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L' Archivio Musicale Della Basilica Di San Giovanni in Laterano Catalogo

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L' Archivio Musicale Della Basilica Di San Giovanni in Laterano Catalogo PUBBLICAZIONI DEGLI ARCHIVI DI STATO STRUMENTI CLIII ISTITUTO DI BIBLIOGRAFIA MUSICALE (I.BI.MUS) L’Archivio musicale della Basilica di San Giovanni in Laterano Catalogo dei manoscritti e delle edizioni (secc. XVI-XX) a cura di GIANCARLO ROSTIROLLA Introduzione di WOLFGANG WITZENMANN II MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI DIREZIONE GENERALE PER GLI ARCHIVI 2002 DIREZIONE GENERALE PER GLI ARCHIVI SERVIZIO DOCUMENTAZIONE E PUBBLICAZIONI ARCHIVISTICHE Direttore generale per i beni archivistici: Salvatore Italia Direttore del servizio: Antonio Dentoni-Litta Comitato per le pubblicazioni: il direttore generale per gli archivi Salvatore Italia, presi- dente, Paola Carucci, Antonio Dentoni-Litta, Ferruccio Ferruzzi, Cosimo Damiano Fonseca, Guido Melis, Claudio Pavone, Leopoldo Puncuh, Isabella Ricci, Antonio Romiti, Isidoro Soffietti, Giuseppe Talamo, Lucia Fauci Moro, segretaria. Coordinamento e cura redazionale: Mauro Tosti-Croce Hanno collaborato alla cura del catalogo: Giovanni Insom, Luciano Luciani, Annapia Sciolari Meluzzi, Stefania Soldati, Sara Vallefuoco © 2002 Ministero per i beni e le attività culturali Direzione generale per gli archivi ISBN 88-7125-234-9 Vendita: Istituto Poligrafico e Zecca dello Stato-Libreria dello Stato Piazza Verdi 10, 00198 Roma Finito di stampare nel mese di Marzo 2003 a cura della Ediprint Service s.r.l. di Città di Castello (PG) con i tipi delle Grafiche PI.MA. SOMMARIO I Premessa VII Prefazione di Giancarlo Rostirolla IX Tabula graduatoria XV Il risultato di una collaborazione internazionale di Klaus Keil XVI Annotazioni sull’Archivio musicale di S. Giovanni in Laterano di Wolfgang Witzenmann XVII Bibliografia XLIII Abbreviazioni L Nota metodologica LIX CATALOGO Parte I – Fondo generale 1 Manoscritti dei secoli XVIII-XIX 3 Autori 3 Manoscritti adespoti 688 Raccolte 813 II Parte II – Fondo speciale 905 Manoscritti di musica polifonica 907 Autori 907 Manoscritti adespoti 926 Raccolte 929 Edizioni di musica polifonica e monodica 947 Autori 947 Raccolte 1132 Manoscritti liturgici 1141 Libri liturgici 1219 INDICI 1275 Indice dei nomi 1277 Indice dei titoli 1291 Indice delle festività liturgiche 1363 CATALOGO PARTE II FONDO SPECIALE MANOSCRITTI DI MUSICA POLIFONICA Autori ANERIO, Giovanni Francesco (1567-1630) 8891 Rari, ms. 68 [Cinque Messe a 4v e sei; Mottetti a 6v] In folio (43 x 30,5 cm), più piccole le cc. [80]-[89] (40,5 x 28 cm); cartaceo; cc. [I], [1]-[89], [I], vuote le cc. [1], [6]v, [13], [74]v-[75], [89]v; codice redatto in epoche diverse: XVII sec. (cc. [1]v-[74]), XVIII sec. prima metà (cc. [75]v-[78]) e XVIII sec. seconda metà (1765?) (cc. [78]v-[89]). [Contiene]: Messa [Papae Marcelli del Palestrina ridotta a 4v: S, A, T, B] Kijrie [c. 1v] Gloria [c. 2v] Credo [c. 7v] Cantus à 4. Credo Breuis G. G.1 Sanctus [c. 12v2] Benedictus [c. 14v] Agnus Dei [c. 15v] Ecce apparebit Dominus [a 6v; c. 16v] Apparebit in finem [a 6v; c. 19v] Saluatorem [a 6v; c. 23v] Sobrie et iuste [a 6v; c. 26v] Ecce Dominus ueniet [a 6v; c. 30v] Ecce dominus cum uirtute [a 6v; c. 32v] Messa detta La Battaglia [a 4v: S, A, T, B] Kijrie [c. 34v] Gloria [c. 35v] Credo [c. 38v] Sanctus [c. 45v] Benedictus [c. 47v] Agnus Dei [c. 48v] Dell’Anerio Missa prò Defunctis a 4.o [a 4v: S, A, T, B] Requiem eternam [c. 50v] Kijrie [c. 51v] 1 Nelle lettere iniziali del tenore è disegnato un tralcio con le lettere: «IOA◊ / BAP◊ / MAO- / NISSa»; in quelle del basso: «IOA: / BAP: / MA / ONIS◊ / SA». 