Post- Jfattherv itlorung, Oberlin College Identity Pa~iiticsWorld Addressing tlre Topic,fro,,, An Ec111lueator ReJ7ects on take Huron Room, eighth lloor n U~riuersityPerspective Architectrrrenad the Afrtlti- Carlo Ln JIagnn, cwatas: Chnrlene Yillnsedor Headed A~chitect New ihrk Unirersit>- Black, linirersily of California, Daniel S. Friedmn~l, 1.05 iingolrs; Phoelle Fnrris, Uuirersitr ol Cineinnali Pnrdue Uuiversiv rn F24 Historians of British Art fionz Contoiftn~entlo illestimaje "Cool Britannisa": ned Diasporn: Reading New 19iueci.icrns irr Clricneo/Me.xicnno Alurrsertn~s Britislr Art Wislary ICareu Mary Davnlas, Boulevard Room C. rrcond floor Loyola Alary~noentUeirrrril). CHAIR: Auuc Helntreich, Trras Cllrisliacr Ut~ivrrrity A Conrnrunitj of' Craftsnzen: The Artisnrl and the Arclii/ectrrml Treatise in 18th-Century Il/estnri,,ster Janet Temos, Princeton Unirrraily 38 College Aii Arrociolion Conference in Chicogo

Pni,rting the Qlreerr's Ass: F26 F28 Rediscooeri,~gHigh Art National Endowment Women's Caucus for Art in Lour Pluces for the Arts ($Iol,~caIlhJlerizi?n's Arts Do~tglasFOV~~RUI, Ageticy: lii~4ivi(~t~c~l Williloid Room C. third llooi Avtisvs tti-1~4fhc? file University P4<2tioltc8! cHair: Alotlde Soathvell Wal~lrunu, Endtrv,nieii~.i for $lieI'il.Ps The Politics of illrrbrrster: University of Alissouri, Kansas City Waldorf Room, ihird llooi Jolr,r Singer Sargent, lVIl Slra-The Secret "n%iteness,"und the cwaia: Snrnlyu Reeee Hardy, Lu~gnngeqf CRirtese Wo'otr~ea Fashiorrirrg oJ' Anglo- Director of Al~lscurnsand ITisnnl Jnetl~telinoTobiu, Perfornrntivity Arts, XEA University of Denver Andrerr Stophenson, Participaoh lo be announced illunabrr I'unronakn's University of Enst London Gjahtei Series qf Aged Ccrlturnl Topography in the rn F27 fimule ~Yudes:A Challenge FTties: T11eIndepe,rdent Visual Resources to the IEstern Idenl Group and For~nsof "Tmue," Association Elisebcth ICirsclr, Contact, and Inforn~ation Cniiring Orrt of Bsolcriinil: University of Alissuuri, Knnrss City Jeunifer V'ay, t3uitdirtsj Bridge!: cant3 Kodiatrr Kunrnm: University of Nortll Tesas Ncivroi.kiny !fitithi17 ti%<: African Te.~tileDesigner Caiiip~~do~ni;rirniiy filaode So~~th,uoll\T'nhl~uau, F25 Lake Erie Room. eighlh lloor rn Uniycrsity of hlissonri, Kansas City Italian Art Society CHAIR: Russ Clomeut, Contirruity c811rl Clinilgo in Norlb~resternlinivcrsity A.fricnn.Coribbeun Ifiiliun A1.i: Bjloii Sc2ssiiirr InJ7rrcrrces on Contenrpurury il Ttua- n7ny Street: Moiquene Roon,, {hiid iloor TT'onren Artists Pmctictisi E.rperiences.for Anne Wexlor, ctjaia: Sholley E. Zamlu. Inforntation Scietrce Sluderrls Independent Scholnr, B~slon University of Georgia i,t the Sclrool q/' Art I'isr~al A Cuban-ils~criearrArtist The Corormtion oJ' the l'iirgin, Resources Collerlioe Disclrsses Her Work Religiorrs Contnroniries, nnd Sandra C. \\'nlker, Sins Sutler, i\'~iptiul Cerenrotry Uui~-ersityof Te~lnesree Orlanrlo, Florida Gail Solberg, ArweiateJ Colleges Ouerconrirrg Obstacles: of the Jlid\~-est,Florence, Italy B~~ildin~Bridges to Success at Spirituality in the Art of Rerlca Sto~~t ~Vlythnrld Legend nt dreizo: Junzes Madison IJniuersity Andrea Lea, Piero's frescoes of the Christina B. Updikc, Ullirersitl. of hlissouri. Kansas City True Cross and the Blessed Jorn~a;\lcdisooUni~rraily Benerletto Sirligardi ilhkitzg Stone Sor~p: Jeryldeue Wood, Digilul P~ojscrsat the University of Illioois, diurjland Historic01 Society Urbano-Cl,ampaige ICntlteriuo Coruau, The Breasts ojAright: Maryland Historical Society Library diicheln,,gelo ns O,rcologist? figs Kids Xenr the Block: Art Jotlathxu ICata Nelson, Partnerships or ~\'orthrocstern Syracuse University in Florence, Julie filnrehcnko end Ne~rihrk U~~irerritsiu Florence Russ Clameut, Nurthr~-?slernUnirerrity Friday afternoon 39

