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regional, the full CAA membership will Conference be invited to submit proposals. Special Report consideration will be given to proposals from members residing in the New York Themes: area, so that New York members have from the opportunity to serve as theme chairs on a regular basis, though not necessar­ ANew ily each time the conference is held in ACLS New York. Proposals for themes will be re­ Approach viewed by the CAA Program Commit­ tee. The proposers of the selected themes will serve as theme chairs and will become members of the CAA Bober Honored Program Committee from appointment CAA was honored indirectly this year at Nonprofit Organization in October 1995 through the 1998 the annual ACLS meeting in the person eginning in 1997 the CAA U.S. Postage conference. During their terms on the of former CAA president Phyllis Bober, annual conference program Program Committee, theme chairs will who presented the thirteenth annual Paid will include sessions selected s serve as full members of the committee Haskins Lecture on her "Life of Learn­ New York, N.Y. according to three groupings: sessions and will help to shape both the thematic ing." Bober is only the fourth woman to Permit No. 4683 organized around a preselected art and nonthematic portions of the have been selected for this most Julyl August 1995 history theme; sessions organized program. Most importantly, theme prestigious of presentations, and around a preselected studio art theme; College Art Association chairs will have principal responsibility attendance set new records. Her 275 Seventh A venue and sessions selected as part of a for selecting panels for their respective inspiring talk was full of powerful New York, New York 10001 general call for proposals. The art theme portions of the program, with reminiscences and references to re­ history and studio art thematic portions approval by the Program Committee. nowned colleagues both here and of the program will be the primary For the purposes of submitting theme abroad; it also served as a reminder of Board of Directors responsibility of an art history theme proposals for the 1998 Toronto confer­ the ongoing obstacles / challenges to chair and a studio art theme chair (see ence, the Toronto "region" will be women in the profession, though Judith K Brodsky, President May jJune 1995 eM News for details). Leslie King-Hanunond, Vice-President defined broadly as eastern and central Bober's accomplishments in turn John R. Clarke, Secretary In order to ensure that all interested Canada (Manitoba, Ontario, Quebec, present a daunting challenge and an John W. Hyland, Jr., Treasurer members of CAA have the opportunity Newfoundland, Prince Edward Island, inspiring role model to all of her Barbara Hoffman, Esq., Counsel to submit proposals for conference New Brunswick, and Nova Scotia); younger colleagues. Susan Ball, Executive Director themes on a regular basis, the Board of northeastern United States (Pennsylva­ Informative panels during the Directors has approved a new plan for nia, New Jersey, New York, Connecti­ meeting addressed several issues that Diane Burko Nancy Macko soliciting themes and theme chairs. Bradford R Collins cut, Massachusetts, New Hampshire, have been surfacing as future concerns Victor Margolin Beginning with the 1998 conference, in Whitney Davis Clarence Morgan Vermont, and Maine) and northern of CAA. Indeed, one of the chief Toronto, members residing in the Vishakha Desai Beatrice Rehl midwest United States (North and advantages of the ACLS meeting is that Jonathan Fineberg Jock Reynolds general geographic region where the South Dakota, Minnesota, Wisconsin, cognate scholarly organizations can Shifra Goldman Rita J. Robillard conference will be held will be invited and Michigan). Theme proposals should share experiences about their activities Susan 1. Huntington Moira Roth to submit proposals for the thematic be submitted to the CAA conference and ongoing experiments. In the latter Michi ltami Norie Sato portions of the program. For the New coordinator by September IS, 1995, and category the new concern about Irving Lavin Lowery Stokes Sims York conferences, which will be held must include 15 copies of the following: electronic publications, rather than a Joe Lewis Judith E. Stein every three years and which are Margo Machlda Nancy J. Troy considered to be national, rather than CONTINUED ON PAGE 2 CONTINUED ON PAGE 4 Deborah Willis Latin American Art.) Send abstracts and tuted the practice of passing the commit­ tion of Visual Arts Faculty, for example, Annual inquiries to: Stacie Widdifield, Art Dept., From tne Bresident tee lists by the chairs. For the first time, is requested frequently. University of Arizona, Tucson, AZ committee chairs were able to review The award committees are an especially important set of committees. Volume 20, Number 4 85721; 520/621-7570; fax: 520/621-2955; proposed members, learn a little about E-MAIL: SGRAHAM@ CCIT.ARTZONA.EDU. them, and add members according to But for some of the award committees to July/August 1995 Conference Deadline: August 15, 1995. the needs of the committee. be effective, further involvement is Another step in democratizing the needed from CAA members. The Update committee structure has been the committee for the Distinguished institution of rotation. All committee Teaching of Art award is particularly Conference Themes 1996 Special Interest Join a members now have set terms concluding concerned about how few nominations Report from ACLS Group Session­ 1 in an orderly succession, thus enabling are submitted by CAA members. The Call for Participation CAA change to take place but at the same committee itself has been able to The following will be a one-and -one­ time providing continuity. generate very worthwhile candidates for Annual Conference Update half-hour session presented between 2 1996 Affiliated Society Two hundred and forty CAA the award, but would like to have many program sessions under the auspices of Committee members in addition to the twenty-four more nominations from outside the Sessions: Calls for the Coalition of Women's Art Organiza­ board members are serving on commit­ committee. Requests for nominations for 3 From the President Participation tions: "Art, Gender, and Ecology." Send tees, with the nominating committee for awards appear in this issue of the CAA The following will be one-and-one-half­ inquiries and proposals to: K yra Belan, this next year yet to be elected. News (see page 5). The committees meet hour sessions presented between Art Dept., Broward Community College, Committees usually meet only at the by conference call and other long­ CAAAwards program sessions and under the 7200 Hollywood Blvd., Pembroke Pines, 5 have just finished appointing people annual conference. During the rest of the distance means during the fall months auspices of CAA affiliated societies: FL 33024; 305/963-8895; 305/963-5092. to committees for the next year, and year committee members communicate and must reach decisions by December liThe Visual Surrogate as Intellectual This panel will examine various 6 CAANews I want to report to you on that with each other by phone, mail, and fax, 1. I ask you to think about the great Property: Is 'Fair Use' on the Verge of I ecological concerns in contemporary art process. It doesn't sound very exciting, teachers you know and send your Extinction?" (Sponsored by the Visual and increasingly, by electronic mail. of women and men. It will also raise the but the truth of the matter is quite the suggestions to the Distinguished Directory of Affiliated Societies Resources Association.) Chair: Caron L. Ideally, we would like to be able to 8 question whether such concerns can be opposite. Until only a few years ago, Teaching of Art Committee. This year Carnahan, Williams College, Depart­ provide funds for committees to meet successfully expressed through the use participation of CAA membership in the more often, but a formidable sum would the committee is chaired by board ment-of Art, Lawrence Hall, of various alternative media, including association was very limited, but since member Diane Burko, Philadelphia Solo Exhibitions by Artist Members Williamstown, MA 01267. be necessary. 11 art technology, installations, perfor­ the Long-Range Plan was passed in What do these committees accom­ Community College. The members are The concept of "fair use" as set forth mance, conceptual, or other nontradi­ 1990, we have been hard at work plish? At present there is an ad hoc William Conger, Joseph Ruffo, and in current copyright law is undergoing tional art forms. The panel will attempt democratizing the association. committee chaired by board member Raymond Saunders. You can send People in the News redefinition in light of new technology. to suggest gender differences.! similari­ 13 Until 1990 very few members were Jonathan Fineberg, University of illinois, suggestions to Diane Burko at the CAA Under this law, fair use of traditional ties in the handling of the artistic actively involved in CAA. The commit­ that is developing a position paper on office. teaching materials in the academic production of this nature. tees were small, and there was no open Museum Hiring of Outside Profession­ In the January /February issue of CAA Grants, Awards, & Honors setting has been relatively well defined. 14 call for nominations or self-nominations News a list of committees and committee For image managers and users, how­ als .. Another ad hoc committee under the as there is now. Furthermore, there were members will appear. I hope you will ever, the applicability of copyright law leadership of Michael Aurbach, no committee rotations or continuity. take a look at this list and consider 15 Conferences & Symposia to teaching and research collections is Vanderbilt University, recently com­ Some committees or governing bodies, whether you might like to serve on one unclear. Since the law does not ad­ pleted a position paper on Standards for such as the editorial boards of Art Retention and Promotion for Visual Arts of these committees next year and thus equately address the reproduction of Conference Themes Journal and the Art Bu!letin, were self­ Faculty. The Committee on Intellectual participate in shaping the policy of your Opportunities images for academic use, we as image CONTINUED FROM PAGE 1 16 perpetuating with no limitations on field. users and providers have previously Property, chaired by Barbara Hoffman, length of service. It was the prerogative CAA counsel, and Christine Sundt, -Judith K. Brodsky Programs New & Revised assumed that the reproduction in which a one-page explanation of the proposed solely of the president to make appoint­ University of Oregon; and the Commit­ Information Wanted we engage falls safely within the theme (including its title and rationale), ments to most other committees, and tee on Electronic Information, chaired by 18 Miscellany definition of fair use. With the increasing and a short c.v. of the proposer. committee chairs were not consulted on Katherine Cohen, San Jose State College, sophistication of computer applications Proposers should indicate whether the Classified Ads the membership of their committees. and board member Nancy Macko, that store, retrieve, transport, copy, and topic is intended for the art history or Datebook The situation is quite different today. Scripps College, met in May to discuss 19 alter images, the question of legality is studio art thematic portion of the A qill for nominations and self-nomina­ further complicated, leading some to program. Theme chairs will be ap­ the problems of intellectual property *** tions along with a list of committees and rights in relation to the electronic CAA News, a publication of the suggest that in a virtual world, fair use pointed at the October 1995 meeting of College Art Association, is published information about the number of information infrastructure. This group is will be extinct, be exempt, being the Program Committee. vacancies on each committee, is made in six times a year. Material for replaced perhaps by licensure agree­ developing scenarios that will make *** inclusion should be addressed to: the September/October issue of CAA clear the intellectual property situations ments, pay-per-use, or other schemes. News. We receive four or five (self) Editor that are arising for artists and art This session proposes to examine the nominations for each committee. When CAANews divergent interpretations of fair use in historians on the electronic network. *** there are vacancies on the Art Journal or The Campaign 275 Seventh Avenue the use of images by various art-related These scenarios will be presented to the New York, New York 10001 Art Bulletin editorial boards the call copyright office and United States for Arts Telephone: 212/691-1051, ext. 215 professionals. Paper proposals from brings in ten to twenty nominations for visual resources curators, practicing Congress to make the case for policy that Fax: 212/627-2381 each opening. I have made every will be conducive to the well-being of and Humanities artists, art historians, publishers, and attempt to consider as many nomina­ Editor Renee A. Ramirez copyright attorneys are encouraged. the visual arts. Such position papers as tions as possible. Managing Editor Virginia Wageman "State of Research in Modern Latin the ones described above are published Formerly, the president appointed National Editor-in-Chief Susan Ball American Art (19th and 20th Centu­ by CAA and are available for use by committee members without consulting ries)." (Sponsored by the Association for individuals and institutions. The paper Cultural Alliance Printed on recycled paper. committee chairs. This year we insti- on Standards for Retention and Promo- © 1995 College Art Association, Inc.

