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Book Reviews
Swedish American Genealogist Volume 33 | Number 3 Article 16 9-1-2013 Book Reviews Follow this and additional works at: https://digitalcommons.augustana.edu/swensonsag Part of the Genealogy Commons, and the Scandinavian Studies Commons Recommended Citation (2013) "Book Reviews," Swedish American Genealogist: Vol. 33 : No. 3 , Article 16. Available at: https://digitalcommons.augustana.edu/swensonsag/vol33/iss3/16 This Article is brought to you for free and open access by Augustana Digital Commons. It has been accepted for inclusion in Swedish American Genealogist by an authorized editor of Augustana Digital Commons. For more information, please contact [email protected]. Book Reviews Here you will find information about interesting books on the immigration experience, genealogical manuals, books on Swedish customs, and much more. We welcome contacts with SAG readers, suggestions on books to review perhaps. If you want to review a book yourself, please contact the SAG Editor, at <[email protected]> so we know what you are working on. for Stockholm where he found work SAG Book Review editor retires as a ship painter, then sailed to France and then to England seeking SAG Book Review editor Dennis L. work. He found a little work as a Johnson of Pottstown, PA, has since scene painter in theaters and in 1901 2004 written 90 lengthy, detailed, he earned his passage to the U.S. by and interesting book reviews of decorating a Norwegian sea captain's books on Swedish or Swedish- cabin. He worked on the East Coast American themes. as an itinerant artist for two years, For this big effort we are all very then signed on a ship as seaman to grateful. -
Hindenburg - the Last Flight
MIPCOM 2010 Line-Up Booth R31.01A Phone: +33 (0) 4 92 99 88 53 www.betafilm.com Visit our Screeningroom! Miniseries (2 x two hours, HD) Hindenburg - The Last Flight An awe-inspiring airship. A murderous conspiracy. A devastating catastrophe. Frankfurt, May 1937. The Hindenburg, the world's largest airship, is getting ready to fly to New York. A vehicle of staggering dimensions, it is the pride of Nazi Germany. But it has one serious flaw: due to an American embargo preventing the sale of helium to Germany, the Hindenburg is filled with highly combustible hydrogen gas instead. To Merten Kröger, an engineer who helped design the Hindenburg, the ship is a stick of dynamite waiting for a spark. The young man of great charm but modest means has fallen in love with the wealthy Jennifer van Zandt, the daughter of an American industrialist who wants to sell helium to the Germans. Just before the ship takes off, Merten learns how far the industrialist will go: he has had a bomb placed on the airship. What van Zandt didn't know is that his wife and daughter would be on board. Merten sneaks aboard the airship without a minute to spare. The young couple is reunited, and despite the great difference in class and social status between them, Jennifer, too, avows her love for Merten. He tells her of the bomb hidden somewhere on the airship. But there is little time for explanations, since Merten must flee: he is being sought for a murder he says he did not commit. -
Swedish Film Magazine #1 2008
SWEDISH FILM NO.1/08 BERLIN PREMIERES:HEAVEN’S HEART LEO CIAO BELLA SPENDING THE NIGHT TOMMY MY UNCLE LOVED THE COLOUR YELLOW www.swedishfi lm.orgXX XX XX SWEDISH FILM NO. 1 2008 FOREWORD A NEW SPRING FOR SWEDISH FILM Director International Pia Lundberg On one of last summer’s sunniest days we received the news that Ingmar Bergman Department Phone +46 70 692 79 80 pia.lundberg@sfi .se had passed away at his home on Fårö at the age of 89. The stream of condolences that Festivals, features Gunnar Almér poured in from all over the world reminded us Swedes just how great Bergman truly was. Im- Phone +46 70 640 46 56 gunnar.almer@sfi .se mediately the question was being asked as to who would inherit Bergman’s mantle. The answer Features, special Petter Mattsson projects Phone +46 70 607 11 34 is nobody. Or lots of people. Because in the new Swedish fi lms that are emerging, one can de- petter.mattsson@sfi .se tect a strong measure of personal expression and the re-emergence of the auteur tradition. Festivals, Sara Yamashita Rüster documentaries Phone +46 76 117 26 78 An impressive year of Swedish fi lms awaits us. Many of our most successful, award- sara.ruster@sfi .se winning and internationally-acclaimed directors will be presenting new fi lms this year. They Festivals, short fi lms Andreas Fock Phone +46 70 519 59 66 include Lukas Moodysson (Show Me Love, Together, Lilya 4-ever) whose fi rst major interna- andreas.fock@sfi .se tional collaboration, Mammoth, will star Gael Garcia Bernal and Michelle Williams in the Press Offi cer Jan Göransson Phone +46 70 603 03 62 leading roles. -