2 In alto: «Papa Marcello». 908 Manoscritti di musica polifonica – Anerio Et lucis eterne [c. 52v] Quantus tremores «Sequentia» [c. 52v] Tuba mirum [c. 53v] Rex tremende [c. 54v] Querens me sedisti [c. 55v] Ingemisco [c. 56v] Preces mee [c. 57v] Confutatis [c. 57v] Lacrijmosa [c. 58v] Pie Iesu Domine [c. 59v] Libera animas [c. 59v] Cum fideliu[m] [c. 60v] Hostias et preces [c. 62v] Sanctus [c. 63v] Benedictus [c. 64v] Agnus Dei [a 5v; c. 65v] Lux eterna luceat eis [a 4v; c. 66v] Et lux perpetua [c. 67v] Libera me Domine [c. 68v] Tremens factus [c. 69v] Quando celi [c. 70v] Dies ire [c. 70v] Dum ueneris [c. 71v] Requiem eterna[m] [c. 71v] Libera me Domine [c. 72v] Kijrie [c. 73v] Vidi aquam [a 4v; c. 75v] [Messa] Il Riposo [a 4v: S, A, T, B] Kyrie [c. 78v] Gloria [c. 79v] Credo [c. 81v] Sanctus [c. 85v] Benedictus [c. 86v] Agnus Dei [c. 87v] Messa [frammento] Christe [solo tre battute] [c. 89v] Xmbre 1765- Rinovata. [c. 89v] Varie grafìe. Lettere iniziali ornate, di varia misura; alcune grandi ed ornate alla maniera del XVII sec., forse da Giovan Battista Maonissa, come è indicato sugli intrecci e labirinti di alcune di esse. In alcuni punti sono dise- gnate manine con indici puntati. Notazione musicale moderna. Alle cc. [7]v-[16] sono stati aggiunti, a matita, i segni divisori di battuta. Specchio rigato con dieci pentagrammi per carta. Esemplare restaurato, come recita la targhetta incollata nel verso del piatto posteriore: «BADIA DI GROTTAFERRATA / MONVMENTO NAZIONALE <ROMA> / [fregio] / LABORATORIO RESTAVRO / DEL LIBRO / [ms] 21 […]mbre 1976». A c. [I] filigrana a giglio in doppia cornice tonda sovrastato dalla lettera V. Nelle cc. all’interno del volume filigrana ad àncora in Manoscritti di musica polifonica – Casali 909 cornice tonda sovrastata da una stella, difficilmente visibile per via del restauro. Legatura in piena pergamena coeva. Sul dorso in verticale: «ANERIO»; in orizzontale: «68». Al centro del piatto anteriore: «N:o 68:o» CARPANI, Gaetano (sec. XVIII) 8892 Rari, ms. 129 [Messa breve a 4v] I. M. I. / Messa à 4 Voci breve / All’Ill[ustrissi]mo, e R[everendissi]mo Sig.r Canonico / Nicolò del Bufolo / dedicata / da’ Cantori della Sagrosanta Basilica Lateranense / Quest’Anno 1762 / Autore / Il Sig.r Gaetano Carpani Romano Maestro di Cappella / della Chiesa del Gesù di Roma. In folio (52,8 x 37 cm); cartaceo; 1762; cc. [1]-[10]; vuota c. [10]v. [Contiene]: Kyrie [c. 1v] Gloria [c. 2v] Credo [c. 5v] Sanctus [mancante del Benedictus] [c. 8v] Agnus Dei [c. 9v] Lettere iniziali grandi ad ogni inizio sezione. Notazione moderna. Specchio rigato con undici pentagrammi per carta. Stato di conservazione buono. Il codice si compone di cinque fogli ripiegati senza legatura, conservati tra due cartoncini moderni sciolti. CASALI, Giovanni Battista (1715c-1792) 8893 Rari, ms. 103 [Passio a 4v (S, A, T, B)] PASSIO / DOMINI NOSTRI / IESV CHRISTI / Feriæ III· & IV· / MAJORIS HEBDOMADÆ / QUANDO / AB ILL[USTRISSI]MIS ET R[EVERENDISSI]MIS DD· / CANONICIS / Sacros[an]ctæ Lateranen[sis] Basilicæ / decantari contigerit / Notis Musicis expressa / à Jo: Bap.ta Casalio ejusdem / Basilicæ / Capellæ Cantorum Magistro / 1785. In folio (67,5 x 47,5 cm); cartaceo; 1785; cc. [I], pp. 1-21, c. [II]-[III]. Copista: Giacomo Antonio Fuzio Romano. [Contiene]: 910 Manoscritti di musica polifonica – Dragoni [Passio Domini nostri Jesu Christi secundum Marcum, 4v (S, A, T, B)] [Feria III. Majoris Hebdom.] Non in die festo [pp. 2-11] [Passio Domini nostri Jesu Christi secundum Lucam, 4v (S, A, T, B)] [Feria IV. Majoris Hebdom.] Vbi vis paremus? [pp. 12-21] Segn.: [1]-[3]2. Titolo entro una cornice con fregi ad inchiostro nero. Frontespizio in rosso e nero. Lettere ini- ziali grandi rosse entro cornice gialla agli inizi dei due Passio. Notazione mensurale. Specchio rigato con dieci pentagrammi per carta. Paginazione antica (1-21) nell’angolo alto esterno. A p. 21: «Jacobus Antonius Fuzius Romanus / Capellanus Ursinus, ac Mansionarius / Sacrosanctæ Lateranen[sis] Basilicæ / exarabat. / [fregio] Anno D[omi]ni MDCCLXXXV. [fregio]». A c. [I] filigrana con giglio in un cerchio. Nelle restanti cc., comprese le carte di guardia finali, filigrana con la scritta: «VITTORI». Legatura in piena pergamena coeva. Dorso a sei cordoni. Nel secondo scomparto dall’alto: «103». DRAGONI, Giovanni Andrea (1540c-1598) 8894 Rari, ms. 47 [Assoluzione «Libera me Domine» a 4v (S, A, T, B)] In folio (56 x 34 cm); membranaceo; 1668; cc. [1]-[6]. Vuote le cc. 1 e 6v. [Contiene]: [Libera me Domine cc. 1v-2] [Tremens factus sum (Superius tacet) cc. 2v-3] [Dies illa dies irae cc. 3v-4] [Requiem aeternam cc. 4v-5] [Kyrie cc. 5v-6] Lettere iniziali a inchiostro rosso. Notazione musicale quadrata non mensurale. Specchio rigato con dieci penta- grammi per carta. A c. 1: «Dragone / N.o 47.o»; sotto, a matita con grafia moderna: «Casella A. £ / 2». Il codi- ce, non legato, è conservato entro una cartella di cartone moderno rigido sul quale è scritto a matita: «N.o 47 / già Casella A n.o 2». All’interno cartellino sciolto in cartoncino dorato su cui è ms.: «1668»; sul retro a matita: «Andrea Rossi Espo[lia]uit». LUPACCHINO CARNESECCA DAL VASTO, Bernardino (prima metà XVI sec.-1555c) 8895 Rari, ms. 25 [Dodici Messe a 4-6v] In folio (50,6 x 36,2 cm); cartaceo; XVI sec. seconda metà; cc. [I]-[II], 1-112, 117-193, [III]-[IV]. Cc. numerate erroneamente, complessivamente cc. [189]. Omessa la numerazione delle cc. 113-116. Vuote le cc. numerate Manoscritti di musica polifonica – Lupacchino 911 172v-173, 188v-189, 191v-193v. Nell’angolo superiore delle cc. mutile è posta una numerazione moderna a matita, che va ad integrare quella mancante. [Contiene]: [Introito gregoriano] Benedicamus Domino [c. 1] [Missa] De beata Virgine [4v] Kyrie [c. 1v] Gloria [c. 3v] Credo [c. 7v] Sanctus [c. 13v] Agnus Dei [c. 17v] [Missa] Panis quem ego dabo [4v] Kyrie [c. 19v] Gloria [c. 22v] Credo [c. 26v] Sanctus [c. 32v] Agnus Dei [c. 36v] [Missa] Saluum me fac d[omi]ne [4v] Kyrie [c. 38v] Gloria [c. 41v] Credo [c. 45v] Sanctus [c. 52v] Agnus Dei [c. 55v] [Missa] Dilexi quoniam [4v] Kyrie [c. 56v] Gloria [c.
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