Filming in Croatia 2014 Contents

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Filming in Croatia 2014 Contents Filming in Croatia Filming in Croatia 2014 Contents Introduction · 5 Regions · 68 Istria · 71 The Croatian Film Commission · 8 Kvarner and the Highlands · 75 Co-Production Funding · 13 Dalmatia · 81 Cash Rebate · 14 Slavonia · 89 Cultural Test · 17 Central Croatia · 95 Resources and Infrastructure · 22 Brief Overview of International Production know-how · 26 Productions in Croatia · 100 Production Companies · 27 Facilities and Technical Equipment · 29 Address Book · 114 Crews · 31 Production Companies · 117 Costumes & Props · 33 Post-Production, Service Locations · 35 and Rental Companies · 137 Hotels & Amenities · 37 Cinema Clubs and Art Associations · 146 Airports · 39 Distribution Companies · 148 Sea Transport · 41 State and Public Institutions · 151 Buses and Railways · 43 Professional Associations and Guilds · 152 Traffic and Roads · 45 Authors Societies and Rights Organizations · 154 Useful Info · 46 Institutions of Higher Education for Filming and Location Permits · 49 Professionals in Film, Television, Theatre Visas · 50 and Related Areas · 155 Working Permits for Foreign National Broadcasters · 156 Nationals · 51 Cinemas · 157 Customs Regulations · 53 Film Festivals · 160 Temporary Import of Film Publications · 162 Professional Equipment · 55 Facts about Croatia · 56 Basic info · 61 Basic Phrases · 65 Distances · 66 Poreč, Mladen Šćerbe, Courtesy of the Croatian Tourist Board Introduction Croatia may be a small country, but it has a remarkably vibrant film industry, with exceptional local talent and production companies that have an impressive record in domestic and international production. With the 20% cash rebate introduced in 2012, skilled profession- als and production costs among the lowest in Europe, Croatia is making its way back on Europe’s filmmaking map. These factors, in combination with spectacular locations and the country’s proximity to some of Europe’s largest filmmaking cen- ters such as Vienna, Budapest, Munich and Prague have led to a steady rise in the international production of commercials, televi- sion serials and major international feature films in Croatia. The year 2008 was a turning point, both for Croatian filmmakers and for international production companies filming in Croatia. In the summer of 2007, the Croatian Parliament passed a new Film Act, underlying its commitment to boosting the creative indus- tries in the country. Drava, Mario Romulić i Dražen Stojčić, 4Courtesy of the Croatian Tourist Board Filming in Croatia 2013 Filming in Croatia 2013 5 In January 2008, the newly founded governing film body, The Among these structural changes is the digitization of the Cro- Croatian Audiovisual Centre, opened its doors. In May 2008, atian independent cinema network, organized by the Croa- Croatia became the first candidate country to join the European tian Audiovisual Centre, in cooperation with the Ministry of Culture. Union’s MEDIA Programme. In 2013. the digitization project was finished adding 28 independent digital screens. 89% of the country’s cinemas are now converted to digital, enabling audiences throughout Croatia access to a wider cinema landscape and a more diverse cultural offering. 2012 has been a remarkably Furthermore, staying true to its pledge to continue giving its full support to developing filmmaking and film culture in Croatia and successful year for Croatia’s film to attracting international film projects to the country, the govern- ment has introduced the Film Production Incentive Program industry, bringing about an increase (i.e. Cash Rebate Program). Amongst the first 5 projects that have applied for the Program are 3 feature length films (amongst them in the number of films shot and is 1 co-production), 1 tv series and 1 tv film. Originating from the US, the UK, France, Switzerland and Germany, these projects screened, an increased interest in prove that the variety of the country’s locations, in combination with high-quality local service providers and financial feasibility domestic film among the Croatian have placed Croatia back on the world production map. audience, international success of Croatian co-productions and short-length works at film festivals worldwide, as well as a few important structural changes. 