The End of Imperialism Was the Birth of Nationalism, a Wave of Rising
New German Identity: Reworking the Past and Defining the Present in Contemporary German Cinema Constance McCarney Dr. Robert Gregg Spring 2008 General University Honors McCarney 2 The end of imperialism was the birth of nationalism, a wave of rising consciousness that swept over the conquered areas of the world and brought them to their feet with a defiant cry, “We are a Nation!” These new nations, almost all multiethnic states, struggled in defining themselves, found themselves locked in civil wars over what the citizen of this nation looked like and who s/he was. The old nations, locked in a Cold War, looked on, confident in their own national cohesion and unity. But the end of the Cold War proved to be the birth of complicated new identity concerns for Europe. Yugoslavia splintered in terrible ethnic conflict. France rioted over the expression of religious affiliation. Germany tried desperately to salvage the hope that brought down the Wall and stitch itself back together. For Germany the main questions of identity linger, not only who is a German, but what does it mean to be German? In the aftermath of the great upheavals in Germany’s recent past, the Second World War and the fall of the Third Reich, German films did their best to ignore these questions of identity and the complications of the past. But in the late 1960s and throughout the 1970s, a New German Cinema arose that sought to work through the complex issues of West Germany: the legacy of the Nazi Past, American occupation, the Berlin Wall and divided Germany, the radicalism of the time period in a global context, and the civil rights movements, particularly the women’s movement. -
Investigating Nordic Noir
Investigating Nordic Noir By Sofia Alexi A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts Victoria University of Wellington 2017 3 Abstract Alexi Sofia, Film Studies, Victoria University of Wellington Abstract of Master’s Thesis, Submitted 10 April 2017: “Investigating Nordic noir” Scandinavian crime films and television series have become popular in recent years. This thesis explores some of the key texts in ‘Nordic noir’ through a discussion of detectives, the environment, and visual style. The emphasis in the project is on textual analysis. The first chapter examines the figures of Wallander and Lund in Wallander and Forbrydelsen respectively. I argue that the conflicts Nordic detectives often have between work and the domestic sphere are an indication of how gender stereotypes are challenged in the Scandinavian crime genre. The second chapter considers the role of the natural and built environments in Nordic noir. Features such as forests and water play a crucial role in Forbrydelsen because of the ways in which they create uncertainty, anticipation, and suspense. The urban spaces of Bron/Broen develop a sense of anonymity that recalls the function of the city in classic film noir. Rather than developing links between Sweden and Denmark, the series suggests that the Øresund bridge that spans the two countries is ultimately a disconnecting, centrifugal force that functions as what Marc Augé would call a ‘non-place’. The final chapter considers the role of colour and light in the films Insomnia and Jar City. My analysis demonstrates that Nordic noir encompasses more than naturalism and realism. -
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MoMA PRESENTS 28TH ANNUAL SURVEY OF CONTEMPORARY GERMAN CINEMA Strength and Variety of New German Cinema Complements Special Program Celebrating Filmmaking in the German Capital Over Past 10 Years Kino! 2007 November 1–14, 2007 The Roy and Niuta Titus 2 Theater NEW YORK, October 17, 2007—The Museum of Modern Art presents Kino! 2007, its 28th annual survey of recent German cinema. The exhibition of 28 narrative and documentary films, both features and shorts, is presented November 1–14, 2007, in The Roy and Niuta Titus Theaters. In addition to continuing its focus on contemporary German cinema, this year’s presentation includes a series of films from the past 10 years entitled Kino! Berlin, part of Berlin in Lights, a New York-based celebration of the arts in Germany’s capital city, organized by Carnegie Hall. The films in Kino! Berlin are all set in Berlin and range from documentaries (the Hissen Brothers’ Christo and Jeanne-Claude: The Wrapped Reichstag, 1996), to intense dramas such as Florian Henckel von Donnersmarck’s recent Oscar-winning The Lives of Others (2005). Kino! 2007 is organized by Laurence Kardish, Senior Curator, Department of Film and Media; in collaboration with German Films Service + Marketing (Munich) and its New York representative Oliver Mahrdt. Among the recently produced films in Kino! 2007 are the directorial debut of Hanna Schygulla—in the short film Hanna Hannah (2006), where the celebrated actress Schygulla, born into the Third Reich during World War II, muses on why her mother gave her a Jewish name; Igor Reitzmann’s documentary A Father’s Music (2006), which examines the double life of his father, the conductor Otmar Suitner; and Birgit Moeller’s debut feature Valerie (2006), set in a luxury hotel. -
