The Mapping of Africa
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Catalogue Summer 2012
JONATHAN POTTER ANTIQUE MAPS CATALOGUE SUMMER 2012 INTRODUCTION 2012 was always going to be an exciting year in London and Britain with the long- anticipated Queen’s Jubilee celebrations and the holding of the Olympic Games. To add to this, Jonathan Potter Ltd has moved to new gallery premises in Marylebone, one of the most pleasant parts of central London. After nearly 35 years in Mayfair, the move north of Oxford Street seemed a huge step to take, but is only a few minutes’ walk from Bond Street. 52a George Street is set in an attractive area of good hotels and restaurants, fine Georgian residential properties and interesting retail outlets. Come and visit us. Our summer catalogue features a fascinating mixture of over 100 interesting, rare and decorative maps covering a period of almost five hundred years. From the fifteenth century incunable woodcut map of the ancient world from Schedels’ ‘Chronicarum...’ to decorative 1960s maps of the French wine regions, the range of maps available to collectors and enthusiasts whether for study or just decoration is apparent. Although the majority of maps fall within the ‘traditional’ definition of antique, we have included a number of twentieth and late ninteenth century publications – a significant period in history and cartography which we find fascinating and in which we are seeing a growing level of interest and appreciation. AN ILLUSTRATED SELECTION OF ANTIQUE MAPS, ATLASES, CHARTS AND PLANS AVAILABLE FROM We hope you find the catalogue interesting and please, if you don’t find what you are looking for, ask us - we have many, many more maps in stock, on our website and in the JONATHAN POTTER LIMITED gallery. -
Asian Cities Depicted by European Painters ― Clues from a Japanese Folding Screen
113 Asian Cities Depicted by European Painters ― Clues from a Japanese Folding Screen Junko NINAGAWA ヨーロッパ人が描いたアジアの諸 都市 ―日本の萬国図屏風を手がかりに 蜷 川 順 子 東京の三の丸尚蔵館が所蔵する八曲一双の萬国図屏風には、制作当時の日本に知られ ていた最新の世界のイメージが描かれている。その主要な源泉は1609年のいわゆるブラ ウ=カエリウスの地図だと考えられるが、タイトルに名前のあるブラウ(1571‒1638)が1606 年に制作し1607年に出版したメルカトール図法による世界地図が、本件と深くかかわって いる。この地図は、その正確さ、地理的情報の新しさ、装飾の美しさなどの点で評判が 高く、これを借用したり模倣したりする他の地図制作者も少なくなかった。カエリウス(1571 ‒c. 1646)もそうした業者のひとりで、1609年に上述のブラウの世界地図を正確に模倣し たブラウ = カエリウスの地図を出版した。 カトリック圏のポルトガル人やスペイン人は、プロテスタント圏の都市アムステルダムで活 躍していたブラウの地図をその市場で購入することもできたが、カトリック圏の都市アント ウェルペンの出身であるカエリウスの方が接触しやすかったものと思われる。おそらくは 彼らの要請により、自身も優れた地図制作者であったカエリウスが1606/07年のブラウの 世界地図を正確に模倣し、そのことによる業務上の係争を避けるために、制作後ただち に同市から出帆する船の積荷に加えさせたのであろう。 ポルトガル人がこの地図を日本にもたらし、そのモチーフを使った屏風の制作に関わっ たことは明らかである。都市図のもっとも大きい区画をポルトガルの地図が占め、1606/07 年のオランダの地図にはなかったカトリックの聖都ローマの都市図が上段の中心付近に置 かれている。ポルトガル領内の第二の都市インドのゴアが、地図の装飾の配置から考えて ほぼ中心にあるのは、インドを天竺として重視した仏教徒にアピールするためであろうか。 こうすることで、日本におけるポルトガル人の存在を認めるよう日本の権力者に促す意図が あったのかもしれない。ここではさらに、制作に関わったと思われる日本人画家の関心な どを、アジアの都市図の描き方を手がかりに論じた。 114 A Japanese folding screen illustrated with twenty-eight cityscapes and portraits of eight sovereigns of the world [Fig. 1], the pair to a left-hand one depicting a world map and people of diff erent nations [Fig. 2], preserved in the Sannomaru Shōzōkan, or the Museum of the Imperial Collections, Tokyo, is widely recognized as one of the earliest world imageries known to Japan at that time 1). It is said to have been a tribute pre- Fig. 1 Map of Famous Cities [Bankoku e-zu](Right Screen) Momoyama period(the late 16th‒the early 17th -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Africae ut terra mariq[ue], lustrata est, propiissima ac vere genuina descriptio, observatis ad unguem gradibus longitudinis et latitudinis. Autore M. Iacobo Castaldo Stock#: 37039aj Map Maker: de Jode Date: 1578 Place: Antwerp Color: Hand Colored Condition: VG Size: 20.5 x 16.5 inches Price: SOLD Description: Rare old color example of the first state of De Jode's first map of Africa, from the 1578 edition of his Speculum Orbis Terrarum. The map is divided into two sections and includes an elephant, lions, battle scene, sailing ships and palm trees. First state with Latin text on verso but without the addition of "Cum privilegio" in the title