Dutch-Composers-Now-2018-Web

Total Page:16

File Type:pdf, Size:1020Kb

Dutch-Composers-Now-2018-Web Dutch Composers NOW Reimagining the concert century world. International research practice among outstanding artists and institu- tions points to a way of working that can Dutch Composers NOW is a collabora- ESSAY BY MASA SPAAN be analyzed as Baricco’s horizontal way of tion between Nieuw Geneco (Dutch CURATOR AND PROGRAM DEVELOPER IN signification. In fact, they are already un- Composers Association), Donemus CLASSICAL AND NEW MUSIC derpinning his ideas. Without seeming to Publishing, Deuss Music/Albersen, The traditions and conventions associated have completely discarded old-fashioned GLERUM NICHON VMN Dutch Music Publishers Associa- with classical music came into being in the profundity, their programming exposes tion and Buma Cultuur to promote the nineteenth century. Drawing on the pow- ideas, which give the material, that is in- sion. For Fischer, daughter of the conduc- creation of new music. Together we erful and related principles of formalism trinsically musical, a relevant connection tor Ivan Fischer, the classics were always represent the composers living and and musical autonomy, such principles still with the spirit of our times. going to be at the root of her artistry. She working in the Netherlands; creators of hold sway over much of today’s classical always knew what she wanted to sing, but both complex and accessible, conven- concert practice. As twenty-first century Taken together, it points to a comprehen- all of the previously carved-out paths tionally as well as unconventionally human beings, this ritual seems to have sive strategy, from idea to audience, in were just not for her, she felt. Making her composed music. In this brochure we become an old-fashioned straitjacket. It which programmers make connections own way has meant constant invention. In show you some adventures in Dutch leads us to ask how the revitalization of with various target audiences on qualita- this project Kliphuis gave space for her music. classical music concerts should be car- tively substantive grounds. And it gives own genre-crossing sound and her all- ried out, and why the issue is now so ur- rise to a far-reaching concert dramatur- round performing skills. Supported by a gent. Belonging to a new wave of post- gy, in which we start with the music but slightly and refined stage direction, the postmodern thinkers, the philosopher and revise and also expand the range of con- program reflects a daring overarching Dutch Composers NOW 2018 musician Alessandro Baricco hypothesizes cert ingredient into a deliberately shaped dramaturgic arch that remains true to the Cover photo WannaPlayground that a profound change, a mutation no ensemble of mutual reinforcing elements. essence of the music, but also connects to Design Seppie Groot less, is taking place in contemporary cul- The resultant determining factors are del- themes of our own living environment, ture. In his book The Barbarians: An Es- icate choices like the programme format, and really gets hold of people. The result www.dutchcomposersnow.nl say on the Mutation of Culture (2006), musical themes, the handling of reper- is a very innovative program that is ap- Baricco examines how information tech- toire, collaboration of program develop- pealing to new audiences, but which is nology is altering the way we experience ers with high-quality creative and com- also very appreciated by classical music the world and its arts. He argues for new municatively talented soloists and lovers. forms of signification, meaning, and val- ensembles, links to other genres and dis- ue, in which the old Romantic “vertical” ciplines, characteristics of the venue, the Of course, this is merely one example ideals of depth and profundity are joined set-up, staging, choreography, and the and there are infinite ways to implement by “horizontal” modes, galvanized by an direction of a concert. To illustrate this I this kind of far-reaching concert drama- ever-broader network in which stories would like to refer to a beautiful Dutch ex- turgy. It shows, once again, that it makes Publishing from different worlds come together and ample of this way of working. Last year sense to reimagine the concert practice shape new concert experiences. the young composer Morris Kliphuis, li- and create vibrant forward thinking pro- Baricco’s book makes a bold case for the brettist