Films from 21–27 JANUARY, 2011 GERMANY AUSTRIA SWITZERLAND LANDMARK’S E STREET CINEMA 555 11TH ST
NEW FILMS From 21–27 JANUARY, 2011 GERMANY AUSTRIA SWITZERLAND LANDMARK’S E STREET CINEMA WWW.FILMNEU.ORG 555 11TH ST. NW | METRO: METRO CENTER VISIT FILMNEU.ORG FOR DETAILS AND TO BUY TICKETS! © Percy Adlon New Films on theMahler Couch from Germany, Austria and Switzerland January 21-27, 2011 Tickets $10, $8 for Students and Friends of the Goethe-Institut $7.50 for Seniors Opening Night 7 pm Screening followed by “Berliner Party” with DJ at Goethe-Institut: $25 Landmark’s E Street Cinema 555 11th Street NW Closing Night Washington, DC 20004 Screening and Reception: $15 202-452-7672 (Metro: Metro Center) For information call 202-452-7672 or visit www.landmarktheatres.com Tickets can be purchased at the theater or in advance through Moviefone at 202- 333-FILM (Code #781) or www.moviefone.com Co-presented by the Goethe-Institut in Washington, the Austrian Embassy and the Embassy of Switzerland, with support from german-films GOETHE-INSTITUT WASHINGTON © Percy Adlon A German Wave, Focused on Today – New York Times Mahler on theMahler Couch Looking over the titles in this, the 19th annual edition of Film|Neu, two themes imme- diately present themselves: history and genre. The opening night film, Germany’s 2011 Oscar nominee, sets the pace, with producer-director-writer Feo Aladag’s international- ly lauded WHEN WE LEAVE charting the troubled emancipation of a German-born Turk- ish woman from the bonds of tradition. In a similar vein, the determined young man in Johannes Naber’s THE ALBANIAN finds that social justice in Germany is a battle hard fought and often lost. -
Bavaria Meets Western Cape Expo 2010 Artscape Theatre 10
Bavaria Meets Western Cape Expo 2010 Artscape Theatre 10. 06. – 17. 06. 2010 Bayerische Staatsregierung 1 special thanks Bayerische Staatsregierung 2 Dear Capetonians, Film Fans and Soccer Friends, A piece of Bavaria and a taste of Munich are offered in The Story of Brandner Kaspar, Oktoberfest, and Grave Decisions. The Oscar-winner We would like to invite you to take part during our Bavarian film week from The Lives of Others represents contemporary German filmmaking on the 10. – 17. June 2010 in Cape Town. An excellent choice of award-winning, whole. mostly FFF-funded productions will be presented by FFF in Cape Town and we would like to share this unique event with you. Furthermore we present a large programme for children and young people.* In cooperation with our partners PowerChild, missio, and the FilmFernsehFonds Bayern (FFF Bayern) has been funding films in Bavaria German School in Cape Town, we will be showing among others the since 1996. The fund consists of funding from five public and private Cornelia Funke screen adaptation Wild Chicks I-III, as well as the screen shareholders and the Free State of Bavaria. FFF supports the development, adaptation Lippel’s Dream by the famous German author Paul Maar, the production and distribution of TV films as well as movies and strengthens cult movies The Wild Soccer Bunch, The Crocodiles, and Vickie the mighty Bavaria as a film location. Viking. Our selected films for Cape Town tell stories about the world of soccer, the The Bavarian delegation will be in Cape Town from 9. – 15. June 2010 and African continent and Bavarian filmmaking. -
Berlin” in Selected Pre- and Post-Unification German Films
“The Wall in the Head”: Reading “Berlin” in Selected Pre- and Post-Unification German Films by Rachel E. Beattie B.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University OTTAWA, Ontario (September 23, 2005) 2005, Rachel E. Beattie Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-18242-0 Our file Notre reference ISBN: 978-0-494-18242-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Filming in Croatia 2014 Contents