cartouche. The map is based on the famous eight sheet Giacomo Gastaldi wall map of Africa of 1564. Within the title, De Jode recognizes Gastaldi as the author of this work ("Autore M. Iacobo Castoldo"). As De Jode was represented at the important Frankfurt Book Fair where he bought and sold maps, he possibly obtained a copy of the Gastaldi wall map of Africa during one of these fairs. Other than reducing Gastaldi's heavily detailed, eight-sheet map to one folio-sized map, the basic outline for Africa and its hydrographical and topographic features are the same. Koeman (1967-71) theorizes that De Jode may have been inspired to issue his own atlas, based on the immediate success of Abraham Ortelius' Theatrum Orbis Terrarum. It is therefore likely that this map of Africa may have been prepared sometime after 1570, but before 1578, with the intention that it would eventually be included in De Jode's atlas, pending receipt of a publisher's privilege intended to prevent unauthorized copying of his maps. -
Visscher Redrawn
VISSCHER REDRAWN By Robin Reynolds after Claes Jansz Visscher 1 Visscher Redrawn is a pen-and-ink revision of Dutch engraver Claes Jansz Visscher’s London panorama, published in 1616. In it, 21st century artist Robin Reynolds depicts modern London, arranged on the fantastic Visscher landscape. The new work was first exhibited at London’s Guildhall Art Gallery from February to November 2016, as part of the City of London’s William Shakespeare 400th and Great Fire 350th anniversary programmes. The piece includes references to the Great Fire and the London Blitz – two events that reshaped London – and hidden in the drawing are visual references to all of Shakespeare’s major works. You can find the clues, drawn from Shakespeare’s texts, on pages 17-20. While researching Visscher Redrawn, Robin Reynolds explored the life and works of Visscher and his associates in the Dutch Golden Age. Included in this handbook is his essay, Secrets in the Sky, setting out the evidence that he believes explains how the Visscher panorama was compiled by a man who had never set eyes on London. 1 CONTENTS THE 2016 PROJECT Claes Jansz Visscher 4-5 The idea of a modern London revision would be 2016 – the 400th The secret was a scroll-box, designed view in the fashion of the 1616 anniversary of the Visscher version and built by Reading carpenter Robin Reynolds 6-7 Visscher panorama surfaced in the – so again, the idea was put on ice. Graham Kemp. This permitted the mid-1990s, when Robin Reynolds artist to work on one section of the The Visscher panorama: factfile 8-9 was pursuing fantasy drawings as Early in 2014, encouraged by drawing while the rest of it was safe a hobby. -
Journeys of a Coronelli Celestial Globe [October 2020]
Journeys of a Coronelli Celestial Globe André HECK [email protected] http://www.aheck.org/ Summary I show that the Coronelli celestial globe of Strasbourg Astronomical Observatory was a piece of booty (in favor of the French authorities) at the outcome of WWI. Half a century earlier, it was part of another war booty (then to the benefit of the German army) after the Franco-Prussian war of 1870-1871. I traced back to 1910 the arrival of the globe at Strasbourg Astronomical Observatory, as a donation from the Kriegsschule in Metz and from what was left from the French École d'Application de l'Artillerie et du Génie at the same location, itself having been created in 1794 by merging several institutions in a post-revolutionary rearrangement of the French military schools. Thus the globe might have come from one of those components. Introduction Vincenzo Coronelli and his globes When I arrived in March 1983 at Strasbourg Born in Venice on 15 August 1650, Vincenzo Observatory on a position of Astronome Associé Coronelli entered at the age of 15 the convent [Associated Astronomer], the only office that of the Minor Brothers of San Nicolò della Lattuca. could be made available to me – after clearing it from garbage and pushing some pieces of old At 21, he joined the great convent of Santa Maria furniture on the sides – was a large room next to Gloriosa dei Frari where he established in 1685 the rotonde, a round hall on the main floor of the an etching workshop very active in cartographic Grande Coupole [Big Dome]. -
