Dutch-Composers-Now-2018-Web
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Michel Van Der Aa Appears Tobenothingparticularlyradicalaboutit
Excerpt from the score of Here [to be found]. ‘This is the Gesamtkunst of the future.’ The Financial Times on After Life An Introduction to the Music cryptic suffering. As a dramatized documentary about a of Michel van der Aa genre it is quintessential Van der Aa. He is the observer whose expedition begins with the vital life questions his by Bas van Putten characters pose on his behalf. What do I see and hear, who am I, what do I feel, what do I think, where do I At first glance, Spaces of Blank (2007) by the Dutch stand? His brand of composing – and in the meantime, composer Michel van der Aa appears to be a conven- much more than just that: Van der Aa also films and tional three-movement song cycle for mezzo-soprano, directs – is less a matter of style as of attitude. ‘I’m not orchestra and soundtrack. The work, written on a a composer of just notes,’ he once said. Although he commission from the Royal Concertgebouw Orchestra, willingly qualifies that statement (‘not that notes aren’t Radio France and the Norddeutscher Rundfunk, is a important’), music is for Van der Aa unmistakably part of setting of evocative poems by Emily Dickinson, Anne a larger whole. The immediate recognizability of his tone, Carson and Rozalie Hirs; it is scored for more or less with the typical alternation between hectic motion and standard orchestral forces; the solo part is, for the most serene, surprisingly sonorous electro-acoustic harmo- part, without vocal eccentricities. Less common is the nies, does nothing to diminish this assertion. -
Journal of the American Viola Society Volume 31 No. 1, Spring 2015
New Horizons Vadim Borisovsky and His Viola Arrangements, Part II The Viola Concertos of J. G. Graun and M. H. Graul Unconfused The Absolute Zero Viola Quartet Volume 31 Number 1 Number 31 Volume Turn-Out in Standing Journal of the American Viola Society Viola American the of Journal Journal of the American Viola Society A publication of the American Viola Society Spring 2015: Volume 31, Number 1 p. 3 From the Editor p. 5 From the President News & Notes p. 9 Primrose Memorial Concert 2015 Myrna Layton reports on Atar Arad’s appearance at Brigham Young University as guest artist for the 33rd concert in memory of William Primrose. p. 13 42nd International Viola Congress in Review: Performing for the Future of Music Martha Evans and Lydia Handy share with us their experiences in Portugal, with a congress that focused on new horizons in viola music. Feature Articles p. 19 Vadim Borisovsky and His Viola Arrangements: Recent Discoveries in Russian Archives and Libraries, Part II After a fascinating look at Borisovsky’s life in the previous issue, Elena Artamonova delves into the violist’s arrangements and editions, with a particular focus on the Glinka’s viola sonata p. 31 The Viola Concertos of J.G. Graun and M.H. Graul Unconfused The late Marshall ineF examined the viola concertos of J. G. Graul, court cellist for Frederick the Great, in arguing that there may have been misattribution to M. H. Graul. Departments p. 39 With Viola in Hand: A Passion Absolute–The Absolute Zero Viola Quartet The Absolute eroZ Quartet has captured the attention of violists in some 60 countries. -
Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ. -
Lucie Vítková (1985, Boskovice, CZ); +1 347 967 2997; [email protected];
Lucie Vítková (1985, Boskovice, CZ); +1 347 967 2997; [email protected]; http://www.vitkovalucie.com. I am a composer, performer and improviser of accordion, harmonica, voice and dance from the Czech Republic. My work pursues two lines of enquiry: my compositional practice focuses on sonification (compositions based on abstract models derived from physical objects), while my improvisational practice explores characteristics of discrete spaces through the interaction between sound and movement. Recently, I have become particularly interested in the question of social relationships in music and their implications for the structural organization of musical pieces. I explore this theme in all aspects of my work. Education: [2013-present] Janacek Academy of Music and Performing Arts Brno (JAMU Brno), CZ: Doctorate in composition and music theory (Ph.D.) with Peter Graham; in the academic year 2014/2015 recipient of Nadace Český hudební fond scholarship. [1/2016-1/2017] Columbia University NYC, USA: Visiting scholar with Prof. George E. Lewis. [2/2015-12/2015] Universität der Künste Berlin, DE: Recipient of Erasmus Scholarship for studies in composition and music theory with Marc Sabat. [9/2014-1/2015] Universität der Künste Berlin: Recipient of DAAD scholarship (Deutscher Akademischer Austausch Dienst). [2011-13] JAMU Brno: Master’s Degree (MgA.) in composition with Martin Smolka and Peter Graham, including the following international exchanges: [2011-12] Royal Conservatoire The Hague, NL: Recipient of Erasmus Scholarship for studies in composition with Martijn Padding, Cornelis de Bondt, Gilius van Bergeijk and Yannis Kyriakides, and in sonology (a subset of sound studies) with Paul Berg, Joel Ryan, Peter Pabon, Richard Barrett and Kees Tazelaar. -
Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Philharmonie Luxembourg Salle de Concerts Grande-Duchesse Joséphine-Charlotte Saison 2010/11 1 Sommaire / Inhalt / Content Partenaires d’événements: IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Philharmonie Luxembourg Jazz, World & Easy listening Orchestre Philharmonique du Luxembourg Cycle Philharmonique I 150 Salle de Concerts Grande-Duchesse Jazz & beyond 68 Cycle Philharmonique II 152 Joséphine-Charlotte – Saison 2010/11 Autour du monde 76 Cycle «Dating:» 154 Ciné-Concerts 82 Cycle «Duo» 155 Bienvenue / Willkommen / Welcome 4 Pops 86 Cycle «Familles» 156 Chill at the Phil 90 Amis de l’Orchestre Philharmonique du Nous remercions nos partenaires qui, en IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Luxembourg 158 associant leur image à la Philharmonie et Orchestre IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII Solistes Européens, Luxembourg en soutenant sa programmation, permettent Special Cycle Rencontres SEL A 160 sa diversité et l’accès à un public plus large. Partenaire de programme: Grands orchestres 14 Cycle Rencontres SEL B 162 Grands solistes 18 Luxembourg Festival 96 Camerata 164 L’Orchestral 22 back to the future – rainy days 2010 98 Soirées de Luxembourg 166 pour «Backstage» Concerts exceptionnels 26 Musiques d’aujourd’hui -
OPENINGSCONCERT: the GARDEN ASKO|SCHÖNBERG / SLAGWERK DEN HAAG 5 September 2018 - 20:30
OPENINGSCONCERT: THE GARDEN ASKO|SCHÖNBERG / SLAGWERK DEN HAAG 5 september 2018 - 20:30 Grote Zaal: Openingsspeech: Henk Heuvelmans, directeur Gaudeamus Muziekweek Pauline Pisa, Utrechts Stadsdichtersgilde 50: (The Garden) (2018, 55’00) wereldpremière in opdracht van Asko|Schönberg en London Sinfonietta Componist Richard Ayres (GBR 1965) jurylid Gaudeamus Award 2018 door Asko|Schönberg o.l.v. Bas Wiegers Martha Colburn - visuals Joshua Bloom - basbariton Op de roltrap: Follow and Listen (2018, 7’00) wereldpremière Componist Georgia Nicolaou (CYP 1990) door Slagwerk Den Haag Hertz: flieht wie ein Schatten (2016, 7’00) Componist William Kuo (CAN 1990) genomineerd Gaudeamus Award 2018 door Asko|Schönberg o.l.v. Bas Wiegers the new normal (2016, 8’00) Componist William Dougherty (USA 1988) genomineerd Gaudeamus Award 2018 door Asko|Schönberg o.l.v. Bas Wiegers Asko|Schönberg Bas Wiegers - dirigent Ned McGowan - fluit, piccolo, basfluit Marieke Schut - hobo David Kweksilber - klarinet, basklarinet Anna voor de Wind - basklarinet, contrabasklarinet Amber Mallee - fagot, contrafagot Wim Timmermans - hoorn Eline Beumer - trompet, piccolotrompet Koen Kaptijn - trombone, euphonium Pauline Post - piano, keyboard Joey Marijs - slagwerk Joseph Puglia - viool Marijke van Kooten - viool Liesbeth Steffens - altviool Sebastiaan van Halsema - cello Quirijn van Regteren Altena - contrabas Lauge Dideriksen - audio sampler Tatiana Rosa - video operator Slagwerk Den Haag Antonio Bove Antonio Josselin Gabriele Segantini Frank Wienk The Garden is mede mogelijk -
John Cage Stemkunst, Orgel En Piano Jan Welmers Beethoven