Friday afternoon E.rhibiting Jlnrtha Rosler? F32 2:OO-430 p.m. /t Fenlinist Response to Alartlla 717e lnwifiil?lr: Ff6nr!use'? Rosler: Positions in the 1,ifr Met11iilking Wotnerr's Expei.ienco irf P~~blicSj~icei) F29 World Alison Rorrloy, in 1901?-Cer1rrsuyFrancc Woiirc?ti cis Pruducer.!; University of Leeds lnteinolional Bollroom Soulh, uf Viaurrl Culture? irr hlartlla Kosler's Critical Position second floor the 29320s irrid 1930s rritllin Feminist Conceptual Loke Michigo"Room, eighth floor Practices Cnthcriue Caesar, CHAIRS:Arann D'Souza, Parchase Cullegc; CHAIRS:Joltn Augelinc Emory University Tor,, 3fcDouough, and Xary Donnllue, The Legacy qf Fenlinist Art Bingl,a,rlton University Parsoras School of Design Proclices of the Seuertties and other people% ~1,~Eighties: Criticisnt of /Ire Vork Disorienting Orient: Theodore Dlrret nnd the Anriorrs Flineur 1,rflsence of Hilln Rebny atid of Chicngo nntb wa'nllen, /lle ,l~,,ser,,,l qf ,\r,,,,.0bjediue u,,iversity of snnD~P~O in Asia Tin6 Chaug, AleGill iJni\-ersily Pnintifrg Thalin T'rachupo~tlos, ~~~~~~,~i~~,,s, conterri,, /he of Ncxr City University York f(ecept~on?f Elcnnor dnlin l\'ot the Fli~~ctzrAgain: Rending dlngnzines ued Liuiag Vi,,terr's Art and Urbarr Loey Sootter, Yale Ul~irersity //re ~lletropolisAround 1880 17iisions: Georgia O'Keelfe Alex Alherro, olscuss~~r: Thomas Grettou, and Margaret Bourke-mite U,,imrsity ,,f Florida Uni~-ersityCollege, I.oodon in i\'e?o York City Peter R, Kalb, Aliddlebary College The Fl3neusc ut the Gnp F3 1 iliami Kessler, Brrilding the Cuszbridge School 'The Conccplunl Ohjaet: We~esleyanUniversity Iceviu D. nlurphy, Szulptarre r. D(:si~i> Graduate Center, City Unirersity of Continenlol Rooin A, lobby level Berrtreee Home nrrd Stage: New 'iork, RmoMyn Collegc Mary Cussall's Loge Poi~rrings CHAIRS:Clire Dilnot, Tllr School Icntberine Smith, Institrtte of Two Sides of lPenving of the Art Institute of Chiengo; Fitre Arts, Nrrr York Ut~ire~sity in the Anlerican Sorrth During Frances \Vhitehend, The Sell001 the 1930s: I~zdustriossLnbor 01 the Art Institute of Cbirago Voszerr and ~llodernity nad Desig,rs,for Irtdustry The Oiznrokieg of the Object in the Parks of Paris Virginia Gnrdnor Troy, Frances \\'hitohead, The School Greg 31. Tho~rns, R~rryCollegc The Uni~ersityof Hong Kong of the i\rl Institute of Cltirago The Brisinessteor,,nn ns Porrofr: DISCUSSANT:Linda Nochlin, The Thing Is ... Stuart Wnlker, Institute ul Fino Arts, IIelerr Lnnsdorune Resnor Unirersit).of Calgary nnd~ ~~ the Art of Her Time Nrw York Uni7-ersity Cananlie illeAtee, iVIi.red i\lessages- Recelzf mrk by /Inne ~anadiancentre for iirel~itectare F33 IT'ilson Discussed lrritlrin Edardit?vlal n Box qf Theory F30 Pdrri.rixi.ivo Revisited no-Viewing 19705 and Ti"' Lake Erie Room, eighth floor lllinois State Uniiersity l98Os Feiiiir~isi.Art CHAIRS:Lnom H. Holleugreen, PFI~C~~FOJin V~IC 19905: as Art Objects AIoreriol tlniversity of Arizona; 'iCzr.i!e fxlribitiun!, h4uior Plre,zor,,enon: ITfhat's in n Paruela A. Patton, ori (:hicergo, Eleanor Judy Desigt,ntion?Alox Potts, Soutlrern Al~tl~odislUniversity AnYit~,ar~iii Mccrtlm Rarsler Universityof Reading lolie! Raom, third ilooi TrnnsJbr,,ralions in 13th- Changing the Object Itself: Centrrry i\'nrrurise Art: CHAIR:Lisa Blao~i~, Sis Questions on the The Em,,>ple of Sroined Glnsi University of Califorrria, Sse Diego Tmnsfomtatior~of dluterirrl Gerald Guest, illeasirrgnnd Discourse in Indpx of Christina Art Recent Art nnd Design Clive Dilnot, The School of tile Art Institute of Cl>ieego 40 College Art Associoiion Conferencein Chicogo

The Place of Biblical F35 Drcenterieg (Ire Gesture i\lorrrctitre in Iberian Jewish Tiie Surreal, the lyist!rr(trrl, 3lichnel Pittari, Art Pnpers and the Virtrrrrlly iteul Grltrrre ?f (Ire illiddle Ages Iri.fornrer1 Ohseruer Knlriu Kogruna-Appel, Grand Bollioam. second llooi Sinlolle Joucs,

G''rio'l U1lirersityof Nrgcr cwalas: Jtsrlith Rossi Kirsltner, Carrlrgie hlpllon U~~i~~~~ity Under /Ire i\'nrrntivc Slrndortj: University of Illinois, Cltirago; aiscussaNrs: Paul D. Jliller, AKA Elizabeth A. T. Smith, ,\lusc~lm Shedding Light on [Ire D.J. Spooky, In,leprndent Artist, of Conlcn~porur)Art, Clairago Omanrerrterl Arehivolt Progmvr New York City: Jollu Kissick, Mickey Abel-Turby, ALREADY HI'PIiVG: Ontario College of Art and Derigtr Ueirersitu of Texas, *\ustin Strrreoliss, a,rdIts Objects Tlre Ploy qf the Iconic nnd Jlnry Auu Cn~vs,Groduete Crater, F37 i\'arrrrtiue on Two 12th-Century Cit) Unirprrity of New York Other. Reriiuvks on Color Boulevoid Room A and 8, lloor Revetted Pn,zels of the Gn,nes ns Art: second Annueciution Glenu Peers, Hyperilledin ns S~trreulisrr~ cHa,as:i\lnry L,,~,r\lfred Ueiversity of Terns, r\ustin Affnry Flnnng~u, Usirersity: Beth Tnake, State o>scussa~r:Marein Kupfer, Conrordia U~~irerritr U~~i~.~rsityof New Yorh, Buffs10 Independent Srlgolsr I'irrrrul Dystopias: Doonr, Seeirrg Color Throrrglr Quake, nrrd fheEngines of S,tapshots Alnuy LIIIII, F34 Illusion irr the i\'r,e Lo~rdscapes *lfrPd ~~i~~~~i~~ 'fhc Internet: qf Con,prtter Gn,,ring Local Colour Rncllel H11rs1, A Di~dlornaliccrlly Peter UIICOUHales, Unirrrrity of Soulll *\usIralie Cnrrecl Site for Uei\ersity of Illinoil., Cl~icago Polieicnlly Irrrovrect Art? Hnrrd.Colorer1 Photogmplry qf Robert Gober's \'irgin and Drair~ Woldoit Room, lhiid floor "Color Gnrrlens" 1910-1940 Robert E. Hayruood, Robit, Veder, CHAIR: Gary A. Keoruu, Uai~ersityofNotre Dame Suutheustrrn I.ouiriana University Sndthsoniao lnstitntia~~ The Surreal urzd TJncan,,~in E,~arnerntinyI?!fiirity: Ceci n'est pas une pcinture Daaid Lynclt's 1.0~1 lligli~ray Cloning Color Auokn Iinruqee, (This Is i\'ot n Painring)-Art Stto Taylor, Tlre S~.Loolof tlw Art Institute History nrzd tlzs t~tternet Porllnsd Slate University of Clairago -1 Iriun D. Costache, Alount St. Alary's College F36 Tlrc Spoee of Color in Film The Parunrefers of Politieul Ti*(: Ani>cdr?tc?Ri?surt.ec(ad: Beth Tnoke, State Unix-errity Art Off- and Onlirre Artist-Writers airsf the of Nee York. Ox~ffulo \Iiillim,~T. Daaloy, Effect of Knirr tho A'et ... lP7,nl Abotrt the Politico1 Claire Wolf lirnalz, 16+1?cri~cl i7h~ Centuries Correct or Incnrrect,,ess? Ittdrpenrl~ntCritic Continsnlal Room C, lobby level Annelise J. Hnuseu, I'iisrml Criticisoi: An E.rlribition CHA,RS: Walter 3Icliun, Indepr~~denlScl~olar on Jantes Jojcr Pablo Hclguero, Johns Hopkills University; Scrrlpting the Digital Guggenl,~i~llAluscu~n Lyuotte h1.F. Boaclr, State Chnrlottn Kolik, Assign irrg the Anecdote Unirersity of New York, Grneseo Brooklyn hlurenn>of Art Paul kai.ninnk, The Sorrl os Render: Art and Actieis,,,: \Vest \'irginin Uuirersity The Soul ns l/;:ewer? Tlren n,d i\'oru Sasnn Plntl, Art Clra~rges Ileiudert Fnlkeubnrg, Gmdeate Freelaaree Art Historian snd Clnirc \%If Kmutz, Tlarologieal Union, Rerkrley Art Critir, Spatlle Irrd~~>e~,rlrntCritic Epiphnrries in the Mokiag Polly Ullricb, Indrl~endrntCritir Friday oilernoan 41