Otto Wichers (a.k.a. Lucky Fonz grams. As renowned opera intendant Ge- future of our culture. His ideas chart how III), singer Nora Fischer and the Ragazze rard Mortier argues: ‘Real tradition isn’t program developers (curators, musicians, Quartet developed The Secret Diary of consolidated, it consolidates. Tradition composers) can reimagine their concert Nora Plain. The haunting song cycle de- doesn’t mean we have to stay fixed to the practice: how they can create concert picts the intimate and modern life of the rules that were created in the past, but it programs which are true to music, but imaginary Nora Plain through her person- enables us to invent new rules to design which also have a sensibility of today and al diaries and deals with actual themes the future.’ make real connections to our twenty-first like privacy, surveillance and erotic obses- Annelies Van Parys plexity of these differing views as the Kate Moore Usher starting point for this new production. Space Junk CHAMBER OPERA / MUSIC BY CLAUDE Rob Zuidam brings together arrange- ENSEMBLE: ASKO | SCHÖNBERG DEBUSSY / ANNELIES VAN PARYS ments of music from the time of Mary Space Junk by Kate Moore also refers to Since her 2015 opera Private View, based Stuart and music of his own, in which elec- the heavens and universe. However, the on an Alfred Hitchcock film, Belgian com- tronic sounds have a role to play. Zuidam composer approaches the subject from poser Annelies Van Parys has established draws on the sonnets of Joseph Brodsky the ‘space junk’ problem: the environ- her reputation as one of the most inno- about exile and the feeling of being up- mental impact of this waste is enormous. vative composers of contemporary mu- rooted and misunderstood. World Pre- For this work Moore is inspired by an in- sic theatre. Starting with the material miere: 24 May 2018 teractive 3D model that maps out spatial of an uncompleted opera – Debussy left robertzuidam.com / elsandtheartists.be waste left by humans. The work is a swel- behind several libretto drafts, a musical moniquekrus.nl tering harmony of the spheres, but also fragment of about 20 minutes and some the sound of an environmental disaster - sketches – in Usher Van Parys develops a Richard Ayres an exciting spatial story told with graphic chamber music theatre that probes the The Garden novel techniques. Premières on 3 April category of the uncanny in a specific mu- ENSEMBLE: ASKO | SCHÖNBERG 2019 Minimal Music Festival in Amster- sical and theatrical way. Comissioned by The Garden is Richard Ayres’ newest work dam. Commissioned by Asko | Schönberg Staatsoper Unter den Linden and Folko- commissioned by Asko|Schönberg and with the support of Dutch Performing Arts peran Stockholm, selected for the Fedora London Sinfonietta. This song cycle tells (NL). katemoore.org / askoschoenberg.nl award. World Premiere on 16 October the story of a man’s dissatisfaction with 2018. staatsoper-berlin.de life, which compels him to start digging Jan-Peter de Graaff anneliesvanparys.com MUNDI IMAGO in his garden to the center of the earth, De Grens Monique Krüs before beginning an equally surrealistic ENSEMBLE: BUT WHAT ABOUT Anne & Zef journey into the heavens. Artist filmmaker The year is 1918: World War I is nearing its CHAMBER OPERA / MUSIC BY MONIQUE KRÜS Martha Colburn, known for her hallucina- end. The German emperor, Kaiser Wilhelm Zef, A 15 year-old Albanian boy is the vic- tory and kaleidoscopic work, creates the II, arrives at the Dutch border as an exile tim of a blood feud. He meets Anne Frank animations for The Garden. Premieres 5 from his own country, seeking asylum in in the afterlife and they find out that they September 2018, Gaudeamus Muziek- the Netherlands. However, the Dutch gov- have a lot in common. Anne loves writing, week in Utrecht (NL). Commissioned ernment was not notified in advance of the Zef likes to act, both had trouble with their by Asko | Schönberg with the support of Kaiser’s arrival and takes its time to decide parents. They tell each other about their Dutch Performing Arts (NL). whether the royal visitor is welcome. A his- lives and grow more and more fond of richardayres.com / askoschoenberg.nl torical event with a contemporary twist, each other. Monique Krüs gathered fame wrapped into a compact chamber opera: Rob Zuidam as a soprano excelling in ultra-modern In my end is my beginning repertoire, then started composing and CHAMBER OPERA / NEW MUSIC & has since taken up conducting as well. ELECTRONICS: ROB ZUIDAM Currently she composes for the Europe- Mary Stuart: vile murderess or proud an Cultural City Malta and Leeuwarden heroine? Interpretations of the tragic 2018. Commissioned by Netherlands Phil- life of probably Scotland’s most famous harmonic Orchestra and Opera Spanga monarch (1542-1587) vary widely. In this Performed by Accademia Nazionale di production Rob Zuidam and the musi- Santa Cecilia (Rome), Theater Bielefeld cians of Imago Mundi take the com- and ISCM World Music Days Beijing 2018. NIEUWENDIJK ADA De Grens is an attractive performance of Janssen and composer Rieteke Hölscher. is silence a condition for a musical storm? 25 to 45 minutes that brings new music Inspired by the “Dutch Light”, Marij Jans- When the arrangers of Calefax are get- close to the audience. The length is flex- sen designed a cloud of people which ting into a score, in a way they are taking a ible because the two scenes can be per- confuses the light and creates strange look inside the head of a composer.
Recommended publications
  • Af20-Booking-Guide.Pdf
    1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial .
    [Show full text]
  • Michel Van Der Aa Appears Tobenothingparticularlyradicalaboutit
    Excerpt from the score of Here [to be found]. ‘This is the Gesamtkunst of the future.’ The Financial Times on After Life An Introduction to the Music cryptic suffering. As a dramatized documentary about a of Michel van der Aa genre it is quintessential Van der Aa. He is the observer whose expedition begins with the vital life questions his by Bas van Putten characters pose on his behalf. What do I see and hear, who am I, what do I feel, what do I think, where do I At first glance, Spaces of Blank (2007) by the Dutch stand? His brand of composing – and in the meantime, composer Michel van der Aa appears to be a conven- much more than just that: Van der Aa also films and tional three-movement song cycle for mezzo-soprano, directs – is less a matter of style as of attitude. ‘I’m not orchestra and soundtrack. The work, written on a a composer of just notes,’ he once said. Although he commission from the Royal Concertgebouw Orchestra, willingly qualifies that statement (‘not that notes aren’t Radio France and the Norddeutscher Rundfunk, is a important’), music is for Van der Aa unmistakably part of setting of evocative poems by Emily Dickinson, Anne a larger whole. The immediate recognizability of his tone, Carson and Rozalie Hirs; it is scored for more or less with the typical alternation between hectic motion and standard orchestral forces; the solo part is, for the most serene, surprisingly sonorous electro-acoustic harmo- part, without vocal eccentricities. Less common is the nies, does nothing to diminish this assertion.
    [Show full text]
  • Journal of the American Viola Society Volume 31 No. 1, Spring 2015
    New Horizons Vadim Borisovsky and His Viola Arrangements, Part II The Viola Concertos of J. G. Graun and M. H. Graul Unconfused The Absolute Zero Viola Quartet Volume 31 Number 1 Number 31 Volume Turn-Out in Standing Journal of the American Viola Society Viola American the of Journal Journal of the American Viola Society A publication of the American Viola Society Spring 2015: Volume 31, Number 1 p. 3 From the Editor p. 5 From the President News & Notes p. 9 Primrose Memorial Concert 2015 Myrna Layton reports on Atar Arad’s appearance at Brigham Young University as guest artist for the 33rd concert in memory of William Primrose. p. 13 42nd International Viola Congress in Review: Performing for the Future of Music Martha Evans and Lydia Handy share with us their experiences in Portugal, with a congress that focused on new horizons in viola music. Feature Articles p. 19 Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part II After a fascinating look at Borisovsky’s life in the previous issue, Elena Artamonova delves into the violist’s arrangements and editions, with a particular focus on the Glinka’s viola sonata p. 31 The Viola Concertos of J.G. Graun and M.H. Graul Unconfused The late Marshall ineF examined the viola concertos of J. G. Graul, court cellist for Frederick the Great, in arguing that there may have been misattribution to M. H. Graul. Departments p. 39 With Viola in Hand: A Passion Absolute–The Absolute Zero Viola Quartet The Absolute eroZ Quartet has captured the attention of violists in some 60 countries.