2 CAANEWS JULY/AUGUST1995 CAANEWS JULy/AUGUSTl995 3 • Report from ACLS and the American Association for the unfamiliar self-assertion arose as a attributes of the candidates among Jarvis, chair, Washington, DC; Tom Advancement of Slavic Studies, I response to an outside political threat in whom they choose. Nakashima, Catholic University of CONTINUED FROM PAGE 1 CAA presented a brief assessment of the Washington, but it has become an All nomination campaigns should America; Idelle Weber, New York; issues from a CAA perspective as well ongoing institutional concern of the include one copy of the nominee's Elaine King, Carnegie Mellon Univer­ as in dialogue with other societies' organization, which now takes public Awards curriculum vita. Nominations for book sity; Peter Frank, Los Angeles. distant concern for CAA, was discussed statements on the issue. (I append my relations to be an unavoidable advocacy awards and exhibition awards (Morey, Distinguished Artist Award for by a variety of panelists from presses, own brief statement with this report.) position in the contemporary world. Barr, and the Award for a Distinguished Lifetime Achievement celebrates the libraries, and professional associations. Lively discussion of this issue showed it Liaison between executive officers of the Body of Work, Exhibition, Presentation, career of an artist who is a citizen or One model, an early electronic journal, to be an ongoing concern of all societies, ACLS member organizations has been a or Performance) should be for authors permanent resident of the United States, the Bryn Mawr Classical Review, could although some like CAA have more of a vital link on both communications and of books published or works staged in its territories, Canada, or Mexico. It is serve as an example were CAA ever to nonacademic constituency, while others, policy in recent years. 1994, the penultimate year of the 1996 presented to an artist of note who has implement a more ephemeral reviews such as area studies in Slavic or Middle Museums and their public exhibitions annual conference. The Mather Award demonstrated particular commitment to publication of exhibitions and publica­ Eastern lands, have powerful geopoliti­ of art continually grapple with the very year at its annual confer­ is given for criticism published during his or her work throughout a long career tions. Certainly the position papers, cal tugs for public policy activity. Let double issue of content and funding as ence, the College Art Associa­ the 1994-95 academic year. and has had an important impact ethics standards, directories, and other me also point out in relation to this vital they address the larger visual arts tion presents awards for Distinguished Teaching of Art nationally and internationally on the office publications could well be issued issue that CAA is a joint sponsor with public. CAA maintains its own connec­ outstanding achievements in the fields Award is presented to an artist of ·field. Deborah Willis, chair, Smithsonian in electronic format, and the future ACLS and other learned societies of the tions to both the American Association of art, art history, criticism, and conser­ distinction who has developed a Institution; Rupert Garcia, Oakland, CA; newsletter can be envisioned in this organization of a June 2-4 conference in of Museums and of Museum Directors vation. Nominations are now being philosophy or technique of instruction Richard Hunt, Chicago, IL; joyce form as well. Thus, while the conversion Pittsburgh, to discuss "The Role of as part of its role in arts advocacy (and it sought for the awards to be presented in based on his/her experience as an artist; Kozloff, New York. to all-electronic reception seems rather Advocacy in the Classroom." Whitney is an active supporter of the National 1996. By submitting nominations, CAA who has encouraged his /her students to College Art Association/National distant to CAA at the moment, such Davis, a CAA board member, is one of Humanities Alliance and the National members have the opportunity to widen develop their own individual abilities; Institute for Conservation Award for experimentation by others offers the plenary speakers at that conference; Cultural Alliance). In general, CAA feels the pool of candidates for awards and/or who has made some contribu­ Distinction in Scholarship and Conser­ valuable information in the long-range Keith Moxey and David Summers are a profound responsibility to speak out committees to consider. Committee tion to the body of knowledge loosely vation was created to recognize an planning process for the organization. on a panel moderated by Linda Seidel on issues of preservation of the visual members who determine the recipients called theory and understood as outstanding contribution by one or more Issues of archival preservation, cost on the intersection of art history, theory, heritage in countries throughout the of these awards are appointed because embracing technical, material, aesthetic, persons who have enhanced under­ assessment, and distribution/use were and politics. globe. of their individual expertise and and perceptual issues. Diane Burko, standing of art through the application raised by the panel; further questions CAA has attempted to take part in the collective ability to represent the broad chair, Community College of Philadel­ of knowledge and experience in from the listeners concerning Third College Art Association: setting of future policy concerning range and diverse interests of the phia; Raymond Saunders, California conservation, art history, and art. (For World implications, rights, and sub­ Beyond the Boundaries reproduction rights in an era of both membership. In the absence of nomina­ College of Arts and Crafts; William CAA) Arthur Wheelock, chair, National scriptions gave pause to the ardor of Perhaps more than some professional print and electronic media. It is currently tions from the membership, awards Conger, Northwestern University; Gallery of Art; james Coddington, some of the advocates of speedy organizations and learned societies, the attempting to formulate policy models committees choose recipients based Joseph Ruffo, University of Nebraska; Museum of Modern Art; E. Melanie conversion. Susan Ball and Craig College Art Association's 14,000 concerning independent work by upon their own knowledge and contacts Ofelia Garcia, Philadelphia. Gifford, National Gallery of Art; (for Houser, new editor of publications, members include a variety of individu­ curators for museums in an era of within the field. Distinguished Teaching of Art NIC) jonathan Thornton, SUNY Buffalo; were also present to take careful note of als "beyond the academy." For one "downsizing" and short-term "work-for­ If you would like to see someone History Award is awarded to an Debbie Hess Norris, University of these ongoing developments. thing, a large portion, nearly half, of the hire." Its ongoing revision of ethics recognized for her or his contributions individual who has been actively Delaware. Another panel concerned the CAA consists of practicing artists, all of policies and legal ~ights and responsi­ to the field of art and art history, we engaged in the teaching of art history for Alfred H. Barr, Jr., Award was challenges to profess,onal organizations whom have their own active life in the bilities for both art historians and artists urge you to write a letter to the appro­ most of his/her career. Among the established in 1980, in honor of a former posed by Washington educational studio as well as in the academy. remains a commitment of the organiza­ priate committee. Personal letters of range of criteria that may be applied in director of the Museum of Modern Art initiatives toward precollege level Moreover, many CAA members are tion to its membership in relation to a nomination are weighed heavily by evaluating candidates are: inspiration to and scholar of early twentieth-century standards, "Goals 2000," itself undergo­ museum professionals of various kinds, larger public, (CAA has also been active awards committees in their delibera­ a broad range of students in the pursuit painting. It is presented to the author or ing challenge and possible dismantling chiefly curators but also an entire range to encourage new membership inside its tions. Nomination letters should state of humanistic studies; rigorous intellec­ authors of an especially distinguished under the new Congress. CAA board of jobs that deal with a vastly different boundaries through an ongoing fellow­ who you are; how you know (of) his or tual standards and outstanding success catalogue in the history of art, published member Bradford Collins, co-chair of part of the public sector than academics. ship program to develop new profes­ her publications affected you, your in both scholarly and class presentation; during the penultimate calendar year the Education Committee, spoke in a Others are publishing critics or authors sionals from underrepresented groups.) studies, and the pursuit of your career; contribution to the advancement of under the auspices of a museum, distinguished ensemble about the visual with a considerable profile with the -Larry Silver and why you think this person (or, in knowledge and methodology in the library, or collection. Joaneath Spicer, arts component of the fine arts stan­ general public. Indeed, the boundary the case of collaboration, these people) discipline including integration of art chair, Walters Art Gallery; Ann Gunter, dards in this context. Much of the work between the academy and the general deserves to be awarded for achieve­ historical knowledge with other Arthur M. Sackler Gallery; Peter Selz, on these standards was done outside public for artists and art historians of ments made. disciplines; and aid to students in the University of California, Berkeley; CAA without consultation, led in the the CAA membership seems particu­ Awards committees are impressed development of their careers. Patricia George Shackleford, Museum of Fine visual arts by the NAEA, National Arts larly permeable, the more so in recent with multiple nominations for candi­ Mainardi, chair, City University of New Arts, Houston; David Binkley, Nelson Educators Association; CAA is working years as the NEA and NEH have corne dates when considering the significance York Graduate Center; David Levine, Atkins Museum of Art. to strengthen our liaison with that in for public attack and controversy. of a candidate's influence upon the Southern Connecticut State University; Frank Jewett Mather Award, first organization. "Beyond the academy" is where the field. To nominate someone for an james Cahill, University of California, presented in 1963 for art journalism is In the afternoon, the larger setting of College Art Association, together with a award, contact at least five to ten Berkeley; Alessandra Comini, Southern awarded for published art criticism that this K-12 issue was discussed under the wide range of allies in the arts and c911eagues, students, peers, collabora­ Methodist University. has appeared in whole or in part in rubric "Beyond the Boundaries of the humanities community, has had to tors, and/ Of co-workers of the nominee Artist Award for a Distinguished North American publications during the Academy: What Is the Learned Society's wage its battles in the political sphere­ to write letters to the award committee. Body of Work, Exhibition, Presentation preceding year beginning September 1 Obligation to the Larger Public?" against censorship, for the continued The different perspectives and anec­ or Performance, first presented in 1988, and ending August 31. Attention is paid Joining representatives from the public funding of the arts, and for the dotes contained in several letters of is a peer award given to an artist for to the range of criticism that appears American Academy of Religion, the general advocacy for the visual arts nomination provide awards committees work mounted in the penultimate year throughout the country. Frances Colpitt, Sixteenth Century Studies Conference, amid other cultural activities. This with clearer pictures of the qualities and preceding the award. Martha Jackson chair, University of Texas; David