Cori,tter Refornrntiort Polenric Locnl ns i\'ationo/: Tlt'lre How the King illoo~s. nsd ~llun,reristCourrter. Jiangm~Epigrnplric Style und The Incorporative Loai Body Aesthetics-Agnolo Bronzino's Revitaliirrtiorr of Clrirzese Knrcu E. 3lilhoaree, Alartyrdonl of St. La~rrence Painting in the Early 2Otlr National hluseunl of African Art, Steldleu J. C~rnpbell, Century Sheu Kuiyi, S8r,itllsoninn lnstitutio~l Tlie Ut~irersityof Pem~sylraaio Ollie Uniuersity Aninlul Bod3 /I bsent Body: Priunte and Public irr DISCUSSANC Jollntbau Hay, Iconologies qf Disfigarenrent in Hieronynzes K'icrix's Inznges Institute of Fine Arts. Apartheid and Post-Apartheid of tlte MOT,of Sorrotus New York tlniiersity Art Johu Peffer, Columbia Jntues Cliflou, University Sarah Camplwll Blaffrr I:uandatio~, F40 Picturing Wonzen of K6r: illorlelsfor the l'itn /Icti~morld The Native Artist as Pl~otogrophsof Dahon~ey tlre I'itn Contentplatisn in the Critlea! Vlislerirsm: 'il,,razoas"in Lute 19llr- Cloister Glnzing qf Pare Abbey Aesthetics, Histsries, Century AJ>icn, Europe, and Ellen Shortell, and fdntinnt~lisrnsin /Isterica SUZHUU~Preslou Blier, Alasencbtrsetts College of Art n Culn~riwlWorld Hnrvanl Usi~rrsity 8oulevord Room C, second floor The dlado,~,,nDel Fcrocu: Indi~ridrcoland Co,,>nrrcnnl CHAIRS:Jolene Rieknrd, State F42 Deuotios inn i\'orther~t Itolinn Uni>-ersityof Xetr lbrk, Buffalo: "Ilnc?i?i'EIie Inflrri?nce": City Lisa Pou, JInrio A. Carol The E\-ergreen Cr,ritt:xtircxl Approaclie!j State College to t:uliurol inlerutiiori Gruy Rrsevrclt Il~jtitute iir the 13th ?:nrit%~ry Indigenoris Perfornrmrce Art: Irlenl Inroge nrld Renlity: Lake I-lumn Room, eighth floor An Alterrzntise History The Herntit und tlre Desert Paula E. Thnrp, CHA~R:Cyutlkia llohiusou, in the Cnrntelite Refornrs Usirrlsity of \\'asl~iegton University of New Nexico Arnold Witte, Utlircrrityof An~strrdas~ Is It Art, Is It Cmft, or l~hn~nn'sTrnveling Cultures in the 13/11 Work? Threshold Designs and Century: The Use of Christian F39 rlrc Arts of Indiu S'~oliu in the illnn1111k Gr:aliislarieal issues Reunte Dol~n~ea, Architecture of Cairo it? tlriz YVmdustion of Goldsmith's College Karen R. Iinthc~vs, liniversity of Colorado, Denver Prairrted IVPPLICJI:S,Rice Colosred Girls Visutal Cr~llisie,rsnel Betsie Gross, University of How to Adnzinister o Conquered Visareality in China Soulhcrn California City i,r Al./lndnlrrs: illosqrres, Lake Ontoiio Room. eighth llool Parish Churches, nrzd Pnrishes DISCUSSANT:Gerald ~le3lnstcr, CHA~R:Jouuifer Purlle, Hentller L. Eckar, Alus~un~of the zitnrrican Indian Tlnc University of Clrieago Columbia Ueirorsity

Kings of Hell: Ningbo a~41 Iprnpping the Body Holy: Beddlrist Prci,rti,,g in Art History Open Session Co,rsiderntions on Bernard of Clri,rese Pnintirtg History Medy Politics in Afvicprrl At O Clnirvrrur Asdnlssi Shroud I'txkio JI. Lippit, Conl~nentolRoom 8, lobby level 3lnrin J. Feliciauo, Princeton Unirersity University of Pennsylvania CHAIR:Mary Nooter Rol~erts, Ttoo Alodels of Sino-Tibetan Fox$-lrrAlusrsnl of Cultural History The King's dIarr,ry Bodies: Synthesis in i\li,rg Pointirlg Alfonso X's Cross.CaItrrm1 Perfornting "Our lothe her's" at the Core n1rdPcrip1rer.y: Self~flnslrior~irzg Body: Tlre Polilics qf 11finzory Fnihuisi, Reijingnnd Fraacisco I'rndo-J'ilnr, in the Gelede illask of' /Ire Dnhoojigorrg, I'unnnn Ilerrard Unirrrrity lbrrrhn Bnbntende Laxual, Karl Debreezeuy, \'irginin Cnmmonrrealllt Unirersity Uni\-ersily of Cl?irago The Di~iirlcdillnrkef: Uli Earl). Realnpping Borders: Rprr Pninting in Arocl,sk~uuSarah Borrinn $ Frorrtier P

F43 Friday evening ~llelnncholic,illoronic, dlodern: ~~t::~~tto~sl~ip: 6:OO-830 p.m. Odilorr Redon's Noirs An Effi?ctivr: l,iiarrnit'tfj Margaret \Verth, b4oilel for liladcvskrip F44 Barnard College Puirtting Whit<,~rtesc: iDi:vt:larpii>ot it1 $kc?Arts Gusrave 11loreas and /he Williiord Room C, third floor Ihr: Other. Race "il Americir!~Art CHAIRS: Vesnn TadoroviE nliksih, Paradigm Rneliel I,i~ldlieim, Continental Room 8, lobby level National Arts Adn~inistralion University of Clrieago CHAIR: Martin A. Berger, Slate hlr~~torslripProgram; 11Iasqrcernding as dlodern: Universily of New York, Buffalo Roberto Bedoyn, Notional The D$ficelr Lnbor of Hanro Assoriation of rirtists' IF'Iiite Skin, Fltitlite ilfasks: 'I%or,!ycroft'shlo\ver Organizalions The Perforn~nsceof Ruce in Dnvicl J. Gets)., Rnehal \Treiss, The Selrool ~\~ezuEngland Colo,ziul Norli>~resremUnirersity Portroils Ersten P. Bnick, of the Art Institute of Chicago Colossal Engineering: France's Unirerritr of Chicago National Arts Adrnieistretioa Orientnlisnt and Its 11lodernify Aler~torsl~i~Progran~ 2000 Far Spirir or Home: Poititing, Dnrey Grimnldo Grigsby, Afentor Procreation and Patriolisnr in Unirersit). of California, Berlele). To be announced /he ilfternzntlt of Wnr Clrristine Bell, National Arts Adtuiaistration F46 Nortl~~rerleroUni~crsity bIentorship Progranl2000 Xlc!.iiyn/Con,posi9i~~1!: Xlelltee John Broron's Body: ~llarryrdom i2c.~:onsiclcr.iiliaiiitst To be announced and Aliscegenotion in 19th- nrid Crrntrrst?vce Centrrry Anterican Paieting Bauievord Room A ond 0, second floor