    [Show full text]
  • Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
    Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ.
    [Show full text]
  • Lucie Vítková (1985, Boskovice, CZ); +1 347 967 2997; [email protected];
    Lucie Vítková (1985, Boskovice, CZ); +1 347 967 2997; [email protected]; http://www.vitkovalucie.com. I am a composer, performer and improviser of accordion, harmonica, voice and dance from the Czech Republic. My work pursues two lines of enquiry: my compositional practice focuses on sonification (compositions based on abstract models derived from physical objects), while my improvisational practice explores characteristics of discrete spaces through the interaction between sound and movement. Recently, I have become particularly interested in the question of social relationships in music and their implications for the structural organization of musical pieces. I explore this theme in all aspects of my work. Education: [2013-present] Janacek Academy of Music and Performing Arts Brno (JAMU Brno), CZ: Doctorate in composition and music theory (Ph.D.) with Peter Graham; in the academic year 2014/2015 recipient of Nadace Český hudební fond scholarship. [1/2016-1/2017] Columbia University NYC, USA: Visiting scholar with Prof. George E. Lewis. [2/2015-12/2015] Universität der Künste Berlin, DE: Recipient of Erasmus Scholarship for studies in composition and music theory with Marc Sabat. [9/2014-1/2015] Universität der Künste Berlin: Recipient of DAAD scholarship (Deutscher Akademischer Austausch Dienst). [2011-13] JAMU Brno: Master’s Degree (MgA.) in composition with Martin Smolka and Peter Graham, including the following international exchanges: [2011-12] Royal Conservatoire The Hague, NL: Recipient of Erasmus Scholarship for studies in composition with Martijn Padding, Cornelis de Bondt, Gilius van Bergeijk and Yannis Kyriakides, and in sonology (a subset of sound studies) with Paul Berg, Joel Ryan, Peter Pabon, Richard Barrett and Kees Tazelaar.
    [Show full text]
  • Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
    IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Philharmonie Luxembourg Salle de Concerts Grande-Duchesse Joséphine-Charlotte Saison 2010/11 1 Sommaire / Inhalt / Content Partenaires d’événements: IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Philharmonie Luxembourg Jazz, World & Easy listening Orchestre Philharmonique du Luxembourg Cycle Philharmonique I 150 Salle de Concerts Grande-Duchesse Jazz & beyond 68 Cycle Philharmonique II 152 Joséphine-Charlotte – Saison 2010/11 Autour du monde 76 Cycle «Dating:» 154 Ciné-Concerts 82 Cycle «Duo» 155 Bienvenue / Willkommen / Welcome 4 Pops 86 Cycle «Familles» 156 Chill at the Phil 90 Amis de l’Orchestre Philharmonique du Nous remercions nos partenaires qui, en IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Luxembourg 158 associant leur image à la Philharmonie et Orchestre IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Solistes Européens, Luxembourg en soutenant sa programmation, permettent Special Cycle Rencontres SEL A 160 sa diversité et l’accès à un public plus large. Partenaire de programme: Grands orchestres 14 Cycle Rencontres SEL B 162 Grands solistes 18 Luxembourg Festival 96 Camerata 164 L’Orchestral 22 back to the future – rainy days 2010 98 Soirées de Luxembourg 166 pour «Backstage» Concerts exceptionnels 26 Musiques d’aujourd’hui
    [Show full text]