4 CAA NEWS JULY I AUGUST 1995 CAANEWS JULY/AUGUST 1995 5 Carrier, Carnegie Mellon University; York at Stony Brook; Syracuse Univer­ CAA, with a view to facilitating works actively with guest editors to McGuinn; Dewey F. Mosby; John Pollini; Suzanne Muchnic, Los Angeles; Thomas CAA sity; Texas Woman's University; enhanced intercommunication and develop their ideas. Each issue of Art Jules D. Prown; Arlene Raven; David Rosand; McEvilley, Artforum; Kirk Vamedoe, Towson State University; University of mutual enrichment. It is assumed that a Journal is organized thematically under David A. Ross; Stephen K. Scher; Maurice Tuchman; Mark Weil, and Ruth Weisberg. Museum of Modern Art. California, Los Angeles; University of substantial number of the members of the supervision of a designated guest Charles Rufus Morey Book Award, News California, San Diego; University of such groups will already be members of editor and addresses a specific subject in Thanks to Individual Sustaining Members: Individual sustaining named in honor of one of the founding California, Santa Barbara; University of CAA. art or art history. Proposals on 19th- and members of CAA and first teachers of Chicago; University of Denver; Univer­ To be recognized as an affiliated 20th-century art, architecture, and membership for 1995 is $125. For their generous contributions, our thanks go art history in the United States, is sity of Florida; University of Idaho; society, a group must be national in photography are encouraged. Art presented for an especially distin­ University of Michigan; University of scope and must present evidence that it Journal issues may also be devoted to to: George S. Abrams; Morton C. Abromson and Joan L. Nissman; Maryan W. Ainsworth; guished book in the history of art, Nevada, Las Vegas; University of New is primarily, or in large part, committed non-Western art, critical theory, or any Kahren J. Arbitman; Marjorie E. Arnett; published in any language in the Orleans; University of North Carolina, to the serious practice and advancement subject of interest to modernist art M.F.A. Ralph M. Arnold; Frederick and Catherine penultimate calendar year. Preference is Chapel Hill; University of Oklahoma; of the visual arts, or to the study of some historians and artists. Directory Update Asher; Nancy A. Austin; Jacquelynn Baas; given by the award committee to books University of Southern California; broad, major area of the history of art; Proposals should consist of an CANs Directory of M.F.A. Programs in Ellen T. Baird; Marilyn Baker; Georgette F. by a single author, but major publica­ University of the Arts; University of and it must possess a formal organiza­ overview of a particular theme and a list the Visual Arts is in the process of being Ballance; Alan Barkley; Susan J. Barnes; tions in the form of articles or group Washington; University of Wisconsin­ tional structure, i.e., elected officers, an of possible authors and their topics studies may be considered. Larry Silver, updated, for publication in 1996. The Madison; University of Wisconsin­ identifiable membership, and such signs (maximum two·pages). After an issue Richard Barnhart; Shirley K. Bennett; Fatima directory is an exhaustive survey of Bercht; Robert W. Berger; Robert P. Bergman; chair, Northwestern University; Milwaukee; West Texas State Univer­ of ongoing activity as a newsletter, has been accepted, a call for manuscripts M.F.A. programs, listing over 180 Jo-Anne Bernstein; Nancy Bialler; Marlene O. Stephanie Barron, Los Angeles County sity. periodicat exhibition record, or other from the CAA membership is usually Bilsky; J. s. G. Boggs; Elizabeth H. Boone; Museum of Art; Margaret Olin, School degree-granting institutions and We urge department chairs and documentation. published in CAA News. Send proposals providing complete information about Pamela M. Brekka; Richard Brettell; Richard of the Art Institute of Chicago; Anne graduate program directors to make For further information and an to Lenore Malen, Art Journal executive each school and its programs, including Brilliant; Louise S. Bross; Beverly Louise Markham Schulz, Brown University. certain questionnaires are completed so application, call or write the CAA office. editor. Guidelines for guest editors are admissions requirements, faculty, Brown; Jack Perry Brown; Jonathan M. Arthur Kingsley Porter Prize, that information provided in the available from the CAA office. curriculum, areas of concentration, Brown; Susan H. Bush; James Cahill; Richard established in memory of another directory will be as up-to-date as campus resources, studio space, tuition, Millard Meiss Grants Camber; Norma-Jean Calderwood; Richard founding member of CAA and one of possible. If you need another copy of the and financial aid. CAA is pleased to announce six recent Camber; William A. Camfield; Malcolm the first American scholars of the questionnaire, please call Lynda Emery, Thanks to discipline, is awarded for a distin­ Questionnaires requesting updated 207/853-6134. Millard Meiss publication subsidies: CAAMembers Campbell; Margaret D. Carroll; Yvonne P. guished article published in the Art information were sent out earlier this Carmen Bambach Cappel, The Cartoons CAA expresses its sincere gratitude to Carter; Faya Causey and Philip Conisbee; Bulletin during the previous calendar year to the schools listed in the 1992 of the Italian Renaissance Artists: Workshop patron, sponsoring, and sustaining Peter Chapin; Judith A. Chester; David C. year by a scholar of any nationality who edition of the directory. To date, the Board Seeks Practice and Design Theory, 1300-1600, members, individuals who wish to Christman; Mark D. Cohen; Edward Colker; following schools have not responded to Cambridge University Press; Elizabeth Kristin B. Collins; Judith Colton; Michele c. is under the age of 35 or who has Members to Serve contribute to CAA in addition to scaled the questionnaire: Academy of Art (San Cropper and Charles Dempsey, dues. They receive both Art Journal and Cone; Michael Cothren; Janet Cox-Rearick; received the doctorate not more than 10 on Nominating years before acceptance of the article for Francisco); Alfred University; Arizona Nicholas Poussin: Fr.iendship and Love of the Art Bulletin, as well as CAA's Annual Ferris W. Crane; Karen C. C. Dalton; Robert publication. Irving Lavin, Institute for . State University; Bennington College; Committee Painting, Princeton University Press; Report. Membership fees cover less than Dance; Bernice F. Davidson; Sol Alfred Advanced Study, Princeton; Fram;oise Boston University; Brigham Young The CAA Board of Directors is soliciting Christiane Hertel, Vermeer: Reception half of CAA's operating costs. Voluntary Davidson; John T. Daxland; Kosme M. De Forster-Hahn, University of California, University; Brooklyn College; California nominations of members in good and Interpretation, Cambridge University contributions from patron, sponsoring, Baranano; Philippe de Montebello; Barbara K. Riverside; Judith Oliver, Colgate Institute of the Arts; California State standing for election to the 1996 Press; Joseph Rykwert, Body, Building: and sustaining members help to make Debs; Peter L. Donhauser; Robert G. University; Hollis Clayson, Northwest­ University, Los Angeles; Catholic Nominating Committee. (Self-nomina­ An Essay on the Orders of Architecture, possible the wide range of programs Donnelley; Charlotte Douglas; John P. ern University. University of America; City College of tions are encouraged.) The 1996 Nomi­ MIT Press; Doris Meth Srinivasan, and services that CAA offers. Driscoll; Suzanne Duca; Martha L. All nominations for awards should be New York; Clemson University; Cornell nating Committee is responsible for Multiplicity of Body Parts in Hindu CAA received the following 1995 Dunkelman; Elsbeth B. Dusenbery; Marvin sent to the award chair in care of CAA, University; Drake University; East Texas evaluating the nominations submitted to Iconography: Origin, Meaning, and Form, memberships by May 30, 1995. Names Eisenberg; Robert Enggass; Suzannah J. 275 Seventh Ave., New York, NY 1O00l. State University; Florida State Univer­ the CAA office and compiling the slate E. J. Brill; and Stacie G. Widdifield, The of members who renew at the sustain­ Fabing; Everett Fahy; Beatrice Farwell; Brad For further information regarding the sity; Fontbonne College; Harvard of candidates for election to the Board of Embodiment of the National: Politics, Race, ing, sponsoring, or patron levels after Faus; Theodore Feder; Linda S. Ferber; Alan requirements and qualifications for the University; Idaho State University; Directors to serve the term 1997-2001. and Gender in Late 19th-Century Mexican May 30 will be published in the Septem­ M. Fern; Ruth E. Fine and Larry Day; Eleanor awards, contact the awards coordinator Illinois State University; Indiana State Send letters of recommendation and Painting, University of Arizona Press. ber IOctober CAA News. E. Fink; Jerry V. Finrow; Nered Fioratti; Evan at CAA. Deadline: September 15, 1995. University; Indiana University; Indiana supporting material to: Nominating Millard Meiss Publication Fund Thanks to Individual Patron Mem­ R. Firestone; Jack D. Flam; ilene H. Forsyth; University of Pennsylvania; Kansas Committee, CAA, 275 Seventh Ave., grants are given twice annually for bers: CAA would like to give special Joseph c. Forte; Ella M. Foshay; Jacqueline A. State University; Louisiana Tech New York, NY 10001. Deadline: August book-length scholarly manuscripts that recognition to its patron members who Frank; Phyllis J. Freeman; Lydia Gasman; University; Maharishi International 21,1995. have been accepted by a publisher but contributed $500 for their 1995 annual Anthony Geber; Mary W. Gibbons; Sam University; Maryland Institute; cannot be published without a subsidy. membership: Ronald R. Atkins; Judith Gilliam; Mildred L. Glimcher; Hilliard Marywood College; Memphis State The author must be a CAA member in K. Brodsky; Hester Diamond; and Claire Goldfarb; Edward Goodstein; George Gorse University; New Mexico State Univer­ New Affiliated good standing. The Millard Meiss E. Perry. Our thanks to these members and Naomi Sawelson-Gorse; Oleg Grabar; sity; Norfolk State University; North­ Societies Publication Fund Committee has for their endorsement of CAA and their Terence Grieder; Norman B. Gulamerian; western University; Ohio State Univer­ Join CAA redesigned theapplication forms. They ongoing commitment to strengthening Elizabeth F. Harris; Lyall F. Harris; Reiner sity; Ohio University; Old Dominion CAA welcomes three new affiliated are available from the CAA office. the work of the association. Haussherr; Christine M. Havelock; Andree University; Otis Art Institute; Pennsyl­ societies: Association of Art Editors Thanks to Individual Sponsoring M. Hayum; Jean I. Heilbrunn; Kathryn M. vania Academy of the Fine Arts; Heleniak; Reinhold Heller; Mathew and (AAE), International Association of Art Art Journal Seeks Members: Individual sponsoring Radford University; Rochester Institute Patricia Herban III; Robert L. Herbert; John Critics (AICA), and Renaissance Society Guest Editors membership for 1995 is $250. For their of Technology; San Francisco Art of America (RSA). (See Directory of generous contributions, our thanks go A. and Margaret J. Herke; Joel and Judith It has come to the attention of the Art Institute; Southern illinois University at Affiliated Societies, page 8.) to: Basil Alkazzi; Pamela Askew; Michael D. Herschman; Richard A. Hertz; Barbara H. Journal editorial board that many CAA Carbondale; Southern Illinois University CAA welcomes as affiliated societies Baxandall; Clifford M. Brown; Kevin E. Hess; Charles Hess; Sharon L. Hirsh; Dan F. members do not know that the board at Edwardsville; Southern Methodist groups of artists or scholars whose goals Consey; Elizabeth M. Enders; Anne Hol­ Howard; Margaret L. Howell; Nancy R. welcomes unsolicited proposals and University; State University of New are generally consonant with those of lander; Roselyn Leibowitz; Karen N. Huntsinger; Irma B. Jaffe; Diane C. James;

eAA NEWS JULY/AUGUST 1995 6 CAANEWS JULY/AUGUST1995 7