G~venrlolynDaBois Sh~w, CHAW: Catllerine G~~dis, Friday afternoon Harvard U~lirersit~ U~~iversitjof Oklahoma, Norman: 4:45-5:45 p.m. Tlromas Eokins's Frank Barbara Jaffee, Northern Illinois University Mcct +It<:!Ccxr~~lidnfos Hamilton Coshit~gand inleinalionol Bollroom i\lar?n. E/lr,~ogrrrplric~llin~icry Ir~dr~srrialiratio,rand the second lloar Alan C. Bradclock, Langrrnge of Art and Design Sn~itl~soeiasInstilulion Nancy Austin, Brown University Become on engaged ond educated i,olei! Leaio the bockgrounds ond Il'lrite Style Nlustroted: Eugenic Design: Strennllining poi~tionrofrhe condidorer for CAAi Thc Satnrdny Evening Post as Top.Doren /les/hetic Rqfornl m <',ic.!iit<: $e%%i<><, Board oifliiecia~s.All CA4 members bettucen the Ilhrs Christina Cogdoll, are strongly urged to oilend lhii Eric Scgsl, University of Uniuersity of Texas, Austin a lP,<~<,i<,,,,, impoilon1 inlormolionai meeltog. Califorsin, Los Angeles El I,,,,,,:,,,,, s,,,;,,, Design rind CornposiIio?r .for Purere Housereiues: hfliliuie Soilliiileu soiri,,~, Artistic Hierorclries in tltc of 19th-Century Art UniredStotes c. 1925 Narniirg rirn "Modci'ht" Cartun Gormnl,, Soothern 19th-Century Arf i~i Illinois Uuirsrrity, C~lrhul~dalr lnleinolionol Bollroom South. second floor Bureaucracy and/or Genius? Reconceplrrnlizirrg tire c"alas: Hollis Cln).son, ~IIoderrtin Arclrirecrare Nortlrrrestern Uni~.ersit).; Paula 11. Lopkin, filsrtltn Ward, Taahingtoo U!d\rrsity University of Cllievgu OISCUSSANT: Victor Alergoliu, Tlrdophile Gnutier and the Uairersit). of Illinois, Cllirugo Pnrndoloars of ~llodereity Philippe J~tuod, UniversitC de Lausanne F47 Beholding the Outcry: ITuonne Rainer's ~llo,rrort Eicids and Fi8briii.i: The Collision of Utterufrce, Carrie Laluhert, Lli.lsn~lHubiYciiian is, Irrscription, and Inrage ns Stanford U~~irersity call lntevdisciplinury Retienants of the Holoca~~st I,iue in I'orrr [lead: Zfystericnl Environritc~tY in Bornett l\'eronlon's Rcsporrses to the Fentinine in Woldoif Room, third lloor Stations of llle Crass Perfornlurrce Jane Blocker, NRIIC~Nield Buchxvnld, CHAIR:Sllnrotl Hnar, U,,irersity of Alinn?s"tu Unireraity of Chicago University of Illinois, Cllirsgo Co,!fro,rtntion rind Cntnlysis: Theolog). of the 1nde.r: In~nzersiveItt.forn?urio~r: The Street Actions oj' Adrinrr Pl,otogmphy nnrl Christian Sonre Renmrks nbozrt Piper 1.nurel Fredericksou, Iconograplry Vime Leo, ~lhterinlit);Electror,ic Space, Duke Unirersitg Alinneapolia College of drl and and Building Ellcn Grimes, Design Illinois I~~stitutcof Tcel~nology ~51 Invisible Cities: Art History Open Session Detroit Art Contes of Age Wlrnl Are CriOics For? Giovnnntt Coslnutirli, CAA Professional Grand Bollroom, second floor University of hficl~igrrr,Dearborn Practices Committee CHA~R:Katy Siegel, Hunter College, Writing ArY History uncl K6rks on Fortitrrde and the City University of New hrh tlte Issue of Emsure Forsnke,~Christine Tnrkorvski, Criticism and In,plicit nnd Willifoid Room C, lhird floor Tlre Sel~oolof the Art Institute of E.~plicitPrcrpose Jererny Chicago CHAIR: Ellen I

Problems with Conseruation F54 Saturday morning of i\'ere mid i\'ot.So-i\'ere Cnnstvtrclitrg i3ilgrininrilgo Teeh,~ologiesin Conternporory Continenlal Room A, lobby level Arr Jim DeYouug, hlilvaoliee CHAIR:Snaudra Weddle, Drur). CAA Annual Art ~llrrsennlite,ns ,,zulcl~ifig: University Business Meeting Cont~nenlalRoom A lobby level [ART] Jady Scrvou, The Transceridental National Gallery of Art Posr-Torcrisr: Spiriruulity, Seculnrism, and Sinzrclncra m F53 Cller Krnttse I(sigll1, Association for Textual A S~lvi.i.ialis(.Guide Uairrrsity of Maine Scholarship in Art History to Chirego Business Meeting dtodels of Sacred Space and international Bollroom North, Conference Room A. fthh floor the Eli,,,inotior, of Alcernatir,e second floor Histories iinnnbal Whnrtou, CHAIR: I