Filming in Croatia Filming in Croatia 2014 Contents Introduction · 5 Regions · 68 Istria · 71 The Croatian Film Commission · 8 Kvarner and the Highlands · 75 Co-Production Funding · 13 Dalmatia · 81 Cash Rebate · 14 Slavonia · 89 Cultural Test · 17 Central Croatia · 95 Resources and Infrastructure · 22 Brief Overview of International Production know-how · 26 Productions in Croatia · 100 Production Companies · 27 Facilities and Technical Equipment · 29 Address Book · 114 Crews · 31 Production Companies · 117 Costumes & Props · 33 Post-Production, Service Locations · 35 and Rental Companies · 137 Hotels & Amenities · 37 Cinema Clubs and Art Associations · 146 Airports · 39 Distribution Companies · 148 Sea Transport · 41 State and Public Institutions · 151 Buses and Railways · 43 Professional Associations and Guilds · 152 Traffic and Roads · 45 Authors Societies and Rights Organizations · 154 Useful Info · 46 Institutions of Higher Education for Filming and Location Permits · 49 Professionals in Film, Television, Theatre Visas · 50 and Related Areas · 155 Working Permits for Foreign National Broadcasters · 156 Nationals · 51 Cinemas · 157 Customs Regulations · 53 Film Festivals · 160 Temporary Import of Film Publications · 162 Professional Equipment · 55 Facts about Croatia · 56 Basic info · 61 Basic Phrases · 65 Distances · 66 Poreč, Mladen Šćerbe, Courtesy of the Croatian Tourist Board Introduction Croatia may be a small country, but it has a remarkably vibrant film industry, with exceptional local talent and production companies that have -
Sabine Schenk Running and Clicking Narrating Futures
Sabine Schenk Running and Clicking Narrating Futures Edited by Christoph Bode Volume 3 Sabine Schenk Running and Clicking Future Narratives in Film The research leading to these results has received funding from the European Research Council under the European Community’s Seventh Framework Programme (FP7/2007-2013) / ERC grant agreement no. 229135. ISBN 978-3-11-027215-4 e ISBN 978-3-11-027243-7 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de . © 2013 Walter de Gruyter GmbH, Berlin/Boston Typesetting: PTP-Berlin Protago-TEX-Production GmbH, Berlin Printing: Hubert & Co. GmbH & Co. KG, Göttingen ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Acknowledgments [Mr. Englethorpe said:] “But to me, there is no higher honor one can give to a text than to return to it and re-examine its contents, to ask of it, ‘Does this still hold true?’ A book that is read, then forgotten – that is a mark of failure to me. But to read and reread… that is faith in the process of evolution” “Well, why dont you write one? Why don’t you collect all of your works together and write a book” Emma asked, almost exasperated. “Perhaps” Mr. Englethorpe said thoughtfully. “I am not sure which of my works to select for this book. Or perhaps I am just scared no one will read it… let alone reread it and deem it worthy of revision. -
BMC Presskit.Pdf
CONSTANTIN FILM and BERND EICHINGER present A Bernd Eichinger Production An Uli Edel Film Martina Gedeck Moritz Bleibtreu Johanna Wokalek Nadja Uhl Jan Josef Liefers Stipe Erceg Niels Bruno Schmidt Vinzenz Kiefer Simon Licht Alexandra Maria Lara Hannah Herzsprung Tom Schilling Daniel Lommatzsch Sebastian Blomberg Katharina Wackernagel with Heino Ferch and Bruno Ganz Directed by Uli Edel Written and produced by Bernd Eichinger Based on the book by and in consultation with Stefan Aust 0 Release Date: August 21, 2009 New York City www.baadermeinhofmovie.com See website for full release schedule. 2008, 2 hours, 24 minutes, In German with English subtitles. 1 U.S. DISTRIBUTOR Vitagraph Films www.vitagraphfilms.com David Shultz, President [email protected] 310 701 0911 www.vitagraphfilms.com Los Angeles Press Contact: Margot Gerber Vitagraph Films [email protected] New York Press Contact: John Murphy Murphy PR [email protected] 212 414 0408 2 CONTENTS Synopsis Short 04 Press Notice 04 Press Information on the Original Book 04 Facts and Figures on the Film 05 Synopsis Long 06 Chronicle of the RAF 07 Interviews Bernd Eichinger 11 Uli Edel 13 Stefan Aust 15 Martina Gedeck 17 Moritz Bleibtreu 18 Johanna Wokalek 19 Crew / Biography Bernd Eichinger 20 Uli Edel 20 Stefan Aust 21 Rainer Klausmann 21 Bernd Lepel 21 Cast / Biography Martina Gedeck 22 Moritz Bleibtreu 22 Johanna Wokalek 22 Bruno Ganz 23 Nadja Uhl 23 Jan Josef Liefers 24 Stipe Erceg 24 Niels Bruno Schmidt 24 Vinzenz Kiefer 24 Simon Licht 25 Alexandra Maria Lara 25 Hannah Herzsprung 25 Daniel Lommatzsch 25 Sebastian Blomberg 26 Heino Ferch 26 Katharina Wackernagel 26 Anna Thalbach 26 Volker Bruch 27 Hans-Werner Meyer 27 Tom Schilling 27 Thomas Thieme 27 Jasmin Tabatabai 28 Susanne Bormann 28 3 Crew 29 Cast 29 4 SYNOPSIS SHORT Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the still fragile German democracy.