  • OPENINGSCONCERT: the GARDEN ASKO|SCHÖNBERG / SLAGWERK DEN HAAG 5 September 2018 - 20:30
    OPENINGSCONCERT: THE GARDEN ASKO|SCHÖNBERG / SLAGWERK DEN HAAG 5 september 2018 - 20:30 Grote Zaal: Openingsspeech: Henk Heuvelmans, directeur Gaudeamus Muziekweek Pauline Pisa, Utrechts Stadsdichtersgilde 50: (The Garden) (2018, 55’00) wereldpremière in opdracht van Asko|Schönberg en London Sinfonietta Componist Richard Ayres (GBR 1965) jurylid Gaudeamus Award 2018 door Asko|Schönberg o.l.v. Bas Wiegers Martha Colburn - visuals Joshua Bloom - basbariton Op de roltrap: Follow and Listen (2018, 7’00) wereldpremière Componist Georgia Nicolaou (CYP 1990) door Slagwerk Den Haag Hertz: flieht wie ein Schatten (2016, 7’00) Componist William Kuo (CAN 1990) genomineerd Gaudeamus Award 2018 door Asko|Schönberg o.l.v. Bas Wiegers the new normal (2016, 8’00) Componist William Dougherty (USA 1988) genomineerd Gaudeamus Award 2018 door Asko|Schönberg o.l.v. Bas Wiegers Asko|Schönberg Bas Wiegers - dirigent Ned McGowan - fluit, piccolo, basfluit Marieke Schut - hobo David Kweksilber - klarinet, basklarinet Anna voor de Wind - basklarinet, contrabasklarinet Amber Mallee - fagot, contrafagot Wim Timmermans - hoorn Eline Beumer - trompet, piccolotrompet Koen Kaptijn - trombone, euphonium Pauline Post - piano, keyboard Joey Marijs - slagwerk Joseph Puglia - viool Marijke van Kooten - viool Liesbeth Steffens - altviool Sebastiaan van Halsema - cello Quirijn van Regteren Altena - contrabas Lauge Dideriksen - audio sampler Tatiana Rosa - video operator Slagwerk Den Haag Antonio Bove Antonio Josselin Gabriele Segantini Frank Wienk The Garden is mede mogelijk
    [Show full text]
  • John Cage Stemkunst, Orgel En Piano Jan Welmers Beethoven
    16 najaar 14 Alle kleuren van het Orgelpark 13 september John Cage Prepared piano en orgel 1 november Timbres • Alle kleuren van het Orgelpark najaar 2014 Stemkunst, orgel en piano Jaap Blonk en Samuel Vriezen 16 november Jan Welmers Componistenportret Zondag 19 oktober Beethoven Pianoconcerten Pieter-Jelle de Boer Timbres nummer 16 • najaar 2014 1 Welkom in het Orgelpark! Het Orgelpark heeft als doel het orgel door In het Orgelpark staat het orgel centraal: als drager van oude muziek én als bron van inspiratie voor nieuwe muziek. Het monumentale gebouw van het Orgelpark, een nieuwe presentatie te integreren in gesitueerd aan het Vondelpark in Amsterdam en voorzien van een mooie akoestiek, voegt aan beide facetten een bijzondere dimensie toe. het muziekleven. Timbres is het tijdschrift van het Orgelpark en biedt achtergrond- Het concertpalet van het Orgelpark reikt dit najaar vrijwel naadloos van de 18de eeuw tot vandaag. Op zaterdag 6 september presenteert ensemble Severijn het informatie bij de vele activiteiten die er elk barok georiënteerde programma Odd Pearls. Op 19 oktober speelt Pieter-Jelle de Boer de pianoconcerten van Beethoven (waarbij het orgel de orkestpartijen voor seizoen plaatsvinden. Het aanbod varieert zijn rekening neemt!). Er is aandacht voor vroegmoderne componisten als Leos Janácek (24 oktober) en Carl Nielsen (8 november, met pianist Ralph van Raat), en van concerten met klassieke muziek tot ook de 20ste eeuw komt volop tot klinken, bijvoorbeeld in muziek van John Cage evenementen met film en beeldende kunst. (13 en 14 september), in het componistenportret van Jan Welmers (16 november) en natuurlijk in ons Min of meer Minimal Festival (begin oktober).