FOR PEOPLE WHO LOVE EARLY MAPS 99298 IMCOS Covers 2012 Layout 1 06/02/2012 09:45 Page 5
IMCSJOURNAL S pr ing 2013 | Number 132 FOR PEOPLE WHO LOVE EARLY MAPS 99298 IMCOS covers 2012_Layout 1 06/02/2012 09:45 Page 5 THE MAP HOUSE OF LONDON (established 1907) Antiquarian Maps, Atlases, Prints & Globes 54 BEAUCHAMP PLACE KNIGHTSBRIDGE LONDON SW3 1NY Telephone: 020 7589 4325 or 020 7584 8559 Fax: 020 7589 1041 Email: [email protected] www.themaphouse.com JOURNAL OF THE INTERNATIONAL MAP COLLECTORS’ SOCIETY FOUNDED S pr ing 2013 | Number 132 1980 FEATURES Mercator and his ‘Atlas of Europe’ 13 Self-protection, official obligations and the pursuit of truth Peter Barber High in the Andes partii 25 Further adventures of the French Academy expedition to Peru Richard Smith ‘The Dutch colony of The Cape of Good Hope’ 30 A map by L.S. De la Rochette Roger Stewart REGULAR ITEMS A Letter from the Chairman 3 Hans Kok From the Editor’s Desk 5 Ljiljana Ortolja-Baird IMCoS Matters 7 Mapping Matters 37 Worth a Look 46 You Write to Us 49 Book Reviews 53 Copy and other material for our next issue (Summer 2013) should be submitted by 1 April 2013. Editorial items should be sent to the Editor Ljiljana Ortolja-Baird, email [email protected] or 14 Hallfield, Quendon, Essex CB11 3XY United Kingdom Consultant Editor Valerie Newby Designer Catherine French Advertising Jenny Harvey, 27 Landford Road, Putney, London SW15 1AQ United Kingdom Tel +44 (0)20 8789 7358, email [email protected] Please note that acceptance of an article for publication gives IMCoS the right to place it on our website. -
Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice
Stephen F. Austin State University SFA ScholarWorks Faculty Publications School of Art Spring 3-2016 Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice Jill E. Carrington School of Art, [email protected] Follow this and additional works at: https://scholarworks.sfasu.edu/art Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Tell us how this article helped you. Repository Citation Carrington, Jill E., "Venetian Cartography and the Globes of the Tommaso Rangone Monument in San Giuliano, Venice" (2016). Faculty Publications. 3. https://scholarworks.sfasu.edu/art/3 This Article is brought to you for free and open access by the School of Art at SFA ScholarWorks. It has been accepted for inclusion in Faculty Publications by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. Venetian Cartography and the Globes of the Tommaso Rangone Monument in S. Giuliano, Venice* Jill Carrington Highly specific stone reliefs of a terrestrial and a celestial globe flank the bronze statue of physician and university professor Tommaso Rangone (1493-1577) in his funerary monument on the façade of S. Giuliano in Venice (1554-1557; installed c. 1558) (Fig. 1).1 The present essay is the first to examine the strikingly specific imagery of these globes; it compares them to actual maps and globes, argues that the features of the globes were inspired by contemporary world maps likely owned by Rangone himself, relates the globes to the emergence of globe pairs at the time and situates them within the thriving production of maps, atlases, and treatises in mid-sixteenth century Venice and in the very neighborhood where these cartographic works were produced and sold. -
A Recently Discovered Portolan Chart the Oldest Map of Monaco? the Map Afternoon 2017 Excursion to the Hague - Visiting the VOC Archives