Posssin's hlidns Bathing in the River Paclolus Judith Bernstock, Cornell Unirersilv Saturday morning lFor,on,e,>nsd Play: Ir'i11 Slte cwlas: Itabert A. Bnrou, or IPon't Sltc Eleun Bcrtoszi, ltldeprnrlent Selkolnr; ~lrdeaArts, Bluumington, hdiaun David Greeu, National initiative for Net~rarkedCulttbral Ilerilage Teacliing, Leorrii~rg,ond (NINCH) So 1 Terhnology: Lessons frorn tlrr Iandseiip::, Vision, il'ere jlledia Classroont unti PA<>clcrriityin +!is: Damn Tllo~upsou,Gradeate Reunto Wiedeal~oeft,Sr\SKIA 'l6btll GUI)~IJYY York Centpr, City Unirrrsir) of New Cullt~ralDocumentation, Ltd. lnternationol Bollroom North, second floor Ir6nzen Artisrs qf the An~ericatr Tom Bower, Nationel hhtseum IPesr: A ConrnrrcnityBnser~l of American Hislor). cHalas: Tin, Ba~.riugcc, ~llodelforUistnnce Leurrriag Yale Unirersily; Susna Resslcr, Purdee University Rollert Pnuzcr, \'isltal r\rtisIs JI~SUU nr. Roscufelrl, vnrl Galleries Asraeiatiun Aasurn~~lio~~College Sitriared Krzoa~ledges:Bodies, Politics, und Trchnology in the nlnr Mnrmor, Tlre Pasora,nn, the dloderri I;e,ninist Art History Classroom 'The Amdemie image Cooperative Cit): and the Cendcred Gaze: ICnren A. Benror, Berlin's Cityscnpes, 1820-1870 Florida Slate Uei\rrsit) Gretclten Holtznpple Bouder, Rr)n Alaw College So3 Be Urban Pictrrresprre: YinselMaHer (s): l'iersir,g Londurtfront il,e Work of the Huiid So5 One-Tree Hill, Greenwich Willlord Room C, Ihtrd floor Pdrsfirre Nurtured rand Andrea Frederickseu, cma: Nancy Boaen, Nurturing: kri. to Restore Fhiludelp1,ia hleseuzn of Art >lasiueLusetls College uf Art and Enliven bd~lk~i'n Light in the Lnndscupe: froni Tinre, illemor); nnd 11Iurrer Joliet Room, third floor Daguerre's Diorasm to the Chistinn Bertoui, cwja: nlicllael Peter Caiu, A1osi.e aus lnnlikres Stepl~eu Riaode lalend Srhnol of Design hluharishi University of hfnnag~meat Pinson, Ilarrnrd University The TPork or Hoed: Peninsslu Europe and Other Specrrlatiue Lundscnpe: Arr Production, Crgft Pattents Enlergirrgfrofront the Charles Aleyron's Eaua-fortes and tlre Wleiszrre Principle Cultrrrrrl Landscope sur Paris Stephanie Schxvnrta, Susnu Ca~luing, Newton Hnrrisou mld Culuell~iaUnirersilg College of New lloelrelle Heleu Hnrrisou, Tlremnties of rr ~blodernizing A Recordirzg of Time Unirersitg of California, San Diego l'ision in Frederic Clztrrclr's Bnrllnrn Cooper, The School Ecostrrrctrrre as Hnbirut Niagara Alan Wt~llncl~, of the Art Institute of Cltirago Art: Terns Test and Other Receril The College of William and Alar) Hoptic E-tperience in a 17irl~ml mrl; Lym IIuII, Ir6rld Tilnry-Bell, Slliue, Independent &lrironrnrntal Artist H soz Amrricen Craft Council CAA Committee on Crding a Critical Women in the Arts Entrironnte,rtnl Art WI: Do "Windolf~s" So4 for the 21st Centrrry (and Mudl Pr4om): CAA Committee on rluu T. Rosesthnl, \hnieir, PArrlfilnediu Intellectual Property Cnmegie Alellon Unis-ersit). '%:rl~iro!ogy,aalid tho Art!; CAA/NiNCt'l Cnrayiiqhk lh'oldoif Room, third flmi T:>wi~Merttiirq, 200 l cwas: Knreu A. Benror, Florida Licensing Irlitintiuesjbr Sclrolars State Ut~iverrity;Altuiel nlngeuta, and Tenchers: The l'iete,frosi the Arizona State Uni~~rsity Copyright Industr~:I~ztellectual Property as Seen from the Perspectiue qf Rights-IIolders and Publishers Luke Ontorio Roain, eighth lloor 46 College Arl Associolion Conference in Chicago

Tlte Architectrrre of Honey ~lfirsealTropes in Poprrlnr fib^ Ir~stitr~tiorralCogs irr Joau Diekiusoa, Jennifer Fisher, AleGill Uui\-erritr Co,rtenzPornry A'igeriarr Art Colutubia Collfge, Cllicvgo Pearls in the Popcorn: Art dele jegede, Criticisn~at /Ire Cinep1e.v Indiana State Unirerrith Term Ilattte So6 Robert AIertcus, Reinterpreting liadirions, i?cyo,rd the Walls: Univcnily of Tiseoest~,A'l~ilesveler Making nu Art IIistorj: Rose hri and thc Territoi,iol Kirrovriru and ~llnkercre'sLegocy Eirrmh Faarcetr's Birthdny Suit "itnk? iil Late Mcclievcrl Slmaudn K. SnuyaI, The Art Lee Ratlnoy, (;oldsvnilb's Collpge untd Early Moderrs lloly ln~tiloleof Rorlun at l.esley Collrge Conlinen!ol Room C, lobby level Tlre Art of /ldcertising: Art irr South Africa: CHAIRS:William J. Co~mell, ~lliclchelnngeleloon 11lndiso,t "Redress" throrrglr Ternzinolog) Srton HdUni~-ersity: Auenrre Dcdu Tallyol, Salrine Afarschnll, Roger J. Cl.lllll, Tcrleyan llnivrraiiy Utliveraiv of Durban, \T'estville U~li\-errilyof Dajloe It's iVine O'Clork, Do I'orr Knore dlnpping and Redrfirring the Slmoping the F~lt~rrervitlr the IPhere Your /lfricnn Art Is? Terrain: Contenzporarj ;ifricun Past: Cltorles II qf' Anjou African Art on Prime Tinle Art Prnctice in theZlst Century and the Creation of Stnte Teleuision Alarissn Vineeuti, Bolnji V. Cnmpbell, Arclritectrrrr it, the Kingdom Duke Uni~-?rsiiy U~li\-ersitrof Wi~coesin.Alaclison oJ' i\'nples, 1289-1309 dfopping the Termin of High Caroline Broselks, C?~ltare:The Ticne Lifk World Biennale Culture nad the Loearion of Conten?porury Duke Unive~aity of Art Series heWhileln~v, African /lrt Practice illonrrn~entolSpnee and tlrc Univerrily of Albcrta Sylvester Ogbecl~ie, Inznge qf T~erritorinl/lurhority in Aledie~mlPrato Alick AlcLemt, Syracuse W,ivrrsii)- Thr? FIJIPL~~~,~~~of G~i!ieisti~: Sol0 in Florence Artists' Bookc, El hrouee Rooin. third flmr CAA Education Committee Wheve Arc flr(?sr?9cvdontii CHARS: Johnnun Drtmker, Cei"#?ingbmm? Whiit i!hr: U,i,-ersit7 of !'irgk"a; New Ncttirrnral Art Editert?inn Brad Freeman, NPSIISPress Plssociulion Pretwruiion Territorial Curre,rrs: The Cririeol Potential of ilrtists' Stundnrds Mleia~lfor 177nterrooys nnd Riwr Gods Rooks Brnrl Freeluau, xrruspress Hifj!ier EdrrcaEion Lake M'chigan Room, eighth floor o:t.?ile s c><, i ,>,, in the Sereice aJ' Cosirno I The Artist's Book nsd ~1fos.s de'illedici Felicin AI. Else, CHAIRS: \'ictorin Fergns, it,,,, ,i ,,,,I, ,lledia: A ~~~~~,~id~~~i~,~of Taillington Uili in the l&netin,r State: Tlre Stale Utliversity Central Aliwouri Slate Unirersily 16riue Cltnpel of Sarztu ~1Inrin cnn ccll,lllliti,.i. !sollicll, Il+iter's Bloc: Reading into Chnngcs in the Prepnmtio,r oJ' ~llaggiorein Berganlo L~~~,yo,,iet ~~~pe,ie,,cet/rroegl, Futrire Teachers: In~plicationsfor Giles R. 31. ICaox, Uni~ereiiyof Artiso' Books Mark Soede, Higher Education Art Facelty Illinois, U~I,aaa.Chan,~oign The Ohio Stale Unirrrsily Craig Rolnud, U,li\.ersi~ of Florid* Seeing Artists' Book So7 hoBritton, Printed Alotter IPorking in Tandem: Higher E"a>pulauArt Lliir-?o~'isi: Mecation and K.12 to Develon I*ierei?iing and Cniisurrtiny E.~cellenceirr l'isisrral Arts liiterpuclniioirs of At i in So9 Edilrrcntio,~Liuda Highto~rer, ia4nriiir CCirlEuve "Cnrnton?pairory" Racltester Instihate of Teclmolom lnterna!ionol Bollroom South, "AFric