III Organization of the American Association of research in art history and related diSciplines; Mitchell D. Kahan; Madlyn Kahr; Natalie B. American Society for Association for Museums, ACUMG is a network of museums to provide general and continuing informa­ Kampen; Pepe Karmel; Ruth Kaufmann; Directory of Hispanic Art Textual Scholarship and galleries affiliated with academic tion about the scholarly activities and Nancy B. Keeler; Margaret M. Kelly; Dale in Art History institutions throughout North America. contributions of the member centers and to Kinney; Marjorie S. and Douglas Kinsey; Historical Studies President: Peter Tirrell, Oklahoma Museum exchange administrative, scholarly, and ATSAH, founded 1991. Membership: 65. Alice Kramer.: Travis Barton Kranz; Barbara Affiliated ASHAHS, founded 1975. International of Natural History, University of Oklahoma, research information; to encourage coopera­ membership: 150. Annual dues: $12.50 Annual dues: $20 U.S.; $22 overseas. Purpose: tion among the member institutions in the G. Lane; Richard S. Lanier; Gerrit L. LanSing; 1335 Asp Ave., Norman, OK 73019-0606; regular; $7.50 students; $17.50 institutional. to promote the study and publication of art 405/325-4712; fax 405/325-7699. development of joint research projects and Patricia J. Lefor; Leonard Lehrer; Cathie Societies Purpose: to promote the study of Spanish and historical primary sources and to facilitate other programs such as fellowships and Lemon; David Lenefsky; Madeline Lennon; Portuguese art through meetings, a newslet­ communication among scholars working lecture series; and to help fund cooperative Randy D. Lerner; Lucia S. Lilien; Rose-Carol ter, and other means it deems appropriate. with art literature. The association publishes projects and programs among the member Washton Long; Carla Lord; John Lottes; Anne ASHAHS presents an annual Eleanor Tufts a biannual newsletter to disseminate institutions. ARIAH meets twice yearly: in infonnation about ongoing scholarship, Association of Lowenthal; Beatus T. Lucey; Hans A. Luthy; Award for an outstanding publication and an October and during the CAA annual publications, and conferences and arranges conference. Chair: Therese O'Malley, Center Patricia Mainardi; Michael Mallory; Deborah annual photography grant to a graduate Historians of student writing a dissertation on an aspect of discounts for members on reprints and for Advanced Study in the Visual Arts, Marrow; James H. Marrow; Charlene C. modern editions of textS. ATSAH organizes a 19th-Century Art his directory is published Hispanic art. General secretary: Marcus B. National Gallery of Art, Washington, DC Marsh; Joan M. Marter; Sarah Blake McHam; conference session every two years in AHNCA, founded 1994. Membership: 200+. annually on the basis of infor­ Burke, 295 Glenbrook Rd., Stamford, CT 20565; 202/842-6480; fax 202/842-6733. Bannon McHenry; James W. McManus; 06906; 203/348-2919. conjunction with the Society of Textual Annual dues: suggested $15, minimum $10; Secretary: Anne Low, Research Center malion provided by CANs Constance C. McPhee; Jerry D. Meyer; Henry Scholarship meeting at CUNY and holds its foreign minimum $15. Purpose: to foster Coordinator, Wolfsonian Foundation, 1001 T annual business meetings at CAA confer­ communication and collaboration among A. and Judith R. Millon; Barbara J. Mitnick; affiliated societies. The societies listed Washington Ave., Miami Beach, FL 33139; ences. President: Elizabeth Pilliod, 415 historians of nineteenth-century art through Cathy Montenegro; James and Anne below have met specific standards for 305/535-2625; fax 305/531-2133. purpose, structure, range of activities, Lincoln Ave., Highland Park, NJ 08904; 908/ such activities as research conferences and a Morganstern; Susan G. Moulton; John Art Libraries 828-9243; [email protected]. newsletter. AHNCA holds an annual meeting and membership enrollment required Mulvany; Stephen Murray; Weston J. Naef; Society of and program at the annual CAA conference Otto Naumann; John Hallmark Neff; Roy R. for formal affiliation. and publishes an annual directory of Neuberger; Linda Nochlin; Andrea S. Norris; North America historians of nineteenth-century art as well as Catalogue Raisonne ARLIS/NA, founded 1972. Membership: Peter Norton; Edward J. Nygren; Clifton C. the biennial newsletter. President: Patricia Scholars Association 1,450. Annual dues: $65 individual; $40 Association Mainardi; secretary: Nina Athanassoglou­ Olds; Steven N. Orso; Myra D. Orth; Osmund CRSA, founded 1993. Membership: 50. American student/retired/unemployed; $80 institu­ of Art Editors Kallmyer; treasurer: Sally Webster; newsletter Overby; Gwendolyn J. Owens; George Annual dues: $10; $15 overseas. Purpose: a tional; $100 business affiliate. Purpose: to AAE, founded 1994. Membership: 80. Annual editor: Petra ten-Doesschate Chu. Business forum for discussing the catalogue raisonne; Pappas; Marlene S. Park; Melvin Pekarsky; Committee promote the development, good manage­ dues: $10.00. Purpose: to advance and set office: AHNCA, Dept. of Art History, CUNY sessions at the CAA annual conference Ruth R. Philbrick; Jessie J. Poesch, Cynthia for South Asian ment, and enlightened use of all art libraries standards for the profession of art editor; to Graduate Center, 33 W. 42 St., New York, NY address funding and publishing possibilities, Polsky; Margaret Poser; Earl A. Powell III; Art and visual resources collections, and to provide a forum for the exchange of 10036-8099. legal issues, new technologies, and obtaining further the interests and goals of all profes­ infonnation among art editors and others Barbara G. Price; Olga Raggio; Archie and ACSAA, founded 1966. Membership: 400. cooperation from museums, collectors, sionals involved with the organization and involved in art-related publications; to Maria Rand; Peter S. Reed; Danielle Rice; Annual dues: $25 regular; $10 student and dealers, estates of artists, conservation retrieval of art information. The society holds provide authors information about editing scientists, and other scholars. CRSA David M. Robb, Jr.; E. Bruce Robertson; unemployed; $30 institutional; $50 contribut­ an annual conference, sponsors awards for ing; $100 sustaining. Purpose: to promote the and publication procedures; to exchange Association of publishes a biannual newsletter. President: Marcel Roethlisberger; Gail H. Roman; Jane excellence in art-related activities, and information about editing positions available, understanding of the arts of South Asia and Gail Levin, 125 E. 84th St., New York, NY Mayo Roos; Peter D. Roos; Charles M. publishes Art Documentation quarterly, both free lance and institutional. AAE meets Research Institutes related areas including India, Pakistan, 10028; vice-president: Barbara Buhler Lynes, Rosenberg; Sheila M. Ross; Timothy F. Rub; ARLISINA Update bimonthly, an annual annually at the CAA conference and sponsors Nepal, Bangladesh, Sri Lanka, and Southeast in Art History 230 Stony Run Lane, Ie, Baltimore, MD Handbook and List of Members, and two a session on publishing. Directory of William S. Rubin; Sheri C. Sandler; Emily J. Asia. ACSAA publishes a biannual newslet­ ARIAH, incorporated in 1988. Full members: 21210. Send membership dues to treasurer: monograph series. Executive director: Penney members includes areas of expertise. Co­ Sano; Carl N. Schmalz, Jr.; Alfred R. Schmidt; ter, supports a continuing slide project, and 17 (American Academy in Rome; American Roberta K. Tarbell, Dept. of Art and Art De Pas, CAE, 4101 Lake Boone Trail, Ste. 201, presidents: Shiela Schwartz, 343 E. 51st St. John M. Schnorrenberg; Frederick C. holds a major symposium every two years. Antiquarian Society, Worcester, MA; Center History, Rutgers, State University of New Raleigh, NC 27607; 919/787-5181; fax 919/ (2D), New York, NY 10022; Virginia Secretary: Dorothy Fickle, 6405 N.E. Baker for Advanced Study in the Visual Arts, Jersey, Camden, NJ 0~102. Schroeder; Jane Schuyler; Linda Seidel; 787-4916; [email protected]. Wageman, College Art Association. Send Hill Rd., Bainbridge Island, WA 98110. National Gallery of Art, Washington, DC; Daniel ShapirO; Ellen S~arp; Pamela K. membership dues to: Michaelyn Mitchell, Centre Canadien d'Architecture/Canadian Sheingorn; Tom Sherman; Yoshiaki Shimizu; AFA, 41 E. 65 St., New York, NY 10021. Center for Architecture, Montreal; Centre Larry A. Silver; Marianna S. Simpson; Canadien des Arts Visuels, Musee des Beaux Design Forum: Lowery S. Sims; Patricia H. Sloane; Jacqueline Arts Council of American Institute for Arts du Canada/Center for the Visual Arts, A. Smalley; Katherine Solender; Susan G. the African Studies National Gallery of Canada, Ottawa; History, Criticism, Solomon; Susan Weber Soros; Ann Sperry; Conservation of Association of Dumbarton Oaks, Washington, DC; Freer Association and Theory Allen Staley; Theodore E. Stebbins, Jr.; Roger Gallery of Art/ Arthur M. Sadder Gallery, DF, founded 1983. Membership: 185. Annual Historic and ACASA, founded 1982. Membership: 750. College and B. Stein; Joan K. Stemmler; Damie and Diane Washington, DC; Getty Center forthe dues: $10. Purpose: to nurture and encourage Annual dues: $25 regular and institutional; History of Art and the Humanities, Santa B. Stillman; Julien M. Stock; Charles Talbot; Artistic Works University the study of design history, criticism, and AlC, founded 1958. Membership: 3,000. $10 special (students, unemployed, retired). Monica, CA, Huntington Library, Art Richard G. and Luraine Tansey; Roberta K. Museums theory and to prOvide, through its various Annual dues: $100 individual; $40 students Purpose: to promote scholarship, communi­ Collections and Botanical Gardens, San events, better communication among its Tarbell; D. E. Tebow and E. Lang; Shirley L. and retirees; $150 institutional and business cation, and collaboration among scholars, and Galleries Marino, CA; Instituto de Investigaciones members, the academic and design commu­ Thomson; Jane M. Timken; Wallace J. affiliates. Purpose: to advance the practice artists, museum specialists, and others ACUMG, founded 1980. Membership: 300. Esh~ticas, Mexico City; J, Paul Getty Museum, nity, and the public at large. DF holds an Tomasini; Thomas R. Toperzer; Paul H. and to promote the importance of the interested in African and African Diaspora Annual dues: institutional $35; individual Malibu, CA, Metropolitan Museum of Art, annual meeting in conjunction with the CAA arts. ACASA's business meeting is held at the Tucker; Horst Uhr; Kathryn A. Van Dyke; J. preservation of cultural property through $20. Purpose: to address the issues that are New York; National Museum of African Art, annual conference and an autonomous ASA annual conference; ad hoc meetings are Kirk T. Varnedoe; Anthony Vidler; Leonard publications, research, and the exchange of relevant and unique to college and university Washington, DC; National Museum of symposium on design. The DF newsletter, knowledge as well as by establishing and held at the CAA conference. Members receive American Art, Washington, DC; The Henry E. Walcott, Jr.; Bret Waller; John Walsh, Jr.; museums and galleries of all disciplines Object Lessons, founded 1990, is published upholding professional standards. AIC holds the ACASA newsletter three times a year. including art, history, natural history, and Francis du Pont Winterthur Museum, Jack Wasserman; Judith Wechsler; H. Barbara occasionally. Co-chairs: Joseph Ansell, an annual conference and publishes a Secretary-treasurer: Kathy Curnow, Art science. The association holds an annual Winterthur, DE; Wolfsonian Foundation, Otterbein College, and Richard Martin, Weinberg; Gabriel P. Weisberg; Fred H. Dept., Cleveland State University, Cleveland, bimonthly newsletter (AlC News), a scholarly issue-oriented, one-day conference in Miami Beach, FL; Yale Center for British Art, Costume Institute, Metropolitan Museum of OH 44115; 216/687-2105; fax 216/932-1315; Werner; Richard V. West; Ron and Renate journal (Journal of the American Institute for conjunction with the annual meeting of the New Haven, CT). Affiliate member: 1 (Paul Art, Fifth Ave. at 82nd St., New York, NY Wiedenhoeft; Sally Wriggins; David G. Conservation) issued three times a year, an [email protected]. AAM. ACUMG publishes News and Issues, a Mellon Centre for Studies in British Art, 10028; 212/570-3908; fax 212/570-3970. Wilkins; Jean C. Wilson; Enid S. Winslow; annual membership directory, and other newsletter containing information on issues London). Purpose: to advance education and occasional publications. Executive director: scholarly research by institutes of advanced Irene J. Winter; William D. Wixom; Henri of concern, and offers members a forum to Sarah Z. Rosenberg, 1717 K St., NW, Ste. 301, share infonnation through published articles. Zemer and Catherine Wilkinson-Zerner; Washington, DC 20006. Founded as an Affiliate Professional Judith K. Zilczer.