MAPS IN September 2017 Newsletter No HISTORY 59 A recently discovered portolan chart The oldest map of Monaco? The Map Afternoon 2017 Excursion to The Hague - Visiting the VOC archives ISSN 1379-3306 www.bimcc.org 2 SPONSORS EDITORIAL 3 Contents Intro Dear Map Friends, Exhibitions Paulus In this issue we are happy to present not one, but two Aventuriers des mers (Sea adventurers) ...............................................4 scoops about new map discoveries. Swaen First Joseph Schirò (from the Malta Map Society) Looks at Books reports on an album of 148 manuscript city plans dating from the end of the 17th century, which he has Internet Map Auctions Finding the North and other secrets of orientation of the found in the Bayerische Staatsbibliothek. Of course, travellers of the past ..................................................................................................... 7 in Munich, Marianne Reuter had already analysed this album thoroughly, but we thought it would be March - May - September - November Orbis Disciplinae - Tributes to Patrick Gautier Dalché ... 9 appropriate to call the attention of all map lovers to Maps, Globes, Views, Mapping Asia Minor. German orientalism in the field it, since it includes plans from all over Europe, from Atlases, Prints (1835-1895) ............................................................................................................................ 12 Flanders to the Mediterranean. Among these, a curious SCANNING - GEOREFERENCING plan of the rock of Monaco has caught the attention of Catalogue on: AND DIGITISING OF OLD MAPS Rod Lyon who is thus completing the inventory of plans www.swaen.com History and Cartography of Monaco which he published here a few years ago. [email protected] The discovery of the earliest known map of Monaco The other remarkable find is that of a portolan chart, (c.1589) ..........................................................................................................................................15 hitherto gone unnoticed in the Archives in Avignon. -
Redeeming the Truth
UNIVERSITY OF CALIFORNIA Los Angeles Redeeming the Truth: Robert Morden and the Marketing of Authority in Early World Atlases A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Laura Suzanne York 2013 © Copyright by Laura Suzanne York 2013 ABSTRACT OF THE DISSERTATION Redeeming the Truth: Robert Morden and the Marketing of Authority in Early World Atlases by Laura Suzanne York Doctor of Philosophy in History University of California, Los Angeles, 2013 Professor Muriel C. McClendon, Chair By its very nature as a “book of the world”—a product simultaneously artistic and intellectual—the world atlas of the seventeenth century promoted a totalizing global view designed to inform, educate, and delight readers by describing the entire world through science and imagination, mathematics and wonder. Yet early modern atlas makers faced two important challenges to commercial success. First, there were many similar products available from competitors at home and abroad. Secondly, they faced consumer skepticism about the authority of any work claiming to describe the entire world, in the period before standards of publishing credibility were established, and before the transition from trust in premodern geographic authorities to trust in modern authorities was complete. ii This study argues that commercial world atlas compilers of London and Paris strove to meet these challenges through marketing strategies of authorial self-presentation designed to promote their authority to create a trustworthy world atlas. It identifies and examines several key personas that, deployed through atlas texts and portraits, together formed a self-presentation asserting the atlas producer’s cultural authority. -
Antiquariat Daša Pahor
Milano Map MOSTRA DEL LIBRO Fair E DELLA STAMPA ANTICA CARTA ANTICA a MILANO CATALOGO Antiquariat Daša Pahor Milano - 27 febbraio 2016 Antiquariat Daša Pahor Jakob-Klar-Straße 12 80796 München, Germania Tel: +49 89 27372352 - Fax: +49 89 27372352 [email protected] - www.pahor.de SPAIN - BALEARIC ISLANDS / FINE POLISH PRINTING: KRÓTKIE ALE FUNDAMENTALNE OPISANIE BALEARYJSKICH I PYTHYUZYJSKICH WYSP MAJORCA, MINORCA, IVICA I FORMENTERA Z DOWODNIEYSZYCH I NOWSZYCH RELACYI ZEBRANE I DO DRUKOWANIA Z NIEMIECKIEGO. Extremely rare – a lovely gem that represents the first detailed description of the Balearic Islands in Polish, issued in the wake of the Fall of Minorca (1756), by the Jesuit Press of Warsaw, including a fine sheet of maps engraved by Bartłomiej Strachowski. Author: JESUIT PRESS, WARSAW [DRUKARNIA JEZUICKA, WARSZAWA]. Place