Art of theBralrniin nnd Hnrijuni Tl,e ~~dd~~,\T~,,~~ oj. r6,,,o,,: and Instrzrction Pieces in the K6,,3en of Jit~anrprcr,Bihar, Inuisible Anglo.Snsons Early 1960s India Jagdish J. Clin~dn, Gale Owe#,-Croeker, Anna DCZCILZ~, U~lircrsir).of Central Florida, Uniiersity of hls~~rhest~r Courtnold Institute of ilrt Orlarldo Inuisible Illtmtinrrrion: The Case Art as Tlteater/Theateros Art: Pnn I*[iung5 (1899-1977) of [Ite Toledo Bible AIoralisee The 1'rea:er in the l170rk of Don LiJE ond Art: Alienation to Joll~~Loxrdcu, Gralranz Eileen Daylo, Freedorrl of E.rpression Courtauld Institute of Art Olrio State Uaiversily Bor-bun \Irang, Pratt lnstitste Only Connect ... Digital Art and South Asinn Vonten Artists: So13 the i\'ero Role of the Spectator A Diffkrent Case If One Is Gocxd, Sabrina DcTtlrk, afnry-Am Afilford-Lutzker, Wl;y Not ~WO? Ln Sollr University hliUs Collego Giond Ballroom, second floor Changing Tnstes: The Cundy Te~ture,Te.~t, Conteut: CHAIR: A. Laurie Pnher, Spills of Fe1i.y Gonznlez-Torres The Tork of F'u ldfa Li The School of the Art Institute Elisalreth Dougnn, B~rhnrnBerustein, of Cl~irago University of California, Berkeley Inrfependeet Artist Fluid E.r~lrrhnngesand Tioitching Specrrlnting otr Gender in Allrontota lrlgrid Bncluuxn, m sols Conte,npornry. . Hong Iiong Art Conrordia Uuivenity Art History Open Session '!he Culitrml Cc.nsii.rrr:it~~"# Alice Aling Wai Jitn. Doppelgnnger: of AssUho9ir: SysYerl~?;iil hleGill Uni~ersity Urlderrrzirring the Original B3vc-%olurrzbirai?Art Julie Chnrmclo, Nortl~rrnIllinois Boulevard Room C, second noof rn So12 Uitireraity Art Gallery The International Center CHAIR: Anrlren Stone, Utliverrity O~~tgroluingthe Spectator 1'7etu of Medieval Art of \\'ireonsin, hlilvaekee of i(notolershipof of Art.frorn ~Wythsof i\'utsral Inner Gnze nnd the Erpression lK~iowlr?rJge:Invisil~~lc a~id nnd Social Science of Self in nlesonn~ericanArt ICIe!ji!,lo in irate Llolr?ui~ Adellreid nlers, The School of tllc Carolyn Tate, nncl P*4f?clir:vnlArt Art lnslituto of Chicago Texas Tech Unix-errity Continen!ol Room A, lobby level Analogy ortd the Dinlectirs The A.fectiue Presence of Classic cwtas: Genevrn I

Altar Q's Theater qf iVIernory Ef El Sol8 Aclnm IIerriug. Art History Open Session Soulllerrr Aletl~orlislUniversity Puintirig rrrrcl Dmv;irrg in 17th.l:t:ntur.y ltoly Tlte Socinl Poreer of Foreign Inflzre,rce: A "Tmnsgmaphic" ctuias: Sezm,ue Folrls hIcCullng11, CHAIRS: Cxrol htnvar aed of and Larry J. Feiuberg, /Ir,alysis the Terrrrinul Elizabeth Hoxuie, University of of Tlre Art Institute of Chicago Clossic Art Seibrrl North Carolina, Cllapel Hill Bryne Just, Tulane IJnirrrrily VhyHalie There Been i\'o Horo "Bonito" Was Ptceblo Great Ii'onren Drqfrsrrten? Bonito? Foml i/ersas Function in Babette Bohu, Ancient P~reblann/Irclritectrrre Texas Chrisliaa University .Tnmes Faruler. Pierro Testai II liceo dells Boredon,, Plrotogruphj pittum nrd the Resismnce of Pornograph).: i\'ot Fanling ille Pracrice in Early i\loder~r Art Framing rhe Inrn /lesrheric Jcuuifer Doyle, Ruth huePBillips, Gracluate Theory Eriu J. Cnutphell, University of Cnlifurnia, Ri~er3ide Ctnter, City U~~~rrsityof NOII York Uniwrsily of Toronto IVhere the Pnmnoid Afeets Ptlrloine-d Fig'ignre Sti~dies: DIKUSSM: Irelte Wiuter, the Pnranorrnul: Speculations Cnmurrggio and Siaorre llvrrard University or, Spirit Pl~otogmphy fireriano Deharnh H. Cihelli, Louis Knplnu, Nirlanlls Stalc Unirrrsity So16 Soutltrrrr Illinois Uni~-crrity Dn?ssincg o; Part Tlrree i\'eeily Discouered oiscussam: Richard Neyer, Bou!evard Room A and 8, second llooi Droioings by Gzrercino ~uith Unircraily of Soutilern California Obserriarior,~on Iris Reuse of' lhir session will be held oi Druiuings, dlodels, and The Museum of Conlempoioiy ~tforphologjJenlt Goldtnml, Orie,rtalizing the Othec Costas,e Phorogrophy oi Coiurnbio College, Tl~eSelloolof the Art and Identity in Early 15tlr. Feiguion Theore, Institute of Chicago Century Book Illunrir~utiotr 600 Saulh Michigan Avenue. Portmit Drnroi,>gs by /lie Joyeo Kuhiski, or Michigan and Harrison Cnrracci "rrrra glorioso \Irestern Alirlligan Unirerrily Use Horriron Enrionce gurrr"Aaa Sutherlnatd Harris, Dolrble Stitcher/: Coloniul University of Pittsburglr Pattern-i\Inki,>g in the Works of Sejdou KeFta and 1Snlm Rejected Attributioris Shonibare Ruth ICerkhnm, hlitcbell hIerliag, The John and Hnmrcl Unimrsity Aleble Riargling Aluseua~of Art Rebeas's Eiu~ice:Dress, Allegory DlSCIJSSaNT: Laurn AI. Giles, nrrd Androgjng The Art 111~lilul~of Cilicogo in the Marie de itfedici ~YC/F This session ivilf be hrldal Snral~R. Cohen, The Air lnrlilule of Chicogo, Slate University of New Yo'ark, Albany Rubloff Audtlorium Trorrbling Identities: I I I South Michigon Avenue Representation, Dress, arid the Enlerai Eorl Eniionce on Columbus Drive Constrrrction of Gender in Rococo lqs~rnlCulture AIelissa Hyde, University of Florida

oiscussam Aileeu Ribeirn, Caurlnuld lustitule of Art :iPECIA& SESSIONS AND MEETINGS