16 najaar 14 Alle kleuren van het Orgelpark 13 september John Cage Prepared piano en orgel 1 november Timbres • Alle kleuren van het Orgelpark najaar 2014 Stemkunst, orgel en piano Jaap Blonk en Samuel Vriezen 16 november Jan Welmers Componistenportret Zondag 19 oktober Beethoven Pianoconcerten Pieter-Jelle de Boer Timbres nummer 16 • najaar 2014 1 Welkom in het Orgelpark! Het Orgelpark heeft als doel het orgel door In het Orgelpark staat het orgel centraal: als drager van oude muziek én als bron van inspiratie voor nieuwe muziek. Het monumentale gebouw van het Orgelpark, een nieuwe presentatie te integreren in gesitueerd aan het Vondelpark in Amsterdam en voorzien van een mooie akoestiek, voegt aan beide facetten een bijzondere dimensie toe. het muziekleven. Timbres is het tijdschrift van het Orgelpark en biedt achtergrond- Het concertpalet van het Orgelpark reikt dit najaar vrijwel naadloos van de 18de eeuw tot vandaag. Op zaterdag 6 september presenteert ensemble Severijn het informatie bij de vele activiteiten die er elk barok georiënteerde programma Odd Pearls. Op 19 oktober speelt Pieter-Jelle de Boer de pianoconcerten van Beethoven (waarbij het orgel de orkestpartijen voor seizoen plaatsvinden. Het aanbod varieert zijn rekening neemt!). Er is aandacht voor vroegmoderne componisten als Leos Janácek (24 oktober) en Carl Nielsen (8 november, met pianist Ralph van Raat), en van concerten met klassieke muziek tot ook de 20ste eeuw komt volop tot klinken, bijvoorbeeld in muziek van John Cage evenementen met film en beeldende kunst. (13 en 14 september), in het componistenportret van Jan Welmers (16 november) en natuurlijk in ons Min of meer Minimal Festival (begin oktober). -
Calefax Reed Quintet Oliver Boekhoorn Hautbois Ivar Berix Clarinette Raaf Hekkema Saxophone Jelte Althuis Clarinette Basse Alban Wesly Basson
Musiques d’aujourd’hui Jeudi / Donnerstag / Thursday 20.03.2014 20:00 Salle de Musique de Chambre Calefax Reed Quintet Oliver Boekhoorn hautbois Ivar Berix clarinette Raaf Hekkema saxophone Jelte Althuis clarinette basse Alban Wesly basson Backstage 19:45 Salle de Musique de Chambre Meet the composers: Pre-concert talk with Willem Jeths and Sander Germanus (E) Conlon Nancarrow (1912–1997) Studies for Player Piano N° 2, N° 15, N° 44 & N° 3c (1945–1990) (arr. Raaf Hekkema) 17’ Willem Jeths (*1959) Maktub for reed quintet (2013, création / Uraufführung) ~10’ Sander Germanus (*1972) Nur für Verrückte for reed quintet, tape and spotlights (2013–2014, création / Uraufführung) — Hans Abrahamsen (*1952) Walden. Woodwind Quintet N° 2 (1978/1995) 11’ Carola Bauckholt (*1959) Zugvögel (2012) 12’ Graham Fitkin (*1963) Compel (2010) 12’ Les compositeurs Samuel Conlon Nancarrow est né le 27 octobre 1912 à Texarkana, dans l’Arkansas. Très tôt «contaminé par le virus de la musique», il commence à jouer du jazz à la trompette. L’occasion lui est offerte d’entendre l’une des toutes premières interprétations du Sacre du printemps aux États-Unis, par le Cincinnati Symphony Orchestra – événement à l’origine de sa fascination profonde et durable pour Stravinsky et pour le rythme. Il s’installe ensuite à Boston, où il suit, en privé, l’enseignement de Roger Sessions, Walter Piston et Nicolas Slonimsky. Il est probable qu’il ait croi- sé la route d’Arnold Schoenberg qui avait fui l’Europe en proie au nazisme. Les sympathies communistes de Nancarrow le con- vainquent de participer à la Guerre civile d’Espagne en 1937– 1938 avec la Brigade Abraham Lincoln. -
June 2019 Catalogue Issue 38 Prices Valid Until Friday 26 July 2019 Unless Stated Otherwise
June 2019 Catalogue Issue 38 Prices valid until Friday 26 July 2019 unless stated otherwise Birmingham Town Hall in an 1830s engraving, 0115 982 7500 similar to that featured on the cover of ‘Mendelssohn in Birmingham vol.5’, released by Chandos this month (CHSA5235). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, Young Norwegian soprano Lise Davidsen has gradually been garnering attention in recent years, perhaps making the leap to a wider awareness following her award of Gramophone’s ‘Young Artist of the Year’ in 2018 and her sublime performance of Strauss’s ‘Morgen’ at the ceremony. Ariadne was her major role last year; 2019 sees her take on the part of Elisabeth in Tannhauser - Zurich and Munich have already had the pleasure and she will be taking it to Bayreuth in July, under the baton of Valery Gergiev in a brand new production. Pleasingly for those of us who won’t manage to catch her live, her debut album on Decca has just been released, featuring two