CAANEWS JULY/AUGUST 1995 9 8 CAANEWS jULY/AUGUSTl995 • Foundations in graduate student presenting a paper at our Collections and The Census of Gothic Sculpture the history of Islamic art; to facilitate Visual CAA affiliates session. President: Jody Lamb, in North American Collections. ICMA also communication among its members through Solo Art: Theory and Ohio University, Seigfred Hall, Athens, OH organizes symposia and supports the meetings and through the NAHIA Newsletter Resources Education 45701; 800/766-8278; fax 614/593-0457. publication of the resulting papers. Adminis­ and Directory; and to promote scholarly Association trator: Martha Easton, ICMA, The Cloisters, cooperation among persons and organiza­ FATE, founded 1977. Membership: 400. VRA, founded 1982. Membership: 800. Fort Tryon Park, New York, NY 10040; 212/ tions concerned with the study of Islamic art. Exhibitions Annual dues: $20. Purpose: a national Annual dues: $55 North America; $70 928-1146 (tel./fax); 73430,2037 NAHIA holds periodic majIis, or meetings, of organization concerned with college-level @COMPUSERVE.COM. its members, often in conjunction with foreign; $75 institutional; $100--$299 introductory art courses in both studio and Historians of meetings of CAA or MESA (Middle East contributing; $300 patron. Purpose: to by Artist art history. FATE aims to promote discussion, Studies Association). President: Nancy establish a continuing forum for communica­ analysis, strategies, goals, and understanding Netherlandish Art Micklewright, Dept. of History in Art, tion and to further research and education in in this area of the art curriculum. The FATE HNA, founded 1983. Membership: approx. the field of visual documentation. VRA­ 500. Annual dues: $15 student; $25 regular; University of Victoria, Victoria BC V8W 2Y2, Members newsletter, journal (FATE in Review), and Italian Art Canada; 604/721-7943. Secretary-treasurer: sponsored publications include a quarterly regional! national conferences provide a $50 supporting; $100 patron; $200 benefactor; Society Carol Fisher, Kresge Art Museum, Michigan newsletter, the VRA Bulletin; a scholarly platform for exchange and publication. $100 institutional. Purpose: to foster journal, Visual Resources: An International State University, East LanSing, MI 48824- Only artists who are CAA members are included President Ying Kit Chan, Dept. of Fine Arts, communication and collaboration among lAS, founded 1986. Membership: 300+. Journal of Documentation; and a number of 1119; 517/353-9835; [email protected]. in this listing. When submitting information, University of Louisville, Louisville, KY 40292; historians of Northern European art from Annual dues: $15 within the U.S.; $20 monographs and special bulletins on vario~ include name of artist, gallery or museum name, 502/852-6794. For membership, contact FATE about 1350 to 1750. HNA holds an annual overseas, includes Bibliography of Members' aspects of visual resources administration city, dates of exhibition, medium. Please indicate treasurer: Jeff Boshart, Art Dept., FAA 216, meeting and program in conjunction with the Publications and Newsletter. Purpose: to foster and image retrieval. The association Eastern Illinois University, Charleston, IL CAA annual conference, publishes two communication among disciplines and CAA membership. organizes workshops and an annual Photographs are welcome but will be used only if 61920; 217/581-2059. newsletters per year and a Directory of scholarship devoted to the study of Italian art Private conference and sponsors the VRA WWW space allows. Photographs cannot be returned. Members, and holds scholarly conferences and civilization. lAS sponsors sessions at Art Dealers Homepage and VRA-L electronic listserver. every 3-5 years. Secretary-treasurer: Jane C. national conferences, including the Interna­ President: Sandra C. Walker, Dept. of Art, Hutchison, Dept. of Art History, University of tional Congress on Medieval Studies and Association University of Tennessee, 1715 Volunteer Wisconsin-Madison, 800 University Ave., CAA, and publishes a newsletter in addition PADA, chartered 1990. Membership: 60. Blvd., Knoxville, 1N 37996-2410; 615/974- Gay and Madison, Wl53706; 608/263-2349. to the Bibliography of Members' Publications. Annual dues: $425. Purpose: to represent a 3196; fax 615/974-3198; SCWALKER ®u1Kvx. Lesbian President: Anita Moskowitz, 420 Riverside select group of dealers who work from UTK.EDU. Caucus Dr., Apt. 8G, New York, NY 10025; 212/316- nonpublic spaces, and who are specialists in 3438. Vice-president: John Paoletti, Art Dept., specific areas of the fine arts. Election to GLC, founded 1989. Membership: 300. Wesleyan University, Middletown, CT 06457; ABROAD/ International membership is by invitation and is based on a Francisco Alvarado-Juarez. Museo Universitario Annual dues: $25 employed; $5 low income 203/685-3146. Secretary-treasurer: Steven dealer's experience, scholarship, ethics, and and students. Purpose: to encourage, nurture, Association Bule, Art Dept., Brigham Young University, Women's del Chopo, Mexico Gty, April 25-July 4, 1995. contributions to the arts community. PADA "Mexico en el Corazon: Para Lucas," installation. and publicize the study of gay and lesbian art Provo, UT 84602. supports scholarship through public lectures, Caucus history, theory, criticism, and studio practice. of Art Critics Galeria Nina Menocal, Mexico Gty, July 12- AlCA/US, American affiliate founded early symposia, and grants. The association is a August 20,1995. "Mythological Dreams: Recent The caucus serves as a conduit of information member of Confederation Internationale des for Art and ideas, a sponsor of academic exchange, a 1950s. Memebership: 300. Annual dues: $45 WCA, founded 1972. Membership: 4,000. Paintings on Paper." Union Art Gallery, SUNY ($60 new members). Purpose: to promote Negotiants en Oeuvres d'Art (CINOA). at Stony Brook, New York, September 20- means of social contact, and through all of National Council PADA members receive a newsletter twice Annual dues: $30---$50 individual (sliding these, works for the greater visibility of critical work in the field and to help insure its scale), with local chapter dues optional; $75 October 13, 1995. Paintings. methodological basis; to create permanent yearly. A directory of dealer members is lesbian and gay people in the arts, and above of Art published annually. PADA, PO Box 872 institutional. Purpose: to win parity in the all, the greater equality of gays and lesbians links among members through international valuation of creative and scholarly work by meetings and exchange; and to contribute to Administrators Lenox Hill Station, New York, NY 10021; in our society. The caucus publishes a regular telephone/fax: 212/741-7264. women; to create new opportunities for newsletter and sponsors panels at the CAA the international understanding of different NCAA, founded 1972. Membership: 200. women to document, produce, and exhibit annual conference. Co-chairs: Flavia Rando, cultures. AICA/US aims to protect and Annual dues: $30. Purpose: to prOvide a works; and to assemble for the exchange of Rutgers University, 103 St. Marks Place, New further art criticism as a profession in the forum for the exchange of ideas, the ideas, experience, and constnictive criticism. York, NY 10009; and Jonathan Weinberg, United States and to act on behalf of the identification of problems, and the generation Members include artists, art historians, arts History of Art, Yale University, 560 W. 43 St., physical preservation and moral defense of of shared solutions to the issues that confront Renaissance administrators, arts activists, publishers, New York, NY 10036. Secretary: Christopher works of art. Frequent membership meetings visual art professionals in higher education Society conservators, educators, collectors, students, Reed. Send membership dues to: Joseph are organized in different parts of the today. NCAA is an organization representing and friends of art. WCA offers a national Ansell, Otterbein College, 247 East Blenkner country, as well as lectures and symposia, programs in schools, colleges, and universi­ of America network of 38 chapters, exhibitions, national St., Columbus, OH 43206. open to members and nonmembers. ties throughout the U.S. Membership is open RSA, founded 1954. Membership: 3,700. publications, an annual exhibition and Organization publishes a quarterly newslet­ to current and previous art department Dues: $65 institutional; $50 individual; $25 catalogue of honor awards, a quarterly ter. Membership is by invitation only. chairs; deans, directors, and presidents of art student. Purpose: an international, interdisci­ newsletter (UPDATE), and an annual President: Alexandra Anderson-Spivy, 125 W. schools; directors of university affiliated plinary organization dedicated to the conference, which provides an occasion to Historians of 12th St., New York, NY 10011. museums; and other persons dedicated to promotion and encouragement of the study teach, learn, present work, and celebrate Francisco Alvarado..Juarez, Northern administrative quality in the visual arts in of the Renaissance period. RSA holds an scholarly and creative achievements by Trails (detail), 1994, mixed media, British Art higher education. President: Mary Jane annual conference, usually in the early women. President: Helen Klebesadel, 20'.42'.11' Edwards, Dept. of Art, University of HBA, founded 1992. International member­ spring, publishes Renaissance Quarterly and a Wriston Art Center, Lawrence University, Wyoming, Box 3139, Laramie, WY 82701; ship: 225. Annual dues: $10 professional; $5 newsletter, Renaissance News and Notes, three Appleton, WI 54912; 414/832-6645. National International 307/766-3371; [email protected]. Administra­ students; $50 institutional. Purpose: to foster times a year. RSA, 24 W. 12th St., New York, office executive director: Essie Karp, WCA, communication and to promote the study Center of tive coordinator: Robert Shay, Herron School NY 10011; 212/998-3797; fax 212/995-4205; Moore College of Art, 20th and the Parkway, Barbara Collins. La Paste, Boulevard Richard of Art, 1701 N. Pennsylvania St., Indianapo­ and sharing of ideas among those engaged in Medieval Art [email protected]. Philadelphia, PA 19103; 215/854-0922; fax Lenoir, Paris, April 10-29, 1995. "Life Force," lis, IN 46202; RSHAY@INDYVAX. IAPUI.EDU. works on paper in ink. any type of scholarship or other professional ICMA, founded 1956. Membership: 1,200. 215/854-0915. endeavor related to all areas of British art. Annual dues: $35 active (U.S. only); $40 (all James Juszczyk. Galerie Vromans, Amsterdam, HBA has 1-2 affiliates sessions at the annual other countries); $15 students (all countries); May 16--June 18, 1995. Paintings. CAA conference. A scholarly HBA confer­ $50 institutional; $100 contributing; $500 Tim Weaver. Museo Municipal de Arte ence is held annually, usually on the sustaining; $1,000 benefactor. Purpose: to North American Moderno, Cuenca, Ecuador, May 31-June 29, weekend of the CAA conference. The HBA promote the study of medieval art and Historians 1995. "Naciendo en los Basques," mixed-media Newsletter is published biannually. A civilization from A.D. 325 to 1500. ICMA installation. Directory of HBA Members is available upon publishes a scholarly journal, Gesta; a of Islamic Art request. A $100 prize is awarded annually for newsletter; a list of dissertations on medieval NAHlA, founded 1983. Membership: 300. the Best Book on a British Art Topic. A $200 art; and two continuing series, The Census of Annual dues: $10. Purpose: to promote high travel grant is also awarded annually to a Romanesque Sculpture in North American standards of scholarship and instruction in

10 CAANEWS JULY/AUGUST1995 CAANEWS JULY!AUGUST1995 11 J MID-ATLANTIC/ January 7, 1996. "Bovine and Equine Figure Ita Aber. 17th Street and Rhode Island Avenue, Painting Series." People in Washington, D.C., permanent installation. "Gamma" and "Eeta," Outdoor painted steel sculptures. WEST/ Lisa Adams. 12 x 12 Gallery, Taos, N.Mex., the News Carolyn Blakeslee. Salisbury State University, Easton, Md., May 12-June 9, 1995. Paintings. August 15-September 15, 1995. "Small Works." Kim Anno. Ebert Gallery, San Francisco, June 1- July 1, 1995. "Foibles." MIDWEST/ Lawrence Argent. Boulder Museum of Martha Desposito. Art at the Powerhouse, Contemporary Art, Boulder, Colo., June 2-July Cleveland, Ohio, June 26--August 7, 1995. 30,1995. "of silent touching," sculpture. In Memoriam "Fenced," mixed-media paintings. Robert Harrison. Allene LaPides Gallery, Santa Donna T. Falk. Wood Street Gallery, Chicago, Fe, N.Mex., September 15-Dctober 18, 1995. June 24-July 29, 1995. "Women and Sports," 'Witness Land," constructed photographs with pastels. James A. Sterritt, professor of art and area mixed media on wood. 'coordinator for sculpture at the School of Art, Ralph Murrell Lannann. Southern Indiana Constance Kocs. LA Artcore/Brewery Annex, Washington University in St. Louis, died on Center for the Arts, Seymour, July 1-27, 1995. Los Angeles, May 3--28,1995. January 28, 1995. He was 70 years old and had "Mostly Microwave Meats." been a member of the faculty at Washington John Rose. Tortue Gallery, Santa Monica, Calif., Lorraine Peltz. Gallery A, Chicago, June 2-July University since 1970. Before that, Sterritt taught May 20-July 1, 1995. Paintings, photographs. 8,1995. Paintings. in the Department of Architecture, University of M. Anna Fariello, Re~Construct;on III, Norie Sato. Linda Farris Gallery, Seattle, June 1- Kansas (1956-66), and served as professor and De~se Presnell-Weidner. Susanne Kohn 1993, cast ceramic, altered and July 2, 1995. "Machine Memory." chair of the sculpture department at Tyler Gallery, International Design Center, Minneapo­ Richard Lethem, Word/Compass (detail), hand-built, 14" x 12" x 12" School of Art, Temple University (1966-70). Born lis, May 6-June 30,1995. Paintings and pastels. 1994, oil on canvas, 50" x 62" Joseph E. Young. Lurie Corporate Gallery, San Francisco, June 12-July 26,1995. ''1 Love You in Morris, m., Sterritt served with the U.S. Navy Homophobia (Arizona State University)," in the South Pacific during World War II. He NORTHEAST/ M. Anna Fariello. Alleghany Highlands Center, mixedwmedia paintings and drawings. received a bachelor's degree in 1951 and a Karen Baldner. SoRo 20 Gallery, New York, Mary Cecere. Union Square Station, New York, Elizabeth Meyer. Delaware Center for the Clifton Forge, Va., March 7-Aprill, 1995. "Icons master's degree in 1952 from Wayne State and Idols," mixed-media constructions. July 5-:-29,1995. "Buddha Continues His Break," February 1995-February 1996. "Chairs: There's Contemporary Arts, Wilmington, June 2-July 30, University. drawings. No Place Like Home," installation. 1995. "Permeable Barriers." Michael H. Henderson. Gray Matters, Dallas, April 28-May 27, 1995. "Recent Work: Painting, Diogenes Ballester. Washington Square Gallery, P. Lynn Cox. Harlan Gallery, Seton Hill College, Kate Moran. Williams Center for the Arts, Video." New York, May 12-June 17, 1995. "Spirits." Greensburg, Pa., March-April 1995. "Spirit and Easton, Pa., March I-April 2, 1995. "The Matter." Mather Gallery, Case Western Reserve Grotesque and IdeaL" Barbara Broughel. Maurine and Robert Julia Merkel. TRW Corporation, Vienna, Va., University, Cleveland, April7-May 12, 1995. Rothschild Gallery, Cambridge, June 2- Lawrence J. Philp. Upstairs Gallery at Albany May-July 8, 1995. Logistics Management "Letters from Iceland," mixed media. September 1, 1995. Center Galleries, Albany, N.Y., May 5-June 16, Institute, McLean, Va., May-October 16, 1995. Elizabeth Enders. Charles Cowles Gallery, New 1995. "Drawings from the Series 'Leaving GTE Corporation, Chantilly, Va., May 1995- Paul A. Caller. Montshire Museum, Norwich, York, June 3-30, 1995. Here.'" Vt., permanent installation. "Sun Disk, Moon Disk," sculpture. Louis Finkelstein. Queens College Art Center, Lorna Ritz. Gallery B.A.I., New York, March 7- New York, May ll-June 9,1995. "Recent April 1, 1995. "Recent Paintings." Paintings." Scott Sherk. Cantor Fitzgerald Gallery, Stephen Gaffney. First Street Gallery, New Haverford College, Haverford, Pa., May 26- York, May 16-June 3,1995. "Collectibles: Recent September 23, 1995. Sculpture. Paintings and Drawings." Mary Sherman. Adams Artspace, Harvard Lillian HsuwFlanders. Maurine and Robert College, Cambridge, April 28-May 21, 1995. Rothschild Gallery, Cambridge, April 28-May "The Invisible Figure," oil-painted constructions. 26,1995. ''New Sculptural Work" Pamela Thomas. Samuel Collins Gallery, Katherine Kadish. Interchurch Center, New Collinsville, Conn., May 12-June 4,1995. York, May 3D-June 23, 1995. "Monotypes." "Corporeal Gravity: Ceramic Sculpture." Cynthia Kukla. Chautauqua Art Center, Marjorie Welish. E. M. Donahue Gallery, New Chautauqua, N.Y., August 6-27,1995. York, April 29-June 9,1995. Paintings. Ora Lerman. Anita Shapolsky Gallery, New Tom Wolf. Trans Hudson Gallery, Jersey City, York, June 9-September 23, 1995. "Inside the N.j., May 28-June 25, 1995. "Family Matters." Ark." James A. Sterritt, 1925-1995 Richard Lethem. June Fitzpatrick Gallery, SOUTH/ Portland, Me., June 2G-July 8, 1995. "One, Two, Dawn-Starr Crowther. Downtown Gallery, Three." Phoenix, Ariz., April3--May 26, 1995. "Entering Academe Jackie Lipton. Danette Koke Fine Art, New Eden," photography. York, May 6-30, 1995. ''New Paintings." Jerry Cutler. Lemoyne Art Foundation, Alice Melzer. Gallery, Uniondale Public Library, Tallahassee, Fla., January 2G-February 19, 1995. P. Lynn Cox is chair of the art department at Uniondale, N.Y., August 5-31,1995. "Water "Rhetorical Landscapes," paintings. Westminster College. She was formerly gallery Spirits," paintings. Alfred Durante. Bell County Museum, Belton, director, 1987-94. Judy Mensch. Manhattan Graphics Center, New Tex., February 21-April15, 1995. Photography. Paul A. Calter, Sun Disk, Moon Disk, York, May 6-28, 1995. "Walking Prints." Whitney Davis has been appointed director of steel, marble, serpentine, and granite, Julia Merkel, Waiting, oil on canvas, the Alice Berline Kaplan Center for the 10' x 12' x 11' 48" x 60" Humanities at Northwestern University.