Saturday afternoon so21 m So23 CAA Committee on Foundations in Art: Women in the Arts Theory and Education Piayirrg the Bdclr: The Nuts aid Bolts: Prarriisu oC Employment Gurrierrluni Design in So19 Fnurrdulioris Art Proyrcsi~ts Association for is1 +lieVistlul Arts Boulevard Room C, second floor joliet Room, third floor Latin American Art Open Session: Letin CHAIRS: Sar~hWebb, CHA~R:Barbara Nesiu, Ameriecan Art art is^ and Independent Scholar; Front Range Community College, Loke Huron Room, eighth flooi Dorothy Johusou, Fort Collins, Colorado U~lirersityof lava A ~llultinredinApproach lo Purr-Tinre Acadenzic Position: Problem Solui,rg: Combining the ZD and 30E.vpcrience Understnndirrg Style in Prufessioen/ Society Initiatiue Pnlricin Nelsou, Ball Stnlc the Tenrplo ~llayorDeposits Kntheriue Tnehnu, University; Barbara Jo Giorgio, Eulogio Gurlah, Ut~ivorsity Ueivcrsity of Iotro Ball State University of Cnliforaia, Los Angeles Vhot E.tnct/y Does an illE4 i\'eru Directions in Teaching The Savnge Lurrdscnpe: Pronzise? Jady Natnl, at The School of the Art Christia,titynnd the Coritrol of Columbia Colleg~,Chicago Institute of Chicago i\'utive Space in n Coloninl Bolarrcing Acts qf the Helen Maria Nngcnt, The School Andean Pninti,rgStelln E. Nair, (Institrrtionnlly) Unafzliated of Ill? Art Instilute of Cllieego Ueirersity of Califoreia, Rrrheley, Snrnl~Webb, and CAS\'i\, National Gallery of Art Artist and Independent Scl~olar ARTCORE: A firtndrrtrons mbsite That Allorus for 'The Yenrs of the Bt!lldoaer': Vorl;ing From Vithin: Custontiaed and Diuerse Architecttrre and Identit). in Employee Urr ioniaatio~rbj Curricrrln Taylor Hnruisch, I'e,rearrelu in the 1950s Grad~rnteStudeiirs Arizona Stnte Unix.ersily Marguerite K. YayBall, nlnrinui 1,efas-Tele~les, Unilersity of Teas, Austin Institute of Fine Arts, C~irricrrlunrDesign: i\'ew Yoik University Asking the Right Questions m So20 Mary Slervnrt, Syraertsr Unirersil) Association of Historians So22 R~Boot:Fresh of 19th-Century Art College Board Advanced i\.lu,zifestos/or Fosndntion Future Directions in Placement Art History Millie CLeu, State University l9dthContrrr.g ArV tlistury Incorprrrating Corrtcxl into of iTew York, Ruffalo Boulevard Room Aand B, the WP Arl History Course second lloor Moiquette Room, third lloor m So24 cHaia: Johu Davis, Stnit11 College cHaia: Elizabeth Lipsrneyer, Queer Caucus for Art: 'ill1 Is Light and Flat as Old Dominion University The Lesbian, Gay, Bisexual, and Transgender Caucus n Fog of i6popor l%nt Obscrrrcs Susau Bakcrrcll, for Art, Arlists, Euerythitrg": George Ir~ness Austin College orrrl /Ire SC~B~ICFof Lorrdscnpe and Historions Carol Grant, R~ehnelZindy DeLne, Rer6osetings: Museums, llvrtford Uniou High Scllool Jollns Hopkins tlnivrrsity Sexucrli+y, crud +he Joseph Lnlub, Ol~ioUniversity Politics of Display Urrfirrished: Hnrrs uotr Lake Michigo" Room. eighth lloor Alrrrees and theilrtistic Self Roger Lercll, \\'alnul Hills Hi& mala: Jonnthnu Knlz, Slate Aadri: Dolttbro~rski, School, Cineinoati, Ollio Unli~-ersityof New Yolk, Stony Braoh Uuiversity of Ct~lifornia,Rerkeley Lyndn Joy Spcrli~ig, Tee Coriuuc, Independent Srllolar I? Holland Day's Seve~iLast Denisou Ueirersily X'ords and dloder,t Iconic Jonnthnu Kntz, Slate University Jnnles V'o'omack, E.tplperierrce Kristin Scll~uaiu, of iYew 'iork, Stony Brook i\luntgomery Bell Academy Stanford U~lirerrit) SO College Art Ariociolion Conference in Chicogo

PROGRAM SESSIONS

So25 Saturday afternoon Tin, illiller's Speech Acts CAA Committee on nnd "Presentndlenzories: Intellectual Property i\'orresserrtinlist Gestures in CAA/NINCH Copyright Perfornznrrce? Michttol Petersou, Town Meeting, 2801 So27 Ullireraity of Wisconsin, Aladiso. Licensing Initiatir~esJbr Sclrolurs 110 NOT DISCARD: Don't Call Ale, 1'11 Call Ibu: and Tmchers: The l'ie~uJiotn the The Artist's Multiple in Polyonyrny and Conteniporary Copyright Indrrstr): Irttellecteal Contenipurary Art Pracliee Blnck l'istcal C~~ltere Property ns Seetr fron~the Morquette Room, ihird flwi David Dibosn, Golrlsmitl~'~College Perspectiae of Rights.Halders cHa,as: Snlly AIatnlo, The Sdlool A'un~ingin the Histories and Publishers of tho i\rl Institute of Claieago; of Fenrirlist Art History Loke Ontoiio Room, eighth floor Aunio Xorse, Ililnry Robinsou, Scllool of Art CHAIRS:Robert A. Bnrou, The Art l~~sliluteof Cl~irago and Design, Uni~eraityof Ulster Isdepesdent Srholor; From Recycling Pile to Anocreon's ~VlissitigLines: David Green, Ephenrero Archises: Artists' !\'onri,8gSerrrol Zrlentilies irr Natiosol lnitiatix-e for Networked ~lftnltiplesand Their Pre-11ladern France Cultural Hrritngr (NINCH) ~lpprrcintio,~Potential Satish Pndiynv, Adriano Herman, University College, Lonclon Kansas City Art Institute Of F-SITE Typogmplricnl Era: SESSION Conccptuul Art nnd Advertising in the 1960s So29 So26 IhinConcnunon, 6d Representing War I'irginia Cutnmon~realtbUnirersily CAA Museum Committee in Ancient Rome Art History: In the Museum Art-O-11latic nnd ff+st Boulevoid Room A ond B, second floor and in the Lft~iversity /Ifrirnn Bronze i\fultiples CHAMS: Sheila Dilloa, CHAIR:Clare Kunny, Virginia Tyler, Dukp Universit).; St. i\ugustine'r College Tlreiirt Institute of Cllieago IItseum of Art, University uf Toronto Owes F. Smith, la 066.Sif~se~sio,, IJniversity of Clticago University of Maine, Orono Re-eunlrcnting tlre Origins B ""',',i,"~?? This session i,iil! be he!d at of Tlze Ronmn Scaense Froes: ~lltrlti~iesin the The Art hsrituie olChicogo. 1,udi Scaeaici and the Ethos ,,,use,,,, s,,,io,, Flrrrrrs Tradition Price Audilorium of Militnry l'iclory in the 2nd !?d A6tiliofe Sorioly Scsrion Alison Knooolvles, I I I South Mirhigon Avenue Centnry R.C. Lnttrn S. IiflooSOSS~O~? Enter ot the Michigan Avenue entrance lastitate of Finer\rts, New York Unirersity Price Audilorium is in he So28 The Mocl- Foee oj'b'uttle Kroh Education Cenier What's in e Edame? Elizabeth Bartmnu, Grond Bollroom. second lloor Independent Scholar, Ne~rYork City ctialas: Gavirl Butt, Gulrlsmitl~'~ n Roman College; Jounthnu Kntz, Constructieg Irrtperiol Identity: l/iictoria on Ptchlic State Uni~-ersityof Now York, nrzd Priuate illonrrrrzents Stony Brook Rllehcl Kousser, Inslitate of i:ine Duchn,np's 'I'rois stoppages Arls, New York University Btalons, i\'uming, nnd tlre HSlscher, Standard 11Ietrr o>scuss~~r:Toni" Ins~itutfur Klujaische Arel~iiologie, Arau Vinegar, Unirersitit Heidolberg Nortl,weslern Uni\ersity Soturdoy afternoon 51

