CINEMUSESPACE Exploring People’S Experience, and Understanding Of, Everyday Space
CINEMUSESPACE Exploring people’s experience, and understanding of, everyday space Suzanne MacLeod, Ceri Jones and Jocelyn Dodd April 2020 1 CONTENTS 1. Introducing CineMuseSpace 3 2. Case Study 1: CineMuseSpace at CFCCA 4 3. CFCCA Findings 12 4. CFCCA Conclusions 34 5. Case Study 2: CineMuseSpace at Port Sunlight 37 6. Port Sunlight Findings 46 7. Port Sunlight Conclusions 63 8. Conclusions 60 Appendix 1: List of participants, CFCCA case study 63 Appendix 2: CineMuseSpace at CFCCA, visitor questions 67 and prompts Appendix 3: List of participants, Port Sunlight case study 68 Appendix 4: Port Sunlight, questions and prompts 69 Front cover: Timeline artwork made by CineMuseSpace based on the film Caché (Michael Haneke, 2005). 2 1 Introducing CineMuseSpace Project aims and ambitions prompt reflection on how this differs across cultures. Funded by the Arts and Humanities Research Council (AHRC) CineMuseSpace: A Cinematic Following an opening Workshop to this phase of Musée Imaginaire of Spatial Cultural Differences was the project and involving all partners (the led by François Penz, School of Architecture, Cambridge and Leicester teams as well as the University of Cambridge, Suzanne MacLeod, cultural organisations), two very different School of Museum Studies, University of approaches were developed towards public Leicester, and Andong Lu, Nanjing University. engagement:2 The project was framed by the premise that cinema can be ‘construed as a form of spatial 1. An installation as part of the Future Cities: ethnography’ in which films make visible ‘how Technopolis and Everyday Life exhibition at the we live, love, work and sleep in buildings’.1 Centre for Chinese Contemporary Art Through the creation of a database of cinematic (CFCCA) in Manchester; images from films representative of the Western ‘naturalism’ tradition (Europe, USA) and the 2.
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