12 eAA NEWS JULY/AUGUST 1995 CAA NEWS JULY/AUGUST 1995 13 long sabbatical leave, beginning July 1995, P. Lynn Cox received a 1995-96 Faculty during which time Professor Ruth Weisberg Research Grant from Westminster College. She Beatriz Colomina (Princeton University). Ailsa will serve in his stead. will continue her research into the landscape of Mellon Bruce Senior Fellows: WilIiam Conklin Iceland. (Universidad Catolica del Norte, Antofogasta, Conferences Chile); Darlo Gamboni (Universite de Lyon); Tom Fischer has received the 1995 Regional and Frederick Lamp (Baltimore Museum of Museums and Galleries Designation Award from the Atlanta Committee Art). Predoctoral Fellows: Erica Ehrenberg & Sympsia for the Olympic Games, sponsoring exhibitions (NYU., Institute of Fine Arts); Marian Feldman of his photography as part of the Cultural (Harvard University); Pamela Fletcher Olympiad. Charles Desmarais has been appointed director (Columbia University); Samuel Isenstadt (Massachusetts Institute of Technology); Pamela of the Contemporary Arts Center, Cincinnati, Ohio. Beth Galston has been awarded residencies at Lee (Harvard University); Rejean Legault the MacDowell Colony (summer 1995) and (Massachusetts Institute of Technology); Trian Yaddo (fall 1995), for environmental sculpture Patricia Mears is assistant curator of costumes Nguyen (University of California, Berkeley); and and drawing. and textiles at the Brooklyn Museum. Gennifer Weisenfeld (Princeton University). Calls for Papers

Patricia Hills has been awarded an NEH Olga M. Viso has been appointed assistant The Getty Grant Program has announced the curator at the Smithsonian's Hirshhorn Museum Fellowship for University Teachers January­ following grants to CAA members. Scholarship Remote Sellsillg is the theme for the 24th and Sculpture Garden, Washington, He. June 1995, to research and to write a book on in the History of Art, Research Postdoctoral critical approaches to the art of Jacob Lawrence. Fellowships: Elise Auerbach, Chicago, III.; Southern Graphics Council Conference, March Susan M. Dixon, Murray State UniverSity, 6-!0, 1996, Morgantown, W.Va. Remote Sensing Ken Gonzalez Day Robert Hromec has won a 1995 Liquitex arts Murray, Ky.; Alessandra Galizzi, Universita implies observing and analyzing a target materials grant for a group of his paintings. Cattolica del Sacro Cuore, Milan, Italy; Maria without direct physical contact. It presents the Georgopoulou, Yale University, New Haven, notion that our experiences and understanding Ken Gonzalez Day is assistant professor in Cynthia Clarke Jones received the Kreindler Conn.; Julie Ann Harris, Wilmette, lli.; James D. of our culture are often derived through such photography and drawing at Scripps College, Memorial Award in the 1995 Annual National Herbert, University of California, Irvine; Alice conduits as mass media and other forms of Claremont, California. Association of Women Artists exhibition. Grier Jarrard, Cambridge, Mass., Barbara electronic interactivity. For information: Remote MCCloskey, University of Pennsylvania, Sensing, Div. of Art, West Virginia University, Clarence Morgan Cora Lynn Deibler has accepted a position as Lisa Kokin has been awarded a 1995 WESTAF/ Pittsburgh; Amy Elspeth McNair, University of Morgantown, WV 26506-6111; 304/293-2140, ext. assistant professor of visual communication at Grants, NEA Regional FellOWShip in crafts. Kansas, Lawrence; Alexander Tellez Nagel, 138. Deadline: July 31, 1995. Northeast Missouri State University. University of Toronto, Canada; Alina Cynthia Kukla has been awarded an Individual Alexandra Payne, University of Toronto, Cultural and Artistic Upheavals in Modem Rita Dibert is head of the photography area at Awards, & Faculty Grant, College of Fine Arts, illinois State Whitney Fellowship from the Metropolitan Canada; Christopher Gervais Reed, University Europe 1848--1945 is a conference organized by Wanganui Polytechnic, Wanganui, New UniverSity, to support her continUing explora­ Museum of Art. of Southern Maine, Portland; Laura Spitzer, the Southeastern Modernist Council, to be held Zealand. tion of bronze and assemblage sculptures in Beverly Hills, Calif.; Genevieve A. Warwick, at the Cummer Museum, January 13, 1996. correspondence with the painting series Ellen Handler Spitz has been appointed Marian Courtauld Institute of Art, London, England. Papers are invited from a variety of disciplines, Honors Cabot Putnam Fellow at the Mary Ingraham Massumeh Farhad has been named associate Relinquishing the History, Second Cycle. Publications: Zirka Zaremba Filipczak, Hot Dry especially those that connect artistic irmovation/ curator of Islamic Near Eastern art at the Arthur Bunting Institute of Radcliff College, Cam­ Men, Cold Wet Women: The Theory of Humors and transformations with social, literary, political, or M. Sackler Gallery and Freer Gallery of Art, Patricia Leighten has been awarded a 1995-96 bridge, Mass. Depictions of Men and Women in Western European religious forces. Send I-page abstract and c.v. to: Smithsonian Institution, Washington, D.C. Publication policy: Only grants, awards, or honors fellowship at the National Humanities Center Art of the 1600s, American Federation of Arts; Conference, Cummer Museum of Art 829 received by individual CAA members are listed. The for research on a b09k project titled The Esthetics Paul Sternberger has been awarded a 1995-96 Kathleen A. Foster, Thomas A. Eakins Rediscov­ Riverside Ave., Jacksonville, FL 32204; fax 904/ University of Southern California has an­ grant/award/honor amount is not included. Please of Radicalism: Anarchism and Cultural Criticism in Andrew W. Mellon Fgundation Fellowship from ered, Yale University Press; Eliot W. Rowlands, 353-4101. Deadline: September 7, 1995. nounced that Dean John Pollini will take a year- note the following fonnat: cite name, institutional Avant-Guerre France. the Library Company of Philadelphia. "Italian School," vol. 1 of European Paintings in affiliation, and title of the grant, award, or honor, and the Nelson-Atkins Museum of Art, Nelson-Atkins Visual Culture and Science since the Enlight­ (optional) use or purpose of grant. Please indicate Joanna Woods-Marsden has been awarded a Janis Tomlinson has been named a 1995--96 Museum of Art. enment is the theme of a symposium to be held that you are a CAA member. 1995-96 fellowship at the National Humanities Woodrow Wilson Fellow. She will pursue the early spring 1996 at Grand Valley State Center for research on a book project titled The project "National Identity, Canon Formation, The Marie Walsh Sharpe Art Foundation has University, near Grand Rapids, Mich. All Construction of Artistic Identity: Self-Portraiture and the Practice of Painting in Europe, 1780- chosen the following CAA members for its 1995 proposals exploring the interaction of the visual and the Social Status of the Artist in the Renaissance. 1880." Space Program: Olive M. Ayhens; Luca Buvoli; arts (in the broadest sense) and science are Nancy Diamond; Barbara Galluci; James welcome. Contributions from a diverSity of Elizabeth Milroy has been awarded a 1995-96 The American Council of Learned Societies has Holland; Heidi Kumao and Nancy van Deren. disciplines are encouraged. Submit 1-2-page Lisa Adams has been awarded a 1995-96 Andr.ew W. Mellon Foundation Fellowship from awarded travel grants to the following CAA abstract to: Gary Sampson, Dept. of Art and Fulbright Scholarship. She will be artist-in­ the bbrary Company of Philadelphia. members to attend conferences abroad: Lorelei Design, Grand Valley State University, residence at the Academy of Art, Ljubljana, H. Corcoran (Conference on Portraits and Allendale, NIT 49401-9403; 616/451-8472. Slovenia. Clarence Morgan has been awarded a Bush Masks: Burial Customs in Roman Egypt, Deadline: September 22,1995. Sabbatical Supplement Award. London); Elizabeth M. Gifford (Conference on Lynne Allen has received the Rutgers Univer­ Historical Painting Techniques, Materials, and The Exhibition of Cultures: 19th-Century sity Board of Trustees' Fellowship for Scholarly Sue Himelick Nutty has been named a 1995-96 Studio Practices, Leiden, the Netherlands); Theory and Practice, April 12-13, 1996, Yale Excellence in visual arts. Yale Center for British Art Fellow. She will Eloise Quinones Keber (Seventeenth Interna­ Center for British Art, New Haven. Send 3-page continue her examination of Joseph Harrison, Jr., tional Congress of the History of Religions, abstract to: Richard Johnson, English Dept., Mark Antliff has been awarded a 1995-96 John 1819-~874, Philadelphia collector of 19th-century Mexico City;) and Nancy Shatzman Steinhardt Loyola University, New Orleans, LA 70118; 504/ Simon Guggenheim Memorial Fellowship for Amencan and British history paintings. (International Conference on Chinese Architec­ 865-2475; RjOHNsoN®BETA.LOYNO.EDU. Deadline: research on a book project titled The Advent of tural History, Hong Kong). October 13, 1995. Fascism: Georges Sorel and the European Avant­ Maria Francesca p. Saffiotti has been awarded a Garde. Rome Prize in the Histmy of Art (the Robert H The Center for Advanced Study in Visual Arts Mediterranean Interactions II is the title of the Lehman/Samuel H. Kress Foundation Pre­ announces the fOllowing 1995-96 appointments 1996 Yale Graduate Symposium on Art and Deborah Bright will be artist-in-residence at the Doctoral Fellowship). She will carry out research to the center: Samuel H. Kress Professor: David Archaeology, to be held April 6, 1996. The Mary Ingraham Bunting Institute of Radcliffe for her dissertation "Vincent Raymond de R. Coffin (Princeton University). Andrew W. organizing committee is accepting 250-word College, Cambridge, Mass., during her Lodeve, Papalllluminator and Manuscript Mellon Professor: Elizabeth Cropper Uohns abstracts from graduate students for 20-minute sabbatical year. Illumination at the Medieval Court 1520-75." Hopkins University). Paul Mellon Senior Fellow, papers. For information: Caroline Kerrigan, Olga M. Viso She has also received a Jane and Morgan Ira Mark. Samuel H. Kress Senior Fellows: Dept. of Classics, PO Box 208266, Yale Univer­ Albert Ammerman (Colgate University); and sity, New Haven, CT 06520-8266; 203/432-0977; fax 203/432-1079. Deadline: November 1, 1995.