So30 The Lu,rgrmge of Color in So34 A ~l~~.h~~~of Programs, Cubisoz: Tlt~ProbIenz o.f Bin-Chotclslans ersd A Paucity of Qualified Fc,i.r,rrrnd I,Pgrrr's Cunlrasls Better Murrsetraps ~d~~~t~rs:overconling a of Forrn 3I~ttllervBffraa, Woldori Room. third llooi Current Crisis in Anlorican Uni~frsilyof \'irginiil Conimunicution Design Education So32 laiier ~oom.~hird floor Are We Experienced? Ressrrrt,h u,rd rlclion in Art Continentol Room A, lobby level c~ata:3Iicllnel R. Gibson, o,rrl Scieerr Faith Wilding. Uni\.ersity of Xortb Texas CHAIR: Iinnusll B. Higgir~s, Curnrgiehiellon Ilnirrrsity ~~~~~i~~,l~~i,,~~~~,,cntiorr,,l llniwrsity of Illinois, Chieagu F~~rtherA~lr:er~t~r~s in the Gools qf Urindergntdrrtrte Il~ziga ~~!i~ht~~~~lof l~l'lesl, lll

Fro,,, Deign Proctilionrr 10 Do" Nnliilie Jereo~ijeuko, ~~~i~,,~(l,,~~t~~:A prrsoer,l 1Jnircrrit)- of RO~JIPS~PI New York U~~i~ersity Joarrrey into Z.nr.hirzg E.~prri~ncingArehitrrtrrre Art in the Ageof Trnnsgrrrics Paul SI~ccler,Tile U~~i~-~rsity Debarnll fiusch, Adam Znretsky, Airs~acl~osetts of \\'iseonsin, Platterillc Ilnir~rsityof Illinoir, Cl~i

Adrinrz Stol;c,.s or, CL'm,rn<,'.s Tlre ilIr,irzi,,g qf Style: E'orfii Color: Theor? or Desrriliriun as Corrterzt liimberly Smith, PLINIStnithi Soetl~rwslcrnUnir?rrily Uairersity of Bristul StyIr?lt~ssrressWhituey Davis, Vhistler: Color nrrd l'ision in Nurtbwestprn Uliiversitv L~itr19th-Centun Rritoirz o~scuss~~r:3Iiehnel ilr~i~llolly, D;lvid Peters Corbel!, Clark llrsrarell lsslih%tr Unirrrsify uf ibrk 52 College Art Association Conference in Chicago

OFF-SITE SESSIONS

So36 a So38 a So39 Spacial Aelvocacy Session Followir~gthe ArsCpival Art History Open Session to Address Sckeels and the Turn: Photoyrnphy, elre Renaissarlee and Baroque Banning of Student. Art FGiuseurn, asid the Arclrive Sculpture Boulevard Room C, second lloor CHAIR: Cheryl Sinlou, CHAIR: Inu Vnrrlropper, CHAIR: &rto Teogon, CAP Concordia University Tile Art Institute of Chicago Dauiel Graut, Career Consultant Robert Srnithson's Ghost it1 The Cusa Btrorznrroti River God to Fine Artists and At1tBor 1920s Humburg: Reading and dlichrloagelo's Flrll-Size I%rbrirg's ill,zemosyne Atlas ~llorlelsfor the Aledici Chapel Vaualyue Green, The School of as i\'on.Sire L)udell Brorvn Jenn~tiuoO'Grady, the Art Institute of Chicago and Chnrles Green, Birn~is~l~arni\l.scae~ of Art Svetlnun Dlintchera, Nationel U~ii~e~sityof Nrri South \Pales iVets Light on rr Re,raissunce Coalition Against Cerrrorship Sisglc File: Stories frola Scztlpture Garden: The T'illn Bill l'nol, University of Georgia the At~gsstSander Archive llfadanra in Rome Alirnudn J. ITraIlaec, Yvonne Elet, Institute of Fine So37 Slade Sellool of Fine Art, Arts, Now York Unix.ersitg Collectivism after University Collpge I.ondon Fmn~oisDeQsesnoy's hlercur). P4odernirrn: Part 2 Recluinring the i\'utive Inloge: and Apollo: Bnall Scrllptures Continental Room 8. lobby level Recenl Ca:a,ladionAboriginul and Gmnd ldeus CHAIRS: Blake Stimsou, Inrersenrions into the Estello C. Lingo, Uairersity of California, Davis; Etlt,~ogrup/zicPlro1ogrup1r.y AlicLigan Statc Uni\.ersity Gregory Sholette, Tho Scllool of Archises Carol Pnyue, Louis SIT! Apollo, urrd the tlna Art lnstituto of Chicago Carleloo University Sc~rlprureof the Bosqrret de la Revolution in u Sonripnpcr Inside the Laborarory: Colorrnnrle nt T'ersnilles Couer: Jorn ond Debord's Beaunlont i\'er~huIl, Robert Nettmnu, Sitnnrionist Books us Collective Plrotograplr,: and thc Afrtsesm Florida Slate University Prodrrclior8 Kareu Kurcsyuaki, of nlodern Art The 17tlr-Century Micro- ibrk New Uili~ersity Christine Yo:onug-Kytmg HnLu, lllinintrrres of Olluuiano ilIlBI, ALBA, and/or University of Cl,irago Jnnelln Rediscoeered ~ ~~ ~~ ~~~~ ~ E.rperintenta1 Art? Cnnzeru Obscured and Evauuc Levy, Jdelln Stojnuovie, Itlmea Collpge Other Vorks Vid Iugelevics, University of Torulkto m o:,,,, S,,,i,,> Ontario Collegeof Art The liansforntntio,r of Artists' ihir session will be held ot o:r.sit. sslrion Grorrps, 1960-95, As Indicnted This session >villbe held at The Art lnirirure of Chicago, P,,,,I;,V,,, by the A,,ri,~onties of Er~clr The Museum a1 Cooiempoioiy RubloKAuditoriun~ Aliellel Orcu, Pho~a~rophyor Columbio College, 1 i 1 South Michigon Avenue rid ,,",,",, ,,,,i",, California Stato Uuirersity Feiguion Theater Enter a1 !he Eost Entrance !B affiliate Soricly scrrion on Columbus Drive The TI~nesSquore Slrore: The 600 South Michigon Avenue, ot Mirhigon oodHoirison H cna c~~~,~,itteeserriol, illost Szlccessfrcl Mess irr Colnb Use Honison eotronce Hisror~DavidLittlo, Duke Unircrsity

DISCUSSANI: Dlartha Rode", Rtctgers U~~irersitg