    [Show full text]
  • Calefax Reed Quintet Oliver Boekhoorn Hautbois Ivar Berix Clarinette Raaf Hekkema Saxophone Jelte Althuis Clarinette Basse Alban Wesly Basson
    Musiques d’aujourd’hui Jeudi / Donnerstag / Thursday 20.03.2014 20:00 Salle de Musique de Chambre Calefax Reed Quintet Oliver Boekhoorn hautbois Ivar Berix clarinette Raaf Hekkema saxophone Jelte Althuis clarinette basse Alban Wesly basson Backstage 19:45 Salle de Musique de Chambre Meet the composers: Pre-concert talk with Willem Jeths and Sander Germanus (E) Conlon Nancarrow (1912–1997) Studies for Player Piano N° 2, N° 15, N° 44 & N° 3c (1945–1990) (arr. Raaf Hekkema) 17’ Willem Jeths (*1959) Maktub for reed quintet (2013, création / Uraufführung) ~10’ Sander Germanus (*1972) Nur für Verrückte for reed quintet, tape and spotlights (2013–2014, création / Uraufführung) — Hans Abrahamsen (*1952) Walden. Woodwind Quintet N° 2 (1978/1995) 11’ Carola Bauckholt (*1959) Zugvögel (2012) 12’ Graham Fitkin (*1963) Compel (2010) 12’ Les compositeurs Samuel Conlon Nancarrow est né le 27 octobre 1912 à Texarkana, dans l’Arkansas. Très tôt «contaminé par le virus de la musique», il commence à jouer du jazz à la trompette. L’occasion lui est offerte d’entendre l’une des toutes premières interprétations du Sacre du printemps aux États-Unis, par le Cincinnati Symphony Orchestra – événement à l’origine de sa fascination profonde et durable pour Stravinsky et pour le rythme. Il s’installe ensuite à Boston, où il suit, en privé, l’enseignement de Roger Sessions, Walter Piston et Nicolas Slonimsky. Il est probable qu’il ait croi- sé la route d’Arnold Schoenberg qui avait fui l’Europe en proie au nazisme. Les sympathies communistes de Nancarrow le con- vainquent de participer à la Guerre civile d’Espagne en 1937– 1938 avec la Brigade Abraham Lincoln.
    [Show full text]
  • June 2019 Catalogue Issue 38 Prices Valid Until Friday 26 July 2019 Unless Stated Otherwise
    June 2019 Catalogue Issue 38 Prices valid until Friday 26 July 2019 unless stated otherwise Birmingham Town Hall in an 1830s engraving, 0115 982 7500 similar to that featured on the cover of ‘Mendelssohn in Birmingham vol.5’, released by Chandos this month (CHSA5235). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Young Norwegian soprano Lise Davidsen has gradually been garnering attention in recent years, perhaps making the leap to a wider awareness following her award of Gramophone’s ‘Young Artist of the Year’ in 2018 and her sublime performance of Strauss’s ‘Morgen’ at the ceremony. Ariadne was her major role last year; 2019 sees her take on the part of Elisabeth in Tannhauser - Zurich and Munich have already had the pleasure and she will be taking it to Bayreuth in July, under the baton of Valery Gergiev in a brand new production. Pleasingly for those of us who won’t manage to catch her live, her debut album on Decca has just been released, featuring two arias from Tannhauser plus orchestral lieder (and one aria) by Richard Strauss. We have been hugely impressed, especially considering her mere 32 years of age, making it a clear choice for Disc of the Month. Please see our website for our full review. Other new releases to highlight for June include a second lieder recital from Decca, performed by none other than Renee Fleming; Hyperion issue the latest in their series of ‘Romantic Violin Concertos’, this volume featuring works by Lassen, Scharwenka and Langgaard; the Vaughan Williams Society offer us his works for viola and piano via the Albion label; the final instalment in the Halle’s superb Ring Cycle (Siegfried) is released on the Halle’s own label; and stunning vocal ensemble Vox Luminis give us a treat in the shape of works by the Bach Family.