14 CAANEWS JULY/AUGUSTl995 CAANEWS JULY/AUGUST 1995 15 National Coalition of Independent Scholars Ruth Iskin, Visual Arts and Computer Graphics, explicit work, outrage, and taboo, for this National juried show: any 2-dimensional work professions, and public life may be admitted to will hold a conference May 3-6,1996, in Prince­ 310/206-8876; RISKlN®uNEx.UCLA.EDU. exhibition to be held in conjunction with the in any medium eligible. Send SASE for prospectus the center if their work has humanistic ton, N.J. on the theme "Situating Scholarship: (I) Folsom Street Fair, September 1995, San to: Gallery 84, Dept. L, 50 W. 57 St., New York, dimensions. Fellowship stipends are determined The Discourse (Theories, Trends, Boundaries); Looking at Life: Rethinking America's Favorite Francisco. For information: Mark Chester, POB NY 10019-3989. Deadline: November 8, 1995. individually and include travel expenses. For (2) The Scholar (Profession, Public Life, and Magazine, 1936-72 is a conference to be held at 422501, San Francisco, CA 94142; 415/621-6294. application materials: Fellowship Program, Ethics}." Independent scholars and academics the University of Colorado, Boulder, September Deadline: September I, 1995. Women in the Visual Arts is sponsored by National Humanities Center, PO Box 12256, are invited to submit 150-word proposals for 14-17,1995. Papers on a wide variety of topics­ Erector Square Gallery, New Haven, Conn., and Research Triangle Park, NC 27709-2256. papers to: NCIS Conference, Princeton Research from Life'S coverage of baseball, and JFK's 1995 Federal Duck Stamp Contest: this annual is open to all women artists 18 and older, in all Deadline: October 15, 1995. Forum, 301 N. Harrison St., #222, Princeton, NT funeral to its treatment of the space race, French waterfowl art competition is open to all media except video. Entry fee $15/3 slides. Send 08540. Deadline: November 1, 1995. fashions, African-American Art, and the atomic American citizens and is the only annual art SASE for prospectus to: Women in the Visual Arts University of Pennsylvania Mellon bomb-will consider how Life represented and Award competition sponsored by the federal govern­ 1996, Erector Square Gallery, 315 Peck St., New Postdoctoral Fellowships in the Humanities are New College Conference on Medieval­ directed American political, popular, and ment. The judges will be looking for depiction of Haven, CT 06513; 203/865-5055. Deadline: available to younger scholars who have held the Renaissance Studies, March 14-16, 1996, intellectual culture. For information: Erika Doss, live birds amid their natural habitat. This year's November 15, 1995. Ph.D. for not more than eight years and who Sarasota, Florida. Papers are invited on any and American Studies, Campus Box 318, University Reference Materials Award: the NEH Reference eligible species are: Barrow's Goldeneye, Black have not been granted tenure. Preference is all aspects of Europe and the Mediterranean of Colorado, Boulder, CO 80309-0318~303/492- Materials Program supports projects to prepare Scoter, Mottled Duck, and Surf Scoter. $50.00 Hera Gallery, Wakefield, R.I., a women's given to proposals that are interdisciplinary and before 1630 A.D. Especially desired are papers on 4483; fax 303/492-4886; [email protected]. reference works that will improve access to entry fee. For information: Duck Stamp Office, cooperative art gallery, seeks artist members for to candidates who have not previously utilized Italian Studies, French and Spanish Studies, infonnation and resources. Support is available Rm. 2058, 1849 CSt., NW, Washington, DC full or associate member status. Send SASE for the resources of this university and whose work Burgundian-Netherlandish Studies, medieval­ Symposium on the Pre-Raphaelites, September for the creation of dictionaries, historical or 20240; 202/208-4345. Deadline: September 15, information to: Hera Gallery, PO Box 336, would allow them to advantage of the research renaissance humanism and courtly culture, 22-23,1995, hosted by the Delaware Art linguistic atlases, encyclopedias, catalogues 1995. Wakefield, RI 02880-4009; 401/789-1488. strengths of the institution and to make a ritual, and drama, and urban history. Send 1- Museum, to be held in conjunction with the raisonnes, other descriptive catalogues, contribution to its intellectual life. Annual page abstract to: Lee D. Snyder, New College of traveling exhibition "Visions of Love and Life: grammars, databases, textbases, and other Painting Today is an exhibition open to all stipend of $32,000. For information: Chair, USF, 5700 N. Tamiami Trail, Sarasota, FL 34243- English Pre-Raphaelite Art from the Birming­ projects that will provide essential scholarly artists, 18 and older, working in any painting Humanities Coordinating Committee, c/o 2197; fax 813/359-4298. Deadline: December 1- ham Collection." For information: Delaware Art tools for the advancement of research for general medium. Work must have been completed in Grants and Fellowships Margaret Viggiano, 16 College Hall, University 1995. Museum, 2301 Kentmere Pkwy., Wilmington, reference. Support also available for projects that last 2 years. Fee: $15 for 3 slides. Send SASE for of Pennsylvania, Philadelphia, PA 19104-6378. DE 19806; 302/571-9590; fax 302/571-0220. address important issues related to the design or prospectus to: Painting Today, Erector Square Deadline: October 15, 1995. accessibility of reference works. For information: Sacred and Ceremonial Textiles is the theme of Gallery, 315 Peck St., New Haven, CT 06513; The Center for Advanced Study in the Visual City Wails: Form, Function, and Meaning will Reference Materials, Rm. 318, NEH, Washing­ The Columbia Society of Fellows in the the Textile Society of America's fifth biennial 203/865-5055. Deadline: September 29,1995. Arts awards approx. 6 senior fellowships and 12 be held October 5-8, 1995, at the University of ton, DC 20506; [email protected]. Deadline: Humanities will appoint postdoctoral fellows in symposium, September 18-22, 1996, Art Institute visiting senior fellowships each year for study of Minnesota. Scholars will address the worldwide November I, 1995. the humanities for the academic year 1996-97. of Chicago. This theme, covering private and Confronting Cancer through Art is a juried the history, theory, and criticism of art, phenomena of city wall building and its Appointment carries with it the expectation of public ceremonies, invites an interdisciplinary exhibition scheduled for summer 1996 at the architecture, and urbanism of any geographical implications, focusing on Europe, China, and the renewal for a second year. Fellows must have approach and allows participants to consider a Arthur Ross Gallery, Philadelphia, sponsored by area of any period. Applicants should have held Islamic world. For information: James Tracy, received the Ph.D. between January 1, 1990, and broad range of textiles related to rituals the University of Pennsylvania Cancer Center. the Ph.D. for 5 years or more or possess a record Center for Early Modem History, Univ. of July 1, 1996. $30,000 stipend, one half for practiced throughout the world. For infonna­ Calls for Entries Open to those who have confronted cancer of profeSSional accomplishment. Scholars are Minnesota, Minneapolis,lv1N 55455; 612/624- independent research, and one half for teaching tion: Rita J. Adrosko, Textiles, NMAH 4131, through their own experience or that of a loved expected to reside in Washington, D.C., 0808; [email protected],UMN.EDU. in the undergraduate program in general :MRC 617, Smithsonian Institution, Washington, one. Works should reflect impact of cancer on throughout their fellowship period and Works on Paper is an exhibition sponsored by education. Additional funds available to support DC 20560. Deadline: December I, 1995. the individual, family, or society. For prospec­ participate in the activities of the center. All Anatomy of a Painting: The Road to Calvary by the Michelle D. Long Gallery and Framing. Any research. For application: Director, Society of tus: 800/383-UPCC. Deadline: October 8, 1995. grants are based on individual need. The center Henri met de Bles is a symposium to be held in original artwork on paper no larger than 30" x Fellows in the Humanities, Box 100 Central Mail Beauty is the theme of the 1996 annual will consider appointments of associates who conjunction with an exhibition of the same name 50" including drawing, painting, hand-pulled Rm., Columbia University, New York, NY conference of the Association of Art Historians, Greater Midwest International XI: open to all have obtained awards for full-time research to be held April 12-14, 1996, University of at the Art Museum, Princeton University, prints, and photography. For prospectus: artists 21 and older; no student work; all media. 10027. Deadline: October 16, 1995. October 13-14, 1995. Registration is reqUired. Michelle D. Long Gallery and Framing,5091/2 from other granting institutions and would like Northumbria at Newcastle. Topics include: Juried by 35 mm slides. Entry fee $20/3 entries, to be affiliated with the center. For information: For information: Leigh Faden, Art Museum, W. Bethel Rd., Coppell, TX 75019; 214/393-9095. The Center for Studies in Landscape Architec­ Ugliness; Beauty and the Body: Defining the $25/5 entries max.; 2 slides per entry. Send SASE Center for Advanced Study in the Visual Arts, Princeton University, Princeton, NJ 08544-1018; Deadline: July 29, 1995. ture at Dumbarton Oaks offers residential Feminine; Philistine and Aesthete in Victorian for prospectus to: Morgan Dean Gallatin, National Gallery of Art, Washington, DC 20565; fax 609/258-5949; [email protected]. fellowships for the academic year 1996-97 to England; Beauty and the Beast: The Aesthetics of Central Missouri State University, Art Central 202/842-6482; fax 202/842-6733. Deadline for Kiss and Kill is an exhibition exploring the scholars who are completing, or have com­ the Male Body; and Taste. For information: Gallery, Warrensburg, MO 64093; 816/543-4498. visiting senior fellowships and associate appoint­ British and American Art at Yale: A Sympo­ culture of violence in America. Organized by an pleted, terminal degrees in a wide range of Convenors AAH Conference 1996, Dept. of Deadline: October 13, 1995. ments: September 21,1995. Deadline for senior Historical and Critical Studies, University of sium in Honor of Jules David Prown, October independent curator for a large, established disciplines. Applications can be concerned with fellowship and associate appointments: October 1, Northumbria at Newcastle; 1 Ellison Pl., NEI 20-22,1995, Yale Center for British Art and the New York alternative exhibition space, any aspect of the history of landscape architec­ Karamu House is a not-for-profit, community­ 1995. 8ST; 0191227 3777; fax 01912274295. Yale University Art Gallery, New Haven. Over scheduled for spring 1996. Open to emerging based arts and educational organization with ture (architectural, art historical, botanical, the past thirty-five years, the teaching and and established artists. All media welcome. horticultural, cultural, economic, social, interest in our African American heritage. As The Woodrow Wilson International Center for innovative scholarship of Jules David Prown Conceptual, video, and installation work agrarian). Grant assistance is also available for part of its contribution to the City of Cleveland's Scholars awards approximately 35 residential have inspired numerous students in the fields of encouraged. Send slides, resume, support scholarly projects not associated with a degree Bicentennial celebration it is creating the fellowships each year for advanced research in American and British art and material culture. material, and SASE to: Kiss and Kill, c/o 469 or library research. For information: Studies in Langston Hughes Memorial Garden, a sculpture the humanities and social sciences. Applicants To Attend Colleagues and former students will pay tribute Broome St., New York, NY 10013. Deadline: July Landscape Architecture, Dumbarton Oaks, 1703 garden honoring Hughes ~nd twelve other must hold a doctorate or have eqUivalent to Prown at this symposium by presenting 31,1995. 