and Year: Warsaw: [Jesuit Press], 1756. Technique: Code: 63305 Octavo (17.5 x 11 cm / 6.9 x 4.3 inches): 8, 72, 1 folding plate of maps (30 x 45.5 cm / 11.8 x 17.9 inches) – Collation Complete, bound in contemporary half calf with marbled boards (Very Good, internally bright and clean, main title with paper in blank space below text carved out and replaced with a patch (an old alteration) in order to supposedly remove stamp, just grazing a few letters but otherwise no loss, map with excellent original hand colour with one small tear with old repairs at hinge just entering image, binding with some splitting at head and tail and minor shelf wear but overall good and firm). 2.800 EUR CHRISTIAAN HUYGENS: C. HUYGENS. Author: After Bartholomeus van der Helst (circa 1613 - 1670) ?. -
Early & Rare World Maps, Atlases & Rare Books
19219a_cover.qxp:Layout 1 5/10/11 12:48 AM Page 1 EARLY & RARE WORLD MAPS, ATLASES & RARE BOOKS Mainly from a Private Collection MARTAYAN LAN CATALOGUE 70 EAST 55TH STREET • NEW YORK, NEW YORK 10022 45 To Order or Inquire: Telephone: 800-423-3741 or 212-308-0018 Fax: 212-308-0074 E-Mail: [email protected] Website: www.martayanlan.com Gallery Hours: Monday through Friday 9:30 to 5:30 Saturday and Evening Hours by Appointment. We welcome any questions you might have regarding items in the catalogue. Please let us know of specific items you are seeking. We are also happy to discuss with you any aspect of map collecting. Robert Augustyn Richard Lan Seyla Martayan James Roy Terms of Sale: All items are sent subject to approval and can be returned for any reason within a week of receipt. All items are original engrav- ings, woodcuts or manuscripts and guaranteed as described. New York State residents add 8.875 % sales tax. Personal checks, Visa, MasterCard, American Express, and wire transfers are accepted. To receive periodic updates of recent acquisitions, please contact us or register on our website. Catalogue 45 Important World Maps, Atlases & Geographic Books Mainly from a Private Collection the heron tower 70 east 55th street new york, new york 10022 Contents Item 1. Isidore of Seville, 1472 p. 4 Item 2. C. Ptolemy, 1478 p. 7 Item 3. Pomponius Mela, 1482 p. 9 Item 4. Mer des hystoires, 1491 p. 11 Item 5. H. Schedel, 1493, Nuremberg Chronicle p. 14 Item 6. Bergomensis, 1502, Supplementum Chronicum p. -
THE CONSTELLATION MUSCA, the FLY Musca Australis (Latin: Southern Fly) Is a Small Constellation in the Deep Southern Sky
THE CONSTELLATION MUSCA, THE FLY Musca Australis (Latin: Southern Fly) is a small constellation in the deep southern sky. It was one of twelve constellations created by Petrus Plancius from the observations of Pieter Dirkszoon Keyser and Frederick de Houtman and it first appeared on a 35-cm diameter celestial globe published in 1597 in Amsterdam by Plancius and Jodocus Hondius. The first depiction of this constellation in a celestial atlas was in Johann Bayer's Uranometria of 1603. It was also known as Apis (Latin: bee) for two hundred years. Musca remains below the horizon for most Northern Hemisphere observers. Also known as the Southern or Indian Fly, the French Mouche Australe ou Indienne, the German Südliche Fliege, and the Italian Mosca Australe, it lies partly in the Milky Way, south of Crux and east of the Chamaeleon. De Houtman included it in his southern star catalogue in 1598 under the Dutch name De Vlieghe, ‘The Fly’ This title generally is supposed to have been substituted by La Caille, about 1752, for Bayer's Apis, the Bee; but Halley, in 1679, had called it Musca Apis; and even previous to him, Riccioli catalogued it as Apis seu Musca. Even in our day the idea of a Bee prevails, for Stieler's Planisphere of 1872 has Biene, and an alternative title in France is Abeille. When the Northern Fly was merged with Aries by the International Astronomical Union (IAU) in 1929, Musca Australis was given its modern shortened name Musca. It is the only official constellation depicting an insect. Julius Schiller, who redrew and named all the 88 constellations united Musca with the Bird of Paradise and the Chamaeleon as mother Eve.