    [Show full text]
  • Bible for Boats 40 Years Measuring Yacht Hulls
    Outlook DelftMAGAZINE OF DELFT UniVERSITY OF TECHNOLOGY 2013 • 1 Bible for boats 40 years measuring yacht hulls Digital Dora Black box in the operating room Paul Rullmann ‘I value students’ contribution’ Leading ladies Finding talented women 1 Contents Delft in Brief no. 1 3 Delft in brief 13 Column Remco de Boer Efficient dredging 13 Work in progress The dredgers seem to be fighting a losing battle in the river Waal; the water- way is silting up more quickly as a result of the floodplains being lowered 20 New Applied Sciences building and the summer dikes moved. Reason enough for student Tim van der Lugt 2013 (CEG) to spend this winter trying out something new, together with the 22 Hora est, propositions, cartoon and soundbites captain of dredger M.S. Dintel. Rather than levelling the sandbanks with a vertical plate, the dredgers take a ‘bite’ of sand, which they then move under 23 View: Maarten van Ham on deprived neighbourhoods water and deposit elsewhere. This reduces friction tremendously. The tech- nique has not yet been fully developed. On one occasion, the stern of the 23 Since you asked: Money for Groningen ship completely disappeared under water when the flap valve of the plough failed to open quickly enough. Bible for yacht builders 24 In person Photo: Tomas van Dijk van Tomas Photo: delta.tudelft.nl/26160 6 25 The firm 25 Life after Delft Get out of here 26 Alumni news Evacuations could be accomplished more effectively and efficiently by equipping people in the affected area with simple means of naviga- tion and communication, so argues PhD candidate Lucy T.
    [Show full text]
  • Miss Groningen En Hanzemag Wensen Jullie Een Geweldige Zomer! HG-Voorzitter Pijlman Content Met Prestatie-Afspraken in De Dop
    uitblinkers of uitslovers? 17e jaargang 20 juni 2012 redactioneel onafhankelijk magazine van de Hanzehogeschool Groningen | e-mail: [email protected] | Foto: Pepijn van den Broeke | Model: Chanel Feikens 11 Miss Groningen enHanzeMag wensen jullie een geweldige zomer! geweldige een jullie wensen HG-voorzitter Pijlman content met prestatie-afspraken in de dop ‘Het is goed om de boel af en toe op te schudden’ Eind juli oordeelt de door het ministerie van Onderwijs ingestelde commissie Hoger Onderwijs en Onderzoek over de inhoud van het prestatiecontract dat de HG in september wil sluiten met de staatssecretaris. In het contract staan afspraken over de door HG- voorzitter Henk Pijlman beoogde vermindering van de overhead. Voor september 2016 sneuvelen er tijden de boel eens op te schudden. Wat tot december de tijd om de plannen 240 banen in de overhead. Nogal een doen we? Doen we dat efficiënt? En wat uit te werken en te bespreken met de De prestatie-afspraken ingreep. verandert er in de omgeving? Neem de medewerkers.’ In de periode tussen september 2012 ‘De verhouding tussen onderwijs- en studentenadministratie, daar werken en september 2016 zal de Hanzehoge- ondersteunend personeel is al langer uit honderd mensen. We verwachten dat De overheadreductie staat in de zoge- school (HG) een aantal veranderingen evenwicht. Vorig jaar hadden we voor we door verdergaande automatisering heten prestatie-afspraken. Als de HG doorvoeren die ertoe leiden dat het 1550 fte (fulltime equivalent, volledige met minder mensen toe kunnen. Maar die niet nakomt, kort het ministerie ministerie van Onderwijs, de rijksbij- banen van 38 uur per week, red.) aan die mensen kunnen weer ander nuttig op de rijksbijdrage.
    [Show full text]