32nd St., NW, Washington, DC 20007; 202/342- African American artists, to be chosen by the professional accomplishments. Fellows are Multi-Media Artists Present Their Award­ papers drawing exclusively on Yale's superb 3280; fax 202/342-3207. Deadline: November I, residents of greater Cleveland. Both representa­ provided with offices, access to the Library of Winning Projects at UCLA Extension, Los collection of American and British objects. For Time Span is the theme of the 1995 Dallas 1995. tional and abstract expressions of these artists Congress, computers, and research assistants. Angeles, August 12, 1995. Two of today's information: Lorelei Watson, Yale Center for Women's Caucus for Art juried exhibition, lives are sought. Open to all artists, who may Fellowships are for 1 year. For information: cutting-edge multimedia artists, Rodney Alan British Art, PO Box 208280, New Haven, CT which will focus on women artists in their many Institute of Early American History and work alone or in collaboration. For information Fellowships Office, Woodrow Wilson Center, Greenblat and George Legrady, show their 06520-8280; 203/432-2850. visual interpretations of time. Awards include Culture will award a 2-year postdoctoral and entry form: Karamu House, Sculpture 1000 Jefferson Dr., SW, Sl MRC 022, Washing­ groundbreaking work and answer questions one-person shows, cash, and merchandise. Fee fellowship in any area of early American history, Committee, 2355 E. 89 St., Cleveland, OH 44106- ton, DC 20560; 202/357-2841. Deadline: October 1, from the audience. Greenblat, active in New Prophets and Losses: Jewish Experience and $15/members, $20/nonmembers, up to 3 to begin July 1, 1996. The principal criterion for 9990; 216/795-7070. Deadline: October 27,1995. 1995. York's 1980s East Village scene and whose Visual Culture is a conference to be held at entries, $5 each additional entry, 10 max. Detail selection is that the candidates dissertation or sculpture was exhibited at the Whitney Museum Southern Methodist University, Dallas, October slides allowed. For prospectus: DWCA National other research project have significant potential RCCA: The Arts Center seeks slide submissions National Humanities Center Fellowships of American Art, now publishes CD-ROMs with 22-23,1995. Scholars from various disciplines Exhibition, Dallas Visual Art Center, Box 10, for publication as a distinguished, book-length and curatorial proposals in all media for the support advanced study in history, languages the Voyager Company. Legrady, winner of the will explore stereotypical associations of the Jew 2917 Swiss Ave., Dallas, TX 75204. Deadline: contribution to scholarship. Applicants may not 1996-97 exhibition season. RCCA is a not-for­ and literature, philosophy, and other fields of 1994 New Voices, New Visions competition in modem France with the profits of commercial August 1, 1995. have previously published a book and must profit arts center exhibiting contemporary and the humanities. Applicants should hold sponsored by the Voyager Company and Wired capitalism in relation to the alternative narrative have met all requirements for the doctorate experimental works. Send SASE for prospectus to: doctorate or have equivalent profeSSional magazine, is associate professor of information of the Jew as a prophet of modernism. For Sexart 4: a group exhibition on sex, sexuality, before commencing the fellowship. For Tara Fracalossi, RCCA: The Arts Center, 189 accomplishments. Scholars from fields normally arts/conceptual design in the art department at information: Janis Bergman~Carton, Division of and eroticism open to photographers and artists information: Director, IEAHC, PO Box 8781, Second St., Troy, NY 12180; 518/273-4591. associated with the humanities, representatives San Francisco State University. For information: Art History, Southern Methodist University, working in all media. Open to a wide range of Williamsburg, VA 23187-8781. Deadline: Deadline: October 31, 1995. of the natural and social sciences, the arts, the Dallas, TX 75275; 214/768-3822, or 512/928-3535. work ranging from sensual nudes to sexually November 1, 1995.

16 CAANEWS JULYjAUGUSTl995 CAANEWS JULYjAUGUSTl995 17 • Gladys Krieble Delmas Foundation Grants for the visual arts. CAJ is now soliciting papers for Information Wanted Classified Ads bath with light from court. Studio: Datebook Study in Venice and the Veneto: predoctoral its spring 1996 issue "On Location." Papers spacious living, beamed ceiling, south and postdoctoral grants for travel and residence, might address the issue's theme via problems light. Kitchen, bath. Fully furnished. awarded for historical research on Venice and in/of landscape, pilgrimage, nationality, The CM newsletter accepts classified ads of the fOl'1l1er Venetian empire, and for study of memory, borders, desire, or authorship. For Available September-june. 404/373- july 28 contemporary Venetian society and culture. infonnation: Chicago Art Journal, University of Talbot Hughes (1869-1942): curator a professional or semiprofessional nature 3053. Deadline for submissions for Septem­ Applicants must be U.S. citizens or pennanent Chicago, Dept. of Art, Cochrane-Woods Art seeks information on this English $1.25/word ($2/word for nonmembers); $15 ber/October CM News residents, have some experience in advanced Center, 5540 S. Greenwood Ave., Chicago, IL painter and his oil portrait miniature minimum. Paris: two charming apartments research, and, if graduate students, have 60637. Deadline: October 2,1995. collection amassed at the turn of the available in the heart of the Marais. The September 1 fulfilled all doctoral requirements except century. Constance Kimmerle, larger one is fully furnished/ commodi­ completion of dissertation, but including Henri Carlier-Bresson: historical and critical Deadline for receipt by conference Rosenbach Museum and Library, 2010 ous living room with south light, acceptance of dissertation proposal. For articles on the French photographer are sought Art history research assistant, 1995-96: coordinator of session proposals for infonnation: Gladys Krieble Delmas Foundation, for a special issue of The History of Photography. DeLancey Pl., Philadelphia, PA 19103; adjacent kitchen, dishwasher, washer/ 1997 annual conference, New York room and board in exchange for 15~20 521 Fifth Ave., Ste. 1612, New York, NY 10175~ A wide range of perspectives and methodologies 215/732-1600, ext. 20; fax 215/545-7529. dryer, and bedroom and full bath with hours/week. Computer proficiency, 1699. Deadline: December 15, 1995. is welcome. In addition to his photography, light from court. The second is a large French, German, or Italian/ good clerical September 15 articles are welcome on Cartier-Bresson's Andy Warhol: Catalogue Raisonne: studio with bath and kitchen, also with skills. Nonsmokers. Tel./fax 614/447- Deadline for 1998 annual conference drawing and painting, and on his film directing project to document all of Warhol's light from court. 404/373-3053. theme proposals to reach CAA confer­ in the 1930s and 1940s, and television directing 8983. in the 1970s. For information: Claude Cookman, paintings/ sculptures, and drawings ence coordinator (see page 1) Residency Paris-I-bedroom apartment. Indiana University, Ernie Pyle Hall, being organized under the joint auspices Books on the Fine Arts. We wish to Montmartre, fully furnished, sleeps 3. Deadline for CAA A ward nominations Bloomington, IN 47405j [email protected]. of Thomas Amman Fine Art AG/ Zurich, purchase scholarly o.p. titles on Western Marie Walsh Sharpe Art Foundation offers 14 Deadline: March 1996. and the Andy Warhol Foundation for Great location, fully remodeled, all (see page 5) free studio spaces in New York. Visual artists 21 European art and architecture, review the Visual Arts/ New York. Owners of amenities. $450/week. 617/484-6809. and over are invited to submit proposals for copies, library duplicates. Andrew D. September 29 work space. Studios are available after paintings, sculptures, and drawings not Washton Books, 411 E. 83 St., New York, Research Assistant-Rome. M.A./ Deadline for submissions for Novem­ September 1, 1996, for periods of up to 1 year. already catalogued are kindly requested NY 10028; 212/481-0479; fax 212/861- M.F.A. in art history; references. ber /December CAA News These are nonliving spaces for the making of to contact Georg Frei, Thomas Amman 0588. new works of art. No stipend or equipment is Fine Art AG, Restelbergstrasse 97, PO Archival, bibliographic, photographic provided. Proposals should include (1) 8 slides assignments. Fluent Italian (translation/ February 21-24,1996 Box 922, CH-8044, Zurich; or Neil For rent: attractive furnished bedroom/ (35 rum) of recent work, may include 1 detail, no editing/ proofreading). Immediate CAA annual conference/ Boston Printz, Andy Warhol Foundation for the NYC, upper East Side near museums. glass slides. Label with name, slide number, and service, reasonable rates. Diane indicate top; (2) annotated slide list: slide Visual Arts, 65 Bleeker St., New York, Suitable visiting woman scholar. Sarachman, Vicolo del Leopardo 29, number, title, siZe, date of work, medium; (3) NY 10012. Doorman building. Good transporta­ 00153 Rome; 011. 39. 6. 581. 3702. resume; (4) I-page statement why studio space tion. Security and references required. is needed; (5) support materials only if Programs $200/ week; min. 3 weeks. Call DG necessary; (6) start date and length of stay and; Robert Beverly Hale on videotape. Associates, 212/996-4629. (7) SASE for retum of slides. Send to: Space Hale's famous series of ten original Program, Marie Walsh Sharpe Art Foundation, New & demonstration lectures on artistic 711 N. Tejon St., Ste. B, Colorado Springs, CO For rent: fully equipped/ luminous anatomy and figure drawing given by 80903. Deadline: JanuanJ 31, 1996. studio in central Paris. Available july 1. Miscellany him at the Art Student's League, New Revised Tel. 33. 1. 45. 31. 66. 14; fax 33.1. 45. 31. York (1976). Fourteen hours of instruc­ 92.62. tion. jo-An Pictures Ltd., Box 6020 FOR, Calls for Manuscripts Manhattan Passport is a public project New York, NY 10150; 212/532-5003. New York sublet: quiet East Village that guides residents and visitors studio, fully furnished, 24-hour door­ through seven tours of Manhattan for Art Journal is seeking manuscripts for an issue man, air conditioning. No pets. Ideal for Ph.D. Program in Art History at the City the price of two tokens. Bypassing the devoted to "The Impact of Electronic Media on visiting scholar/ museum professional, Contemporary Art." The issue will try to raise University of New York Graduate Center has city's traditional tourist sites/ Manhattan responsible graduate student. questions about the ways in which electronic added a specialization in the field of Renaissance Passport provides a map detailing tours $850-$900/month. September 1, 1995- media offer the possibility for reconceptualizing and Baroque art and architecture. Other that feature underknown and underused specializations are offered in the history of August 31,1996. By july 24: 212/387- artistic practices-not merely extending neighborhoods and locations. Each tour conventional fonns through new technology. modern and contemporary art and architecture, 9590. Papers for or about artists who are working with both European and American, as well as represents an alternative experience of criticism and theory; and in the history of the city by incorporating destinations electronic media in any form are welcome, as are Paris apartment for rent: fully papers that pose theoretical issues about the African, Oceanic, Native American, and pre­ that target its geographical, historical, equipped/ well-designed and conve­ status of craft, labor, identity, or other aspects of Columbian art and architecture. For information: commercial, and cultural attractions. For nient studio-efficiency in 10th art activity in relation to the implications of new Rose-Carol Washton Long, Ph.D. Program in Art information: Kirby Gookin, New York History, Graduate School and University Center arrondissement (Metro Chateau d'Eau), media. Other topics include the investigation of University, Dept. of Art and Art Profes­ social spaces, art institutions, the terms of value, of the City University of New York, 33 W. 42 St., 10-minute walk to BN. Available sions, 212/998-5700, or Alyson Pou, as well as issues of transmission, communicative New York, NY 10036; 212/642-2865. starting September or October 1995. Creative Time, 212/206-6674. strategies and effects, artificial intelligence, and 3,OOOF/month (includes charges, concepts of ontology and form, which are electricity, heating); deposit required. transformed in an electronic environment as they bear upon art production. Submit I-page Ideal for graduate student. (011. 49. 221) abstract to: Johanna Drucker, Dept. of the 34.18.79. History of Art, PO Box 208272, Yale University, New Haven, CT 06520-8272. Paris/Marais. Two charming apart­ ments. Two room: commodious living, Chicago Art Journal is an annual publication south light. Adjacent kitchen, dish­ devoted to presenting graduate student research that represents various aspects of the study of washer, washer/dryer. Bedroom and

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