6 Filming in Croatia 2013 Filming in Croatia 2013 7 The Croatian Film Commission Slavonija, Mario Romulić i Dražen Stojčić, Courtesy8 of the Croatian Tourist Boardv Filming in Croatia 2013 Filming in Croatia 2013 9 The Croatian Film Commission As an integral part of the Croatian Audiovisual Centre, the Croatian Film Commission is here to help navigate filmmakers through the production waters and incentives available in Croatia. If you are considering shooting your next project in Croatia, the Croatian Film Commission would be an excellent first point of contact. With a wealth of information and insight into the nuts and bolts of filmmaking, we can provide you with all the necessary information you need in order to make an informed decision and make the most out of your filming experience in Croatia. We work closely with both the commercial, as well as the public sector in Croatia and can assist you with any queries regarding your shoot and stay in Croatia – from pairing you with local production personnel that matches your shooting requirements and assisting you with preliminary location scouting, through providing you with information concerning legal requirements, permits and logistics and putting you in touch with local and state authorities, to consult- ing you on our financing and co-production schemes and providing you with continuous support throughout your entire project cycle. From the set of Itsi Bitsi by Christian Madsen, Courtesy10 of MP Filmska produkcija Filming in Croatia 2013 Filming in Croatia 2013 11 Co-Production Funding The Croatian Audiovisual Centre provides public funding for the development and support of the Croatian Audiovisual Industry. Support is provided for script and project development; film pro- duction, promotion and international sales; festivals and audio support schemes; film education, culture and archives, as well as skills and training initiatives. International feature film co-productions are eligible to apply for grants, provided they are able to qualify as official co-productions under the bilateral co-production treaties that Croatia has with other countries or under the provisions of The European Conven- tion on Cinematographic Co-Production. In addition to three bilateral co-production treaties with France, Germany and Canada, Croatia has also ratified the European Convention on Cinematographic Co-production. Croatia is a member of the European co-production fund eurim- ages and has joined the eu media 2007 Programme in May 2008. From the set of Goltzius and the Pelican Company by Peter Greenaway 12 CourtesyFilming of MP Filmska in Croatia produkcija 2013 Filming in Croatia 2013 13 Cash Rebate Television Drama and Animation. The Rebate does not apply to Commercials, Reality tv, Game Shows and Soaps. This is a new Production Incentive What constitutes qualifying expenditure? The benefit is based on the cost of Croatian cast and crew work- Programme introduced in 2012. ing in Croatia, as well as goods and services purchased in Croatia. It is available to international and How does it work from the foreign producer’s point of view? local filmmakers in the form of The foreign producer must team up with a local Croatian co- producer or production service provider. The Croatian production a cash rebate of up to 20% of company applies to the Croatian Audiovisual Centre (havc) for a provisional certificate before the start of production, and for a production costs incurred in Croatia. final certificate upon completion of the production in Croatia. The Croatian partner is responsible for compliance with prescribed GENERAL INFO formal requirements. The Croatian partner provides the full range of production services, including locations scouting, scheduling, Type of incentive? budgeting, casting and crewing, and takes full responsibility for Cash Rebate. all production services carried out in the State throughout the life- span of the production. How much is the benefit worth? Up to 20% of the qualifying expenditure. When is it paid? The net benefit will be made available on completion of produc- Is there a cap on the amount that can be raised? Yes, tion, audit of the final cost statement and evidence that all the there is a ceiling of 20 million Kunas on qualifying local expendi- requirements have been met. ture per project. The minimum local spend per project is 300,000 Kunas for Documentaries and 2 million Kunas for Feature Films. Is there a cultural test a project must pass or some other criteria it must meet? What type of projects qualify? Yes. The Croatian cultural test comprises three categories: ‘cul- The Rebate applies to Feature Films, Documentaries, Short Films, tural content’, ‘creative collaboration’ and ‘production resources’. 14 Filming in Croatia 2013 Filming in Croatia 2013 15 Cultural Test* Minimum requirements: to be eligible, the project must score a minimum total of 15 points (from a maximum of 37), granted that at least 7 points are scored in Section B (Creative Collaboration) and at least 4 points in Section C (Production/Use of Croatian Resources). *In the light of the New Cinema Communication of the European Commission, it is very likely that some of the provisions of the Cultural Test and minimum requirements will change in the near future,most likely as of March 2014. For up-to-date information,
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