arias from Tannhauser plus orchestral lieder (and one aria) by Richard Strauss. We have been hugely impressed, especially considering her mere 32 years of age, making it a clear choice for Disc of the Month. Please see our website for our full review. Other new releases to highlight for June include a second lieder recital from Decca, performed by none other than Renee Fleming; Hyperion issue the latest in their series of ‘Romantic Violin Concertos’, this volume featuring works by Lassen, Scharwenka and Langgaard; the Vaughan Williams Society offer us his works for viola and piano via the Albion label; the final instalment in the Halle’s superb Ring Cycle (Siegfried) is released on the Halle’s own label; and stunning vocal ensemble Vox Luminis give us a treat in the shape of works by the Bach Family. -
Bible for Boats 40 Years Measuring Yacht Hulls
Outlook DelftMAGAZINE OF DELFT UniVERSITY OF TECHNOLOGY 2013 • 1 Bible for boats 40 years measuring yacht hulls Digital Dora Black box in the operating room Paul Rullmann ‘I value students’ contribution’ Leading ladies Finding talented women 1 Contents Delft in Brief no. 1 3 Delft in brief 13 Column Remco de Boer Efficient dredging 13 Work in progress The dredgers seem to be fighting a losing battle in the river Waal; the water- way is silting up more quickly as a result of the floodplains being lowered 20 New Applied Sciences building and the summer dikes moved. Reason enough for student Tim van der Lugt 2013 (CEG) to spend this winter trying out something new, together with the 22 Hora est, propositions, cartoon and soundbites captain of dredger M.S. Dintel. Rather than levelling the sandbanks with a vertical plate, the dredgers take a ‘bite’ of sand, which they then move under 23 View: Maarten van Ham on deprived neighbourhoods water and deposit elsewhere. This reduces friction tremendously. The tech- nique has not yet been fully developed. On one occasion, the stern of the 23 Since you asked: Money for Groningen ship completely disappeared under water when the flap valve of the plough failed to open quickly enough. Bible for yacht builders 24 In person Photo: Tomas van Dijk van Tomas Photo: delta.tudelft.nl/26160 6 25 The firm 25 Life after Delft Get out of here 26 Alumni news Evacuations could be accomplished more effectively and efficiently by equipping people in the affected area with simple means of naviga- tion and communication, so argues PhD candidate Lucy T. -
Miss Groningen En Hanzemag Wensen Jullie Een Geweldige Zomer! HG-Voorzitter Pijlman Content Met Prestatie-Afspraken in De Dop
uitblinkers of uitslovers? 17e jaargang 20 juni 2012 redactioneel onafhankelijk magazine van de Hanzehogeschool Groningen | e-mail: [email protected] | Foto: Pepijn van den Broeke | Model: Chanel Feikens 11 Miss Groningen enHanzeMag wensen jullie een geweldige zomer! geweldige een jullie wensen HG-voorzitter Pijlman content met prestatie-afspraken in de dop ‘Het is goed om de boel af en toe op te schudden’ Eind juli oordeelt de door het ministerie van Onderwijs ingestelde commissie Hoger Onderwijs en Onderzoek over de inhoud van het prestatiecontract dat de HG in september wil sluiten met de staatssecretaris. In het contract staan afspraken over de door HG- voorzitter Henk Pijlman beoogde vermindering van de overhead. Voor september 2016 sneuvelen er tijden de boel eens op te schudden. Wat tot december de tijd om de plannen 240 banen in de overhead. Nogal een doen we? Doen we dat efficiënt? En wat uit te werken en te bespreken met de De prestatie-afspraken ingreep. verandert er in de omgeving? Neem de medewerkers.’ In de periode tussen september 2012 ‘De verhouding tussen onderwijs- en studentenadministratie, daar werken en september 2016 zal de Hanzehoge- ondersteunend personeel is al langer uit honderd mensen. We verwachten dat De overheadreductie staat in de zoge- school (HG) een aantal veranderingen evenwicht. Vorig jaar hadden we voor we door verdergaande automatisering heten prestatie-afspraken. Als de HG doorvoeren die ertoe leiden dat het 1550 fte (fulltime equivalent, volledige met minder mensen toe kunnen. Maar die niet nakomt, kort het ministerie ministerie van Onderwijs, de rijksbij- banen van 38 uur per week, red.) aan die mensen kunnen weer ander nuttig op de rijksbijdrage.